New York Film Festival Review: The gorgeous ‘Carol’ with Cate Blanchett & Rooney Mara

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ROONEY MARA and CATE BLANCHETT star in CAROL

ROONEY MARA and CATE BLANCHETT star in CAROL

Not once salacious, Todd HaynesCarol is a subtle and elegant telling of a romance between two women in the 1950s. Cate Blanchett is the title character and Rooney Mara is the young woman smitten by her. Their affair is brief but not without it’s repercussions.

Todd Haynes knows a little something about 1950s style from Far From Heaven and the mini-series, Mildred Pierce. He captures this era with incredible detail in everything from the costumes to set design to the color coming across on screen. Blanchett’s outfits are absolutely stunning and they convey the level of sophistication of her character.

As for cinematography, all I can say is, WOW. There are so many allusions to hiding and the Liz pointed out the use of windows is especially worth noting. It’s almost as if the film was shot for black and white, but it’s in color. The framing of each scene is focused, yet reveals so much of the story.

Now for the story. While I did appreciate the style, the story was really flat and underwhelming. There’s barely any idea of the affair being forbidden and no one seems to pretend it’s not what it clearly is. Perhaps it’s just hard to think of an affair between two women as an outlandish idea anymore. On one side, I really appreciated this about it, but on another, it really loses something by not illustrating how much of a big deal it was.

Blanchett melts into Carol, but I had a hard time with Rooney as the love interest. That deer-in-headlights look only goes so far. Kyle Chandler was impressive as Carol’s husband evoking a desperation that’s completely transparent.

It may not be the Oscar contender for Best Picture, but certainly could get a nomination for Costume Design. Standby tickets available for tonight’s screening at Lincoln Center.

New York Film Festival Review: ‘Mountains May Depart’ when you Go West

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MOUNTAINS MAY DEPART Zhao Tao 2

Mountains May Depart competed for the Palme d’Or at this year’s Cannes Film Festival and takes a prime spot at the New York Film Festival. Jia Zhangke‘s eighth feature film left me bewildered and baffled.

The story takes place in three different timelines: the past (1999), the present (2014) and the future (2029). It mainly focuses on Tao, a young women who is being pursued by two men, one a successful business owner, the other a mine worker. I had a hard time understanding the theme, but after listening to the Q&A with the director, I have much more insight.

Zhangke tells of how footage of disco dancing first influenced the story. He shot lots of the story in 1999 so it’s a different aspect ratio than the later footage. He describes how he wanted to show how technology changes the way people act. (I want to see the movie he’s talking about.) The technology did seem to be a focus, but not nearly enough for me to get that much of a theme out of it. He also describes how it’s also nostalgic about taking time to appreciate loved ones.

I was most mystified by why Tao had to wear the same sweater so much. May she liked it? Maybe the scenes were shot together, but then he cut them so they appeared later and didn’t want to reshoot?

The acting was stoic and forced through the first half, but did get better near the end. It almost had a Place Beyond the Pines sort of vibe due to the father/son relationship, but again, not enough of it to really be considered a theme. There was also a really strange angle about guns in the third act that perhaps needs explanation to American audiences.

I was intrigued by the cinematography, as several times, the camera would focus only one person, even though the scene was clearly with two or three people. It also had a lot of long shots that moved from character to character. That was the most interesting for me.

A great conversation movie, as you can pore over so many of it’s unanswered questions.

Review: Sundance Film Festival Selection ‘Mississippi Grind’ starring Ben Mendelsohn & Ryan Reynolds

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Disguised as a buddy, road movie, Mississippi Grind is an intense and intimate story of addiction that reveals the gritty details of a lifetime gambler when he’s paired up with one that’s just beginning. Ben Mendelsohn melts into this fantastic role and he really tears your heart out.

Gerry (Ben Mendelsohn) likes to play poker and he’s been on a bit of a losing streak. His luck changes when he’s around the hard-to-read Curtis (Ryan Reynolds). The two embark on a road trip from Iowa to New Orleans and as you may have guessed, learn more about themselves and each other. It could have been cliche and terrible, but all the talent involved from the writing to the directing to the acting, make it a solid movie about another side of addiction, the one that doesn’t destroy you, but those around you.

Yes, I’m a fan of Ryan Reynolds. He may have caught my eye in Van Wilder, but it’s Just Friends that really sealed it. Oh, and he’s actually a great actor. Yeah, he sucked as Green Lantern, but he’s been great in Chaos Theory, Buried and the yet-for-me-to-see Voices (which Liz is still raving about). As Curtis, he’s disheveled yet charming, but not the over-the-top charming that reared it’s ugly head in The Change Up or The Proposal.

Ben Mendelsohn, is the new (dare I say) Gary Oldman. He can do (and does) everything and you’ve probably seen him so many times and you didn’t even know it. Here are a few of my favorite roles:

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Trespass with Nicolas Cage and Nicole Kidman – watch in on Netflix
A thief who’s plans to rob a family man totally backfire.

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The Dark Knight Rises
The smarmy guy trying to control Bain.

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Starred Up – watch on Amazon
A father in prison who thinks what’s best for his son is to toughen him up. p.s. Even though it’s in English, I highly recommend turning on the captions.

My favorite part about this movie is that I didn’t know if I should root for them or not. The characters are so incredibly developed and presented, that you can just sit back and enjoy the ride. It’s the exact type of movie that’s the bread and butter of great actors, but unfortunately, it’s not the type of movie that appeals to a wide audience. Those who seek it out, however, will be treated to an emotionally layered thinkpiece.

Now available on DirecTV, at the Landmark Sunshine Cinema in New York today and October 5th in Los Angeles. It comes to Bluray/DVD December 1st, but I bet you’ll be able to buy it digitally the week or so before.

Review: Up for a comedy? You should try ‘Sleeping With Other People’

Sleeping With Other People_Press_1 TribecaYou may think you’ve seen this movie before. A man and woman decide to just be friends, yada, yada, yada, they fall in love. However, I guarantee Sleeping With Other People is fresh and funny as hell with Jason Sudekis and Alison Brie.

Let’s split these two up for a moment. First off, Alison Brie. Known for her role on NBC’s Community, or as Pete’s (ex)wife on AMC’s Mad Men she’s also Diane on the wonderfully ridiculous Bojack Horseman on Netflix. She’s the girl next door with fantastic comic timing. You may also remember her as the sister of Emily Blunt (another one of my favorite actresses) in Five Year Engagement. Her perceived innocence plays perfect against the devilishly charming Jason Sudekis.

I always enjoyed Jason Sudekis on Saturday Night Live, but his starring role in A Good Old Fashion Orgy won me over completely. Hall Pass was the big break out, and it just picked up steam from there. Soon it was The Campaign, Horrible Bosses, We’re the Millers and then Horrible Bosses 2. Although he hasn’t had much of a range, he plays up his good looks and charm for every role with perfection. Perhaps it will wear out soon, but as for now, I’m for it.

