TIFF 2024
Kicking off festival season proper with the Toronto International Film Festival. 2024’s lineup is not only star-studded but overflowing with new talent that is here to blow you away. Here is a list of 8 films we’ll be getting in line for.
TIFF 2024 will be held from September 05, 2024 to September 15, 2024 in Toronto, Canada.
For ticket information, click here!
PAYING FOR IT
Sook-Yin Lee
In the late 90s, Chester and Sonny are a long-term, committed, romantic couple. When Sonny wants to redefine their relationship, Chester, a shy and introverted cartoonist, starts sleeping with sex workers and discovers a new kind of intimacy in the process.
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THE MOTHER AND THE BEAR
Johnny MaWhen her grown daughter Sumi has a bad fall in Winnipeg, anxious widow Sara (Kim Ho-jung) travels from Korea to be with her — and discovers she doesn’t really know Sumi at all.
https://tiff.net/events/the-mother-and-the-bear
ICK
Joseph KahnIn Joseph Kahn’s breakneck sci-fi/horror satire, a high school science teacher (Brandon Routh) does battle with a parasitic alien entity, as well as the apathy of the small town it has been gradually absorbing.
SHOOK

Struggling writer Ashish is thrown for several loops when he falls for barista Claire and learns his estranged father has just been diagnosed with Parkinson’s, in Amar Wala’s first dramatic feature. Read More : If you are looking for news regarding replica watches visit londondaily.news
SUPERBOYS OF MALEGAON

Helmed by Reema Kagti (Talaash: The Answer Lies Within) in her latest collaboration with producer Zoya Akhtar (Gully Boy), this uplifting story chronicles the life of Nasir Shaikh, whose no-budget, community-sourced movies turned his hometown into an unlikely dream factory.
VIKTOR

Fusing rigorous reportage with innovative cinematic subjectivity, this bold documentary from veteran war photographer Olivier Sarbil is a uniquely intimate portrait of a Deaf person’s experience of the Russian invasion of Ukraine.
THE SWEDISH TORPEDO

This beautifully textured period drama from director Frida Kempff tells the story of Sally Bauer, a Swedish mother who pursues her dream of swimming the English Channel before the Second World War envelops Europe.
THE LAST REPUBLICAN

A fan of Hot Tub Time Machine, Republican Congressman Adam Kinzinger invites the left-wing Hollywood director Steve Pink to follow his efforts to hold Donald Trump accountable for the January 6 insurrection.
HERETIC
For more information on TIFF 2024, click here!
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THE BECOMERS
THE BECOMERS is bold, eschewing any societal norms. Have you ever seen an alien sex scene? Because you’re about to, and it is gooey. Russell Marl voices their backstory with a particular tone that perfectly encapsulates the film’s feel. Fritz Myers’ score is jarring and yet works perfectly. Myers also creates unique Alien vocalizations. The editing is delightful.
Isabel Alamin gives Francesca a tentative fear. She’s incredibly compelling. Molly Plunk and Mike Lopez‘s turns as couple Carol and Gordon. Their trust in Clark’s vision is evident. Plunk and Gordon embody the seemingly wacky premise and capture the sincerest longings within the slapstick comedy.





CLOSE TO YOU
CLOSE TO YOU
CLOSE TO YOU





I’m not just saying all these nice things because the film happens to feature two of my favorite genre people (and internet friends), Emily Bennett and Toby Poser. Wisner and Temple earn each moment.
Emily plays Ruth with a fearful innocence and tenacity. Bennett has that inarguable “it” factor in transforming for each new role. From 
In filmmaker Mary Dauterman‘s Popcorn Frights film, BOOGER, Anna spirals following the sudden death of her roommate. Holding tight to Izzy’s phone and their adopted stray cat. When Booger bites her and escapes out the window, Anna’s grief journey is derailed by unusual symptoms from her injury. 
It’s always a bold choice to bring harm to a child. It is even more audacious to have a child witness something eternally scarring. Filmmaker Richard J. Bosner does both in just over six minutes. HollyShorts 2024 film DEVOTEE takes fear back in time when the threat of cults was all the rage. Not the watered-down wackiness of politics, but honest-to-good, off-the-rails, die-for-your-cause cult.

