DON’T TELL LARRY
After lying to her new eccentric coworker Larry about a company party, an ambitious corporate flunky must deal with the deadly consequences.
Dot-Marie Jones and Ed Begley Jr. serve up pro performances that most certainly elevate DON’T TELL LARRY. Kiel Kennedy has a genuine Will Ferrell energy. His portrayal of Larry is cringe, uncomfortable, and entirely unhinged. It’s wild and wonderful. I won’t say more because seeing is believing. Kennedy gives Larry a larger-than-life persona, mastering the comedy and terror. 
Kenneth Mosley is Patrick, Susan’s work bestie and equally fabulous sidekick. Do yourself a favor. Watch Mosley’s reel on IMDB. You will wonder why he isn’t on every screen in your home. His performance as Patrick immediately catches you off guard in the best way. He’s magnetic. Patty Guggenheim is unforgettable as the hyper-ambitious Susan. Guggenheim is a star. She has a similar energy to Julia Louis-Dreyfus. Her comic timing and charisma pull you in. Her chemistry with Mosely makes me want a sequel/spin-off/whatever!
Filmmakers Greg Porper and John Schimke give us a classic, over-the-top workplace comedy that stands alongside titles like OFFICE SPACE. It’s wacky and worth your eyeballs.
Watch the Don’t Tell Larry Trailer:
93 MIN | DARK COMEDY | THRILLER | ROMANCE | INDEPENDENT | NR TV-14
Don’t Tell Larry is
IN THEATRES AND ON DEMAND 6.20.25
Emagine Portage 16 | Portage, IN
Emagine Palladium 15 | Birmingham, MI
Emagine Rogers 18 | Rogers, MN
Galaxy Monroe 12, Monroe | WA
Laemmle Royal | Los Angeles, CA
Sunrise Theatre | Southern Pines, NC
Laemmle Town Center | Los Angeles, CA
Directed by
Greg Porper & John Schimke
Written by
Greg Porper & John Schimke
Produced by
Greg Porper, p.g.a.
John Schimke, p.g.a.
Brad Keller
Executive Produced by
Ed Begley Jr., Barry Goodman, Robert Porper
Starring
Ed Begley Jr., Dot-Marie Jones, Patty Guggenheim, Kiel Kennedy, Kenneth Mosley, Tina Parker, Heath Allyn, Molly Franco, Ronda Dale Kirk, Joe Rojas Jr., Terrence Dearman, Billy Blair, Bruce Davis
DON’T TELL LARRY – SYNOPSIS
After Susan tells a harmless white lie about an office party to her truth-obsessed co-worker Larry to secure a promotion, she finds herself in over her head when tragedy strikes, and all signs point to Larry as responsible. Terrified her secret will be exposed, Susan ropes in her well-meaning but clueless co-worker Patrick to help cover up her tracks—but every move they make unleashes a whirlwind of chaos. From random drug tests and car explosions to a suspicious detective and a rising body count, Susan’s workweek spirals into a full-blown clusterf*ck.
About Level 33 Entertainment
Los Angeles based Level 33 Entertainment is a global content sales and distribution company dedicated to promoting diverse voices in independent film. Level 33 provides innovative sales, marketing and distribution services for feature films and entertainment content, delivering a flexible and transparent distribution solution for all platforms including Theatrical, Home Entertainment, On Demand, Broadcast and OTT.
Nelson remarked, “This story felt personal to me, I felt a real connection to it because the Nelson family farm has been a working farm in South Dakota since the Civil War, and my wife’s family were also farmers. Green and Gold captures the tenacity of small-town farmers and the strength of family and community. I was honored to play Buck and highlight the dreams defining many lives in America’s heartland.”
This meaningful film is presented in collaboration with Culver’s and the Green Bay Packers, the nation’s only community-owned professional football team. Culver’s small-town Wisconsin roots give the restaurant franchise a true heart for agriculture and inspired the creation of its Thank You Farmers® Project, which has donated more than $6.5 million toensure a sustainable food supply for the future.
Green and Gold is directed by Anders Lindwall and produced by Davin Lindwall and Aaron Boyd. Dan Visser, Darren Moorman, Scott Pomeroy, Craig Cheek, and Brooks Malberg executive produce the feature film. The screenplay was written by Steven Shafer, Michael Graf, Missy Mareau Garcia, and Anders Lindwall.
The heightened sound editing by Andrew Siedenburg and Nikolay Antonov is a character in the film. There is no better way to articulate its effect. The camera work from Lidia Nikonova swings from following closeups to static long takes, and it is nothing short of magnificent.
There is a theatrical delivery of much of the dialogue. Deragh Campbell is marvelous playing Katy. She delivers a compelling performance, reminding us how much we rely on the family matriarch to set our boundaries. Campbell’s pervasive anxiety flows on the screen.
The film brilliantly captures the poetic chaos of family gatherings. A myriad of intimate vignettes are all swirling together in an authentic picture where time loses all meaning. FAMILY PORTRAIT is haunting in so many ways. It will leave you breathless and wanting more.
A celebration of family-friendly indie filmmaking, Invaders From Proxima B has arrived to delight the budding cinephile. Ward Roberts brings audiences a whimsical story of intergalactic mayhem.
Bo Roberts is a natural as daughter Ruby. Her comic timing is a hoot. Samantha Sloyan is effortlessly charming as Mom, Jane. We get both sitcom motherly goodness and slackstick joy from Sloyan. She is a dynamo.
The inspiration from Disney’s Lilo and Stitch is unmistakable, but Invaders From Proxima B has an edgier narrative. I’m not exaggerating when I tell you Chuck’s first line of dialogue elicited a genuine guffaw from my mouth. Incredible Seusian animation acts as transition storytelling. The editing and use of GoPro add to the kid-centric perspective. This alien invader, body-swapping comedy is a laugh-out-loud, enchanting watch for the weekend. Check it out!
The documentary follows Tina Cordova as she advocates for herself and her fellow “downwinders.” Downwinders are innocent bystanders who may have suffered negative health effects from the Trinity test – the 1945 detonation of a newly developed nuclear weapon in New Mexico.
The anecdotes from the immediate aftermath of the nuclear test are truly horrifying. One particularly striking recounting involves children playing with what they thought was “warm snow, but may have actually been nuclear fallout. Still more disturbing is the potential generational effects of the test. There are recounts of stillbirths, of children born without eyes, and of widespread cases of cancer across the affected communities. Cordova herself is a thyroid cancer survivor, the 4th generation in her family to have cancer since the test in 1945.
Don’t Tell Larry
Paul Reiser, who also writes the screenplay with Wally Marzano-Lesnevich, plays Barry. A real estate mogul from NYC, he receives a call from his distant cousin in Ireland, requesting his presence to heal a wound from generations past. The caller is Ciáran, played by Colm Meaney. The two proud, established men momentarily connect for the sake of their family. When Barry finds himself inheriting half of the family land, shenanigans ensue, dividing this small town between old and new ways.
This breezy film is perfect for the festival circuit. Jane Levy grounds the film as Barry’s daughter. While 95% of her appearances occur as phone calls from NYC, her brightness keeps Barry grounded for the viewer. Reiser is as great as ever. His big-city energy is a delicious foil for Meaney’s homegrown pride. Ciáran wavers between forgiveness and fight, and Meaney is a pro.
The landscape of the film is breathtaking. The sets are inviting. The script is heartwarming and silly. Frankly, THE PROBLEM WITH PEOPLE is a film we all need right about now. While it doesn’t break the mold, it makes you smile from beginning to end. I would easily watch a sequel of these two men navigating whatever comes next.
You must be logged in to post a comment.