Yes, before you ask, that is Clint Eastwood‘s son, Scott. He’s pretty unmistakeable. He stars in Diablo playing a civil war veteran who begins a journey to rescue his kidnapped wife. While this may seem to be a very straightforward story, there are many twists and turns that make this western a very modern psychological thriller.
Diablo is in select theaters now as well as available on demand
I recently spoke with writer and director Lawrence Roeck about his film and got a glimpse into his filmmaking world. Listen to the entire interview here:
Roeck works with his creative partner, Carlos De Los Rios, and surrounds himself with very talented people. He had a basic concept for the story and brought it to De Los Rios and Eastwood, then flushed out the screenplay. Presto.
Roeck seems to have found the magic formula with a great production team, that he couldn’t say enough nice things about. So who are the biggest players behind the scenes? Let’s break it down.
Director of Photography – Dean Cundey
Winner of several cinematography awards, Cundey is known for movies such as Back to the Future, Jurassic Park and Apollo 13. He knows his way around a set and when you watch the film, you’ll need to see it on a big screen to fully appreciate the beauty.
For this film, Cundey used a camera he helped develop, the ARRI Alexa digital cinema camera. This is not like using the camera on your phone.
Horse Wrangler – John Scott
This guy knows horses. Having recently also completed work on The Revenant, Roeck just let Scott do what he does best. “The horses like being part of a process and being around people,” says Roeck.
Casting Director – Roger Mussenden
Known for casting the X-Men franchise, Mussenden pulled together the supporting talent that elevated the already intriguing script. Walton Goggins is a particular standout with his character having an menacing swagger that no one else could pull off.
Composer – Timothy Williams
Williams is known most recently for his work on Guardians of the Galaxy. Roeck and Williams sat together for four months to create the score for this film. “Timothy uses a lot of natural sounds” using the “drumming of the stock of the shotgun” as the specific sound with Walton Goggins character. The music was recorded with the Czech National Symphony Orchestra.
Amazing films are out there. You just have to take a chance. Check out Diablo and you won’t be disappointed!