Immerse yourself in 19th century Estonian folklore – feel the mud and cold, the fear and joy of the peasants living side-by-side with cows, werewolves and kratts, the farmers’ helpers, created out of old tools, hay, and animal bones, and brought to life by the devil himself. Director Rainer Sarnet elevates his film above mere period drama, sprinkling the fable of peasant girl Liina’s doomed romance with Hans with generous amounts of humor, and enriching its earthy fairytale milieu with beautiful black and white cinematography. Sarnet’s attention to detail, in particular in capturing the farmers’ dynamic and expressive faces, humanizes and adds a warm depth to the environment as Liina and Hans ponder the great mysteries of life, love, and the existence of the soul, looking for meaning and explanations anywhere they can.
November is everything a non-cinephile might think of when it the phrase “foreign film” is haphazardly thrown about. That is exactly what makes this film so intriguing. With its stunning black and white cinematography and its unapologetic folklore elements, the story delves into the question of living a life with or without a soul. The wonderfully weird characters and themes, including death, witchcraft, and the devil himself, all make November one completely engrossing cinematic experience. Oscilloscope Laboratories acquired North American rights to Sarnet‘s film ahead of its world premiere in the international narrative category. Below you can find the trailer, and while it does not yet contain English subtitles, you quickly grasp the tone of the film. We will, of course, keep you updated on release dates for this unique selection.
FILM INFO
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Section:International Narrative Competition
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Year:2017
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Length:115 minutes
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Language:Estonian
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Country:
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Premiere:International
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Connect:
CAST & CREDITS
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Director:Rainer Sarnet
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Screenwriter:Rainer Sarnet
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Cinematographer:Mart Taniel
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Editor:Jaroslaw Kaminski
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Composer:Jacaszek
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Producer:Katrin Kissa
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Co-Producer:Ellen Havenith, Lukasz Dzieciol
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Cast:Rea Lest, Jörgen Liik, Arvo Kukumägi, Katariina Unt, Taavi Eelmaa, Dieter Laser
This was my favorite part of the story. Nora is married, with a child and doesn’t really understand the point of women voting. Then when she wants to do something on her own, she realizes that she cannot do what she wants without the permission of her husband. This ignites a light in her to question why. Questioning drives her to learn more and seek out others.
Volpe is no stranger to women’s issues. “All my films are about women who liberate themselves.” However, the idea came from one of her producers and it upset her that she didn’t think of it. “I was so pissed! Why didn’t I have this idea? It’s so shameful!” We forgive you, Petra.
A bit of propaganda at the time had a poster with “Women in politics is against the divine order.” Volpe felt this was a perfect title for the film. “It’s really crazy when you read these propaganda pamphlets, they really argue that God has created a world of men and women and they have their roles, and if you mess with these roles, it will be apocalypse.” Sound familiar? Scarily, it does.
I have to be honest. I had extremely high hopes for Salt and Fire based on Werner Herzog‘s direction and the star studded cast of Michael Shannon, Veronica Ferres, and Gael Garcia Bernal. Boy, oh boy, was I disappointed. Filled over the brim with overly philosophical quotes and MIA cast members, I struggled to even finish the film. The disjointed feeling of the plot and the hyper theatrical dialogue delivery in the first half of the film are pretty brutal. Michael Shannon, however, gives another sterling performance especially considering what he’s been given to work with. The ending, the final 10 minutes of the film, is so syrupy I sort of just sat there with my mouth open. Maybe it’s just me. Maybe, somehow, the film is over my head. At this point, I just can’t tell. By all means, be your own judge. You can find the trailer below:
THE ASSIGNMENT
Director Walter Hill gives the revenge film a modern neo-noir twist with this electrifying thriller. Hitman Frank Kitchen (Michelle Rodriguez) is given a lethal assignment, but after being double-crossed, discovers he’s no longer the man he was. Having been surgically altered, Frank now has the body of a woman. Seeking vengeance, he heads for a showdown with his assailant (Sigourney Weaver), a brilliant surgeon with a chilling agenda of her own.
The film is structured in a Sin City meets iZombie format with graphic novel transitions and narration. The premise is interesting and certainly engages your attention without pause. The Assignment has caused some stir in the transgender community, as our hero/villain’s view of his/her transition is on the rather negative side. That being said, if you woke up the opposite gender, you might be a tad peeved as well. The action is tempered with monologues from Sigourney Weaver‘s character. My only complaint there? I wish there had been more visual to back those stories up as some run at quite a length.
