Netflix Trailer: ‘Flaked’ starring Will Arnett debuts all episodes March 11th

Posted on February 11, 2016 by Melissa Hanson — Leave a reply

Set in the insular world of Venice, California, Flaked centers on Chip, a celebrated self-appointed “guru” who falls for the object of his best friend’s fascination. Soon the tangled web of half-truths and semi-bullshit that underpins his all-important image and sobriety begins to unravel. Arnett plays Chip, a man doing his honest best to stay one step ahead of his own lies.

Flaked was created and written by Will Arnett and Mark Chappell (The Increasingly Poor Decisions of Todd Margaret). Ben Silverman (Founder and Chairman of Electus), Peter Principato and Mitch Hurwitz (Arrested Development) also serve as executive producers on the show. Electus and Principato-Young are providing production services. Flaked is a Netflix production.

Twitter: http://www.twitter.com/Flaked
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https://youtu.be/iKOpvm7BcOo

Review: The raw nature of ‘Glassland’ will leave you broken hearted

Posted on February 11, 2016 by Jordan Jenkins — Leave a reply

America has fortunately be given another profoundly great Irish Film. After the overwhelming feelings of isolation we felt with the Irish film, Room (2015); our emotions take another beating when witnessing the physical and mental consequences of alcoholism in Gerard Barrett’s Glassland. The film had an incredible cast who really blew me away with their performances. Alcoholism is not a joke, and this film will show audiences just how heartbreaking it really is.

John (Jack Reynor) and his mother Jean (Toni Collette) reside in a low-income suburb in Dublin, Ireland. With no help from his mother, John works all night driving a taxi to help provide for his family, all while his mother falls victim to her disease. She believes a better life is found at the bottom of a bottle, even while knowing the impact her choices have on her family. Their story shows the sacrifices that have to be made from both John and Jean in order to create some hope for their future.

Barrett’s shots throughout the film were powerful. The change in technique and the difference in the camera’s movements really set the tone for each scene. There are times where the camera is motionless in a single room, making the audience feel as trapped as Jack feels in the scene. Later, Barrett changes over to a shaky camera technique, giving the audience more of an unsettled feeling. The film overall is simple, and despite not having a very complex story, it is raw and beautifully demonstrated. This film shows us the heartbreaking truth that many people in this world deal with everyday; without the amazing performances from the cast and well executed cinematography, this meaningful film might of fallen through the cracks. Check out Glassland in theaters on February 12th.

WINNER – SPECIAL JURY PRIZE – SUNDANCE FILM FESTIVAL 2015
BEST FILM – GALWAY FILM FESTIVAL

3/5 Stars

Netflix News: SXSW15 documentary ‘My Beautiful Broken Brain’ Exec-produced by David Lynch debuts March 18th

Posted on February 5, 2016 by Melissa Hanson — Leave a reply

“If the physical body – the brain, is damaged, does this extend to damage to the self?”

This question is at the heart of Netflix’s new original documentary film, My Beautiful Broken Brain as we follow Lotje’s Sodderland’s incredible story of rehabilitation and recovery from a traumatic hemorrhagic stroke which needed home care from https://homecareassistance.com/dana-point/.

The film is a personal voyage into the complexity, fragility and wonder of the human brain. Lotje finds herself starting again in an alien world, bereft of language and logic, fighting not to be defined by her limitations, rather the endless possibilities of life. This feature documentary takes us on a genre-twisting tale that is by turns excruciating and exquisite – from the devastating consequences of a first-time neurological experiment, through to the extraordinary revelations of her altered sensory perception.

Executive producer David Lynch adds, “I am thrilled to join Lotje and Sophie in sharing My Beautiful Broken Brain with the world. The brain is truly fascinating and much in the way that our brains are able to achieve total coherence — finding enlightenment and fulfillment, you will surely be moved and inspired by this journey of self-rediscovery.”

The film was co-directed by Sophie Robinson and Lotje Sodderland and is an official selection of the 2016 SXSW Film Festival and launches globally on Netflix March 18.

Two newly restored gems from AGNÈS VARDA and starring JANE BIRKIN now available on Amazon and on iTunes and Blu-Ray March 8th.

Posted on February 5, 2016 by Liz Whittemore — Leave a reply

Cinelicious Pics Logo

CINELICIOUS PICS & CINE-TAMARIS PRESENT:

JANE B. PAR AGNÈS V.

and

KUNG-FU MASTER!

JANE B. PAR AGNÈS V.

“I’ll look at you, but not at the camera. It could be a trap,” whispers Jane Birkin shyly into Agnès Varda‘s ear at the start of JANE B. PAR AGNÈS V. The director of CLEO FROM 5 TO 7 and VAGABOND once again paints a portrait of a woman, this time in a marvelously Expressionistic way. “It’s like an imaginary bio-pic,” says Varda. Jane, of course, is the famed singer (“Je t’aime … Moi non plus”), actress (BLOW UP), fashion icon (the Hermes Birkin bag) and longtime muse to Serge Gainsbourg. As Varda implies, JANE B. PAR AGNÈS V. abandons the traditional bio-pic format, favoring instead a freewheeling mix of gorgeous and unexpected fantasy sequences.

Jane Birkin and Serge Gainsbourg in Jane B. par Agnès V.
© Cinelicious Pics

Newly-restored from the original 35mm camera negative, overseen by director Varda herself. The film has a quirky appeal. With a blend of personal narrative juxtaposed with fine art and Greek history, Birkin speaks of her life, fears, future plans. Varda leads her through a wondering maze of musing. It’s an unusual and unique peak into the mind of both women.

KUNG-FU MASTER!

A lovely, bittersweet companion piece to JANE B. PAR AGNÈS V., KUNG-FU MASTER! has nothing to do with martial arts – the film’s title comes from an arcade video game played obsessively in the film by a teenaged boy, Julien (played by Varda’s real-life son with husband Jaques Demy). Jane Birkin delivers one of her finest performances as a lonely 40-year old woman who finds herself falling in love with the 14-year old Julien – but is it romance, or a desperate attempt to turn back time in the face of middle age? A real family affair, Birkin’s daughters, Charlotte Gainsbourg and Lou Doillon, her child with well-known filmmaker Jacques Doillon, also appear in the film.

Jane Birkin and Charlotte Gainsbourg in Kung-Fu Master!
© Cinelicious Pics

Long unavailable in the US, the film has been newly-restored from the original 35mm camera negative. The film is a perfect time capsule from 80’s French cinema. Addressing the AIDS crisis through nonchalance and jokes, capturing the effortless sensuality of Birkin, and highlighting the differences in the use of sexuality on screen in Europe Vs America. The performances are, as expected, top notch. The use of Birkin’s children is brilliant. The natural banter, even when the scenario might seem unnatural given the relation, is captivating. As a first time viewer of these pieces, I was glad to have watched KUNG-FU MASTER! first. The two should most definitely been seen back to back. Both titles are currently streaming on Amazon and will be available on Blu-Ray and iTunes March 8 (additional VOD platforms to be announced)

Jane Birkin and Mathieu Demy in Kung-Fu Master!
© Cinelicious Pics

BLU-RAY SPECIAL FEATURES INCLUDE:

Video interview with Agnès Varda by Miranda July

Essay by Sandy Fitterman-Lewis

[FLASHBACK] Tribeca Film Festival review & podcast: TUMBLEDOWN will win hearts and fans. Including the audio from our roundtable interview with Jason Sudeikis, Dianna Agron, Director Sean Mewshaw, and Writer Desiree Van Til.

