Review: ‘THE LIMEHOUSE GOLEM’ gives us a theatrical look at murder and mayhem.

 presents

THE LIMEHOUSE GOLEM

**World Premiere – Toronto International Film Festival 2016**

**Official Selection – Sitges Film Festival 2016**

The city of London is gripped with fear as a serial killer – dubbed The Limehouse Golem – is on the loose and leaving cryptic messages written in his victim’s blood.  With few leads and increasing public pressure, Scotland Yard assigns the case to Inspector Kildare (Bill Nighy) – a seasoned detective with a troubled past and a sneaking suspicion he’s being set up to fail.  Faced with a long list of suspects, including music hall star Dan Leno (Douglas Booth), Kildare must get help from a witness who has legal troubles of her own (Olivia Cooke), so he can stop the murders and bring the killer to justice.

Based on the novel “Dan Leno and the Limehouse Golem” by Peter Ackroyd, the film was written by the acclaimed writer Jane Goldman (KingsmenThe Woman in Black), directed by Juan Carlos Medina (Painless) and produced by Stephen Woolley (Their Finest, Interview with a Vampire), Joanna Laurie (Hyena) and Elizabeth Karlsen (Carol).  The film stars Bill Nighy (Love Actually, Underworld), Olivia Cooke (Me and Earl and the Dying Girl, “Bates Motel”), Douglas Booth (Pride, Prejudice and ZombiesNoah), Daniel Mays (“Line of Duty”) and Eddie Marsan (Sherlock Holmes, “Ray Donovan.”) The Limehouse Golem is a whirlwind mystery. Jane Goldman has taken Peter Ackroyd‘s novel and brought it to life from page to screen and ultimately stage since much of the story revolves around live performances and theatrical ambition. The costumes and set are gorgeous, striking a perfect visual balance of play costumes and period dress. The dark Limehouse district scenes of macabre and the vibrant, hyper-saturated theater are striking in contrast. The story cannot help but grab you as you try to keep up with the suspects alongside Nighy‘s lead. The cast is a true ensemble of talent. Bill Nighy‘s role was originally meant for the late Alan Rickman, but once his health began to decline Nighy stepped into the role. The film is actually dedicated to Rickman’s memory. Nighy is brilliant and powerful as usual in his honest search for the truth. Olivia Cooke, who’s talent is grossly underrated, does a spectacular job as she navigates a complicated woman in Lizzie Cree. I would be remiss if I didn’t give a standing ovation, as it were, to Douglas Booth in his engrossing portrayal of real life actor Dan Leno. Funny, touching, purely entertaining, Booth owns this role. The script will keep you on your toes and with a murder mystery, what more can you ask for?

THE LIMEHOUSE GOLEM in Theaters, on VOD and Digital HD today September 8, 2017.

Review: ‘Fantastic Beasts and Where to Find Them’- A Trip into the Wizarding World Worth Waiting For

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When Warner Bros released the spectacular Harry Potter and the Deathly Hallows – Part 2 in 2011, many believed this to be the conclusion of the wizarding world of J.K. Rowling, but here we are just five years later and we’re heading back into the Harry Potter universe with Fantastic Beasts and Where to Find Them,  a prequel of sorts which expands the magical realm to 1920’s New York City. David Yates continues his tenure as director as he did for the final four films in the Harry Potter franchise and is tasked with helming all five films in this new series. Can this new wizarding tale hold up to the high standards of the boy who lived epic? Let’s begin…accio review!

FANTASTIC BEASTS AND WHERE TO FIND THEM

Magizoologist Newt Scamander (Eddie Redmayne) is your normal run of the mill Hufflepuff, hard working, friendly and loyal to a fault. Passionate about magical creatures from an early age, he traveled the world observing beasts and their behavior in the wild, which is what brings him to New York City. After a niffler escapes his suitcase, Newt searches for the pesky creature in a local bank where he encounters Jacob Kowalski (Dan Fogler) a “no maj”, or non wizard folk, who witnesses Newt’s magical powers and fantastic creatures. Unbeknownst to Newt, another wizard, Porpentina Goldstein (Katherine Waterston) has spotted the young wizard and witnesses his reckless actions. As an employee of the Magical Congress of the United States of America, Porpentina must report Newt to the authorities for carrying his magical creatures into the city; only one problem…the suitcase has been mistakenly switched! Faced with the notion that a no maj is in possession of a suitcase full of magical creatures, Tina and Newt head out to find Jacob in hopes to stop him from accidentally setting the creatures free.