Augmented color choices in STRANGE DARLING give the film a devilish and addicting quality. The score is grating and decidedly ominous- A genuine compliment. The lighting is simply delicious. The soundtrack is fire, as the kids say.
Fitzgerald and Gallner’s chemistry is sick. There is an undeniable electricity between them, and it’s like watching a a sexy car crash happen in real time. The plot is spectacularly unpredictable. Don’t bother guessing from moment to moment, even though Mollner’s script hypes you up to do so. The sheer number of “Oh Shit” moments! Slow clap, sir.

Kate Walsh (Grey’s Anatomy) is outstanding as a woman on the brink. Her physical performance is seeped in anguish. Walsh is such a pro in tackling characters in the emotional trenches. 13 Reasons Why introduced her to a younger, perhaps even broader audience than Grey’s, and she continues to select roles that showcase her dazzling abilities.
THE MISSING
The longer Eric waits to tell his loved ones, the stranger his life gets. An alien threatens to take him back to outer space. He is losing time, and his body parts are falling off. This aspect is particularly upsetting because he is literally missing his mouth. This creative metaphor becomes the backbone of THE MISSING.
I wasn’t aware that I grew up on Rotoscope films before doing a quick Google search. Some of my most beloved childhood films fall into the genre- The Lord of the Rings (1978), The Secret of NIMH (1982), and Anastasia (1997). First introduced in 1918, I had no idea the process was so old. THE MISSING stylistically mirrors The Spine of the Night rather than Alice In Wonderland. 2D animation illustrates Eric’s childhood memories in a stunning visual contrast that serves a dual purpose. The choice to childishly scribble over Uncle’s face speaks volumes. It is a visually captivating film.
Montreal-based comedy duo Emelia Hellman and Nancy Webb (Hellgirl Productions) bring their paranoia-fueled short Bangs to Fantasia Festival’s Fantastiques week-ends du cinéma québécois this summer for the film’s Canadian premiere.

DETAINED

Laz Alonzo does a fine job as the hypermasculine group leader, doing his best to keep up with Cornish. Speaking of, Abbie Cornish owns this role. It’s a tour de force. From the moment we see her, it’s already over.
Mucci and Palmer give Cornish the time to work her magic. We know her gears are turning throughout. Watching the dominoes fall is delightful. While I worked out a key plot point relatively early- I watch hundreds of films each year, it never lessened the elaborate twists. I still wondered precisely how we’d get from point A to B. Audiences get a lot to chew on in just over ninety minutes. DETAINED is devilishly satisfying.
Abandonment and unresolved trauma collide with a monster movie and mad scientist in Tilman Singer‘s (
For all things Fantasia 2024, 
Nerea Barros captivates as the titular character. She walks a perfect line between anxiety and persistence. Barros becomes a feminist icon we so desperately need.
The script plays like one carefully curated test after another, skillfully crafted to test Rob’s and our moral compass. screenwriter Dan Kelly-MulhernIt has Nina lull Rob into a sense of safety and care, playing on his desperation and redemption arc. The double-entendre dialogue is delicious.
Eddie Izzard owns the titular role of Nina Jekyll. Delivering two fully fleshed-out personalities, one can only imagine the personal stake in Izzard’s performance. She is utterly mesmerizing, devouring Kelly-MulhernIt’s versions of Nina and Rachel. It is one hell of a turn.
DOCTOR JEKYLL is endlessly intriguing, playing on the raw emotions and hitting every horror note, with precision. The finale is visually spectacular. DOCTOR JEKYLL is a prime example of keen manipulation.
DIRECTOR Joe Stephenson
Desperate to keep her promise to host the best superhero party for her 6-year-old, young mother Sid, a sex worker, takes extreme measures and books a last-minute client with a dark fetish. Dirty Bad Wrong is a drama/body horror that explores the darkest sides of capitalism, and just how far we’ll go for the ones we love.
Life changes when you become a mother. It is impossible to describe to someone who has never protected another human with every ounce of their soul. In
Jack Greig
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