Happy 15th Anniversary! TRIBECA FILM FESTIVAL 2016 started today. Check out some of the films we’re excited about!

Tribeca-2016-RND

For such a new festival, only 15 years old, the Tribeca Film Festival is well known and becomes more attended every year with almost 500 screenings and over 467,000 attendees in 2015. The screenings take place at 5 different venues throughout lower Manhattan and represent over 40 countries.

“Over 400 films have been acquired after premiering at Tribeca. On average, more than half of available films find distribution within a year of their Tribeca premiere.”

Melissa and I are very excited about several movies this year, and we’d like to share which are on our lists. Here’s the top three for each, in no particular order. We’ll be sharing more day by day. We’ve already got a few interviews lined up and we’ll be tweeting and instagramming some of the unique experiences from the Tribeca Hub. Stayed tuned!

devil and the deep blue sea tribeca

The Devil and the Deep Blue Sea

Based on Jason Sudeikis’ brilliant performance in last year’s Tumbledown, I’m excited to see him in another drama. Plus Maisie Williams AND a score by Justin Timberlake, what’s not to look forward to? – Liz

WWK_web_1

Women Who Kill

Sharp dialogue and an intriguing premise make this one of my favorites so far. – Melissa

don't think twice tribeca

Don’t Think Twice

Having seen Mike Birbiglia’s comedy in person, his particular brand of humor is something everyone can relate to. Sleepwalk With Me was a Tribeca hit and if Ira Glass is producing your work, well that says a whole lot about the quality. – Liz

Here aloneHere, Alone

Remember those first few episodes of The Walking Dead when life was turned upside down and you watched people change? This movie captures that through the eyes of a young woman trying to survive. Less zombies, more humans = better story. – Melissa

High RiseHigh Rise

Tom Hiddleston and Jeremy Irons are at the helm of this breathtaking adaptation of the J.G. Ballard novel. Being familiar with Ben Wheatley’s other work, I was blown away by the colorful feast I was treated to. The entire ensemble cast is beyond stellar. Wrought with foreshadowing, both auditory and visual, from the music to the cinematic framing, High Rise is an incredibly cool and poignant commentary on class warfare. – Liz

nullWolves

I love a deep drama, and look forward to this story of a boy growing up in New York City. – Melissa


TFF16_SlateAnnoucementGrid_ESPNFeatures-Tribeca 2016

For tickets and more information in the meantime, visit TribecaFilm.com

Netflix News: Documentary ‘Team Foxcatcher’ showing at Tribeca Film Festival

Netflixteam foxcatcher tribeca 2016

The incredible true and tragic story of world champion wrestler David Schultz, the centerpiece of a national wrestling training program, comes to life in the riveting new Netflix original documentary feature, Team Foxcatcher.  The film today announced its world premiere at the Tribeca Film Festival on April 18 ahead of its global debut on Netflix on April 29.

Michael’s review of Foxcatcher with Steve Carell, Mark Ruffalo and Channing Tatum.

Public Screenings at Tribeca Film Festival

  • Monday, April 18 at 5:45 PM – Regal Cinemas Battery Park
  • Tuesday, April 19 at 8:00 PM –  Regal Cinemas Battery Park
  • Friday, April 22 at 6:15 PM – Regal Cinemas Battery Park
  • Saturday, April 23 at 3:15 PM – Bow Tie Cinemas Chelsea

From director Jon Greenhalgh, Team Foxcatcher chronicles the paranoid, downward spiral of millionaire John E. DuPont that led to Shultz’s tragic murder on the DuPont property in 1996. This single event shook the international sports world to its core and cut short the life of a loving family man and one of the world’s top athletes. The film was produced by Neil Fazzari. Jeremy Bailer and Ben Hatta served as Executive Producers.

But before the tragedy, the film begins with the rise of Schultz: a remarkable sportsman who emerged as one of the world’s fiercest wrestling competitors. Chasing his olympic dreams, Schultz and his family relocated to the seemingly idyllic Foxcatcher Farms and joined with DuPont – a benefactor with a vision for making the U.S. wrestling program a dominant global force.

Team Foxcatcher tells the story of descent into tragedy largely through the lens of Nancy Schultz, whose incredible footage chronicled her family’s time at Foxcatcher Farms.  Archival home videos and first hand interviews show how the charismatic Schultz, an Olympic gold medalist and two-time world champion, became the heart of the program and DuPont’s closest confidant.  But on the fringes of this powerful partnership emerged a manic, mentally unstable DuPont, fueled by a disturbing obsession with power, wealth and influence.  The film builds to the tragic final hours at Foxcatcher Farms, the murder of Dave Schultz, and the two-day police standoff before DuPont was ultimately arrested and charged.

“I’m proud to be a part of this film that was six years in the making to honor the incredible legacy of David,” said Nancy Schultz. “With his ties to the wrestling community, we felt Jon Greenhalgh was the perfect filmmaker to tell this story and pay homage to the kind of man and athlete David was.”

On the 20th anniversary of the shocking events, Team Foxcatcher demystifies a story that gripped the nation and opens up a very private, opaque world where friendship, family, and the composition of national sports training programs were not what they appeared to be.  The result is a documentary that fills in new aspects of the story that formed the basis of the 2014 Hollywood feature film.

Tribeca SnapChat Shorts at the 2016 Tribeca Film Festival – Panel Announced

Tribeca Snapchat Shorts for media

Do you SnapChat? In 2015, the Tribeca Film Festival announce #6SECFILMS with Vine and this year has teamed up with SnapChat. You can also submit your own story.

  • The theme is comedy – whatever your sense of humor may be — so get creative, think of something funny and start Snapping! Create a short film using the Snapchat Story function. Your Tribeca Snapchat Short should be no longer than 200 seconds long. Find all the rules here.

Brought together by a shared love of storytelling, Tribeca Film Festival and Snapchat have joined forces to bring you TRIBECA SNAPCHAT SHORTS, the first-ever program of its kind – we’ll be spotlighting the best Snapchat Stories from across the US.

 

A jury of talented storytellers and avid Snapchatters will pick the top ten Stories. These winning Tribeca Snapchat Shorts will screen during the 2016 Tribeca Film Festival in New York City and may be featured on a Discover channel on Snapchat.

 

Submissions open on February 27th and close March 8th. See below for submission guidelines and make sure you read our complete Official Rules.


Tribeca_SnapchatPANEL

Jessica Alba: Jessica Alba is an actress known for her work in films such as the “Sin City” and “Fantastic Four,” as well as the co-founder of the eco-friendly business, The Honest Company
Snapchat Username: jessicamalba

Steve AokiSteve Aoki: Steve Aoki is a Grammy-award winning EDM musician, record producer, and music executive
Snapchat Username: aokisteve

Steve Buscemi: Steve Buscemi is a producer and award-winning actor known for a host of film and TV roles, including his recent stint as Nucky Thompson on HBO’s “Boardwalk Empire”

David Gordon Green: David Gordon Green is a film producer and director known for films, including “Pineapple Express”, “Prince Avalanche” and “Manglehorn”
DJ Khaled: DJ Khaled is a well-known DJ, record producer and radio personality
Snapchat Username: djkhaled305

Shay MitchellShay Mitchell: Shay Mitchell is an actress, model and author known for her role as Emily Fields in “Pretty Little Liars”
Snapchat Username: officialshaym

Vashtie_2Vashtie: Vashtie is a New York based director, filmmaker, artist, designer, and creative consultant
Snapchat Username: VASHTIEKOLA

New to Netflix this March – Hint: you’re gonna love it

Netflix Screen House of Cards

House of Cards

March 4th

Starting off the month with a bang is the brilliant House of Cards. Haven’t seen it? Well, carve out some time and do it. Don’t expect to be on your phone though. You really need to pay attention.

An uncompromising exploration of power, ambition and the American way, the series orbits Francis Underwood, the House Majority Whip. Underwood is the politician’s politician – masterful, beguiling, charismatic and ruthless. He and his equally ambitious wife Claire stop at nothing to ensure their ascendancy.


Flaked

March 11th

Will Arnett is brilliant as the voice of Bojack Horseman but I’m not totally sold as him on this show. Of course I’ll check it out. That’s the beauty of Netflix.

Flaked is the serio-comic story of Chip, a celebrated long-time resident of the insular world of Venice, California who falls for the object of his best friend’s fascination. Soon the tangled web of half-truths and semi-bullshit that underpins his all-important image and sobriety begins to unravel. Will Arnett plays Chip, a man doing his honest best to stay one step ahead of his own lies.

https://youtu.be/iKOpvm7BcOo


 

The Characters

March 11th

Huh. I don’t think I’ve seen any promo for this. Curious. Very curious.

One show. Eight comedians. Multiple personalities. In Netflix Presents: The Characters, the next generation of comedians get a chance that only Netflix could offer: the opportunity to create their own 30-minute episodes and do whatever they want. No rules. No limits. Each comedian writes and appears in his/her episode, presenting a series of sketches that veer wildly from Bachelor parodies, to music videos, to biblical spoofs… all in the name of outlaw comedy.

The Characters features: Lauren Lapkus (Orange Is The New Black, Jurassic World), Kate Berlant (The Meltdown), Dr. Brown (Dr. Brown), Paul W. Downs(Broad City), John Early (Wet Hot American Summer: First Day of Camp), Tim Robinson (SNL), Natasha Rothwell (Writer, SNL) and Henry Zebrowski(Heroes Reborn).

The series also features cameos from SNL’s Cecily Strong and Bobby Moynihan, Tyson Beckford, and Broad City’s Abbi Jacobson.


Popples-Key-Art_2015-2

Popples

March 11th

Season 2. My guess is that is you knew there was a Season 1, you’re the audience for Season 2. Have fun, kids.

