‘I AM BIG BIRD’ hugs your heart and soul. Liz talks childhood flashbacks and this touching documentary.

I am big bird posterWhen I was a very small child, my mother would set me up each morning on my little wooden and plastic potty with a tray of cheerios and Sesame Street. Every night, I listened to the likes of Bert and Ernie, Telly and Grover, but I as I think back to a voice that was so distinct, I always think of one in particular. A tall, endearing, yellow fellow named Big Bird. When I was a preschool teacher I played my students the songs of my past and I fully intend to share the same memories with my own children. Chad Walker and Dave LaMattina bring us the joyous new documentary about the man inside the bird, Caroll Spinney. I AM BIG BIRD is a fascinating look into how this beloved character came to fruition.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

From humble beginnings, a volatile relationship with his father, and a supportive mother, Caroll fell in love with puppetry early on. As a young boy this did not necessarily make school an easy environment, but he soldiered on in his passion. Caroll was discovered at a 1969 Puppet Festival by none other than Jim Henson and fate. The two had a very special  relationship, with Jim being a less of a boss and more of a friend and mentor to Caroll. Navigating through bouts of depression and low self worth, work was his saving grace as was his second wife Debra. Her love brought him back to life and has sustained the magic both on screen and behind the scenes ever since. The Big Bird we know now what not always this childlike. Initially, he was a very skinny yokel type. Thankfully, with more self confidence and encouragement from the entire Sesame Street family, Caroll gave us the magical creature we adore today.

Caroll Spinney and Debra Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Caroll Spinney and Debra Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Walker and LaMattina had a gold mine of footage from Sesame Workshop but the jackpot came from Caroll and Deb’s years of home video footage. Mixed with Caroll’s own art work, intimate sit down interviews with his children, Sesame cast members, and even Jim’s daughter, we are privileged as an audience to see how moments of time came to be. From Follow The Bird to Big Bird in China and many other Muppet specials, we see the good and the bad. There are no kid gloves when it comes to talking about Caroll and company. One of innumerable interesting things we learn is that Caroll also plays Oscar the Grouch. You learn how this has become the perfect counter balance to our big yellow friend and Caroll alike. Their memories become your own and tear at your heartstrings. You feel so special as you see past the feather into Caroll’s soul.

Caroll Spinney and Jim Henson in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Caroll Spinney and Jim Henson in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

We all have an innate love for Kermit and Big Bird. The Muppets and Sesame Street have molded millions of minds all over the globe since their inception. You will watch this film with tears in your eyes and laughter in your heart. There is no escaping the love that engulfs this movie. This is a timeless classic you will want to show your children down the line. I AM BIG BIRD is nothing short of extraordinary.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Stay tuned for an interview with directors Chad Walker and Dave LaMattina in the next few days!

Release Date

VOD: Available on iTunes & VOD: May 5, 2015
Theatrical: Select theatrical release beginning May 6, 2015
New York: IFC Center – opens May 6, 2015
May 15:
Boston: Brattle Theater – opens May 15, 2015
Chicago: Gene Siskel Film Center – opens May 15, 2015
Columbus: Gateway Film Center – opens May 15, 2015
Detroit: Cinema Detroit – opens May 15, 2015
Los Angeles area:
– Los Angeles: Royal – opens May 15, 2015
– Santa Ana, CA: South Coast Village – opens May 15, 2015
Minneapolis: St Anthony Main – opens May 15, 2015
New Orleans: Zeitgeist Theater – opens May 15, 2015
Philadelphia: PFS at Roxy Theater – opens May 15, 2015
Portland: Living Room Theaters – opens May 15, 2015
San Diego: Digital Cinema – opens May 15, 2015
Santa Fe: CCA – opens May 15, 2015
San Francisco area:
– Berkeley: Rialto Cinemas Elmwood – opens May 15, 2015
– San Francisco: Balboa Theater – opens May 15, 2015
– Sonoma: Sebastopol Rialto Cinemas – opens May 15, 2015
Scottsdale: Shea 14 – opens May 15, 2015
May 22:
Eugene, OR: Metro Cinemas – opens May 22, 2015
Gainesville, FL: The Wooly – opens May 22, 2015
Louisville: Village 7 – opens May 22, 2015
Miami area:
– Coral Gables: Cosford Cinema – May 22,2015
– Miami: O-Cinema – opens May 22,2015
Palm Springs: Camelot – opens May 22, 2015
Pittsburgh: Hollywood Theater – opens May 22, 2015
Sedona, AZ: Mary Fischer Theater – opens May 22, 2015
May 29:
Denver: Sie Film Center – opens May 29, 2015
June 10:
Boulder, CO: Boedicker Theater – opens June 10, 2015
June 12:
Seattle: SIFF Cinema – opens June 12, 2015
Bellingham, WA: Pickford – opens June 12, 2015
Pelham, NY: Picturehouse – opens June 12, 2015

Director

Dave LaMattina and Chad N. Walker

Screenwriter

Dave LaMattina

Producer(s)

Dave LaMattina and Chad N. Walker

Cast

Caroll Spinney

Runtime

87 minutes

SYNOPSIS

For 45 years, Caroll Spinney has been beloved by generations of children as the man behind Sesame Street’s Big Bird and Oscar the Grouch – and at 80 years old, he has no intention of stopping. A loving portrait of the man in the yellow suit, I Am Big Bird features extraordinary footage of Spinney’s earliest collaborations with Jim Henson as it traces his journey from bullied child to childhood icon. And as the yellow feathers give way to grey hair, it is the man, not the puppet, who will steal your heart.

New Trailer for ‘Sense8’ Netflix Series from The Wachowskis looks scary and scandalous

Sense8_NBO_12_02916_R_BSense8_BER_11_01902_R_BSense8_ICE_02_01096_R1_B
One moment links 8 minds in disparate parts of the world, putting 8 strangers in each other’s lives, each other’s secrets, and in terrible danger.

All ​12 episodes of the global dramatic thriller will launch Friday, June 5 ​only on Netflix​.

From the unparalleled creative minds of The Wachowskis (“The Matrix”​ trilogy,​ “Cloud Atlas”)​ and J. Michael Straczynski (Clint Eastwood’s “Changeling​,” ​”World War Z”), as well as Grant Hill (“The Matrix” trilogy, “Cloud Atlas”).

The international cast includes: Brian J. Smith, Tuppence Middleton, Jamie Clayton, Miguel Angel Silvestre, Tina Desai, Doona Bae, Aml Ameen and Max Riemelt. Also, Daryl Hannah, Naveen Andrews, Terrence Mann, Freema Agyeman, Alfonso Herrera, Erendira Ibarra, Adam Shapiro, Ness Bautista​ and ​​​Joe Pantoliano.

Unlike anything seen on television before, Sense8 pushes the boundaries in style, scope and story. For more information about #Sense8, ​follow the series on Twitter.

Vampires, George Takei & Big Bird: 3 New Digital HD & On Demand Movies – 5.5.15

Taika Waititi Jonathan Brugh Jemaine Clement WHAT WE DO IN THE SHADOWS Photo Credit Unison Films

What We Do In The Shadows – available online

Viago, Deacon, and Vladislav are vampires who are finding that modern life has them struggling with the mundane – like paying rent, keeping up with the chore wheel, trying to get into nightclubs, and overcoming flatmate conflicts.


eat with me

Eat With Me – Digital today, DVD June 5th

EAT WITH ME is a poignant and life affirming comedy-drama that celebrates the unconditional love between mother and son and the strong cultural bonds of family, food and friendship. Written, produced, directed and edited by David Au, EAT WITH ME is Au’s personal and vibrant tribute to his Chinese-American family, the cultural glory of food and its ability to heal and bond family, and most of all, his mother. The film offers a fresh take on life, love, and food in the heart of Los Angeles through a deliciously emotional and redemptive story, supported by adept cast and featuring a pivotal surprise moment with George Takei.

