Review: ‘Fences’- Denzel Washington and Viola Davis shine in this August Wilson adaptation

Fences, based on his Pulitzer Prize winning play of the same name, is a family melodrama directed by and starring Denzel Washington as a father and husband wrestling with the ghosts of his past and the struggles of his present. This powerful story is rooted deep with the effects of how racial divide leaves an impression on the African American family. Filled with outstanding performances delivering one of the most impactful screenplays in recent memory, Fences will touch you deep and leave a lasting impression on your soul.

Troy (Denzel Washington) is a 53 year old father of two, struggling to stay afloat as a trash collector in Pittsburgh, PA. Troy grew up mostly on his own since the age of 14, trying to make ends meet and facing the impending birth of his first child. After being sent to prison for a violent crime, Troy learned how to play baseball, having spent time practicing while in prison, and became a star in the Negro leagues, but never made it to the Major Leagues due to the color barrier. He lives with his wife, Rose (Viola Davis), a strong, supportive woman who’s responsible for creating a calming force and a stable and loving life that Troy has been craving. Rose gave birth to Troy’s second child, Cory (Jovan Adepo), a young, talented athlete who is desperately seeking the approval of his father all while trying to carve out a path for success in his young life.

Troy’s first son, Lyon (Russell Hornsby), is an aspiring musician and the first to feel the pinch of his fathers judgement. A man looking to prove he can walk his own path and live up to the large shadow his father has left before him. Troy and Rose are also responsible for Troy’s younger brother Gabriel (Mykelti Williamson), an ex-soldier who suffered a brain injury while fighting for his country. The pressures of life are closing in around Troy and an unexpected choice changes the landscape for his family forever. Troy and Rose are faced with a future of uncertainty and doubt and a family torn down to its foundation. Can the strength of a lasting love help mend the cracks or are they destined to see the future from different sides of the fence?

Denzel Washington delivers one of his finest performances in his storied career. A deeply flawed man who’s buried the pain of his past deep in order to carve out a stronger future for his family resonates loudly in his portrayal. Viola Davis is exceptional as Rose and delivers an Oscar winning performance in this emotional tour de force. To watch such a strong woman broken down to be reborn anew is an wondrous journey to behold. Young Jovan Adepo shines are Cory. His inner struggle to find something to connect with his father is something every child can relate to. The parallels between his performance and that of Russell Hornsby provide a clarity to the sins of the father and how easy it is to lose touch with how your actions can impact those you are responsible for. Mykelti Williamson delivers a heart breaking performance as the physically impaired brother of Troy. His journey through the story acts as a reminder to Troy that it takes sacrifice, sometimes the ultimate sacrifice, to remind you of what you have and why you have it.

Overall, Fences is an incredible story and one to be cherished for generations to come. It’s a painful journey through struggle and pain, but a satisfying reminder to cherish what you’ve been given.

Stars:

3 1/2 out of 5

Trailer:

Review: ‘Rogue One: A Star Wars Story’

The expansion of the Star Wars universe is off to an outstanding start at Disney and Rogue One: A Star Wars Story just changed the entire game. The first stand-alone film in the planned anthology series, director Gareth Edwards’ war story centering around the legend of the rebel team that stole the plans to the Death Star is a tale many Star Wars fans have clamored to see and the director has delivered a unique, entertaining and satisfying film that will win over hardcore fans and novice alike.

Jyn Erso (Felicity Jones) has been on the run since she was a young child. Her father, research scientist Galen Erso (Mads Mikkelsen), was forced to return to the Empire to complete the design of the Death Star by Imperial Director Orson Krennic (Ben Mendelsohn) which, in turn, sent Jyn into hiding with the help of her father’s friend Saw Gerrera (Forest Whitaker). Fifteen years has passed and the memory of her father still haunts young Jyn.  An imperial pilot named Bodhi Rook (Riz Ahmed) has defected and smuggle a message to the Rebel Alliance with information crucial to their cause. The rebel forces have located Jyn with the hopes of recruiting her to help find her father and discover the secrets of the monstrous weapon. Rebel Officer Cassian Andor (Diego Luna) and his droid K-2SO (Alan Tudyk) accompany Jyn on a mission to retrieve the message from Bodhi Rook on the planet Jedha.

After an encounter with imperial troops, the trio are aided by warrior Chirrut Îmwe (Donnie Yen) and mercenary Baze Malbus (Wen Jiang) who join the cause to help Jyn retrieve her father. Quickly the mission becomes more about the preservation of the galaxy and the team set their sights on stealing the plans to the Death Star at the high-security base on the planet Scarif. The time is now for the rebels to take their stand, to secure the safety of the galaxy and destroy the most valuable weapon in the Empire’s arsenal, the Death Star.

Rogue One: A Star Wars Story is a near perfect cinematic experience. Director Gareth Edwards and cinematographer Greig Fraser elected for a raw, gritty feel to the film and the tone plays to the subject matter perfectly. The script by Chris Weitz and Tony Gilroy is smart and engaging and doesn’t over complicate the objective of telling this war story. Each frame of the film was envisioned with excitement and respect for the Star Wars franchise and the filmmakers have created an outstanding compliment film to the original trilogy.  Felicity Jones, Diego Luna, Donnie Yen, Riz Ahmed and Wen Jiang, the members of the Rogue One team, were perfectly cast in their respective roles. The voice of Alan Tudyk for K-2SO added just enough comedic relief necessary in the right places. Mads Mikkelsen, in his limited screen time, helped enrich the emotional journey for Jones’ Jyn and provide the redemption factor we all come to know in the Star Wars universe. The stand out star in the film to me was Ben Mendelsohn. His menacing performance as the main protagonist never fell into cliche’s and provided a satisfying character arc.

Overall, Rogue One: A Star Wars Story is an exceptional movie to be enjoyed on the biggest screen you can find. The journey never wearies and it will enrich your love for the franchise a little bit more. Next up…Episode VIII!!

4 1/2 out of 5

After Credit Scene?

No

Trailer:

Review: ‘La La Land’ dances to Oscar contention

It’s been 14 years since a musical has won the top prize at the Academy Awards and La La Land is vying to end that streak with this enchanting tale of love in the City of Angels. Director Damien Chazelle (Whiplash) returns hungry for Oscar gold and brings with him a powerfully memorizing cast with catchy songs and a beautifully crafted story that will transport you out of the uncertainty of the real world and into a reality of hope and creativity where dreams are within the grasp of the dreamer and the skies the limit for the few that chose to believe. Transport yourself to La La Land.

