Statistically, those of us born in the US are incredibly lucky. The likelihood that someone is born in Asia is so much more likely when you consider population density. Having lived in India from the end of 2008 into the beginning of 2009, I was witness to the victory of Barack Obama, The Mumbai attacks, and the general obsession with Western culture. If Indian parents can afford to send their kids to college here or if an adult can procure a job in The States, this is a huge deal. The concept of American citizens assuming that legal immigrants are “stealing” their jobs can be true for companies whose goal is to save money, but that’s not always the case. Most of the time, if someone from another country is hired, it’s because they are rightfully qualified. FOR HERE OR TO GO? follows the story of one man’s journey through the H-B1 visa process and continuing his pursuit of the American dream.
Young Silicon Valley software engineer Vivek Pandit is poised to become a key hire at a promising healthcare startup, but when they realize his work visa has less than a year remaining, the offer disappears. Having learned the hard way about the flaws in his “it’s just paperwork” mentality, Vivek battles forces beyond his control to get his visa extended, whether at his existing company or a new job. Along the way, his eyes are opened to the similar struggles of his own roommates and those around him. American in mind and Indian at heart, this is a contemporary story of ambition and ambivalence fueled by one’s immigration status that characterizes the dilemma of modern cultural displacement.
The film reads beyond authentic. I may have found it a bit more intriguing having the experience in Indian culture first hand. But the heart and humor should be obvious to any audience. This film is truly politically relevant at the moment and has been killing it on the festival circuit. The cast has a wonderful chemistry. Each performance is nuanced real. Though I will say our leading man, Ali Fazal, has a likeability and charm that is unsurpassed by anyone else in the film. This script may have to be considered in an “if the shoe were on the other foot scenario” to truly be appreciated to it’s fullest. First-time writer Rishi S. Bhilawadikar wrote the screenplay after her own personal struggles with immigration to the United States. Searching fоr thе best Las Vegas immigration lawyer іѕ оf utter importance іf уоu want success іn уоur immigration application. Onlу a good immigration attorney wіll hаvе knowledge оf аll nuances аnd finer points оf immigration law tо achieve best results fоr уоur immigration application. All thе aspects оf immigration application require deft handling аnd exceptional skill, whеthеr filing papers оr preparing fоr interview. It іѕ important tо ѕее thаt уоur immigration lawyer specializes іn thе area fоr whісh уоu аrе filing уоur immigration application.
Let me be clear, while the film has an overall theme, there is much more to celebrate. There is a love story, roommate shenanigans, and an immersive comedy that comes with both the Indian and Western cultures. FOR HERE OR TO GO? is a really enjoyable film, and film festivals seem to agree. It has screened for audiences at no less than 15 different fests since 2015. You can catch it yourself in theaters this Friday, March 31st.
In Theaters on March 31st
Starring: Ali Fazal (Furious 7), Melanie Chandra (CBS’s “Code Black”), Omi Vaidya (TV’s “Brown Nation”), Amitosh Nagpal (TV’s “Powder”) and Rajit Kapur (Life is Good).
RT: 105 Minutes
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Sometimes, when it’s 3 am and my unborn baby girl decided it’s an awesome time to do a dance instead of letting me sleep, I become, shall we say, a little grumpy. 3 weeks away from my second child, I’m freaking tired and sore and over being pregnant. Don’t get me wrong, I’m thrilled for this peanut. My soon to be two children will be less than 16 months apart. Yup, two under two. I shudder to think about the amount of rest I will not be getting for the next 18, nay, 19 years. All that being said, I’ll have my perfect little salt and pepper set, all we need is the dog. There will be days I will want to flee, I’m sure… but I cannot imagine a day where the acts of my kids will compel me to start, let’s say, murdering people. Though, it’s early and who am I to judge. In Alice Lowe‘s directorial debut, PREVENGE, Ruth’s unborn child is telling her to murder a very specific list of people and perhaps for a good reason.
Written, directed and starring Lowe while she was actually 7 1/2 months pregnant, Prevenge is savage and wickedly demented. Sharp British humor heightens this in-your-face rampage. As much as you attempt to figure out the actual reason for the string of murders, you won’t until very late into the film and thus a sign of great writing. Lowe’s portrayal of Ruth is frighteningly grounded and wonderful. The cast is filled with familiar faces and the chemistry between Lowe and her (mostly) victims is perfection. The colors are vibrant and the jarring jump cuts interspersed are incredibly effective. The film is weird and gruesome and unlike anything you’ve seen before. It’s just plain cool.