EAT WITH ME had its World Premiere at the 2014 Los Angeles Film Festival and has since played at dozens of top LGBT film festivals in the US, including the Frameline Film Festival in San Francisco, Boston LGBT Film Festival (Opening Night Film), Houston Film Festival (Closing Night Film), Chicago Reeling Film Festival and Out In Film Atlanta Festival. EAT WITH ME has also picked up several prestigious festival awards, includingBest Comedy Film and Best Actress at the 2014 Out In Film Atlanta, and Best Feature at the 2014 Florence Queer Film Festival.


Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

Caroll Spinney in I AM BIG BIRD: THE CAROLL SPINNEY STORY a Tribeca Film release.

I Am Big Bird – Available on iTunes, VOD and Amazon Instant May 5, 2015, In theaters May 6th

Directed by:       Dave LaMattina and Chad N. Walker
Producer by:      Dave LaMattina and Chad N. Walker
Written by:         Dave LaMattina
Starring:               Caroll Spinney

For 45 years, Caroll Spinney has been beloved by generations of children as the man behind Sesame Street’s Big Bird and Oscar the Grouch – and at 80 years old, he has no intention of stopping. A loving portrait of the man in the yellow suit, I Am Big Bird features extraordinary footage of Spinney’s earliest collaborations with Jim Henson as it traces his journey from bullied child to childhood icon. And as the yellow feathers give way to grey hair, it is the man, not the puppet, who will steal your heart.

New & Returning to HBOGO – ‘X-Men’ ‘Young Frankenstein’ ‘The Great Gatsby’

hbogo-logo_featureIt’s that time again! Here’s the new stuff to HBO and what’s returning.

Name Expiring
12 Years a Slave 5/16/2015
A Good Woman n/a
About Time 7/31/2015 Returning
The Amazing Catfish 6/30/2015
Battle for Terra 5/31/2015 Returning
Before Night Falls 6/30/2015
Before Sunset 6/30/2015 Returning
Being Flynn 6/30/2015 Returning
Best In Show n/a
The Beverly Hillbillies 6/30/2015
Bogus 5/31/2015
Bull Durham 6/21/2015
Catch a Fire 10/31/2015
Class Act 8/31/2015 Returning
Contact 9/30/2015
The Cure n/a
De-Lovely 7/31/2015
Deck the Halls 7/31/2015
Desk Set 7/31/2015
Dirty War n/a
Doctor Zhivago 8/31/2015 Returning
Dolphin Tale 2 n/a
Emma n/a
Empire 5/31/2015
Ender’s Game 8/31/2015 Returning
Eye For An Eye 8/31/2015
Eyewitness 6/30/2015
Fellow Traveller n/a
The Fever n/a
Fflolkes n/a
For a Good Time, Call… 6/21/2015 Returning
The Great Gatsby 5/31/2015 Returning
He Got Game 6/21/2015
I Dreamed of Africa 7/31/2015 Returning
In & Out n/a
In the Mouth of Madness 6/30/2015 Returning
Jersey Boys n/a
King Kong 6/14/2015 Returning
Kuffs 6/30/2015
The Lake House 6/30/2015
The Last of the Blonde Bombshells 8/31/2015
Leap Year 6/27/2015 Returning
Life Is Beautiful n/a
Little Shop of Horrors 6/30/2015 Returning
Living Out Loud 5/31/2015 Returning
Love and a .45 n/a
Lovely & Amazing 6/30/2015
The Magnificent Seven 5/31/2015
Mary and Martha n/a
Mr Nice Guy 10/31/2015 Returning
Must Love Dogs 7/31/2015
Narrow Margin 7/31/2015 Returning
Next of Kin 6/30/2015 Returning
Night at the Museum n/a
Nothing to Lose 6/21/2015
Oh, God! 6/30/2015
Oh, God! Book II 6/30/2015
Oh, God! You Devil 6/30/2015
Once Around 5/31/2015
Picture This n/a
Pleasantville 9/30/2015 Returning
Prime 6/26/2015 Returning
The Producers: The Movie Musical n/a
Pure Luck 6/30/2015 Returning
Queen of the Damned 10/31/2015
Restraint 9/30/2015
The Return of the Musketeers n/a
Save the Last Dance 9/30/2015
Scary Movie 6/21/2015
Serial Mom n/a
Shout 6/30/2015 Returning
Star Trek: First Contact 6/30/2015 Returning
Stop! or My Mom Will Shoot 6/30/2015 Returning
The Story of Us 6/30/2015 Returning
Talk Radio n/a
Tequila Sunrise 6/21/2015
That Thing You Do! 8/31/2015
Hangover Part III 5/31/2015 Returning
Thelma & Louise 5/31/2015 Returning
The Trouble With Spies 6/30/2015
The Truth About Cats & Dogs 5/31/2015 Returning
Twilight Zone: The Movie 7/31/2015
Two of a Kind 6/30/2015
The Upside of Anger 6/30/2015 Returning
Uptown Girls 10/31/2015
Walk of Shame n/a Returning
White Oleander 6/30/2015
X-Men n/a
X-Men: Days of Future Past n/a
The Year of Living Dangerously 6/21/2015
Young Frankenstein 6/21/2015 Returning

‘Wet Hot American Summer’ back on Netflix – watch before the series premiere on July 17th

#unnamed

Wet Hot American Summer: First Day of Camp – Series Premiere July 17th

The counselors are confirmed in this teaser for Wet Hot American Summer: First Day of Camp, a limited 8-episode series coming to Netflix just in time for summer. Elizabeth Banks, Michael Ian Black, Bradley Cooper, Judah Friedlander, Janeane Garofalo, Joe Lo Truglio, Ken Marino, Christopher Meloni, Marguerite Moreau, Zak Orth, Amy Poehler, David Hyde Pierce, Paul Rudd, Molly Shannon,and Michael Showalter are among some of the cast joining the series, which tells the story of the first day of Camp Firewood’s famous summer season, now fourteen years after the film’s debut. The series is directed by David Wain and co-written by Wain and Michael Showalter.

Melissa’s Review: Quentin Dupieux’s latest film is entertainingly far from ‘Reality’

Jon Heder

Jon Heder

You see Jon Heder‘s face above? That’s the one you’ll be making during the entire film. However, if you’re a fan of Dupieux’s previous work (Rubber, Wrong, Wrong Cops), you’ll really enjoy the trippy and dream-within-a-dream wormhole that is Reality.

Eric Wareheim

Eric Wareheim

It’s very safe to say that this movie is not for everyone, as it’s completely absurd and really makes no sense whatsoever. What separates it is the fantastic cinematography and the brilliant score of which Dupieux does himself. It’s no wonder it all works together so well.

Alain Chabat

Alain Chabat

My first introduction to Dupieux was Rubber (currently on Netflix) about a tire (yes, a tire), that’s a serial killer. Obviously ridiculous but completely imaginative and surprising, I was smitten. Reality has the same sort of imaginative writing but this time the story is a man who is pitching a movie and must get the perfect “groan” in order to land the funding. I used story very loosely, as there are many other things happening simultaneously.

Jon Heder

Jon Heder

The score is essential to the movie. At times unnerving, that’s exactly what its meant to be. It complements the story without overshadowing it all. The movie would not be the same without it and it’s not something you’d want to listen to on its own either. Quite extraordinary.

Much like when you’re in a dream, it seems like it’s making sense, then suddenly you wake up and it’s completely incoherent. Only in Reality, you don’t wake up.

Opens today, May 1st exclusively at the IFC Center in NYC and will be available on demand and via digital platforms.

 

Liz’s Review: ‘WELCOME TO ME’ takes on mental illness with heart and humor.

welcome to  me poster
Mental illness is a touchy subject. Certainly putting a pretty face to it makes us more comfortable to talk about it. Films like Gabriel and Silver Linings Playbook have since tackled these issues, on two very opposite ends of the spectrum. A new film starring Kristen Wiig, Welcome to Me, looks at both sides of  something that can be hard to discuss. The story revolves around a young woman with borderline personality disorder who wins 86 million dollars in the lottery. Obsessed with being the next Oprah, Alice approaches a local TV station and pays a great sum of money for them create a talk show just for her, about her, and only, her. Believing that her new found wealth can solve anything in her recently unmedicated surroundings, Alice’s behavior spins out of control as she becomes an internet sensation. The show becomes an inappropriate arena for her to air all the emotional hurt in her head. The station is owned by two very different brothers, Rich and Gabe. The first is desperate for the checks to keep rolling in from Alice, while the other, has his own issues and a thing for his new host. Can Alice pull her life together in time to save any of the relationships in her life?

Welcome to Me Wes Bentley and James MarsdenThis film is filled with a crazy talented cast. James Marsden plays the smarmier of the two brothers, while Wes Bentley is the odder, more lovable one. Marsden is a real dick, while Bentley is sensitive and interesting. The two are totally believable as siblings. Alan Tudyk, who I can never get enough of, is Alice’s gay ex-husband and charming and adorable as always. Joan Cusak, funny lady extraordinaire, plays Welcome To Me’s director so  think Gelman à la Live with Kelly and Michael. Her sincerity is what makes her so effortlessly hilarious. Jennifer Jason Leigh is the more realistic producer who spends most of her time face palming and attempting to interject reason to this insane scenario. Linda Cardellini is Gina, Alice’s best friend since middle school. Cardellini is loving, quiet, and the ultimate caretaker. Tim Robbins plays Alice’s therapist. He puts his foot down when it comes to Alice pushing boundaries, and I would hire him as my real life Dr. in a heartbeat… is that weird?Welcome to me, Alan Tudyk, Linda CardeliniBut let’s get to our leading lady, Kristen Wiig. Famous for her SNL characters like “The Target Lady”, “Penelope”, “Judy Grimes” (Just Kidding Lady), “Babe” (One-of-Two A-Holes), and “Junice Merill” (Slightly-Off Laurwence Welk Performer) but since her departure we’ve seen her take on some truly challenging indie roles. She was a delight in Hateship Loveship, The Diary of a Teenage Girl, and The Skeleton Twins. She, of course, has impeccable comic timing, but is exceptionally gifted in the dramatic. Also, on aside note, she is a pretty woman, no doubt, but there is something altogether gorgeous about her in Welcome To Me. The character of Alice Klieg is incredibly damaged, but if I’m being honest, she is just acting in the ways we all wish we could if they were socially acceptable. This is yet another performance in a long line of impressive ones for Kristen. For the love of all that is holy, go see her in this!Welcome to Me Kristen Wiig

Synopsis: A woman with borderline personality disorder (Kristen Wiig) wins the Mega-
Millions and—much to the dismay of her parents, therapist, gay ex-husband and local TV station—uses the winnings to fund her lifelong dream of becoming the next Oprah.

Starring:

Kristen Wiig, Wes Bentley, Linda Cardellini, Joan Cusak, Loretta Devine, Jennifer Jason Leigh, Thomas Mann, James Marsden, Tim Robbins, Alan Tudyk

Written by Eliot Laurence

Directed by Shira Piven

WELCOME TO ME comes to theaters May 1st.

Premiere photos from ‘Grace and Frankie’ starring Lily Tomlin & Jane Fonda with all episodes streaming on Netflix May 8th

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

I’m so excited about this show especially after seeing Grandma with Lily Tomlin at the Tribeca Film Festival. I’ve been a fan of Jane Fonda‘s recent work, as I loved her in Monster-In-Law.

Grace and Frankie – all episodes on Netflix May 8th

Jane Fonda and Lily Tomlin co-star as two women forced to reinvent their lives in this funny, honest new Netflix Original series. Elegant, proper Grace (Fonda) and freewheeling, eccentric Frankie (Tomlin) aren’t friends, even though their husbands Robert and Sol (Martin Sheen and Sam Waterston) have been law partners for decades. But when Robert and Sol announce that they’re leaving their wives for each other, the two women start to bond in ways they never expected. Check below some of the best photos which were edited using the best photo editing software you may find online.

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Photo credit: Eric Charbonneau/Netflix

Netflix and Ellen DeGeneres Announce ‘Green Eggs and Ham’ Series

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Netflix announced today that the company has ordered 13 episodes of “Green Eggs and Ham,” for the streaming service set to debut  in 2018. The project will be executive produced by Ellen DeGeneres. Check out the clever press release and the video below.

We’d love to share some happy news
based on the rhymes of Dr. Seuss.
Green Eggs and Ham will become a show
and you’re among the first to know.

In this richly animated production,
a 13-episode introduction,
standoffish inventor (Guy, by name)
and Sam-I-Am of worldwide fame,
embark on a cross-country trip
that tests the limits of their friendship.
As they learn to try new things,
they find out what adventure brings.
Of course they also get to eat
that famous green and tasty treat!

Cindy Holland, VP of Original Content for Netflix
threw her quote into the mix:
“We think this will be a hit
Green Eggs and Ham is a perfect fit
for our growing slate of amazing stories
available exclusively in all Netflix territories.
You can stream it on a phone.
You can stream it on your own.
You can stream it on TV.
You can stream it globally.

 

‘The Ladies of the House’ serves up the smart and sexy. Liz talks flipping the script on genre protagonists.

LOTH posterTypical horror gene fair has the protagonist as a weak young woman who is constantly running up the stairs only to get stabbed during sex or in the shower. While I am not making a dig at Psycho, because we all know that is will always be some brilliant and sick stuff, I am bringing up the obvious that women in horror tend to be the victims. Refreshingly, in John Stuart Wildman‘s The Ladies of the House, this couldn’t be further from the truth. The premise seems relatively simple; brothers Kai and Jacob, and friend Derek, go to a strip club for Kai’s birthday. But, when they decide to follow one of the strippers as she departs, they are in for quite the surprise. This house is home to a group of lovely cannibals.LOTH wasabe - belladonna- MichellePerformances by our leading ladies are strong and quirky due to the smart writing from husband and wife team of Wildman and Justina Walford. The often funny moments come from vitriolic insults they sling at the men and one another. Each character is fully fleshed out, most likely making it a blast to perform. Michelle Sinclair plays Ginger. Perhaps best known as former adult actress Belladonna, Michelle does a great job on screen as newest housemate. Farah White plays Lin (our June Cleaver mommy monster, whose patience and civility are balanced on a razor thin edge) is fully settled into this role. The “Lady of the House,” Getty, is played stupendously by Melodie Sisk. This “take no shit” gal is pretty much my favorite performance of the entire film. Brina Palencia is our sex-crazed, emotionally-stunted lovely. Keeping men for play is her game. But can this family survive these feisty gentlemen? Speaking of which, Samrat Chakrabarti, as Derek, is real douchebag. No love lost for this total asshole, which in its own right, is a compliment. Gabriel Horn, as Jacob, plays the classic, submissive peacemaker. Doomed or not, the passive manner doesn’t help his character’s cause in this film. Finally, we have Kai. Clearly a little bit (or a lot) of a simpleton, RJ Hanson‘s portrayal is sickening… which is a good word here. This gentle giant has a sexually charged trigger that gets him into some hot water. Every beat is well thought out and I couldn’t  take my eyes off of him.LOTH stillThe ladies each have their own specific color they sport throughout the film. Their pin-up style radiates from their wardrobe to the impeccable set design by Winona Yu. The majority of the house is like Pee-Wee Herman‘s Playhouse only scarier, and I do mean that as a compliment. Not a tchotchke out of place, it is filled with delicious details top to bottom. The super cool cinematography from Beau Ethridge is a funky combination of fly on wall, handheld closeups, and my favorite shots in the film, super high angles that are akin to surveillance footage. The biggest practical effect is vomit inducing, no doubt, something Eli Roth would be proud to call his own and a dinner table scene that is surely a fandom nod to The Texas Chainsaw Massacre with dialogue Taratino would pen in a heartbeat. I was truly impressed with the gore factor as it was just enough to make a point. The music is incredible. A rockabilly tune here, to classic 50’s make out sounding mix tape there, I want it all for my very own. THE LADIES OF THE HOUSE - Farah White as 'Lin' and Melodie Sisk as 'Getty' (Photo by Marc Lee)While, yes, we’re talking about a grindhouse indie film about lady cannibals, we cannot overlook the empowerment factor so often thrown to the wind in the horror genre. When women kick some serious ass, and are cleverly written, how can we not stand up and cheer? This film’s undertone is blatantly about love and protection… with a little bit of the kooky macabre thrown in for good measure. Not since Robert Rodríguez/Tarantino‘s 2007 GRINDHOUSE with Planet Terror and Death Proof, which flung the exploitation genre back into the spotlight, has there been a film where the ladies are the winner-winner, this time human dinner. Or perhaps more fitting a comparison in this case would be 2003 release High Tension, which if you haven’t yet seen, for shame. My only gripe is that I might trim the length 15-20 minutes to tighten up the story’s flow, but that’s being nit-picky. Anytime I can watch my favorite genre hold a candle to a bygone era of kitsch, I give Wildman and Walford major props for putting it all out there and for giving us something that can easily be shown as a drive-in cult classic in the future. Now I want to know, what’s next?