Posted on February 2, 2016 by Liz Whittemore — Leave a reply

Music is part of our souls. It can heal, it can hurt, it’s like a sense memory. We’ve lost great artists in their prime like, Leonard Cohen, Kurt Cobain, and Elliot Smith. The impact of their death is felt each time we hear one of their songs. Imagine, for a moment, that your very favorite artist suddenly dies. Now imagine you were married to them. This is the very premise of TUMBLEDOWN. Hannah is the widow of indie folk singer Hunter Miles. She is hounded by gossip seekers on a daily basis. When Hofstra professor and true fan Andrew tries to get in touch with her, she brushes him off… and brushes him off again… and again. Only until realizing that her dream of writing Hunter’s story is one she cannot accomplish on her own, does she let her highly guarded heart open just a crack. Andrew and Hannah strike a deal; Andrew writes a biography on her terms for $50k. With the encouragement of his music industry girlfriend Finley, Andrew drives from NYC to Maine and moves into Hannah’s guest bedroom. He is then exposed to a world a true fan can only dream of, with one massive catch. Hannah will not stop mourning her late husband. Can fan and family see eye to eye. Can trust break down the walls of Hannah’s suffering? Will intellect stifle healing. In a film where it’s head vs heart, who wins?

Rebecca Hall is flawless as Hannah. Witty, independent, strong headed, Hall plays a woman unwilling to move on with her life. Jason Sudeikis as Andrew is unstoppable. Smart, and quippy as ever, this role is something new for Sudeikis. I love this side of him and hope that the industry, and more writers, take note of his innate ability to be funny in a non-slapstick kind of way. These two are an absolute powerhouse as they match wits with one another in each scene. Rounding out an incredible cast is Dianna Agron as Finley. Life after GLEE fame should treat her well if she keeps up such a strong, believable presence on the big screen. Blythe Danner and Richard Masur play Hannah’s parents. Deeply supportive and yet totally realistic, these two are the perfect counter balance to Andrew’s inability to let go of presumption. Finally, Griffin Dunne plays Hannah’s editor and owner of the town beloved book shop. He brings warmth and charm only a small town holds.

The film was 8 years in the making. Writer Desi Van Til thoughtfully crafted this story partly as a personal healing piece for a lost friend. She skillfully captures the heart of New England, the desperation of grief, and the hold that music has on everyone’s heart. For Director Sean Mewshaw, his first feature length film is a total success. It’s shot in such a way that truly shows the quaintness of the area. Finding “Hunter Miles” or singer Damien Jurado was one of his triumphs. He perfectly encapsulates the feel of the character that was created by Desi, Rebecca, Jason, and Sean. Coming in after the film was already in the can, with his music and lyrics, he “created” a musician we’re all discovering for the first time, but feel like we’ve now lost as well. It might also help that Sean and Desi are husband and wife! This team is a real tour de force and without any solid knowledge (only mere mentions) I predict many captivating projects coming down the pipeline from these two.

Grief is something so personal. No matter how big the hit we feel, it still leaves a hole in our hearts and souls. Sometimes music helps. Sometimes it’s a trigger. Either way, the songs live on long after we’re gone. So sing, I say. TUMBLEDOWN is easily in my top three narrative selections to come out the this year’s festival. It is a must see and definitely a must hear.

I was fortunate enough to attend a roundtable interview with Dianna Agron, Jason Sudeikis, Desi Van Til and Sean Mewshaw. We talk issues from the film, insight into the project’s journey, as well as Jason and Dianna’s other releases at the fest. Take a listen to the absolute joy around the table: *You can hear me ask a question about journalistic responsibility and one about Dianna’s similarities to the character of Hannah.* Enjoy the voices of TUMBLEDOWN!

Originally posted April 20, 2015

Review: Oscar Nominated Documentary Shorts

Posted on February 1, 2016 by Jeremy Harmon — Leave a reply

Here I am back it after a brief hiatus and I’m happy that this year I am fortunate enough to bring you coverage of this year’s Oscar-nominated short films. Over the next few days, I will roll out reviews in each of the categories – documentary, animation and live action. Since I’m the resident documentary cat around here at Reel News Daily, I thought I would start off in that category. These films cover a variety of important and emotional topics from honor killings in Pakistan to the affects of Agent Orange on the youth of Vietnam to the fallout of capital punishment on the family of the accused. These five films hit every emotional string that you can imagine and leave an impression long after the viewing has ended.

Body Team 12

Body Team 12, directed by David Darg (as well as produced by Paul Allen of Microsoft fame as well as actress Olivia Wilde), follows one of the teams charged with removing the bodies of the those who died during the Ebola outbreak in Liberia this past year. It is shown through the perspective of the only female member. Body Team 12 is a moving portrait of community members doing an incredibly difficult and dangerous job to do their part to help curb the epidemic. That said, there are some incredibly difficult parts in watching family members of the deceased deal with the loss of their loved ones. The shortest film in the bunch at just over 13 minutes, Body Team 12 is able to pack a narrative wallop that hits you right in the gut, which makes it no wonder that it was nominated for an Oscar in this category. This film will debut on HBO in March.

Chau, beyond the lines

Chau, beyond the lines is a moving film about Chau, a young man whose body is deformed from his parents having been exposed to Agent Orange during the Vietnam War. Because of the degree of care he needed, Chau was sent to a peace camp (an orphanage of sorts) where other children – some more, others less – affected by Agent Orange live and are taken care of by a group of state-funded nurses. Chau is an artist at heart and spends his time dedicating himself to honing his craft, which isn’t easy because of the deformities that have affected his hands and arms. Every year, Chau submits a piece to a national contest for young artists across the country, each believing and hoping that he can win and garner some attention on the merits of his art, not his disabilities. Make no bones about it, this one is a difficult watch, but well worth it. This is a story that shows that nearly 45 years after the end of the war in Vietnam, the price is still paid for the hostilities. Chau has an unbelievably positive outlook on life and begs us to all ask the question, “why can’t we do the same?” Written and directed by Courtney Marsh.

Claude Lanzmann: Spectres of the Shoah

Adam Benzine‘s short treatise on director Claude Lanzmann and the making of his seminal documentary on the Holocaust, Shoah. The director queries Lanzmann and others (including fellow documentarian Marcel Ophüls who calls Lanzmann a megalomaniac) about the struggles of making of the film as well as its impact. What can be sure is that Shoah is indeed a masterpiece and widely considered one of the best documentaries ever made. The 12 years that went into filming and editing this film took a toll on Lanzmann who was never the same after making it. From having to surreptitiously record conversations with former Nazis to getting beaten by some who found out his game to having to listen to the stories of those who survived concentration camps like Treblinka and Auschwitz, it’s no wonder. An incredilby affecting piece, Lanzmann is a person worthy of documenting, which makes sense since his life was devoted to the same thing. This film debuts on HBO in May.

A Girl in the River: The Price of Forgiveness

Directed by Sharmeen Obaid-Chinoy, A Girl in the River: The Price of Forgiveness is by far the film that I found had to most effect on me in this category. After a few contextual shots of the city of Gujranwala, Pakistan (population 5 million), the film opens with Saba Qaiser in the emergency room of the hospital, getting her face stitched up from a gunshot wound. Saba had been attacked by her father and uncle in an effort to kill her for dishonoring their family by marrying someone of a social class they didn’t believe high enough and disobeying her father’s orders. The film opens with a statistic that nearly every year, 1,000 of the so-called honor killings take place in Pakistan despite being illegal. Saba was fortunate in some ways to survive this attack. Fortunate in that she lived, but unfortunate that she must now face the pressing question of whether she should forgive her father and uncle and let them free from jail where they can essentially attack her again if they please. She is adamant against forgiving them and even goes so far as to say they should be killed in a public market as an example to any others considering doing this. However, the reality is her mother and sisters face a lifetime of shame because of her deeds and with her father the sole breadwinner in the house, they would likely not be able to support themselves. A decision that is heavier than anything I can imagine. That Obaid-Chinoy was able to access Saba throughout the entire ordeal makes this film really quite stunning and heartbreaking all the same. If I had a vote for the Oscar, this one gets mine. This film will also debut on HBO in March.

The trailer for this film can be found here.

Last Day of Freedom

The final nominee is Last Day of Freedom directed by Dee Hibbert-Jones and Nomi Talisman, is one of the more innovative films nominated in this category I’ve seen to date. It is animated, a kind of mixture of recreations a la Errol Morris with a something that resembles the style of Richard Linklater‘s Waking Life and A Scanner Darkly. The film allows Bill Babbitt to tell the story of his brother, Manny, a Vietnam vet who was arrested for murder and sentenced to death. The circumstances surrounding Manny‘s actions were colored by his PTSD and schizophrenia diagnosis, but somehow he still found himself on death row. Bill‘s account gives such a stark and emotional rendering of what it is like to live in the shadow of a loved one’s violent actions, that it wasn’t just the victim and their family who have suffered, but also the loved one’s of the perpetrator. Not only that, this films serves as a stark reminder, one that we seem to see all too many times these days, that justice is not always served.

By no means are these films uplifting as they all expose a piece of misery of that sticks with their subjects every single day. What they do do, as I think only documentaries can do, is shed light on subject matter that isn’t easy to face or confront and allow it to be seen in a way that is neither heavy-handed nor flippant. These films help us remind us that even at times when things are the shittiest, that humanity can still succeed. While I don’t have access to the many films that were submitted for this award, I can say that these films represent the documentary spirit well.

Girls on Film Podcast: Interview with ‘Spotlight’ actor Neal Huff

Posted on January 29, 2016 by Melissa Hanson — Leave a reply

Once you start looking at Neal Huff‘s resume, you can’t believe you don’t recognize him. That is his strength. He’s able to shift into different characters easily so you never get attached to him in one type of role. In Spotlight, he is among the ensemble cast that won the Independent Spirit Robert Altman Award.

Here’s the full interview:

The film is worth all the buzz around it. Extremely well-written, the structure of pursuing a story saves the dark subject matter from being heavy and depressing.

(Left to right) Rachel McAdams as Sacha Pfeiffer, Mark Ruffalo as Michael Rezendes and Brian d’Arcy James as Matt Carroll in SPOTLIGHT. Photo credit: Kerry Hayes / Distributor: Open Road Films

When is ‘Pee-wee’s Big Holiday’? March 18th on Netflix!

Posted on January 19, 2016 by Melissa Hanson — Leave a reply

The new film stars the beloved fun-loving hero of TV, stage and film, Pee-wee Herman. In Pee-wee’s Big Holiday, a fateful meeting with a mysterious stranger inspires Pee-wee Herman to take his first-ever holiday in this epic story of friendship and destiny. The film stars Pee-wee Herman, Joe Manganiello (True Blood, Magic Mike XXL), Jessica Pohly (Stalker), Alia Shawkat (Arrested Development) and Stephanie Beatriz (Brooklyn Nine-Nine), and was directed by John Lee (Wonder Showzen, Pee-wee’s Big Holiday). Paul Reubens and Paul Rust (Love, Arrested Development) wrote the film, that was produced by Reubens and Judd Apatow (Trainwreck, Bridesmaids).

Netflix Ultra HD 4K Lineup in 2016 – 15 of 25 new releases are in the new format

Posted on January 18, 2016 by Melissa Hanson — Leave a reply

Just two years ago, a 60″ Ultra HD 4K was around $5,000. Today, it’s closer to $1,000. But what is Ultra HD 4K? Think of it in pixels. Ultra HD 4K is four times high definition. If you think it doesn’t make much of a difference, just go to Target or Best Buy and check one out. It’s breathtaking.

From: http://4k.com/resolution/

But before people buy TVs, there needs to be content. And for content, people need a way to watch. So amidst all the new releases on Netflix, 5 of the 6 films and 10 of the 19 series are in Ultra HD 4K. Amazon is not far behind, but more on that soon. Here’s what’s coming:

FILMS

Crouching Tiger, Hidden Dragon: Sword of Destiny – February 26th

Crouching Tiger, Hidden Dragon: Sword of Destiny tells an epic story of lost love, young love, a legendary sword and one last opportunity at redemption, set against breathtaking action in an epic martial arts battle between good and evil that will decide the fate of the Martial World.

Directed by the renowned martial arts choreographer (The Matrix Trilogy and Kill Bill 1& 2) and director (Tai Chi Master) Yuen Wo-Ping, Crouching Tiger, Hidden Dragon: Sword of Destiny stars Michelle Yeoh (Crouching Tiger, Hidden Dragon, The Lady) as Yu Shu-Lien and Donnie Yen (Ip Man 1&2, Monkey King 3D) as Silent Wolf.

Based on the acclaimed novel, Iron Knight, Silver Vase, by Wang Dulu (book 5 in the Crane-Iron Pentalogy) and written by John Fusco (Marco Polo) the new film is produced by Harvey Weinstein (Academy Award winner – The King’s Speech, The Artist) and Peter Berg (Emmy Award winner – Friday Night Lights; Lone Survivor, Hancock) and Sarah Aubrey (Friday Night Lights; Lone Survivor, Hancock) and executive produced by Morten Tyldum (Headhunters, The Imitation Game), Ralph Winter (X-Men franchise), Anthony Wong and Bey Logan (The Medallion).

Crouching Tiger, Hidden Dragon: Sword of Destiny also stars Harry Shum Jr (Glee, Revenge of the Green Dragons), Jason Scott Lee (Seventh Son, Hawaii Five-O), Roger Yuan (Bulletproof Monk), Eugenia Yuan (Revenge of the Green Dragons) and newcomer Natasha Liu Bordizzo.

Jadotville

New war thriller Jadotville, starring Jamie Dornan (Fifty Shades of Grey) and Guillaume Canet (Tell No One), across all its territories in 2016. Netflix acquired Jadotville at the 2015 Berlin Film Festival.

A gripping true story of incredible bravery against impossible odds, the film thrillingly depicts the 1961 siege of a 150-strong Irish UN battalion under Commander Patrick Quinlan (Dornan) by 3,000 Congolese troops led by French and Belgian mercenaries working for mining companies. Canet plays a French commander who sought to defeat Quinlan and his men.

Directed by Richie Smyth, a well-known commercial and music video director (U2, Bon Jovi, The Verve) and written by Kevin Brodbin (Constantine), Jadotville will film in Ireland and South Africa. Alan Moloney will produce for Parallel Films (Haywire, Albert Nobbs, Byzantium).

“The story of how Pat Quinlan led his troops against an overwhelming force without losing a single man is one of the great stories of the 20th century, and we are proud to be working with such a talented and committed team to bring it to life,” said Netflix Chief Content Officer Ted Sarandos. “This film will be an amazing addition to our global original films initiative.”

“As filmmakers, we are constantly looking for new ways to bring a movie to the largest possible audience. Netflix has already reinvented the TV market and is now moving front and center into the film business. We are proud and excited to be part of their story and innovation,” said Parallel Films’ Alan Moloney.

Mascots

Welcome to all the drama, intrigue, and occasional excitement of The 8th World Mascot Association Championships, where a group of “unusual” men and women, with big heads and furry suits, compete to win the prestigious gold fluffy award and be crowned best mascot in the world.

Pee Wee’s Big Holiday

In Pee-wee’s Big Holiday, a fateful meeting with a mysterious stranger inspires Pee-wee Herman to take his first-ever holiday in this epic story of friendship and destiny. Judd Apatow (Anchorman, Bridesmaids) and Paul Reubens (Pee-wee’s Big Adventure, Pee-wee’s Playhouse), worked together to bring the project to fruition and produced the film. It was written by Reubens and Paul Rust (Comedy Bang! Bang!, Arrested Development), and is directed by John Lee (Wonder Showzen, The Heart She Holler).

