Tribeca Film Festival 2022 review: Director Floor Van Der Meulen receives special mention with the Best New Narrative Director Award for ‘PINK MOON’

PINK MOON

Iris (Julia Akkermans) and her older brother Ivan (Eelco Smits) are faced with life-altering news when their father (Johan Leysen) decides to end his life. Iris is confused, devastated, she tries to be a little accepting.. It seems like her father is never been more sure with anything in his life, and that leaves Iris in an emotional shamble.


Tribeca 2022’s award-winning film Pink Moon will undoubtedly strike a chord with Gen X. We currently exist between aging parents and parenthood. Mortality has weighed heavy in recent years. No one gazes into the future to imagine the death of their Mom or Dad, so to be told that death is a choice is an entirely new level of madness. In Pink Moon, Iris and Ivan take two different approaches to their father’s declaration that he is “done living.” Ivan is practical, almost emotionless. Iris, understandably, pushes back with unsurmountable sadness. Doing everything in her power to change his mind, Iris takes leave from work, pretending to plan his final day, only to ditch the plan and kidnap him for one last hurrah. Pink Moon slowly delves into the complex relationship between children and parents. Actress Julia Akkermans tackles the script by Bastiaan Kroeger with humor and heart. Watching her emotional journey unfold feels palpable and grounded from start to finish. To think that this is the directorial debut for Floor van der Meulen blows my mind. I cannot wait to see what comes next. Audiences can watch the film on Tribeca 2022’s At Home option. The film dives into universal truths that will touch the coldest of hearts. I highly recommend you give Pink Moon your full attention. 


Available Starting

Wed June 15 – 6:00 PM

At Home

 

DIRECTOR
Floor van der Meulen
PRODUCER
Derk-Jan Warrink, Koji Nelissen
SCREENWRITER
Bastiaan Kroeger
CINEMATOGRAPHER
Emo Weemhoff NSC
EDITOR
Mieneke Kramer
CAST
Julia Akkermans, Johan Leysen, Eelco Smits, Anniek Pheifer, Sinem Kavus


 

NBFF 21 review: ‘TALIGATE’ is heart stopping terror.

TAILGATE

A cocksure, road-raging family man finds himself pursued and terrorized by the vengeful van driver he chooses to tailgate.

The villain in this film initially appears completely unassuming. That’s the bait and switch that is Tailgate. A simple premise of road rage produces one of the evilest monsters of all time. The level of fright this film provides will blow your mind. My palms were sweating, my heart pounding from start to finish. The terror is relentless. Performances are all top-notch. I give extra credit to our youngest cast members, Roosmarijn van der Hoek and Liz Vergeer. Their keen ability to keep up with the adults is outstanding.

Our very good friend Steve Kopian, from Unseen Films, pointed out an important device in Tailgate that heightens its entire concept. This story occurs entirely during the day. In fact, it essentially happens in real-time. But it’s the daylight factor that makes it the most sinister. Every atrocious act occurs both in broad daylight and before innumerable witnesses. It is baffling and infinitely exciting. Congratulations to writer-director Lodewijk Crijns. Tailgate is one of the best films at this year’s North Bend Film Festival, without a doubt.


Showings – select to order tickets: