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Review: ‘BARNEY THOMSOM’ makes murder relatively complicated.

Posted on March 11, 2016 by Liz Whittemore — Leave a reply

Directed by and starring Robert Carlyle (The Full Monty, Trainspotting, 28 Weeks Later) in his directorial debut the film features Emma Thompson (Sense & Sensibility, Saving Mr. Banks), Ray Winstone (The Departed) and Tom Courtenay (Quartet).

Barney Thomson, awkward, diffident, Glasgow barber, lives a life of desperate mediocrity and his uninteresting life is about to go from 0 to 60 in five seconds, as he enters the grotesque and comically absurd world of the serial killer.

Robert Carlyle is a real winner in his directorial debut. His portrayal of Barney is a wonderful mixture of neurotic, depressed, and pathetic Mama’s boy. A far cry from his Once Upon A Time role as Mr Gold. His skill as a director is plain to see. Barney Thomson has an upbeat and fun vibe. If you combined Baz Lurhmann‘s Strictly Ballroom, Richard Shepard’s Dom Hemingway, with a twist of Tarantino, you’ve got the eclectic style of Barney Thomson. Casting Emma Thompson as his mother, Cemolina, was pure genius. Their chemistry is unmatched. Wait until you see the prosthetics on Emma. The slightly overdone (and orange) nature of the makeup, creates the perfect backdrop for this larger than life character.

The dialogue from Richard Cowan and Colin McLaren is quippy and hilarious. Utilizing the a beautifully absurd storyline combined with rapid fire Scottish rhetoric makes for the perfect combination in style and comedy. The soundtrack is incredible and Fabian Wagner‘s cinematography is stunning. It’s clear that Carlyle knows his stuff and I, for one, look forward to any future endeavors. Barney Thomson is a hit.

BARNEY THOMSON On Demand February 2^nd, 2016 and in theaters March 11^th, 2016.

Directed By: Robert Carlyle (directorial debut)

Written By: Richard Cowan and Colin McLaren based on the novel by Douglas Lindsay

Produced By: John G. Lenic, Kaleena Kiff, Holly Brydson, Brian Coffey, Holly Brydson and Richard Cowan

Starring: Emma Thompson (Sense & Sensibility, Saving Mr. Banks), Robert Carlyle (The Full Monty, Trainspotting, 28 Weeks Later), Ray Winstone (The Departed), Tom Courtenay (Quartet)

Distributed by: Gravitas Ventures

Running Time: 96 Minutes

Rating: NR

Review: ‘Yalom’s Cure’ fights darkness and seeks illumination

Posted on March 11, 2016 by Jordan Jenkins — Leave a reply

Irvin D. Yalom, is an inspiring, 80-year-old psychotherapist who believes the best cure for many of our everyday concerns are the relationships we have throughout our lives. Irvin studied the many ways of psychoanalysis and came to the conclusion that love is a powerful tool and necessity when it comes to finding happiness. Yalom’s Cure, directed and written by Sabine Gisiger, brings a beautifully constructed film of Irvin’s teachings, written works and practice, all interwoven into his own therapeutic journey through life.

The film is calming, moving and beautiful. For a man who puts so much of his personal life out in the open, all for the benefit to others is a selfless thing. This film is therapeutic within itself, by helping audiences realize some of the things we once saw as problems may not be as bad as they seem, and instead opens our eyes to where true life happiness really lies.The US Premiere for Yalom’s Cure is on March 11th at the Laemmle Theaters in Los Angeles.

4/5 Stars

Official Selection Festival Del Film Locarno 2014

See the trailer below!

Review: Norwegian disaster film, THE WAVE, hits you like a ton of bricks… or a giant ass tsunami.

Posted on March 4, 2016 by Liz Whittemore — Leave a reply

Mother Nature is not one to be trifled with. The Earth is going to do as it sees fit, no matter what our plans may be as humans. THE WAVE is based on a very real “what-if” scenario. Not all too different from the horrors that will most certainly be coming our way in the future, if we don’t get out proverbial shit together. And very much like The Wave, this is not a matter of if, but when.

The Wave is an epic thriller that takes place in the majestic village of Geiranger, one of the most spectacular tourist locations on the planet. There are more than 300 unstable mountainsides in Norway, one of the largest being “Åkerneset.” When – not if – the mountain collapses due to widening cracks, the rock will crash into the fjord below, creating a massive tsunami that will hit the community. All inhabitants will have just 10 minutes to reach higher ground before tragedy strikes.

The film centers around geologist, Kristian and his family. Leaving his current position as safety gatekeeper for the village, Kristian has a tough time letting go on his final day on the job, and for good reason. Testing fate is not something that comes easily when an entire population is at stake. When the alarms sound and the what-if becomes a reality, Kristian will do whatever it takes to save anyone he can from impending doom.

The film has incredible effects. This is Norway’s Deep Impact. If you replaced the cast with big budget Hollywood A-listers, this could have easily been a film made in the US. THE WAVE is Scandinavia’s first-ever disaster movie. It has broken box office records in Norway and was their official entry for the Academy Awards. Hollywood is taking notice of director Roar Uthaug (Cold Prey). He just signed on to direct the upcoming Tomb Raider reboot. The cast is incredibly solid, especially our leading man, Kristoffer Joner (The Revenant). I came to care deeply for each character. The script makes an interesting statement about survival and the human condition. If you had only minutes to escape a fire, flood, or tornado, who/what would you take with you? Do you lend a hand to those outside your intimate circle? I was truly impressed with The Wave. Don’t let the language barrier stop you from checking out this well made film. (There are English subtitles) THE WAVE will bowl you over with action and remind you to respect the hell out of the environment.

THE WAVE comes to theaters and VOD today, March 4th.

Review: EMELIE is a parent’s worst nightmare.

Posted on March 4, 2016 by Liz Whittemore — 1 Comment ↓

presents

EMELIE

Directed by: Michael Thelin

Starring: Sarah Bolger (ABC’s “Once Upon a Time,” AMC’s “Into the Badlands” )

In Theaters and On Demand March 4, 2016

As a parent, all you want is for your family babysitter to care for your kids like you would.. When you do find a reliable sitter, you hold onto then for dear life. But what happens when, once in a while, your beloved child care provider is unavailable? You might panic and start calling other parents for recommendations, but if you’re really lucky, your babysitter has an alternative option already in the pipe line. Evening saved, right? What if the kids don’t like them? They’re probably just overreacting. What if it’s for a good reason? EMELIE is a parent’s worst nightmare.

As their parents head out for a date in the city, the three young Thompson children immediately take to their new babysitter, Anna (Sarah Bolger, Into the Badlands, Once Upon a Time), who seems like a dream come true: she’s sweet, fun, and lets them do things that break all of their parents’ rules. But as Anna’s interactions with them take on a more sinister tone, the kids realize that their caretaker may not be who she claims to be. Soon it’s up to big brother Jacob to protect his siblings from the increasingly nefarious intentions of a very disturbed woman whose weapon is trust, and whose target is innocence.

Featuring tour-de-force performances from Bolger and its three young leads, EMELIE is a multidimensional, nail-biting thriller that asks the question: how can you put an end to horror after you’ve already let it in?

Sarah Bolger stuns as the babysitter from Hell. Soft and cool one minute and downright sociopathic the next. Her backstory makes her motives all the more incredible. Never is there a moment when you don’t feel beyond uncomfortable. You never know what she’ll do with the constant passive aggressive look in her eyes. It is completely terrifying. Scene stealer award goes to Bolger’s foil, Joshua Rush, as Jacob. He is perfect from beat to beat. It’s a complex role for any actor, let alone someone so young. Think a slightly older Jacob Tremblay from ROOM. That’s the quality Rush gives in Emelie. He deserves much more attention and I look forward to SEEING more of him in the future, as the majority of his current body of work has been voice. Director Michael Thelin has created a quite a roller coaster of fear. I was off my game from the first frame to the very last. EMELIE will make any parent think twice about who’s really watching their children.

In Theaters and On Demand March 4, 2016

#EmelieMovie
@DarkSkyFilms

Review: Now available on VOD, film festival favorite ‘ANGEL OF NANJING’ soars.

Posted on February 22, 2016 by Liz Whittemore — Leave a reply

Balance Films and Blue Bus Productions Presents

In the US, depression is a subject we either tackle with prescription drugs or after a suicide. Most of us are so consumed with our own lives, we oftentimes fail to look beyond the emotional scope of our own noses. In a new documentary by Jordan Horowitz and Frank L. Ferendo, ANGEL OF NANJING, one solitary man makes it his mission to save the souls on The Yangtze River Bridge.

SYNOPSIS:

The Yangtze River Bridge in Nanjing is one of the most famous landmarks in China. It is also the most popular place in the world to commit suicide. After hearing reports about this from the news, Chen Si, an average man with no professional training, decided to do something about it. On September 19, 2003, he went to the bridge with a heart-shaped sign that read, “Nothing is impossible. When God closes a door he opens a window.” That morning he saved someone, and has dedicated his life to standing vigil on that bridge ever since. Incredibly, he’s saved over 300 lives since he began.

Despite all the lives he’s saved, Chen’s mission has taken an unexpected toll on him. He feels incredible guilt when he learns someone committed suicide while he wasn’t at the bridge, and even more when he is there and is still unable to save them. He’s become a heavy smoker and drinker, and often finds himself battling with depression. He is also under growing pressure from his family to quit, who cannot understand why he spends so much time and money helping others when he has his own family to worry about.

The film has an incredibly organic feeling from its handheld camera work to the pulled back moments when Chen is speaking to the men and women so seemingly desperate to jump. Once rescued, the audience feels as if they’re part of the healing as they are treated to intimate face to face conflict resolution. It is a perfect snapshot into the Chinese culture. Suicide is considered extraordinarily shameful. Chinese media always refers to a desperate or depressed individual as in a “bad mood” in any aftermath coverage. Once you accept the familial implications of a suicide, you begin to understand Chen’s pragmatic approach. Cultural tactics are perfectly balanced with genuine tenderness resulting in incredibly touching rescues. Chen is a complex man, struggling with the sense of responsibility to those in such despair and his own happiness. Horowitz and Ferendo do absolute justice to Chen and this unique scenario. As an added bonus, the film’s score is both haunting and glorious. It is something I would seek out on its own. As a whole, ANGEL OF NANJING is a beautiful story of hope and humanity.

ANGEL OF NANJING is now available! Check out the trailer below…

Award-winning documentary debuted on VOD (iTunes, Amazon, and Google Play) February 16

Winner – Best Documentary, Phoenix Film Festival
Winner – Best Documentary, Catalina Film Festival
Winner – Best Documentary, SaMo Indie Fest
Winner – Best Documentary, Big Apple Film Festival
Winner – Best Documentary, New Jersey Film Festival

Directed by Jordan Horowitz and Frank Ferendo, ANGEL OF NANJING tells the story of an ordinary man doing something extraordinary, and at great personal sacrifice. It is a personal portrait of a man, who in a country of over one billion people, has chosen to dedicate himself to making a difference, one person at a time.

Review: ‘Eddie the Eagle’

Posted on February 17, 2016 by Michael Petrelli — Leave a reply

Dreams do come true for those who strive to achieve them, that’s the message of Eddie the Eagle, an inspiring tale of a young man who wouldn’t stop until he reached his goal of becoming an Olympic athlete. The film stars Taron Egerton as Eddie “The Eagle” Edwards, a British skier who in 1988 became the first competitor to represent Great Britain in Olympic ski jumping, but it’s the story of how he got there that is most extraordinary.

Eddie isn’t your normal determined athlete; as a matter of fact, Eddie isn’t what you would call an athlete at all. From an early age, young Eddie Edwards had a dream to become an Olympic athlete and he didn’t care what sport it was, he just wanted to represent his country. He tried his luck at training for all sorts of events throughout his younger years, but nothing seemed to be the right fit. It became apparent to Eddie that he was looking into the wrong sort of sports as his limitations were holding him back, but a revelation came to him and he decided that skiing seemed the more logical choice to help him make the games. He became a good downhill skier, but he was told that he would never make the team. More determined than ever, he found his way to ski jumping. Why ski jumping? There were no other British ski jumpers with whom to compete for a place!

And this is where Eddie’s story takes flight. Against his parents better judgement, Eddie takes off for Germany to train at an Olympic ski jumping facility, but the sport is tougher than he thought. Enter Bronson Peary (Hugh Jackman), a disgraced former ski jumper turned slope maintenance guy who sees Eddie’s determination but little in the way of talent. Bronson, not looking to reunite with the sport that shunned him, initially deflects Eddie’s call for help, but ultimately decides to help him. The two unlikely allies begin a rough journey that they hope will land them on the slopes of the 1988 Winter Olympics in Calgary.

Director Dexter Fletcher tells Eddie’s wonderful story perfectly with minimal cliche’s and a ton of heart. Taron Egerton shows why he is one of the brightest stars in Hollywood today with his brilliant depiction of the titular character. Hugh Jackman works perfectly with Egerton and their chemistry is the reason the film works so perfectly. Eddie the Eagle is a fantastic story of strong will and determination that will have you standing on your chair and flapping your arms like an eagle. A true testament to the human spirit and a story that will resonate with anyone who’s ever chased a dream.

Stars:

4 out of 5

After Credit Scene?

None

Trailer:

‘CABIN FEVER’ reboot leaves a familiar taste in your mouth.

Posted on February 12, 2016 by Liz Whittemore — Leave a reply

Presents

CABIN FEVER

A Film By Travis Zariwny

Executive Produced By Eli Roth

IN THEATERS FEBRUARY 12TH NEW YORK & LOS ANGELES

In 2002, Writer/Director/Producer, Eli Roth, brought us the original Cabin Fever. I happened to be in college at the time and just finishing college. Already questioning the cleanliness of city dwelling, this film did not help. I just kept hearing Dave Matthews Band, “Don’t Drink The Water” over and over. Now, I know better. I tell out-of-towners that we have the best tap water in the country. In the wake of the Flint, Michigan disaster currently playing out in the national media, the release of Travis Zarwiny‘s reboot (With Roth as Exec. Prod) is both terrifying and timely.

The set up is exactly the same. Five friends head to a remote cabin, man with flesh-eating disease contaminates the drinking water, people start to die. With a cast including Gage Golightly (Teen Wolf) and Dustin Ingram (Paranormal Activity 3), the acting is strong. Shot over the course of 20 days in Oregon, this incarnation is pretty much the exact same script, save a few minor details; updated technology, weaponry, social media shout references, and some gender bending in a role. I was impressed with the practical effects in the original. Seeing how closely the reboot stayed true, oftentimes with shot for shot symmetry, there is one big uptake; gore factor. I thought you couldn’t possibly get any grosser than the first, and boy was I wrong. As a horror vet, even I had to look away for one moment in particular that I had been anticipating having to do with the character of Karen. I might just prefer the 2002 ending as I admit this version had me scratching my head a bit after the credits begin to roll. Anyhow, the reboot is a pretty good splatter-fest for those who weren’t treated to the original.

Executive producer Eli Roth presents this reboot of his instant classic gorefest, which features all new characters and all new kills. This story is familiar: fresh out of college, a group of five friends retreat to a remote cabin in the woods for one last week of partying- only to become snacks for a gruesome, flesh-eating virus. What’s surprising are the ingenious new deaths, which offer a fresh spin on a horror-comedy milestone. With Gage Golightly (Teen Wolf) and Dustin Ingram (Paranormal Activity 3).

Directed by: Travis Zariwny

Executive Produced by: Eli Roth

Starring: Gage Golightly, Dustin Ingram, Nadine Crocker, Matthew Daddario & Samuel Davis

IN THEATERS FEBRUARY 12TH NEW YORK & LOS ANGELES

Review: The raw nature of ‘Glassland’ will leave you broken hearted

Posted on February 11, 2016 by Jordan Jenkins — Leave a reply

America has fortunately be given another profoundly great Irish Film. After the overwhelming feelings of isolation we felt with the Irish film, Room (2015); our emotions take another beating when witnessing the physical and mental consequences of alcoholism in Gerard Barrett’s Glassland. The film had an incredible cast who really blew me away with their performances. Alcoholism is not a joke, and this film will show audiences just how heartbreaking it really is.

John (Jack Reynor) and his mother Jean (Toni Collette) reside in a low-income suburb in Dublin, Ireland. With no help from his mother, John works all night driving a taxi to help provide for his family, all while his mother falls victim to her disease. She believes a better life is found at the bottom of a bottle, even while knowing the impact her choices have on her family. Their story shows the sacrifices that have to be made from both John and Jean in order to create some hope for their future.

Barrett’s shots throughout the film were powerful. The change in technique and the difference in the camera’s movements really set the tone for each scene. There are times where the camera is motionless in a single room, making the audience feel as trapped as Jack feels in the scene. Later, Barrett changes over to a shaky camera technique, giving the audience more of an unsettled feeling. The film overall is simple, and despite not having a very complex story, it is raw and beautifully demonstrated. This film shows us the heartbreaking truth that many people in this world deal with everyday; without the amazing performances from the cast and well executed cinematography, this meaningful film might of fallen through the cracks. Check out Glassland in theaters on February 12th.

WINNER – SPECIAL JURY PRIZE – SUNDANCE FILM FESTIVAL 2015
BEST FILM – GALWAY FILM FESTIVAL

3/5 Stars

Review: ‘Deadpool’

Posted on February 8, 2016 by Michael Petrelli — 1 Comment ↓

Actor Ryan Reynolds has been passionate about bringing Marvel icon Deadpool to the big screen ever since his failed portrayal as Wade Wilson in 2009’s X-Men Origins: Wolverine and, after much demand, Reynolds got his wish. The actor, along with director Tim Miller, have created one of the most faithful adaptations of a comic book hero ever to grace the silver screen. Get your chimichanga’s ready cause the “Merc with the Mouth” is about to blow your mind.

Ryan Reynolds plays Wade Wilson, a mercenary who spends most of his time extorting bad people and hanging out with Vanessa (Morena Baccarin), a call girl and the love of his life. After finding out he’s been diagnosed with cancer, Wade consents to a top secret program run by Ajax (Ed Skein), a deranged scientist who uses torture to unearth the dormant mutant gene in his human subjects, a gene in which he hopes to cure Wade’s cancer and turn him into a super soldier. The experiment ultimately leave Wilson with accelerated healing powers, but also leaves him badly scarred in the process. In an attempt to right the wrong that has been done to him, Wilson becomes the anti-hero known as Deadpool and unleashes his brand of justice on all of those associated with the program. When Ajax makes things even more personal and goes after Vanessa, Deadpool enlists the help of his best friend Weasel (T.J. Miller) and X-Men Colossus (Stefan Kapičić) and Negasonic Teenage Warhead (Brianna Hildebrand) to rescue Vanessa and hurt a lot of people…really, really bad.

Deadpool is a labor of love and you can tell that everyone involved truly gave everything they have to make this a near perfect action comedy. Director Tim Miller sits back and manages the filming and trusts his actors to bring out the absolute best in their characters. Ryan Reynolds is absolutely superb as the titular character. Reynolds quick delivery and dry sense of humor make him perfect for the role and he delivers a portrayal of Deadpool that fans will embrace with roaring applause. The supporting cast of T.J. Miller, Morena Baccarin, Ed Skein, Brianna Hildebrand and others are each rather enjoyable, but let’s be honest here, this is Reynolds’ movie and the film lives and dies with his performance.

Overall, Deadpool is not a film for everyone, especially not for children! The language and violence and graphic nudity will make it a hard sell for some as well, but the film is an absolute blast and one that will entertain those who are not easily offended. I can honestly say, as a Deadpool comic fan, that this is the film fans have been waiting for and they won’t be disappointed.

Stars:

4 1/2 out of 5

After credit scene?

Yes! 2 of them, so stay thru the credits til the lights come up!

Trailer:

Two newly restored gems from AGNÈS VARDA and starring JANE BIRKIN now available on Amazon and on iTunes and Blu-Ray March 8th.