The Ladies of the House comes to VOD platforms on May 1.

You can preorder the film on iTunes. 

Best of the Fest: Liz & Melissa’s 22 Favorite Narratives & Documentaries from the Tribeca Film Festival!

tribeca film festival 2015 logo

It was a fabulous eleven days filled with movies and interviews, and now it’s time for us to reflect on our favorites. Enjoy!

Favorite Comedies

Grandma_Press_1 TribecaGrandma – releasing August 21st

Reeling from a recent breakup and still mourning the loss of her longtime partner, once-famous poet Elle Reid (Lily Tomlin) is surprised to find her teenage granddaughter on her doorstep in need of $600 and a ride. The two embark on an all-day road trip that ends up rattling skeletons and digging up secrets all over town. Co-starring Julia Garner, Marcia Gay Harden, Judy Greer, Laverne Cox, and Sam Elliott.

We’ve only gotten a tease of Tomlin over the past few years, but she’s back with a comedic performance that rivals any dramatic one. So wrong, yet so perfect, her delivery gives the dialogue an extra edge that almost makes you feel guilty as you laugh out loud. I can’t wait to see her and Jane Fonda in Grace and Frankie on Netflix. – Melissa

 

Tomlin is an indisputable legend. Her comic timing is like watching Mozart create a symphony. This film is an absolute gem that tackles so many relevant issues without one ounce of preachiness. I have always been a huge fan and I am crossing my fingers this garners her an Oscar nod. -Liz

Jack (Simon Pegg) and Nancy (Lake Bell) in Ben Palmer’s Man UpMan Up – releasing May 29th in the UK, no US release set

When perpetually single Nancy (Lake Bell) is mistaken for a charming stranger’s (Simon Pegg) blind-date, she just goes with it, leading to a series of escalating adventures for the two mismatched lovebirds in Ben Palmer’s hilarious romantic comedy.

This could have been another boring rom-com, but the trifecta of story, dialogue and performances make it my new favorite “meet cute.” – Melissa

 

Pegg and Bell are an unlikely duo but let me say this is perfect casting. Their chemistry is super believable and laugh out loud funny from start to finish. Do not pigeon hole this flick, it is a riot for everyone. -Liz

OVERNIGHT_Press_2 TribecaThe Overnight – releasing June 19th

Alex and Emily have just moved to LA with their young son. Eager to make new friends, they accept an invitation to a party from the father of their son’s playground mate. After the kids fall asleep, the “playdate” takes a bizarre turn in this racy and hilarious romp. Featuring Judith Godrèche, Taylor Schilling, Jason Schwartzman, and Adam Scott.

Filled with many twists and turns, you won’t know where the next laugh will take you as these two couples get to know each other. Sharing their hopes, fears and extracurricular hobbies, it all happens so naturally and with the utmost hilarity. – Melissa

 

This crazy funny adult comedy puts to rest the notion that hyper-sexual has to be boring or slapstick. This is actually a really thoughtful script and with a cast like this, you cannot go wrong. -Liz

Sleeping With Other People_Press_1 TribecaSleeping With Other People – releasing August 21st

Jason Sudeikis and Alison Brie star as two romantic failures whose years of serial infidelity and self-sabotage have led them to swear that their relationship will remain strictly platonic. But can love still bloom while you’re sleeping with other people? Writer/director Leslye Headland’s (Bachelorette) sexy romantic comedy co-stars Amanda Peet, Adam Scott, and Natasha Lyonne.

The “platonic friends” comedy is so overdone, but it’s been reborn with Jason Sudekis and Alison Brie. With over-the-top intimate dialogue, honesty is the best policy when it comes to modern relationships. One of the funniest movies of the year. – Melissa

 

This film may appear to be formulaic at first glance, but I assure you, you have no idea what you’re in for. One of the best and most honest pieces of dialogue since This is 40, Sudeikis and Brie kill it with the funny as two people with some serious intimacy issues. -Liz


Favorite Dramas

ANESTHESIA_Press_2 TribecaAnesthesia

On a snowy night in New York City, a Columbia professor is brutally mugged on the doorsteps of an apartment building. Director Tim Blake Nelson’s haunting meditation of city life traces the chain of events that precipitate the attack, examining the inextricable and unforeseen forces that bring a group of disparate individuals together. Featuring a star-studded ensemble including Sam Waterston, Kristen Stewart, Glenn Close, and Cory Stoll.

Make sure you pay attention and get ready for dialogue that is a hyper-intellectual mental workout. It’s heavy but hopeful and filled with brilliant performances.- Melissa

 

This film’s multiple narrative style is something reminiscent of Traffic or Third Person. Beautifully based on philosophical notions, the audience is treated to a peak inside the lives of a handful of New Yorkers. With a jam packed cast of superb talent, Tim Blake Nelson brings everything to the table and succeeds, wildly. – Liz

Bare_Press_1 TribecaBare

Sarah’s (Dianna Agron) mundane life in a Nevada desert town is turned upside down with the arrival of Pepper (Paz de la Huerta), a mysterious female drifter, who leads her into a life of seedy strip clubs and illicit drugs. Their passion inspires Sarah to break free of her past and seek out a new life of her own.

It’s a story that could be told of any small town. It never attempts to explain anything, which actually gives it much more credibility.  – Melissa

 

In Agron’s first truly adult role, she shines as a small town girl trying to find her escape. Big dreams and little self esteem lead to a complex script and a stellar performance.   -Liz

The Driftless AreaThe Driftless Area

Pierre Hunter (Anton Yelchin), a bartender with unyielding optimism, returns to his tiny hometown after his parents’ death. When he falls for the enigmatic Stella (Zooey Deschanel), Pierre is unknowingly pulled into a cat-and-mouse game that involves a duffel bag full of cash, a haphazard yet determined criminal (John Hawkes), and a mystery that will determine all of their fates. With Alia Shawkat, Frank Langella, Aubrey Plaza, and Ciarán Hinds.

To say that The Driftless Area is cryptic is an understatement. I’m still not quite sure what happened, but the characters are so complex and interwoven that even though you’re confused, you can’t wait to see what happens next. – Melissa (read full review here)

Meadowland_Press_1 TribecaMeadowland

Sarah and Phil’s son goes missing, shattering their life together and forcing each to find their own way to cope. Cinematographer-turned-director Reed Morano presents a masterfully crafted contemplation on a relationship strained to the breaking point. Olivia Wilde and Luke Wilson capture the unraveling emotions with remarkable power, alongside Kevin Corrigan, John Leguizamo, Elisabeth Moss, Giovanni Ribisi, Juno Temple, and Merritt Wever.

This emotionally heavy story will kick you in the gut. How does one cope after the loss of a child? Do marriages survive? Can we be saved? These are all questions in an intense script lead by a masterful performance from Wilde. Following up her insane roller coaster role in Third Person, Wilde proves once again that she’s way more than a pretty face. Cast her in all the things, immediately! – Liz

Tumbledown_Press_1 TribecaTumbledown

Years after the accidental death of her folk-singer husband, Hannah (Rebecca Hall) has yet to fully accept her small-town life without him. Then she is approached by a charming New York writer (Jason Sudeikis) intent on penning a biography of her late husband’s life, and Hannah finds herself opening up again. Also featuring performances by Dianna Agron, Blythe Danner, Griffin Dunne, Joe Manganiello, and Richard Masur.

This was a film near and dear to my heart, based on plot and circumstance. The filmmakers and cast hit the nail on the head when it came to recreating a small New England town in Maine and the effect a death has upon it’s entire population. Loss and grief are combined with super smart writing. Sudeikis and Hall own these roles. – Liz

(read full review & podcast of interviews here)

Virgin Mountain TribecaVirgin Mountain

Fúsi is a mammoth of a man who at 43-years-old is still living at home with his mother. Shy and awkward, he hasn’t quite learned how to socialize with others, leaving him as an untouchable inexperienced virgin. That is until his family pushes him to join a dance class, where he meets the equally innocent but playful Sjöfn.

Heartbreaking, yet hopeful, this Jury award winner for narrative and lead performance will grab ahold of you and squeeze. – Melissa

 

This was one of the most endearing films I’ve seen lately. The “I think I can” attitude and transformation of the lead is so compelling from the very beginning. You cannot help but root for this character. -Liz

When I Live My Life Over Again-00002 TribecaWhen I Live My Life Over Again

Jude (Amber Heard) is a would-be singer-songwriter still struggling to make her mark. Cash-strapped and homeless, she begrudgingly returns to the Hamptons home of her father (Christopher Walken), an over-the-hill crooner desperately charting his musical comeback, in this spunky, soulful dramedy about the personal costs of artistic ambition and the bonds that carry us through.

Christopher Walken is charming and tragic. The dialogue is so subtle and natural, you’d think you were watching a documentary. The dining table scene alone is worth the price of admission. – Melissa

 

The tremendously organic dialogue in this film is top notch. It’s an honest portrait of family dynamics we can all relate to on some inherent level. Walken is a gem, as always, and I was blown away by Heard’s level of comfort behind a guitar and piano. Color me impressed.- Liz


Favorite Scary

Backtrack_Press_2 TribecaBacktrack – acquired by Saban Films

In this spine-tingling supernatural thriller, troubled psychotherapist Peter Bowers (Adrien Brody) is suffering from nightmares and eerie visions. When he uncovers a horrifying secret that all of his patients share, he is put on a course that takes him back to the small hometown he fled years ago. There he confronts his demons and unravels a mystery 20 years in the making.

I liked this film as the credits rolled. Speaking of credits, the opening sequence is one of the most beautiful and creative I’ve seen in some time. As I hashed out all the little moments in the script, the makeup, the music, I adored this film. Very smart writing and some really nicely timed jump scares. File this film under paranormal- thriller. -Liz

Hungry Hearts_0341Hungry Hearts – releasing June 5th

After a chance meeting and a whirlwind romance in New York City, Jude (Adam Driver) and Mina (Alba Rohrwacher) become pregnant. Convinced their child will be harmed by the pollutions in the outside world, Mina becomes consumed by protecting her baby, forcing Jude to recognize a terrible truth about why his son’s life could be in danger.

Told like a 70s horror flick, this is a Rosemary’s Baby kind of scary. Crazy camera angles and eerie music make this a very unsettling story that will leave you shivering. – Melissa


Favorite Documentaries

Birth of Sake_Press_2The Birth of Sake

Traditional and labor-intensive, the production of Saké has changed very little over the centuries. Erik Shirai’s love song to the artisans who have dedicated their lives to carrying on this increasingly rare artform follows the round-the-clock process for six straight months, offering a rare glimpse into a family-run brewery that’s been operating for over 100 years.

The gorgeous imagery is enhanced by slowmotion and a calming score. Whether you’re a lover of saké or not, you’ll appreciate the amount of work that goes into its creation. – Melissa (3 docs you must see)

 

Visually breathtaking  with a whole lot of heart, this doc was so enjoyable  for me to watch. It is  akin to a work of art and could easily (and should be) shown on a constant loop in museums. -Liz

Code_web_02CODE: Debugging the Gender Gap

At a time, according to this Utah County recruitment agency experts, in the United States when the tech sector outpaces the overall growth of the employment market, CODE asks the important question: Where are all the women?

Instead of focusing on one aspect of the gender gap in coding, this film really shows that everyone has something to give. The field of information technology is only getting bigger and we need all hands on deck. The more diverse the people building the future technologies are, the better the world is for it. – Melissa (3 docs you must see)

Crocodile Gennadiy imageCrocodile Gennadiy

Crocodile Gennadiy, real-life, self-appointed savior, who works tirelessly to rescue homeless, drug-addicted youth from the streets of Mariupol, Ukraine. At the same time, he challenges dealers and abusers. Despite criticism, Gennadiy is determined to continue his work. Sundance Award-winning director Steve Hoover’s second feature is a bold portrait of a man on a mission.

Doing what’s right is the main point of this extraordinary documentary. Saving the lives of innocent children that are being taken advantage of by a broken system mired in poverty, Gennodiy is the perfect example of what religion should look like. – Liz  (read interview here)

Democrats stillDemocrats

In the wake of Robert Mugabe’s highly criticized 2008 presidential win, a constitutional committee was created in an effort to transition Zimbabwe away from authoritarian leadership. With unprecedented access to the two political rivals overseeing the committee, this riveting, firsthand account of a country’s fraught first steps towards democracy plays at once like an intimate political thriller and unlikely buddy film.

The bravery of these people to be on film, speaking in the manners they do is enough to cheer for. Getting an honest look inside a corrupted political system outside our own is astonishing. Take note America.- Liz  (read review here)

DREAM KILLER_Press_1 TribecaDream/Killer

In the fall of 2005, 21-year-old Ryan Ferguson received a 40-year prison sentence for a murder that he did not commit. Over the next ten years, his father Bill engages in a tireless crusade to prove Ryan’s innocence. Interspersed with footage from the Ferguson family archive, Andrew Jenks’ film looks at the personal consequences of a wrongful conviction.

One of the most frustrating docs to watch, you learn just how lost our justice system can be. Unexpected and shocking, the combination of footage, audio, and interviews makes for one hell of a story. -Liz  (read review & interview here)

Exclusive Closing Night "Monty Python Live (Mostly)"Monty Python: The Meaning of Live

While perhaps best known for its eminently quotable films, Monty Python has performed its signature, surreal humor in live shows since the group’s earliest days. Dive into the history of Python’s stage work and the genesis of some of its most well-known pieces as they prepare for their last-ever live show. Monty Python: the Meaning of Life is a hilarious and illuminating survey of the process behind the Python.

