6 Films to catch at this year’s New Directors New Films Festival

New Directors New Films logo 2015Last year’s fest was a total success in my opinion. I saw some of my favorite films of the entire year there; Buzzard, The Babadook, Fish and Cat, Dear White People, and the #1 film on my Top 10 for 2014, A Girl Walks Home Alone At Night. This year’s selections were just as eclectic in subject and style. Here is my personal list of things to consider at this year’s New Directors New Film Festival.

THE DIARY OF A TEENAGE GIRLDiary of a Teenage Girl 1 Original

Minnie is a 15 year old with a coked out mom and little self esteem. When she takes her childish fantasies to an adult level by sleeping with her mother’s boyfriend, emotional hell breaks loose in form of a tape recorded diary and sketches turned animated thoughts. This film jumps off the screen with a breakout performance from Bel Powley as Minnie. She is funny, insightful, and an apparent old soul, all while still just a kid trying not to lose her shit. The added element of the animation only adds to the wonder of this film. Kristen Wiig plays Minnie’s absent mother. She is a revelation in this role. You know, those rare cinematic moments when you forget who the actor is because you’re so immersed in the performance, that it’s a winner. Alexander Skarsgård is the creepy object of Minnie’s affection. This is not a coming if age tale for our lead, but truly for the adults in the film. The Diary Of A Teenage Girl will remind you of your own sexual awakening. All the awkwardness, the curiosity, and frankly, the lies you were told by everyone around you. Rediscover your own past. Go ahead.

VIOLETVioletJesse has been through a terrible trauma. He is despondent after the murder of his good friend, just feet from him at a local mall. Violet is a look into the world of survivor’s guilt. The camera work alone should get you through the door. Breathtaking closeups coupled with soft focus and exquisite sound editing creates a barrage of sense memory moments for both for Jesse and the audience alike. The uncomfortable silence (dialogue wise) is the key to this film. At a tight 82 minutes run, Violet is about what’s not being said.

WESTERNwesternWestern is a documentary that takes us into the world of small town politics up against very large drug cartel violence in the two bordering towns of Eagle Pass, Texas and Piedras Negras, Mexico. Mayor Chad Foster puts on a brave face as violence escalates and threatens the harmony he’s worked so hard to procure in Eagle Pass. Mayor Jose Manuel Maldonado, tries his best to ease the minds of local constituents and the mass media alike. Local cattle rancher, Martin Wall’s, smile turns hard in the wake of a temporary USDA ban on livestock trade over the border. Each of these men is doing their darnedest to maintain peace, safety and the livelihoods of so many others. Pulling the curtain back on what feels like scenarios that only happen in the movies, is eye opening. You have to remind yourself that these folks are living, breathing people with families and loved ones. This documentary is unusually educational and will certainly restore your faith in humanity.

LISTEN TO ME MARLONLISTEN TO ME MARLON (300dpi)This doc opens up in a jarring fashion. Reminiscent of the floating head at Disneyland’s The Haunted Mansion, there we see and hear the disembodied “Head” and voice of Marlon Brando. Director, Stevan Riley has granted the world the access he gained to mountains of audio tapes made by Brando himself. Some are self hypnosis tapes in which he recalls childhood moments once kept very close to his chest. Through archival footage and Brando’s own voice, we delve into the personal life of the reclusive star. These confessional tapes reveal a side of this legend not many people were privy to. Acting was somewhat of a spiritual outlet. His charisma was endless, as was his passion for sex and affection. Receiving little from his alcoholic parents, Brando‘s ego was lifted by his enormous talent, perhaps too far for the likes of some. Although, as you listen to him speak, you gather that he was a rather astute, observant, reflective man who struggled with real abandonment issues that never truly get resolved for him. Tragedy followed him in his personal life and the genius and attention swallowed him hole at times. Listen To Me Marlon is a gorgeous portrait. When you stop taking notes during a film and just listen, as a critic, that is the moment of pure magic.

