Tag Archives: tribeca 2022

DIRECTOR

Floor van der Meulen

PRODUCER

Derk-Jan Warrink, Koji Nelissen

SCREENWRITER

Bastiaan Kroeger

CINEMATOGRAPHER

Emo Weemhoff NSC

EDITOR

Mieneke Kramer

CAST

Julia Akkermans, Johan Leysen, Eelco Smits, Anniek Pheifer, Sinem Kavus

Tribeca Film Festival 2022 review: ‘An Act Of Worship’ is required viewing.

Posted on June 16, 2022 by Liz Whittemore — Leave a reply

An Act Of Worship

Reenactments, sit-down interviews, home videos, photos, and intimate storytelling, Tribeca 2022 feature documentary An Act Of Worship highlights the continued pain and persecution of Muslims in America. Thirty years of pivotal historical trauma shape the community, as told through three female activists and those around them.

The doc addresses the highs and lows through the lens of personal identity from Oklahoma City to the election of President Obama. His presidency felt like a bait and switch. Then came Trump, and we’re all still reeling from that atrocity.

The continued trauma permeates everyone who practices Islam. The film does not shy away from the implicit bias we’ve come to acknowledge only recently. It addresses racism head-on with honesty. Imagine if the NYPD monitored Christian charities, households, and churches the same way they harass Muslims. White people would lose their minds.

Hearing the emotional impact on Muslims is undeniably powerful. Listening to these vibrant and hopeful young people alongside their parents is enlightening. These are the stories we must hear in order to connect new generations and old generations.

I attended Catholic school from first to eighth grade. I am now an agnostic because of this. But, I distinctly remember my father encouraging me to explore other religions if I felt I needed to. I firmly believe that students in the United States should learn about every religion, its origins, and its belief structure to quell fear based on ignorance or propaganda. Multicultural panels and open discussions are imperative to understand that we’re more alike than different, as cliche as it sounds. An Act Of Worship is undeniably a beautiful and important conversation starter. We need more films like this.

Running Time: 83 Minutes

Language: English, Arabic Country: USA

Sat June 18 – 5:45 PM

DIRECTOR

Nausheen Dadabhoy

PRODUCER

Sofian Khan, Kristi Jacobson, Heba Elorbany

CINEMATOGRAPHER

Nausheen Dadabhoy

COMPOSER

Mary Kouyoumdjian

EDITOR

Ben Garchar

Tribeca Film Festival 2022 review: Peter Dinklage tackles real estate and relationships in ‘American Dreamer’

Posted on June 16, 2022 by Liz Whittemore — Leave a reply

AMERICAN DREAMER

There’s something about Peter Dinklage that makes him a brilliant leading man. Tribeca 2022 film American Dreamer is another example of his ability to captivate on screen. In Paul Dektor‘s feature directorial debut, Dinklage plays adjunct social economics professor and lecturer Dr. Phil Loder. As he speaks eloquently to his students, we witness a sly Indian Jones hommage from the front row. Perusing real estate porn, as so many of us do regularly, Phil is serious about finding his slice of heaven and stability in his career. Chasing tenure and respect, he stumbles across a deal in the classifieds that seems too good to be true. With the assistance of his smarmy real estate agent, played to perfection by Matt Dillon, Phil purchases an enormous estate. But there is a catch. His contract contains a “live-in” clause for the previous owner.

Phil has sold his soul to a woman named Astrid. Thought to be on her deathbed, unpredictable circumstances lead Phil to hire a private detective (Danny Glover) while navigating a complicated relationship with Astrid and her skeptical daughter Maggie. The script dives into the mythic “American Dream” and what that means to each of us. Screenwriter Theodore Melfi allows MacLaine and Dinklage to do their proverbial thing. I was hypnotized by the ease of their scenes together.

Shirley MacLaine brings her truest form with sass and spitfire. Her ability to make you smirk and piss you off is a gift. She’s a legend, and Dinklage keeps pace at every turn. Peter Dinklage has mastered the art of charming his costars and the audience. After watching him in Cyrano, his sex symbol status became solidified. In American Dreamer, Melfi and Dektor allow him to woo in only the way Peter can woo. Picturing him as a man that constantly has women in the palm of his hand is sheer perfection. His comic timing is unmatched. The magic permeates throughout his fully fleshed-out portrayal of a flawed man.

American Dreamer wins with a great score and soundtrack, stunning locations, funny fantasy sequences, and some clever transitions in the form of novel chapters. I had no idea where this plot was going, and damnit, that’s rare. It is easy to say that it is one of my Top 3 films from the festival this year. I cannot wait for larger audiences to experience this beguiling comedy when it inevitably gets distributed. You’re gonna love it.

Now in theaters!

Fri June 17 – 3:00 PM

DIRECTOR

Paul Dektor

PRODUCERS

Toyo Shimano, Emily Shimano, Theodore Melfi, Kimberly Quinn, Peter Dinklage, David Ginsberg, Paul Dektor

SCREENWRITER

Theodore Melfi

CINEMATOGRAPHER

Nicolas Bolduc

EDITOR

Lisa Robison

COMPOSER

Jeff Russo

EXECUTIVE PRODUCER

Kevin Root

ASSOCIATE PRODUCERS

Trisha Wilson, Dylan Collingwood

CAST

Peter Dinklage, Shirley MacLaine, Matt Dillon, Danny Glover, Kimberly Quinn, Danny Pudi, Michelle Mylett

For all things Tribeca Film Festival, click here!

Tribeca Film Festival 2022 review: ‘The Integrity of Joseph Chambers’ sparks conversation about machismo and firearms.

Posted on June 14, 2022 by Sam Kronish — Leave a reply

The Integrity of Joseph Chambers

I’ve only shot a gun once in my life. I’ll remember it forever. It was 2008, a hot summer day in Idaho. We were on one of those aimless teenage road trips, far from San Francisco and still without any real responsibilities, so when one of our group had a local friend who was willing to take us shooting – well, then hey, why not?! I remember the giddy feeling as we drove out to a dusty side road, and that the pistol I picked up had the Punisher logo carved onto the grip. I couldn’t quite make out the targets we were to aim for, so I gestured with the pistol, seeking confirmation. Suddenly, the fingers of this local friend were clamped vice-like on my wrist, his voice like fire in my ear. “Don’t point. Not a toy.” That giddy feeling? Gone.

This teenage memory caused me to sympathize deeply with The Integrity of Joseph Chambers, which also centers on a goofy man who is both overwhelmed and armed with a deadly weapon. Joe (Clayne Crawford) is an insurance salesman who envisions himself as a survivalist. He leaves his wife and children at dawn to hunt deer. Time to bring home the bacon (or, well, venison.)

The problem is, the emperor has no clothes. Joe is a total fraud. He is basically performing the character of a hunter – shaving his beard into a macho mustache, dressing up in an outfit straight out of a hunting catalog, and trading his shiny BMW in for a mud-flecked truck. The fact that Joe is also hunting on a friend’s private land only adds to the charade. He uses his rifle as a makeshift machete to clear a path through the underbrush. We are not surprised when things go wrong.

Despite what might seem like low stakes, I’m happy to report that The Integrity of Joseph Chambers is one creepy movie! Cinematographer Oscar Ignacio Jiménez and sound designer Peter Albrechtsen deserve tremendous credit for creating this uncomfortable atmosphere, and for sustaining it during the long middle stretch of the film where Crawford is the only human onscreen.

This is the second collaboration between Clayne Crawford and director Robert Machoian (following 2020’s The Killing of Two Lovers.) That collaborative familiarity provides the foundation for a wonderful Clayne Crawford performance. Joe is alone most of the film; the supporting characters are mostly thin after-thoughts. Crawford shines conveying his inner desires and struggles. I loved how deliberate he was with his movements, and the way he ensures Joe often serves as a visual gag against the background of the woods. We manage to learn a lot about Joe despite not knowing him very well by the end of the film.

It is impossible to consider The Integrity of Joseph Chambers without acknowledging the national tragedies and anxieties surrounding the topic of gun control. Here we are presented with a family man whose life is twisted in knots over the course of a single day. Surely, it is not the fault of his rifle? This is not an anti-gun film, but it speaks loudly regarding the power these weapons hold over the male psyche.

DIRECTOR

Robert Machoian

PRODUCER

Clayne Crawford, Kiki Crawford, Robert Machoian

SCREENWRITER

Robert Machoian

CINEMATOGRAPHER

Oscar Ignacio Jiménez

EDITOR

Yvette M. Amirian, ACE

COMPOSER

William Ryan Fritch

EXECUTIVE PRODUCER

Bo Clancey, Zareh Amirian, John Foss, Kris Towns, Sara Towns, Nancie Plaia, Sammy Plaia

CO-PRODUCER

Laura Heberton

CAST

Clayne Crawford, Jordana Brewster, Jeffrey Dean Morgan

Available Starting

Sat June 11 – 6:00 PM

Village East by Angelika: Theater 5

Fri June 17 – 5:00 PM

Tribeca Film Festival 2022 review: ‘LIFT’ is an education and a celebration.

Posted on June 13, 2022 by Liz Whittemore — Leave a reply

LIFT

Director David Petersen takes audiences on a journey that spans ten years. In his documentary LIFT, he tells the world about the brilliant and titular program here in New York City that revolves around the art of dance. “New York Theatre Ballet’s LIFT Community Service Program provides scholarships for talented at-risk and underserved children at the School of NYTB, as well as programs that champion dance for the greater good.” Housing insecure youth have the opportunity to break free from the circumstances they cannot control. Steven Melendez once lived in a shelter. As a professional dancer and former student of the program, he returns to introduce ballet to other housing insecure children. The discipline and structure that comes along with ballet transcend the stage. It is vital for kids in school or home environments that would otherwise make them victims of socioeconomic circumstances. The purpose of LIFT is to provide a safe place for them to learn and grow. It is a beautiful safety net, but they have to be willing to commit. These kids have so many obstacles in their paths, and Steven does everything he can to push past his own trauma to better the lives of kids just like him.The documentary follows a small group of kids that Steven nurtured over ten years of ballet. Tough love is necessary as these kids get into trouble. Steven does not have time to mince words. It is the honesty they need to survive and a place to put all their unbridled emotions. The culmination of the film arrives with one special performance. Steven creates a new piece of choreography based on his experiences and those of his handpicked students, and my god, it is a revelatory dance. This choreography is therapy. This choreography is healing. This choreography is lifesaving. Steven knows it, and as the credits roll on LIFT, Tribeca 2022 audiences will know it, too.

Available Starting

Tue June 14 – 6:00 PM

Village East by Angelika: Theater 5

Only available in New York state

Wed June 15 – 5:15 PM

Sat June 18 – 11:30 AM

Cinépolis: Theater 4

Sun June 19 – 5:30 PM

Cinépolis: Theater 4

https://www.tribecafilm.com/films/my-love-affair-with-marriage-2022

BUY NOW

DIRECTOR

David Petersen

PRODUCER

Mary Recine, David Petersen

CINEMATOGRAPHER

Gary Griffin, Alan Jacobsen, David Petersen

COMPOSER

Kathryn Bostic

EDITOR

M. Watanabe Milmore, David Petersen

EXECUTIVE PRODUCER

Jody Allen, Sam Pollard, Jannat Gargi, Ruth Johnson, Rocky Collins

ASSOCIATE PRODUCER

Laura Pilloni

CO-PRODUCER

Martha Southgate, Laura Pilloni

PRINCIPAL ADVISOR

Misty Copeland

ADVISOR

Lourdes Lopez, Wendall Harrington, David Lansky, Nan Roman

CAST

Steven Melendez, Diana Byer, Victor Abreu, Yolanssie Cardona, Sharia Blockwood

Tribeca Film Festival 2022 review: ‘My Love Affair With Marriage’ is an animated handbook to the complexities of female existence.

Posted on June 13, 2022 by Liz Whittemore — 1 Comment ↓

My Love Affair With Marriage

From an early age, songs and fairytales convinced Zelma that Love would solve all her problems as long as she abided by societal expectations of how a girl should act. But as she grew older something didn’t seem right with the concept of love: the more she tried to conform, the more her body resisted. A story about the acceptance of the inner female rebellion.

A musical evolution of one girl’s journey into womanhood, navigating every cliché influence thrown at her from birth. 2D and stop motion animation illustrate Zelma’s life and thoughts. The film charms you with a mix of science and storytelling. Zelma narrates her journey like diary entries performed at a read-aloud. They are honest, funny, and universally relatable. Viewers will grin from ear to ear and nod knowingly. “Biology” explains how Zelma’s chemistry simultaneously affects her actions and reactions.

The musical numbers are snappy and frequent. The lyrics allow those clichés to become confessions of the ridiculous patriarchal structures. They are predominantly performed by three women, akin to muses, following Zelma through life. The nonsensical expectations of society, combined with the hardwiring of a woman’s brain, create an incredible insight into our behavior.

I am a big fan of Signe Baumane‘s film Rocks In My Pockets. I was delighted to see My Love Affair With Marriage on Tribeca 2022 slate. This film is something special. It’s unafraid to reveal our innermost thoughts, fears, hopes, regrets, mistakes, and dreams. It celebrates unfiltered authenticity with clever writing and delightful visuals. It’s an outstanding feminist film that will undoubtedly win over audiences everywhere.

RT: 107 minutes

Sunday, 06/19/2022, 4:00 PM at VEC-05 – 3rd Screening

Director & Screenwriter: Signe Baumane

Cast: Dagmara Domicnik (“Succession,” “We Are The City”), Matthew Modine (“Stranger Things”), Emma Kenney (“Shameless,” “The Conners”), Cameron Monagha (“Shameless”) and Stephen Lang (Avatar 1-4)

Producers: Roberts Vinovskis, Sturgis Warner, Signe Baumane, Raoul Nadalet

Executive Producers: Matthew Modine, Adam Rackoff, John Jencks

Tribeca 2022 review: Sex sells in new documentary ‘All Man: The International Male Story,’ how one “It” catalog introduced lifestyle branding for men.

Posted on June 12, 2022 by Liz Whittemore — Leave a reply

ALL MAN: THE INTERNATIONAL MALE STORY

More than outrageous fashions, hunky models, and scandalous undies, ALL MAN: THE INTERNATIONAL MALE STORY is a journey across three decades of the International Male catalog’s lasting impact on fashion, masculinity, and gay rights. With revenues at its peak of $120 million and circulation of over 3 million, the catalog successfully appealed to both gay and straight audiences, and helped transform conservative notions of American masculinity towards a more carefree, cosmopolitan, and confident expression. Written and produced by Emmy and Peabody Award-winning filmmaker Peter Jones and narrated by Matt Bomer (MAGIC MIKE, THE BOYS IN THE BAND, etc…), ALL MAN is a character-driven portrait of a band of outsiders who changed the way men looked and how the world looked at them. This is their story – a modern-day fairy tale that really did come true.

The impact of men’s fashion takes center stage in Tribeca 2022 doc ALL MAN: THE INTERNATIONAL MALE STORY. One innovative catalog gave men the freedom to be themselves. Its global and cultural influence spans generations like no other men’s fashion publication. In building International Male, Gene Burkard’s emphasis wasn’t on sex, even if the catalog featured chiseled men in high fashion, as sex sells and there are many products like the top-notch anal vibrator and others. He and his creative team broke the mold of selling menswear while pushing a lifestyle brand. In the same way men ogle Victoria’s Secret, International Male became a household object to covet for innumerable reasons.

Matt Bomer‘s narration adds a brilliant touch of nostalgia in a way that is hard to describe until you experience it for yourself. The film uses archival footage and photography, sit-down interviews, and creative transitional animation. The catalog was bright, smart, sexy, and gave men something to aspire to be. It challenged the idea of masculinity with its European-inspired fashion and copy, written by Gene. He was meticulous in his work ethic, taking customer feedback and recognizing that 75% of their shoppers were women. Watching the images from the catalogs made me want to order (almost) every single article of clothing for my husband. Gene clearly understood the broad appeal. If International Male existed today, I’d be begging them to take my money.

Everything shifted for International Male once the AIDS epidemic touched the employees and the world. Gene sold the catalog, and the new creative directors were more hesitant to hire queer staff, in fact, firing a huge percentage of them. In the 90s, the positive changes came in the form of more models of color. But with the loss of gay buyers and department stores filled with men’s retail, International Male was no longer a cash cow. But it’s easy to see how the catalog catapulted our current influencers in pop culture with the freedom to express themselves on a gender spectrum now celebrated across the globe. So, thank you, International Male. You made a difference while allowing us to drool.

Written and Produced by
Peter Jones
Directed and Produced by
Bryan Darling
Jesse Finley Reed
Executive Producer
Peter Jones

World Premiere: June 12 2022, 8:30pm (ET) at
Village East Cinema
Run Time: 83 minutes
Rating: Not Rated
Language: English

Tribeca Film Festival 2022 review: ‘CHERRY’ slides by with authenticity.

Posted on June 12, 2022 by Liz Whittemore — Leave a reply

CHERRY

Stunted adult Cherry discovers she’s pregnant and has 24 hours to decide whether or not to go through with an abortion. The film counts down the day one hour at a time while she encounters all the people in her life; bosses, coworkers, doctors, her boyfriend, and her family. Cherry is a master of bad decisions. Now, it’s time to grow up.

Alex Trewhitt brings flighty and raw energy to the titular role. She’s comfortable in her skin, and the camera loves her. Her nonchalance compels you to invest in Cherry’s wellbeing, whether because you’re disappointed in her or because you relate. Trewhitt leans into Cherry’s flaws, embodying the coming-of-age spirit of the film.

The handheld camera work works perfectly for this anxiety-ridden, real-time storytelling. The momentum seems to lull about halfway in, particularly when Cherry arrives home. But, writer-director Sophie Galibert, who co-writes with Arthur Cohen, has a clear vision of the weight of such a decision. I would gladly see what she has up her sleeve next. If you put the film into personal context to realize where you were at 25, Cherry nails it with a messy authenticity. Did Cherry make me want to buy a new set of rollerskates at 42 years old? Absolutely.

To find out more about Tribeca 2022 and how to watch CHERRY, click here!

DIRECTOR

Sophie Galibert

PRODUCER

Sophie Galibert, Shincy Lu, Philippe Gompel

SCREENWRITER

Sophie Galibert, Arthur Cohen

EXECUTIVE PRODUCERS

Sophie Galibert, Matthew Michel, Jacqueline Garcia Ortega

CINEMATOGRAPHER

Damien Steck

COMPOSER

Clémentine Charuel

EDITOR

Camille Delprat

ASSOCIATE PRODUCER

Alexander Akoka, Clara Sansarricq, Arthur Cohen

CO-PRODUCER

Cameron Holly Dexter

COLORIST

Lionel Kopp

CASTING DIRECTOR

Jasmine Gutierrez

PRODUCTION DESIGNER

Yuelin Zhao

COSTUME DESIGNER

Gigi Harding

MUSIC SUPERVISOR

Roxanne Oldham

CAST

Alex Trewhitt, Joe Sachem, Dan Schultz, Sandy Duarte, Alice Bang, Hannah Alline, Melinda DeKay, Angela Nicholas, Charlie S. Jensen, Darius Levanté

Tribeca Film Festival 2022 review: ‘Butterfly In The Sky’ is a warm hug of nostalgia.

Posted on June 12, 2022 by Liz Whittemore — 1 Comment ↓

BUTTERFLY IN THE SKY

Like toddlers and the Cocomelon theme song, the iconic and space-aged first notes of Reading Rainbow had me running around a corner with eyes wide in anticipation of LeVar Burton telling me about a new book my Mom needed to find me at the library. With a wink and a promise, a group of former educators, a young producing couple, and a newly minted TV star would change the relationship between children and reading.