FANTASTIC BEASTS AND WHERE TO FIND THEM

But the creatures aren’t the only thing threatening the wizards. Percival Graves (Colin Farrell), a high-ranking Auror and the Director of Magical Security for MACUSA, is in charge of the protection of wizards and set with the task of tracking down Newt. There is also the growing concern of The New Salem Philanthropic Society, an extremist group lead by Mary Lou Barebone (Samantha Morton) who is trying to rally the citizens of New York behind her cause to “out” the members of the wizarding community and rid the world of their unusual powers. She is aided by her adopted son Credence Barebone (Ezra Miller) and a legion of young children looking to assemble an army to their cause. If that wasn’t enough, there’s Gellert Grindelwald, a dark wizard who has caused growing concern after recent attacks on the wizarding community and could reappear at any moment. Newt and Tina must rush against friend and foe to complete their mission before time runs out.

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The mind of J.K. Rowling will never cease to amaze me. To take a companion text book about magical creatures that she wrote under the pseudonym of the fictitious author Newt Scamander and turn it into a new film franchise that is exciting and carefully connected to the Harry Potter universe is an exceptional feat.  David Yates has become an integral part of the creative process of the wizarding world and his dedication to J.K. Rowling’s source material cannot be duplicated. After successfully navigated the dark storylines of the final books in the Harry Potter series, Yates now brings  Fantastic Beasts and Where to Find Them and these new wonderful characters to audiences that are faced with uncharted waters, a film series with no source material to reference! But the film plays out like an old, trusted, well read novel that we, of course, have known all along thanks to both Rowling and Yates.

FANTASTIC BEASTS AND WHERE TO FIND THEM

Eddie Redmayne is outstanding as Newt Scamander, a role he most certainly was destined to play. Accompanied by the lovely and talented actresses Katherine Waterston and Alison Sudol and the lovable no maj Dan Fogler, this team of unlikely heroes is perfectly cast and are the cornerstones in this new tale. Their story is just beginning and fans will be eager to see where the adventures takes them.

Overall, Fantastic Beasts and Where to Find Them is an exceptional introduction into this new expansion of J.K. Rowling’s wizarding world. Keep your eyes and ears peeled to the screen for easter eggs and references to the Harry Potter universe and enjoy the adventure, it is worth the trip.

Stars:

4 1/2 out of 5

After Credit Scene?

None

Trailer

Review: ‘Inferno’- An unfaithful adaptation but the best film of the trilogy

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A decade has past since Robert Langdon (Tom Hanks) hit the screen for his first adventure in the Da Vinci Code and he now returns for another go in the adaptation Inferno. From director Ron Howard based on the Dan Brown novel, “Inferno”, the fourth book in the series (yes, they skipped “The Lost Symbol”), is an exciting and intricate race against time that kept you intrigued throughout the pages, question is, can the movie adaptation match the cleverness?

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Robert Langdon awakens in a hospital room in Florence, Italy, with no memory of what has transpired over the last few days and unexplained visions of human suffering. Dr. Sienna Brooks (Felicity Jones), the attending physician, tells him that he is suffering from amnesia as a result of a bullet wound to his head and asks if he can remember anything that might help them understand what happened. Langdon has little time to process his thoughts as an assassin arrives to complete her mission. Sienna helps Langdon escape and the chase begins. The two arrive in Sienna’s apartment where they find Faraday pointer among Langdon’s personal belongings with projection of Botticelli’s Map of Hell.

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They discover that the map is part of a mystery left by billionaire geneticist Bertrand Zobrist (Ben Foster), who believes that the world is destined for over population and the extinction of the human race. Discovering that Zobrist had recently killed himself, Langdon concludes that there is a reason for this map to be in his possession and the two find a hidden message within. Langdon’s knowledge of Dante’s work allows the two to follow clues thru Florence and Venice, while evading the assassin and the authorities, including the WHO, whom have a keen interest in Langdon. Sienna and Langdon have less than 24 hours to decipher friend from foe and collect all the information they need to help them stop a global event that will change the human race forever.

