Presents
What if you had the option to change a single moment in your past? Would you take it? We all think at some point or another, “If only I hadn’t said/done that, things would be so different!” But, do we ever think about the ripple effect of taking back that action? In Oliver Thompson‘s new festival favorite, we’re plunged into a world where this very choice is presented to a select few.
In WELCOME TO HAPPINESS, Woody (Gallner), a children’s author, rents a strange apartment from his landlord, Moses (Offerman). There’s a magical door in Woody’s closet that allows those who go through it to erase mistakes from their past. While he was once happy to facilitate the passage of the random strangers summoned to his apartment, Woody soon begins to question why he himself is not allowed to go through.
Oliver Thompson‘s duel role as writer and director suits this indie gem to a T. Stylistically vibrant and charming, WELCOME TO HAPPINESS is something akin to ETERNAL SUNSHINE OF THE SPOTLESS MIND in look and quirk factor, but most assuredly has its very own unique voice. The colorful cinematography is a brilliant reflection of each character’s momentary mood. The plot has intrinsically intertwined story lines and is full of surprisingly insightful glee all while tackling the ghost of depression. Thompson has achieved quite the feat, no doubt. 
Kyle Gallner‘s performance is honest and down to earth. This might be some of his best work, although he’s always a solid performer. Nick Offerman gets the opportunity to break free from his sardonic persona to tackle a more gentle character. Given the task, he absolutely shines. It’s nice to see this side of him. Olivia Thirlby is a wonder no matter the role and Brendon Sexton III‘s ever discontented presence it perfect for this film. The cast from top to bottom is a true delight. WELCOME TO HAPPINESS is an immensely thoughtful film without ever taking itself too seriously. This is a rare find. You can catch the movie in theaters and On Demand this Friday, May 20th. Take a peak at the trailer below!
WELCOME TO HAPPINESS Opens May 20th
The film has been awarded ‘Outstanding Achievement in Filmmaking’ at the Newport Beach Film Festival, ‘Excellence in Producing’ and ‘Producers Choice’ at the International Festival of Cinema, ‘Best Narrative Feature’ at the deadCENTER Film Festival, as well as ‘Best Ensemble Cast’ at the Phoenix Film Festival.
Written & Directed by Oliver Thompson
Produced by Bay Dariz, Oliver Thompson, Molly C. Quinn, and Kyle Gallner
Starring
Kyle Gallner (Veronica Mars, American Sniper)
Olivia Thirlby (Juno)
Nick Offerman (NBC’s Parks and Recreation)
Molly C. Quinn (ABC’s Castle)
Brendan Sexton III (AMC’s The Killing)
Josh Brener (HBO’s Silicon Valley)
Keegan-Michael Key (Comedy Central’s Key and Peele)
Paget Brewster (CBS’s Criminal Minds)
Frances Conroy (FX’s American Horror Story)
BBC recently produced a spectacular new adaptation of Leo Tolstoy’s timeless novel, where three young people experience life, love and loss against the epic backdrop of Russia’s wars with Napoleon. The 6 episode mini-series was filled to the brim with talented actors that included Lily James, Paul Dano, James Norton, Tuppence Middleton, and Jim Broadbent to name a few. With breathtaking period costumes and sweeping cinematography, Director Tom Harper has successfully created a magical adaptation that is as heart-rending and exhilarating as Tolstoy’s original work. Take a look at our exclusive clip of Harper and the cast at the very first read-through of WAR & PEACE.