War Machine

Inspired by the best-selling book The Operators: The Wild and Terrifying Inside Story of America’s War in Afghanistan by the late Michael Hastings,War Machine concerns a four star, “rock star” general whose lethal reputation and impeccable track record vaults him to command the American war in Afghanistan. Determined to win the “impossible” war once and for all with a radical new approach, the general and his motley staff of commanders and press advisers race across the globe navigating delicate international alliances and troop requests, the charged battlefield of Washington politics, the voracious appetite of the media, and the day-to-day management of the war itself – all the while struggling to stay connected to the lives of men and women out in the field.

SERIES

Chelsea Does

Chelsea Does – January 23rd

Chelsea Does Marriage– In this funny and personal documentary, Chelsea Handler examines modern romantic relationships by interviewing experts, kids, an ex-boyfriend and even her own family members. The film also features appearances by Jason Biggs, Jenny Mollen, Colin Cowie and former Ashley Madison CEO Noel Biderman, among others.

Chelsea Does Racism– Handler explores a serious, hot-button topic the only way she knows how: by being outspoken and unwaveringly honest. Highlights include a roundtable discussion with experts from the NAACP, the Anti-Defamation League and other civil rights organizations; a sit-down conversation with Rev. Al Sharpton; a trip to a South Carolina plantation; and Handler’s eye-opening journey to Israel where she has an intimate conversation with former president, Shimon Peres.

Chelsea Does Silicon Valley– Is technology making us better or worse? What are the consequences of Internet shaming? How does Netflix work? In this doc, Handler, a self-proclaimed technophobe, seeks answers to all of these questions. Netflix CEO Reed Hastings, Khloe Kardashian, Jon Ronson, and other notables help her adapt to a tech-savvy world.

Chelsea Does Drugs– Handler embarks on several long, strange trips in this documentary, from Willie Nelson’s tour bus all the way to Peru, where she takes the hallucinogenic drug ayahuasca. Whether she’s dining on a marijuana-infused meal or mixing alcohol and Ambien (under a neurologist’s supervision), Handler’s sharp sense of humor is matched by her repeated willingness to “go there” on camera.

https://youtu.be/bcIAMiH6bIE

Cooked

Cooked – Docu Series February 19th

From best-selling author Michael Pollan (The Botany of Desire, The Omnivore’s Dilemma, In Defense of Food), Oscar-winning filmmaker Alex Gibney (Steve Jobs: The Man in the Machine, Going Clear: Scientology and the Prison of Belief, Taxi to the Dark Side, Enron: The Smartest Guys in the Room), and an all-star cast of directors and cinematographers comes the Netflix Original Documentary Series Cooked, which examines the primal human need to cook and issues a clarion call for a return to the kitchen in order to reclaim lost traditions and restore balance to our lives.

Each of the series’ four episodes examines one of the physical elements used throughout the ages to transform raw ingredients into delicious dishes: fire, water, air, and earth. Cooked takes viewers on a visually stunning journey to meet, among others: an Aboriginal tribe in Western Australia that fire-roasts Australian monitor lizards, a Connecticut Benedictine nun and microbiologist who makes traditional French cheese, Peruvian brewers who use human saliva to ferment a traditional beverage, and an ancient Moroccan granary powered by rivers. Each episode also returns to Pollan cooking in his Berkeley, California, kitchen, appetizingly delivering his core message that, surrounded as we are by fast food culture and processed foods, cooking our own meals is the single best thing we can do to take charge of our health and well being.

“Fire”
With help from Aboriginal hunters and a barbecue pit master, Pollan shows how fire shaped human gastronomy, and weighs our duty to the animals we eat.

“Water”
Pollan looks to the kitchens of India for a lesson in the value of pot cooking and examines the consequences of eating highly processed food.

“Air”
Visit food labs and Moroccan fields as Pollan delves into the science of bread-making and the nature of gluten.

“Earth”
Discover how microbes help turn raw ingredients into delicacies like chocolate and cheese as Pollan tackles the mysterious process of fermentation.

The series is a co-production of Netflix and Jigsaw Productions. Michael Pollan, Alex Gibney, Stacey Offman, Caroline Suh, Lisa Nishimura and Adam Del Deo serve as executive producers.

LOVE

Love – Season 1 February 19th

Created, written and executive produced by Judd Apatow, Paul Rust and Lesley Arfin, Love follows nice guy Gus (Rust) and brazen wild-child Mickey (Gillian Jacobs) as they navigate the exhilarations and humiliations of intimacy, commitment, love and other things they were hoping to avoid. Love is an unflinching, hilarious and excruciatingly honest take on modern relationships.

Brent Forrester and Dean Holland also serve as executive producers of Love.

https://youtu.be/Ym3LoSj9Xj8

Fuller House

Fuller House – Season 1 February 26th

In Fuller House, the adventures that began in 1987 on Full House continue, with veterinarian D.J. Tanner-Fuller (Candace Cameron Bure) recently widowed and living in San Francisco. D.J.’s younger sister/aspiring musician Stephanie Tanner (Jodie Sweetin) and D.J.’s lifelong best friend/fellow single mother Kimmy Gibbler (Andrea Barber), along with Kimmy’s feisty teenage daughter Ramona (Soni Nicole Bringas), all move in to help take care of D.J.’s three boys — the rebellious 12-year-old Jackson (Michael Champion), neurotic 7-year-old Max (Elias Harger) and her newborn baby, Tommy Jr (Messitt Twins).

Guest appearances by John Stamos (Jesse Katsopolis), Bob Saget (Danny Tanner), Dave Coulier (Joey Gladstone), Lori Loughlin (Becky Katsopolis) and Scott Weinger (Steve Hale).

Fuller House is from Miller-Boyett Productions and Jeff Franklin Productions in association with Warner Horizon Television for Netflix. Robert L. Boyett, Thomas L. Miller and Jeff Franklin are the executive producers of the series, which was created by Franklin. John Stamos is a producer.

House of Cards

House of Cards – Season 4 March 4th

An uncompromising exploration of power, ambition and the American way, the series orbits Francis Underwood, the House Majority Whip. Underwood is the politician’s politician – masterful, beguiling, charismatic and ruthless. He and his equally ambition wife Claire stop at nothing to ensure their ascendency.

Flaked

Flaked – Season 1 March 11th

Flaked is the serio-comic story of Chip, a celebrated long-time resident of the insular world of Venice, California who falls for the object of his best friend’s fascination. Soon the tangled web of half-truths and semi-bullshit that underpins his all-important image and sobriety begins to unravel. Will Arnett plays Chip, a man doing his honest best to stay one step ahead of his own lies.

Marseille – Season 1 May 5th

As the municipal elections approach in Marseille, Robert Taro, the city’s Mayor for the last twenty years, prepares his last coup: push through the vote for the construction of a casino in the historic center of the Marina featuring many of the games casino played by locals at mega888 download. Nothing has been left to chance, and his successor, Lucas Barrès, is already designated. But the latter’s all-consuming ambition and the secret interests of the city’s leaders, whether they come from its opulent villas or from the cities of the northern suburbs, impede the Mayor’s plans. The race for Mayor becomes a power struggle where no holds are barred. Only one question arises: how far will they go? The cast includes Gérard Depardieu (Robert Taro), Benoît Magimel (Lucas Barrès), Géraldine Pailhas (Rachel Taro), Nadia Farès (Vanessa d’Abrantès), Stéphane Caillard (Julia), Jean-René Privat (Cosini), Guillaume Arnault (Eric), Hedi Bouchenafa (Farid), Carolina Jurczak (Barbara), and Nassim Si Ahmed (Selim). Marseille is written by Dan Franck who serves as Executive Producer. Florent Siri (‘Cloclo’), director of episodes 1-4, also serves as Executive Producer. Thomas Gilou is the director of episodes 5-8. Marseille is produced by Paris-based Federation Entertainment, led by Pascal Breton, producer of the hit French series Dolmen and Sous le Soleil.