Writer/director Leslye Headland delivers the humor of people who know each other really, really well and can go to those horribly crude, but ultimately hilarious, places. Filled with a brilliant supporting cast including Adam Scott (with a creepy mustache), Natasha Lyonne (as the best friend), Jason Mantzoukas (Rafi on The League) as well as Adam Brody and Amanda Peet. Basically, it’s a good old fashioned sex comedy with a heart at the center.

In select theaters today! 

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Opposing Reviews: Melissa & Liz review Woody Allen’s ‘Irrational Man’ with Joaquin Phoenix, Emma Stone & Parker Posey

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Liz and I often agree on movies, but there are occasions where we do not, and Irrational Man is one of them. As it rolls out to theaters across the country, starting with this weekend, we thought you might like to read two different opinions. Enjoy!

Melissa

Looking through the stills of Irrational Man, I almost remember it fondly. Seeing these characters without the context of the movie, they are attractive and happy. Within the movie, Joaquin is a bitter, drunk college professor with some sort of social disorder and a Emma is a student who falls in love with her teacher.

So what’s it about? Abe (Joaquin Phoenix) is the new philosophy professor whose cynical yet brilliant ideas attract a student, Jill (Emma Stone) as well as a colleague, Rita (Parker Posey). Ok, another example of a young woman attracted to an older man. But wait, is it?

I’m typically a Woody Allen fan, but I didn’t care for the last movie with Emma Stone, Magic in the Moonlight, either. In this, Emma is way too eager and without a likeable personality. She knows she’s a silly girl, yet she doesn’t shy away from it. Parker Posey is even more manic than expected and it actually works pretty well. She’s a bright spot.

Joaquin seems totally miscast and never really gets into the role. His words don’t seem natural at all and come off as though he’s adding words on his own. It kills me, as I’ve loved everything he’s been in.

The story is pretty original however, with unexpected turns, especially the ending. As per usual with a Woody Allen movie, it’s beautifully shot and edited. The soundtrack is unbelievably repetitive, with the same piano version of “Judy In Disguise” playing over and over again in pretty much every scene. I had never noticed this in Allen’s movies before, but I certainly noticed it this time around.

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Liz

On the flip side of the coin, I found this film to be pretty delightful. There is no mistaking this is pure Woody Allen fare. Punctuated by loose jazz standards, quippy, fast-paced dialogue, including dairy-esque monologues moving the film’s plot along nicely. It’s not too far fetched that one overheard conversation can change the course of your life forever, but certainly for amusing and dramatic purposes, this one is pretty over the top. The plot also revolves heavily around the concentration of philosophy, which is the subject Joaquin’s character teaches. One of the best tongue in cheek lines is a direct quote from his portrayal of Abe, ” Philosophy is verbal masturbation.” This is kind of the perfect way to describe Allen’s writing style in general and I think you either gravitate towards it, or you don’t.

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I was certainly pleased with all the performances in the film. Emma Stone‘s Jill is eager, bright, yet her flippant idolatry for her professor is not so far fetched. It’s a strong performance she owns with ease. Phoenix, for me, was perfectly cast as Abe. His jaded, depression filled, existential crisis excuses are anything but boring. It was refreshing to see him in something with a biting sense of humor as far as the script is concerned. And then we have my girl, Parker Posey as Rita. I’ve been a huge fan since her Waiting For Guffman and House of Yes days. She has an uncanny ability to slip into whatever role is thrown at her. Her genuine nonchalance as a bored fellow professor is just the best. Being of the same age and stage as Abe gives the two a breezy interaction that allows Posey to shine as a real person. Not a caricature of a woman, but a really well written woman, with hopes, dreams, opinions, unafraid and yet still completely vulnerable. I would have watched a full film about Rita.

So, there you go movie fans. Two Woody Allen fans with two very different opinions of the same film. I guess you’ll just have to buy a ticket and find out for yourself. Irrational  Man opens in theaters this weekend opening in more theaters throughout the coming weeks.

Melissa’s Review: ‘Ted 2’ gives its audience (young & old) exactly what they want

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Like any sequel, Ted 2 reintroduces characters from the first movie minus John’s girlfriend/wife who he broke up with six months prior to Ted’s wedding to Tammy Lynn. Now the main plot is to “legalize Ted” so Ted and Tammy Lynn can have a baby. Again written, directed and starring Seth MacFarlane, it again co-stars his thunderbuddy, Mark Wahlberg.

The story is nothing special and serves more as a platform for jokes and semi-obscure movie references, but it excels at it. There are a few jokes that go on a bit long, but for the most part, it hits the mark. There is a notable cameo that’s immensely brilliant and completely unnecessary much like most of the scenes, actually.

Amanda Seyfried is a refreshing addition to the duo, as she’s young, immature and, of course, smokes pot. She’s also not versed in pop culture so it becomes a wealth of opportunity for the two to make fun of her. It’s quite brilliant, actually. You get the 20 year-old audience that wants pot and dick jokes and the 30-40 year-old audience that loves getting the old school movie references.

Yes, I enjoyed Ted the first go-around. It has just enough of a story surrounded by silly jokes about a teddy bear being real. It was amusing and fun, just like Ted 2. However, this time the story is more of an outline and there’s many more jokes to fill almost 2 hours.

Melissa’s Review: ‘Infinitely Polar Bear’ is a warm and sweet story of a struggling family

Left to right: Imogene Wolodarsky as Amelia Stuart, Mark Ruffalo as Cam Stuart, Zoe Saldana as Maggie Stuart and Ashley Aufderheide as Faith Stuart Photo by Seacia Pavao, Courtesy of Sony Pictures Classics

Left to right: Imogene Wolodarsky as Amelia Stuart, Mark Ruffalo as Cam Stuart, Zoe Saldana as Maggie Stuart and Ashley Aufderheide as Faith Stuart
Photo by Seacia Pavao, Courtesy of Sony Pictures Classics

Watching Infinitely Polar Bear, I was anxiously waiting for some terrible event to happen that tears the family apart, only to bring them back together again. This is such a standard in movies that it almost ruined this movie. However, if you decide to let go and just watch, it’s a beautiful and heartwarming story of the inevitable ups and downs of parenthood and life.

Left to right: Zoe Saldana as Maggie Stuart and Mark Ruffalo as Cam Stuart Photo by Claire Folger, Courtesy of Sony Pictures Classics

Left to right: Zoe Saldana as Maggie Stuart and Mark Ruffalo as Cam Stuart
Photo by Claire Folger, Courtesy of Sony Pictures Classics

Maggie (Zoe Saldana) and Cam (Mark Ruffalo) have a tumultuous relationship, mostly due to Cam’s mental instability. After an incident, Maggie is left raising their two daughters and searches for a way to support their family. Maggie is accepted into an MBA program and moves to New York so Cam returns home to care for their children while she’s away.