Almost entirely shot in the woods, our lead character Ann has only her vehicle and two small camps on a lake. Screenwriter David Ebeltoft’s immensely effective script, utilizes intermittent flashbacks to show us how Ann came to be on her own. Once traveling with her husband and infant daughter, the audience must allow themselves to be with Ann in the present in order to feel emotionally connected. She is smart and resilient. She has learned that practicality is the only way to survive. Her newly gained skills sometimes fumble, adding to the realism factor. The minute she allows her emotions to control her path, things are bound to go awry. When Ann stumbles upon Chris and his step-daughter Olivia, her motherly instinct may be her undoing. Two mindsets are at play; Stay put or keep moving. Which would you choose? Blackhurst’s use of nudity is never without purpose. There is no glamour factor here, which is much appreciated in the genre in general. Lucy Walters‘ lead performance is breathtaking. It’s not until the very end that we discover what happened to Ann’s daughter. That particular scene, which we know from the very beginning we’ve been building up to, is one of the most gut-wrenching I’ve seen on film. Maybe it’s the new Mommy hormones, maybe it’s Ebeltoft specifically crafted script, or maybe it’s the perfect storm of the two. I don’t think I have ever wept while watching a horror film until now. In a “what would you do?” scenario from hell, HERE ALONE tears your heart out and challenges how you think you’d react in a doomsday situation. When you’re down to your last bullet, it’s life or death.
Everyday, I have the urge to block friends on Facebook. The vitriolic political rhetoric being thrown around in both “article” and meme form is more over the top than it has ever been. Thank the internet gods for 
On the heels of his beautiful script for Nebraska, writer/director Bob Nelson brings heart and levity to what might otherwise seem to be a mundane scenario. The estrangement of an alcoholic father and his young son is nothing new, but by adding a religious element to the mix, it makes for a funny and honest look into the innocence of a child’s mind. Clive Owen‘s portrayal of Walt is raw and real. You empathize with his struggle to do right by his son. Speaking of Anthony, St. Vincent prodigy Jaeden Lieberher is, once again, a star. His purity in presence and intention glow as a young boy thrust into religion by his Mother. Caught in between parents of opposite end spectrum, he is an old soul, yet is constantly discovering when it is okay to push social boundaries. Owen and Lieberher are a perfect pairing. Nelson’s script allows both actors to take the reins as the story progresses. Each character has the opportunity to emotionally care for the other in a truly lovely dynamic.
The subtlety of the film is what makes it so successful. In an era of overblown CGI fare, Bob Nelson gives us an honest to goodness family story. The Confirmation is a joy.
Directed by and starring Robert Carlyle (The Full Monty, Trainspotting, 
Robert Carlyle is a real winner in his directorial debut. His portrayal of Barney is a wonderful mixture of neurotic, depressed, and pathetic Mama’s boy. A far cry from his Once Upon A Time role as Mr Gold. His skill as a director is plain to see. Barney Thomson has an upbeat and fun vibe. If you combined Baz Lurhmann‘s Strictly Ballroom, Richard Shepard’s Dom Hemingway, with a twist of Tarantino, you’ve got the eclectic style of Barney Thomson. Casting Emma Thompson as his mother, Cemolina, was pure genius. Their chemistry is unmatched. Wait until you see the prosthetics on Emma. The slightly overdone (and orange) nature of the makeup, creates the perfect backdrop for this larger than life character.
The dialogue from Richard Cowan and Colin McLaren is quippy and hilarious. Utilizing the a beautifully absurd storyline combined with rapid fire Scottish rhetoric makes for the perfect combination in style and comedy. The soundtrack is incredible and Fabian Wagner‘s cinematography is stunning. It’s clear that Carlyle knows his stuff and I, for one, look forward to any future endeavors. Barney Thomson is a hit.
Mother Nature is not one to be trifled with. The Earth is going to do as it sees fit, no matter what our plans may be as humans. THE WAVE is based on a very real “what-if” scenario. Not all too different from the horrors that will most certainly be coming our way in the future, if we don’t get out proverbial shit together. And very much like The Wave, this is not a matter of if, but when. 
The film centers around geologist, Kristian and his family. Leaving his current position as safety gatekeeper for the village, Kristian has a tough time letting go on his final day on the job, and for good reason. Testing fate is not something that comes easily when an entire population is at stake. When the alarms sound and the what-if becomes a reality, Kristian will do whatever it takes to save anyone he can from impending doom.
presents
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