Posted on February 5, 2016 by Liz Whittemore — Leave a reply

Cinelicious Pics Logo

CINELICIOUS PICS & CINE-TAMARIS PRESENT:

JANE B. PAR AGNÈS V.

and

KUNG-FU MASTER!

JANE B. PAR AGNÈS V.

“I’ll look at you, but not at the camera. It could be a trap,” whispers Jane Birkin shyly into Agnès Varda‘s ear at the start of JANE B. PAR AGNÈS V. The director of CLEO FROM 5 TO 7 and VAGABOND once again paints a portrait of a woman, this time in a marvelously Expressionistic way. “It’s like an imaginary bio-pic,” says Varda. Jane, of course, is the famed singer (“Je t’aime … Moi non plus”), actress (BLOW UP), fashion icon (the Hermes Birkin bag) and longtime muse to Serge Gainsbourg. As Varda implies, JANE B. PAR AGNÈS V. abandons the traditional bio-pic format, favoring instead a freewheeling mix of gorgeous and unexpected fantasy sequences.

Jane Birkin and Serge Gainsbourg in Jane B. par Agnès V.
© Cinelicious Pics

Newly-restored from the original 35mm camera negative, overseen by director Varda herself. The film has a quirky appeal. With a blend of personal narrative juxtaposed with fine art and Greek history, Birkin speaks of her life, fears, future plans. Varda leads her through a wondering maze of musing. It’s an unusual and unique peak into the mind of both women.

KUNG-FU MASTER!

A lovely, bittersweet companion piece to JANE B. PAR AGNÈS V., KUNG-FU MASTER! has nothing to do with martial arts – the film’s title comes from an arcade video game played obsessively in the film by a teenaged boy, Julien (played by Varda’s real-life son with husband Jaques Demy). Jane Birkin delivers one of her finest performances as a lonely 40-year old woman who finds herself falling in love with the 14-year old Julien – but is it romance, or a desperate attempt to turn back time in the face of middle age? A real family affair, Birkin’s daughters, Charlotte Gainsbourg and Lou Doillon, her child with well-known filmmaker Jacques Doillon, also appear in the film.

Jane Birkin and Charlotte Gainsbourg in Kung-Fu Master!
© Cinelicious Pics

Long unavailable in the US, the film has been newly-restored from the original 35mm camera negative. The film is a perfect time capsule from 80’s French cinema. Addressing the AIDS crisis through nonchalance and jokes, capturing the effortless sensuality of Birkin, and highlighting the differences in the use of sexuality on screen in Europe Vs America. The performances are, as expected, top notch. The use of Birkin’s children is brilliant. The natural banter, even when the scenario might seem unnatural given the relation, is captivating. As a first time viewer of these pieces, I was glad to have watched KUNG-FU MASTER! first. The two should most definitely been seen back to back. Both titles are currently streaming on Amazon and will be available on Blu-Ray and iTunes March 8 (additional VOD platforms to be announced)

Jane Birkin and Mathieu Demy in Kung-Fu Master!
© Cinelicious Pics

BLU-RAY SPECIAL FEATURES INCLUDE:

Video interview with Agnès Varda by Miranda July

Essay by Sandy Fitterman-Lewis

[FLASHBACK] Tribeca Film Festival review & podcast: TUMBLEDOWN will win hearts and fans. Including the audio from our roundtable interview with Jason Sudeikis, Dianna Agron, Director Sean Mewshaw, and Writer Desiree Van Til.

Posted on February 2, 2016 by Liz Whittemore — Leave a reply

Music is part of our souls. It can heal, it can hurt, it’s like a sense memory. We’ve lost great artists in their prime like, Leonard Cohen, Kurt Cobain, and Elliot Smith. The impact of their death is felt each time we hear one of their songs. Imagine, for a moment, that your very favorite artist suddenly dies. Now imagine you were married to them. This is the very premise of TUMBLEDOWN. Hannah is the widow of indie folk singer Hunter Miles. She is hounded by gossip seekers on a daily basis. When Hofstra professor and true fan Andrew tries to get in touch with her, she brushes him off… and brushes him off again… and again. Only until realizing that her dream of writing Hunter’s story is one she cannot accomplish on her own, does she let her highly guarded heart open just a crack. Andrew and Hannah strike a deal; Andrew writes a biography on her terms for $50k. With the encouragement of his music industry girlfriend Finley, Andrew drives from NYC to Maine and moves into Hannah’s guest bedroom. He is then exposed to a world a true fan can only dream of, with one massive catch. Hannah will not stop mourning her late husband. Can fan and family see eye to eye. Can trust break down the walls of Hannah’s suffering? Will intellect stifle healing. In a film where it’s head vs heart, who wins?

Rebecca Hall is flawless as Hannah. Witty, independent, strong headed, Hall plays a woman unwilling to move on with her life. Jason Sudeikis as Andrew is unstoppable. Smart, and quippy as ever, this role is something new for Sudeikis. I love this side of him and hope that the industry, and more writers, take note of his innate ability to be funny in a non-slapstick kind of way. These two are an absolute powerhouse as they match wits with one another in each scene. Rounding out an incredible cast is Dianna Agron as Finley. Life after GLEE fame should treat her well if she keeps up such a strong, believable presence on the big screen. Blythe Danner and Richard Masur play Hannah’s parents. Deeply supportive and yet totally realistic, these two are the perfect counter balance to Andrew’s inability to let go of presumption. Finally, Griffin Dunne plays Hannah’s editor and owner of the town beloved book shop. He brings warmth and charm only a small town holds.

The film was 8 years in the making. Writer Desi Van Til thoughtfully crafted this story partly as a personal healing piece for a lost friend. She skillfully captures the heart of New England, the desperation of grief, and the hold that music has on everyone’s heart. For Director Sean Mewshaw, his first feature length film is a total success. It’s shot in such a way that truly shows the quaintness of the area. Finding “Hunter Miles” or singer Damien Jurado was one of his triumphs. He perfectly encapsulates the feel of the character that was created by Desi, Rebecca, Jason, and Sean. Coming in after the film was already in the can, with his music and lyrics, he “created” a musician we’re all discovering for the first time, but feel like we’ve now lost as well. It might also help that Sean and Desi are husband and wife! This team is a real tour de force and without any solid knowledge (only mere mentions) I predict many captivating projects coming down the pipeline from these two.

Grief is something so personal. No matter how big the hit we feel, it still leaves a hole in our hearts and souls. Sometimes music helps. Sometimes it’s a trigger. Either way, the songs live on long after we’re gone. So sing, I say. TUMBLEDOWN is easily in my top three narrative selections to come out the this year’s festival. It is a must see and definitely a must hear.