Based on a true story and told in the late 1970s, the dialogue is incredibly intimate and the story goes in unexpected yet inevitable directions. Mark Ruffalo brings a desperation to Cam that is never outshined by his genuine love for his daughters. Zoe Saldana is authoritative yet compassionate as a mom doing anything it takes to give her family a better life.

Left to right: Imogene Wolodarsky as Amelia Stuart and Ashley Aufderheide as Faith Stuart Photo by Seacia Pavao, Courtesy of Sony Pictures Classics

Left to right: Imogene Wolodarsky as Amelia Stuart and Ashley Aufderheide as Faith Stuart
Photo by Seacia Pavao, Courtesy of Sony Pictures Classics

This is the first feature film for both the daughters, Imogene Wolodarsky as Amelia and Ashley Aufderheide as Faith. Their relationship is just as important and they each have their own qualities that complement and play off each other.

I think what I enjoyed the most was the love and dedication of Cam for his family. He was not perfect but he never gave up. I enjoyed watching a movie where it was purely a story of a family and not a contrived, artificial sensationalization.

Find out what movie made Adam Scott want to be an actor & other fun trivia from ‘The Overnight’ sneak preview and Q&A at Lincoln Center

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Film Society moderator, Judith Godrèche, Producer Naomi Scott, Jason Schwartzman, Adam Scott, Writer/Director Patrick Brice

Alex, Emily, and their son, RJ, have recently moved to Los Angeles’ Eastside from Seattle. Feeling lost in a new city, they are desperate to find their first new friends. After a chance meeting with Kurt at the neighborhood park, they gladly agree to join family pizza night at the home. But as it gets later and the kids go to bed, the family “playdate” becomes increasingly more revealing and bizarre as the couples begin to open up.

The Overnight posterThe Overnight was one of the first movies I saw at the Tribeca Film Festival this year and it started off my viewing with a bang. The spirit of an indie and the laughs of a blockbuster, this comedy takes you on an unexpected journey of non-stop hilarity.

I attended the sneak preview of the film with a Q&A that followed with Writer/Director Patrick Brice, Adam Scott, Jason Schwartzman, Producer Naomi Scott and Judith Godrèche. Here are some of the highlights:

  • Judith GodrècheJason Schwartzman hadn’t met prior to the first day on set
  • It was shot mostly at night in 12 days with no rehearsing in basically chronological order
  • Writer/Director Patrick Brice at one point deleted a 70 page draft and had to retype from memory.
  • Production Designer Theresa Guleserian drew all Kurt’s paintings in one day
  • Almost exclusively lit with practical light
  • Movie that made Adam Scott want to be an actor – Raiders of the Lost Ark  “That’s what I want to do.” Later, he makes note that the first audience that made an impression was War Games. “It was so exciting in the theater.”
  • Jason Schwartzman never really thought of himself as an actor because he thought actors were in big movies and were like Arnold Schwarzenegger. He was more into music. “Cable always played the weirdest movies.” Dog Day Afternoon made him want to get into acting.
  • Patrick Brice also has a completely different type of movie, the horror, Creep, coming to VOD June 23rd and to Netflix July 14th.

My impressions of the Q&A:

  • Jason Schwartzman is just as adorable as you would imagine he is.
  • Adam Scott has an amazing voice that carries well and commands attention but is actually very soothing.
  • Judith Godrèche is incredibly sweet and must have been a pleasure to work with.
  • Patrick Brice will give us many more thought-provoking movies in the future.

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Melissa’s Review: ‘Love & Mercy’ about The Beach Boys’ Brian Wilson – didn’t live up to my expectations

Love & Mercy-posterIn Love & Mercy, two versions of Brian Wilson (musical leader of The Beach Boys) are depicted through Paul Dano as younger, during the height of their fame and John Cusack as older, during his depression in the 80s. It’s two separate stories, cut together back and forth.

Love & Mercy-00002I really enjoyed the past portion with Paul Dano because he was so great with the emotion and conveying the inspired creativity of Wilson. I had a hard time with John Cusack as Brian Wilson though. I felt no connection with him. I didn’t like how it went back and forth because it took away from the emotion of each section. They were two different films cut together rather than complementing one another. It was also hard to relate to the later portion because it was such a mystery as to how he got himself in the position with Landy.

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Elizabeth Banks seemed lost in her role and honestly, I couldn’t understand why she fell in love with him. Every scene seemed like a huge red flag that should have left her running for the hills. The 80s outfits left a more lasting impression than how their relationship developed.

Only briefly mentioned was how Brian Wilson was inspired by The Beatles’ Rubber Soul. I would have loved to have explored how The Beach Boys and The Beatles were essentially trying to “one-up” each other with their music. However, the focus of the movie is Wilson, so that would have veered too far off course.

Love & Mercy-00006I was really looking forward to this, but it totally fell flat. It’s a shame. It’s worth seeing just for Dano’s performance. However, the best part was reminding me to listen to Pet Sounds over again. Do yourself a favor and buy the album.

Melissa’s Review: ‘Hungry Hearts’ creeps up slowly, grabs you & doesn’t let go

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Written and directed by Saverio Costanzo, Adam Driver and Alba Rohrwacher star as Jude and Mina, in Hungry Hearts, a drama which has the slow-burning stamina of Rosemary’s Baby. A young couple, just starting out, fawn over each other and are blissfully happy. Once a child comes into the picture, the mother slowly changes and the father must determine what’s best for the child.

Hungry Hearts_4698The opening scene is an adorable meet-cute in the bathroom of a Chinese restaurant, in one long, mesmerizing shot and reflect how the characters are completely in-sync. As the film progresses, different camera lenses underline the distortion in perspective of each of the characters. It’s quite effective and very unnerving.

Hungry Hearts_8190The intentions of a mother are not something that are easily questioned. What makes this story strong is how that bias keeps with you. Just like Jude, I wanted Mina to be misunderstood. I wanted to believe she knew what’s best for her child. But it keep nagging me. I just couldn’t shake the doubt.

Hungry Hearts_7265Adam Driver is amazing and heart-wrenching as the terrified and desperate father. The pain behind his eyes at not only seeing his child suffer, but seeing his wife suffer, was heart-breaking. Alba Rohrwacher is warm, yet cold at the same time. Her body gets progressively thinner and adds another layer to an already troubled mother.

This movie will lose something if you’re not watching it 100% and really follow these characters. Make sure you see it in the theater or with complete attention at home. You’re gonna love it or hate it, there’s not much room in between.

 

 

 

Melissa’s Review: ‘I Believe In Unicorns’ beautifully/terrifyingly captures the innocent foolish decisions of a teenage girl’s first love

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Davina (Natalia Dyer) is teetering between childhood and adulthood as she meets and falls in love with an older boy (Peter Vack). The two run away together, but her imaginative and free-spirited nature only goes so far before reality catches up.