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Inferno is a fun movie with beautiful cinematography, but the film version falls short of the excitement that made the book so enjoyable, opting for unimaginative plot changes which will leave fans shaking their heads. Tom Hanks isn’t as crisp and confident in his portrayal of Langdon this go around, but the added vulnerability to the character allows Hanks to explore a more emotional side to his character which keeps this version of Langdon from feeling like a retread of the previous films. Felicity Jones’ Sienna Brooks is a far cry from the book version which had so many wonderful layers to her. Jones isn’t to blame for this, but what she is provided isn’t very interesting nor is her chemistry with Hanks. Most of the blame for the character development falls strictly on screenwriter David Koepp and director Ron Howard who ultimately opted for this watered down version of a film.

Overall, Inferno is a struggle for fans of the novel, but a fun movie that will entertain. If nothing else, the film will allow fans of the franchise to see their favorite professor in action one more time, which is worth the price of admission.

Stars:

3 out of 5

Trailer:

Review: ‘Jack Reacher: Never Go Back’

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Tom Cruise returns to action as ex-military man Jack Reacher, a drifter who’s out to protect the innocent in the sequel Jack Reacher: Never Go Back. Based on the 2013 Jack Reacher novel, Never Go Back by Lee Child and directed by Edward Zwick, the film picks up four years after the original film and finds Reacher back in the thick of things with a new set of bad guys and a mission to save a friend, but an unexpected bombshell might change everything for the hero.

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Jack Reacher sets out to take down a human trafficking ring when he comes in contact with Major Susan Turner (Cobie Smulders), head of the military police who helps him get out of a sticky situation. The two continue to communicate through the months that follow which leads to Reacher making his way back to Washington DC where he intends to meet his new friend, but upon arrival he is met with shocking news that Major Turner has been arrested for espionage. Believing that his instincts about Major Turner are correct, Reacher decides to find out the truth behind what’s really happening. In the process of his investigation, Reacher discovers that he may have a teenage daughter (Danika Yarosh) he never knew existed about which complicates his investigation.

jack-reacher-never-go-back-on-set-067As he begins to piece together the plot against Turner, Reacher himself comes under suspicion of murder and finds himself on the run from not only the authorities, but the organization that wants Turner eliminated. The race is on to discover the truth behind who really framed them for crimes they didn’t commit.

Tom Cruise is great as the titular character which plays more like a toned down version of one of his other iconic characters, Ethan Hunt. The main attraction to this character is his unconventional stature in the world as a drifter looking to replace his past of military service with a new life of service by his own rules. Cobie Smulders continues to come into her own in the action genre and gives her a strong female character to develop. Smulders never tries to over think the role and fleshes out the strengths of the character and never takes a back seat to her male lead.

Overall, Jack Reacher: Never Go Back is a non stop action thrill ride and a fun popcorn movie that doesn’t reinvent the action genre, but continues the long tradition of making a fun movie for the sake of nothing more than to entertain.

Stars:

3 out of 5

After credit scene?

No

Trailer:

Review: ‘The BFG’

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Family films rarely get much bigger than The BFG, based on the novel of the same name by Roald Dahl and directed by Steven Spielberg. The story of an orphan girl who befriends a giant and accompanies him on the adventure of a lifetime is heartwarming and family friendly with an amazing cast lead by Oscar winner Mark Rylance and newcomer Ruby Barnhill. Come on a journey into giant country and experience the wonder of The BFG.

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Sophie (Ruby Barnhill) is a young orphan girl in London who longs for adventure. Telling the story of frightful things lurking in the shadows of the night, she encounters her own in the form of a massive giant who takes young Sophie from her bed and races back to his home in giant country. Initially afraid of what’s to come, she is introduced to her captor, The BFG (Mark Rylance), an endearingly dim-witted giant with enormous ears and a keen sense of smell. The BFG, or Big Friendly Giant, is nothing like the other inhabitants of giant country you see. He keeps to himself and fancies to feed himself snozzcumber and frobscottle as opposed to his giant brethren  Bloodbottler (Bill Hader) and Fleshlumpeater (Jemaine Clement) who prefer to eat humans.

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The BFG spends most of his time in dream country where he collects dreams and then takes them to children all around the country, teaching Sophie all about the magic and  mystery of dreams. Everything is wonderful between the two new best friends until Sophie’s presence is detected by the other giants, putting her in danger. Sophie and the BFG must head to London to convince Queen Victoria (Penelope Wilton) to help with the impending giant attacks, but they must first convince the Queen and her maid, Mary (Rebecca Hall), that giants do indeed exist. Together, they must all come up with a plan to get rid of the giants once and for all.

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Legendary director Steve Spielberg does not disappoint with his creation of this wonderful Roald Dahl classic. This is a rare film when visuals take a back seat to performance. Mark Rylance is outstanding as the BFG and you truly immerse yourself into his performance that you forget he is a CGI giant. Ruby Barnhill is wonderfully feisty and a true joy to watch. The two of them have a chemistry that works right from moment one. The visuals are spectacular and should be applauded. They subtly blend into the outstanding storytelling and lend the perfect mix to this awe inspiring film.

Overall, The BFG is this summers perfect family film and should not be missed!

Stars:

4 out of 5

After credit scene?

No

Trailer:

‘CAROL’ comes to life on the silver screen today. Here are a few reasons why we think it shouldn’t be missed.

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As one of the most anticipated films of this year’s New York Film Festival, CAROL most certainly blew everyone’s expectations out of the water. Here are just a few reasons why we adore this elegant film…Carol still Cate and RooneyThe Plot:

 In an adaptation of Patricia Highsmith’s seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light.

ROONEY MARA and CATE BLANCHETT star in CAROL

ROONEY MARA and CATE BLANCHETT star in CAROL

The Cinematography:

Edward Lachman is a genius behind the camera. Having worked hand in hand with Director Todd Haynes on Far From Heaven in 2002, his visual landscape for Carol is unmatched. Shot in 16mm, perfectly framed, with delicate but specific shots through windows and the focus on the color of crimson and corals, make this a true feast for the eyes.

You can watch Ed discuss his experience in an interview from NYFF53 here.Carol still Kyle Chandler

The Performances:

We’re not shy about our love for Cate Blanchett, nor is The Academy. In truth, there is not a single loose thread in the casting of this film. In the film’s press conference this week, you could see and hear the passion the entire cast held for the project and the respect they had for Phyllis Nagy‘s immaculate adaptation. This is not a story about a lesbian couple, this is a story of two people falling in love. The effortless nature of Blanchett, Mara, Chandler, Paulson, and Lacy as an ensemble evokes the kind of emotion so rarely experienced in the cinema these days. Both Cate and Rooney landed on my Top Female Performances of NYFF53 list. Lacy’s boyish charm and naivete bound off the screen. Chandler’s masculinity and energy are a powerful match for both the period and Blanchett. And as for Sarah Paulson (my favorite player in American Horror Story, every season), well, I wanted to put her in my pocket and place her in every film from here on out. It’s the kind of presence that should not be overlooked, ever. These actors are extraordinarily great at their jobs. There is no doubt about it, CAROL is a timeless film.

(L-R) KYLE CHANDLER and CATE BLANCHETT star in CAROL

(L-R) KYLE CHANDLER and CATE BLANCHETT star in CAROL

For a mere taste of what you’re in for, here is the trailer:

CAROL– Opening In Limited Theaters November 20, 2015

Rated R | Runtime 118 minutes

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Carol still Todd Haynes and Cate Blachett

 

Review: “10,000 Saints” will rock you gently.

10K Saints poster 10,000 Saints follows three screwed up young people and their equally screwed up parents in the age of CBGB’s, yuppies and the tinderbox of gentrification that exploded into the Tompkins Square Park Riots in New York’s East Village in the 1980s. This film is essentially the story of how small life connections become the ties that bind a group of estranged friends and family. It’s quite extraordinary and a brilliant translation of Eleanor Henderson‘s New York Times best-selling novel. After the loss of his best friend Teddy, Jude is sent to live his absentee father, Les. Reconnecting with Les’ girlfriend’s daughter, Eliza and straight edge punk singer and brother of Teddy, Johnny, the three embark on a path that was thrust upon them. 10K Saints Asa EthanEthan Hawke, who I am convinced is a Timelord at this point, gives a flawless performance. His loose lipped, nonchalance is the perfect foil to quietly angsty and gentle Asa Butterfield as Jude. Les’ storyline of fatherly redemption is pretty poetic. Jude’s search for his soul is much more pensive but just as stunning with Butterfield’s innate ability to live the screenplay’s emotional highs and lows. Hailee Steinfeld‘s natural performance as wild child turned guilt ridden and lost pregnant teen is one that should be noted. Emile Hirsh‘s Johnny is a beautifully zen enigma. With a truly talented cast rounded out by Juilanne Nicholson, Avan Jogia, and Emily Mortimer10,000 Saints is one hell of an ensemble film. 10K Saints Emile HaileeThis coming of age tale is deals with guilt, unrequited love, self realization, parenting and death, all in delicate yet fully  meaningful ways. The music is most defintiely its own character, with a soundtrack featuring The Replacements, The Cure, REM, Social Distortion, The Stone Roses, and Johnny’s band Army of One. Directors Shari Springer Berman and Robert Pulcini are gifted storytellers and you bet I will be going out and grabbing Henderson’s novel soon. 10,000 Saints will not disappoint your eyes, ears or heart. 10,000 Saints comes to theaters, iTunes and other VOD platforms Friday, August 14th

‘The 100 Year Old Man Who Climbed Out The Window and Disappeared’ is finally available in the U.S.!

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This incredibly funny and endearing film is one of the most upbeat things I’ve seen this year. Long story short, not unlike the title suggests, Allan is turning 100 and is stuck in a nursing home. Reminiscing through pictures and stories from his past, Allan decides to jump out of the window and go on an adventure, anywhere. He ends up with a suitcase full of money belonging to some pretty scary people and on his way to freedom he runs into other wayward souls that get entangled in his absurd journey.

Allan (Robert Gustafsson) and Julius (Iwar Wiklander) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

Allan (Robert Gustafsson) and Julius (Iwar Wiklander) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

Lead actor Robert Gustafsson is an absolute delight. Comic timing and facial expressions of a real genius, he takes this film through time and through encounters with historical figures like Ronald Reagan and Joseph Stalin, just to name a few. With a passion for blowing things up and an innate ability to talk to anyone, Allan becomes a double agent, a soldier, and perhaps the actual creator of the atomic bomb.

THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

The film is a mixture of scenes from Allan’s youth and the shenanigans he’s gotten himself into on his birthday. Adapted beautifully from the novel of the same name by author Jonas Jonasson, with the help of screenwriters Felix Herngren & Hans Ingemansson, it is definitely full of belly laughs and good times. Herndren, also the director, gives us a colorful, lush, and impeccable comedic foreign film, unlike the many melodramatic features we’re used to getting from over seas. The theater I was in was in stitches the entire duration, and when you can get a theater full of critics laughing, well that’s a feat unto itself. I highly recommend you catch this movie. It is available in theaters in on demand!

Allan (Robert Gustafsson) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

Allan (Robert Gustafsson) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

Powered by the antics of a mischievous centenarian on the run, comic fable The 100-Year-Old Man Who Climbed out the Window and Disappeared abounds with irreverent charm.  After a long and colorful life working in munitions and getting entangled in the Spanish Civil War, the Manhattan Project, and other definitive events of the 20th century, Allan Karlsson finds himself stuck in a nursing home.  Determined to escape on his 100th birthday, he leaps out of a window and onto the nearest bus, kicking off an unexpected journey involving, among other surprises, a suitcase stuffed with cash, some wicked criminals, and an elephant named Sonya.  Like an unruly Nordic cousin of Forrest Gump, Allan’s youthful escapades and current adventures weave together into an offbeat treat for anyone who’s young at heart.  Starring beloved comedian Robert Gustafsson, this fanciful spin on world history is based on a best-selling novel and also the highest-grossing Swedish film of all time.

Tribeca Film Festival review: Zooey Dechanel & Anton Yelchin roam ‘The Driftless Area’ of confusion & crime

The Driftless Area

To say that The Driftless Area is cryptic is an understatement. I’m still not quite sure what happened, but the characters are so complex and interwoven that even though you’re confused, you can’t wait to see what happens next.

After he returns home after college, Pierre (Anton Yelchin) meets and falls in love with Stella (Zooey Deschanel). He gets mixed up in some trouble with a criminal (John Hawkes) and circumstances unravel.

Along the way, we meet Pierre’s best friend, the always likeable and honest Alia Shawkat, Stella’s protector, Frank Langella, and the ever-entertaining Aubrey Plaza. I would consider this to be an ensemble cast because of how much they stand out, yet never overshadow.

Based on a book of the same name, the author, Tom Drury, also co-wrote the screenplay with director, Zachary Sluser. The beautiful landscapes and minimal score provide a calm ride into the lives of each character. Rather than painting as heroes or villains, all have humor and a grounding in reality that is usually just reserved for comedies.

Anyone interested in the fate versus free-will conversation will love this surreal journey.

One screening left this Saturday!

Tribeca Film Festival interview: ‘THE ADDERALL DIARIES’ director Pamela Romanowsky talks fated moments in making the film.

Stephen Elliott (James Franco) and Neil Elliott (Ed Harris)Anna Kooris

Stephen Elliott (James Franco) and Neil Elliott (Ed Harris)Anna Kooris

Director Pamela Romanowsky‘s debut feature is not a meek choice. Tackling the page to screen adaptation of Stephen Elliott‘s memoir THE ADDERALL DIARIES seems like something that was written in the stars. Speaking of stars, the film is lead by an outstanding performance by James Franco as a pill popping, destructive behavior addicted, emotionally ravaged man. Under the guise of writer’s block, Stephen lets himself become distracted by a murder case that seems to resonate with his memories of the past; memories that have made him a famous author so far. When his father’s ghost returns to haunt him, life spirals into an seemingly endless line of poor life choices. One person’s truth may not be what it seems.
On the heels of TRUE STORY, Franco plays Elliott with a ferocity that is totally organic. Hitting highs and lows so sharp, I can safely say I am impressed. Ed Harris portrays his strong willed father. A constant trigger throughout the film, this role was made for Harris, literally. Amber Heard is beautiful and honest as a NYT journalist fighting childhood demons of  her own. Christian Slater is charming as ever and a master of emotional disguise as the subject Stephen longs to understand. Cleverly edited and stunningly shot, THE ADDERALL DIARIES is a sensory and emotional overload of a film. You will find something that connects with you, I guarantee it.

I was fortunate enough to sit down with Pamela Romanowsky and talk about the journey that became this project.

Liz:  Just saw the movie and I really liked it. How did you happen upon Stephen’s novel?

Pamela: Well, there are two parts to this story. I first happened upon it because I live near a really great independent bookstore called “Word” in Greenpoint. I saw it in the window and that is often how I buy books, ” What does Word have?” So I just read it as a casual reader and loved it, thought about it a lot, it really stayed with me. It’s the kind of story that takes a lot of processing. Then separately from that, James Franco and I went to grad school together and are good friends and we hadn’t worked together yet. Then I had the opportunity to make the short with him for The Color of Time. We had a great creative connection and a great time working together. James approached me with The Adderall Diaries. I actually just found out yesterday that it was the first book he optioned.

L: He is such a fan of page to screen, all of which so far have been really successful. It’s such a bold move because it can go so wrong.

P: He picks Difficult books.

L: He really does.

P:  It was a really great moment of synchronicity. He wanted to help me make my first feature and with a book we both loved.

L: I think his performance was one of his best and so clearly has a lot to do with your relationship. You had such a great cast full of talent. Ed Harris, what a juicy role for him. I also really enjoyed the juxtaposition of memories talk to me about the editing choices.

P: I developed the visual style with my DP who was also a collaborator from grad school. I met a lot of my people there. Bruce also shot my piece for The Color of Time so we had already talked about how to approach memories cinematically. We used steady cam alot because it felt organic. This is a character who is always in motion, and practically it allowed us to shoot quickly, to be intuitive, to find shots within the scene as we went. And the use of slow motion… you know memory is such a hard thing to describe to someone else but to me, the things that you tend to recall over and over are these small moments and details so it almost like you’re seeing it in slow motion.

L: it is incredibly effective. It is so aesthetically beautiful.

Did you guys have a lot of rehearsal time? Everything feels really organic. Yet there are some truly physically demand scenes.

P: I think as is often in indie film, but I had the advantage of knowing a lot of these actors and Ed, I met at the Sundance Directors Lab.

L: Had he been cast already or did he just come in and read for you?

P: No, he was my advisor at the lab. Coincidentally he was also the person I wrote this role for! His photo was on my writing board the whole time but I never actually thought I was going to get a chance to meet him. So when we were at Sundance, low and behold Ed Harris walks in and I was like ” Oh my God, Ed Harris is here!” It just happened that he was there, it just happened that he was my advisor, and it just happened to be the week I was shooting my father/son scene. So when he was leaving I had to tell him, “You know, thank you so much for helping me and so I wrote this role for you and I don’t know if you’d ever think about doing it but I am gonna keep asking you forever.”  And truthfully I didn’t have a back-up plan, I didn’t see anyone else playing this role. It took me 9 months to talk him into it. So I had a lot  of time to talk it over with him. It was the same with all the other actors. Rehearsal is really important so right before we would shoot each scene I would kick everyone out and we would run the scene through.

L:  As soon as I walked out of the theater I said, “I have to buy this book now. I am completely intrigued. I have to read it.” It has so many relevant issues that even if you’ve never experienced them personally, you would gravitate towards this story. We all have our own way to interpret what our memories are. And I think the older you get and the longer you live with your interpretation, that becomes your truth. It was beautiful to see that on screen. Thank you so much for talking with me.

P: Thank You! Enjoy the rest of your fest!

L: You too! I look forward to talking to you for whatever comes next.


THE ADDERALL DIARIES ticket and showtime information can be found here in the Tribeca Film Festival Guide 2015.

TFF 2015 NARRATIVE FEATURE

Release Year: 2015

Runtime: 87 minutes

Directed By: Pamela Romanowsky

Country: USA

Elliott (James Franco), a once-successful novelist inflicted with writer’s block and an Adderall addiction strives to escape his problems by delving into the world of a high-profile murder case. Amber Heard, Ed Harris, and Cynthia Nixon co-star in this adaptation of Elliott’s best-selling memoir. | Read More

6 Films to catch at this year’s New Directors New Films Festival

New Directors New Films logo 2015Last year’s fest was a total success in my opinion. I saw some of my favorite films of the entire year there; Buzzard, The Babadook, Fish and Cat, Dear White People, and the #1 film on my Top 10 for 2014, A Girl Walks Home Alone At Night. This year’s selections were just as eclectic in subject and style. Here is my personal list of things to consider at this year’s New Directors New Film Festival.

THE DIARY OF A TEENAGE GIRLDiary of a Teenage Girl 1 Original

Minnie is a 15 year old with a coked out mom and little self esteem. When she takes her childish fantasies to an adult level by sleeping with her mother’s boyfriend, emotional hell breaks loose in form of a tape recorded diary and sketches turned animated thoughts. This film jumps off the screen with a breakout performance from Bel Powley as Minnie. She is funny, insightful, and an apparent old soul, all while still just a kid trying not to lose her shit. The added element of the animation only adds to the wonder of this film. Kristen Wiig plays Minnie’s absent mother. She is a revelation in this role. You know, those rare cinematic moments when you forget who the actor is because you’re so immersed in the performance, that it’s a winner. Alexander Skarsgård is the creepy object of Minnie’s affection. This is not a coming if age tale for our lead, but truly for the adults in the film. The Diary Of A Teenage Girl will remind you of your own sexual awakening. All the awkwardness, the curiosity, and frankly, the lies you were told by everyone around you. Rediscover your own past. Go ahead.

VIOLETVioletJesse has been through a terrible trauma. He is despondent after the murder of his good friend, just feet from him at a local mall. Violet is a look into the world of survivor’s guilt. The camera work alone should get you through the door. Breathtaking closeups coupled with soft focus and exquisite sound editing creates a barrage of sense memory moments for both for Jesse and the audience alike. The uncomfortable silence (dialogue wise) is the key to this film. At a tight 82 minutes run, Violet is about what’s not being said.

WESTERNwesternWestern is a documentary that takes us into the world of small town politics up against very large drug cartel violence in the two bordering towns of Eagle Pass, Texas and Piedras Negras, Mexico. Mayor Chad Foster puts on a brave face as violence escalates and threatens the harmony he’s worked so hard to procure in Eagle Pass. Mayor Jose Manuel Maldonado, tries his best to ease the minds of local constituents and the mass media alike. Local cattle rancher, Martin Wall’s, smile turns hard in the wake of a temporary USDA ban on livestock trade over the border. Each of these men is doing their darnedest to maintain peace, safety and the livelihoods of so many others. Pulling the curtain back on what feels like scenarios that only happen in the movies, is eye opening. You have to remind yourself that these folks are living, breathing people with families and loved ones. This documentary is unusually educational and will certainly restore your faith in humanity.