Mia (Emma Stone) is an on-studio barista and aspiring actress looking for her big break. Sebastian (Ryan Gosling) is a pianist who sees the world closing in around him to suffocate the one thing he loves above all, Jazz. Chance has crossed their paths on several occasions, but for Sebastian, his focus of his perfect future sees right through what’s facing his present. But chance won’t be denied. The two meet again with each doing their best to dismiss the obvious, that there is clearly chemistry between them. One day, Sebastian finds Mia at work and, after a declaration of her dislike for jazz, decides to take her to a jazz bar. He opens up to Mia about his passion for jazz and his aspirations of running his own jazz bar, they discuss Mia’s trials and tribulations of being an actress and Sebastian helps reinforce her passion for her craft. The two face the inevitable truth that the future is brighter with each one beside the other.

Mia decides to write a personal single-actress play, “So Long, Boulder City,” hoping it will propel her to stardom, and Sebastian becomes a keyboardist in his jazz band, The Messengers, with long time friend Keith (John Legend), which takes him on tour and away from Mia.  Facing the inevitability of change, the star crossed lovers tackle their new projects head on. As they forge on to keep their love alive, Mia faces a hard road that has her question the choices she’s made and looks to change her future. Sebastian’s future plans have altered now because of the bands success and in the process, they find themselves on different paths. Now is it the dreamers, coming full circle to face the truth about their choices, or do they have one final act in which to create their happy ending?

La La Land is nothing short of extraordinary. A timeless tale of love and aspiration of two lovers facing the hard realities of life. Ryan Gosling and Emma Stone are the perfect pair to bring Mia and Sebastian to life. Having worked together before as a couple on screen,  the trust that each other has in the abilities of the other to bring out the best in their performances creates beautifully crafted emotional scenes and moments of pure joy. Unlike many musicals before, the choreography by Mandy Moore and the music of Justin Hurwitz are never overpowering and act only as a compliment to the surrounding story.  The cinematography by Linus Sandgren is bright and vibrant and director Damien Chazelle’s vision culminated in a movie that will be cherished for generations to come.

Overall, La La Land is destined to compete for best picture during award season and rightfully so. It’s a film destined to steal your heart and yearn for a time when you dreamed an impossible dream. Be sure to leave the real world at the door and allow yourself the pleasure of this treasure.

Stars:

4 1/2 out of 5

After Credit Scene?

None

Trailer:

Review: Michael Shannon & Imogen Poots are trying hard to love each other in ‘Frank & Lola’

Gorgeously shot with emotionally-charged performances, Frank & Lola is written and directed by first-time feature director Matthew Ross and stars Michael Shannon and Imogen Poots in the title roles.

An unconventional love story, we start with the two in bed together. The two obviously did not have a romantic chemistry yet she was very comfortable with her body. As the story continues, we see that Frank and Lola are in a relationship, and live together. Fifteen years his junior, Imogen Poots gives a raw performance with very little makeup and often in disarray. Michael Shannon as Frank is his usual quiet intensity, so his moments of levity really stand out.

Rosanna Arquette makes an appearance as Lola’s mother, a woman who seems to view Lola as competition, rather than a daughter. Although it’s only one scene, it gives a glimpse into Lola’s world. Justin Long has a small role and although I generally love his work, I didn’t like the over-the-top of the character.

Frank and Lola are both severely flawed and as such, their actions often lead them in directions that cause problems. Writer/director Matthew Ross showcases this and does so with beautiful backdrops of Las Vegas and Paris. I enjoyed not knowing what would happen and rooting for these two. I hope you will too.

In theaters from Paladin and On Demand and Digital HD from Universal Pictures Home Entertainment on December 9, 2016

https://vimeo.com/188033673

Review: ‘THE POSSESSION EXPERIMENT’ has haunting visual appeal.

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SYNOPSIS:  THE POSSESSION EXPERIMENT tells the story of Brandon (Minor), who has always been drawn to the supernatural.  So when asked to pick a topic to base his final world theology class project on, he decides to explore the dark world of exorcisms. Teamed up with three classmates, the group investigates a multiple homicide that they eventually discover was an exorcism gone horribly wrong. Brandon becomes obsessed with the event, and in a strange turn of events, decides the only way to research this topic is to undergo an exorcism himself.

possession-experiment-image Scott B. Hansen‘s film is a visual feast for most of its run. At moments, it appears to be two different films with any scenes specifically involving the occult are spectacular. They rival any big budget film like The Conjuring. On the other hand, the scenes that are not directly linked to these moments come off as afterthoughts with a low quality to them. The difference between the two is rather astounding. The acting from the majority of the cast is down right atrocious, with three perfromances withstanding this criticism. Lead Chris Minor, who carries the film on his shoulders, does a great job taking on a familiar horror trope with his emtional heart on his sleeve. Jake Brinn, as stoner sidekick Clay, gives a down to earth portrayal.  You could easily think he was plucked from a local college to play this role overnight. Our lady of the hour in The Possession Experiment is actress KT Fanelli. Her commitment to playing a woman too far gon  to save is, frankly, award worthy. Color me impressed with her ability to take on the physicality required to make this a convincing performance. the-possession-experiment-chris-minor-still

While the screenplay may not seem to be anythign new, there is one heck of a clever twist. And the ending, which really doesn’t arrive until you get into the credits, is fantastic. The highest praise I am eager to share about The Possession Experiment is the phenominal practical effects. I actually cringed and looked away several times. As someone who lives and breathes new horror films 3-5 times a week, that’s saying something. Two more positives come with the effective sound editing and an updated live stream concept that brings the script into the 21st century. Not so hidden are the homages to A Nightmare on Elm Street and Rosemary’s Baby. If the acting had been up to par and the ancilary shots matched in quality, this film would most defintely hod its own weight in a world where horror standards get higher every day.