I_Believe_in_Unicorns_publicity_still02This incredibly intimate story is writer/director Leah Meyerhoff’s first feature film and revolves around a “fictionalized version of her younger self.” Davina takes care of her mother (the director’s mother, Toni Meyeroff), and is artistic and imaginative. She has a best friend, Cassidy (Julia Garner, from the Tribeca film Grandma), but when she sees Sterling, she’s smitten.

I_Believe_in_Unicorns_publicity_still06As we follow Davina, Meyeroff uses stop motion to animate her lucid dream sequences. These sequences serve as a window into her mind as she can’t quite process what’s happening in real life. The real world backdrop, often without any score, allows you to take in the what’s happening without a filter.

I_Believe_in_Unicorns_publicity_still05Davina tries out Sterling’s world and gets lost. She doesn’t know how she’s supposed to be treated, or to act, and neither does he. The two of them learn as they go, discovering what makes each feel good as well as what really upsets them. Their short romance goes from bliss to utter disaster back to bliss in the blink of an eye. This is what someone means when they describe a relationship as, “we were too young.”

I_Believe_in_Unicorns_publicity_still09Good and bad, every experience shapes us. Davina may have lost her innocence, but she’s gained knowledge that she’ll carry with her forever. I look forward to Meyeroff’s next feature, as she has a very powerful voice.

Starts today at the IFC Center, 323 Sixth Avenue at West 3rd Street, New York, NY. Available on Vimeo June 1st.

This exploration of the emotional, complex landscape of troubled young love centers on Davina, an imaginative, strong-willed teenage girl with a beautifully twisted fantasy life. Having grown up quickly as the sole caretaker of her disabled mother, she looks for escape in a new relationship with an older boy. She’s quickly swept up into a whirlwind of romance and adventure, but Davina’s enchantment is shaken when her boyfriend’s volatile nature emerges. Official selection: SXSW Film Festival

Friday, May 29 at 8:20: The Making of I BELIEVE IN UNICORNS – Leah Meyerhoff (writer/director) and the UNICORNS cast and crew

Saturday, May 30 at 3:10: Editing for Performance – Michael Taylor (editor, UNICORNS), Natalia Dyer (actress, UNICORNS), Peter Vack (actor, UNICORNS)

Saturday, May 30 at 8:20: Coming of Age – Mary Harron (director, American Psycho), Eliza Hittman (director, It Felt Like Love), Caryn Waechter (director,The Sisterhood of Night), Natalia Dyer (actress, UNICORNS)

Sunday, May 31 at 3:10: DIY Techniques – Ryan Koo (founder, No Film School), Aly Migliori (post, UNICORNS), Joe Stillwater (sound, UNICORNS)

Sunday, May 31 at 8:20: Independent Visions – Adam Leon (director, Gimme the Loot), Deborah Kampmeier (director, Hounddog), Laurie Collyer (director,Sherrybaby), Rob Meyer (director, A Birder’s Guide to Everything)

Monday, June 1 at 8:20: Stop Motion Animation – Signe Baumane (director, Rocks in my Pockets), Leah Shore (director, Hallway), David Bell (director, The Sacred Engine)

Tuesday, June 2 at 8:20: Personal Narratives – Jonathan Caouette (director, Tarnation), Reed Morano (director, Meadowland), Ryan Piers Williams (director,X/Y), Kim Levin (director, Runoff), Petra Costa (director, Elena)

Wednesday, June 3 at 8:20: The Casting Process – Nicole Kassell (director, The Woodsman), Laurie Weltz (director, Scout), Sara Colangelo (director, Little Accidents), Anja Marquardt (director, She’s Lost Control)

Thursday, June 4 at 8:20: The Female Gaze – Bette Gordon (director, Variety), Alison Bagnall (director,Funny Bunny), Enid Zentelis (director, Evergreen), Gail Segal (professor, NYU), Terry Lawler (executive, NYWIFT)

I Believe in Unicorns – Trailer from Gravitas Ventures on Vimeo.

Melissa’s Review: Quentin Dupieux’s latest film is entertainingly far from ‘Reality’

Jon Heder

Jon Heder

You see Jon Heder‘s face above? That’s the one you’ll be making during the entire film. However, if you’re a fan of Dupieux’s previous work (Rubber, Wrong, Wrong Cops), you’ll really enjoy the trippy and dream-within-a-dream wormhole that is Reality.

Eric Wareheim

Eric Wareheim

It’s very safe to say that this movie is not for everyone, as it’s completely absurd and really makes no sense whatsoever. What separates it is the fantastic cinematography and the brilliant score of which Dupieux does himself. It’s no wonder it all works together so well.

Alain Chabat

Alain Chabat

My first introduction to Dupieux was Rubber (currently on Netflix) about a tire (yes, a tire), that’s a serial killer. Obviously ridiculous but completely imaginative and surprising, I was smitten. Reality has the same sort of imaginative writing but this time the story is a man who is pitching a movie and must get the perfect “groan” in order to land the funding. I used story very loosely, as there are many other things happening simultaneously.

Jon Heder

Jon Heder

The score is essential to the movie. At times unnerving, that’s exactly what its meant to be. It complements the story without overshadowing it all. The movie would not be the same without it and it’s not something you’d want to listen to on its own either. Quite extraordinary.

Much like when you’re in a dream, it seems like it’s making sense, then suddenly you wake up and it’s completely incoherent. Only in Reality, you don’t wake up.

Opens today, May 1st exclusively at the IFC Center in NYC and will be available on demand and via digital platforms.

 

Best of the Fest: Liz & Melissa’s 22 Favorite Narratives & Documentaries from the Tribeca Film Festival!

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It was a fabulous eleven days filled with movies and interviews, and now it’s time for us to reflect on our favorites. Enjoy!

Favorite Comedies

Grandma_Press_1 TribecaGrandma – releasing August 21st

Reeling from a recent breakup and still mourning the loss of her longtime partner, once-famous poet Elle Reid (Lily Tomlin) is surprised to find her teenage granddaughter on her doorstep in need of $600 and a ride. The two embark on an all-day road trip that ends up rattling skeletons and digging up secrets all over town. Co-starring Julia Garner, Marcia Gay Harden, Judy Greer, Laverne Cox, and Sam Elliott.

We’ve only gotten a tease of Tomlin over the past few years, but she’s back with a comedic performance that rivals any dramatic one. So wrong, yet so perfect, her delivery gives the dialogue an extra edge that almost makes you feel guilty as you laugh out loud. I can’t wait to see her and Jane Fonda in Grace and Frankie on Netflix. – Melissa

 

Tomlin is an indisputable legend. Her comic timing is like watching Mozart create a symphony. This film is an absolute gem that tackles so many relevant issues without one ounce of preachiness. I have always been a huge fan and I am crossing my fingers this garners her an Oscar nod. -Liz

Jack (Simon Pegg) and Nancy (Lake Bell) in Ben Palmer’s Man UpMan Up – releasing May 29th in the UK, no US release set

When perpetually single Nancy (Lake Bell) is mistaken for a charming stranger’s (Simon Pegg) blind-date, she just goes with it, leading to a series of escalating adventures for the two mismatched lovebirds in Ben Palmer’s hilarious romantic comedy.

This could have been another boring rom-com, but the trifecta of story, dialogue and performances make it my new favorite “meet cute.” – Melissa

 

Pegg and Bell are an unlikely duo but let me say this is perfect casting. Their chemistry is super believable and laugh out loud funny from start to finish. Do not pigeon hole this flick, it is a riot for everyone. -Liz

OVERNIGHT_Press_2 TribecaThe Overnight – releasing June 19th

Alex and Emily have just moved to LA with their young son. Eager to make new friends, they accept an invitation to a party from the father of their son’s playground mate. After the kids fall asleep, the “playdate” takes a bizarre turn in this racy and hilarious romp. Featuring Judith Godrèche, Taylor Schilling, Jason Schwartzman, and Adam Scott.

Filled with many twists and turns, you won’t know where the next laugh will take you as these two couples get to know each other. Sharing their hopes, fears and extracurricular hobbies, it all happens so naturally and with the utmost hilarity. – Melissa

 

This crazy funny adult comedy puts to rest the notion that hyper-sexual has to be boring or slapstick. This is actually a really thoughtful script and with a cast like this, you cannot go wrong. -Liz

Sleeping With Other People_Press_1 TribecaSleeping With Other People – releasing August 21st

Jason Sudeikis and Alison Brie star as two romantic failures whose years of serial infidelity and self-sabotage have led them to swear that their relationship will remain strictly platonic. But can love still bloom while you’re sleeping with other people? Writer/director Leslye Headland’s (Bachelorette) sexy romantic comedy co-stars Amanda Peet, Adam Scott, and Natasha Lyonne.

The “platonic friends” comedy is so overdone, but it’s been reborn with Jason Sudekis and Alison Brie. With over-the-top intimate dialogue, honesty is the best policy when it comes to modern relationships. One of the funniest movies of the year. – Melissa

 

This film may appear to be formulaic at first glance, but I assure you, you have no idea what you’re in for. One of the best and most honest pieces of dialogue since This is 40, Sudeikis and Brie kill it with the funny as two people with some serious intimacy issues. -Liz


Favorite Dramas

ANESTHESIA_Press_2 TribecaAnesthesia

On a snowy night in New York City, a Columbia professor is brutally mugged on the doorsteps of an apartment building. Director Tim Blake Nelson’s haunting meditation of city life traces the chain of events that precipitate the attack, examining the inextricable and unforeseen forces that bring a group of disparate individuals together. Featuring a star-studded ensemble including Sam Waterston, Kristen Stewart, Glenn Close, and Cory Stoll.

Make sure you pay attention and get ready for dialogue that is a hyper-intellectual mental workout. It’s heavy but hopeful and filled with brilliant performances.- Melissa

 

This film’s multiple narrative style is something reminiscent of Traffic or Third Person. Beautifully based on philosophical notions, the audience is treated to a peak inside the lives of a handful of New Yorkers. With a jam packed cast of superb talent, Tim Blake Nelson brings everything to the table and succeeds, wildly. – Liz

Bare_Press_1 TribecaBare

Sarah’s (Dianna Agron) mundane life in a Nevada desert town is turned upside down with the arrival of Pepper (Paz de la Huerta), a mysterious female drifter, who leads her into a life of seedy strip clubs and illicit drugs. Their passion inspires Sarah to break free of her past and seek out a new life of her own.

It’s a story that could be told of any small town. It never attempts to explain anything, which actually gives it much more credibility.  – Melissa

 

In Agron’s first truly adult role, she shines as a small town girl trying to find her escape. Big dreams and little self esteem lead to a complex script and a stellar performance.   -Liz

The Driftless AreaThe Driftless Area

Pierre Hunter (Anton Yelchin), a bartender with unyielding optimism, returns to his tiny hometown after his parents’ death. When he falls for the enigmatic Stella (Zooey Deschanel), Pierre is unknowingly pulled into a cat-and-mouse game that involves a duffel bag full of cash, a haphazard yet determined criminal (John Hawkes), and a mystery that will determine all of their fates. With Alia Shawkat, Frank Langella, Aubrey Plaza, and Ciarán Hinds.

To say that The Driftless Area is cryptic is an understatement. I’m still not quite sure what happened, but the characters are so complex and interwoven that even though you’re confused, you can’t wait to see what happens next. – Melissa (read full review here)

Meadowland_Press_1 TribecaMeadowland

Sarah and Phil’s son goes missing, shattering their life together and forcing each to find their own way to cope. Cinematographer-turned-director Reed Morano presents a masterfully crafted contemplation on a relationship strained to the breaking point. Olivia Wilde and Luke Wilson capture the unraveling emotions with remarkable power, alongside Kevin Corrigan, John Leguizamo, Elisabeth Moss, Giovanni Ribisi, Juno Temple, and Merritt Wever.

This emotionally heavy story will kick you in the gut. How does one cope after the loss of a child? Do marriages survive? Can we be saved? These are all questions in an intense script lead by a masterful performance from Wilde. Following up her insane roller coaster role in Third Person, Wilde proves once again that she’s way more than a pretty face. Cast her in all the things, immediately! – Liz

Tumbledown_Press_1 TribecaTumbledown

Years after the accidental death of her folk-singer husband, Hannah (Rebecca Hall) has yet to fully accept her small-town life without him. Then she is approached by a charming New York writer (Jason Sudeikis) intent on penning a biography of her late husband’s life, and Hannah finds herself opening up again. Also featuring performances by Dianna Agron, Blythe Danner, Griffin Dunne, Joe Manganiello, and Richard Masur.

This was a film near and dear to my heart, based on plot and circumstance. The filmmakers and cast hit the nail on the head when it came to recreating a small New England town in Maine and the effect a death has upon it’s entire population. Loss and grief are combined with super smart writing. Sudeikis and Hall own these roles. – Liz

(read full review & podcast of interviews here)

Virgin Mountain TribecaVirgin Mountain

Fúsi is a mammoth of a man who at 43-years-old is still living at home with his mother. Shy and awkward, he hasn’t quite learned how to socialize with others, leaving him as an untouchable inexperienced virgin. That is until his family pushes him to join a dance class, where he meets the equally innocent but playful Sjöfn.