When LeVar Burton became a household name following the breakout success of ROOTS, no one would have guessed that his second job, a PBS television show, would have had such an enduring impact on education. Pairing television and reading into a series seemed a daunting, if not impossible, task. But there was something about Burton’s ability to connect with children through the screen. Having kids do book reviews alongside the onsite exploration of story-related subjects engaged viewers in a way that made them feel they were along for the journey.

Representation was key. With the rotating cast of diverse child reviewers and seeing a loving and tender black man as the host, kids at home garnered self-esteem that they perhaps had not felt before. The film interviews Burton, the creators, and now adult viewers. We learn how the books were selected and how that iconic theme song came to fruition. Reading Rainbow will live in the memories of innumerable individuals. Butterfly In The Sky has the potential to light new sparks of fire for young and old readers alike. It’s a nostalgic warm hug and a brilliant highlight in Tribeca 2022.

To find out more about Tribeca and Butterfly In The Sky, click here!

DIRECTOR

Bradford Thomason, Brett Whitcomb

PRODUCER

Bryan Storkel, Bradford Thomason, Brett Whitcomb

CINEMATOGRAPHER

Tony Hardmon, Brett Whitcomb

EDITOR

Bradford Thomason

EXECUTIVE PRODUCER

Whoopi Goldberg, Tom Leonardis, Bryn Mooser, Justin Lacob, Kathryn Everett, Tony Hsieh, Andy Hsieh, John Brooks Pounders, Dava Whisenant

Tribeca Film Festival 2022 review: Travis Stevens’ latest genre fare ‘A Wounded Fawn’ is… different.

Posted on June 12, 2022 by Liz Whittemore — Leave a reply

A WOUNDED FAWN

I must admit that I might be one of the biggest Travis Stevens fans. His aesthetic gets me every time. The boundary-pushing in sound editing, practical FX, and color saturation are things of beauty. The man knows how to write iconic feminist leads. Understanding how much I love Girl On The Third Floor and Jakob’s Wife is paramount. His latest film premiering at Tribeca 2022 is called A Wounded Fawn, and it pains me to say it confounds me. Let me explain.

The first half, or Act One, as indicated by a dramatic and beautiful bright red title card, is classic throwback magic, dirt filter included. Going into the film, we understand the setup. Bruce is a suave art dealer who invites gallery curator Meredith away for the weekend at his secluded cabin. From the second scene, we know that Bruce is also a serial killer, and poor Meredith is about to be added to his “special” collection. The opening of the film features a specific sculpture of Greek mythology. That piece will come to haunt our characters in a very literal way.

First, let’s talk about the best parts of the film; the performances. Sarah Lind (Jakob’s Wife) and Josh Ruben knock it out of the park. Lind navigates the cringe and slyly aggressive overtures of Ruben’s Bruce. She walks an incredible line between submissive and badass. Her fight or flight instincts will have you yelling at the screen. Ruben, whose film Werewolves Within is one of my favorites from last year’s Tribeca Film Festival, owns this role. He’s creepy as fuck. There’s no other way to describe his nature. Bruce is peak Stevens’ calling card. Ruben doesn’t play the over-the-top premise for laughs but lives in the madness. I sat through the credits and relished in his endurance of that take. When you see it, you’ll understand what I mean.

Now, let’s discuss Act Two. I found myself confused during this act. I thought maybe I was missing something, or it was over my head somehow. But, no, it’s meant to be a Greek tragedy akin to Agamemnon or Hippolytus. The film is such a departure from Stevens’ first two films that it’s hard to believe they’re by the same person. Can I respect that he’s trying something new? Yes. Did I love the dozen or so specific visuals in red? Absolutely. Was the hyper-augmented sound editing fucking stellar. You’re goddamn right. The payoff of the final laugh-out-loud line of dialogue wasn’t enough to make up for the second half of the film. A Wounded Fawn most definitely lives up to its Midnight section category. It’s the type of film you’d find in the late 70s at a theatre that exclusively shows cult films in the wee hours of the morning. Yet, here I am, needing to talk about the film ad nauseum. For that reason, Travis Stevens has, sort of, done it again.

The find out more about Tribeca Film Festival 2022 click here!

DIRECTOR

Travis Stevens

PRODUCER

Joe Barbagallo, Laurence Gendron, Travis Stevens

SCREENWRITER

Travis Stevens, Nathan Faudree

CINEMATOGRAPHER

Ksusha Genenfeld

EDITOR

Zach Clark, Travis Stevens

COMPOSER

Vaaal

EXECUTIVE PRODUCER

Melissa Rossaki, Emily Gotto

CO-PRODUCER

Jonathan Hsu

US DISTRIBUTOR

Shudder

CAST

Josh Ruben, Sarah Lind, Malin Barr, Katie Kuang, Laksmi Hedemark, Tanya Everett, Marshall Taylor Thurman, Leandro Taub, and Neal Mayer

Tribeca 2022 review: ‘FAMILY DINNER’ is a recipe for disaster, and that’s what makes it delicious.

Posted on June 10, 2022 by Liz Whittemore — Leave a reply

FAMILY DINNER

One of Tribeca 2022 Midnight selections features the sickest fad diet you could ever imagine. When Simi joins her famous nutritionist aunt for the Easter holiday, the tension in the house boils over almost immediately. Simi, an overweight 15-year-old girl, seeks approval and guidance, but things do not go according to plan. Family Dinner is a film that slowly and deliberately crawls under your skin.

Michael Pink creates a lecherous character arc for Stefan. His presence made me shudder with each appearance. Alexander Sladek gives relentless nuance to the role of Filipp. Displaying all the characteristics of a serial killer, what lies beneath the surface is even more disturbing. Sladek is unnerving.

Pia Hierzegger plays Auntie Claudia with an energy that is powerful and scary. The head of the household in every way possible, Hierzegger is astounding. Nina Katlein is spectacular as Simi. Despite every red flag, the bravery in Katliein’s eyes is shocking. Writer-director Peter Hengl’s script allows Simi to be a feminist icon.

The complexity of this script kept me guessing from beginning to end. Just when I thought I’d figured out what was going on, another twist. Much like in the films A Banquet and Honeydew, the preparation and consumption of food become weaponized. The infantilization between mother and son sent shivers down my spine. It is an added layer that compounded my unending distress. If you follow the proverbial breadcrumbs, the finale feels like a natural endpoint to a series of microaggressions that become exponentially more horrendous. Family Dinner had my heart in my throat with bona fide fear. Tribeca audiences are in for a frightful treat.

For more information on Family Dinner and the full Tribeca 2022 experience, click here:

https://tribecafilm.com/films/family-dinner-2022

Tribeca Film Festival 2022 review: Lighthearted comedy ‘Four Samosas’ mashes up Wes Anderson and heist films.

Posted on June 10, 2022 by Sam Kronish — Leave a reply

FOUR SAMOSAS

The first hour of Ravi Kapoor’s Four Samosas is a cheerful, gorgeous delight. The film follows 4 wayward teens across a few days in Artesia, California. Vinny (Venk Potula), an unmotivated amateur rapper going nowhere fast, is the de-facto leader and protagonist. When his ex-girlfriend, Rina, becomes engaged to his greatest rival (a game, but over the top Karan Soni), Vinny decides to spring into action. Unfortunately, his brilliant plan is to steal Rina’s wedding diamonds from her father’s grocery store, reasoning that the loss of dowry would dissolve the engagement (great plan, no notes!) To execute the heist, Vinny enlists his Bollywood-hopeful best friend, Zak (Nirvan Patnaik). Local reporter Anjali (Sharmita Bhattacharya) and snack-crazed safe cracker Paru (Sonal Shah), round out the squad.

Intentionally or not, there is quite a bit of inspiration from Wes Anderson on display here. Certainly in the absurdity of the plot. Think Rushmore meets Ocean’s Eleven vibes. This inspiration is even more present in the strength of the cinematography: color, camerawork, and framing are central to driving the film’s plot. This strength means that relatively few filming locations (a shop, a garage, a street on Pioneer Boulevard, a grassy park) can be leveraged into a true sense of place. These visuals bring Artesia, California, and the lives of the few residents who make up this story, to lush life. This is a film that nails so many of the little details.

The heist scenes particularly benefit from this and are worth the price of admission. Rather than take the Michael Bay approach, Four Samosas relies on characters’ expressions (vs explosions) to convey suspense and comedy. Kudos to the costume designer for some of the biggest laughs.

The script is where the Four Samosas comes up a little short. Every interaction feels like a mix of absurdity and broad exposition. In the early going, this balance holds up (the approach is particularly effective during the heist planning scenes.) After the first hour of the film, the rinse-and-repeat nature of these interactions begins to show through. The scenes between the heist and the film’s conclusion totally lack urgency. This is the rare 80-minute feature that drags.

Kapoor nevertheless manages to land the plane effectively with a sincere conclusion. Overall, Four Samosas is a charming ride. This is a warm, love letter to a community that will leave you smiling.

CAST & CREDITS

Directed by Ravi Kapoor

Ravi Kapoor is a director-writer-actor originally from the UK and now based in LA. His first feature, Miss India America, a coming-of-age comedy, played at various festivals and won a number of awards before landing on Netflix and other streamers.

DIRECTOR

Ravi Kapoor

PRODUCER

Ravi Kapoor, Venk Potula, Rajiv Maikhuri, Craig Stovel

SCREENWRITER

Ravi Kapoor

CINEMATOGRAPHER

Aakash Raj

COMPOSER

Sagar Desai

EDITOR

Anisha Acharya

PRODUCTION DESIGNER

Caia Diepenrock

EXECUTIVE PRODUCER

Utkarsh Ambudkar, Karan Soni, Sanjay Sharma, Milan Chakraborty, Kathrin Hamilton, Matthew Young

CO-PRODUCER

Zeena Dhalla, TiE SoCal Angels

CO-EXECUTIVE PRODUCER

Moses Israel Guerrero, Smita Bagla

CAST

Venk Potula, Sonal Shah, Sharmita Bhattacharya, Nirvan Patnaik, Karan Soni, Summer Bishil, Meera Simhan

To find out more about Tribeca Fest 2022 click here!

Tribeca Film Festival 2022 review from Unseen Films: ‘BLAZE’

Posted on June 9, 2022 by Liz Whittemore — Leave a reply

BLAZE

After accidentally witnessing a violent crime, a young girl is left catatonic with shock, and struggles to make sense of what she saw, ultimately finding renewal in the inestimable world of her own imagination.

It is a brilliantly made, beautifully acted film that is an excellent exploration of dealing with trauma. I applaud the filmmakers for making a film that deals honestly with the subject and doesn’t make it so everything instantly goes away in 90 minutes.

That said, we have to talk about the opening.

I am being more forthcoming than the promotional material for the film in that I am telling you our right that the terrible thing mentioned in the promotional material is a sexual assault, I am also warning you that it is really brutal. While I hate warning audiences this time there should have been a warning on the content before going in – especially since some write-ups mention the film being about a girl and her invisible dragon- which many, myself included, made us think slightly lighter fare.

I mentioned this because I have friends who are victims of sexual assault and watched them walk out after discovering a film or play not knowing the subject matter. I have a day job where I have come into contact with survivors and I have seen them triggered by off-handed mentions of their own or another’s assault. I have been yelled at by friends for not mentioning lesser assault in a film recommendation, so despite the filmmaker’s desire that audiences not be told and discover the event on their own, I am warning you.

Critically the assault raises an important question about the structure of the film in that there is no constructive need for us to witness the whole thing when our heroine does not. She only peaks at the rape, hiding behind a tree and listening to what she can hear over the sound in her headphones. There is no rational reason for us to see the rape in detail from multiple angles other than the creating of a head space, which ends up being overdone since the rape hangs over the film. Think about it- I am talking about the start of the film despite the ending being hopeful.

In an age where we label what is in the film, there was, as of this writing (June 3) no warning anywhere. There should be one. More so since I know other festivals such as Sundance and SXSW earlier this year had warnings on films that were much less jarring.

And no I am not big on trigger warnings but this film really requires one- even if my calling for one may make you think it’s not as bad as all that- because someone is not going to get the memo.

Warning given the film is gorgeous and amazingly well made (dare I say it could be called a great film), but everything is colored by the rape and as such, I don’t want to discuss it.

You’re on your own

For more Tribeca coverage from Unseen Films click here!

Remaining screenings:

Fri June 10 – 5:45 PM

Cinépolis: Theater 5

Fri June 17 – 8:00 PM

Village East by Angelika: Theater 2

The countdown is officially on for Tribeca Film Festival 2022. Here are 20 films we’re keeping our eyes on this year.

Posted on June 5, 2022 by Liz Whittemore — Leave a reply

Tribeca is back in action. The 2022 interaction of the festival will have events including films, talks, masterclasses, immersive selections, and a watch at-home option if you’re not in the city. There is so much to experience this year, but here is a list of films we’re keeping our eyes on. More to come as the festival rolls on over 12 days.

