Fantasia International Film Festival review: ‘CAM’ flips subject and voyeur.

Cam is unique for so many reasons. First, it’s a genre-bending menagerie. You think you know what you’re in for with a sex worker vying to be in the top ten of her live sex show site. But the script is flipped several times and in completely unexpected ways each time. It’s difficult to categorize Cam and I do mean this as a compliment. It seesaws from horror to thriller and swings into surreal territory all while keeping the audience in the dark until the very end. Rarely do we see sex workers treated as human beings, but in Cam, there is a sense of empowerment attached to the storyline. Even if the final product isn’t what our leading lady intended. While that empowerment aspect is strong they certainly do not gloss over the shame that can accompany this chosen occupation. Screenwriter Isa Mazzei brings a brilliant insight due to the fact that she had been an actual camgirl in the past. This female-centric film has great practical effects and clever visuals. Lead actress, Madeline Brewer, has the massive task of being more than two distinct characters and to explain further would ruin the plot. Brewer knocks it out of the park here. Her talent is undeniable. I will say that the commentary on social media and immediate gratification it can produce is front and center. The final scene renders the plot unapologetic. Cam is an all around good trip.

Fantasia International Film Fest 2018 ends tonight. But we’ll keep you updated on release dates for all the films that screened this year.

About Liz Whittemore

Liz grew up in northern Connecticut and was memorizing movie dialogue from Shirley Temple to A Nightmare on Elm Street at a very early age. She will watch just about any film all the way through (no matter how bad) just to prove a point. A loyal New Englander, a lover of Hollywood, and true inhabitant of The Big Apple.

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