GOODNIGHT MOMMYGOODNIGHT MOMMY_Still 2Give a kid an inch, so they say, and they’ll take a mile. Twins Lukas and Elias have been awaiting the return of their mother. She has just completed facial reconstructive surgery. Longing for her love and affection, the boys are thrown into detective mode when Mom returns a different person. Face completely bandaged and rage on the surface, she forces the boys to maintain quiet and changes all the rules. Something clearly amiss, Lukas and Elias must find a way to make her admit who she really is, while facing the changes themselves. Much like last year’s The Babadook, psychological torture is in the cards. Can you stomach the tactics used by children when they don’t fully understand the consequences themselves? Goodnight Mommy will scare the hell out of you and make you squirm like never before.

DOG LADYdog ladyFollowing a woman surrounded by a pack of discarded dogs, this film highlights the off-grid lifestyle to the nth degree. The film’s subject, played flawlessly by co-director Verónica Llinás, chooses to live on the outskirts of Buenos Aires in a what begins as a primitive lean-to, and progresses in sound structure along with the movie itself. We follow our lady through four full seasons as she forages for food and supplies. Her ingenuity is astounding, taking what is essentially trash and making a home for herself. She has absolutely zero dialogue. The sparse dialogue that does exist comes from what little human interaction she allows; taunting children, a clinic doctor, and a brief sexual encounter with a rather verbose rancher. This film is highly engrossing, perhaps causing the viewer to reassess the amount of material objects we carelessly cast aside. Her sense of survival and her clear warm spirit guide this film along it’s year long timeline. There is definitely something to be said about the it’s wide final shot. It will force you to  come to terms with your true feelings of our Dog Lady.

You can find out more about these incredible films, and so many more, at NDNF. The Diary of a Teenage Girl opens tonight! Screenings during the fest take place at MoMa and FSLC.

 

Jeremy’s Review: 2015 Oscar Nominated Shorts – Documentary

US_2015_OSCAR_SHORTS_Web_Poster_1500px_highI am happy to again have a chance to watch and review the Oscar-nominated shorts. Not typically something I watch a lot of, short films such as these are, according to the Academy, the best the world has to offer and there most certainly is an international flavor to them all. In the coming days, I will be rolling out my reviews of those anointed by the Academy as the top five in the following categories: live-action, animated and documentary. The first crop I will tackle is the documentary shorts. Read More →

Liz’s Review: ‘1971’ looks a lot like 2015

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In grade school we all read the George Orwell classic, 1984. “Big Brother Is Watching.” With technology as sophisticated as it is is now, we are not a far cry from constant surveillance, frankly, we’re already there. People still don’t understand that once “it” is on the internet, it’s there forever. And not just the internet, anything connected to a WiFi signal at this point. Our post 9-11 world is one of less freedom and more scrutiny. In 1971, the true story of a small burglary is the catalyst that kicked the FBI in its ass. Read More →

Jeremy’s Review: Mami Sunada’s ‘The Kingdom of Dreams and Madness’ Is an Incredible Look Inside Studio Ghibli and More Specifically How Hayao Miyazaki Creates

kingdom of dreams and madness posterNausicaä of the Valley of the WindCastle in the Sky, My Neighbor Totoro, Kiki’s Delivery Service, Porco Rosso, Princess Mononoke, Spirited Away, Howl’s Moving Castle, Ponyo and The Wind Rises. Recognize these films? Well, if you don’t, they happen to be the canonical Japanese animated films of the last 50 years. What do they all have in common? Well, they were written and directed by the same man, one who can and should only be referred to as a titan of modern cinema. That man is Hayao Miyazaki, founder of the famed Studio Ghibli

Enter to Win a DVD Copy of ‘The Kingdom of Dreams & Madness’