HALFTIME

– Opening Night –

Launches on Netflix on June 14th

HALFTIME offers an intimate peek behind the curtain revealing the grit and determination that makes Jennifer Lopez the icon she is, from her performances onscreen and on stages around the world, to her Super Bowl Halftime show, to the recent Presidential inauguration. The documentary focuses on an international superstar who has inspired people for decades with her perseverance, creative brilliance, and cultural contributions. And it’s only the beginning. HALFTIME serves as the kickoff to the second half of Lopez’s life, as she lays bare her evolution as a Latina, a mother, and an artist, taking agency in her career and using her voice for a greater purpose.

Directed by: Amanda Micheli

Produced by: Benny Medina, Elaine Goldsmith-Thomas, Dave Broome, Angus Wall, Terry Leonard, Jennifer Sofio Hall, Kent Kubena, and Serin Marshall

Screenings:

6/8 at 7:00pm – United Palace

6/9 at 9:00pm – Village East by Angelika: Theater 1

6/11 at 11:30am – Cinépolis: Theater 4

CAROL AND JOHNNY

The unbelievable, decade-spanning, and surprisingly heart-warming true story of two of America’s most successful bank robbers, Carol & Johnny provides the opportunity for the real-life Bonnie and Clyde to reflect upon and record their unique love story in their own words. Comparing and contrasting the oral histories of both now-elderly ex-cons, Colin Barnicle’s riveting biographical documentary traces the history of the duo with equal intensity and intimacy, transforming true crime into a rich, literary epic.

If you’re not obsessed with true crime at this point, I don’t know what rock you’ve been living under. This one has an intimate and personal touch to it.

Directed by: Colin Barnicle

Produced by: Barnicle Brother with Words and Pictures

Section: Viewpoints, Feature Documentary

Screenings:

6/12 a 5:00pm – Village East by Angelika: Theater 2

6/14 at 6:00pm – At-home Virtual Screening

6/15 at 2:45pm – Village East by Angelika: Theater 6

6/16 at 8:00pm – Village East by Angelika: Theater 2

RUDY! A DOCUMUSICAL

Whether you love, hate, or loved then hated Rudy Giuliani, everyone knows his name. He was “America’s mayor,” Time Magazine’s Person of the Year, US Attorney for the Southern District of New York, and a personal lawyer to the former President of the United States. Dissecting the rise and fall of its titular subject with thorough research and an inquisitive eye, Rudy! A Documusical is a political documentary that goes beyond well-known headlines to explore the psyche and circumstances of a man in free-fall.

The downfall of “America’s Mayor” (and yes, we did call him that as someone who experienced 9/11 here in the city as a college student) is one of the most shocking things to witness. Share in the media-frenzied weirdness why don’t you?

World Premiere

Directed by: Jed Rothstein

Produced by: Ross M. Dinerstein and Sarit G. Work

Section: Spotlight Documentary

Screenings:

6/9 at 8:30pm – SVA Theater 1 Silas

6/10 at 2:45pm – Cinépolis: Theater 5

6/17 at 8:15pm – Tribeca Center

FAMILY DINNER

It’s no surprise that the Midnight films happen to be the ones I covet most during Tribeca. This year, Peter Hengl’s film Family Dinner features a young woman named Simi visiting her family for Easter. Seeking the guidance of her famous nutritionist aunt, Claudia, she is introduced to a diet that will take every ounce of willpower. The film simmers in uncomfortable tension. Don’t think that for a moment, I missed Ant Timpson as one of the executive producers. Family Dinner has all the ingredients for a feast, that might just come back up later.

Fri June 10 – 9:00 PM

Village East by Angelika: Theater 6

Sat June 11 – 9:45 PM

Village East by Angelika: Theater 4

Wed June 15 – 8:15 PM

Tribeca Film Center

BODY PARTS

This stellar documentary dives headfirst into the “reality” of sex scenes in Hollywood. In conversation with actresses, directors, and intimacy coordinators, Body Parts mixed social relevance and amazing editing to bring you into the bedrooms of some of the most iconic sex scenes in cinematic history. And that’s only the beginning of what this film tackles. Get ready for a lesson in industry intimacy.

DIRECTOR

Kristy Guevara-Flanagan

EXECUTIVE PRODUCERS

Ruth Ann Harnisch, Abigail Disney, Daniel Chalfen, Adrienne Becker, Roger Clark

CAST

Jane Fonda, Joey Soloway, Angela Robinson, Karyn Kusama, Rose McGowan, David Simon.

Sun June 12 – 2:45 PM

Village East by Angelika: Theater 1

Mon June 13 – 8:15 PM

Tribeca Film Center

Tue June 14 – 6:00 PM

Only available in New York state

Thu June 16 – 9:00 PM

Village East by Angelika: Theater 1

THE YEAR BETWEEN

(US Narrative Competition) – Clemence Miller, played by comedian writer/director Alex Heller, is coming home to live in her family’s basement after dropping out of college with a newly diagnosed mental illness. Having to face her battered relationships and responsibilities of adulthood, she is driving everyone around her… crazy.

Alex Heller is a tour de force in this unapologetic and in-your-face indie. Wearing all the hats in this film as star, writer, director, and producer.

DIRECTOR

Alex Heller

PRODUCER

Eugene Sun Park, Amanda Phillips, Sonya Lunsford, Rachel Gould, Caterin Camargo-Alvarez, Alex Heller

SCREENWRITER

Alex Heller

CINEMATOGRAPHER

Jason Chiu

EXECUTIVE PRODUCER

Adrienne Becker, Susanna Fogel, J. Smith-Cameron, HaJ

CAST

Alex Heller, J. Smith-Cameron, Steve Buscemi, Wyatt Oleff, Emily Robinson, Kyanna Simone, Rajeev Jacob, Waltrudis Buck

Sun June 12 – 5:30 PM

Available Starting

Tue June 14 – 6:00 PM

Tue June 14 – 8:45 PM

Fri June 17 – 9:00 PM

NAKED GARDENS

(Documentary Competition) – An immersive film from filmmakers Ivete Lucas and Patrick Bresnan (Pahokee), about the unseen world of nudism. Set in the Florida Everglades, NAKED GARDENS follows the stories of individuals drawn to this lifestyle and the dilemmas they face, as they prepare for the Midwinter Naturist Festival.

Charming and insightful, push your judgment aside and meet a community attempting to live and accept one another. They just happen to be nude.