Popples is a high-energy comedy series about an amazing species of creatures that can pop into and out of a ball. The story is driven by the optimistic comedic enthusiasm of the BPP’s (Best Popple Pals): Bubbles, Sunny, Lulu, Izzy and Yikes. Always wanting to help their friends, neighbors and each other, their efforts often times backfire in hilarious ways and they must spend the rest of the episode trying to unwind the mayhem they’ve caused. Luckily they always manage to save the day in their own POP-tastic way!


Marvel’s Daredevil

March 18th

I didn’t love this as much as Jessica Jones, but it’s growing on me.

Blinded as a young boy but imbued with extraordinary senses, Matt Murdock (Charlie Cox) fights against injustice by day as a lawyer, and by night as the Super Hero “Daredevil” in modern day Hell’s Kitchen, New York City.


Jimmy Carr Funny Business

March 18th

Stand-Up Comedy Special

I have zero info on this. Strange. There’s not even any official photos!


 


Pee-wee’s Big Holiday

March 18th

Seriously. Have you seen the trailer? Any fan of his show is likely to love this.

The new film stars the beloved fun-loving hero of TV, stage and film, Pee-wee Herman. In Pee-wee’s Big Holiday, a fateful meeting with a mysterious stranger inspires Pee-wee Herman to take his first-ever holiday in this epic story of friendship and destiny. The film stars Pee-wee Herman, Joe Manganiello (True Blood, Magic Mike XXL), Jessica Pohly (Stalker), Alia Shawkat (Arrested Development) and Stephanie Beatriz (Brooklyn Nine-Nine), and was directed by John Lee (Wonder Showzen, Pee-wee’s Big Holiday). Paul Reubens and Paul Rust (Love, Arrested Development) wrote the film, that was produced by Reubens and Judd Apatow (Trainwreck,Bridesmaids).


My Beautiful Broken Brain

March 18th

Documentary

“If the physical body – the brain, is damaged, does this extend to damage to the self?”
This question is at the heart of Netflix’s new original documentary film, My Beautiful Broken Brain as we follow Lotje’s Sodderland’s incredible story of rehabilitation and recovery from a traumatic hemorrhagic stroke.
The film is a personal voyage into the complexity, fragility and wonder of the human brain. Lotje finds herself starting again in an alien world, bereft of language and logic, fighting not to be defined by her limitations, rather the endless possibilities of life. This feature documentary takes us on a genre-twisting tale that is by turns excruciating and exquisite – from the devastating consequences of a first-time neurological experiment, through to the extraordinary revelations of her altered sensory perception.
Executive producer David Lynch adds, “I am thrilled to join Lotje and Sophie in sharing My Beautiful Broken Brain with the world. The brain is truly fascinating and much in the way that our brains are able to achieve total coherence — finding enlightenment and fulfillment, you will surely be moved and inspired by this journey of self-rediscovery.”
The film was co-directed by Sophie Robinson and Lotje Sodderland and is an official selection of the 2015 SXSW Film Festival and launches globally on Netflix March 18.


VeggieTales in the House

March 25th

I once went to see Formula 51 (not the greatest movie) and they played a VeggieTales movie instead. Quite the disappointment.

Get ready to love your veggies! VeggieTales has a fresh new look as Bob the Tomato, Larry the Cucumber and all their Veggie friends venture off the countertop for the first time ever in an all-new television series, available exclusively on Netflix. Every episode also features a brand-new, upbeat silly song as the Veggie crew embarks on new adventures throughout their house. This loveable comedy stays true to the roots of the VeggieTales brand by seamlessly weaving in strong moral messages that will capture the hearts of Veggie.

16 subscription streaming services that are totally different than Netflix

Netflix is the big game in town, but there are several other streaming services that offer movies that aren’t on there. So if you’re seeking something a little off the beaten path, here are 16 other services worth checking out.

Although, these all are the paid services, which charge you every month. Still, not everyone can spend an amount every month for web accounts, some people find it difficult. To ease their work for watching the web series, https://best-putlocker.com/genres provides them the facility to watch any movie, tv shows, and web series here for free without worry about any debt to pay.

However, do you have an IPTV system? Are you suffering from IPTV buffering issues? Do you need better performance and are looking for support for your Samsung IPTV? If so, then you have to find the IPTV service to help you.

This list includes the best of independent film, horror, classics and original content. They range from $11.95 a month to FREE!

  • Tribeca Shortlist
  • MUBI
  • IndiePix Unlimited
  • Sundance Doc Club
  • Film Movement
  • Youtube RED
  • Shudder
  • IndieFlix
  • Spuul
  • Flix Fling
  • Fandor
  • DramaFever
  • Curiousity Stream
  • Acorn TV
  • Warner Instant Archive
  • Snag Films

tribeca shortlistTribeca Shortlist

First on my list is a recent entry into the streaming market. I’ve been very impressed as the movies are not only independent and obscure, but also big budgets and classics. I like that there are just enough movies for a good selection and I also like they let you know when a movie is about to expire.

BONUS: you can download to watch offline on your mobile device.

Summary Recommendations from industry professionals
Trial 14 days
Monthly $4.99
Yearly n/a
Watch Roku, amazon Fire, iOS, AirPlay, Chromecast
Ads No
Download for offline Yes
Why it’s special Movies selected by actors and filmmakers.

MUBIMUBI

In close competition with Tribeca Shortlist is another newcomer, MUBI. Slightly more obscure, I love how there’s a new movie every day and you are notified by email.

BONUS: you can download to watch offline on your mobile device.

Summary Only 30 hand-picked movies at a time.
Trial INVITE YOUR FRIENDS
They’ll get 30 days for free. No credit card required.
And you get 7 days free when they watch their first film.
Monthly $4.99
Yearly $39.99
Watch PC, Mac, Android, iPad/iPhone, and Samsung Smart TV
Ads No
Download for offline Yes
Why it’s special New film every day, 30 hand-picked films

indipix unlimitedIndiePix Unlimited

One of the most diverse on the list, this is for a true international cinefile.

Summary Independent cinema
Trial 30 days
Monthly $5.99
Yearly n/a
Watch computer, Apple iOS 7+, Android 4+
Ads No
Download for offline No
Why it’s special International library

sundance doc clubSundance Doc Club

Best of the best, award-winning documentaries.

Summary Documentaries
Trial 30 days
Monthly $6.99
Yearly $39.99
Watch computer, Apple iOS 7+, Android 4+, Roku, Chromecast and Apple TV (via Airplay)
Ads No
Download for offline No
Why it’s special Curated Documentaries

film movementFilm Movement

This service has a slightly different model offering a physical copy as part of one of its packages. Use code FEB30 at checkout for 30% off an annual subscription.

Summary Independent cinema
Trial No
Monthly $11.95
Yearly $99.99
Watch computer only
Ads No
Download for offline No
Why it’s special 1 new movie per month, DVD and/or Streaming

Youtube redYoutube RED

Ok, so there’s not a lot of movies available on here, but Youtube Red is an upcoming original content channel with the new Rooster Teeth movie, Lazer Team. Oh, and when you subscribe, you don’t see any ads when watching Youtube videos. It’s also got all kinds of other perks with music. It’s definitely worth doing the free trial month.

Summary Music, Series, Movies
Trial 1 month
Monthly $9.99
Yearly n/a
Watch everywhere
Ads No
Download for offline Yes
Why it’s special Original content, No ads!!

https://youtu.be/CJbqhVWj1xg

shudderShudder

For horror fans, this is a fantastic bargain. Fantastic selection.

Summary Horror movies
Trial 14 days
Monthly $4.99
Yearly $49.99
Watch computer, Apple iOS 7+, Android 4+, Roku, Chromecast, Apple TV (via Airplay), Playstation, XBOX, Amazon Fire, Samsung TV
Ads No
Download for offline No
Why it’s special Horror movies

indieflixIndieFlix

This service also has a good selection of feature and short films. Nothing super remarkable, just good movies.

Summary Independent
Trial 14 days
Monthly $5
Yearly $50
Watch computer, Roku, XBOX, amazon Fire
Ads No
Download for offline No
Why it’s special Short films, Independent

spuulSpuul

This specialty service is a must for a Bollywood lover.

Summary Bollywood movies
Trial 7 days
Monthly $4.99
Yearly $49.99
Watch PC, Mac, phone, tablet and TV
Ads No
Download for offline No
Why it’s special Bollywood movies & TV

flix flingFlix Fling

Great selection of movies and upcoming exclusive VOD release of THE CORPSE OF ANNA FRITZ (El cadáver de Anna Fritz) a film by Hèctor Hernández Vicens.

Summary Blockbuster and new releases
Trial 14 days
Monthly $7.99
Yearly n/a
Watch Smart TVs: Vizio, Yahoo Connected
Applications: iOS, Android, Opera, Windows 8, Vidora
Set-top boxes: Roku, Entone, TiVo coming soon
Game Console: Xbox 360
Ads No
Download for offline No
Why it’s special Subscription or on demand

fandorFandor

Another fantastic service with international and independent movies worth your time.

Summary International & Independent
Trial 14 days
Monthly $10
Yearly $90
Watch computer, Apple TV, Roku, Chromecast, Android, Kindle, iPhone, iPad
Ads No
Download for offline Yes
Why it’s special Half your purchase dollars will go to support the community of filmmakers and film providers. Discount for education https://www.fandor.com/edu

https://youtu.be/hmrGxrtNknU

dramafeverDramaFever

There’s a big world out there and Korean dramas are so popular, that if you’ve seen everything on Netflix, you may need this.

Summary Korean Dramas, Latin American Telenovelas, and a wide selection of Asian TV shows and movies
Trial 7 days
Monthly n/a
Yearly $11.88 / $50.04 / $99.96
Watch computer, Apple iOS 7+, Android 4+, Roku, Chromecast, Apple TV (via Airplay), Playstation, XBOX, Amazon Fire, Samsung TV
Ads Depends on tier
Download for offline No
Why it’s special Korean dramas, Latin American Telenovelas, Asian moves & TV

curiousity streamCuriousity Stream

Not just documentaries, this services promotes non-fiction, so there’s so much more to discover.