Heartbreaking, yet hopeful, this Jury award winner for narrative and lead performance will grab ahold of you and squeeze. – Melissa

 

This was one of the most endearing films I’ve seen lately. The “I think I can” attitude and transformation of the lead is so compelling from the very beginning. You cannot help but root for this character. -Liz

When I Live My Life Over Again-00002 TribecaWhen I Live My Life Over Again

Jude (Amber Heard) is a would-be singer-songwriter still struggling to make her mark. Cash-strapped and homeless, she begrudgingly returns to the Hamptons home of her father (Christopher Walken), an over-the-hill crooner desperately charting his musical comeback, in this spunky, soulful dramedy about the personal costs of artistic ambition and the bonds that carry us through.

Christopher Walken is charming and tragic. The dialogue is so subtle and natural, you’d think you were watching a documentary. The dining table scene alone is worth the price of admission. – Melissa

 

The tremendously organic dialogue in this film is top notch. It’s an honest portrait of family dynamics we can all relate to on some inherent level. Walken is a gem, as always, and I was blown away by Heard’s level of comfort behind a guitar and piano. Color me impressed.- Liz


Favorite Scary

Backtrack_Press_2 TribecaBacktrack – acquired by Saban Films

In this spine-tingling supernatural thriller, troubled psychotherapist Peter Bowers (Adrien Brody) is suffering from nightmares and eerie visions. When he uncovers a horrifying secret that all of his patients share, he is put on a course that takes him back to the small hometown he fled years ago. There he confronts his demons and unravels a mystery 20 years in the making.

I liked this film as the credits rolled. Speaking of credits, the opening sequence is one of the most beautiful and creative I’ve seen in some time. As I hashed out all the little moments in the script, the makeup, the music, I adored this film. Very smart writing and some really nicely timed jump scares. File this film under paranormal- thriller. -Liz

Hungry Hearts_0341Hungry Hearts – releasing June 5th

After a chance meeting and a whirlwind romance in New York City, Jude (Adam Driver) and Mina (Alba Rohrwacher) become pregnant. Convinced their child will be harmed by the pollutions in the outside world, Mina becomes consumed by protecting her baby, forcing Jude to recognize a terrible truth about why his son’s life could be in danger.

Told like a 70s horror flick, this is a Rosemary’s Baby kind of scary. Crazy camera angles and eerie music make this a very unsettling story that will leave you shivering. – Melissa


Favorite Documentaries

Birth of Sake_Press_2The Birth of Sake

Traditional and labor-intensive, the production of Saké has changed very little over the centuries. Erik Shirai’s love song to the artisans who have dedicated their lives to carrying on this increasingly rare artform follows the round-the-clock process for six straight months, offering a rare glimpse into a family-run brewery that’s been operating for over 100 years.

The gorgeous imagery is enhanced by slowmotion and a calming score. Whether you’re a lover of saké or not, you’ll appreciate the amount of work that goes into its creation. – Melissa (3 docs you must see)

 

Visually breathtaking  with a whole lot of heart, this doc was so enjoyable  for me to watch. It is  akin to a work of art and could easily (and should be) shown on a constant loop in museums. -Liz

Code_web_02CODE: Debugging the Gender Gap

At a time, according to this Utah County recruitment agency experts, in the United States when the tech sector outpaces the overall growth of the employment market, CODE asks the important question: Where are all the women?

Instead of focusing on one aspect of the gender gap in coding, this film really shows that everyone has something to give. The field of information technology is only getting bigger and we need all hands on deck. The more diverse the people building the future technologies are, the better the world is for it. – Melissa (3 docs you must see)

Crocodile Gennadiy imageCrocodile Gennadiy

Crocodile Gennadiy, real-life, self-appointed savior, who works tirelessly to rescue homeless, drug-addicted youth from the streets of Mariupol, Ukraine. At the same time, he challenges dealers and abusers. Despite criticism, Gennadiy is determined to continue his work. Sundance Award-winning director Steve Hoover’s second feature is a bold portrait of a man on a mission.

Doing what’s right is the main point of this extraordinary documentary. Saving the lives of innocent children that are being taken advantage of by a broken system mired in poverty, Gennodiy is the perfect example of what religion should look like. – Liz  (read interview here)

Democrats stillDemocrats

In the wake of Robert Mugabe’s highly criticized 2008 presidential win, a constitutional committee was created in an effort to transition Zimbabwe away from authoritarian leadership. With unprecedented access to the two political rivals overseeing the committee, this riveting, firsthand account of a country’s fraught first steps towards democracy plays at once like an intimate political thriller and unlikely buddy film.

The bravery of these people to be on film, speaking in the manners they do is enough to cheer for. Getting an honest look inside a corrupted political system outside our own is astonishing. Take note America.- Liz  (read review here)

DREAM KILLER_Press_1 TribecaDream/Killer

In the fall of 2005, 21-year-old Ryan Ferguson received a 40-year prison sentence for a murder that he did not commit. Over the next ten years, his father Bill engages in a tireless crusade to prove Ryan’s innocence. Interspersed with footage from the Ferguson family archive, Andrew Jenks’ film looks at the personal consequences of a wrongful conviction.

One of the most frustrating docs to watch, you learn just how lost our justice system can be. Unexpected and shocking, the combination of footage, audio, and interviews makes for one hell of a story. -Liz  (read review & interview here)

Exclusive Closing Night "Monty Python Live (Mostly)"Monty Python: The Meaning of Live

While perhaps best known for its eminently quotable films, Monty Python has performed its signature, surreal humor in live shows since the group’s earliest days. Dive into the history of Python’s stage work and the genesis of some of its most well-known pieces as they prepare for their last-ever live show. Monty Python: the Meaning of Life is a hilarious and illuminating survey of the process behind the Python.

I saw my first Monty Python films at the age of 13. Why it took me that long, I’ll never know. I have my theater friends to thank for introducing me into a world of absolute insanity and brilliance. This is an awesome look inside  the relationships between some of your most memorable laughs and the men behind them. -Liz

Orion is his iconic eagle suit. Photo credit Sun Records

Orion is his iconic eagle suit. Photo credit Sun Records

Orion: The Man Who Would Be King

Millions of Americans clung to the hope that Elvis Presley faked his death. For the executives at Sun Records that fantasy became an opportunity in the form of Orion, a mysterious masked performer with the voice of The King. But who was the man behind the mask? In this stranger-than-fiction true story, Jeanie Finlay explores a life led in service to those who couldn’t let Elvis go.

Everyone has heard of Elvis, but only a fraction have heard of Orion aka Jimmy Ellis. When Jimmy Ellis sang, he sounded like the legendary Elvis. His talent was brought to new heights when Elvis died and people didn’t want to let go. Never an impersonator, Jimmy did capitalize on this coincidence and attempt stardom on his own. – Melissa (read review here)

Artwork from "That Dragon, Cancer".Credit: That Dragon, Cancer

Artwork from “That Dragon, Cancer”.Credit: That Dragon, Cancer

Thank You For Playing

For the past two years, Ryan and Amy Green have been working on That Dragon, Cancer, a videogame about their son Joel’s fight against that disease. Following the family through the creation of the game and the day-to-day realities of Joel’s treatment, David Osit and Malika Zouhali-Worrall create a moving testament to the joy and heartbreak of raising a terminally ill child.