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Jeremy’s Review: Stefan Haupt’s ‘Sagrada’ an Interesting Look at the Building of Gaudí’s La Sagrada Familia and the Contemporary Vision for Its Completion

sagrada_posterHaving never been to Barcelona, I have missed seeing the great bulk of world renowned architect Antoni Gaudí’s work. Ubiquitous as it is in books and photos, it can’t be the same as ever being right in front of it. This clearly extends to La Sagrada Familia, Gaudí’s unfinished cathedral masterpiece, its three façades the telling of the story of Jesus Christ – one depicts the birth, the next the passion, the last the story of his ascendance. Started 132 years, La Sagrada Familia is still undergoing construction and Stefan Haupt gives us not only a historical tour of La Sagrada Familia but a metaphysical one as well.
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Melissa Says: ‘We Are The Giant’ is eye-opening & inspiring

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We Are The Giant. As in, the government is David and the people are Goliath. What I loved most about this documentary was that it never pushed any political agenda, that was just a backdrop to a story about people who are fighting for the right to protest the government. As an American, this is so troubling to me. However, the people are completely inspiring. Showing in New York at Cinema Village. Read More →

Jeremy’s Review: Igal Hecht’s ‘The Sheik’ About Wrestler The Iron Sheik Puts Jabronis in The Camel Clutch

the sheik posterI will admit to being one of the more nostalgic people that I know. Perhaps it is a flaw, but I think it serves a great purpose. While I’m happy to live in the moment, the things that I’m nostalgic for, and reflection upon them, help keep that past as close as possible, which can’t be all bad, right? Especially when we are talking about people like The Iron Sheik, the former WWF bad guy who helped usher in the era of Hulkamania and the golden age of wrestling as entertainment. While many people today only know The Sheik from his exceedingly humorous Twitter feed, his backstory, which Hecht draws out in this film, has remained largely uncovered. The Sheik gives us the whole gamut of the wrestler’s life, up to and including his foray into becoming a social media star. Read More →

Jeremy’s Review: Robert May’s ‘Kids for Cash’ is Heartbreaking, Infuriating and Incredibly Important

kids for cash - posterI’m going to put this bluntly – this film pissed me off, made me incredibly angry. I don’t know how it couldn’t. This isn’t a reaction to the technical merits of the film, which are quite well presented, nor is it the narrative focus itself. This is a story that needed to be told. The fact that what happened in this movie happened at all is what angers me. The abuse of power that is so prevalent in the world today – taking advantage of others so that a select group of already well-off people can get more – turns my stomach. Robert May‘s Kids for Cash details one of these scenarios and it is heartbreaking. Read More →

Jeremy’s Review: Anthony Powell’s ‘Antarctica: A Year on Ice’ Gives Us a First Person View at Life During Winter on the Loneliest Continent

antarctica_a_year_on_ice posterI have always found Antarctica to be a profoundly interesting place. From the fact that it (or the Atacama Desert in Perru, depending on the source) has the driest place on earth (the Dry Valleys), that it’s the home of five breeding species of penguins or that it has just two season, winter and summer in which winter has 24 hours of dark for 6 straight months and summer has 24 hours of daylight for the other six months. Couple that with the harshest landscape and weather on earth, one might ask why in the hell does anyone ever go there. That’s precisely what Anthony Powell does in his fantastic documentary Antarctica: A Year on Ice. Read More →

Melissa’s Movie of the Day: ‘The Thin Blue Line’ on Netflix Instant

I started watching The Thin Blue Line a few days ago but only got through the first 15 minutes before having to turn it off. There was no particular reason, I just wanted to finally watch it, as I’ve heard of it for years. I knew it was an Errol Morris documentary. That’s it. This morning I went back to continue and decided to just start from the beginning. As I watched the men describe the events, a date flashed on the screen in which the tragedy took place: November 29, 1976. Thirty-eight years ago to the day. Read More →

Jeremy’s Review: ‘Touch the Wall’ Is an Awe-Inspiring Profile of Swimmers Kara Lynn Joyce and Missy Franklin Run at the 2012 Olympics + Interview with Kara Lynn Joyce & Directors Grant Barbeito and Christo Brock

Passing the torch. Rise and fall. Student bests teacher. All of these are oft repeated themes in films, especially in sports films from He Got Game to Hoop Dreams to Bull Durham. Sometimes these themes bring out the best in people, other times they bring out the worst. In a cutthroat world like sports, where ego, money and self-promotion usually trump all, it’s rare to see a film of any kind run counter to these notions. But in Grant Barbeito & Christo Brock‘s documentary Touch the Wall, we see the best of the relationship between two athletes, Olympic swimmers Kara Lynn Joyce and Missy Franklin, who are at opposite ends of their career spectrum – one a champion trying to hold on and the other a phenom up and comer trying to make her mark. What unfolds over the multiple year filming is heartfelt, emotional and really a triumphant journey of these two women who, in and out of the pool, exemplify how best to deal with adversity, fame, victory and defeat. Read More →

Jeremy’s Review: Frederick Wiseman’s ‘National Gallery’ a Brilliant Follow-Up to ‘At Berkeley’

national gallery posterIf you’ve never seen one of Frederick Wiseman‘s many documentaries (I think the total rests somewhere near 40 now), watching National Gallery, his latest opus, might throw you off. He has been called a filmmaker who works in observational cinema or cinema verité, although he detests the term, but it’s easy to see why some people may call it so. Unlike most documentaries these days, Wiseman never veers into Errol Morris territory, meaning that he doesn’t interview the subjects present in his films. He captures them as they are in real time doing what they do. There are no interviews, no “talking heads” and no clever witticisms spoken directly into the camera and this takes getting used to. But it works, this technique. It allows us as the viewer to participate, something that many documentaries can’t do as they are too busy addressing us with a certain (biased?) viewpoint. We get none of that here. We, like the patrons and staff of the National Gallery in London, are free to move around in the space and address what it is that we want while taking in what Wiseman has shot. Read More →

Jeremy’s Review: Aoife Kelleher’s ‘One Million Dubliners’ an Absolutely Touching Portrait of Ireland’s Glasnevin Cemetery

OMD Portrait 2 1800pxIn the opening sequence of Aoife Kelleher‘s One Million Dubliners a funeral is being set and there is an incredibly pertinent quote from James Joyce‘s Ulysses: “In the midst of death, we are in life,” which is a careful reminder to us that even though we are inching closer to death with each day, there is still life to be lived. While pertinent, it may not make much sense to us in the beginning of the film as we allow ourselves to be taken on the journey that Kelleher takes us on in chronicling the history, the energy, the pulse of Glasnevin Cemetery in Dublin, Ireland. Read More →

Liz’s Review: The Blu-Ray and DVD release of ‘Alive Inside’- Proof that music is a magic medicine

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Music is life’s breath. When you attend a concert, there a thousands of people from different backgrounds, races, religions, ages, what have you. Everyone has one thing in common; they are all connecting to the music. In the emotionally charged and viscerally compelling documentary ALIVE INSIDE, is finally coming to Blu-Ray and DVD. Minutes into this film you will realize why I say what I do. Just for an example, check out the clip from the movie that got the world talking. Rest of the world; May I introduce Henry and ALIVE INSIDE. Read More →

Jeremy’s Review: Doug Pray’s Documentary ‘Levitated Mass’ About Artist Michael Heizer’s Installation/Sculpture Is Astonishing

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A rock. A very large rock. That is ostensibly what Doug Pray‘s Levitated Mass is about. While that may not seem like a subject of interest, it’s the context in which the rock is taken that makes this film, and the rock, so interesting. A little background to clarify – since the 1960s, artist/sculptor Michael Heizer has been working in large-scale earth art (like Andy Goldsworthy who may be more a household name than Heizer) that is too big to be contained within the traditional confines of an art gallery or museum. Since 1969 he had planned a piece, the titular Levitated Mass – a gigantic rock suspended on concrete rails that allows viewers to walk in a trench under the massive stone, the work, according the the LACMA website where the project now sits, “speaks to the expanse of art history, from ancient traditions of creating artworks from megalithic stone, to modern forms of abstract geometries and cutting-edge feats of engineering.” After a failed attempt, Heizer put the project on hold until a suitable stone could once again be found. Read More →