Michelle Rodriguez does a great job with both genders, keeping the masculine edge once she wakes up a woman. Without prior knowledge of the plot, you may think that a very thin Oscar Isaac had tackled the first half of the role. It’s pretty uncanny. Her past work in action films is on full view with her natural handling of weapons and aggressive presence. `It’s a pretty fearless performance. Weaver as Dr. Kay has an eccentric air to her speech patterns and carriage, even when she’s in a straight jacket. Tony Shaloub as Dr.Galen is a perfect foil for Weaver and the appearance by Anthony LaPaglia is casting heaven. 
On the whole. The Assignment is different in a good way. Engrossing and lively, you can’t go wrong. Check out the trailer below.
This insightful doc is has a gorgeous structure. Including sit-down interviews with local police, Linda’s family, and narrated passages from Linda’s diary entries, the impact of God Knows is massive. It’s heart-wrenching as you slowly realize that this poor woman’s death could have easily been prevented. The system failed her in an atrocious way. As Bishop descends into starvation and deeper mental state, we already know the writing on the wall, but that does not make the outcome any less shocking. While difficult to watch on many levels, it’s an important and timely film in many ways in our national discussion of how we treat mental illness as a nation. I highly recommend you catch God Knows Where I Am this Friday, March 31st. Check out the trailer below for a peek into this sad true story.
Emma Roberts plays a mysterious young woman who is clearly troubled. It’s an unglamorous role but suits her well. She is, as ever, riveting on screen. Having watched Kiernan Shipka literally grow up on Mad Men, we find her in a role that’s totally unexpected and truly scary. The progression of her character is unhinged. Fun fact: Shipka has a hauntingly gorgeous singing voice. The script’s dynamic is engrossing and the concept of two stories colliding keep you consistently alert. The uncomfortable moments and there are many, will keep you on the edge of your seat long enough to get to the weird (in a good way) ending. The location screams typical New England boarding school. The winter weather adding to the gloom and darkness of the impending doom. The Blackcoat’s Daughter will stick with you in a disturbing way long after the credit roll. 
Statistically, those of us born in the US are incredibly lucky. The likelihood that someone is born in Asia is so much more likely when you consider population density. Having lived in India from the end of 2008 into the beginning of 2009, I was witness to the victory of Barack Obama, The Mumbai attacks, and the general obsession with Western culture. If Indian parents can afford to send their kids to college here or if an adult can procure a job in The States, this is a huge deal. The concept of American citizens assuming that legal immigrants are “stealing” their jobs can be true for companies whose goal is to save money, but that’s not always the case. Most of the time, if someone from another country is hired, it’s because they are rightfully qualified. FOR HERE OR TO GO? follows the story of one man’s journey through the H-B1 visa process and continuing his pursuit of the American dream.
The film reads beyond authentic. I may have found it a bit more intriguing having the experience in Indian culture first hand. But the heart and humor should be obvious to any audience. This film is truly politically relevant at the moment and has been killing it on the festival circuit. The cast has a wonderful chemistry. Each performance is nuanced real. Though I will say our leading man, Ali Fazal, has a likeability and charm that is unsurpassed by anyone else in the film. This script may have to be considered in an “if the shoe were on the other foot scenario” to truly be appreciated to it’s fullest. First-time writer Rishi S. Bhilawadikar wrote the screenplay after her own personal struggles with immigration to the United States. Searching fоr thе best 
Let me be clear, while the film has an overall theme, there is much more to celebrate. There is a love story, roommate shenanigans, and an immersive comedy that comes with both the Indian and Western cultures. FOR HERE OR TO GO? is a really enjoyable film, and film festivals seem to agree. It has screened for audiences at no less than 15 different fests since 2015. You can catch it yourself in theaters this Friday, March 31st.
The clip could actually be considered a hilarious metaphor for the rest of the film, check it out below:
presents
Sometimes, when it’s 3 am and my unborn baby girl decided it’s an awesome time to do a dance instead of letting me sleep, I become, shall we say, a little grumpy. 3 weeks away from my second child, I’m freaking tired and sore and over being pregnant. Don’t get me wrong, I’m thrilled for this peanut. My soon to be two children will be less than 16 months apart. Yup, two under two. I shudder to think about the amount of rest I will not be getting for the next 18, nay, 19 years. All that being said, I’ll have my perfect little salt and pepper set, all we need is the dog. There will be days I will want to flee, I’m sure… but I cannot imagine a day where the acts of my kids will compel me to start, let’s say, murdering people. Though, it’s early and who am I to judge. In Alice Lowe‘s directorial debut, PREVENGE, Ruth’s unborn child is telling her to murder a very specific list of people and perhaps for a good reason.