Summary Documentaries
Trial 30 days
Monthly $2.99 SD / $5.99 HD
Yearly n/a
Watch Roku, Chromecast, Amazon Fire TV, phone, tablet
& Apple TV (via airplay).
Ads No
Download for offline No
Why it’s special Focuses purely on non-fiction

acorn tvAcorn TV

Hooked on Downton Abbey? There’s so many more British television and movies available on this streaming service.

Summary British movies & TV
Trial 30 days
Monthly $4.99
Yearly n/a
Watch Roku, Samsung Smart TV, iPhone, iPad, web, and more
Ads No
Download for offline No
Why it’s special

warner instant archiveWarner Instant Archive

Limited to only Warner Brothers, I think this service doesn’t offer enough for the price. However, for those seeking classics going back to the 30s, this delivers.

Summary Classic Warner Brothers TV & Movies
Trial 1 month
Monthly $9.99
Yearly 6 mos $47.99 / 12 mos $84.99
Watch Online & Roku only
Ads No
Download for offline No
Why it’s special Movies spanning through the 1920s to the 1990s

snag filmsSnag Films

Free. Absolutely free movies.

Summary Independent
Trial FREE
Monthly FREE
Yearly FREE
Watch computer, Apple TV, Roku, Chromecast, Android, Kindle, iPhone, iPad
Ads Yes
Download for offline No
Why it’s special FREE

Review: Now available on VOD, film festival favorite ‘ANGEL OF NANJING’ soars.

Balance Films and Blue Bus Productions PresentsANGEL OF NANJING

In the US, depression is a subject we either tackle with prescription drugs or after a suicide. Most of us are so consumed with our own lives, we oftentimes fail to look beyond the emotional scope of our own noses. In a new documentary by Jordan Horowitz and Frank L. Ferendo, ANGEL OF NANJING, one solitary man makes it his mission to save the souls on The Yangtze River Bridge.

SYNOPSIS:

The Yangtze River Bridge in Nanjing is one of the most famous landmarks in China. It is also the most popular place in the world to commit suicide. After hearing reports about this from the news, Chen Si, an average man with no professional training, decided to do something about it. On September 19, 2003, he went to the bridge with a heart-shaped sign that read, “Nothing is impossible. When God closes a door he opens a window.” That morning he saved someone, and has dedicated his life to standing vigil on that bridge ever since. Incredibly, he’s saved over 300 lives since he began.

 

Despite all the lives he’s saved, Chen’s mission has taken an unexpected toll on him. He feels incredible guilt when he learns someone committed suicide while he wasn’t at the bridge, and even more when he is there and is still unable to save them. He’s become a heavy smoker and drinker, and often finds himself battling with depression. He is also under growing pressure from his family to quit, who cannot understand why he spends so much time and money helping others when he has his own family to worry about.

ANGEL OF NANJING

The film has an incredibly organic feeling from its handheld camera work to the pulled back moments when Chen is speaking to the men and women so seemingly desperate to jump. Once rescued, the audience feels as if they’re part of the healing as they are treated to intimate face to face conflict resolution. It is a perfect snapshot into the Chinese culture. Suicide is considered extraordinarily shameful. Chinese media always refers to a desperate or depressed individual as in a “bad mood” in any aftermath coverage. Once you accept the familial implications of a suicide, you begin to understand Chen’s pragmatic approach. Cultural tactics are perfectly balanced with genuine tenderness resulting in incredibly touching rescues. Chen is a complex man, struggling with the sense of responsibility to those in such despair and his own happiness. Horowitz and Ferendo do absolute justice to Chen and this unique scenario. As an added bonus, the film’s score is both haunting and glorious. It is something I would seek out on its own. As a whole, ANGEL OF NANJING is a beautiful story of hope and humanity.

ANGEL OF NANJING

ANGEL OF NANJING is now available! Check out the trailer below…

Award-winning documentary debuted on VOD (iTunes, Amazon, and Google Play) February 16

Winner – Best Documentary, Phoenix Film Festival
Wi
nner – Best Documentary, Catalina Film Festival
Winner – Best Documentary, SaMo Indie Fest
Winner – Best Documentary, Big Apple Film Festival
Winner – Best Documentary, New Jersey Film Festival

Directed by Jordan Horowitz and Frank Ferendo, ANGEL OF NANJING tells the story of an ordinary man doing something extraordinary, and at great personal sacrifice. It is a personal portrait of a man, who in a country of over one billion people, has chosen to dedicate himself to making a difference, one person at a time. 

Love never dies as ‘NINA FOREVER’ comes to theaters and VOD today.

Epic Pictures Presents

NINA FOREVER

Written & directed by Ben and Chris Blaine

nina forever poster

Just in for Valentine’s Day weekend, there is a new trailer and bonus clip from indie horror film Nina Forever.

HOLLY wants to save ROB, has fallen in love with him. She is training to be a paramedic and works a dead end job in a supermarket where Rob is the only remarkable thing; lost and angry since the death of his girlfriend NINA. Drawn into a relationship, the first time they’re in bed together so is Nina. A tangled and bloody mess of broken limbs, she is very much dead but still here, still talking, still angry…

However Holly doesn’t freak out and run – she is determined to be the one who heals Rob’s wounds. She can deal with the dead girl sharing their bed, their lives, their minds. If it’s what Rob needs, it’s what Holly will do, whatever the consequences…

It’s sounding like a potentially more successful film than the 2014 release of Burying The Ex, starring Anton Yelchin and Ashley Greene. Seemingly similar premise, but hopefully a bit more promising. Nina Forever has been a hit on the festival circuit following its premiere at the 2015 SXSW Film Festival. On their website, http://ninaforever.com/, they have created a Spotify playlist you can access featuring the film’s soundtrack. Great marketing ploy and a bit of extra fun for fans. Just released is a clip from the film. If this is any indication of how weird and wonderful the rest of the story will play out, count me in. Stay tuned to ReelNewsDaily later on today for our full review!

Nina Forever comes the theaters and on  iTunes/VOD and other digital platforms beginning today, Friday, the 12th. Happy Bloody Valentine’s Day, Everyone!

Review: The raw nature of ‘Glassland’ will leave you broken hearted

Glassland_poster

America has fortunately be given another profoundly great Irish Film. After the overwhelming feelings of isolation we felt with the Irish film, Room (2015); our emotions take another beating when witnessing the physical and mental consequences of alcoholism in Gerard Barrett’s Glassland. The film had an incredible cast who really blew me away with their performances. Alcoholism is not a joke, and this film will show audiences just how heartbreaking it really is.

Glassland-2

John (Jack Reynor) and his mother Jean (Toni Collette) reside in a low-income suburb in Dublin, Ireland. With no help from his mother, John works all night driving a taxi to help provide for his family, all while his mother falls victim to her disease. She believes a better life is found at the bottom of a bottle, even while knowing the impact her choices have on her family. Their story shows the sacrifices that have to be made from both John and Jean in order to create some hope for their future.

Glassland-3

Barrett’s shots throughout the film were powerful. The change in technique and the difference in the camera’s movements really set the tone for each scene. There are times where the camera is motionless in a single room, making the audience feel as trapped as Jack feels in the scene. Later, Barrett changes over to a shaky camera technique, giving the audience more of an unsettled feeling. The film overall is simple, and despite not having a very complex story, it is raw and beautifully demonstrated. This film shows us the heartbreaking truth that many people in this world deal with everyday;  without the amazing performances from the cast and well executed cinematography, this meaningful film might of fallen through the cracks. Check out Glassland in theaters on February 12th.

WINNER – SPECIAL JURY PRIZE – SUNDANCE FILM FESTIVAL 2015
BEST FILM – GALWAY FILM FESTIVAL

3/5 Stars

Netflix News: SXSW15 documentary ‘My Beautiful Broken Brain’ Exec-produced by David Lynch debuts March 18th

MBBB_Keyart_US

“If the physical body – the brain, is damaged, does this extend to damage to the self?”
This question is at the heart of Netflix’s new original documentary film, My Beautiful Broken Brain as we follow Lotje’s Sodderland’s incredible story of rehabilitation and recovery from a traumatic hemorrhagic stroke which needed home care from https://homecareassistance.com/dana-point/.
The film is a personal voyage into the complexity, fragility and wonder of the human brain. Lotje finds herself starting again in an alien world, bereft of language and logic, fighting not to be defined by her limitations, rather the endless possibilities of life. This feature documentary takes us on a genre-twisting tale that is by turns excruciating and exquisite – from the devastating consequences of a first-time neurological experiment, through to the extraordinary revelations of her altered sensory perception.

Executive producer David Lynch adds, “I am thrilled to join Lotje and Sophie in sharing My Beautiful Broken Brain with the world. The brain is truly fascinating and much in the way that our brains are able to achieve total coherence — finding enlightenment and fulfillment, you will surely be moved and inspired by this journey of self-rediscovery.”

The film was co-directed by Sophie Robinson and Lotje Sodderland and is an official selection of the 2016 SXSW Film Festival and launches globally on Netflix March 18.

[FLASHBACK] Tribeca Film Festival review & podcast: TUMBLEDOWN will win hearts and fans. Including the audio from our roundtable interview with Jason Sudeikis, Dianna Agron, Director Sean Mewshaw, and Writer Desiree Van Til.

Tumbledown

Music is part of our souls. It can heal, it can hurt, it’s like a sense memory. We’ve lost great artists in their prime like, Leonard Cohen, Kurt Cobain, and Elliot Smith. The impact of their death is felt each time we hear one of their songs. Imagine, for a moment, that your very favorite artist suddenly dies. Now imagine you were married to them. This is the very premise of TUMBLEDOWN. Hannah is the widow of indie folk singer Hunter Miles. She is hounded by gossip seekers on a daily basis. When Hofstra professor and true fan Andrew tries to get in touch with her, she brushes him off… and brushes him off again… and again. Only until realizing that her dream of writing Hunter’s story is one she cannot accomplish on her own, does she let her highly guarded heart open just a crack. Andrew and Hannah strike a deal; Andrew writes a biography on her terms for $50k. With the encouragement of his music industry girlfriend Finley, Andrew drives from NYC to Maine and moves into Hannah’s guest bedroom. He is then exposed to a world a true fan can only dream of, with one massive catch. Hannah will not stop mourning her late husband. Can fan and family see eye to eye. Can trust break down the walls of Hannah’s suffering? Will intellect stifle healing. In a film where it’s head vs heart, who wins?