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THE DEVIL’S CANDY
I had to look twice, nay, three times to make sure I wasn’t seeing things. Ethan Embry is a ripped, rock god in this surprising feature. I cannot express how much adored this film. With a slight Amityville feel, the latin voices heard in this film will get under your skin immediately. Loaded with seriously sick tunes from bands like Metalica and Queens of the Stoneage, the music takes on a life of its own in The Devil’s Candy. The film has an 80’s throwback feel in approaching the death metal and satanic ritual link. Visually, one of the coolest flicks I’ve seen in a while, especially for a horror. High-end effects are beautifully juxtaposed with unique paintings as each is being assembled… or disassembled as it were. The entire cast is spot on awesome. The Devil’s Candy has gorgeous framing and jump scares galore. I HIGHLY recommend you catch this particular selection if horror is truly your genre of choice. It will make your head spin and your skin crawl. It’s one of the best of 2017.
Dominic Monaghan shells out the sarcasm and darkness with joy. He is quirky and creepy and has multiple levels of intrigue. As expected I was treated to nothing less than a fantastic performance from him. I would watch him in anything. Sarah Habel‘s performance, on the other hand, leaves much to be desired. Her delivery of the dialogue feels mostly unbelievable. She does progress as the film rolls on, but I would tag her as the weakest of the 3 person cast. Tom Sizemore easily fills out a complex character in both screen presence and performance. He and Monaghan are a wonderful pairing. 
The film’s overall aesthetic is brilliant. It strikes the perfect balance of a small time Bladerunner meets Alien. The holographic CG is stunning against the rusted out, spacious feel of the rest of the sets. Lighting, whether overwhelmingly bright or damn near pitch black elevates the sense of solitude and impending dread. The script is much more complex than it appears to be. You will not know what’s truly unfolding until the very end. You can certainly try and guess, but writers Kevin Burke, Fred Fernandez-Armesto, Adam Gyngell definitely keep you on your toes. You can catch Atomica in select theaters this Friday, the 17th and on VOD and Digital HDMarch 21st.
Director Simon Rumley brings us the eerie and unsettling story of a man’s whose spirit is haunting and destroying the lives of those directly responsible for his potentially wrongful conviction and eventual execution. With quick cuts and a brilliant use of sound dynamics, Rumley has managed to create an incredibly effective scary movie. With cringeworthy moments and no essentially zero jump scares, Johnny Frank Garrett’s Last Word will make you uncomfortable from start to finish. The casting is wonderful, with Mike Doyle as the juror with a conscience, attempting to break the curse Garrett has set upon the truly guilty. Sean Patrick Flanery‘s portrayal of corrupt DA is both enraging and engaging. Devin Bonnée‘s performance as Garrett is frightening and powerful. There are moments where the film feels more like a Nine Inch Nails music video than a film, but that’s not a knock. Its stylistic choices are what make it most intriguing. Check out the trailer below.
This sweeping romance is everything you want it to be. A grand score by Geoff Zanelli sets the tone for this gorgeously constructed period piece with a powerhouse cast. Director Joseph Ruben brings to life the story of a young woman, although born into wealth, has the desire to be of service as a nurse wherever she is needed. Inspired by a visiting doctor, she makes arrangements to use her inheritance to fund medical supplies and travel to a remote hospital in the Ottoman Empire. Along the way she tags a lieutenant in the Ottoman Imperial Army to be her escort to her inspiring doctor. Sparks fly as tradition and duty come into call and cooler heads must prevail in love and war, but who will win? 
Hera Hilmar plays our leading lady with the tenacity and innocence to make you both admire and route for her. Michiel Huisman as our Lieutenant is valiant, passionate, and maintains a ceaseless faith in doing what’s right. Josh Hartnett plays Jude as elegantly strong and equally stubborn. The unsurpassed master, Sir Ben Kingsley as hospital founder Woodruff, is strong-headed but for good reason. He becomes the guidance so desperately needed in Lillie’s adventure. The chemistry between the cast is deliciously palpable. I cannot imagine any of these roles filled by other actors. The costumes and the attention to detail are impeccable. The Ottoman Lieutenant is historically interesting and beautifully written, but don’t write it off as “just a romance.” The film tackles such issues as the outbreak of the Armenian genocide, gender politics, and transcending cultural and religious norms in the name of love. You can catch the film nationwide today, March 10th.
Once we saw Dakota Fanning in I Am Sam, there was no doubting she would become one of the most talented actresses of her time. Taking on daring roles has always been part of her repertoire. She has never been afraid to push the envelope as a professional. In BRIMSTONE, Fanning plays a young woman whose life, we come to learn, has been nothing but hardship and emotional torture, mainly at the hands of one man. 