Sam Waterston, Lily Tomlin, Jane Fonda and Martin Sheen in the Netflix Original Series “Grace and Frankie”. Photo by Melissa Moseley for Netflix

Grace and Frankie – Season 2 May 6th

Jane Fonda and Lily Tomlin star as Grace and Frankie, two women whose lives are suddenly turned upside down when their husbands, played by Martin Sheen (“Robert”) and Sam Waterston (“Sol”), reveal they are gay and leave them for each other. Both sparring partners and partners-in-crime, they form an unlikely bond to face an uncertain future together and discover a new definition of “family,” with laughter, tears and plenty of mood enhancers along the way. From executive producers Marta Kauffman (Friends) and Howard J. Morris (Home Improvement), the hilarious and heartbreaking comedy takes on aging with gusto – from joint pain to joint rolling and blind dates to night blindness – and offers a poignant look at how life’s turning points show us who we really are. The series also stars Brooklyn Decker, Ethan Embry, Baron Vaughn and June Diane Raphael. In addition to Kauffman and Morris, the series is also executive-produced by David Ellison, Dana Goldberg and Marcy Ross from Skydance Productions, along with Paula Weinstein and Fonda and Tomlin.

The Crown

The Crown – Season 1 2016

The Crown tells the inside story of two of the most famous addresses in the world — Buckingham Palace and 10 Downing Street – and the intrigues, love lives and machinations behind the great events that shaped the second half of the 20th century. Two houses, two courts, one Crown.

The OA – Season 1 2016

The OA, a new drama series starring Brit Marling. Zal Batmanglij (Sound of my Voice, The East) will direct, and Marling and Batmanglij will co-write The OA. Eight hour-long episodes of the series will premiere exclusively across all Netflix territories in 2016.

“We are thrilled to be the home of the first television series Brit and Zal create together,” said Cindy Holland, Vice President of Original Content at Netflix. “Whether in front of or behind the camera, or both, their creative voice is always uniquely captivating.”

“Brit Marling and Zal Batmanglij are singular innovators who are looking to push boundaries in new ways and embrace this incredible moment of opportunity in television. We are so excited to be a part of this project,” said Plan B Entertainment.

“We are thrilled to collaborate with Netflix and Plan B to help bring to fruition Brit and Zal’s extraordinary vision,” said Michael Sugar, executive producer and partner, Anonymous Content.

Dede Gardner and Jeremy Kleiner from Plan B (Oscar winning producers of 12 Years a Slave) and Michael Sugar from Anonymous Content (True Detective, The Knick) are executive producers of the series, along with Marling and Batmanglij. The OA is a Netflix production.

Brit Marling is an actor, writer and producer. She has starred in films including Arbitrage, and the recent I, Origins, and stars in the upcoming The Keeping Room. Previous credits include The East and Sound of My Voice, which she also produced and co-wrote with Batmanglij, as well as Another Earth, which she also produced and co-wrote with Mike Cahill. Director and writer Zal Batmaglij made a splash at the 2011 Sundance Film Festival with his feature debut Sound of My Voice, which was released by Fox Searchlight. The studio went on to make his next film The East, which they released in 2013.

Girls on Film Podcast: Interview with ‘Diablo’ writer/director Lawrence Roeck – “Build a good team around you”

Posted on January 12, 2016 by Melissa Hanson — Leave a reply

Yes, before you ask, that is Clint Eastwood‘s son, Scott. He’s pretty unmistakeable. He stars in Diablo playing a civil war veteran who begins a journey to rescue his kidnapped wife. While this may seem to be a very straightforward story, there are many twists and turns that make this western a very modern psychological thriller.

Diablo is in select theaters now as well as available on demand

I recently spoke with writer and director Lawrence Roeck about his film and got a glimpse into his filmmaking world. Listen to the entire interview here:

Roeck works with his creative partner, Carlos De Los Rios, and surrounds himself with very talented people. He had a basic concept for the story and brought it to De Los Rios and Eastwood, then flushed out the screenplay. Presto.

Roeck seems to have found the magic formula with a great production team, that he couldn’t say enough nice things about. So who are the biggest players behind the scenes? Let’s break it down.

Director of Photography – Dean Cundey

Winner of several cinematography awards, Cundey is known for movies such as Back to the Future, Jurassic Park and Apollo 13. He knows his way around a set and when you watch the film, you’ll need to see it on a big screen to fully appreciate the beauty.

For this film, Cundey used a camera he helped develop, the ARRI Alexa digital cinema camera. This is not like using the camera on your phone.

Horse Wrangler – John Scott

This guy knows horses. Having recently also completed work on The Revenant, Roeck just let Scott do what he does best. “The horses like being part of a process and being around people,” says Roeck.

Casting Director – Roger Mussenden

Known for casting the X-Men franchise, Mussenden pulled together the supporting talent that elevated the already intriguing script. Walton Goggins is a particular standout with his character having an menacing swagger that no one else could pull off.

Composer – Timothy Williams

Williams is known most recently for his work on Guardians of the Galaxy. Roeck and Williams sat together for four months to create the score for this film. “Timothy uses a lot of natural sounds” using the “drumming of the stock of the shotgun” as the specific sound with Walton Goggins character. The music was recorded with the Czech National Symphony Orchestra.

Amazing films are out there. You just have to take a chance. Check out Diablo and you won’t be disappointed!

The Cast:

Scott Eastwood

Walton Goggins

Adam Beach

Danny Glover

Review/Interview: OITNB star Nick Sandow talks ‘THE WANNABE’

Posted on December 17, 2015 by Liz Whittemore — Leave a reply

Presents

THE WANNABE

Respect isn’t earned. It’s stolen.

Written & Directed & Co-Starring Nick Sandow (Captuto on Orange is the New Black) Executive Produced by Academy Award Winner Martin Scorsese (Goodfellas) & Dean Devlin (Independence Day)

No matter who we are, during our lives we have idolized a person. Perhaps in some cases, to a point that may border on the unhealthy. Orange Is The New Black star, Nick Sandow, has written and directed a new film where that idol is the infamous mobster John Gotti. Meet one man’s story of obsession and desperation to be somebody, in The Wannabe.

The wannabe still Patricia Arquette,Vincent Piazza

Based on true events and Executive Produced by Martin Scorsese and Dean Devlin, comes a story about Thomas ( Vincent Piazza), a man obsessed with Mafia culture during the 1990s in New York City. When Thomas’s failed attempts to fix the trial of infamous mobster John Gotti gets him rejected by the people he idolizes most, he sets off on a drug infused crime spree with his girlfriend and long time mob groupie, Rose (Patricia Arquette), by brazenly robbing the local Mafia hangouts.

The film is perfectly paced by Sandow‘s writing. Coming up with the story after a friend sent him an article about the real life couple, The Wannabe is a “what might have happened” tale. Perfectly cast as Thomas, Vincent Piazza gives a fully fleshed out performance as a man who craves acceptance. When he doesn’t receive it, drugs lead to power hungry and dangerous life choices. Piazza’s time on Boardwalk Empire served him well in outlining his gangster look and the way he carried himself physically. We’re on the emotional roller coaster alongside him throughout. Patricia Arquette as Rose, is nothing less than brilliant. I am convinced that no matter what character you throw at her, she would own it. Her ease and presence on screen is unmatched, ever the scene stealer. Also, a Boardwalk alum, along with Sandow, it is clear that their chemistry as a trio makes the film as successful as it is.

I was privileged to interview Nick Sandow this week. Take a look at what he had to say about The Wannabe.

Liz: Firstly, Nick, thanks for taking the time to chat with me. The Wannabe is an incredibly successful story of audacious choices and personal delusion. Love the structure and style. So, congratulations on the film!

Where is the line between truth and fiction with Thomas and Rose’s story?