DIRECTOR

Ivete Lucas, Patrick Bresnan

PRODUCER

Patrick Bresnan, Ivete Lucas, Tabs Breese, Julia Nottingham, Roberto Minervini, and Denise Ping Lee

SCREENWRITER

Ivete Lucas

CINEMATOGRAPHER

Patrick Bresnan

EDITOR

Ivete Lucas

Fri June 10 – 5:45 PM

Sat June 11 – 5:15 PM

Tribeca Film Center

Thu June 16 – 5:45 PM

AMERICAN DREAMER

Based on a true story. American Dreamer is the story of Dr. Phil Loder (Peter Dinklage), a low- level, adjunct professor of economics, whose grand dream of owning a home is tragically out of reach…until an incredible, once-in-a-lifetime opportunity comes his way when a lonely, near-death widow (Shirley MacLaine) offers Phil her sprawling estate for pennies. But Phil quickly learns the deal is too good to be true and the American dream is not quite what it used to be.

You had me and most viewers at Peter Dinklage. The man can do no wrong in my book and we’re beyond excited to see him tackle this role based on a true story.

Directed by: Paul Dektor
Written by: Theodore Melfi
Produced by: Toyo Shimano, Emily Shimano, Theodore Melfi, Kimberly Quinn, Peter Dinklage, David Ginsberg, Paul Dektor
Starring: Peter Dinklage, Shirley MacLaine, Matt Dillon, Danny Glover, Kimberly Quinn, Danny Pudi

RT: 106 Minutes

Public Screenings
Saturday, June 11, 2022, 8:00 PM at BMCC Tribeca Performing Arts Center
Tuesday, June 14, 2022, 5:30 PM at Village East Cinema: Theater 3
Friday, June 17, 2022, 3:00 PM at Village East Cinema: Theater 3

THERE THERE

World Premiere – Spotlight Category

Directed by: Andrew Bujalski
Starring: Jason Schwartzman, Lili Taylor, Molly Gordon, Lennie James, Avi Nash, Annie LaGanga
Music by: Jon Natchez, Roy Nathanson

RT: 93 minutes

Ever wonder if falling in love again is worth the effort? If someone you cared about were crazy, or if you were crazy for caring? Could someone you trust destroy you while trying to support you, or vice versa? What if the boundaries were getting awfully blurred? Are we being judged for these choices, and who’s judging? Should we have another drink? Are we even communicating now, are we on the same planet, in the same time and place here?

A lover’s doubt in the cold light of morning leads to a chain of uneasy intimacies–counselors, disrupters, peacemakers, and firestarters–everyone looking to have a little faith rewarded.

Public Screening
Friday, June 10, 2022, 5:30PM at SVA Theater 2 Beatrice
Saturday, June 11, 2022, 6:00PM at Cinépolis: Theater 6
Friday, June 17, 2022, 3:45PM at Village East by Angelika: Theater 4

CORNER OFFICE

World Premiere – Spotlight Narrative Category

Directed by: Joachim Back
Starring: Jon Hamm

RT: 101 minutes

CORNER OFFICE an absurdist tale of a man lost in his own space. Orson (Jon Hamm) is a corporate drone trying to move up in his newly acquired entry-level job who discovers a secret room in his drab, soul-crushing office building; a discovery that causes problems with his new colleagues (Danny Pudi and Sarah Gadon). Director Joachim Back’s Kafka-esque debut feature, adapted by Ted Kupper from Jonas Karlsson’s international best-selling novel The Room, explores how to be sane in a world gone mad.

Public Screenings

Thursday, June 9, 2022, 8:00 PM at BMCC Tribeca PAC
Friday, June 10, 2022, 3:00 PM at Cinépolis: Theater 6
Wednesday, June 15, 2022, 8:30 PM at Village East Cinema: Theater 1

THE COURTROOM

World Premiere – Online Premieres

Directed by: Lee Sunday Evans
Executive Produced by: Lee Sunday Evans, Arian Moayed, Ryan Chanatry, Gena Konstantinakos, Anne Carey
Starring: Marsha Stephanie Blake, Michael Braun, Kathleen Chalfant, Hanna Cheek, Michael Chernus, Michael Bryan French, Mick Hilgers, Linda Powell, Kristin Villanueva, BD Wong

RT: 87 Minutes

In this powerful drama from director Lee Sunday Evans and writer (and Succession breakout star) Arian Moayed, the legal thriller is given a bold and innovative new twist. Adapted verbatim from court transcripts, The Courtroom follows the harrowing journey of Elizabeth Keathley (Kristin Villanueva) a Filipina immigrant who mistakenly registers to vote while on a K3 visa, a crime punishable by deportation. Married with a newborn baby, Elizabeth, with the support of her husband and the tireless efforts of their lawyer, struggles to navigate an increasingly convoluted and nightmarish legal system.

Originally presented as a critically-acclaimed off-Broadway play, The Courtroom successfully captures the intensity and intimacy of live theater while also feeling undeniably cinematic. Audiences are thrown directly into Elizabeth’s story and through fluid, immersive direction and striking set design, experience her terror and desperation right alongside her. Evans and Moayed’s fascinating experiment with dramatic reenactment and hybrid storytelling is anchored by standout performances from an accomplished cast of actors – including BD Wong in a moving third act appearance – who bring genuine nuance and emotional heft to an already gripping true story.

Online Screening
Sunday, June 12, 2022, 8:00 PM

THE DROP

World Premiere – US Narrative Competition

Written & Directed by: Sarah Adina Smith
Produced by: Mel Eslyn, Jonako Donley, Mark Duplass, Jay Duplass
Starring: Jermaine Fowler, Anna Konkle, Utkarsh Ambudkar, Jillian Bell, Robin Thede, Elisha Henig, Jennifer Lafleur, Joshua Leonard, Aparna Nancherla

RT: 92 Minutes

Lex and Mani’s happy marriage is thrown into a tailspin when Lex accidentally drops their friend’s baby during an otherwise picturesque destination wedding weekend. While the baby is fine, the adults are not. Lex’s mistake causes a crisis of confidence in those around her, challenging our most primal gender expectations.

Can a relationship withstand the stress of when things get real? When things get “baby-on-the-pavement” real?

Public Screenings
Saturday, June 11, 2022, 8:30 PM at SVA1 – Silas
Sunday, June 12, 2022, 9:00 PM at Cinepolis Chelsea -06
Friday, June 17, 2022, 9:30 PM at Village East Cinema -07

NEXT EXIT

DIRECTOR: Mali Elfman
WRITER: Mali Elfman

CAST: Katie Parker, Rahul Kohli, Rose Mciver, Tongayi Chirisa, Tim Griffin, Diva Zappa, Nico Evers-Swindell, and Karen Gillan

SYNOPSIS: When a research scientist makes national news proving she can track people into the afterlife, Rose sees a way out and Teddy sees his chance to finally make it. These two strangers, both harboring dark secrets, race to join the doctor’s contentious study and leave this life behind. While Rose is haunted by a ghostly presence that she can’t outrun, Teddy is forced to confront his past. As these two misfits humorously quarrel their way across the country, they meet people along the way who force them to reckon with what is really driving them.

This genre-bending road trip film will get under your skin with its incredibly thoughtful performances. Parker and Kohli’s chemistry is cinematic magic.

RUN TIME: 106 minutes
GENRE: Dramedy, Horror, Fantasy

TRIBECA PREMIERE DATE: June 10, 2022 / 6:15 p.m. ET / Village East by Angelika Theater 7

TAURUS

DIRECTOR: Tim Sutton
WRITER: Tim Sutton
CAST: Colson Baker, Maddie Hasson, Demetrius “Lil Meech” Flenory, Megan Fox, Ruby Rose, Scoot McNairy, Lil TJay, Naomi Wild

SYNOPSIS: A rising but troubled musician searches for the inspiration to record one last song, pushing himself deep into the void. A work of fiction that explores fame, addiction, the artistic process, and the music industry, Taurus is a soulful and universal cautionary tale.

Colson Baker ( AKA Machine Gun Kelly) gives an award-worthy performance. While described as a work of fiction, the story is a cautionary tale.

RUN TIME: 95 Minutes
GENRE: Drama, Music

TRIBECA PREMIERE DATE: June 9, 2022 / 8 p.m. ET / Beacon Theatre

FOUR SAMOSAS

*WORLD PREMIERE**

WRITER/DIRECTOR: Ravi Kapoor
CAST: Venk Potula, Sonal Shah, Sharmita Bhattacharya, Nirvan Patnaik, Karan Soni, Summer Bishil, Meera Simhan

Synopsis: Determined to disrupt the wedding of his ex-girlfriend by stealing her dowry, underachieving, wanna-be rapper Vinny and his neighborhood pals in LA’s “Little India” concoct a plan to take her family jewels from a supermarket safe.

Tribeca Film Festival 2022 In-Person Screening Info
– Friday, June 10th at 6:00pm ET at VEC-06 (181-189 2nd Ave, New York, NY 10003) *World Premiere*
– Saturday, June 11th at 8:45pm ET at CIN-04 (260 W 23rd St, New York, NY 10011)
– Saturday, June 18th at 2:45pm ET at CIN-04 (260 W 23rd St, New York, NY 10011)

Tribeca Film Festival 2022 Online Screening Info
– Available online starting on June 12th at 6:00p EST

CHERRY

**WORLD PREMIERE**

DIRECTOR: Sophie Galibert
CAST: Alex Trewhitt, Joe Sachem, Dan Schultz, Sandy Duarte, Alice Bang, Hannah Alline, Melinda DeKay, Angela Nicholas, Charlie S. Jensen, Darius Levanté

Synopsis: Cherry, a driftless 25-year-old young woman discovers she is 11 weeks pregnant and has only 24 hours to make a consequential decision.

Tribeca Film Festival 2022 Online Screening Info
– Available online starting on June 11th at 6:00p EST

GOD SAVE THE QUEENS

**WORLD PREMIERE**

WRITER/DIRECTOR: Jordan Danger
CAST: Justin Andrew Honard AKA Alaska Thunderfuck, Jay Jackson AKA Laganja Estranja, Kelly Mantle, Jordan Michael Green, Peter Facinelli, Michelle Visage, Joaquim De Almeida, Lunell, Zack Gottsagen

Synopsis: A dramedy about four Drag Queens who find themselves at the very same therapy retreat. In an effort to overcome issues holding them back, they dissect their dilemmas, seen through vignettes of their lives. They discover common ground; Perhaps, it wasn’t serendipity that brought them together. Maybe they’re not alone?

Tribeca 2022 Online Screening Info
– Available online starting on June 8th at 8:00p EST

YOU CAN LIVE FOREVER

**WORLD PREMIERE**

WRITER/DIRECTORS: Sarah Watts, Mark Slutsky
CAST: Anwen O’Driscoll, June Laporte, Liane Balaban, Deragh Campbell, Tim Campbell, Antoine Yared, Hasani Freeman

Synopsis: When lesbian teen Jaime is sent to live in a Jehovah’s Witness community, she falls hard for a devout Witness girl and the two embark on an intense affair with consequences that will reshape the rest of their lives.

Tribeca Film Festival 2022 In-Person Screening Info
– Saturday, June 11th at 5:30p ET at VEC-06 (181-189 2nd Ave, New York, NY 10003) *World Premiere*
– Sunday, June 12th at 2:30p ET at VEC-06 (181-189 2nd Ave, New York, NY 10003)
– Tuesday, June 14th at 9:00p ET at VEC-06 (181-189 2nd Ave, New York, NY 10003)

The Integrity of Joseph Chambers

Desperate to acquire the skills necessary to provide for his family in case of an apocalypse, insurance salesman Joseph Chambers goes deer hunting for the first time ever, alone, when his experienced buddy is too sick to join him.

DIRECTOR

Robert Machoian

PRODUCER

Clayne Crawford, Kiki Crawford, Robert Machoian

SCREENWRITER

Robert Machoian

CAST

Clayne Crawford, Jordana Brewster, Jeffrey Dean Morgan

WORLD PREMIERE – Thursday, June 9^th, 5:30 PM at SVA Theater 2 Beatrice

Subject

SUBJECT explores the life-altering experience of sharing one’s life on screen through key participants of acclaimed documentaries The Staircase, Hoop Dreams, The Wolfpack, Capturing the Friedmans, and The Square. These erstwhile documentary “stars” reveal the highs and lows of their experiences as well as the everyday realities of having their lives put under a microscope. Also featuring commentary from influential names in the doc world, the film unpacks vital issues around the ethics and responsibility inherent in documentary filmmaking. As tens of millions of people consume documentaries in an unprecedented “golden era,” SUBJECT urges audiences to consider the often profound impact on their participants.

DIRECTOR

Jennifer Tiexiera, Camilla Hall

PRODUCER

Camilla Hall, Jennifer Tiexiera, Joe Caterini

SCREENWRITER

Jennifer Tiexiera, Camilla Hall, and Lauren Saffa

CAST

Arthur Agee, Ahmed Hassan, Margie Ratliff, Michael Peterson, Mukunda Angulo, Jesse Friedman, Elaine Friedman, Lisa Walsh, Susanne Reisenbichler

Sat June 11 – 4:30 PM

SVA Theater 2 Beatrice

At this time, SVA Theatre requires proof of vaccination for entry. Masks must be worn at all times. More Info

Mon June 13 – 5:30 PM

Cinépolis: Theater 4

Sat June 18 – 3:00 PM