Tumbledown_Press_1 TribecaRebecca Hall is flawless as Hannah. Witty, independent, strong headed, Hall plays a woman unwilling to move on with her life. Jason Sudeikis as Andrew is unstoppable. Smart, and quippy as ever, this role is something new for Sudeikis. I love this side of him and hope that the industry, and more writers, take note of his innate ability to be funny in a non-slapstick kind of way. These two are an absolute powerhouse as they match wits with one another in each scene. Rounding out an incredible cast is Dianna Agron as Finley. Life after GLEE fame should treat her well if she keeps up such a strong, believable presence on the big screen. Blythe Danner and Richard Masur play Hannah’s parents. Deeply supportive and yet totally realistic, these two are the perfect counter balance to Andrew’s inability to let go of presumption. Finally, Griffin Dunne plays Hannah’s editor and owner of the town beloved book shop. He brings warmth and charm only a small town holds.tumbledownjasonsudeikisrebeccahall

The film was 8 years in the making. Writer Desi Van Til thoughtfully crafted this story partly as a personal healing piece for a lost friend. She skillfully captures the heart of New England, the desperation of grief, and the hold that music has on everyone’s heart. For Director Sean Mewshaw, his first feature length film is a total success. It’s shot in such a way that truly shows the quaintness of the area. Finding “Hunter Miles” or singer Damien Jurado was one of his triumphs. He perfectly encapsulates the feel of the character that was created by Desi, Rebecca, Jason, and Sean. Coming in after the film was already in the can, with his music and lyrics, he “created” a musician we’re all discovering for the first time, but feel like we’ve now lost as well. It might also help that Sean and Desi are husband and wife! This team is a real tour de force and without any solid knowledge (only mere mentions) I predict many captivating projects coming down the pipeline from these two.

Grief is something so personal. No matter how big the hit we feel, it still leaves a hole in our hearts and souls. Sometimes music helps. Sometimes it’s a trigger. Either way, the songs live on long after we’re gone. So sing, I say. TUMBLEDOWN is easily in my top three narrative selections to come out the this year’s festival. It is a must see and definitely a must hear.jasonsudeikistumbledownrebeccahall


I was fortunate enough to attend a roundtable interview with Dianna Agron, Jason Sudeikis, Desi Van Til and Sean Mewshaw. We talk issues from the film, insight into the project’s journey, as well as Jason and Dianna’s other releases at the fest. Take a listen to the absolute joy around the table: *You can hear me ask a question about journalistic responsibility and one about Dianna’s similarities to the character of Hannah.* Enjoy the voices of TUMBLEDOWN!

Originally posted April 20, 2015

Netflix Ultra HD 4K Lineup in 2016 – 15 of 25 new releases are in the new format

NetflixJust two years ago, a 60″ Ultra HD 4K was around $5,000. Today, it’s closer to $1,000. But what is Ultra HD 4K? Think of it in pixels. Ultra HD 4K is four times high definition. If you think it doesn’t make much of a difference, just go to Target or Best Buy and check one out. It’s breathtaking.

From: http://4k.com/resolution/

But before people buy TVs, there needs to be content. And for content, people need a way to watch. So amidst all the new releases on Netflix, 5 of the 6 films and 10 of the 19 series are in Ultra HD 4K. Amazon is not far behind, but more on that soon. Here’s what’s coming:

FILMS

Crouching Tiger Hidden Dragon Sword of DestinyCrouching Tiger, Hidden Dragon: Sword of Destiny – February 26th

Crouching Tiger, Hidden Dragon: Sword of Destiny tells an epic story of lost love, young love, a legendary sword and one last opportunity at redemption, set against breathtaking action in an epic martial arts battle between good and evil that will decide the fate of the Martial World.

Directed by the renowned martial arts choreographer (The Matrix Trilogy and Kill Bill 1& 2) and director (Tai Chi Master) Yuen Wo-Ping, Crouching Tiger, Hidden Dragon: Sword of Destiny stars Michelle Yeoh (Crouching Tiger, Hidden Dragon, The Lady) as Yu Shu-Lien and Donnie Yen (Ip Man 1&2, Monkey King 3D) as Silent Wolf.

Based on the acclaimed novel, Iron Knight, Silver Vase, by Wang Dulu (book 5 in the Crane-Iron Pentalogy) and written by John Fusco (Marco Polo) the new film is produced by Harvey Weinstein (Academy Award winner – The King’s Speech, The Artist) and Peter Berg (Emmy Award winner – Friday Night Lights; Lone Survivor, Hancock) and Sarah Aubrey (Friday Night Lights; Lone Survivor, Hancock) and executive produced by Morten Tyldum (Headhunters, The Imitation Game), Ralph Winter (X-Men franchise), Anthony Wong and Bey Logan (The Medallion).

Crouching Tiger, Hidden Dragon: Sword of Destiny also stars Harry Shum Jr (Glee, Revenge of the Green Dragons), Jason Scott Lee (Seventh Son, Hawaii Five-O), Roger Yuan (Bulletproof Monk), Eugenia Yuan (Revenge of the Green Dragons) and newcomer Natasha Liu Bordizzo.


Jadotville

New war thriller Jadotville, starring Jamie Dornan (Fifty Shades of Grey) and Guillaume Canet (Tell No One), across all its territories in 2016. Netflix acquired Jadotville at the 2015 Berlin Film Festival.

A gripping true story of incredible bravery against impossible odds, the film thrillingly depicts the 1961 siege of a 150-strong Irish UN battalion under Commander Patrick Quinlan (Dornan) by 3,000 Congolese troops led by French and Belgian mercenaries working for mining companies. Canet plays a French commander who sought to defeat Quinlan and his men.

Directed by Richie Smyth, a well-known commercial and music video director (U2, Bon Jovi, The Verve) and written by Kevin Brodbin (Constantine), Jadotville will film in Ireland and South Africa. Alan Moloney will produce for Parallel Films (Haywire, Albert Nobbs, Byzantium).

The story of how Pat Quinlan led his troops against an overwhelming force without losing a single man is one of the great stories of the 20th century, and we are proud to be working with such a talented and committed team to bring it to life,” said Netflix Chief Content Officer Ted Sarandos. “This film will be an amazing addition to our global original films initiative.”

“As filmmakers, we are constantly looking for new ways to bring a movie to the largest possible audience. Netflix has already reinvented the TV market and is now moving front and center into the film business. We are proud and excited to be part of their story and innovation,” said Parallel Films’ Alan Moloney.


Mascots - Christopher Guest NetflixMascots

Welcome to all the drama, intrigue, and occasional excitement of The 8th World Mascot Association Championships, where a group of “unusual” men and women, with big heads and furry suits, compete to win the prestigious gold fluffy award and be crowned best mascot in the world.


Pee-wee-NetflixPee Wee’s Big Holiday

In Pee-wee’s Big Holiday, a fateful meeting with a mysterious stranger inspires Pee-wee Herman to take his first-ever holiday in this epic story of friendship and destiny. Judd Apatow (Anchorman, Bridesmaids) and Paul Reubens (Pee-wee’s Big Adventure, Pee-wee’s Playhouse), worked together to bring the project to fruition and produced the film. It was written by Reubens and Paul Rust (Comedy Bang! Bang!, Arrested Development), and is directed by John Lee (Wonder Showzen, The Heart She Holler).


War Machine

Inspired by the best-selling book The Operators: The Wild and Terrifying Inside Story of America’s War in Afghanistan by the late Michael Hastings,War Machine concerns a four star, “rock star” general whose lethal reputation and impeccable track record vaults him to command the American war in Afghanistan. Determined to win the “impossible” war once and for all with a radical new approach, the general and his motley staff of commanders and press advisers race across the globe navigating delicate international alliances and troop requests, the charged battlefield of Washington politics, the voracious appetite of the media, and the day-to-day management of the war itself – all the while struggling to stay connected to the lives of men and women out in the field.


SERIES

Chelsea Does – January 23rd

Chelsea Does Marriage– In this funny and personal documentary, Chelsea Handler examines modern romantic relationships by interviewing experts, kids, an ex-boyfriend and even her own family members. The film also features appearances by Jason Biggs, Jenny Mollen, Colin Cowie and former Ashley Madison CEO Noel Biderman, among others.

Chelsea Does RacismHandler explores a serious, hot-button topic the only way she knows how: by being outspoken and unwaveringly honest. Highlights include a roundtable discussion with experts from the NAACP, the Anti-Defamation League and other civil rights organizations; a sit-down conversation with Rev. Al Sharpton; a trip to a South Carolina plantation; and Handler’s eye-opening journey to Israel where she has an intimate conversation with former president, Shimon Peres.

Chelsea Does Silicon ValleyIs technology making us better or worse? What are the consequences of Internet shaming? How does Netflix work? In this doc, Handler, a self-proclaimed technophobe, seeks answers to all of these questions. Netflix CEO Reed Hastings, Khloe Kardashian, Jon Ronson, and other notables help her adapt to a tech-savvy world.

Chelsea Does DrugsHandler embarks on several long, strange trips in this documentary, from Willie Nelson’s tour bus all the way to Peru, where she takes the hallucinogenic drug ayahuasca. Whether she’s dining on a marijuana-infused meal or mixing alcohol and Ambien (under a neurologist’s supervision), Handler’s sharp sense of humor is matched by her repeated willingness to “go there” on camera.

https://youtu.be/bcIAMiH6bIE



Cooked – Docu Series February 19th

From best-selling author Michael Pollan (The Botany of Desire, The Omnivore’s Dilemma, In Defense of Food), Oscar-winning filmmaker Alex Gibney (Steve Jobs: The Man in the Machine, Going Clear: Scientology and the Prison of Belief, Taxi to the Dark Side, Enron: The Smartest Guys in the Room), and an all-star cast of directors and cinematographers comes the Netflix Original Documentary Series Cooked, which examines the primal human need to cook and issues a clarion call for a return to the kitchen in order to reclaim lost traditions and restore balance to our lives.

Each of the series’ four episodes examines one of the physical elements used throughout the ages to transform raw ingredients into delicious dishes: fire, water, air, and earth. Cooked takes viewers on a visually stunning journey to meet, among others: an Aboriginal tribe in Western Australia that fire-roasts Australian monitor lizards, a Connecticut Benedictine nun and microbiologist who makes traditional French cheese, Peruvian brewers who use human saliva to ferment a traditional beverage, and an ancient Moroccan granary powered by rivers. Each episode also returns to Pollan cooking in his Berkeley, California, kitchen, appetizingly delivering his core message that, surrounded as we are by fast food culture and processed foods, cooking our own meals is the single best thing we can do to take charge of our health and well being.

“Fire”
With help from Aboriginal hunters and a barbecue pit master, Pollan shows how fire shaped human gastronomy, and weighs our duty to the animals we eat.

“Water”
Pollan looks to the kitchens of India for a lesson in the value of pot cooking and examines the consequences of eating highly processed food.

“Air”
Visit food labs and Moroccan fields as Pollan delves into the science of bread-making and the nature of gluten.

“Earth”
Discover how microbes help turn raw ingredients into delicacies like chocolate and cheese as Pollan tackles the mysterious process of fermentation.

The series is a co-production of Netflix and Jigsaw Productions. Michael Pollan, Alex Gibney, Stacey Offman, Caroline Suh, Lisa Nishimura and Adam Del Deo serve as executive producers.


LOVE

LOVE

Love – Season 1 February 19th

Created, written and executive produced by Judd Apatow, Paul Rust and Lesley Arfin, Love follows nice guy Gus (Rust) and brazen wild-child Mickey (Gillian Jacobs) as they navigate the exhilarations and humiliations of intimacy, commitment, love and other things they were hoping to avoid.  Love is an unflinching, hilarious and excruciatingly honest take on modern relationships.
Brent Forrester and Dean Holland also serve as executive producers of Love.

https://youtu.be/Ym3LoSj9Xj8


Fuller House – Season 1 February 26th

In Fuller House, the adventures that began in 1987 on Full House continue, with veterinarian D.J. Tanner-Fuller (Candace Cameron Bure) recently widowed and living in San Francisco. D.J.’s younger sister/aspiring musician Stephanie Tanner (Jodie Sweetin) and D.J.’s lifelong best friend/fellow single mother Kimmy Gibbler (Andrea Barber), along with Kimmy’s feisty teenage daughter Ramona (Soni Nicole Bringas), all move in to help take care of D.J.’s three boys — the rebellious 12-year-old Jackson (Michael Champion), neurotic 7-year-old Max (Elias Harger) and her newborn baby, Tommy Jr (Messitt Twins).

Guest appearances by John Stamos (Jesse Katsopolis), Bob Saget (Danny Tanner), Dave Coulier (Joey Gladstone), Lori Loughlin (Becky Katsopolis) and Scott Weinger (Steve Hale).

Fuller House is from Miller-Boyett Productions and Jeff Franklin Productions in association with Warner Horizon Television for Netflix. Robert L. Boyett, Thomas L. Miller and Jeff Franklin are the executive producers of the series, which was created by Franklin. John Stamos is a producer.


House of Cards – Season 4 March 4th

An uncompromising exploration of power, ambition and the American way, the series orbits Francis Underwood, the House Majority Whip. Underwood is the politician’s politician – masterful, beguiling, charismatic and ruthless. He and his equally ambition wife Claire stop at nothing to ensure their ascendency.


Flaked – Season 1 March 11th

Flaked is the serio-comic story of Chip, a celebrated long-time resident of the insular world of Venice, California who falls for the object of his best friend’s fascination. Soon the tangled web of half-truths and semi-bullshit that underpins his all-important image and sobriety begins to unravel. Will Arnett plays Chip, a man doing his honest best to stay one step ahead of his own lies.


Marseille – Season 1 May 5th

As the municipal elections approach in Marseille, Robert Taro, the city’s Mayor for the last twenty years, prepares his last coup: push through the vote for the construction of a casino in the historic center of the Marina featuring many of the games casino played by locals at mega888 download. Nothing has been left to chance, and his successor, Lucas Barrès, is already designated. But the latter’s all-consuming ambition and the secret interests of the city’s leaders, whether they come from its opulent villas or from the cities of the northern suburbs, impede the Mayor’s plans. The race for Mayor becomes a power struggle where no holds are barred. Only one question arises: how far will they go? The cast includes Gérard Depardieu (Robert Taro), Benoît Magimel (Lucas Barrès), Géraldine Pailhas (Rachel Taro), Nadia Farès (Vanessa d’Abrantès), Stéphane Caillard (Julia), Jean-René Privat (Cosini), Guillaume Arnault (Eric), Hedi Bouchenafa (Farid), Carolina Jurczak (Barbara), and Nassim Si Ahmed (Selim). Marseille is written by Dan Franck who serves as Executive Producer. Florent Siri (‘Cloclo’), director of episodes 1-4, also serves as Executive Producer. Thomas Gilou is the director of episodes 5-8. Marseille is produced by Paris-based Federation Entertainment, led by Pascal Breton, producer of the hit French series Dolmen and Sous le Soleil.


Sam Waterston, Lily Tomlin, Jane Fonda and Martin Sheen in the Netflix Original Series "Grace and Frankie". Photo by Melissa Moseley for Netflix.Ê

Sam Waterston, Lily Tomlin, Jane Fonda and Martin Sheen in the Netflix Original Series “Grace and Frankie”. Photo by Melissa Moseley for Netflix

 

Grace and Frankie – Season 2 May 6th

Jane Fonda and Lily Tomlin star as Grace and Frankie, two women whose lives are suddenly turned upside down when their husbands, played by Martin Sheen (“Robert”) and Sam Waterston (“Sol”), reveal they are gay and leave them for each other. Both sparring partners and partners-in-crime, they form an unlikely bond to face an uncertain future together and discover a new definition of “family,” with laughter, tears and plenty of mood enhancers along the way. From executive producers Marta Kauffman (Friends) and Howard J. Morris (Home Improvement), the hilarious and heartbreaking comedy takes on aging with gusto – from joint pain to joint rolling and blind dates to night blindness – and offers a poignant look at how life’s turning points show us who we really are. The series also stars Brooklyn Decker, Ethan Embry, Baron Vaughn and June Diane Raphael. In addition to Kauffman and Morris, the series is also executive-produced by David Ellison, Dana Goldberg and Marcy Ross from Skydance Productions, along with Paula Weinstein and Fonda and Tomlin.


The Crown – Season 1 2016

The Crown tells the inside story of two of the most famous addresses in the world — Buckingham Palace and 10 Downing Street – and the intrigues, love lives and machinations behind the great events that shaped the second half of the 20th century. Two houses, two courts, one Crown.


The OA – Season 1 2016

The OA, a new drama series starring Brit Marling. Zal Batmanglij (Sound of my Voice, The East) will direct, and Marling and Batmanglij will co-write The OA. Eight hour-long episodes of the series will premiere exclusively across all Netflix territories in 2016.

“We are thrilled to be the home of the first  television series Brit and Zal create together,” said Cindy Holland, Vice President of Original Content at Netflix. “Whether in front of or behind the camera, or both, their creative voice is always uniquely captivating.”

“Brit Marling and Zal Batmanglij are singular innovators who are looking to push boundaries in new ways and embrace this incredible moment of opportunity in television. We are so excited to be a part of this project,” said Plan B Entertainment.

“We are thrilled to collaborate with Netflix and Plan B to help bring to fruition Brit and Zal’s extraordinary vision,” said Michael Sugar, executive producer and partner, Anonymous Content.

Dede Gardner and Jeremy Kleiner from Plan B (Oscar winning producers of 12 Years a Slave) and Michael Sugar from Anonymous Content (True Detective, The Knick) are executive producers of the series, along with Marling and Batmanglij. The OA is a Netflix production.

Brit Marling is an actor, writer and producer. She has starred in films including Arbitrage, and the recent I, Origins, and stars in the upcoming The Keeping Room. Previous credits include The East and Sound of My Voice, which she also produced and co-wrote with Batmanglij, as well as Another Earth, which she also produced and co-wrote with Mike Cahill. Director and writer Zal Batmaglij made a splash at the 2011 Sundance Film Festival with his feature debut Sound of My Voice, which was released by Fox Searchlight. The studio went on to make his next film The East, which they released in 2013.

Shocking Tribeca doc ‘DREAM/KILLER’ finally gets released in theaters!

dream killer posterOne of the most acclaimed docs from this year’s Tribeca Film Festival, dream/killer,  is being released in NY today and in LA next Friday, Dec 11th. Fans of the podcast Serial and HBO’s The Jinx, this film is right up your alley, I highly recommend  you seek it out!Ryan Ferguson dream killer

In the fall of 2005, 19-year-old Ryan Ferguson was convicted of murder and sentenced to 40-years in prison based on someone else’s dream.  Over the next ten years while Ryan languished in prison, his father Bill engaged in a tireless crusade to find justice.  dream/killer tells the story of this extraordinary father’s journey to free his son.Courtroom still dream killer

When Columbia Daily Tribune sports editor Kent Heitholt was brutally murdered in the newspaper’s parking lot, the crime went unsolved for two years, leaving the affluent college town desperate to bring home justice. At the time, it was the only unsolved murder in the city. A break in the case lead police to Chuck Erickson, who confessed to the crime, implicated Ferguson as an accomplice and left America with one of the country’s most outrageous miscarriages of justice.The Ferguson family dream killer

The documentary uses archival footage from when Ryan was first arrested, interviews with him in prison, and court hearings that reveal the strengths and the flaws of the American judicial system. The arguments of the ruthless prosecutor and Ryan’s brilliant defense attorney are also depicted to show how easily the system is influenced.  Interspersed with footage from the Ferguson family archive, dream/killer looks at the personal consequences of a wrongful conviction.

dream/killer – OFFICIAL TRAILER (2015) from Bloom Project on Vimeo.