Nick: The line is blurry. There were a handful of facts about a real couple that in the early nineties went around robbing mob social clubs. I was fascinated with how they got from A to Z. I just ran with the story and started to blend in real events that were going on at that time.

Liz: You write and direct this project. What was the biggest challenge in wearing both hats?

Nick: Writing and directing hats go very well together. I’ve directed things that I didn’t write and I have to work very hard to find my way into it. When you write it….. it’s yours…. you are already inside it. It has your DNA all over it so when it comes time to direct it I am attempting to take it further and trying to find another level of understanding with all the tools available.

Liz: Getting the script to Scorsese, wow. What was that moment like when he decided to come on board?

Nick: I couldn’t believe it. I still don’t. It’s hard to fathom. But what a gentle guiding spirit he is.

Liz: When writing, did you already have Vincent and Patricia in mind?

Nick: I didn’t have them in mind at first but when they did come on board they were both very influential contributors to the rewriting process.

Liz: Was mob history an interest of yours prior to discovering this story?

Nick: Mob history wasn’t an interest. I grew up in a very similar neighborhood in the Bronx. So it was less an interest than a way of life.

Liz: How easy/difficult was it to shoot in the city for it being a period piece?

Nick: It was extremely difficult shooting a period piece in NYC on our budget in 20 days. It was all about finding the right locations. We had 35 location in 20 days. We were trying to find the 90s in the city and you really have to hunt for it. It’s there, you just have to get out into the boroughs. We shot in every one of them except Staten Island.

Liz: Have you ever been obsessed, for lack of a better word, with an individual in the way Thomas was?

Nick: I’m not sure I was ever as obsessed as Thomas with one single person but I do very much identify with the desperation of wanting to be someone you are not. I’ve made a living out of doing that as an actor for 25 years. I understand where that obsession comes from… I had an outlet for it with acting.

Liz: You, as an actor, have a knack to for being cast as an authority figure, shall we say? Why do you think that is?

Nick: I’ve never really thought of this before. An authority figure….hmmmm. To be honest the first thing that pops into my head is that as a kid I always felt I needed to know the answers to survive. In many ways that served me and in many ways as a young person I feel it shut me down to learning as much as I could of. Maybe this is why? It’s only a guess. I really don’t know.

Liz: We are definitely excited for more Caputo action in Season 4 this June. We’re really rooting for something good to happen to this character! Outside of OITNB, what’s next for you?

Nick: Yes, there will be more Caputo in Season 4. It’s going to be a great season. I’m also excited about it.

Besides Orange, I am looking to shoot another film this spring. It’s a great script written by Frank Pugliese of House of Cards. It is the weekend in the life of a middle aged retired pro football player coming to grips with having Dimentia. I’m also working on a documentary about Kalief Browder who was wrongfully imprisoned for 3 years on Rikers Island from the age of 16 to 19.

Liz: That all sounds incredibly exciting! Thanks again for your time, Nick. ReelNewsDaily is looking forward to seeing more of you any way we can!

Starring:

Academy Award Winner Patricia Arquette (Boyhood), Vincent Piazza (Boardwalk Empire), Michael Imperioli (The Sopranos),Domenick Lombardozzi (The Wire), David Zayas (Dexter) & Nick Sandow (Orange Is The New Black)

The Wannabe is now playing in select theaters nationwide and is available on all VOD platforms.

New promo for ‘Fuller House’ on Netflix features…the house

Posted on December 17, 2015 by Melissa Hanson — Leave a reply

Guest appearances by John Stamos (Jesse Katsopolis), Bob Saget (Danny Tanner), Dave Coulier (Joey Gladstone), Lori Loughlin (Becky Katsopolis) and Scott Weinger (Steve Hale).

Fuller House is from Miller-Boyett Productions and Jeff Franklin Productions in association with Warner Horizon Television for Netflix. Robert L. Boyett, Thomas L. Miller and Jeff Franklin are the executive producers of the series, which was created by Franklin. John Stamos is a producer.

Twitter: @FullerHouse

FB: /FullerHouseNetflix

Instagram: @FullerHouse

https://youtu.be/uhInIOKwGXU

ICYMI: Frank Underwood is jumping into the Presidential race. He’s got my vote.

Posted on December 16, 2015 by Liz Whittemore — Leave a reply

During last night’s GOP debate, we were treated to a new political ad. While I generally find these to be full of lies and altogether vomit inducing, this particular ad was right up my alley. Take a look for yourself.

I’d vote for him.

The fourth season of House of Cards premieres

Friday, March 4, 2016 on Netflix.

For more information, visit http://www.fu2016.com/

Coming to Netflix this month – Docu Series, Comedy Series & Specials, Kids

Posted on December 13, 2015 by Melissa Hanson — Leave a reply

Dawn of the Croods

F is for Family

Glitter Force

Marco Polo

Friday, December 18th

Making a Murderer – Docu Series

Filmed over a 10-year period, Making a Murderer is an unprecedented real-life thriller about a DNA exoneree who, while in the midst of exposing corruption in local law enforcement, finds himself the prime suspect in a grisly new crime. Set in America’s heartland, the series takes viewers inside a high-stakes criminal case where reputation is everything and things are never as they appear.

F is for Family – Comedy Series

From comedian Bill Burr and EmmyⓇ award-winner Michael Price, F is for Family transports viewers back to the 1970s, a time when political correctness, helicopter parenting and indoor smoking bans weren’t part of anyone’s vocabulary, let alone the norm. Featuring the voices of Burr, Laura Dern, Justin Long, Sam Rockwell and more.

https://youtu.be/HFzrvMS6P8g

Mike Epps: Don’t Take It Personal – Comedy Special

In Mike Epps: Don’t Take It Personal, filmed at the historic Orpheum Theater in Los Angeles, Mike Epps wastes no time bringing his unapologetic and raunchy swagger to a howling live audience.

https://youtu.be/7ToKkTDA-mk

Glitter Force – Kids Series

When the magical kingdom of Jubiland is invaded by an evil emperor and his band of fairytale villains, a tiny pixie named Candy recruits five preteen girls to form the powerful team of the Glitter Force to help defend Earth from becoming the next target. These fabulous friends transform from ordinary school girls into super powered cool girls. Defending the Earth from fairytale villains isn’t an easy job, but the Glitter Force proves that nothing is more powerful than friendship. From Saban Brands, the 20-episode season will premiere worldwide, excluding Asia, exclusively on Netflix December 18, 2015.

Thursday, December 24th

Dawn of the Croods

Eep, Grug, Thunk, Ugga, Sandy and Gran are back and funnier than ever in this all-new family sitcom. Follow everyone’s favorite family as they meet new friends, outrun new creatures and encounter “firsts” the world has never seen – such as school, slumber parties, hiccups and elections. The Croods are discovering them all. Dawn of the Croods will be available exclusively on Netflix in all current territories except Germany and Japan.

Saturday, December 26th

Marco Polo: One Hundred Eyes

John Fusco, who wrote the Academy-Award nominated feature Spirit: Stallion of the Cimarron, created the standalone feature Marco Polo: One Hundred Eyes and is executive producer and showrunner along with Dan Minahan, whose previous work includes Homeland and Game of Thrones, with Patrick Macmanus, Harvey Weinstein, Bob Weinstein and Elizabeth Sarnoff as executive producers.

Review: ‘Body’ Pays Tribute to Psychological Thrillers

Posted on December 10, 2015 by Jordan Jenkins — Leave a reply

Body is the story of three friends who spend their entire Christmas Eve night deciding if they should call the police or cover up an accidental murder. This film toys with your morals leaving you wondering how you would handle this situation. Brought to us from Oscilloscope Laboratories, comes a film of a simple story, with a disturbing symbolic nature. When you watch these girls make life changing decisions, it will truly make your skin crawl.