Written, directed and starring Lowe while she was actually 7 1/2 months pregnant, Prevenge is savage and wickedly demented. Sharp British humor heightens this in-your-face rampage. As much as you attempt to figure out the actual reason for the string of murders, you won’t until very late into the film and thus a sign of great writing. Lowe’s portrayal of Ruth is frighteningly grounded and wonderful. The cast is filled with familiar faces and the chemistry between Lowe and her (mostly) victims is perfection. The colors are vibrant and the jarring jump cuts interspersed are incredibly effective. The film is weird and gruesome and unlike anything you’ve seen before. It’s just plain cool.
Presents
THE DEVIL’S CANDY
I had to look twice, nay, three times to make sure I wasn’t seeing things. Ethan Embry is a ripped, rock god in this surprising feature. I cannot express how much adored this film. With a slight Amityville feel, the latin voices heard in this film will get under your skin immediately. Loaded with seriously sick tunes from bands like Metalica and Queens of the Stoneage, the music takes on a life of its own in The Devil’s Candy. The film has an 80’s throwback feel in approaching the death metal and satanic ritual link. Visually, one of the coolest flicks I’ve seen in a while, especially for a horror. High-end effects are beautifully juxtaposed with unique paintings as each is being assembled… or disassembled as it were. The entire cast is spot on awesome. The Devil’s Candy has gorgeous framing and jump scares galore. I HIGHLY recommend you catch this particular selection if horror is truly your genre of choice. It will make your head spin and your skin crawl. It’s one of the best of 2017.
Presents
The 
This doc follows the real time stories of two very different restaurateurs as they attempt to open brand new eateries. Frank Linn has run a pizza food truck with his wife and has a dream of taking it off the road and into his very own brick and mortar location, Frankly…Pizza. Funded mostly by his family, there is a real feeling of a do or die personal happiness at stake. Literally remodeling the space by hand with more help from his family members, Frank’s attention to detail, the perfectly made pizza (with the exact amount of char), salads and in house made sodas, he maintains a family oriented vibe. All this drives him to take a completely hands on approach to reaching his goals. Aaron Silver man raised money through crowdfunding and big time 
Including intimate sit downs with already successful chefs, significant food critics, and family members, New Chefs On The Block is impeccably shot and immensely engrossing. With more than surprising outcomes in both stories, director Dustin Harrison-Atlas has quite the tasty gem on his hands. Coming off of its super successful showing at Cinequest, we’ve just learned the the doc won the “AUDIENCE AWARD: DOCUMENTARY FEATURE” and let me assure you, it is well deserved. We’ll be sure to keep you in the loop, as we know distribution simply cannot be far from reality.
Dominic Monaghan shells out the sarcasm and darkness with joy. He is quirky and creepy and has multiple levels of intrigue. As expected I was treated to nothing less than a fantastic performance from him. I would watch him in anything. Sarah Habel‘s performance, on the other hand, leaves much to be desired. Her delivery of the dialogue feels mostly unbelievable. She does progress as the film rolls on, but I would tag her as the weakest of the 3 person cast. Tom Sizemore easily fills out a complex character in both screen presence and performance. He and Monaghan are a wonderful pairing. 
The film’s overall aesthetic is brilliant. It strikes the perfect balance of a small time Bladerunner meets Alien. The holographic CG is stunning against the rusted out, spacious feel of the rest of the sets. Lighting, whether overwhelmingly bright or damn near pitch black elevates the sense of solitude and impending dread. The script is much more complex than it appears to be. You will not know what’s truly unfolding until the very end. You can certainly try and guess, but writers Kevin Burke, Fred Fernandez-Armesto, Adam Gyngell definitely keep you on your toes. You can catch Atomica in select theaters this Friday, the 17th and on VOD and Digital HDMarch 21st.
Presents
Lindsay Gerszt‘s story is not as uncommon as one might think. PPD is not something we talk about enough. This doc does an exceptional job of mixing intimate sit down interviews and actual science behind this mental illness. There are some interviews with mothers who never got the help they needed. As a mom, it is very difficult to hear and to watch. To be honest, I had to step away for a moment because I started to cry. But, it’s important not to ignore. This is truly valuable information. Treatments, from every kind, are discussed. Groups and reach out programs highlighted. It’s a treasure trove of knowledge in about 1 hour and 30 minutes. The film’s impact will stay with me always and I will now become an advocate for this issue, as it doesn’t just affect the mother and child, but everyone connected to them. If someone you know seems like they are struggling, you need to reach out. Most women will not admit how bad things really. Offer help, check in, be a good friend. When The Bough Breaks is available today on iTunes.
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