Guy Pearce plays a sadistic preacher hunting Fanning’s character, Liz. His sick interpretation of the Bible leads them both on a journey that takes danger to the next level. Liz only wants to protect her family and the Reverand wants nothing more than to destroy her. The script is extremely dark and completely unexpected. At a full 2hr and 20 min run, you never see what’s around the bend. It’s emotionally exhausting and that is meant to be a compliment. Pearce is vile in every way. Skin-crawlingly good in this role. Kit Harrington is a breath of fresh air and I wish we had seen more of him, but understand his purpose. The cast is exquisite and their chemistry is phenomenal.
Fanning is nothing short of brilliant, almost having to tackle several different characters in the same film. To say more would give away too much and I encourage you to experience the film for yourself. While Brimstone can be difficult to watch during multiple scenes, it’s presentation is outstanding. Presented as chapters of the Bible and out of order, you discover information along the way that ultimately sets up the ending. Never a dull moment, the film’s intensity cannot be denied. You can see Brimstone in theaters and On Demand this Friday, March 10th. Check out the trailer below.
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There is definitely more than meets the eye to this coming of age, high school basketball story. Newcomer Taylor John Smith plays “Saint”, a kid trying desperately to make everyone around him happy. He is emotionally stretched thin and like many high school students who want/need to achieve their lofty dreams, finally meets his breaking point. WOLVES is filled to the brim with fantastic performances. With a heavy hitting cast alongside Smith, there are more layers to this film, and it all comes down to perspective.
This truly entertaining doc lets us peek behind the feathers and into the lives of a troupe of very awesome entertainers. Often times the perception of Burlesque is objectification. This is totally misleading. The art of burlesque is about empowerment. It is not about having the perfect body, in fact, some of the best dancers are not the shapes we expect. Infusing sexiness, glamor, and humor is all part of the special form of performance. Here are a few introductions to the individuals we get to meet in the film.
Zora Von Pavonine, one of the stars featured in the film, spends every waking minute perfecting her act and 
We also meet Angelique DeVil, a college graduate and a dancer by trade, who credits burlesque for allowing her to express her various “personalities” – thus making her alive!
Lastly, Isaiah Esquire, is often referred to as “Glamazon.” He confesses that dance has transformed him from a shy, stuttering teenager who suffered from body image issues to a confident performer, dancer, and teacher.
With the perfect balance of intimate sit down interviews, backstage/rehearsals, and full-out performances, BURLESQUE: HEART OF THE GLITTER TRIBE is as enjoyable to watch as it is to be in awe of. You can watch the film
SYNOPSIS: When a photographer (Abbie Cornish) suffers severe memory loss after a traumatic accident, strange clues amongst her photos suggest she may be responsible for the deaths of family members she never knew she had. Justin Long plays a psychiatrist who helps her recover lost memories.
In Lavender, Abbie Cornish‘s character Janie is haunted by memories old and new. Trying desperately to reconnect to her childhood, she is drawn back to the home she once lived in and where her family was massacred. Problem is, she has zero memory of anything involved in that time or space. A car accident has triggered someone or something to send her mysterious gifts to help along the way. Her daughter Alice is being affected as well. Can Janie put together the disturbing clues in time to save history from repeating itself? A speeding ticket lawyer is a legal professional who practices law and focuses mostly on vehicular traffic infraction and other crimes related to this particular offense. This is an important matter because many people who commit this may overlook this and take it for granted or forget about it. If this happens, the crime may become a bigger issue. An attorney who specializes in this particular field is specially trained and educated to defend his client for charges associated with this offense. If you want to get more details, then visit 
Cornish is wonderful in this role. It’s a subtle and believable performance under truly bizarre circumstances. Dermot Mulroney plays her only living relative and uncle. His genuine and seemingly even paced presence is a gift to the film. Not to be left out is the altogether unsettling Justin Long. As Janie’s doctor, there is something a little extra strange about his character that will drive your brain to do somersaults as the plot twists at every turn. A bit of a departure from his usual fare, there is no denying his talent here. Nothing but praise for the entire cast as the chemistry is palpable. Director Ed Gass-Donnelly uses music and sound to his advantage to build the unease. With co-writer Colin Frizzell, the script will challenge you at every turn. Clever use of what appears to be a 360-degree camera and quick cuts only adds to the suspense. You will not figure it out until the final 10-15 minutes of the film. Lavender is a thrilling little gem.
My Name is Emily is a stunning coming of age film. Evanna Lynch shines in this complex role of a sad and brilliant young lady. The layers of this character come from the outstanding script from writer/director Fitzmaurice. Infusing philosophy, literature, poetry, loss and teenaged angst all intertwined into a story of finding oneself through letting go and letting people in. Michael Smiley is as wonderful as he’s ever been, touching the cornerstone of every possible emotion. George Webster, in particular, is one hell of a find. His natural ability to draw you in is reminiscent of the late Anton Yelchin. He will seduce you with his awkwardness and charm the pants off you all in the same scene. The honest chemistry between Lynch and Webster makes this film what it is. Another high note (pun not intended) is the glorious soundtrack. Each song evokes a familiarity that seems to fit perfectly into the moment. With a cool mix of voiceover moments and flashbacks, My Name is Emily is a true delight.
A film by Justin Kelly
WRITTEN AND DIRECTED BY:
The film overall was underwhelming. The acting did hugely improve as the film went on, however I believe it really could of been better if select parts of the story had been done differently. The overall theme that I think 
Scott B. Hansen‘s film is a visual feast for most of its run. At moments, it appears to be two different films with any scenes specifically involving the occult are spectacular. They rival any big budget film like The Conjuring. On the other hand, the scenes that are not directly linked to these moments come off as afterthoughts with a low quality to them. The difference between the two is rather astounding. The acting from the majority of the cast is down right atrocious, with three perfromances withstanding this criticism. Lead Chris Minor, who carries the film on his shoulders, does a great job taking on a familiar horror trope with his emtional heart on his sleeve. Jake Brinn, as stoner sidekick Clay, gives a down to earth portrayal. You could easily think he was plucked from a local college to play this role overnight. Our lady of the hour in The Possession Experiment is actress KT Fanelli. Her commitment to playing a woman too far gon to save is, frankly, award worthy. Color me impressed with her ability to take on the physicality required to make this a convincing performance. 
Some if us had great childhoods. Others, perhaps a rocky road. Abuse in a family can cause rifts both seen and unseen. How far would you go to protect your loved one? In Soham Mehta‘s new film, RUN THE TIDE, a young man is faced with the biggest nightmare so far. The return on his abusive mother now threatens the life he’s provided for his younger brother. Can time heal everything?
RUN THE TIDE stars Taylor Lautner (The Twilight Saga, “Scream Queens”), Constance Zimmer (“UnREAL,” “Entourage“), Kenny Johnson (“Bates Motel,” “Secrets and Lies”), Johanna Braddy (“UnREAL,” “Greek”) and introducing Nico Christou. Lautner gives a viscerally raw performance as the older brother who endured years of physical and emotional abuse at the hands of his mother, played beautifully by Zimmer. It’s a far cry for both, as we’re used to seeing Lautner is action roles these days. He easily wears his heart on his sleeve and proves we’ve been taking his acting chops for granted for far too long. Zimmer’s role is about as unglamorous a departure from the hit series UnReal as you can get also showing her immense talent. The chemistry between Lautner and newcomer Nico Christou is out of this world. Their bond feels anything but forced and they make the film what it is. Christou’s natural abilities are vastly beyond what you’d expect from someone his age. The soundtrack is one of the first things that captures you in this film. The thoughtfully chosen songs are ones that make you want to close your eyes and breathe. Writer Rajov Shah takes the entire film to present the back story and it comes off as completely organic in pacing. Run The Tide is a nice film about second chances and the realities for sacrifice.
Happy Thanksgiving! We are so excited to bring you this breaking news about THE SAN ANTONIO 4 – subjects of the award winning documentary “SOUTHWEST OF SALEM: THE STORY OF THE SAN ANTONIO FOUR.” Today, the Texas Court of Criminal Appeals has declared these four women innocent and fully exonerated. They were wrongfully convicted close to 20 years ago for a crime they did not commit. 
The Twilight Zone is still one of my favorite shows in television history. Each episode has an unpredictable storyline and a twist ending. The new film THE SIMILARS (LOS PARECIDOS) might be using the beloved series as a blueprint for its overwhelmingly creepy premise. Director Isaac Ezban gives us a glorious gift is shock and awe in this homage to one of the greats. 
The film opens with a visual precision that is truly impressive. It is set in 1968, in a bus station, 5 hours outside of Mexico City. A massive rain storm has stranded an eclectic group of strangers. No buses are arriving at the station and vague messages are streaming from a radio connected to the speaker system. The singular phone is connecting sporadically and everyone is on edge. The mood gets more tense when the group begins experiencing odd symptoms, one by one. Why is this happening? Can it be stopped? 
From the lighting to the costumes and the superb writing, the story zooms into action from opening to end credits. Constantly making you guess and jaw drop, The Similars is one hell of a ride into the unbelievable. The cast is a director’s dream and their chemistry and delivery is both period appropriate and fantastic. There is not one single moment in its entire run that bored me or lost my attention. I was impressed at the level of weird and wanted desperately to know how it would all end. Writer/Director Isaac Ezban has given us a real gift with this film and I cannot wait to see what comes next.
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