You can check out my original review and listen to my exclusive interview with Ryan and Bill in the link below. This is one extraordinary story and family.

Review/Interview with ‘Dream/Killer’ subject Ryan and Bill Ferguson

Review & Interview: ‘APPLESAUCE’ writer/director talks total weirdness and hilarity.

Applesauce Poster

What’s the worst thing you’ve ever done? Just one seemingly innocent question is the spark that ignites the entire rest of one quirky and fantastic film. Onur Tukel’s APPLESAUCE will get under your skin and inside your psyche. applesauce Dylan Baker

Synopsis:

 Every Tuesday night, radio talk show host Stevie Bricks invites his listeners to call in and share “the worst thing they’ve ever done.” Tonight, Ron Welz (writer/director Onur Tukel) is ready to share his story.  But soon after he confesses on the air, someone starts sending him severed body parts. Ron becomes paranoid, terrified. His life begins to unravel. His marriage begins to fall apart. He has no idea who’s tormenting him. Is it his insolent high school student? Is it his best friend? His own wife? In a city like New York, there are eight million suspects and each one could have a bone to pick with someone like Ron.

Applesauce still, Onur, copsOnur takes upon the role of Ron with hilarious gusto. After he answers “the question”, someone begins to torment him by sending him “gifts” that remind him of what he did. The question not only effects him but his wife and their best couple friends, when they answer the question, as well. Everyone is angry but each is guilty of being haunted by their own past. The fallout spreads like a virus, spoiling the sanity of these four individuals. The circumstances get weirder and weirder, but you’re already along for the ride. This cast clicks and whirs like a well oiled machine. Tukel’s script is filled with pop culture digs and the realities of intimate relationships. It’s a crazy give and take between bizarro land and total nonchalance. I was all in from the beginning. APPLESAUCE_web_1


I had the pleasure of interviewing this multifaceted artist about this truly unique indie. Enjoy.


Liz: Firstly, this is some wacky and wonderful stuff. I’m gonna need more asap. Just throwing that out there. What in the world was the inspiration for this unique story?

Onur: The inspiration was a true story that happened to a friend of mine in college.  We were at a party together and he accidentally cut a stranger’s finger off.  He was haunted by this event for years.  We’ve visited this story dozens of times – over dinners, at parties, at various social gatherings – and it always captivates whoever’s listening.  We always wondered whatever happened to the injured person, how it changed his life. My friend and I also agreed that having a character tell the story over dinner would make a terrific starting point for a film. This was, indeed, the lynch-pin. I started with that and the script wrote itself.

Liz: You wear a ton of hats in making your films. Do you find that’s been a necessity or for the love of the project?

Onur: When you make a really low-budget film, yeah, you have to wear a lot of hats.  I was the costumer, the production designer, co-editor, writer, co-actor, and co-producer.  The DP was also the operator, best boy, gaffer, and grip.  The producers are handling props and also working on production design and script supervising. The PA is doing the work of six people. Everyone’s wearing a lot of hats. You have no choice! Of course, love factors into the whole process. But when people get over-extended, it becomes stressful, and that sucks. Still, when that camera rolls and you get a take that really pops, it’s all worth it. Then, in the editing room, when you start piecing it together like a puzzle and it starts to come to life, it’s magic. On the next one, I hope to have a bigger budget and crew so I can focus exclusively on the writing, directing and editing. This will give the other crew members a chance to focus on fewer things, as well.

Liz: For Applesauce, specifically, what was the length of time from page to production? Shooting to wrap?

Onur: I finished the first draft of the script in August of 2014 and rewrote it over several months. We went into production in November and wrapped on December 31, 2014.   Just four months later, it premiered at Tribeca Film Festival in April.  The schedule was nuts: fast-paced, chaotic, exhilarating and at times, infuriating.   I made a vampire movie when I was 26 in Wilmington, NC and we were rushed into production, much like we did on Applesauce.  The entire crew of six decided to abandon the movie because they thought we weren’t ready.  I recruited the camera operator Bryan Kupko and asked him if he wanted to make the movie with just a two-person crew.  He shrugged and said, “Sure.”  And that was all I needed to hear.  I just wanted a camera rolling; wanted to hear that purr of the film threading throughout the CP-16 as it burned itself up at 24 frames per second.  The crew eventually came back on board and we dug in and got the movie made, but I was ready to go with one person.  I feel alive on a film set.  A group of creative people working together to make a movie is a beautiful battlefield.  Even when it seems like films may be losing their cultural significance, it’s an honor to be called a director.

Liz: The dialogue is delicious. Super natural, which leads me to think there was a lot of improv involved?

Onur: Delicious. Super natural. You’re delicious and super natural, Liz. Hope that doesn’t sound creepy. Yes, there’s always improvisation in my movies, but it’s always very scripted at the beginning.  We will improv a scene if the words don’t sound real or the dialogue feels flat.  I always want the scene to have life and that usually means severing a sentence or two, rearranging some lines, or tossing the dialogue out all together. Sometimes we’ll use 100% of the dialogue. Sometimes 70%. Sometimes none. Plus, I’m rewriting the script during production, so it’s always changing.  I just want it to feel real, whatever it takes.  If what I’ve written works, great.  If it doesn’t, the hell with it!

Liz: Loved the structural choice to use Stevie Bricks as a transitional catalyst. It made for some quick relief from the adult realness (even as those scenes funny as hell) You totally could have gotten away with just having him as the opener. Talk about utilizing that character throughout, if you would.

Onur: The brilliant Dylan Baker gives such a great performance. I used him like a one-night stand. Literally. We had him for eight hours. I squeezed as much as I could out of him during that time, knowing we would edit him into the movie as much as possible.  He was very busy working on another project and I gave him maybe 10 pages of dialogue the night before his shoot.  He came in and nailed it.  I just sat back and watched.  I threw in a couple suggestions here and there to feel like I was a big shot and so I could tell people, “I directed Dylan Baker,” but I didn’t do a thing.  I didn’t really direct anyone in the movie.  That’s why it’s pretty good!

Liz: How does casting generally work for you? Do you have people in mind while writing or do you use a more traditional route with casting directors?

Onur: I wrote the role of Kate for Jennifer Prediger.  She’s a dear friend, but I was a fan or her work before I met her.  It’s easy to write for her because we kind of speak the same language.  We’re self-effacing, jokey, over-histrionic at times, charming when we need to be, yet self-aware when we’re both being sniveling little assholes. I was also friends with Trieste Kelly Dunn long before I cast her.  We both have connections to North Carolina, which might be one of the reasons we find the same things funny. North Carolinians can bullshit about anything.  I could probably talk to Trieste about a blade of grass for two hours.  I always have a blast in her company. The great Max Casella and wonderful Dylan Baker were brought on through a casting director named Stephanie Holbrook. The thought of making a movie now without her is terrifying. I won’t do it. She’s absolutely indispensable. She also happens to be a sweetheart. Lots of lovely people on Applesauce.

Liz: What advice can you give writers/artists in a world saturated with naysayers and Youtube clips/fleeting attention spans?

Onur: Read as many books as you can. The act of reading is creative. Whatever damage technology is doing to our attention spans can all be reversed with reading. Of course, this is easier said than done. Reading is a luxury for those with time. Outside of that, you better use your free time doing your art, whether it’s writing, drawing, recording music, playing music, making movies, etc. After all, if you ain’t doing that, you ain’t an artist.  If you are creating art, don’t be self-important. You’re not special and you’re probably not that good.  I have to tell myself this all the time. Every now and then, someone flatters me with praise. It’s nice to hear, but the day you start believing that stuff, you’re done. Before you know it, you’re lecturing people on how to make art like I’m doing now. I’m so ashamed.  I’m the last person who should be giving advice.  You should see my apartment. It’s like Hooverville for roaches in here.

Liz: I want to say THANK YOU for taking the time to chat with me. I cannot wait to see what’s next!

Onur: Thank you, Liz.  It’s an honor answering your great questions!

 
Starring Max Casella, Trieste Kelly Dunn, Jennifer Prediger, Onur Tukel, and Dylan Baker
The Disturbingly Riotous Tale of Secrets, Lies and Severed Body Parts Comes to VOD and EST Digital on November 24, 2015

‘CAROL’ comes to life on the silver screen today. Here are a few reasons why we think it shouldn’t be missed.

Carol poster

As one of the most anticipated films of this year’s New York Film Festival, CAROL most certainly blew everyone’s expectations out of the water. Here are just a few reasons why we adore this elegant film…Carol still Cate and RooneyThe Plot:

 In an adaptation of Patricia Highsmith’s seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light.

ROONEY MARA and CATE BLANCHETT star in CAROL

ROONEY MARA and CATE BLANCHETT star in CAROL

The Cinematography:

Edward Lachman is a genius behind the camera. Having worked hand in hand with Director Todd Haynes on Far From Heaven in 2002, his visual landscape for Carol is unmatched. Shot in 16mm, perfectly framed, with delicate but specific shots through windows and the focus on the color of crimson and corals, make this a true feast for the eyes.

You can watch Ed discuss his experience in an interview from NYFF53 here.Carol still Kyle Chandler

The Performances:

We’re not shy about our love for Cate Blanchett, nor is The Academy. In truth, there is not a single loose thread in the casting of this film. In the film’s press conference this week, you could see and hear the passion the entire cast held for the project and the respect they had for Phyllis Nagy‘s immaculate adaptation. This is not a story about a lesbian couple, this is a story of two people falling in love. The effortless nature of Blanchett, Mara, Chandler, Paulson, and Lacy as an ensemble evokes the kind of emotion so rarely experienced in the cinema these days. Both Cate and Rooney landed on my Top Female Performances of NYFF53 list. Lacy’s boyish charm and naivete bound off the screen. Chandler’s masculinity and energy are a powerful match for both the period and Blanchett. And as for Sarah Paulson (my favorite player in American Horror Story, every season), well, I wanted to put her in my pocket and place her in every film from here on out. It’s the kind of presence that should not be overlooked, ever. These actors are extraordinarily great at their jobs. There is no doubt about it, CAROL is a timeless film.

(L-R) KYLE CHANDLER and CATE BLANCHETT star in CAROL

(L-R) KYLE CHANDLER and CATE BLANCHETT star in CAROL

For a mere taste of what you’re in for, here is the trailer:

CAROL– Opening In Limited Theaters November 20, 2015

Rated R | Runtime 118 minutes

Carol still Sarah PaulsonCarol still Rooney

Carol still Todd Haynes and Cate Blachett

 

Review: ‘TRANSFATTY LIVES’ makes living for something, everything.

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Presents
Transfatty Lives posterSo many of us participated in “The Ice Bucket Challenge”. The real question is, how many of us took 60 seconds to Google why we were doing it? Patrick Sean O’Brien‘s inspirational documentary TRANSFATTY LIVES paints a stunning, incredibly raw picture of ALS.
TransFatty_Press_1 Tribeca

At 30, Patrick Sean O’Brien was TransFatty, a New York City DJ, Internet personality, and filmmaker. He spent his days as a beer-drinking creative force, making art films about perverts, vulnerable souls, and Howard Johnson’s restaurants. Then his legs started shaking.

Defying sentimentality, TRANSFATTY LIVES takes you on an emotional roller coaster from Patrick’s wild, fun-loving days into the dark heart of ALS (a.k.a. Lou Gehrig’s disease). Given 2 to 5 years to live, Patrick first loses his ability to walk, then move his arms, then to swallow, and even to breathe. With the support of his bewildered friends and family Patrick braves the unthinkable and turns his camera onto himself.

As the director and star of his own documentary, Patrick films every step of his debilitating journey from first diagnosis through his current paralysis. Forcefully lacking self pity, he captures the emotion, humor, and absurdity of real life as he makes art, gets political, falls in love, fathers a son, and fights extreme depression and paranoia.

At 40, Patrick has completed this film by typing directions to his editors with the movements of his pupils. Miraculously, TRANSFATTY LIVES is not a movie about death. Because, while Patrick’s brain stopped being able to control his muscles, it remains brilliantly alive, allowing him to ask: “What if my diminishing physical abilities can be inversely proportional to my journey inward? And, more importantly, “will there be bacon and unicorns once I get there?”

Still 3 - TransFatty LivesPatrick’s film is moving, impactful, and funny. Narrated by Patrick, mostly through voice-to-text on his computer via eye movements, the structure of the film is high impact with footage from his previous quirky films, photographs of his adventures, and dairy entries starting from 2005, when he was diagnosed with ALS. Completely unafraid, what began as a film about Patrick’s love for Howard Johnson, soon becomes a film about his journey. His crew seem to become a huge part in his care-taking. Along with his family, they are totally immersed in Patrick’s world, as much as someone without ALS can possibly be. If you’re not crying half way through this doc, you may not actually have a soul. Patrick has created a lens through which the audience can begin to understand just how quickly this disease sucks the life out of you physically. Having Patrick as the center of this project is invaluable. Firstly, he’s intensely charming. Using humor and positivity, he is able to put us at ease. But, moments of extraordinary challenge break the surface at every turn, throwing reality back into our faces just as quickly. The film’s balance is sheer perfection. TRANSFATTY LIVES should be seriously considered as awards season ramps up in the coming weeks. Patrick Sean O’Brien is a brilliant filmmaker and one hell of a human being.

TRANSFATTY LIVES is opening in Los Angeles and On Demand on November 20th and in New York on December 25th.
 TRANSFATTY LIVES won the ‘Audience Award’ at The Tribeca Film Festival, Milano Film Festival, and American Film Festival in Poland. It was also a Top 20 Film at HotDocs International Film Festival.

Review: ‘Shelter’ is Paul Bettany’s personal cry for us to wake up.

 

SHELTER

A film by Paul Bettany

ShelterPosterIn NYC, the homeless are a huge problem. If we’re being honest, most of us ignore them or wave them off and go about our lives. Paying $5 for a cup of coffee but turning our noses up at giving spare change to a person in need. It’s a cultural problem. It’s an epidemic that we have to face rather than pretend doesn’t exist. In Paul Bettany‘s brilliant directorial debut, SHELTER, we are brought into the lives of two homeless people who could not seem more different on the surface. 
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Tahir is a Nigerian immigrant making ends meet, whatever that means for a man who lives on the streets, by drumming on buckets in the park. He stumbles upon Hannah, a woman alone, gaunt, drug addicted, desperate to end it all. Tentatively, Hannah allows Tahir to be her protector and partner. The two fight their demons as a pair, struggling to keep their heads above water among the dangers of illness, judgement, the rules of the NYC shelter system, and the night. As the pair become closer, their stories become the anchors that keep them together but could just as easily tear them apart.

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Bettany‘s beautiful script comes from real life inspiration. Two homeless individuals, one black man and one white woman, lived outside his apartment in Tribeca. Each morning he would greet them until hurricane Sandy rolled into town. Bettany never saw them again. SHELTER was inspired by his longing to create the story of these two people who had now disappeared completely. Working with the Homelss Coalition NYC, he and Jennifer Connelly, who also happens to be his wife, learned what life is like for the more than 50,000 men, women, and children that slip through the cracks of a very broken system. With the gap between the rich and the poor widening at a pace that’s out of this world, this population is only going to grow exponentially as the months and years roll on. The script is incredibly bold and totally raw. Issues of faith and philosophy, human connection, and anonymity all come into play in a perfect storm of story-telling.

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Shelter-4110.NEF

Anthony Mackie brings Tahir to life with a subtle power. He has a confidence and gentleness that is a gorgeous balance to Jennifer Connelly‘s more manic survivalist existence. Her effortless portrayal of Hannah will haunt you. The chemistry between Mackie and Connelly is played at the perfect pace as the story glides along. Both give a physically unafraid and impactful performance. You truly believe the two need one another to survive their own emotionally draining pasts. As one is introduced as caregiver and the other more victim, the film slowly and poetically evolves and the two switch places. Once again, as a directorial debut, this is an immaculate first go and should not go unnoticed. SHELTER will both bring you hope and ravage your heart. With a seductive score, effective script, and outstanding cast, the film will draw you in and perhaps cause you to lift up your head from your phone and pay attention a bit more often.

SHELTER comes to theaters today.

Written and directed by Paul Bettany

Produced by Robert Ogden Barnum, Paul Bettany, Katie Mustard, Daniel Wagner

Starring Jennifer Connelly, Anthony Mackie 

RT: 105min

Hannah and Tahir come from two different worlds. But when their lives intersect, they’re at the same place: homeless on the streets of New York. How did they get there? As we learn about their past, we begin to understand that to have a future, they need each other. There are more than 50,000 homeless people living on the streets and in the shelters of New York City. To most of us they are nameless and faceless, and occasionally a nuisance. But every single person has a story. And Hannah and Tahir are no different. And theirs is a story of loss, love, hope and redemption.

Review: ‘JAMES WHITE’ makes escaping reality impossible.

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Josh Mond’s

JAMES WHITE

Starring Christopher Abbott, Cynthia Nixon, and Scott “Kid Cudi” Mescudi

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If you’ve ever watched someone die from cancer… if you’ve ever seen the downward spiral of a loved one… if you’ve ever been lost in a haze a grief and confusion, JAMES WHITE will speak to you. What does a young man, flailing in his own existence, do to cope with the idea that one of these days, his mother will not get better? Is escapism the answer? Josh Mond‘s directorial debut lets us into the skin and brain of one man’s story.

JAMES WHITE

JAMES WHITE- Christopher Abbot & Scott “Kid Cudi” Mescudi

As James’ mother’s health deteriorates, his ne’er do well lifestyle is forced to come to an end, but not before attempting to escape reality after the death of his estranged father. Triggering a getaway trip to Mexico with friends to avoid dealing with life, this drug, alcohol, and sex addled stay comes to an abrupt end when a call from Gail forces him to return to the couch of his childhood NYC home and take care of Mom 24 hrs a day. Struggling to put his bad boy behavior on the back burner, James walks the line between telling the world to fuck off and dropping his very existence to protect the woman he loves most in the world. As the plot progresses, we learn the this is not his first go round with mom’s illness. Do we forgive his behavior because of this? That’s for the individual to decide.

(L-R) CHRISTOPHER ABBOTT and CYNTHIA NIXON star in JAMES WHITE

(L-R) CHRISTOPHER ABBOTT and CYNTHIA NIXON star in JAMES WHITE

Mond’s script is partially based on his own experiences with his own mother. It is unapologetic and raw. You cannot take that away from Mond. No arguing that the film is ever dull or full of shit. It goes there fast and hard. Using cinematographer Mátyás Erdély was a genius move. Having recently seen Son of Saul at this year’s NYFF, his literal in your face, ultra close-up style of shooting, gives James White the immersive feeling the script calls for. I cannot imagine the film being in any other style. From the opening sequence, scored to perfection by co-star Scott “Kid Cudi” Mescudi, with it’s organic feel and LOUD introduction, we immediately enter the world of a man who is grasping at straws to figure out who he is and what kind of person he wants/needs to be.

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Christopher Abbott gives an purely award-winning performance. His truth is on his sleeve 1000%. Somehow, through all the distasteful behavior he exhibits, you love him. Scott Mescudi is outstanding. As James’ best friend and long time player inside the family, his genuine interactions with Christopher and Cynthia feel so authentic, it’s almost hard to believe that this film isn’t a documentary at moments. Cynthia Nixon‘s portrayal of Gail is epic. With the film’s structure presented from month to month like chapters in a book, we are privy to the physical and mental changes her character endures. No matter the form of media, Nixon creates her own presence and we are lucky enough to witness it. The entire cast deserves all the accolades in the world, as does Mond for delivering a bold story.

JAMES WHITE will capture part of your soul. It allows you to let go and perhaps forgive yourself for past transgressions. Do yourself a favor and see this film.


 

Nominated for Three IFP Gotham Awards:

Christopher Abbott (Best Actor)

Josh Mond (Bingham Ray Breakthrough Actor Award) 

Audience Award

About JAMES WHITE

James White (Christopher Abbott) is a troubled twenty-something trying to stay afloat in a frenzied New York City. He retreats further into a self-destructive, hedonistic lifestyle, but as his mother (Cynthia Nixon) battles a serious illness James is forced to take control of his life. As the pressure on him mounts, James must find new reserves of strength or risk imploding completely.  The directorial debut of MARTHA MARCY MAY MARLENE producer Josh Mond,  JAMES WHITE, which had its world premiere at Sundance Film Festival 2014 where it was the winner of the “Best of Next” Audience Award, is a confident and closely observed debut that explores loss and the deep relationship between a mother and son.  Abbott’s strong central performance is aided by a stellar supporting cast featuring Cynthia Nixon (“Sex and the City”), Scott “Kid Cudi” Mescudi (“Comedy Bang! Bang!”), and Ron Livingston (DRINKING BUDDIES). Shot on location in New York City with an intimate visual style, JAMES WHITE follows its lead into deep, affecting places while still maintaining its fragile humanity. 

The Film Arcade will release JAMES WHITE on November 13th 

Netflix News: New Documentary series ‘Making a Murderer’ starting December 18th

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Netflix is not slowing down any time soon. Here’s another new original series, this time about crime.


 

Netflix, the world’s leading Internet TV, will premiere a captivating original ten-part documentary crime series Making a Murderer on December 18, 2015 exclusively to Netflix members worldwide.

Inspired by a newspaper article from 2005, directors Laura Ricciardi and Moira Demos have spent the last decade documenting an unprecedented real-life thriller that spans more than thirty years. Set in America’s Heartland, Making a Murderer follows the harrowing story of Steven Avery, an outsider from the wrong side of the tracks, convicted and later exonerated of a brutal assault. His release triggered major criminal justice reform legislation, and he filed a lawsuit that threatened to expose corruption in local law enforcement and award him millions of dollars. But in the midst of his very public civil case, he suddenly finds himself the prime suspect in a grisly new crime.

The series takes viewers inside a riveting, high-stakes criminal case where reputation is everything and things are never as they appear. The filmmakers have documented every angle of the story, following the second investigation and ensuing trial of the accused, petitioning the court to avoid having to turn over their footage, gathering archival materials, and interviewing those closest to the case.

“There are an unbelievable number of twists and turns in the story arc of Making a Murderer, it feels like it has to be fictional,” said Lisa Nishimura, Netflix VP of Original Documentary Programming. “Ricciardi and Demos have navigated very complex terrain and skillfully woven together an incredible series that leaves you feeling like you’re right in the middle of the action.”

“If we had not been there to witness these events we would have trouble believing they actually occurred. Our goal has always been to share that experience with viewers.  Our partnership with Netflix has allowed us to tell this story in a way that wouldn’t have been possible anywhere else,” said directors Laura Ricciardi and Moira Demos.

Making a Murderer examines allegations of police and prosecutorial misconduct, evidence tampering and witness coercion. The filmmakers look at what went wrong in the first case and questions whether scientific advances and legislative reforms over the past three decades have gotten us any closer to delivering truth and justice in the system.

Netflix will present a special preview of the first two episodes of Making a Murderer at the DOC NYC film festival on Friday, November 13.

Making a Murderer is the latest project in Netflix’s slate of original documentary and docu-series programming, including the Oscar-nominated films The Square and Virunga as well as What Happened, Miss Simone?, Winter on Fire: Ukraine’s Fight for Freedom and Chef’s Table.

Review: ‘THE BOAT BUILDER’ set to open The 30th Ft. Lauderdale International Film Festival

WORLD PREMIERE OF “THE BOAT BUILDER” FILM TO OPEN THE 30TH FT. LAUDERDALE INTERNATIONAL FILM FESTIVAL
The Boat Builder poster
Christopher Lloyd stars as Abner, an embittered old mariner and widower living a solitary life. Withdrawn from his family and the tight-knit community of his small marine town, he is a grumpy and unsociable man who seems to live in the past – only finding comfort in the countless hours spent building a sailboat in his yard. When neglected young orphan Rick (Tekola Cornetet) wanders onto Abner’s property hiding from local bullies, the two find common ground and form an unlikely bond which changes their lives in unexpected ways.

The Boat Builder marks Arnold Grossman’s directorial debut on a narrative feature. At the age of 80, Grossman embarked on a venture to make “a film about the building of a dream.” Starting his journey as an indie filmmaker later in life “is the culmination of lessons learned from my life experiences and a long career in various creative fields” said Grossman. A sailor since childhood, Grossman scouted several coastal locations before deciding to shoot in the San Francisco Bay Area.The Boat Builder-7Christopher Lloyd is still a legend on screen. He does not disappoint as this curmudgenly fellow who just wants to be left alone. His voice is so amazing, there are moments in the film where you could drift off to dreamland and be so happy. Each moment of him on screen in gold and you simpy cannothelp but fall in love with this character. Newcomer Tekola Cornetet, is truly refreshing in his line delivery. His innocence spills off the screen and there is something so endearing about him. He and Lloyd are like old buddies or relatives that share a bond almost instantly. The chemistry is effortless. These two are most definitely the highlights of the entire movie.The Boat Builder-5That being said, on the whole, the film has a Hallmark channel feel about it. Think “after school special” with messages thrown in about bullying and acceptance. It’s a family film at heart. There is a beautiful fluidity to the writing. The scenery is gorgeous. The music is a lovely addition with it’s light and tempered balance underscoring the dialogue. The Boat Builder lets Christopher Lloyd shine at every turn. It’s a wonderful introduction for Tekola Cornetet. It’s certainly nothing revelatory but The Boat Builder is a nice family friendly film you won’t mind taking the kids to.


The Boat Builder-6Lead Actor Christopher Lloyd to Receive Lifetime Achievement Award as Part of the Festival’s Opening Night Celebrations

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Ft. Lauderdale, FL  – The Boat Builder will celebrate its World Premiere on Friday, November 6, 8:00pm at Cinema Paradiso-Fort Lauderdale as part of the Opening Night events for the 30th edition of the Fort Lauderdale International Film Festival.
In a ceremony to precede the World Premiere screening, The Boat Builder lead actor Christopher Lloyd (Back to the Future, Who Framed Roger Rabbit, Taxi) will be honored with a Lifetime Achievement Award celebrating his prolific career in film, television, and theater.
Written and directed by Arnold Grossman, a published novelist and nonfiction author, and produced by Richard J. Bosner (Fruitvale Station, The Wannabe), The Boat Builder tells the story of two people at opposite ends of life who find a bond in a shared dream.

Review: ‘What Our Fathers Did: A Nazi Legacy’, A Look Inside A Truly Thought-Provoking Narrative

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Imagine your father, the man you see him as, the loving memories you shared with him. Now imagine that same man when someone tells you that he had taken part in one of the worst genocides in history. Would it change your view of him? Would you hate him? Would you still love him? Niklas Frank and Horst Von Wächter had to ask themselves these questions about their fathers, and through a harsh walk into the past they both ended up with different answers. What Our Fathers Did: A Nazi Legacy is the thought-provoking documentary of these two men and their closer look into their fathers’ pasts. From the screenwriting and narrative of international lawyer Philippe Sands, comes a complicated and emotional look into the lives of two men who grew up with a broken sense of normality.

Philippe Sands had family that was greatly affected during the Holocaust, and due to this deep family connection he wanted to make this participatory-style documentary to gain a closer look at the views of the children on the other side of the war. In 2012 he met Niklas Frank and Horst Von Wächter. Niklas and Horst had grown up as friends, who had both been brought up in Nazi families. However despite their similarities in households, their views of their fathers varied greatly. Niklas knew that his father loved Hitler more than his family. His upbringing involved little to no love from his parents and was mainly raised by a nanny, which resulted in him not having any deep connections with his father. From the beginning he knew that his father was a monster and was at peace knowing that he was tried and punished for his sins. Horst was different. His father found refuge and was never tried for his crimes, which in Horst’s eyes meant that there was no proof claiming that he really did any of those ungodly things during the war. He had good memories of his father, and believed that his father was not responsible for these crimes and if anything the system was to blame. His view points nettled both Niklas and Philippe, who both struggled to understand how Horst could not see the monster his father truly was.

What Our Fathers Did: A Nazi Legacy is a phenomenal documentary. With that said, the film has a heavy story, and can be hard to watch at times. In the beginning of the film, Philippe Sands did a relatively decent job talking openly with the subjects without constantly criticizing them for what happened to his own family, however as the film moved on, his stance and manner in asking questions changed. The film carries such a powerful message, if you have a deep connection or interest with this part of our world’s history, then I highly recommend seeing this film. What Our Fathers Did: A Nazi Legacy has a limited release on November 6th. 

4 out of 5 Stars. 

Directed by DAVID EVANS

Written by PHILIPPE SANDS

Produced by FINOLA DWYER and AMANDA POSEY

Cast: PHILIPPE SANDS, NIKLAS FRANK, HORST VON WÄCHTER

distribution : OSCILLOSCOPE LABORATORIES

https://www.youtube.com/watch?v=QGWY59hFBsI&feature=youtu.be