I saw my first Monty Python films at the age of 13. Why it took me that long, I’ll never know. I have my theater friends to thank for introducing me into a world of absolute insanity and brilliance. This is an awesome look inside  the relationships between some of your most memorable laughs and the men behind them. -Liz

Orion is his iconic eagle suit. Photo credit Sun Records

Orion is his iconic eagle suit. Photo credit Sun Records

Orion: The Man Who Would Be King

Millions of Americans clung to the hope that Elvis Presley faked his death. For the executives at Sun Records that fantasy became an opportunity in the form of Orion, a mysterious masked performer with the voice of The King. But who was the man behind the mask? In this stranger-than-fiction true story, Jeanie Finlay explores a life led in service to those who couldn’t let Elvis go.

Everyone has heard of Elvis, but only a fraction have heard of Orion aka Jimmy Ellis. When Jimmy Ellis sang, he sounded like the legendary Elvis. His talent was brought to new heights when Elvis died and people didn’t want to let go. Never an impersonator, Jimmy did capitalize on this coincidence and attempt stardom on his own. – Melissa (read review here)

Artwork from "That Dragon, Cancer".Credit: That Dragon, Cancer

Artwork from “That Dragon, Cancer”.Credit: That Dragon, Cancer

Thank You For Playing

For the past two years, Ryan and Amy Green have been working on That Dragon, Cancer, a videogame about their son Joel’s fight against that disease. Following the family through the creation of the game and the day-to-day realities of Joel’s treatment, David Osit and Malika Zouhali-Worrall create a moving testament to the joy and heartbreak of raising a terminally ill child.

Fair warning: bring an entire box of tissues with you to this truly important and thoughtfully crafted film. If most of us are being honest, usually when we see commercials for St. Jude’s Children’s Hospital we change the channel, but in this instance we come to know and love the members of the Green family. Understanding “That Dragon Cancer ” is the only way to help save lives and support those  on their journey. Using art as an outlet for grief is a transformative way to share an experience, good or bad. – Liz

Wolfpack_Press_1 TribecaThe Wolfpack – releasing June 19th

Everything the Angulo brothers know about the outside world they learned from obsessively watching movies. Shut away from bustling New York City by their overprotective father, they cope with their isolation by diligently re-enacting their favorite films. When one of the brothers escapes, the world as they know it will be transformed.

Something about this film grabbed my heart and held it for it’s entirety. These kids are among us here in NYC, but you’d never know since they’ve been essentially held captive their entire lives. The intense detail  in which these brothers re-create their favorite films is unreal. Their passion and intelligence should be on view for all the world to see and enjoy.- Liz

Tribeca Film Festival interview: Kevin Pollak talks his new doc ‘Misery Love Comedy’ with expected hilarity.

Misery Loves Comedy PosterSome of my fondest memories as a kid are family game nights, Sunday breakfasts, and dancing in the kitchen. All of these things we still do. We try to outplay each other. We make fun of the everyone’s ever changing diets. We choreograph the best and worst dance moves in the universe. Being the first of 4 children ignites a fire that never quite goes away. ‘Look At Me Syndrome” is something I live and die by. Young performers are like sponges. They listen to every word as a kid. They are bright and observant, perhaps not coming alive at that age, but letting it all seep into what shapes their humor. *And yes, I did just allude to how awesome I have always been. But enough about me.* Kevin Pollak has created one hell of a documentary to share with the planet, MISERY LOVES COMEDY. Rounding up over 60 comedians, both stand up or just plain funny people in the industry, including the likes of Amy Schumer, Tom Hanks, Judd Apatow, Kevin Smith, Christopher Guest, Lisa Kudrow, Bob Saget, Chris Hardwick, and  Kathleen Madigan, just to name a few. Pollak poses the question that performers know to be true; “Do you have to be miserable to be funny?” The answers comes in form of intimate sit down interviews with a cast only someone with Pollak’s clout could get to say yes so quickly. Filmed over the course of 4 weeks in L.A. and NYC, we are privy to family photos, childhood inspirations, and all the mess in between. Pollak even edited the film himself, sharing that experience was eye-opening and surprisingly enjoyable. This film is non-stop funny. I loved every moment of it. Jim Gaffigan sums up the need to entertain others perfectly, it’s a ‘Narcissists Fantasy’. Question it, accept it, then own it. I do. It’s the only way to live.

When Kevin Pollak offers to take a picture with you, you take a picture. Because Kevin  Pollak.

When Kevin Pollak offers to take a picture with you, you take a picture. Because Kevin Pollak.

In honor of the masterful director himself, and the over 600 hours of interviews he had conducted, in true Kevin Pollak Chat Show style, I give you the audio from our roundtable with this comic genius. Welcome to a slice of MISERY LOVES COMEDY.

 

Misery Loves Comedy is available on iTunes !! *Ps- it’s #1 right now* Opens today in NYC (IFC Center) with a national release to follow.

Tribeca Film Festival review: It’s easier to squirm than to understand ‘A Courtship’, but don’t be too quick to judge.

Courtship_Press_1 TribecaWe’ve all seen The Duggar Family on television. Courting is something that has a tendency to be labeled a bit kooky. No kissing, supervised “dates”, and approval needed from the head of the household (which is a man, of course). While this may seem like something right out of the dark ages, for a percentage of the population, this is an increasingly common practice in the conservative Christian faith. In Amy Kohn‘s film, A Courtship, we meet 33 year old Kelly. At 19, she was away at college when she found out her parents were getting a divorce. This caused Kelly much strife and ultimately she loses faith in the world. So Kelly moves to Michigan, becomes a devout Christian, and embarks on a journey of courtship, led by her “spiritual parents” Ron and Dawn Wright. Ron has a website called beforethekiss.com in which he shares his knowledge on courtship, selling books that help both children and parents, and even recommending a CD called How to Evaluate a Suitor. Even though Kelly had shared kisses as a teenager, since making the decision to find her husband via courting, she is saving her next first kiss for the alter. This is essentially the first rule of courting. Kissing is meant only for a husband and wife. Courtship_Press_2 TribecaRon and Dawn believe that God has called them to find Kelly a husband, which she is 110% on board with. Kelly moves in with The Wrights and Ron meets with potential young men who he thinks might be a good match for Kelly. While on Facebook, Kelly finds a young man named Ross. He lives the courtship lifestyle and truly believes that God has a plan for everything. During the course of Amy Kohn‘s year of filming, we watch Ross, Kelly, Dawn, and the rest of the Wright family interact. Kelly is girlishly hopeful that Ross is the one sent by God. On the flip side of the coin, Kelly’s actual parents, mother Linda and stepfather Bob, think that internet dating might be a better option for their daughter. They try as hard as they can to understand where Kelly is coming from. One of the most touching moments in the film comes when Bob tears up, telling Kelly that if she were to move back to Alabama near the family, he would be her advocate. It’s a beautiful foil, each family with their own faith and views on love and marriage.Courtship_Press_3 Tribeca Ultimately, after speaking with Kohn, I’ve decided that my gut reaction to this film was far too judgmental. I was certain that there was a hidden incident in Kelly’s young past, at college perhaps, that drove her to seek such extreme measures in love and faith. Amy doesn’t there is anything that she is holding back. She is lovely, passionate young woman, who wants nothing more than to be a good wife and mother. You easily fall in love with Kelly as you watch her journey. Who are we to say what is the right way to find who we’re meant to be with. As long as it doesn’t hurt anyone else in the process, why should courtship be labeled any crazier than “swiping to the left” or getting a quickie divorce? A Courtship is an intriguing look into a lifestyle that may not be for everyone, but definitely works for some. We wish Kelly all the best and hope that she finds true love, sooner rather than later.

Tribeca Film Festival interview: ‘CROCODILE GENNADIY’ is a modern-day superhero story.

Crocdile Gennadiy poster Gennadiy Mokhnenko is a pastor in Mariupol, Ukraine. Following the collapse of the Soviet Union, hundreds, if not thousands of children have become homeless and addicted to a deadly mixture of cold medicine and alcohol that they are injecting like herion. Gennadiy has taken it upon himself to rescue these children, small groups at a time and bring them to his rehabilitation center called Pilgrim Republic. An accomplished and eloquent orator, this strong headed and passionate pastor, sometimes forcibly removes children from sewers, or other filth ridden settings, to set them on the straight and narrow. His aim is to improve their alcohol recovery timeline, get these kids healthy and make them want to be functioning members of society. Confronting abusive parents and taking on the government, Gennadiy is a saint. He has 11 children, most of them adopted from the lot that he has saved over the years. He has a wit and charm that make him one of the most approachable men, and yet he has a tenacity that is also threatening when it needs to be.Crocodile Gennadiy image

This documentary from Steve Hooper is beautifully inter-cut with a Soviet animated TV show, Crocodile Gennadiy from which our pastor gets his nickname. The parrallels between Gennadiy and the cartoon are almost unbelievable. The methods this man uses are far from what would be acceptable for any church in the United States, and as far as I am concerned, we should be taking a page from his playbook when fighting for good. Croc Genn cartoon

I was able to sit down with Steve Hoover and producer Danny Yourd. Find out some of the crazy story behind the making of this film.

 

Crocodile Gennadiy Teaser from Crocodile Gennadiy Documentary on Vimeo.

You can still catch CROCODILE GENNADIY at this year’s festival:

8:00 PM – FRI 4/24  REGAL CINEMAS BATTERY PARK 11-3   –RUSH

Tribeca Film Festival reviews: Docs that will make you face palm humanity. ‘Cartel Land’, ‘Indian Point’, and ‘Tom Swift and His Electric Rifle’

CARTEL LANDCartel Land-#1 - Autodefensa member standing guard in Michoacán, Mexico, from CARTEL LAND, a film by Matthew HeinemanFrom poverty comes desperation and opportunistic turn. The mentality of, “If you can’t beat ’em, join ’em,” could not be more true in a new doc from director Matthew Heinman, Cartel Land. Mexican drug cartels are running rampant, killing innocent people in their wake, wreaking havoc on what would otherwise be hard working, peaceful folk. Infuriated by the circumstances forced up them, townspeople have taken up arms of their own and formed a group named the Autodefensa. They side step the government, who deny there is a problem at all, and capture cartel members to be handed immediately to the police. We also meet a group called the Arizona Border Recon. Mostly comprised of neo-con, anti-immigration minded men, they are able to put their politics aside to police human trafficking and cartel scouting groups. Cartel Land-#7 - Meth Lab in Michoacán, Mexico, from CARTEL LAND, a film by Matthew HeinemanThe most unprecedented footage is when the filmmakers were allowed access inside the cartels themselves. The saddest past of the doc, a lot of the present cartel members are former members of the Autodefensa. Money begets power. It remains a vicious cycle. Cartel Land gives us a real time look into the everyday struggle of the Mexican people. While constantly in true physical peril, Heinman and his crew present us with outstanding production value, balanced storytelling, and an insight to what most of us turn a blind eye to. 

8:30 PM – FRI 4/24 BOW TIE CINEMAS CHELSEA 8                  –RUSH
5:00 PM – SUN 4/26 REGAL CINEMAS BATTERY PARK 11-3   –RUSH

INDIAN POINTIndian_POint_Press_3 TribecaAs a New Yorker, post-9/11, we want to believe that we’re safer. We want to think that the heightened presence of armed guards at Grand Central means something. But, it’s the forces we don’t see that should freak us out. Did you know that just 35 miles north of Times Square is an aging nuclear power plant called Indian Point? I sure didn’t. Not scary enough for you? Alright, the government has down graded evacuation plans since the Fukushima melt down. Still no? 6% of the country’s population lives with 50 miles of the plant. You cannot outrun radiation. Indian_POint_Press_1 TribecaThe plant was built in the 1950’s and has not been sufficiently updated since. This is not a one off for the plants across the country. Old technology cannot be applied fast enough for the amount of old cores we are storing on site (encased in cement). The volatility of this waste is unbelievable. When the earthquake and tsunami hit Japan, Fukushima’s waste was jostled enough to cause multiple reactor meltdown, something that the industry claims is impossible in the US. That radiation has traveled across the ocean and is now causing birth defects in California. Indian Point shows this issue from all sides; activists, journalists, plants supervisors, residents, and the former chairman of the Nuclear Regulatory Commission. This is an eye-opening doc about money Vs power.  When you get the end of the film, the information provided will downright piss you off more than you ever thought possible. Indian Point should stand as a warning for us all. Complacency is the way we power our planet is no longer an option.

6:15 PM – FRI 4/24  BOW TIE CINEMAS CHELSEA 4   – RUSH

TOM SWIFT AND HIS ELECTRIC RIFLETOM SWIFT  TribecaIn the wake of so many tragic police shootings, I posed a question to my husband, “Why don’t they just use tasers anymore?!” I recalled the infamous YouTube video “Don’t Tase Me Bro!”. Without giving much weight to the incident,  when that video went viral, I, like most Americans, brushed it off as internet fodder. What I didn’t realize was just how serious this issue actually was and continues to be. In the doc Tom Swift and His Electric Rifle we learn about the origin of the one single company that created and trains law enforcement on the proper use of Tasers. These “weapons” are meant to incapacitate a subject. Unfortunately, for brother Tom and Rick Smith, tasers also kill people. The two founded Taser International in 1993 and have sold their stun gun to almost every one of the US’ 18,250 law enforcement agencies.

The updated Taser targeting guide issued by Taser International.

The updated Taser targeting guide issued by Taser International.

Between 2001 and 2012, there were 500 taser related deaths reported in the U.S. There are no regulations on the use of tasers. In the film, we are privy to dash cam footage of 23 year old Stanley Harlan. Pulled over in front of his house, the reason still unclear, he is seen complying with officers and then suddenly, off camera, he is tasered 3 times, causing him to go into cardiac arrest. As his parents look on is sheer terror, we witness Harlan’s death. In a deposition following a string of additional deaths, the Smith brothers sit smugly testifying that they have no scientific knowledge that their product contributes to anyone’s death. Ironically, in 2009, Taser International updated their training guide to reflect what they claimed they did not believe. These gentlemen and this company know they are wrong. They know the dangers of their product, but for them, their monopoly grows in spite of the deaths.

Tom Swift and His Electric Rifle is raw and shocking. You will walk out shaking your head. All of that being said, this documentary is incredibly informative and well structured. On the surface, it may appear to be a propaganda piece, so let me assure it, it is well researched and definitely worth your time.

You can still catch Tom Swift and His Electric Rifle at the fest!

8:30 PM – SUN 4/26 SVA THEATER 2 BEATRICE $21.50
For more information on all of these films, you can visit the Tribeca Film Festival Guide 2015

Tribeca Film Festival review & interview: ‘DREAM/KILLER’ is frightening for reasons you must see to believe. Liz interviews Ryan and Bill Ferguson.