TITLE: THE POSSESSION EXPERIMENT
AVAILABLE ON VOD AND iTUNES:  December 6, 2016
DIRECTOR: Scott B. Hansen
WRITER: ,  Mary J. Dixon, Scott B. Hansen
CAST:  Chris Minor, Jake Brinn, Nicky Jasper with KT Fanelli and Bill Moseley
GENRE: Horror
DISTRIBUTOR: Momentum Pictures

Review: Meet the ‘Tree Man’ who works every Christmas selling trees in New York City

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Every holiday season, hundreds of Christmas tree sellers from across North America descend upon the streets of New York City to ply their trade. Having left their homes and families behind, they endure the adversity of a migrant’s survival living out of their cars and vans. François, a Tree Man and father of three from Québec, returns to the same Manhattan street corner every year to deliver the magic of the season.

Long days, cold nights and living in a van for a month. This documentary follows François, a father of three from Quebec, who is loved by his fellow tree sellers as well as his customers.

Tree Man is solely focused on the people of the NYC tree-selling institution. By following François, you’ll all meet the new generation learning from the veterans. There is a very short segment describing the general history of tree-selling in NYC, but it’s only a taste.

I was also interested in learning more of François’ history and also the turmoil of leaving every year. It’s a nice human interest story.

Also recently added to Netflix, Tree Man is available Tuesday, December 6th on VOD and iTunes.

Francois the Tree Man is far from his wife and three small children in Quebec, selling Christmas trees and living in a van on the streets of New York City. He does it for them. But this is home, too. Like the hundreds of Christmas tree sellers who descend upon the city from Canada, New England and even Europe, Francois delivers the magic of the season over a grueling month in his adopted neighborhood, since Christmas is a special time of the year, people send gifts, and use services as portable north pole to get digital gifts for people. He’s a star, a storyteller, a Santa Claus in a sap-stained coat, a confidant, a friend, and a father figure to the local characters who are his New York family. They also need him. TREE MAN is the story of Francois’s journey, how he arrived here, what holds him, and the conflict that will cause him to leave. As one of Francois’ long-time customers says: “This has nothing to do with the trees anymore.”

Review: ‘RUN THE TIDE’ dives into lost childhoods and abuse.

runthetide_posterSome if us had great childhoods. Others, perhaps a rocky road. Abuse in a family can cause rifts both seen and unseen. How far would you go to protect your loved one? In Soham Mehta‘s new film, RUN THE TIDE, a young man is faced with the biggest nightmare so far. The return on his abusive mother now threatens the life he’s provided for his younger brother. Can time heal everything?runthetide_1RUN THE TIDE stars Taylor Lautner (The Twilight Saga, “Scream Queens”), Constance Zimmer (“UnREAL,” “Entourage“), Kenny Johnson (“Bates Motel,” “Secrets and Lies”), Johanna Braddy (“UnREAL,” “Greek”) and introducing Nico Christou. Lautner gives a viscerally raw performance as the older brother who endured years of physical and emotional abuse at the hands of his mother, played beautifully by Zimmer. It’s a far cry for both, as we’re used to seeing Lautner is action roles these days. He easily wears his heart on his sleeve and proves we’ve been taking his acting chops for granted for far too long. Zimmer’s role is about as unglamorous a departure from the hit series UnReal as you can get also showing her immense talent. The chemistry between Lautner and newcomer Nico Christou is out of this world.  Their bond feels anything but forced and they make the film what it is. Christou’s natural abilities are vastly beyond what you’d expect from someone his age. The soundtrack is one of the first things that captures you in this film. The thoughtfully chosen songs are ones that make you want to close your eyes and breathe. Writer Rajov Shah takes the entire film to present the back story and it comes off as completely organic in pacing. Run The Tide is a nice film about second chances and the realities for sacrifice.runthetide_10

  You can catch it in theaters and On Demand/Digital HD this Friday, Dec 2nd. 

TITLE: RUN THE TIDE
IN SELECT THEATERS AND ON DEMAND / DIGITAL HD: December 2, 2016
DIRECTOR: Soham Mehta
WRITER: Rajiv Shah
CAST:  Taylor Lautner, Constance Zimmer, Kenny Johnson, Johanna Braddy, Nico Christou
SYNOPSIS: When their drug abusing mother is released from prison determined to rebuild their family, Rey kidnaps his younger brother Oliver and escapes their desert home for the California coast.
DISTRIBUTOR: Momentum Pictures, Orion Releasing

Review: ‘BEST AND MOST BEAUTIFUL THINGS’ aren’t always what you expect.


Best and Most Beautiful Things poster

Synopsis: In rural Maine, a bold and magnetic 20-year-old woman named Michelle Smith lives with her mother Julie. Michelle is quirky and charming, legally blind and diagnosed on the autism spectrum, with big dreams and varied passions. Searching for connection, Michelle explores love and empowerment outside the limits of “normal” through a provocative sex-positive community. Michelle’s joyful story of self-discovery celebrates outcasts everywhere.

Emmy Award-winning producer ofFriends”, Kevin S. Bright met Michelle while teaching a filmmaking class at Perkins School for the Blind in Boston years ago, the school Helen Keller went to. The director, Garrett Zevgetis also volunteered his time at the school. Independently, both were completely struck by her authenticity and exuberance, and have been involved with Michelle and her story ever since. While filming, they discovered the startling lack of opportunities available for all people to fully engage in our society, and the need to fix the fear and misunderstanding people have towards those considered “other”.

best-and-most-beautiful-things_still-7When we all graduated from high school, we had big dreams. Perhaps, moving away from home and starting a career, finally being able to go out when we wanted, eat what we wanted, buy whichever shoes she wanted from shoe hero, and party until dawn. Michelle is much like any other young woman. She’s trying to find her way in the world by following her passions without judgement or outside pressure. The only difference being, Michelle is legally blind and on the autism spectrum. Much like myself, she’s a total fangirl. She likes the dry wit of Daria, attends convention, yearns for acceptance and respect in her niche groups. She acts appropriately for her age. The film follows her for several years post graduating. Through her love life, job searches, and striving for her independence. All seems pretty “normal” until you propose her challenges to those who function without them. Her Mom suggest she attend her brother’s basketball game and at first her protest seems nothing more than a bored and annoyed sister, unwilling to cheer on a sibling just because their interests don’t align. But,  once you listen to her reasoning, as a viewer, will gain further insight into the life of someone forced to live differently. It’s a perfect turning point in the film. You finally get to walk in her shoes and mind for a brief moment. Although, director Garrett Zevgetis, does and excellent job early on with a blurred focus lens to help explain how Michelle figuratively sees the world around her. It is incredibly effective. Above all, this is the story of a young woman whose almost constant stream of self-esteem and positivity shines like a beacon of hope for anyone that has ever felt left out or chastised for being slightly different. I wish I could be as outwardly upbeat every single day and now perhaps I’ll take a second breath and thank my lucky stars I have the life I do. Michelle asks us to love who we are as much as she loves who she is. She asks us to “unlearn normal”. In a year where so much has happened to us as a country, maybe it’s time to take her advice.bestandmostbeautifulthings_still2