I was fortunate enough to attend a roundtable interview with Dianna Agron, Jason Sudeikis, Desi Van Til and Sean Mewshaw. We talk issues from the film, insight into the project’s journey, as well as Jason and Dianna’s other releases at the fest. Take a listen to the absolute joy around the table: *You can hear me ask a question about journalistic responsibility and one about Dianna’s similarities to the character of Hannah.* Enjoy the voices of TUMBLEDOWN!

Originally posted April 20, 2015

Review: Oscar Nominated Documentary Shorts

Posted on February 1, 2016 by Jeremy Harmon — Leave a reply

Here I am back it after a brief hiatus and I’m happy that this year I am fortunate enough to bring you coverage of this year’s Oscar-nominated short films. Over the next few days, I will roll out reviews in each of the categories – documentary, animation and live action. Since I’m the resident documentary cat around here at Reel News Daily, I thought I would start off in that category. These films cover a variety of important and emotional topics from honor killings in Pakistan to the affects of Agent Orange on the youth of Vietnam to the fallout of capital punishment on the family of the accused. These five films hit every emotional string that you can imagine and leave an impression long after the viewing has ended.

Body Team 12

Body Team 12, directed by David Darg (as well as produced by Paul Allen of Microsoft fame as well as actress Olivia Wilde), follows one of the teams charged with removing the bodies of the those who died during the Ebola outbreak in Liberia this past year. It is shown through the perspective of the only female member. Body Team 12 is a moving portrait of community members doing an incredibly difficult and dangerous job to do their part to help curb the epidemic. That said, there are some incredibly difficult parts in watching family members of the deceased deal with the loss of their loved ones. The shortest film in the bunch at just over 13 minutes, Body Team 12 is able to pack a narrative wallop that hits you right in the gut, which makes it no wonder that it was nominated for an Oscar in this category. This film will debut on HBO in March.

Chau, beyond the lines

Chau, beyond the lines is a moving film about Chau, a young man whose body is deformed from his parents having been exposed to Agent Orange during the Vietnam War. Because of the degree of care he needed, Chau was sent to a peace camp (an orphanage of sorts) where other children – some more, others less – affected by Agent Orange live and are taken care of by a group of state-funded nurses. Chau is an artist at heart and spends his time dedicating himself to honing his craft, which isn’t easy because of the deformities that have affected his hands and arms. Every year, Chau submits a piece to a national contest for young artists across the country, each believing and hoping that he can win and garner some attention on the merits of his art, not his disabilities. Make no bones about it, this one is a difficult watch, but well worth it. This is a story that shows that nearly 45 years after the end of the war in Vietnam, the price is still paid for the hostilities. Chau has an unbelievably positive outlook on life and begs us to all ask the question, “why can’t we do the same?” Written and directed by Courtney Marsh.

Claude Lanzmann: Spectres of the Shoah

Adam Benzine‘s short treatise on director Claude Lanzmann and the making of his seminal documentary on the Holocaust, Shoah. The director queries Lanzmann and others (including fellow documentarian Marcel Ophüls who calls Lanzmann a megalomaniac) about the struggles of making of the film as well as its impact. What can be sure is that Shoah is indeed a masterpiece and widely considered one of the best documentaries ever made. The 12 years that went into filming and editing this film took a toll on Lanzmann who was never the same after making it. From having to surreptitiously record conversations with former Nazis to getting beaten by some who found out his game to having to listen to the stories of those who survived concentration camps like Treblinka and Auschwitz, it’s no wonder. An incredilby affecting piece, Lanzmann is a person worthy of documenting, which makes sense since his life was devoted to the same thing. This film debuts on HBO in May.

A Girl in the River: The Price of Forgiveness

Directed by Sharmeen Obaid-Chinoy, A Girl in the River: The Price of Forgiveness is by far the film that I found had to most effect on me in this category. After a few contextual shots of the city of Gujranwala, Pakistan (population 5 million), the film opens with Saba Qaiser in the emergency room of the hospital, getting her face stitched up from a gunshot wound. Saba had been attacked by her father and uncle in an effort to kill her for dishonoring their family by marrying someone of a social class they didn’t believe high enough and disobeying her father’s orders. The film opens with a statistic that nearly every year, 1,000 of the so-called honor killings take place in Pakistan despite being illegal. Saba was fortunate in some ways to survive this attack. Fortunate in that she lived, but unfortunate that she must now face the pressing question of whether she should forgive her father and uncle and let them free from jail where they can essentially attack her again if they please. She is adamant against forgiving them and even goes so far as to say they should be killed in a public market as an example to any others considering doing this. However, the reality is her mother and sisters face a lifetime of shame because of her deeds and with her father the sole breadwinner in the house, they would likely not be able to support themselves. A decision that is heavier than anything I can imagine. That Obaid-Chinoy was able to access Saba throughout the entire ordeal makes this film really quite stunning and heartbreaking all the same. If I had a vote for the Oscar, this one gets mine. This film will also debut on HBO in March.

The trailer for this film can be found here.

Last Day of Freedom

The final nominee is Last Day of Freedom directed by Dee Hibbert-Jones and Nomi Talisman, is one of the more innovative films nominated in this category I’ve seen to date. It is animated, a kind of mixture of recreations a la Errol Morris with a something that resembles the style of Richard Linklater‘s Waking Life and A Scanner Darkly. The film allows Bill Babbitt to tell the story of his brother, Manny, a Vietnam vet who was arrested for murder and sentenced to death. The circumstances surrounding Manny‘s actions were colored by his PTSD and schizophrenia diagnosis, but somehow he still found himself on death row. Bill‘s account gives such a stark and emotional rendering of what it is like to live in the shadow of a loved one’s violent actions, that it wasn’t just the victim and their family who have suffered, but also the loved one’s of the perpetrator. Not only that, this films serves as a stark reminder, one that we seem to see all too many times these days, that justice is not always served.

By no means are these films uplifting as they all expose a piece of misery of that sticks with their subjects every single day. What they do do, as I think only documentaries can do, is shed light on subject matter that isn’t easy to face or confront and allow it to be seen in a way that is neither heavy-handed nor flippant. These films help us remind us that even at times when things are the shittiest, that humanity can still succeed. While I don’t have access to the many films that were submitted for this award, I can say that these films represent the documentary spirit well.

Christmas Day Must See: ‘The Hateful Eight’ keeps you in the dark while in a bright white blizzard

Posted on December 23, 2015 by Melissa Hanson — Leave a reply

In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town’s new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all…

As you may guess, Samuel L. Jackson is brightest star, but his presence is the foundation of the other fantastic performances that bring together The Hateful Eight. With such a history behind the cast, it’s fun to hear Kurt Russell talk about his scene with Michael Madsen: “Snake Plissken is challenging Mr Blonde. Holy shit!”

A rising star, Walton Goggins has been making a name for himself as a very versatile actor, with roles in Predators, and the FX shows Justified and Sons of Anarchy. He also has another western coming out this January starring opposite Scott Eastwood and Danny Glover in Diablo. He has a swagger and personability that’s striking.

The Hateful Eight has many differences from Tarantino’s previous work, but none more noticeable than the score. There are only two songs (one Apple Blossom by The White Stripes) and the rest is musical score from the legendary Ennio Morricone. I recently traveled through Nashville and picked up a copy of the soundtrack on vinyl from Third Man Records. I can’t wait to get home and check it out.

Also unlike his other films, this one has much more drama and suspense. Tarantino talks about how suspense is like a rubber band: “If I can stretch that rubber band to 25 minutes and it still holds and doesn’t snap, then it should be better. Part of that rubber band is the threat of violence hanging over the characters. Violence doesn’t even need to happen but you’re prepared for it.”

I recommend seeing the 70mm roadshow if you can. Quentin Tarantino wanted it to be “like Neil Diamond coming to town.” There’s a beautiful grittiness to film and it’s something that’s not really noticed until you switch back to digital. My biggest issue with 70mm showing is the intermission. I don’t like upsetting the flow of the story. I would prefer to continue being in the onscreen world without interruption. C’est la vie.

I love that Tarantino is creating an experience with this film. It’s being show in the format in which he shot, 70mm, and whether you’re a fan or not, you’ve got to respect his commitment to film. He’s got to a certain level of his career and he has a big studio (The Weinstein Company) backing him up. Could this lead to a resurgence of theaters showing the older format? Probably not. It’s very expensive and the theaters have to put up that cost. Even with rising ticket prices, there’s not enough to cover it. But it’s an event that won’t likely be duplicated.

Last but not least, Tarantino is not finished with westerns and would love to do a mini-series based on the Elmore Leonard novel, “Forty Lashes Less One,” based at the Yuma territorial prison. “If you’re going to call yourself a western director, you need to direct at least three.”

The Hateful Eight hits theaters December 25th, Christmas Day.

https://youtu.be/WlYIe8EHdnM

Review: ‘Concussion’ Tackles the Growing Problem of Head Injuries in The NFL

Posted on December 22, 2015 by Michael Petrelli — Leave a reply

Director Peter Landesman (Kill The Messenger) tackles the story of Dr. Bennet Omalu, the forensic pathologist who fought against efforts by National Football League to suppress his research on the brain damage suffered by professional football players. Omalu, is portrayed by Will Smith in this powerful drama that will leave you angered, speechless and saddened by the treatment of the players who have made the game of football so beloved in this country.

Will Smith stars in Columbia Pictures’ “Concussion.”

Dr. Bennet Omalu is a well educated African man who came to this country with a dream of making a difference in this world. Settling in the city of Pittsburgh, Omalu works as a forensic pathologist for the city and has come face to face with an epidemic that has no name. After the tragic death of Steeler legend Mike Webster (David Morse), Omalu discovers that his death maybe caused by trauma to the brain. CTE (chronic traumatic encephalopathy) as it comes to be known, has been left undetected and hidden from the public and players in the NFL, but it might be the exact thing that is killing so many young men after their careers are over. After several attempts by the NFL to deny the problem and to disparage the doctor, Omalu gets an unlikely ally in this fight from Dr. Julian Bailes (Alec Baldwin), former Steelers team doctor, who believes what Omalu is saying is true. As the two take on the most powerful corporation in this country, their wills will be tested and their careers in jeopardy, but the truth must come out to speak for those who have been left behind to this deadly disease.

Alec Baldwin , left, and Will Smith star in Columbia Pictures’ “Concussion.”

Written by director Peter Landesman, based on the 2009 GQ exposé Game Brain by Jeanne Marie Laskas, Concussion is a powerful story of corporate cover-up and hits directly at the heart of the National Football League. Will Smith is fantastic in his portrayal of Doctor Bennet Omalu. The determination and will to do right of Omalu shines thru in Smith’s performance and helps the audience, who may not know who Omalu is, understand his importance to the medical field and the players of the NFL. Alec Baldwin delivers a sobering look at the inside actions of the medical doctors employed by the NFL and, along with Albert Brooks, lend credence to the authenticity of Smith’s performance. Gugu Mbatha-Raw is a calming figure that helps lead Smith’s character thru the toughest of times and helps to keep him focused on the importance of his task.

Concussion is a eye opening look at the violence of football and a spotlight on the corporation that brings it into our homes six months a year. It is a film not to be missed.

Stars:

3 1/2 out of 5

After Credit Scene?

Trailer:

Review: ‘Star Wars: The Force Awakens’ MINOR Plot Spoilers

Posted on December 22, 2015 by Michael Petrelli — Leave a reply

It’s been a decade since the world has been graced with a Star Wars film and over thirty years since the original cast has been on screen, so to say that Star Wars: The Force Awakens is the most highly anticipated film of the year would be an understatement. Now under the Disney brand, the film begins a new trilogy that will hope to capture the wonder and admiration of the original films while helping to heal the wounds of that the prequels left. Director J.J. Abrams takes the helm of the nostalgic walk thru the galaxy with a cast of old friends and some new ones. Ladies and gentlemen the Force is indeed awakened.

****From this point on I must caution to a few plot points that may be seen as mild spoilers. Proceed with caution*****

Taking place thirty years after the events of Return of the Jedi, the First Order has risen from the ashes of the defeated Empire and are looking to once again take aim at destroying the Republic. Supreme Leader Snoke (Andy Serkis) controls the First Order with General Hux (Domhnall Gleeson) controlling the fleet and Kylo Ren (Adam Driver), his powerful apprentice knowledgeable in the ways of the Force, leading the search for a map that can spell the end of the Jedi forever. The Resistance is also looking for this map as well as General Leia Organa (Carrie Fisher) sends her best pilot Poe Dameron (Oscar Isaac) to the planet of Jakku in hopes to find the coveted map. After encountering the First Order and fearing capture, Poe puts the recovered map into BB-8 and sends his far from the fight.

Rey (Daisy Ridley), a young scavenger from the planet, finds BB-8 and agrees to help the droid get back to it’s master. With the help of Finn (John Boyega), a defected First Order Stormtrooper, and Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew), the mission to get the map to the Resistance has begun. Many mysteries surround this group of companions and the fate of the galaxy is in their hands, with the First Order hot on their tails, can the group complete their mission and save the Republic, while securing the future of the Jedi?

Nostalgia aside, Star Wars: The Force Awakens stands on it’s own as a wonderful addition to the Star Wars universe. Director J.J. Abrams captures the magic of the original trilogy and adds a wonderful mix of humor, action and drama to complete his sci-fi masterpiece. Newcomers Daisy Ridley, Oscar Isaac and John Boyega have staked their place as fan favorites in this vast collection of memorable characters and leave you excited for future installments in their stories. Domhnall Gleeson, Andy Serkis and Adam Driver awaken the dark side with intense precision and capitalize on all that was great about the Empire and add their unique personalities to enhance the First Order and it’s villainous ways. The franchise is truly in good hands with this new guard. My one and only grip was with Gwendoline Christie’s Captain Phasma. The character was set up to be a complete badass in this storyline but was underutilized. Let’s hope we see more of this unique character in the future.

It was such a pleasure to see Harrison Ford, Carrie Fisher, Peter Mayhew, Anthony Daniels and Mark Hamill back on screen reprising their iconic roles. No matter if they were on screen for a moment or for the duration of the film, each added to the enjoyment of the film in their unique way and brought back memories of my childhood that I was so happy to revisit. I am so very much looking forward to the next chapter in their stories.

Star Wars: The Force Awakens is the movie event of the year and one not to be missed by Star Wars fans and novice alike.

Stars:

4 out of 5

After Credit Scene?

Trailer

Review/Interview: OITNB star Nick Sandow talks ‘THE WANNABE’

Posted on December 17, 2015 by Liz Whittemore — Leave a reply

Presents

THE WANNABE

Respect isn’t earned. It’s stolen.

Written & Directed & Co-Starring Nick Sandow (Captuto on Orange is the New Black) Executive Produced by Academy Award Winner Martin Scorsese (Goodfellas) & Dean Devlin (Independence Day)

No matter who we are, during our lives we have idolized a person. Perhaps in some cases, to a point that may border on the unhealthy. Orange Is The New Black star, Nick Sandow, has written and directed a new film where that idol is the infamous mobster John Gotti. Meet one man’s story of obsession and desperation to be somebody, in The Wannabe.

The wannabe still Patricia Arquette,Vincent Piazza

Based on true events and Executive Produced by Martin Scorsese and Dean Devlin, comes a story about Thomas ( Vincent Piazza), a man obsessed with Mafia culture during the 1990s in New York City. When Thomas’s failed attempts to fix the trial of infamous mobster John Gotti gets him rejected by the people he idolizes most, he sets off on a drug infused crime spree with his girlfriend and long time mob groupie, Rose (Patricia Arquette), by brazenly robbing the local Mafia hangouts.

The film is perfectly paced by Sandow‘s writing. Coming up with the story after a friend sent him an article about the real life couple, The Wannabe is a “what might have happened” tale. Perfectly cast as Thomas, Vincent Piazza gives a fully fleshed out performance as a man who craves acceptance. When he doesn’t receive it, drugs lead to power hungry and dangerous life choices. Piazza’s time on Boardwalk Empire served him well in outlining his gangster look and the way he carried himself physically. We’re on the emotional roller coaster alongside him throughout. Patricia Arquette as Rose, is nothing less than brilliant. I am convinced that no matter what character you throw at her, she would own it. Her ease and presence on screen is unmatched, ever the scene stealer. Also, a Boardwalk alum, along with Sandow, it is clear that their chemistry as a trio makes the film as successful as it is.

I was privileged to interview Nick Sandow this week. Take a look at what he had to say about The Wannabe.

Liz: Firstly, Nick, thanks for taking the time to chat with me. The Wannabe is an incredibly successful story of audacious choices and personal delusion. Love the structure and style. So, congratulations on the film!

Where is the line between truth and fiction with Thomas and Rose’s story?

Nick: The line is blurry. There were a handful of facts about a real couple that in the early nineties went around robbing mob social clubs. I was fascinated with how they got from A to Z. I just ran with the story and started to blend in real events that were going on at that time.

Liz: You write and direct this project. What was the biggest challenge in wearing both hats?

Nick: Writing and directing hats go very well together. I’ve directed things that I didn’t write and I have to work very hard to find my way into it. When you write it….. it’s yours…. you are already inside it. It has your DNA all over it so when it comes time to direct it I am attempting to take it further and trying to find another level of understanding with all the tools available.

Liz: Getting the script to Scorsese, wow. What was that moment like when he decided to come on board?

Nick: I couldn’t believe it. I still don’t. It’s hard to fathom. But what a gentle guiding spirit he is.

Liz: When writing, did you already have Vincent and Patricia in mind?

Nick: I didn’t have them in mind at first but when they did come on board they were both very influential contributors to the rewriting process.

Liz: Was mob history an interest of yours prior to discovering this story?

Nick: Mob history wasn’t an interest. I grew up in a very similar neighborhood in the Bronx. So it was less an interest than a way of life.

Liz: How easy/difficult was it to shoot in the city for it being a period piece?

Nick: It was extremely difficult shooting a period piece in NYC on our budget in 20 days. It was all about finding the right locations. We had 35 location in 20 days. We were trying to find the 90s in the city and you really have to hunt for it. It’s there, you just have to get out into the boroughs. We shot in every one of them except Staten Island.

Liz: Have you ever been obsessed, for lack of a better word, with an individual in the way Thomas was?

Nick: I’m not sure I was ever as obsessed as Thomas with one single person but I do very much identify with the desperation of wanting to be someone you are not. I’ve made a living out of doing that as an actor for 25 years. I understand where that obsession comes from… I had an outlet for it with acting.

Liz: You, as an actor, have a knack to for being cast as an authority figure, shall we say? Why do you think that is?

Nick: I’ve never really thought of this before. An authority figure….hmmmm. To be honest the first thing that pops into my head is that as a kid I always felt I needed to know the answers to survive. In many ways that served me and in many ways as a young person I feel it shut me down to learning as much as I could of. Maybe this is why? It’s only a guess. I really don’t know.

Liz: We are definitely excited for more Caputo action in Season 4 this June. We’re really rooting for something good to happen to this character! Outside of OITNB, what’s next for you?

Nick: Yes, there will be more Caputo in Season 4. It’s going to be a great season. I’m also excited about it.

Besides Orange, I am looking to shoot another film this spring. It’s a great script written by Frank Pugliese of House of Cards. It is the weekend in the life of a middle aged retired pro football player coming to grips with having Dimentia. I’m also working on a documentary about Kalief Browder who was wrongfully imprisoned for 3 years on Rikers Island from the age of 16 to 19.

Liz: That all sounds incredibly exciting! Thanks again for your time, Nick. ReelNewsDaily is looking forward to seeing more of you any way we can!

Starring:

Academy Award Winner Patricia Arquette (Boyhood), Vincent Piazza (Boardwalk Empire), Michael Imperioli (The Sopranos),Domenick Lombardozzi (The Wire), David Zayas (Dexter) & Nick Sandow (Orange Is The New Black)

The Wannabe is now playing in select theaters nationwide and is available on all VOD platforms.