DOC NYC: November 13-20 – ‘Citizen FOUR’ – ‘Banksy Does New York’ – ‘Do I Sound Gay?’ – ‘Finding Vivian Maier’ – Newly Restored ‘Hoop Dreams’

DOCNYC-Poster-FINALTickets:
Tickets for all screenings are on sale now. Advance tickets for all DOC NYC films and events are available online at docnyc.net or in-person at the IFC Center box office, 323 Sixth Ave. (at West 3rd St.). Day-of tickets are available at the respective screening venues.
Ticket prices: Opening night screening of Do I Sound Gay? – $30. Closing Night screening of The Yes Men Are Revolting – $25. Regular screenings – $17 adults, $15 seniors/children, $14 IFC Center members. Doc-A-Thon Panels and Masterclasses – $12 adults, $10 seniors, $9 IFC Center members and students. Read More →

Jeremy’s Review: Ian McDonald’s ‘Algorithms’ Falls Victim to the Budapest Gambit

algorithms_posterWhat is the Budapest Gambit, you ask? Well, it’s a chess opening that apparently was able to draw top players into making mistakes only to lose the game. I think it’s an apt appraisal of Ian McDonald‘s Algorithms, a film about chess following three young players from India, which just so happens to be the birthplace of chess, as they vie for prominence in their home country and for a world championship. The catch with these young men is that they are all blind or are partially sighted. Picture that if you can. Chess, a game where there are 318,979,564,000 possible plays in the first four moves, being played by blind players. While these players can certainly be aided by technology that blind players in the past did not have access to, the undertaking is immense. Much is the task that McDonald undertakes in the documentation about three junior players. Read More →

Heartland Film Festival 2014 Jeremy’s Review: ‘Off the Floor’ Is a Well-Constructed and Incredibly Engaging Documentary About Contemporary Pole Dancing

off the floor - posterWhen the film opens, we see Jessica Anderson-Gwin, founder of Jagged, a contemporary pole dance company that’s the first of its kind,  frustrated as she tries to find a venue that will allow her company to use its space for an upcoming performance. The frustration is palpable as so many of the people she talks to confuse what they do with stripping and refuse to host them. This is what Jessica is up against in Matt & Katie Celia‘s spectacular documentary Off the Floor. Read More →

NYFF52- Liz’s Review: ‘Merchants of Doubt’ is a Fact-Checking Fangirl’s Dream

nyff New York Film Festival 2014Merchants1Director Robby Kenner (Food, Inc.) brings us an eye opening documentary on the sleight of hand of the rich and on the right in terms of media manipulation. Often, we wonder why folks vote against their best interest and don’t even know it. Some of the “why” has to do with highly paid “con artists”; lobbyists and spin doctors hired by people like the Koch Brothers, big tobacco, and climate change deniers. Despite actual scientific evidence, much of America is somehow under the impression that human beings are not the cause of climate change. While baffling to half of the country, these people are being spoon-fed talking points that are created by some very talented characters. Read More →

NYFF52 Liz’s Review: ‘Seymour: An Introduction’ is a master class on life

nyff New York Film Festival 2014

It should come as no surprise to anyone that I went to a performing arts conservatory for my college experience. Not to burst readers’ bubbles, but I am pretty sure I have never been described as shy or ambiguous in my opinions. However, it wasn’t until a 2nd semester Voice Production and Speech class in which I got up in front of my ridiculously talented classmates and admitted that I have an oftentimes crippling case of stage fright. No one knew. I guess I hide it well. That being said, it has been the bane of my existence as performer for as long as I can remember. Seeing one of this year’s NYFF 52 Spotlight on Documentary selections hit very close to home. I present my thoughts on ‘Seymour: An Introduction.”

seymour-Concert-2 nyff52 Read More →