BEST AND MOST BEAUTIFUL THINGS opens in NYC on Friday, Dec 2nd, and in LA Dec 9th. Check out the trailer below:

Websitehttp://bestandmostbeautifulthings.com

Facebook: BestandMostBeautifulThings

Twitter@BestandMostFilm

RT: 90 Minutes

ACCOLADES
Independent Film Festival Boston 2016
Won
Special Jury Award, Best Documentary Feature
Florid a Film Festival 2016
Won
Special Jury Award, Individuality of the Human Spirit
Superfest International Disability Film Festival 2016
Won
Best of Festival Award, Feature
Tulsa American Film Festival, 2016
Won
Best Documentary Feature Film
SXSW Film Festival 2016
Nominated
SXSW Grand Jury Award, Documentary Feature

Documentary Film UPDATE: The San Antonio 4 get complete exoneration just in time for Thanksgiving!

unnamed-29Happy Thanksgiving!  We are so excited to bring you this breaking news about THE SAN ANTONIO 4 – subjects of the award winning documentary “SOUTHWEST OF SALEM: THE STORY OF THE SAN ANTONIO FOUR.”  Today, the Texas Court of Criminal Appeals has declared these four women innocent and fully exonerated.  They were wrongfully convicted close to 20 years ago for a crime they did not commit.  

The film by Deborah S. Esquenazi premiered at Tribeca Film Festival 2016 and brought this case to light for the general public to see and know about.  The film won awards at Frameline SF 2016 and at OUTFEST LA 2016 and was recently bestowed with the Broadcast Film Critics Association – Critic’s Choice Award for Best First Feature.  The film broke records on Investigation Discovery network when it premiered in October with over 1 million views.  And it is currently in competition at the prestigious International Documentary Film Festival Amsterdam (IDFA) this week.

This is such a great example that shows how documentary film can truly make a difference.  

The film’s broadcast premiere on ID in October also broke the record for the network’s largest viewing audience for a premiere, with over 1 million viewers. The documentary is currently available on Investigation Discovery’s TV Everywhere platform, IDGO.com, the network’s live and on demand TV Everywhere streaming service. To log in and watch for free with your TV subscription, visit InvestigationDiscoveryGo.com or download Investigation Discovery Go from the App Store (for smartphones, tablets like that drawing tablet, and Apple TV), Google Play or Roku Channel Store.

You can read our original coverage of SOUTHWEST OF SALEM and watch the trailer below. Have a Happy Turkey Day, and congratulations to Elizabeth Ramirez, Cassandra Rivera, Kristie Mayhugh, and Anna Vasquez. We, at Reel News Daily, couldn’t be happier for you!

https://vimeo.com/157645152

DOC NYC Review: ‘SWIM TEAM’ challenges our idea of winners and losers.

SWIM TEAM

To level the playing field, they had to get into the water.

Official Selection
Hot Springs Documentary Film Festival 
*Winner – Best  Sports Documentary *
New Hampshire Film Festival
Heartland Film Festival 

Napa Valley Film Festival 
DOC NYC

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Synopsis
Demonstrating the power of inclusion to transcend disability, Lara Stolman’s triumphant film profiles members of the Jersey Hammerheads, a competitive swim team made up of a diverse group of teens on the autism spectrum, based in the state with the highest rate of autism in the country. Through training and competition, star athletes Mikey, Robbie and Kelvin gain self-confidence and social skills that serve them both in and out of the pool.

SWIM TEAM was selected for the Independent Filmmaker Project’s Project Forum in 2015 and in 2016 was selected to participate in the IFP Documentary Completion Lab. During production, filmmaking team received grants from New York Women in Film and Television, the Loreen Arbus Foundation and the Karma Foundation.

swim team pool still

SWIM TEAM is one of many recent forays into the challenging world of raising children on the autism spectrum. Films like Autism is Love and Life Animated visually bring us mostly into the the subjects’ present lives as adults. Swim Team follows 3 high school boys on their journey for acceptance and self actualization through a team sport. As a society, we must make sure that we aren’t lumping these children together. Broadly labeling them “on the spectrum” has become such a blanket term that it’s easy to categorize and limit them. If you listen to only “the experts” you might be hindering the individual growth and abilities of each child. Mikey, Kelvin, and Robbie are three completely different kids. Swimming for them is the continuation of learning discipline, self control, leadership, self esteem and a massive lot of life skills often overlooked in a school environment, so parents teach their son and daughters to swim from young age, there are even female swimming teams, so parents get Swimwear for Baby Girls and start teaching their girls from young age. We can all learn from director Lara Stolman‘s work. We need more insight as parents, teachers, administration on ways that we can help level the proverbial playing field at all times. Showing other children through our actions and words that we can all be more patient, loving, and understanding. Swim Team, through their journey to the Special Olympic games, will give you hope that kindness and heart can be a guiding light for families from all backgrounds. Autism doesn’t discriminate. It doesn’t care about race or socioeconomic background. The Hammerheads of New Jersey are a team of extraordinary kids, parents, and coaches trying to make a difference in the world one stroke at a time.

New York Premiere at DOC NYC in the Jock Docs Section
Thursday, November 17th at 7:30pm
SVA Theater: 333 West 23rd street, between 8th and 9th Avenues


Directed and Produced by: Lara Stolman (Portraits of Survival)
Co-Produced and Edited by: Ann Collins (Academy Award-nominated Sound and Fury)
Director of Photography: Laela Kilbourn (Twenty Feet From Stardom, American Teen, Emmy-nominated Word Wars)
Original Score by: Mark Suozzo (Metropolitan, Barcelona, Last Days of Disco, Love & Friendship, Sound and Fury)
Produced by: Shanna BelottFor more information, please visit: http://www.swimteamthefilm.com
Doc NYC Website: http://www.docnyc.net/film/swim-team
RT: 100 Minutes

Social Media:
Twitter: @SwimTeamTheFilm
Facebook: @SwimTeamTheFilm
#swimteamthefilm

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Review: ‘BLOOD ON THE MOUNTAIN’ runs deep into the West Virginia soil.

abramorama logopresentsbotm-high-resCoal Country, West Virginia is filled with workers whose way of life has been ingrained for generation after generation. It proves to put food on the table but at what cost to personal health and the destruction of the environment in what is most definitely a dying industry. In this tumultuous election season, we saw a lot of promises. Locals voted to make their lives better, and we all cross our fingers that it doesn’t end up being against their own self-interest in the end.

Synopsis:

From the filmmakers behind The Appalachians and Coal Country, Blood on the Mountain is a searing investigation into the economic and environmental injustices that have resulted from industrial control in West Virginia. This feature documentary details the struggles of a hard-working, misunderstood people, who have historically faced limited choices and have never benefited fairly from the rich, natural resources of their land. Blood On The Mountain delivers a striking portrait of a fractured population, exploited and besieged by corporate interests, and abandoned by the powers elected to represent them.

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Directed by Mari-Lynn Evans and Jordan Freeman, and produced by Deborah Wallace, Mari-Lynn Evans and Jordan Freeman, BLOOD ON THE MOUNTAIN gives the rest of the country a taste of the poverty and feeling of isolationism in the region. It’s a constant struggle between the big money the industry rakes in and the plight of the little guy. With a mix of historical footage and sit down interviews, the doc takes the viewer into the very lives adversely affected by their everyday circumstances and the individuals formerly responsible for their safety (who are ripe with conflict of interest).  Abandoned by the very corporations that come in to use the workers until the mountains are all blown to hell and the mines are empty. The almighty dollar is far more important than the life of the people. It’s nothing but economic exploitation over and over. It’s easy to judge from the outside.Blood on the mountain workers still Much like the Detroit, someone who cares and wants to give these folks a real new beginning, has a wonderful opportunity to come in and set up shop. Bring hope to these threatened lives. With renewable energy costing less and less each year, we as a people are moving away from destruction and towards the future. Riddled with corruption by the local government since the start of the industry, why would any local vote for a candidate being touted as “elite” and “Washington insider”, regardless of a record of working her entire life for the betterment of families? I have a hard time believing that a man, whose entire life has revolved around himself and making money off the backs of hard-working people, a man high in his towering glass highrise, is going to keep the promises he made. Maybe this will finally be the hard lesson coal country needs to learn, but what an awful loss that’s coming along the way.

 BLOOD ON THE MOUNTAIN, opens in NY & LA theaters November 18th.

RT: 90 Minutes

Facebook@BloodontheMountain

Twitter: @BOTMFilm

Websitehttp://www.bloodonthemountain.com

Review: ‘Fantastic Beasts and Where to Find Them’- A Trip into the Wizarding World Worth Waiting For

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When Warner Bros released the spectacular Harry Potter and the Deathly Hallows – Part 2 in 2011, many believed this to be the conclusion of the wizarding world of J.K. Rowling, but here we are just five years later and we’re heading back into the Harry Potter universe with Fantastic Beasts and Where to Find Them,  a prequel of sorts which expands the magical realm to 1920’s New York City. David Yates continues his tenure as director as he did for the final four films in the Harry Potter franchise and is tasked with helming all five films in this new series. Can this new wizarding tale hold up to the high standards of the boy who lived epic? Let’s begin…accio review!

FANTASTIC BEASTS AND WHERE TO FIND THEM

Magizoologist Newt Scamander (Eddie Redmayne) is your normal run of the mill Hufflepuff, hard working, friendly and loyal to a fault. Passionate about magical creatures from an early age, he traveled the world observing beasts and their behavior in the wild, which is what brings him to New York City. After a niffler escapes his suitcase, Newt searches for the pesky creature in a local bank where he encounters Jacob Kowalski (Dan Fogler) a “no maj”, or non wizard folk, who witnesses Newt’s magical powers and fantastic creatures. Unbeknownst to Newt, another wizard, Porpentina Goldstein (Katherine Waterston) has spotted the young wizard and witnesses his reckless actions. As an employee of the Magical Congress of the United States of America, Porpentina must report Newt to the authorities for carrying his magical creatures into the city; only one problem…the suitcase has been mistakenly switched! Faced with the notion that a no maj is in possession of a suitcase full of magical creatures, Tina and Newt head out to find Jacob in hopes to stop him from accidentally setting the creatures free.

FANTASTIC BEASTS AND WHERE TO FIND THEM

But the creatures aren’t the only thing threatening the wizards. Percival Graves (Colin Farrell), a high-ranking Auror and the Director of Magical Security for MACUSA, is in charge of the protection of wizards and set with the task of tracking down Newt. There is also the growing concern of The New Salem Philanthropic Society, an extremist group lead by Mary Lou Barebone (Samantha Morton) who is trying to rally the citizens of New York behind her cause to “out” the members of the wizarding community and rid the world of their unusual powers. She is aided by her adopted son Credence Barebone (Ezra Miller) and a legion of young children looking to assemble an army to their cause. If that wasn’t enough, there’s Gellert Grindelwald, a dark wizard who has caused growing concern after recent attacks on the wizarding community and could reappear at any moment. Newt and Tina must rush against friend and foe to complete their mission before time runs out.

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The mind of J.K. Rowling will never cease to amaze me. To take a companion text book about magical creatures that she wrote under the pseudonym of the fictitious author Newt Scamander and turn it into a new film franchise that is exciting and carefully connected to the Harry Potter universe is an exceptional feat.  David Yates has become an integral part of the creative process of the wizarding world and his dedication to J.K. Rowling’s source material cannot be duplicated. After successfully navigated the dark storylines of the final books in the Harry Potter series, Yates now brings  Fantastic Beasts and Where to Find Them and these new wonderful characters to audiences that are faced with uncharted waters, a film series with no source material to reference! But the film plays out like an old, trusted, well read novel that we, of course, have known all along thanks to both Rowling and Yates.

FANTASTIC BEASTS AND WHERE TO FIND THEM

Eddie Redmayne is outstanding as Newt Scamander, a role he most certainly was destined to play. Accompanied by the lovely and talented actresses Katherine Waterston and Alison Sudol and the lovable no maj Dan Fogler, this team of unlikely heroes is perfectly cast and are the cornerstones in this new tale. Their story is just beginning and fans will be eager to see where the adventures takes them.