Review: ‘Don Verdean’ is saved by its cast – Sam Rockwell, Amy Ryan, Jemaine Clement with Will Forte & Danny McBride

Posted on December 11, 2015 by Melissa Hanson — Leave a reply

Sam Rockwell is Don Verdean, a Biblical archeologist who is hired by a pastor and his wife (Danny McBride and Leslie Bibb) to excavate artifacts for their ministry to boost their congregation. Jemaine Clement is Boaz, an advantageous man assisting Don, Amy Ryan is Carol, his secretary turned research assistant and Will Forte makes an appearance as a rival minister. Have I got your attention? Oh, one more thing, it’s from the creative minds of Napoleon Dynamite, Nacho Libre and Gentlemen Broncos, Jared and Jerusha Hess.

The best scene is when Boaz picks up Carol and asks her to wear a special dress. Even thinking about it makes me chuckle.The cast is a testament to the filmmakers, as this is the second film with Sam Rockwell and Jemaine Clement.

As with their other films, the comedy is extremely understated, barely requiring more than a chuckle or a smirk in most instances. When given their spotlight, however, each character does not disappoint. Characters don’t necessarily make a cohesive movie. Each scene on its own is subtly brilliant, but when they are all put together, it’s just too much.

Review: ‘Body’ Pays Tribute to Psychological Thrillers

Posted on December 10, 2015 by Jordan Jenkins — Leave a reply

Body is the story of three friends who spend their entire Christmas Eve night deciding if they should call the police or cover up an accidental murder. This film toys with your morals leaving you wondering how you would handle this situation. Brought to us from Oscilloscope Laboratories, comes a film of a simple story, with a disturbing symbolic nature. When you watch these girls make life changing decisions, it will truly make your skin crawl.

Body was exactly what it needed to me, and nothing more. It was a small splice of the thriller genre that is an homage to other psychological thrillers. Even though Body is not as extreme or disturbing as those it pays tribute to, it successfully unveiled the shocking characterization of three girls in only 75 minutes. The less you know about it going in the better your experience will be. Overall, for those who like morally testing thrillers, I recommend going to see Body in theaters on Friday, December 11th.

3 out 5 stars

Directors:

Dan Berk and Robert Olsen

Starring:

Helen Rogers

Alexandra Turshen

Lauren Molina

Larry Fessenden

Review: ‘The Revenant’ is DiCaprio’s Journey to Oscar Gold

Posted on December 5, 2015 by Michael Petrelli — Leave a reply

Let’s start off by saying that not everyone is going to be able to handle the sheer intensity of Alejandro G. Iñárritu’s The Revenant, this was made abundantly clear within the first 5 minutes of the film, but for those who can handle it, you’re in for one hell of an amazing journey. Inspired by true events, The Revenant is an epic story of survival and transformation on the American frontier that is as visually stunning as it is brutal in it’s storytelling. Iñárritu has his eyes set on award season again and this film looks poised to take home some of the major categories with ease.

Legendary explorer Hugh Glass (Leonardo DiCaprio) is on an expedition in uncharted wilderness of the American frontier when he is attacked and mauled by a bear, leaving him for dead. Knowing that the harsh conditions were hindering the group from successfully transporting Glass back to their fort, expedition leader Andrew Henry (Domhnall Gleeson) convinces team members Jim Bridger (Will Poulter) and John Fitzgerald (Tom Hardy) to stay behind along with Glass’s Native American son Hawk (Forrest Goodluck), to protect and care for Glass while the rest of the team goes for help. When Glass is left for dead by the men and forced to witness the murder of his son, Glass refuses to succumb to his injuries and sets off on a 200 mile journey thru the untamed West to get revenge on the man who took his son.

Academy Award®-winning director Alejandro G. Iñárritu brings the 19^th century American Frontier alive with stunning cinematography and lighting and mirroring the harsh conditions Glass and company actually lived through on their journey. This emotionally raw film is brought to life by actor Leonardo DiCaprio who brings Glass to life with painstaking precision. Actor Tom Hardy embodies the immoral nature of life in the frontier and his performance encompasses the true nature of survival of the fittest. Domhnall Gleeson and Will Poulter round out this wonderful cast, each providing the sense that morality can survive even when the world around you seems to prove otherwise.

The Revenant is a brutal film that shines glimmers of hope thru holes of despair on one man’s quest for survival. It’s a film that will leave you thinking about it’s content days after the credits roll, it will test your moral compass, it will shake you in its brutality, but it will leave you satisfied. The Revenant is this years film to beat.

Stars:

4 1/2 out of 5

After Credit Scene?

None

Trailer:

Review: ‘The Letters’ Teaching Us The True Meaning Of Charity

Posted on December 5, 2015 by Jordan Jenkins — Leave a reply

Now approaching the holiday season we start thinking of charity, family, and love. Some donate food and some volunteer at shelters and hospitals. This time of year makes us feel the need to give to those who are less fortunate. However, Mother Teresa gave more than her charity a month or two out of the year, she served the poorest of the poor for the last 50 years of her life. Audiences get to see this inspiring journey through those years in William Riead’s Biopic The Letters.

The story begins in 2003 with Father Benjamin Draggh (Rutger Hauer) investigating events during and after Mother Teresa’s life (Juliet Stevenson), that could give the Vatican the evidence they need to award her with Beatification. During his investigation he met with her spiritual adviser, Father Celeste Van Exem (Max Von Sydow) who presented him with letters written between the two of them during the last 40 years of her life; some of the letters showed signs of her faith wavering during her time in India. With these letters he tells her story beginning in the year 1946, during her time as teacher at the Loreto Convent in Dareeling, India. She loved to teach however when she looked outside the convent she saw people starving and and dying in the streets. Regardless of race or religion she believed that God had placed her on this earth with the purpose to serve those who are less fortunate. This film is the story of how she changed the lives of those around her with her life and her love.

Juliet Stevenson gave a phenomenal performance. She made me sympathize greatly with her character, and did fairly well with her accent and mannerisms. As for the rest of the cast, their performances were quite underwhelming. The best part of the film was the story. It’s hard to not feel inspired when watching the life accomplishments of a strong, selfless woman. That being said, there was a lot that the film was lacking in. The film is predicable. We know she was a selfless woman, however knowing that the film is called “The Letters” one may believe that we would see a different side to this story. Her spiritual adviser mentions that these letters contain signs that she is loosing faith in God multiple times during the film, yet in the visual reenactments during the film the audience never see’s any signs of her faith wavering. Which leaves us wondering “why mention it”? The film was a bit slow and could have been laid out in a more appealing way, however this does not mean you should not see it. If you believe technical and cinematic aspects of films come second to an inspiring story, then I would suggest giving this film a watch. The life of Mother Teresa is enlightening and may affect the way you see the life you have. You can see The Letters in theaters on December 4th.

2 1/2 out of 5 stars.

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