The Stand In
When ordered to serve a year in rehab, actress Candy (Drew Barrymore) hires her on-set stand-in to take her place. The unassuming woman flips the script and steals her identity, career and boyfriend in this hilarious comedy about trading places.
Drew Barrymore gets to play two polar opposite roles. Candy Black is character number one. For sure a nod to Drew’s vast collection of lovable characters over the years but with a seriously jaded mean streak. And perhaps also a not-so-hidden, tongue-in-cheek riff on Melissa McCarthy, who gets named dropped immediately in the best way possible. For Barrymore’s character Candy, 5 years after a breakdown on set, she is another person. Her sadness has consumed her. She is a recluse who is court-ordered to go to rehab for 90 days. Frankly, she has other plans. Her second character is the titular role. Paula is seemingly lovely, sweet, and bright, but now also out of a job until she gets an auspicious call to get back on the horse for Candy. Both women get the opportunity to reshape who they are… for better or for worse. You think you know where this story is going, but you’re in for a big surprise.
When they play the same scenes it’s an excellent dynamic. Watching Drew commit to these two women is really fun. You’re constantly waiting for the other shoe to drop. It makes for a heightened watch. It becomes unexpectedly dark. Drew is actually scary to watch. The marketing is doing a disservice to the film. There is so much more to The Stand In than the trailer offers viewers. I hope they can appreciate what comes their way.
It is definitely an interesting commentary on fame and notoriety. There are innumerable moments that will make you cringe but you have to ride them out. The Stand In makes fun of itself in a thoughtful way. The cameos are aplenty and each person is given the opportunity to highlight the trappings of Hollywood with their dialogue. I think that’s what I appreciated most. The dark honesty is what sticks with me as the credits rolled. The entire success hangs on Barrymore’s ability to play two characters we’ve never seen from her before. Congratulations to director Jaime Babbitt for helping a film that’s much deeper than an audience is expecting.
In Select Theaters, On Demand, and on Digital December 11, 2020