Body was exactly what it needed to me, and nothing more. It was a small splice of the thriller genre that is an homage to other psychological thrillers. Even though Body is not as extreme or disturbing as those it pays tribute to, it successfully unveiled the shocking characterization of three girls in only 75 minutes. The less you know about it going in the better your experience will be. Overall, for those who like morally testing thrillers, I recommend going to see Body in theaters on Friday, December 11th.

3 out 5 stars

Directors:

Dan Berk and Robert Olsen

Starring:

Helen Rogers

Alexandra Turshen

Lauren Molina

Larry Fessenden

Shocking Tribeca doc ‘DREAM/KILLER’ finally gets released in theaters!

Posted on December 4, 2015 by Liz Whittemore — Leave a reply

One of the most acclaimed docs from this year’s Tribeca Film Festival, dream/killer, is being released in NY today and in LA next Friday, Dec 11th. Fans of the podcast Serial and HBO’s The Jinx, this film is right up your alley, I highly recommend you seek it out!

In the fall of 2005, 19-year-old Ryan Ferguson was convicted of murder and sentenced to 40-years in prison based on someone else’s dream. Over the next ten years while Ryan languished in prison, his father Bill engaged in a tireless crusade to find justice. dream/killer tells the story of this extraordinary father’s journey to free his son.

When Columbia Daily Tribune sports editor Kent Heitholt was brutally murdered in the newspaper’s parking lot, the crime went unsolved for two years, leaving the affluent college town desperate to bring home justice. At the time, it was the only unsolved murder in the city. A break in the case lead police to Chuck Erickson, who confessed to the crime, implicated Ferguson as an accomplice and left America with one of the country’s most outrageous miscarriages of justice.

The documentary uses archival footage from when Ryan was first arrested, interviews with him in prison, and court hearings that reveal the strengths and the flaws of the American judicial system. The arguments of the ruthless prosecutor and Ryan’s brilliant defense attorney are also depicted to show how easily the system is influenced. Interspersed with footage from the Ferguson family archive, dream/killer looks at the personal consequences of a wrongful conviction.

dream/killer – OFFICIAL TRAILER (2015) from Bloom Project on Vimeo.

You can check out my original review and listen to my exclusive interview with Ryan and Bill in the link below. This is one extraordinary story and family.

Review/Interview with ‘Dream/Killer’ subject Ryan and Bill Ferguson

Review: ‘THE LADY IN THE VAN’ is Alan Bennett’s mostly true story brought to life by Dame Maggie Smith and Alex Jennings

Posted on December 4, 2015 by Liz Whittemore — Leave a reply

The Lady in the Van, Alan Bennett’s adaptation of his commercial and critical West End hit, based on his own bestselling memoir will open in New York & Los Angeles for a Limited Engagement on December 4, 2015. Dame Maggie Smith reprises one of her most-loved stage roles for the big screen, under the direction of Nicholas Hytner, who also directed the stage version. Damian Jones and Kevin Loader produced, along with Hytner.

The film tells the true story of Alan Bennett’s strained friendship with Miss Mary Shepherd, an eccentric woman of uncertain origins, who “temporarily” parked her broken down van in Bennett’s London driveway… and proceeded to live there for the next fifteen years. Their unique story is funny, poignant and life-affirming.

Miss Smith, who plays the singular Miss Shepherd, is joined by Alex Jennings (The Queen), who plays Bennett. Smith incarnation of Shepard is nothing but her usual brilliance. She is quirky and earnest. We are treated to a true character study in her subtle facial expressions and physicality. Each beat is masterful in comic timing. Jennings, as Bennett, is equally as charming in his quiet insolence. As Miss Shepard’s inevitable enabler, their relationship is actually a foil for Bennett’s real life lack of a relationship with his own mother. Bennett as narrator of his own tale, has the opportunity to play two very distinct sides of his personality. The performance should not go unnoticed come awards season. Others in the cast include Frances de la Tour, Roger Allam, Dominic Cooper, Jim Broadbent & James Corden.The script has a lovely Odd Couple feel to it. Filed with heart, emotional pull, mystery and levity, The Lady in the Van, (however much based on true events) will capture your soul. With a cast such as this, under the delightful direction of Nicholas Hytner, one cannot go wrong.

Sony Pictures Classics Will Release The Lady in the Van In The U.S. on January 15, 2016 Following A Limited Engagement In New York & Los Angeles Starting on December 4, 2015

THE LADY IN THE VAN runs 103 Minutes.

The film is Hytner’s first directorial outing after ending his massively successful decade at the head of the British National Theatre. He and Bennett previously collaborated on The Madness of King George and The History Boys. Damian Jones (The Iron Lady, Belle) and Kevin Loader (Venus, In the Loop) produced, along with Hytner. Hytner is among the preeminent theatrical creators of his generation, having directed such standouts as Miss Saigon, Stuff Happens, and One Man, Two Guvnors. At the National, he commissioned the breakout hits Warhorse, The Curious Case of the Dog in the Night, Jerry Springer, The Opera and Danny Boyle’s Frankenstein. In addition to Madness and History Boys, his filmography also includes Wendy Wasserstein’s The Object of My Affection and Arthur Miller’s The Crucible, starring Daniel Day-Lewis. He has won multiple Olivier and Tony Awards, and a BAFTA.

Dame Maggie Smith has led a distinguished, varied career on stage, in film and in television over the past six decades. She is a two-time Academy Award® winner (The Prime of Miss Jean Brodie, California Suite) and has been nominated an additional four times. Among many other accolades and honors, she has won multiple BAFTA Awards, Emmy Awards and a Tony. Her achievements range from performing Shakespeare opposite Laurence Olivier, to capturing the attention of a new generation when she played the strict witchcraft teacher Minerva McGonagall in the Harry Potter films, and recently as the Dowager Countess of Grantham, in the acclaimed television drama Downton Abbey.

Alex Jennings is one of the most successful British actors of his generation. He has played Alan Bennett multiple times and is currently shooting the Netflix series “The Crown” where he portrays the Duke of Windsor.

Bennett, a celebrated playwright, screenwriter, actor and author, is considered a national literary treasure in England. Over the course of his more than 50-year career, he has won, or been nominated for, every major writing award that exists in film, television and theatre, including an Academy Award®, multiple BAFTAs, Tonys, and Oliviers.

Review: ‘A ROYAL NIGHT OUT’ contains light introduction to feminism.

Posted on December 4, 2015 by Liz Whittemore — Leave a reply

What little girl, at some point or another, didn’t want to be a princess? I wanted to be Princess Leia but I’m pretty sure that still counts. What I didn’t think about back then was the oppressive sense of duty and decorum that stunted normal adolescent growth.

A ROYAL NIGHT OUT is a film about one perfect, glorious evening in the lives of two real-life princesses. They are Elizabeth and Margaret Windsor at and the night is 8 May 1945, V-E Night. The whole of London is on the streets to celebrate the official end of World War II in Europe. It is known the young princesses, aged 19 and 14, slipped out of the palace to join the communal euphoria and went dancing at the Ritz. They apparently returned to Buckingham Palace just after midnight. Directed by acclaimed UK director Julian Jarrold (Becoming Jane, Brideshead Revisited), A ROYAL NIGHT OUT is an affectionate ‘what-if’ story about the adventures Elizabeth and Margaret might have had on the joyous night that brought the whole of London together.

Sarah Gadon‘s portrayal of Elizabeth is absolutely stunning. She gives us the perfect mix of proper royal behavior, wide-eyed innocence and subtle heroism. She is elegant and soft all while giving us a beautifully timed coming of age performance thanks to writers Trevor De Silva and Kevin Hood and, of course, Julian Jarrold‘s direction. You can see Sarah in Dracula Untold, the upcoming 11/22/63, and as the face of Armani Beauty. Bel Powley, who was outstanding in Diary of a Teenage Girl, takes only somewhat of a backseat to Gadon as sister Margaret. Reminiscent of Prince Harry today, as second in line for the throne, she is more carefree and much more outspoken, constantly telling people that no one cares what she does. Her rambunctious energy is electric. Jack Reynor is the object of young Elizabeth’s fascination. Firstly as a savior and secondly as a teacher. His opinions shape her sheltered view of what the country really thinks of the war and the royal family. Rounding out the cast are heavy hitters, are Rupert Everett as the King and Emily Watson as The Queen. We are treated to moments that will throw your memory back to blockbuster The King’s Speech, starring Colin Firth. This is a key part of the emotional growth experienced by Elizabeth. A Royal Night Out will play particularly well with a YA audience. It’s a great family film that parents can take their children to. It contains a soft entrance of feminist message, with both princesses trying to break free from familial duty for just a brief moment in time. It’s subtle but eased into slowly and appropriately for the plot, the period, and the audience. With meticulous sets, gorgeous costumes and a message of culture and class relations, A Royal Night Out is a real victory.

You can check out the trailer below:

Directed by: Julian Jarrold

Written by: Trevor De Silva and Kevin Hood

Starring: Sarah Gadon, Bel Powley, Jack Reynor, Rupert Everett, and Emily Watson

Produced by: Robert Bernstein and Douglas Rae

Running Time: 97 Minutes / Rating: PG-13A ROYAL NIGHT OUT comes to theaters today!

Review: ‘UNCLE NICK’ is not your typical holiday fare.

Posted on December 3, 2015 by Liz Whittemore — Leave a reply

Presents

Oh, the holidays. A time for an overabundance of food, gifts, parties… and family. Inevitably, someone is going to get a dinner role thrown at them, or maybe that only happens in my family. In the end, love or hate each other, spending time with the people you grew up with will lead to some of the best and worst moments of your life.

That voice you know so well, that massive stature, that snarky wit. All the things that make Brian Posehn the perfect choice to play the title character in Chris Kasick‘s new Christmas family fiasco film, UNCLE NICK. Nick is an alcoholic and depressed individual who is dreading attending Christmas Eve at his younger brother Cody’s new cougar wife’s house. With his brass balled sister, her adorably down-to-earth husband, his tech obsessed nephew, and over-sexed niece, shit is going to get real. Trying desperately to not hold his tongue, Nick runs through all the inappropriate behaviors expected from “that one family member.” But in reality, could he be the only normal one in the bunch? Probably not.

With an outstanding ensemble cast including Paget Brewster, as pristine pharma saleswoman and new sister-in-law, Missi Pyle as Nick’s sister, Michelle, is an awesome reflection of the no-filter nonsense I like to add to my own family dynamic. A little crass and a little class, know your surroundings I always say. Scott Adsit as her husband Kevin is a perfect example of a not uptight, go with the flow, funny guy… with a passion for podcasting, because, why not. Melia Renee as new niece Valerie and grossly the object of Nick’s fantasies, doesn’t make it easy to resist her daddy issues. Jacob Houston and nephew Marcus is the epitome of 16 with his face in his laptop, video game, or phone the entire film plus a dash of volatile sarcasm thrown in for good measure. Beau Ballinger plays Nick’s younger brother Cody, whose former childhood shenanigans cause the animosity that Michelle and Nick still hold, and for the right reasons, trust me. And of course, Brian Posehn, the man himself. I don’t think this man can be unfunny. He captures this role with so much ease, whether you’re laughing at him or with him, rolling your eyes or cringing, his performance is brilliant.

Mike Demski’s script is just cool. Structurally surprising, he gives us a history lesson in Cleveland baseball intertwined with the narrative as a juxtaposition to the plot. I love me some baseball and somehow, I had never heard this story, and boy is it gold. The dialogue is quippy and sardonic, perfect for the holiday script. Uncle Nick works on many levels. It is not what you’re expecting going in and that’s what makes it great. Unapologetically in your face, do not bring kids to this film. In one way or another, you’ll relate to it, for better or worse.

Lewd, drunken Uncle Nick (Brian Posehn, Mr. Show, The Sarah Silverman Program) stumbles his way through his brother’s cookie cutter-family’s annual Christmas gathering in the hopes of scoring with a super-hot party guest. But the arrival of his equally crass sister coupled with Nick’s liquor-fueled faux pas cause family secrets to bubble to the surface that might spell disaster for the whole clan before the night is over. Presented by Errol Morris, UNCLE NICK is a raucously funny comedy of inappropriate behavior, uncomfortably interrupted trysts, and a monumental over serving of ten-cent beers.

In Theaters Nationwide December 4th, 2015

THE ANTI-CHRISTMAS MOVIE OF THE YEAR!

UncleNickMovie

Review: ‘CHRISTMAS, AGAIN’ is a true NYC character study.

Posted on December 1, 2015 by Liz Whittemore — Leave a reply

Presents
CHRISTMAS, AGAIN

Starring Kentucker Audley and Hannah Gross
Written, Produced & Directed by Charles Poekel

The holidays inevitably spark memories of both the good times and the bad. We often think of those we’ve lost, while trying desperately to cling to every last minute of holiday spirit. Some love the season. Some think it the worst time of the year. In Charles Poekel‘s CHRISTMAS, AGAIN, we are treated to both sides of the coin. Synopsis:

For a fifth consecutive December, a heartbroken Noel returns to New York City to work the night shift at a sidewalk Christmas tree lot. Devoid of any holiday spirit, he struggles to stay awake during the long, chilly nights in his trailer, while the daytime traffic keeps him from getting any real rest. As he slowly spirals into despair, he comes to the aid of a mysterious young woman in the park. Her warming presence, matched with some colorful customers, help rescue him from self-destruction.

Kentucker Audley owns every minute of screen time as Noel. This organically written character of Poekel‘s allows Audley to give a down-to-earth performance of a young man we all know to well. Tackling depression, loneliness, longing, and emotional survival, Christmas, Again is a such a success in it’s honest simplicity.There are no fancy car chases or explosions. The story is straight forward and beautifully quiet. Hannah Gross gives a lovely performance as Lydia. A little lost, a little sad, but very much a real person. The chemistry between the two characters is a slow and realistic build, again, thanks to Poekel. He never pushes too hard, there are no gimmicks or exploited moments we’re used to in a typical holiday blockbuster. This indie is fresh and easy. Combined with the calling card cinematography of Sean Price Williams (Listen Up Phillip, Queen of Earth), the film has a gorgeous added intimacy with it’s single handheld camera and use of close ups. All involved should be extremely proud of their work. I applaud the departure in tone and style. While I certainly enjoy a good, old fashion Hollywood role call such as The Coopers, CHRISTMAS, AGAIN is a comforting film that has an incredible amount of heart and relatability.

FACTORY 25 will release CHRISTMAS, AGAIN at the MoMA in New York (and exclusive SVOD on Fandor) on Thursday, December 3rd, and Los Angeles on Friday, December 11th.

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FILMS

Crouching Tiger, Hidden Dragon: Sword of Destiny – February 26th

Jadotville

Mascots

War Machine

SERIES

Chelsea Does – January 23rd

Cooked – Docu Series February 19th

Love – Season 1 February 19th

Fuller House – Season 1 February 26th

House of Cards – Season 4 March 4th

Flaked – Season 1 March 11th

Marseille – Season 1 May 5th

Grace and Frankie – Season 2 May 6th

The Crown – Season 1 2016

The OA – Season 1 2016

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Friday, December 18th

Making a Murderer – Docu Series

F is for Family – Comedy Series

Mike Epps: Don’t Take It Personal – Comedy Special

Glitter Force – Kids Series

Dawn of the Croods

Saturday, December 26th

Marco Polo: One Hundred Eyes

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Presents CHRISTMAS, AGAIN

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Presents
CHRISTMAS, AGAIN