LISTEN TO ME MARLONLISTEN TO ME MARLON (300dpi)This doc opens up in a jarring fashion. Reminiscent of the floating head at Disneyland’s The Haunted Mansion, there we see and hear the disembodied “Head” and voice of Marlon Brando. Director, Stevan Riley has granted the world the access he gained to mountains of audio tapes made by Brando himself. Some are self hypnosis tapes in which he recalls childhood moments once kept very close to his chest. Through archival footage and Brando’s own voice, we delve into the personal life of the reclusive star. These confessional tapes reveal a side of this legend not many people were privy to. Acting was somewhat of a spiritual outlet. His charisma was endless, as was his passion for sex and affection. Receiving little from his alcoholic parents, Brando‘s ego was lifted by his enormous talent, perhaps too far for the likes of some. Although, as you listen to him speak, you gather that he was a rather astute, observant, reflective man who struggled with real abandonment issues that never truly get resolved for him. Tragedy followed him in his personal life and the genius and attention swallowed him hole at times. Listen To Me Marlon is a gorgeous portrait. When you stop taking notes during a film and just listen, as a critic, that is the moment of pure magic.

GOODNIGHT MOMMYGOODNIGHT MOMMY_Still 2Give a kid an inch, so they say, and they’ll take a mile. Twins Lukas and Elias have been awaiting the return of their mother. She has just completed facial reconstructive surgery. Longing for her love and affection, the boys are thrown into detective mode when Mom returns a different person. Face completely bandaged and rage on the surface, she forces the boys to maintain quiet and changes all the rules. Something clearly amiss, Lukas and Elias must find a way to make her admit who she really is, while facing the changes themselves. Much like last year’s The Babadook, psychological torture is in the cards. Can you stomach the tactics used by children when they don’t fully understand the consequences themselves? Goodnight Mommy will scare the hell out of you and make you squirm like never before.

DOG LADYdog ladyFollowing a woman surrounded by a pack of discarded dogs, this film highlights the off-grid lifestyle to the nth degree. The film’s subject, played flawlessly by co-director Verónica Llinás, chooses to live on the outskirts of Buenos Aires in a what begins as a primitive lean-to, and progresses in sound structure along with the movie itself. We follow our lady through four full seasons as she forages for food and supplies. Her ingenuity is astounding, taking what is essentially trash and making a home for herself. She has absolutely zero dialogue. The sparse dialogue that does exist comes from what little human interaction she allows; taunting children, a clinic doctor, and a brief sexual encounter with a rather verbose rancher. This film is highly engrossing, perhaps causing the viewer to reassess the amount of material objects we carelessly cast aside. Her sense of survival and her clear warm spirit guide this film along it’s year long timeline. There is definitely something to be said about the it’s wide final shot. It will force you to  come to terms with your true feelings of our Dog Lady.

You can find out more about these incredible films, and so many more, at NDNF. The Diary of a Teenage Girl opens tonight! Screenings during the fest take place at MoMa and FSLC.

 

Michael’s Review: ‘American Sniper’- Memoirs of An American Hero

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Clint Eastwood has been immersed in a streak of lackluster efforts since 2004’s Oscar winning Million Dollar Baby. The 84 year old actor/director has spent much of the last decade exploring different subject matters including multiple biopics, many of which were valiant efforts, but Eastwood has struck gold with this war drama based on the life of decorated Navy Seal Chris Kyle. Bradley Cooper leads this powerful film which shows the struggles of our soldiers who risk their lives every day on the ground in Iraq, a depiction reminiscent of Kathryn Bigelow’s The Hurt Locker. The most lethal sniper in US history takes center stage as we are taken to the front lines of the Iraqi war. Read More →

Liz’s ‘Life Itself’ Review: Two Thumbs Way Up

Life Itself

As someone who has been on a whirlwind adventure in writing exclusively about film for the past year, it was sincerely my pleasure and honor to see Life Itself this afternoon. Director Steve James brings a touching documentary to the audiences who grew up watching Robert Ebert tell them which movies were worth spending their time and hard earned money on. We are privy to passages directly from Ebert’s memoir of the same name, intimate interviews both on camera and via private emails between Steve and Roger, as well as sit down, one on ones with some of the people closest to this critical giant, including his wife, Chaz, director, Martin Scorsese, and Marlene Iglitzen, wife of his industry other half, Gene Siskel. Read More →