DREAM KILLER_Press_1 TribecaSome of us have a some pretty wild dreams. Maybe monsters are chasing us, maybe we fly like superman, or just maybe, we kill someone. What if someone else’s dream affected your life? What if their dream took away your freedom. This is was happened to 19 year old Ryan Ferguson. After a friend has a nightmare about a murder case that happened two years prior, he calls 911 to “confess” and once in custody, puts Ryan at the scene. Director Andrew Jenks, brings us a fascinating new documentary called Dream/Killer. Ryan is convicted of murder and sentenced to 40 years in prison. Let’s be clear, there is zero evidence that Ryan was even in the area at the time. The entire case, if you can call it  such a thing, is based upon a coerced confession of another young man with some serious issues. This is the tragic story of how the American judicial system is beyond broken. We’ve seen numerous young men convicted based on socio-economic background or the color of their skin, but it is still very unlikely that a middle-class white man would be in the same boat.DREAM KILLER_Press_2 TribecaWe follow Ryan’s entire journey, with the help of his extraordinary parents, Bill and Leslie. Bill does everything in his power, including tours of the crime scene to anyone and everyone that will walk with him and listen to the evidence, setting up social media pages in support of Ryan, and tracking down one the most renowned lawyers in the country, Kathleen Zellner. Roadblocked at every turn, this documentary is full of twists and turns in the wake of shockingly awful work by The Ferguson’s first lawyer, witnesses fabricating stories, and the dubious practices of District Attorney-turned-Judge Kevin Crane. If there is one criminal in this entire story, it may be the one presently on a bench in Missouri.

Bill Ferguson‘s tireless efforts are rewarded after his son spends 9 1/2 years in prison. Kathleen Zellner is finally able to get Ryan released. Through years of exasperating setbacks, Bill and Leslie keep up Ryan’s spirits and lead his charge to freedom. Dream/Killer is an eye opening film. The scales of justice are definitely waited against the truth and they need to be fixed. Andrew Jenks agrees that the film is emotionally enraging. As an audience member, you walk away shaking your head and fuming. These are both compliments to the story Jenks is is trying to tell. He and The Fergusons have developed a genuine friendship. Jenks calls Ryan “A bit of a Gandhi figure” for his ability to stay so positive throughout this entire ordeal. The Fergusons love for each other is certainly unconditional. Never once did Bill or Leslie question Ryan’s innocence. Jenks says that he doesn’t think this story is over. There is still a murderer on the loose. DREAM KILLER_Press_3 TribecaWith the popularity of the Serial podcast and HBO‘s The Jinx, there could not be a more timely introduction for Dream/Killer. Jenks also attributes the growing intrigue surrounding documentaries to Netflix. He believes it’s interface and the artistry in docs movie posters are attracting a newer, and perhaps younger audience.

I was fortunate enough to sit down with Ryan and Bill and discuss this film and their extraordinary family. Here is the audio from that interview. *At the very end, you’ll hear my private thoughts as I left the recorder on longer than intended.* I actually ran into Ryan the following day. He remembered me, asked me how I was doing, and we chatted like old friends. Welcome to The Ferguson family. Enjoy.

 

You can still catch two more screenings of Dream/Killer at the fest.

3:45 PM – FRI 4/24 REGAL CINEMAS BATTERY PARK 11-1    RUSH 
9:45 PM – SAT 4/25 BOW TIE CINEMAS CHELSEA 5                RUSH

dream/killer Trailer from Andrew Jenks Entertainment on Vimeo.

To find out more information, you can click the Tribeca Film Festival Guide 2015.

Netflix Renews ‘Daredevil’ for Season 2

daredevilseason2

If you’re like me, you finished the first season of Marvel’s Daredevil on Netflix in about a day and now you have no idea what to do with yourself, well, we have some good news for you! Netflix has just announced that they’ve picked up the series for a second season! Here’s the best news, you’ll have to wait for it to premiere until 2016.

Doug Petrie (American Horror Story) and Marco Ramirez (Sons of Anarchy) will serve as showrunners for season two while the duo will join Drew Goddard and Jeph Loeb as Executive Producers.

Stars Charlie Cox (Matt Murdock), Deborah Ann Woll (Karen Page), and Elden Henson (Foggy Nelson) are all set to return. No word on the rest of the supporting cast.

Can’t wait a year? Fear not, Marvel’s A.K.A. Jessica Jones is coming to Netflix later this year and Marvel’s Luke Cage premieres on the streaming service in 2016. Future series exclusively debuting on Netflix include Marvel’s Iron Fist and Marvel’s Defenders, a mini-series event that re imagines a team of self-sacrificing, heroic characters.

 

 

Tribeca Film Festival podcast: From screen to screen – Interview with ‘All Work All Play’ Director Patrick Creadon

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Director: Patrick Creadon, photo by Jeff Tomsic

 

 

There’s a huge following for the online game League of Legends, as over 67 million players MONTHLY play the game. Director Patrick Creadon focuses on both behind-the-scenes of setting up the tournaments and the some of the teams that are world champions in his new documentary, All Work All Play.

Patrick gives his thoughts on everything from how he learned about League of Legends to how documentary filmmaking has changed since his Sundance hit, Wordplay.

Check out the audio interview with the Cloud 9 team here.

Tribeca Film Festival podcast: 67 million players per month can’t be wrong – Interview with the Cloud 9 team of League of Legends for the work-in-progress ‘All Work All Play’

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Whether you’re a gamer or not, you can appreciate the time and talent it takes to become a world champion. In League of Legends, the free-to-play online game from Riot Games, two teams of five compete. One of the top North American teams, Cloud 9, is profiled in the new documentary All Work All Play, screened as a work-in-progress at this year’s Tribeca Film Festival. I sat down with the team before any of us had seen the movie, and asked them about their lives, interests and what it means to be part of an emerging sport, well, e-sport, that is.

‘Fuller House’ coming to Netflix with 13 new episodes in 2016 – So who’s returning?

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Yes, I watched Full House. I didn’t watch every episode, but I can tell you all the character’s names and their basic personality. At first I thought for Netflix to resurrect this it would be terrible, but after reading the synopsis, I have to say, I’m intrigued. Will I watch it? Oh, totally. How about you?

Netflix, the world’s leading Internet TV network, has ordered a 13-episode season of a new multi-camera comedy from Warner Horizon Television, Miller-Boyett Productions and Jeff Franklin Productions. Fuller House is the long-awaited sequel to the iconic hit series Full House. Created by original Full House creator Jeff Franklin, Fuller House will premiere exclusively across all Netflix territories in 2016.

Candace Cameron-Bure, Jodie Sweetin and Andrea Barber are set to star in Fuller House, with fellow Full House star John Stamos set to produce and reprise his original role of Uncle Jesse as a guest star in the new show. Discussions with Full House stars Bob Saget, Mary-Kate and Ashley Olsen, Dave Coulier and Lori Loughlin regarding guest appearances in Fuller House are ongoing.

In Fuller House, the adventures that began in 1987 on Full House continue, with veterinarian D.J. Tanner-Fuller (Cameron-Bure) pregnant and recently widowed, living in San Francisco. D.J.’s younger sister/aspiring musician Stephanie Tanner (Sweetin) and D.J.’s lifelong best friend/fellow single mother Kimmy Gibbler (Barber), along with Kimmy’s feisty teenage daughter Ramona, all move in to help take care of D.J.’s two boys — the rebellious 12-year-old J.D. and neurotic 7-year-old Max — and her soon-to-arrive baby.

“As big fans of the original Full House, we are thrilled to be able to introduce Fuller House’s new narrative to existing fans worldwide, who grew up on the original, as well as a new generation of global viewers that have grown up with the Tanners in syndication,” said Cindy Holland, Vice President of Original Content for Netflix.

In a joint statement, executive producers Robert L. Boyett, Thomas L. Miller and Jeff Franklin said:  “The continued support of Full House fans of all ages for the last 28 years has been astounding. It is an honor and a thrill to catch up with these beloved characters and explore their lives today. The love you saw on the show was real. The cast has remained a loving family off screen all these years. We are as excited as our fans to finally bring Full House back to life.”

Fuller House is from Miller-Boyett Productions and Jeff Franklin Productions in association with Warner Horizon Television for Netflix. Robert L. Boyett, Thomas L. Miller and Jeff Franklin are the executive producers of the series, which was created by Franklin. John Stamos is a producer.