Austin Film Festival 2023 review: ‘THE PROBLEM WITH PEOPLE’ brings familial chaos and charm.

THE PROBLEM WITH PEOPLE

Two distant cousins who’ve never met – one in NYC, the other in the smallest town there is in Ireland – come together to finally put an end to a generations-long family feud. It doesn’t go well. The Problem With People, set in the beautifully lush Irish countryside, is a heartwarming comedy about family, world peace … and sheep.


Director Chris Cottam brings Austin Film Festival audiences a charming transatlantic tale of fortune, forgiveness, and family.

Paul Reiser, who also writes the screenplay with Wally Marzano-Lesnevich, plays Barry. A real estate mogul from NYC, he receives a call from his distant cousin in Ireland, requesting his presence to heal a wound from generations past. The caller is Ciáran, played by Colm Meaney. The two proud, established men momentarily connect for the sake of their family. When Barry finds himself inheriting half of the family land, shenanigans ensue, dividing this small town between old and new ways.

This breezy film is perfect for the festival circuit. Jane Levy grounds the film as Barry’s daughter. While 95% of her appearances occur as phone calls from NYC, her brightness keeps Barry grounded for the viewer. Reiser is as great as ever. His big-city energy is a delicious foil for Meaney’s homegrown pride. Ciáran wavers between forgiveness and fight, and Meaney is a pro.

The landscape of the film is breathtaking. The sets are inviting. The script is heartwarming and silly. Frankly, THE PROBLEM WITH PEOPLE is a film we all need right about now. While it doesn’t break the mold, it makes you smile from beginning to end. I would easily watch a sequel of these two men navigating whatever comes next.


For more info on the Austin Film Festival 2023, click here!

 

Review: ‘Monster Trucks’

Director Chris Wedge (Epic) makes the jump from animation to live action with Monster Trucks, a film looking to resurrect the 1980s family creature features for a new generation of movie goers. The story, conceived by former Paramount Pictures president Adam Goodman, with the help of his four year old son, is ludicrous to say the least, but just entertaining enough to hold the attention of younger audiences.

This is Tripp (Lucas Till), a high school kid looking to get out of his small town and find his place in this big world. Tripp works at a junk yard and likes to tinker around with cars, especially working on his custom monster truck. After an accident at a nearby oil-drilling site, a peculiar creatures finds its way into the junk yard and into Tripp’s life. This squid-like creature seems harmless enough and really loves the taste of oil, so Tripp decides to hide him from an oil company hit squad looking to take the creature back to their lab. Seeing as Creech (that’s what we’re calling the thing) likes his truck, Tripp decides to make the truck into a true “Monster” truck fully powered by Creech. With the help of book nerd and love interest Meredith(Jane Levy) and a scientist Dr Bill Dowd (Thomas Lennon), Tripp must help Creech rescue his parents from Reece Tenneson (Rob Lowe) and return them back to their home beneath the ground.

Monster Trucks isn’t a bad film by any stretch, but nor is it a good film. The premise may sound ridiculous, and it is, but the cast is likeable enough and the overall story of humans destroying the planet for oil and profit regardless of what they disturb in the process is a topic that provides a real world learning experience for audiences. The major fault of the film is it lacks the human element of emotional connection and opts for a more action-centric approach. There’s a lot to be desired about Creech and his love for oil and speed, but there was a real “E.T.” opportunity between Tripp and Creech that was overlooked.

Overall, Monster Trucks isn’t going to win any awards, but it might entertain your children and that’s really all that matters with these films.

Stars:

2 out of 5

Trailer:

Jeremy’s Review & Interview: ‘About Alex’, The Big Chill for the 20-teens & Footprint Features CEO Adam Saunders Gives Us Some Production Skinny

about alex-posterSometimes movies are anchored in the minds of those who watch them, so much so that they become a permanent part of the landscape of when they were watched or released. I first saw The Big Chill when it hit home video back in 1984, but I had already soaked in an integral part of the film as my parents played the soundtrack (on vinyl of course) at home on a regular rotation (and usually at parties they threw). I was immersed in the film and although its subject matter was rather advanced (suicide) for someone of 9-years old, I truly think it is a film that had a profound effect on me without me really realizing it. So when I had the chance to review Jesse Zwick‘s About Alex, a film that covers many of the same themes as Lawrence Kasdan‘s 80s classic, I jumped at the chance. I am excited that I was able to interview Adam Saunders, CEO of Footprint Features and producer of the film, which helped fill in some blanks about the film, its production and the process by which it was made. Read More →