Fair warning: bring an entire box of tissues with you to this truly important and thoughtfully crafted film. If most of us are being honest, usually when we see commercials for St. Jude’s Children’s Hospital we change the channel, but in this instance we come to know and love the members of the Green family. Understanding “That Dragon Cancer ” is the only way to help save lives and support those  on their journey. Using art as an outlet for grief is a transformative way to share an experience, good or bad. – Liz

Wolfpack_Press_1 TribecaThe Wolfpack – releasing June 19th

Everything the Angulo brothers know about the outside world they learned from obsessively watching movies. Shut away from bustling New York City by their overprotective father, they cope with their isolation by diligently re-enacting their favorite films. When one of the brothers escapes, the world as they know it will be transformed.

Something about this film grabbed my heart and held it for it’s entirety. These kids are among us here in NYC, but you’d never know since they’ve been essentially held captive their entire lives. The intense detail  in which these brothers re-create their favorite films is unreal. Their passion and intelligence should be on view for all the world to see and enjoy.- Liz

Tribeca Film Festival review: ‘Man Up’ with Simon Pegg & Lake Bell will renew your faith in the rom-com

Jack (Simon Pegg) and Nancy (Lake Bell) in Ben Palmer’s Man UpMan Up – rush tickets available

Mistaken identity in a romantic comedy is far from new, but Man Up takes you on a different path with unbelievable chemistry and clever writing. Lake Bell (who you should know from her movie In A World on Netflix, WATCH NOW) plays a brit opposite Simon Pegg and from their very first meeting, you’re absolutely hooked.

Nancy (Lake Bell) in Ben Palmer’s Man Up

Nancy (Lake Bell) is inadvertently mistaken for Jack’s (Simon Pegg) blind date, and before she can even speak, she’s smitten (and so are we) and decides to see where it goes. The two go bowling and the rest, shall we say, is history.

Jack (Simon Pegg) and Nancy (Lake Bell) in Ben Palmer’s Man UpMy first hurdle was getting over Lake Bell with a british accent, but only because I know her as an American. Very soon that melted away and I couldn’t wait to see what this couple was up to next.

Luckily for everyone the movie releases to theaters May 29th.@@

 

Tribeca Film Festival reviews: Four Fabulous Films From Female Directors – ‘Bare’ ‘Being 14’ ‘Meadowland’ ‘Sworn Virgin’

Bare_Press_1 Tribeca

Bare – tickets available
Director: Natalia Leite

Sarah is a young girl on a path of normalcy and domesticity when she meets a woman who is far from both. Dianna Agron, in 1 of 2 Tribeca Film Festival performances (the other Tumbledown), plays Sarah with a moving innocence and curiosity.

What makes it so good is that it never explains Sarah’s actions at all. We’re merely a fly on the wall as Sarah strikes up a friendship with Pepper (Paz de la Huerta) and tries out a new persona. Is it curiosity? Boredom? A little of both?


Being 14  Tribeca

Being 14
Director: Hélène Zimmer

If you’re a girl and ever have a fantasy/nightmare of reliving the age of 14, then this is your movie. Told with shockingly intimate dialogue, you’ll think you’re watching a documentary. Showing that teenage girls are both innocent and evil, you’ll have a hard time shaking this off.


Meadowland_Press_1 TribecaMeadowland
Director: Reed Morano

Dark and deeply emotional, this story of a couple dealing with the loss of a child will weigh heavy on you. Olivia Wilde is virtually unrecognizable as a woman struggling to escape from her own mind.


Sworn Virgin  Tribeca

Sworn Virgin – tickets available
Director: Laura Bispuri

Transgender stories are slowly making their way into cinema and this one is introspective and revealing. Alba Rohrwacher, in 1 of 2 movies at the Tribeca Film Festival (other is Hungry Hearts), absolutely stuns as a woman living as a man to survive in her small village. Although it has a slow pace, the story captivates.

Tribeca Film Festival reviews: Adult comedies ‘The Overnight’ ‘Dirty Weekend’ & ‘Sleeping With Other People’

Taylor Schilling (Emily) in a scene from THE OVERNIGHT. Photograph by John Guleserian

Taylor Schilling (Emily) in a scene from THE OVERNIGHT.
Photograph by John Guleserian

Let’s not dance around it – these are good, old-fashioned sex comedies. Remember those from the 80s? And they aren’t just about boobs anymore. For more adult related media look in to tubesafari.

The Overnight – tickets available, also in theaters June 19th

In this hilarious tale of a wild night amongst parental couples, no topic is taboo. What starts out as an innocent dinner ends up in places you could never predict and yet it arrives there so organically that you can’t help but relate.

Alex (Adam Scott) and Emily (Taylor Schilling) have just moved to Los Angeles and are scouting for new friends when they meet Kurt (Jason Schwartzman) who invites them to dinner at his home with his wife, Judith Godrèche. Why end the night when the kids go to bed?

With almost non-stop laughter, each character brings their own brand of humor to all kinds of uncomfortable situations. “Fasten your seatbelts, it’s going to be a bumpy night.”

Dirty-Weekend_Press_1 Tribeca

Alice Eve & Matthew Broderick in ‘Dirty Weekend’

Dirty Weekend – tickets available

Part mystery, part comedy and part drama, this story had so much potential. Natalie (Alice Eve) and Les (Matthew Broderick) are work colleagues stuck in Albuquerque when their flight is delayed. Les mysteriously wants to separate to run some errands, but Natalie tags along.

Even with the sexual escapades, I had a hard time keeping interest with the slow pace and the forced dialogue. Matthew Broderick plays the seemingly innocent “aw shucks” type and it wears thin pretty quickly. Alice Eve ends up playing second fiddle and her character is nothing more than a few charactertures.

Sleeping With Other People_Press_1 Tribeca

Sleeping With Other People – only RUSH tickets available

This and The Overnight are tied for my favorite movies of the festival so far.

After losing their virginity to each other in college and having bad luck in love since, Jake (Jason Sudeikis) and Lainey (Alison Brie) run into each other and decide to keep their relationship completely platonic. Yes, we know what’s going to happen, but as with every good movie, it’s not necessary the destination, but the journey.

Filled with over-the-top sexual references, the first priority is always comedy. The dialogue is brutally funny and hilariously uncomfortable. Get out there and see it now!

Tribeca Film Festival review: Zooey Dechanel & Anton Yelchin roam ‘The Driftless Area’ of confusion & crime

The Driftless Area

To say that The Driftless Area is cryptic is an understatement. I’m still not quite sure what happened, but the characters are so complex and interwoven that even though you’re confused, you can’t wait to see what happens next.

After he returns home after college, Pierre (Anton Yelchin) meets and falls in love with Stella (Zooey Deschanel). He gets mixed up in some trouble with a criminal (John Hawkes) and circumstances unravel.

Along the way, we meet Pierre’s best friend, the always likeable and honest Alia Shawkat, Stella’s protector, Frank Langella, and the ever-entertaining Aubrey Plaza. I would consider this to be an ensemble cast because of how much they stand out, yet never overshadow.

Based on a book of the same name, the author, Tom Drury, also co-wrote the screenplay with director, Zachary Sluser. The beautiful landscapes and minimal score provide a calm ride into the lives of each character. Rather than painting as heroes or villains, all have humor and a grounding in reality that is usually just reserved for comedies.

Anyone interested in the fate versus free-will conversation will love this surreal journey.

One screening left this Saturday!

Tribeca Film Festival review: Jennifer Connelly & Cillian Murphy as Mother & Son in ‘Aloft’

Cillian Murphy as Ivan Photo by Allen Fraser, Courtesy of Sony Pictures Classics

Cillian Murphy as Ivan
Photo by Allen Fraser, Courtesy of Sony Pictures Classics

A woman, in search for a cure for her youngest son, discovers her own ability to heal others. However, a tragic accident prevents her from curing him and threatens to break up her family.

Mélanie Laurent as Ressmore Photo by Jose Haro, Courtesy of Sony Pictures Classics

Mélanie Laurent as Ressmore
Photo by Jose Haro, Courtesy of Sony Pictures Classics

Jennifer Connelly is cold and rigid as the young mother, but Cillian Murphy is bold and emotional as her oldest son in the bleak Aloft. Told through flashbacks mixed with present time, director and Academy Award®–nominee Claudia Llosa tells a complex story through the eyes of Ivan (Murphy), who travels with Jannia (Mélanie Laurent).

Left to right: Winta McGrath as Gully and Jennifer Connelly as Nana Photo by Jose Haro, Courtesy of Sony Pictures Classics

Left to right: Winta McGrath as Gully and Jennifer Connelly as Nana
Photo by Jose Haro, Courtesy of Sony Pictures Classics

Jennifer Connelly as Nana Photo by Jose Haro, Courtesy of Sony Pictures Classics

Jennifer Connelly as Nana
Photo by Jose Haro, Courtesy of Sony Pictures Classics

Left to right: Wiliam Shimell as Newman and Zen McGrath as Young Ivan Photo by Jose Haro, Courtesy of Sony Pictures Classics

Left to right: Wiliam Shimell as Newman and Zen McGrath as Young Ivan
Photo by Jose Haro, Courtesy of Sony Pictures Classics

The ice and snow provide a perfect backdrop to the chilling tale of how small decisions can have the largest impact. As the story progresses, it only gets colder and it can be hard to tell who you should be rooting for, but Ivan is the most heard. A heart-wrenching story of mother and child, you may have an opinion, but no one knows until it happens to them.

Releasing May 22nd in select theaters, one screening left at the Tribeca Film Festival.

Left to right: Jennifer Connelly and Director Claudia Llosa Photo by Jose Haro, Courtesy of Sony Pictures Classics

Left to right: Jennifer Connelly and Director Claudia Llosa
Photo by Jose Haro, Courtesy of Sony Pictures Classics

Tribeca Film review: Richard Gere gives and gives as ‘Franny’

FRANNY_press_1 TribecaFranny – tickets still available!

As someone who loves to give, I am aware there are boundaries of that giving that can make people feel uncomfortable. Although his heart is in the right place, Franny gladly crosses those boundaries. While there are several moments that hit an emotional nerve, it wasn’t enough to make up for the uneven story.

FRANNY_Press_3 Tribeca

Richard Gere stars as Franny, a wealthy philanthropist who has become addicted to morphine after a tragic accident involving his best friends. He’s been very reclusive until their daughter, Olivia (Dakota Fanning) comes back into his life. Franny showers her and her new husband with everything they could ever want.

The movie has many themes and is unable to execute any of them fully. It shifts from being about family, to a story of addiction to what it means to give too much. Franny is clearly troubled from his past yet we’re only given a glimpse into any of it.

FRANNY_Press_2 TribecaA missed opportunity was to really show how someone with so much wealth and resources can have their addiction overlooked. There were hints, but it inevitably failed. While Richard Gere delivers a powerful performance, it loses something by the lack of solid supporting cast storylines. It was ultimately predictable and flat.

3 docs you simply must see at the Tribeca Film Festival

Birth of Sake_Press_2The Birth of Saké – RUSH tickets available

Feeling stressed? Can’t get your mind to relax? Take a trip to Japan and follow a group of men who dedicate half of their year to making saké. The group of men eat, sleep, laugh and cry together all while preserving the centuries-old tradition.

The passion of the brewmaster Yamamoto and his young apprentice, Yasuyuki is where the heart of the story lies. They each care so much about not only the tradition, but the people they work with on a day-to-day basis.

The gorgeous imagery is enhanced by slowmotion and a calming score. Whether you’re a lover of saké or not, you’ll appreciate the amount of work that goes into its creation.

Orion is his iconic eagle suit. Photo credit Sun Records

Orion is his iconic eagle suit. Photo credit Sun Records

Orion: The Man Who Would Be King – hurry, tickets still available!

Everyone has heard of Elvis, but only a fraction have heard of Orion aka Jimmy Ellis. When Jimmy Ellis sang, he sounded like the legendary Elvis. His talent was brought to new heights when Elvis died and people didn’t want to let go. Never an impersonator, Jimmy did capitalize on this coincidence and attempt stardom on his own.

Jimmy himself tells us his tale through audio interviews. Told with a candid and revealing, yet loving hand, Orion: The Man Who Would Be King is ultimately a story about fame sought, found and lost.

Whether you liked Elvis’ music or not, you’ll be captivated by a man who lived large and went after his dreams.

Code_web_02CODE: Debugging the Gender Gap – tickets are going fast!

When I was choosing classes for my first year of high school, I chose to take Technical Drafting. It seemed interesting to me. It never occurred to me that I’d be the only girl in the class. I was bullied every day. I was called unspeakable names behind the teacher’s back. I heard tales of how there were girls who had taken the class and dropped out. I’m sure I must have considered dropping the class, but I have no recollection of it.

I wasn’t the best in the class, but I was always willing to learn and tried my very best. My teacher, Mr Huff, was the kindest, most encouraging man and brought me to every tournament and entered me in every competition eligible. I rarely placed, but I got to see that there were girls in classes like mine at other schools. I was not alone.

Just before seeing this film I had made the decision to learn to code. In the few info sessions at bootcamps for code that I’ve attended, I can see that the gap is still there, but it’s much more encouraging than just twenty years ago.

Instead of focusing on one aspect of the gender gap in coding, this film really shows that everyone has something to give. The field of information technology is only getting bigger and we need all hands on deck. The more diverse the people building the future technologies are, the better the world is for it.