Overall, Fantastic Beasts and Where to Find Them is an exceptional introduction into this new expansion of J.K. Rowling’s wizarding world. Keep your eyes and ears peeled to the screen for easter eggs and references to the Harry Potter universe and enjoy the adventure, it is worth the trip.

Stars:

4 1/2 out of 5

After Credit Scene?

None

Trailer

Review: ‘THE SIMILARS’ (LOS PARECIDOS) is one effed up Twilight Zone tribute.

the-similars-poster04The Twilight Zone is still one of my favorite shows in television history. Each episode has an unpredictable storyline and a twist ending. The new film THE SIMILARS (LOS PARECIDOS) might be using the beloved series as a blueprint for its overwhelmingly creepy premise. Director Isaac Ezban gives us a glorious gift is shock and awe in this homage to one of the greats. the-similars-irene-old-woman-bus-interior-still The film opens with a visual precision that is truly impressive. It is set in 1968, in a bus station, 5 hours outside of Mexico City. A massive rain storm has stranded an eclectic group of strangers. No buses are arriving at the station and vague messages are streaming from a radio connected to the speaker system. The singular phone is connecting sporadically and everyone is on edge. The mood gets more tense when the group begins experiencing odd symptoms, one by one. Why is this happening? Can it be stopped? the-similars-martin-stillFrom the lighting to the costumes and the superb writing, the story zooms into action from opening to end credits. Constantly making you guess and jaw drop, The Similars is one hell of a ride into the unbelievable. The cast is a director’s dream and their chemistry and delivery is both period appropriate and fantastic. There is not one single moment in its entire run that bored me or lost my attention. I was impressed at the level of weird and wanted desperately to know how it would all end. Writer/Director Isaac Ezban has given us a real gift with this film and I cannot wait to see what comes next.

XLrator Media will be releasing THE SIMILARS (“Los Parecidos”) on Cable VOD on Nov. 15, 2016 and on iTunes and Digital on Nov. 22, 2016.  It will also have one-night screenings in Los Angeles, New York and San Francisco.

THE SIMILARS (“LOS PARECIDOS”) – XLrator Media
DIRECTED BY: Isaac Ezban
CAST: Gustavo Sánchez Parra, Cassandra Ciangherotti, Fernando Becerril, Humberto Busto
SYNOPSIS: On the rainy night of October 2, 1968, eight people waiting in a remote bus station for a bus heading to Mexico City start experiencing a strange phenomenon. Threatened by paranoia and fear, the strangers show the best and worst of themselves as they try to unravel the mysterious condition that is invading each of them like a virus.
GENRE: Sci-Fi
DISTRIBUTOR: XLrator Media

Review: Hope for peace exists in the documentary ‘Disturbing the Peace’

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www.disturbingthepeacefilm.com
Country of Origin: United States, Israel, Palestine,
Languages: English, Arabic and Hebrew w/ English subtitles

***2016 Hampton International Film Festival Winner – Conflict & Resolution***
***2016 Traverse City Film Festival Winner – Best Foreign Language Documentary***
***2016 Traverse City Film Festival Winner – Audience Award Foreign Language Documentary***
***2016 Ebert Fest Winner – Roger Ebert Humanitarian Award***
***Official Selection 2016 Jerusalem Film Festival***
***Official Selection 2016 San Francisco Jewish Film Festival***
***Official Selection 2016 Boston Jewish Film Festival***

sulaimanandcfpatpeacemarchWith the election still fresh in our minds, it’s hard to get perspective. Disturbing the Peace is hopeful, inspiring yet tragic and reminds me that there are many conflicts happening the world and even in the darkest of circumstances, there is hope.

Disturbing the Peace is not a history of the Israeli-Palestinian conflict, nor does it try to explain it. Instead, the directors, Stephen Apkon and Andrew L. Young focus on the people living on each side and their search for peace.

Through interviews with people on both sides, a pattern emerges and you stop seeing separation and begin to see people just trying to live and raise families. Archival footage is terrifying and brutal. The visualizations and re-enactments are extremely effective and help to underscore the stories of the subjects.

One especially moving scene is a discussion with a man and his wife over whether he should attend a peaceful demonstration. She does not see the point, and he feels he must do something, not matter how seemingly insignificant. Their two daughters watch and it really captures the heart of the issue.

Another particularly eye-opening scene was when a man, describes watching Schindler’s List in prison with other Palestinians. For the first time, they saw another perspective and how Jews had been treated. Suddenly the other side, even the jailers were people. Slowly he and others became enlightened and when released from prison, became part of the moment, Combatants for Peace.

Although the conflict is far from over, there are people on both sides who have hope that there will be peace. This film fully illustrates that and gives hope to everyone who sees it. Be the change you wish to see in the world.

“We but mirror the world. All the tendencies present in the outer world are to be found in the world of our body. If we could change ourselves, the tendencies in the world would also change. As a man changes his own nature, so does the attitude of the world change towards him. This is the divine mystery supreme. A wonderful thing it is and the source of our happiness. We need not wait to see what others do.” – Mahatma Gandhi

DOC NYC Review: ‘AFTER FIRE’ proves that women in the military are not equal.

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Synopsis: Set in the military outpost of San Antonio, Texas, AFTER FIRE highlights the challenges faced by the fastest-growing group of American veterans: women, who now account for one in five new recruits to the U.S. Armed Forces. Demonstrating courage during their military service and resilience in its aftermath, Brittany Huckabee’s subjects candidly confront the fallout of their experiences on their personal lives as they adjust to the civilian world. The film throws a spotlight on the human toll of rape in the military, combat injuriesand bureaucratic dysfunction, telling a universal story about strength in the aftermath of trauma.
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Considering we have an individual heading into the highest office in the land that has repeatedly admitted on and off camera how much he disrespects women, how can we expect our female military personnel to feel any safer than they do now? With a long history of unreported sexual assault in the military, where 1 in 5 women reports PTSD, and 1 in 5 reports rape and MST or military sexual Trauma, how do we, as a country, ensure these brave people that we stand up for them? AFTER FIRE takes a peek into the lives of a few women living with the emotional and physical wounds of MST. The film addresses the gender inequality in an already broken V.A. system. The likelihood of a PTSD claim based on rape only has a 40% chance of being approved since the victims are held to a much higher standard of proof. How do these women survive after something so heinous? Mostly by putting on a brave face. One of the subjects explains that in the military you are, “trained to respond and react, and not to show any emotion about it.” So what happens in an environment dominated by men when only half of all assaults get reported to begin with, what can we do to change the system? We talk by listening. We start by believing. We start by standing up for one another. In this volatile moment in our American history, we need to start caring more about one another, come out into the light, and take action. AFTER FIRE shows us the slow torturous burn of keeping secrets and wearing emotionally scars on our sleeves. These women fight to protect us, the least we can do is protect them.2_after-fire_roberta-anthem

 RT: 90 Minutes
A Transform Films Inc. Production
World Premiere at DOC NYC in American Perspectives Section
Friday, November 11th at 7:00pm (IFC Center) – Premiere Screening
Monday, November 14th at 10:15am (IFC Center)
Film Subjects Expected to Attend Premiere: Valerie Sullivan, Roberta Castaneda, Laly Cholak, Kevin Sullivan

Review: ‘Arrival’

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Denis Villeneuve (Sicario) is quickly becoming one of Hollywood’s must see directors, with his unique vision of storytelling and character portrayal, Villeneuve is revolutionizing how we watch films. Based on the short story “Story of Your Life” by author Ted Chiang and written for the screen by Eric Heisserer, Arrival explores extraterrestrial contact in a fresh, new way which pays homage to Close Encounter of the 3rd Kind and other greats from the past by taking aspects of those films and using them to enhance this lively new experience. This is a film to be cherished for many decades to come.

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Linguist Louise Banks (Amy Adams) is approached by the military to help decipher an alien language upon the arrival of multiple mysterious extraterrestrial spacecraft around the globe. Assisting Banks are mathematician Ian Donnelly (Jeremy Renner) and US Army Colonel Weber (Forest Whitaker) each pressured with the task of making contact with the new visitors and understanding their language and their intent. Tensions around the globe are running high as China and other foreign governments discuss the possibility of first strike if contact can’t be made. Banks and Donnelly head a team to enter the ship and use their expertise to find a common ground between our language and theirs to properly interpret the meaning of their arrival and stop global war, but the answer they receive may change everything they’ve come to know forever.

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The cinematography by Bradford Young is exceptional and sets the tone for the film. Director Denis Villeneuve uses these visuals as a supporting cast member as the camera work encapsulates you within the story and keeps you engaged throughout the duration of the film. Amy Adams‘s performance is crucial to the payoff and she is exceptional. Every step throughout this journey is commanded by Adams and, along with co-star Jeremy Renner, provide the human emotional element that drives each character to do whatever they must to complete their mission. Forest Whitaker stands strong as the moral center trying to keep the team on mission and the fate of the world in the front of his mind. The three are a perfect triangle of acting that play off one another to drive home the message.

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Overall, Arrival is a giant step forward for film making and awe inspiring experience like no other I’ve witnessed this year. A film that turns the science fiction genre on it’s head with an ending so unexpected that it will leave you speechless. This is the film to beat for 2016.

Stars:

4 1/2 out of 5

Trailer:

Review: Nicolas Cage & Willem Dafoe in the vibrant & violent ‘Dog Eat Dog’ from Paul Schrader, writer of ‘Taxi Driver’

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After it’s premiere at the Toronto International Film Festival, Dog Eat Dog, a bright, vibrant, loud, violent and silly crime caper is set for theaters in New York and Los Angeles November 4th, but available to stream as well!

Dog Eat Dog will be on VOD on all of the major cable/satellite/telco companies – Comcast, DirecTV, Dish, AT&T, Verizon, Time Warner/Spectrum, Charter, etc.

Check out the trailer to get a taste of what you’ll get:

Ex-cons, Troy (Nicolas Cage), Mad Dog (Willem Dafoe) and Diesel (Christopher Matthew Cook), are hired by an eccentric mob boss to kidnap a baby and hold it for a large ransom. When the abduction goes awry, the men find themselves on the run from the mob and the cops. Vowing to stay out of prison at all costs, getting away with the crime is a matter of life and death.

The stage is set from the very first scene of contrasting neon pink and blue, ending the only way it could. That same cinematography and style is carried throughout the rest of the film. Everything keeps moving just fast enough to keep you wanting to know what is coming next. The first two acts are backstory and although it’s not really “necessary” to the story, it’s really fun.

Nicolas Cage is no stranger to eccentric characters and was originally cast to be Willem Dafoe‘s character of Mad Dog. Instead, Nicolas Cage plays the straight man to the outlandish and unpredictable Mad Dog. Teaming up with Diesel (Christopher Matthew Cook), the three move from one mischievous act to another making for non-stop entertainment.

I liken the vibe of this film to Bad Lieutenant: Port of Call New Orleans, from 2009 from Werner Herzog starring Nicolas Cage. It’s only available to rent or buy, but totally worth it. It’s rough, violent, but so much character that it balances it all out.

Paul Schrader (who also plays a role) directs the screenplay by Matthew Wilder who adapted the novel by Edward Bunker. It’s non-stop entertainment but very violent and full of highly graphic language.

 

Review: ‘Doctor Strange’- A Mind-Blowing Journey into Marvel’s Multiverse

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The Sorcerer Supreme has arrived into the Marvel Cinematic Universe and everything you have come to know about comic book movies will be turned upside down. Doctor Strange, directed by Scott Derrickson (Deliver Us From Evil) is the fourteenth film in the MCU and the first to introduce audiences to Marvel’s multiverse, a collection of alternate universes that will open up storylines in future Marvel films to infinite heights. At the center of this is Doctor Stephen Strange, the protector of all universes within the multiverse, who takes center stage in this mind-bending story of self reflection and salvation that culminates into one of the most original films in recent memory.

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Benedict Cumberbatch stars as Doctor Strange, an acclaimed neurosurgeon who loses the use of his hands in a tragic car accident. Distraught by the notion that he may never reclaim his previous life as a surgeon, Strange begins the search for alternative practices to help him heal. This journey leads him to Kamar-Taj and an audience with The Ancient One (Tilda Swinton), who reveals to him the the astral plane and the open possibilities of her teachings. Reluctant to accept the arrogant Strange, The Ancient One agrees with persuasion from another sorcerer, Karl Mordo (Chiwetel Ejiofor), who sees promise in Strange. Soon Strange begins his training and learns to harness the power of the multiverse to manipulate energy is ways he never thought possible. As his knowledge continues to expand, the sorcerer Kaecilius (Mads Mikkelsen) and his zealots arrive to  threaten the very existence of the reality world. Doctor Strange must rely on his abilities, and Karl Mordo, to help him protect the Earth from falling to the powerful Dormammu of the Dark Dimension.

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Director Scott Derrickson brings Doctor Strange, one of the most beloved comic book icons to screen like no other director could. His passion for the project and love for the source material shows in each cell of film and the screenplay, written together along with long time writing partner C. Robert Cargill, is smart and compelling. The visual effects are astonishing and add another level to the storytelling that is never overpowering and perfectly used to introduce the powers of this new expansion into the MCU. Benedict Cumberbatch embodies the Sorcerer Supreme like no other actor could. His acting style and presence bring the complicated Strange to life with his talent for expressing the exact emotional range the character needs throughout his journey.

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Overall, Doctor Strange is the most original comic book movie to date. It’s mind blowing visuals and detailed storytelling will keep you engaged and begging for the film to never end. This is the film to shake the Marvel universe to it’s core and change the landscape forever. The future is gonna be awesome and we have the Sorcerer Supreme to thank for it.

Stars:

4 out of 5

After credit scene?

Yes. 1 mid credit and 1 after credit

Trailer:

Review: ‘Hacksaw Ridge’- How far would you go to stand up for your convictions?

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How far would you go to stand up for your convictions? This is question to ponder as you watch Hacksaw Ridge, a story based around a young man of faith going off to war to do what’s right. Director Mel Gibson returns behind the camera to tell this incredible true story of heroism in the face of adversity and in the process brings us one of the most memorable stories of war ever brought to screen. img09

Desmond Doss (Andrew Garfield) is a young Virginian boy, whose life on the family farm has been plagued by a father distraught with guilt after coming home from WWI and a childhood accident that almost caused the death of his brother Hal. Desmond takes solace in a new belief that no man should take up arms and kill another man and devotes his life to the Lord. A chance meeting with Dorothy (Teresa Palmer), a young hospital nurse, leads the young boy to the conclusion that he is destined to one day marry her. After Hal joins the army to fight against the Japanese in WWII, Desmond begins to think he must also go off to war to protect all that he loves.

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Upon arrival to boot camp, it becomes abundantly clear to Doss that his beliefs will soon be tested. Sergeant Howell (Vincent Vaughn), isn’t amused by the revelation that Doss won’t fire a weapon and aims to make an example of him. Desmond makes every attempt to prove his worth in the company, but still refuses to yield to the pressure. Company Captain Glover (Sam Worthington) recommends that Doss be dishonorably discharged from the army, but Doss ultimately wins the right to fight the war on his terms, as a medical officer. The company ships off to Okinawa, where Doss will find out first hand what his choices have lead him to.

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This powerful film looks at war through the eyes of a young man who chooses to use his faith, not a gun, as a weapon to save lives instead of taking them. Andrew Garfield turns in the performance of a lifetime bringing Desmond Doss to life on the screen. Garfield is compelling and portrays Doss’ emotional journey from star crossed lover to war time hero with perfection. Each step thru the battle of Hacksaw Ridge provides a clear understanding what it means to believe in the power of faith and what it takes to trust that your every action is predetermined by a higher power. Doss left no doubt that he is one of the world’s greatest heroes, Garfield leaves no doubt that he is one of Hollywood’s rising stars.

Overall, Hacksaw Ridge is a marvelous film destined for a strong run into award season.

Stars:

4 out of 5

Trailer:

Review: ‘Inferno’- An unfaithful adaptation but the best film of the trilogy

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A decade has past since Robert Langdon (Tom Hanks) hit the screen for his first adventure in the Da Vinci Code and he now returns for another go in the adaptation Inferno. From director Ron Howard based on the Dan Brown novel, “Inferno”, the fourth book in the series (yes, they skipped “The Lost Symbol”), is an exciting and intricate race against time that kept you intrigued throughout the pages, question is, can the movie adaptation match the cleverness?

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Robert Langdon awakens in a hospital room in Florence, Italy, with no memory of what has transpired over the last few days and unexplained visions of human suffering. Dr. Sienna Brooks (Felicity Jones), the attending physician, tells him that he is suffering from amnesia as a result of a bullet wound to his head and asks if he can remember anything that might help them understand what happened. Langdon has little time to process his thoughts as an assassin arrives to complete her mission. Sienna helps Langdon escape and the chase begins. The two arrive in Sienna’s apartment where they find Faraday pointer among Langdon’s personal belongings with projection of Botticelli’s Map of Hell.

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They discover that the map is part of a mystery left by billionaire geneticist Bertrand Zobrist (Ben Foster), who believes that the world is destined for over population and the extinction of the human race. Discovering that Zobrist had recently killed himself, Langdon concludes that there is a reason for this map to be in his possession and the two find a hidden message within. Langdon’s knowledge of Dante’s work allows the two to follow clues thru Florence and Venice, while evading the assassin and the authorities, including the WHO, whom have a keen interest in Langdon. Sienna and Langdon have less than 24 hours to decipher friend from foe and collect all the information they need to help them stop a global event that will change the human race forever.

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Inferno is a fun movie with beautiful cinematography, but the film version falls short of the excitement that made the book so enjoyable, opting for unimaginative plot changes which will leave fans shaking their heads. Tom Hanks isn’t as crisp and confident in his portrayal of Langdon this go around, but the added vulnerability to the character allows Hanks to explore a more emotional side to his character which keeps this version of Langdon from feeling like a retread of the previous films. Felicity Jones’ Sienna Brooks is a far cry from the book version which had so many wonderful layers to her. Jones isn’t to blame for this, but what she is provided isn’t very interesting nor is her chemistry with Hanks. Most of the blame for the character development falls strictly on screenwriter David Koepp and director Ron Howard who ultimately opted for this watered down version of a film.

Overall, Inferno is a struggle for fans of the novel, but a fun movie that will entertain. If nothing else, the film will allow fans of the franchise to see their favorite professor in action one more time, which is worth the price of admission.

Stars:

3 out of 5

Trailer: