Category Archives: Features

Quentin Tarantino Says He Will Release Two Different Versions of ‘The Hateful Eight’

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We are only two months away from the release of Quentin Tarantino’s The Hateful Eight and some interesting news regarding two different versions of the film has been unearthed in a recent interview with Variety. Tarantino previously announced the intention of releasing the film as a  limited roadshow engagement this holiday season with the film being presented in Ultra Panavision 70mm, but now we find out that that version of the film will be different from the one being released just a few weeks later in multiplexes.

Tarantino had this to say:

“The roadshow version has an overture and an intermission, and it will be three hours, two minutes. The multiplex version is about six minutes shorter, not counting the intermission time, which is about 12 minutes.”

The director clarified that he was not ordered to cut the theatrical version down, but rather wanted to make the roadshow a unique experience with a little more meat. But that doesn’t mean you’ll see a weaker version in multiplexes, rather, a “different” experience. As Tarantino states, he didn’t want to “treat the multiplex release like this left-handed version, either,” he said. So he tweaked certain scenes to better suit the separate viewing experiences.:

“The 70 is the 70,” he said. “You’ve paid the money. You’ve bought your ticket. So you’re there. I’ve got you. But I actually changed the cutting slightly for a couple of the multiplex scenes because it’s not that. Now it’s on Showtime Extreme. You’re watching it on TV and you just kind of want to watch a movie on your couch. Or you’re at Hot Dog on a Stick and you just want to catch a movie.”

The sequences in question play in “big, long, cool, unblinking takes” in the 70mm version, Tarantino said. “It was awesome in the bigness of 70, but sitting on your couch, maybe it’s not so awesome. So I cut it up a little bit. It’s a little less precious about itself.”

The Hateful Eight roadshow is to play in 100 theaters when it opens Dec. 25.

 

Review: ‘ROOM’ is gut-wrenching and extraordinary.

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Presents
ROOM_hires_rgbWhat would you do to protect the ones you love? What sacrifices would you make to ensure their health and safety? ROOM pushes our “what if’s” to the brink and asks us to take a leap of faith into this harrowing story of a mother and son.
ROOM tells the extraordinary story of Jack (Jacob Tremblay in a breakout performance), a spirited 5 year-old who is looked after by his loving and devoted Ma (Brie Larson, SHORT TERM 12, TRAINWRECK). Like any good mother, Ma dedicates herself to keeping Jack happy and safe, nurturing him with warmth and love and doing typical things like playing games and telling stories. Their life, however, is anything but typical-they are trapped-confined to a windowless, 10-by-10-foot space, which Ma has euphemistically named “Room.” Ma has created a whole universe for Jack within Room, and she will stop at nothing to ensure that, even in this treacherous environment, Jack is able to live a complete and fulfilling life. But as Jack’s curiosity about their situation grows, and Ma’s resilience reaches its breaking point, they enact a risky plan to escape, ultimately bringing them face-to-face with what may turn out to be the scariest thing yet: the real world. ROOM also stars three-time Academy Award® nominee Joan Allen and Academy Award® nominee William H. Macy.
 At once a taut narrative of captivity and freedom, an imaginative trip into the wonders of childhood, and a profound portrait of a family’s bonds and fortitude, ROOM is a beautifully transcendent experience based on the award-winning global bestseller by Emma Donoghue. Director Lenny Abrahamson (FRANK) remains faithful to the novel while bringing Jack, Ma and their entirely singular world to heart-pounding and intensely cinematic life. ROOM demonstrates the triumphant power of familial love even in the darkest of circumstances, and is sure to take its place among the most emotionally affecting films to ever explore the bond between parents and children.
ROOM_DAY22-0113_rgbThis film will leave you in tears. There is absolutely no getting around it. Sitting in a small screening room filled with all ages and stages of critics, at various points in the film, people, including myself, were weeping. ROOM takes hold of you and never lets go. It forces you to face your own fears, (albeit, mostly irrational) and think about what you would do if you were in Ma’s position. Should she have tried sooner to get Jack to safety? Was her decision to craft a special world just for Jack the right one? Hopefully, we will never have to answer such questions. I am very glad that Emma Donoghue was able to adapt her own words for the  big screen. In speaking to some audience members that had read the novel, they admitted that the book tore their hearts out. They were amazed at Donahue’s skill in bringing these characters to life and found it to be even more effective on film. Other book fans were so affected by the novel, that they couldn’t even bring themselves to see the film. I encourage them to be brave. It is worth every gut-wrenching moment.  Bravo to Lenny Abrahamson for a gorgeously structured movie. FRANK was a complete gem and he has another total success in ROOM.
ROOM_DAY8-0044_rgbBrie Larson‘s performance as Ma is stunning. Her ability to span emotions in each scene is elegant and engrossing. This is one of the least glamorous roles an actress could receive and yet, Larson is somehow able to show the beauty of her struggle to remain sane in a scenario that is unimaginable. She should not be overlooked come awards season. Joan Allen as Larson’s mother is just lovely. Finding out that you’re a Grandma and having to adjust to the unknown, well, Allen made it look easy. Wiiliam H. Macy, ever the star, has the uncanny ability to make you love him, hate him, and completely understand where he is coming from with a mere glance. Now… let’s talk about our Jack. Jacob Tremblay gives the kind of performance one might expect from a 45 year old Oscar winner. Jacob turned 9 on October 5th. He was 8 when production began in November 2014. Jacob gives one of the most honest and insightful performances I have ever seen from anyone, let alone a child actor. Each moment feels fresh,completely unrehearsed or false. Tremblay has a long and brilliant career ahead of him. I hope, for the sake of wonderful storytelling, he chooses to continue this path. We, as an audience, would be privileged to watch him grow.

Opening October 16th in New York

At Angelika and AMC Loews Lincoln Square 13 

The film will expand nationwide on November 6th!!

Find out what happens when people experience ‘The Ghost Dimension’ unexpectedly!

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Screen Shot 2015-10-14 at 5.54.33 PM[1]Paramount Pictures wants you to find out what happens when  unsuspecting people are invited to an open house, and end up experiencing The Ghost Dimension! Check out the video below…

https://youtu.be/P7a6vxxZdtQ

Paranormal Activity: The Ghost Dimension is in theaters October 23, 2015!

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Review: ‘MEADOWLAND’ drives Olivia Wilde to the brink.

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Meadowland poster

How does one cope after the loss of a child? Do marriages survive? Can we be saved? These are all questions in an intense script lead by a masterful performance from Olivia Wilde. Sarah and Phil’s son goes missing, shattering their life together and forcing each to find their own way to cope. Cinematographer-turned-director Reed Morano presents a masterfully crafted contemplation on a relationship strained to the breaking point. Olivia Wilde and Luke Wilson capture the unraveling emotions with remarkable power, alongside Kevin Corrigan, John Leguizamo, Elisabeth Moss, Giovanni Ribisi, Juno Temple, and Merritt Wever. Read More →

Review: ‘MOMENTUM’ is action packed sexiness.

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Momentum posterIn MOMENTUM, when Alex (Olga Kurylenko), an infiltration expert with a secret past, accidentally reveals her identity during what should have been a routine heist, she quickly finds herself mixed up in a government conspiracy and entangled in a deadly game of cat-and-mouse with a master assassin ( James Purefoy) and his team of killers. Armed with her own set of lethal skills, Alex looks to exact revenge for her murdered friends while uncovering the truth. The film is the feature film debut for director Stephen Campanelli, who has worked under Clint Eastwood as his camera operator for the last 15 years.
Olga Kurylenko still Momentum
Olga Kurylenko easily carries this film. Beautiful, talented, with a real Katherine Zeta-Jones quality about her, she uses her strong sexuality and smooth skills to own this role. James Purefoy as Mr. Washington is masterfully evil. His iconic tone and timbre were a perfect casting choice. Kurylenko and Purefoy are perfect foils for one another. Equally strong screen presence and matched wits. Surprise cast member as The Senator, truly the driving force behind the entire plot, is skillfully played by non other than Morgan Freeman. (So you know he’s fabulous by default.)
James purefoy still Momentum
The script is great. Fast paced, with a classic Bond quality to it, it is filled to the brim with huge action scenes, car chases, shoot outs, sly plot twists. It is pure entertainment. The more we delve into Alex’s origins, the more interesting the film is. The real shocker and reason behind all the action, revealed near the end of the film is awesome. Totally set up for a sequel, I will say right now, I would watch it. The cast is wonderful, the script is tight, overall Momentum is a winner.

In Theaters, On Demand, and iTunes October 16, 2015
Directed by Stephen S. Campanelli (Camera operator on American Sniper and Jersey Boys)
Written by Adam Marcus and Debra Sullivan (co-writers of Texas Chainsaw 3D and Conspiracy)
Starring Olga Kurylenko (Quantum of Solace, The November Man) and James Purefoy(TV’s “The Following,” TV’s “Rome”)

Review: Experience a Mother’s Worst Nightmare in ‘The Diabolical’

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This Friday comes a smart and unique horror story of a single mother’s own hellish reality. Thanks to XLrator Media and the directing of Alistair Lengrand, their film The Diabolical will keep you guessing all the way up to the final act. For those of you who are struggling in finding a decent horror film, this one may be worth the watch.

It all began with Madison (Ali Larter) sitting alone on her laptop; her two children, Jacob (Max Rose) and Haley (Chloe Perrin) asleep upstairs. The lights begin to flicker and the pictures on the wall begin to shake. “Not again,” she says. Suddenly a flash of light appears in the doorway where a bloody grotesque being comes crawling out towards her. She backs up and repeats to herself “It’s not real. It’s not real.” Another flash of light appears and the creature is gone. Madison then collects herself, sits back down in her seat and continues on with her night. This opening scene is a big reason why this film is different from your typical horror flick. The story begins with the paranormal phenomena as a pre-existing condition in the characters lives, which actually brings a really interesting side to Madison, Jacob and Haley’s characterization over the course of the film. The film continues on with the small family not only struggling with paranormal disturbances, but also Jacob’s violent behaviour in school and potential foreclosure on their house. After realizing that no one can help her situation, the strong and independent mother takes these problems into her own hands.

Ali Larter gave a solid performance as a protective mother of two. Her co-actors, Chloe Perrin, Max Rose, and Arjun Gupta, who played her son’s science tutor, Nikolai, all had equally as impressive performances. The Diabolical isn’t the greatest horror film of the year, however it is definitely different enough and interesting enough to check out. If you find yourself interested in science fictional side of horror you can find The Diabolical in theaters, VOD and iTunes on October 16th. 

3 1/2 out of 5 stars.

https://www.youtube.com/watch?v=-rdKYbCPfYc

 

Bill Murray & His Celebrity Friends Crash Christmas on Netflix in ‘A Very Murray Christmas’ December 4th

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A Very Murray Christmas

A Very Murray Christmas

NetflixDo you hear what I hear? Bill Murray and his celebrity friends are crashing Christmas!

On Friday, December 4th, Netflix will debut A Very Murray Christmas in all territories where Netflix is available.
A Very Murray Christmas

A Very Murray Christmas

Written by Sofia Coppola, Bill Murray and Mitch Glazer and directed by Sofia Coppola, A Very Murray Christmas is an homage to the classic variety show featuring Bill Murray playing himself, as he worries no one will show up to his TV show due to a terrible snow storm in New York City.  Through luck and perseverance, guests arrive at the Carlyle hotel to help him; dancing and singing in holiday spirit.

 
A Very Murray Christmas

A Very Murray Christmas

The star-studded cast also includes George Clooney, Paul Shaffer, Amy Poehler, Julie White, Dimitri Dimitrov, Michael Cera, Chris Rock, David Johansen, Maya Rudolph, Jason Schwartzman, Jenny Lewis, the band Phoenix, Frederic Moulin, Rashida Jones, Miley Cyrus, and more.

A VERY MURRAY CHRISTMAS

A VERY MURRAY CHRISTMAS

A Very Murray Christmas is executive produced by Coppola, Glazer, Roman Coppola and Tony Hernandez.

A Very Murray Christmas

A Very Murray Christmas

A Very Murray Christmas

A Very Murray Christmas

A VERY MURRAY CHRISTMAS

A VERY MURRAY CHRISTMAS

Follow @Netflix for more information on A Very #MurrayChristmas this holiday season.

https://youtu.be/rf_dgbBK25o

Teaser for Season Two of “Daredevil’ Features a First Look at Elektra and The Punisher

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Following its debut at this years New York Comic Con, Netflix and Marvel Entertainment have released the teaser to the upcoming second season of “Daredevil” featuring the first look at Elektra and The Punisher. You can view the video below!

Marvel’s “Daredevil” season two will again star Charlie Cox as Matt Murdock aka Daredevil, Deborah Ann Woll as Karen Page, Elden Henson as Foggy Nelson, with Jon Bernthal joining the cast as Frank Castle aka the Punisher as well as with Elodie Yung, who is playing the deadly assassin Elektra Natchios.

“Daredevil” Season 2 will debut in 2016

https://youtube.com/watch?v=Mg_AuzDF3s8

Review: ‘REVERSION’ will not soon be forgotten.

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Reversion posterThere are often times when someone asks the question: “If you could go back in time and relive any moment, what would it be?” I don’t think there is a single one of us that can truthfully say, “I wouldn’t. Everything is perfect.” Would it be a good memory? Would be it something tragic or regrettable? And even if you could, what would you do with that moment? In Jose Nestor Marquez’s new film, such questions come to the forefront.
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REVERSION centers on Sophie Clé (Aja Naomi King), a delighted user of the Oubli, a wisp of high-tech jewelry that wraps behind the ear and uses neuroscience to help its users experience their most joyful memories as if they were happening for the first time.  In addition to being the head of marketing for the company that makes this revolutionary memory-enhancing wearable device, she is also the daughter of its inventor, Jack Clé (Colm Feore).
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Sophie’s most joyful memory is the last day she saw her mother alive, fifteen years earlier. But on the eve of the Oubli’s worldwide launch, a stranger named Isa (Jeanette Samano) kidnaps Sophie, setting off a chain of events that remind us all, you can’t escape what you can’t forget.
Reversion-3
Sophie’s life is really a well oiled facade. She utilizes the Oubli as a drug. Once Isa exposes the cracks in her carefully crafted present, Sophie begins to realize that manipulation, lies, and secrets have taken over this once spectacular idea of bringing peace and happiness to the general populace.
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Aja Naomi King has a great energy on screen and easily commands the lead. From her work on How To Get Away With Murder, I have already been impressed with her abilities and this is no exception. Colm Feore is always phenomenal with what seems like effortless ease. Gary Dourdan plays Ayden, Sophie’s driver, security, and closest ally. His strong, quiet presence is a perfect backup to Sophie manic potential. Isa is played flawlessly by Jeanette Samano. Simply based upon this role, I want to see her in everything. Someone is missing out by not casting her. Along with strong performances from Amanda Plummer and Lela Rochon, REVERSION has one outrageously talented cast.
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The look of the film is sleek and has some suggestive early Minority Report-esque allusions with technology intertwining with emotions and memories. The music is a wonderful bonus being both ethereal and haunting in all the right places. The plot gets more complicated as the film rolls along with twists you may not ever see coming. This film is much deserving of an audience and if you’re a sci-fi thriller fan, REVERSION is one to watch.
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Opening theatrically on October 9th, 2015 in New York (Empire 25), Los Angeles (Universal Citywalk) with a wider national release to follow.

Review: ‘I Spit On Your Grave 3 Vengeance Is Mine’

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ISOYG posterWhen I was a high school Junior, I sat in a sexual assault seminar. The woman leading the talk asked us to take out a piece of paper, write down our name at the top, and then write down the names of our three closest friends. The she proceeded to say, “Statistics say that three out of the four of you on this list will be sexually assaulted in the four years you are at university.” As terrifying as that sounded, it ended up being true. How is one supposed to act after such horrific things happen to them? Don’t you wish that you could take matters into your own hands? The struggle between power and healing is greater than most can understand. In the newest installment of a franchise I SPIT ON YOUR GRAVE 3 VENGEANCE IS MINE tackles just such subjects in a way that is extreme but not necessarily unwarranted._MG_9874

Jennifer Hills (Sarah Butler) is still tormented by the brutal sexual assault she endured years ago (I SPIT ON YOUR GRAVE 2010). She’s changed identities and cities, reluctantly joining a support group where she begins to piece together a new life. But when her new friend’s murderer goes free and the tales of serial rapists haunt her, Jennifer will hunt down the men responsible and do what the system won’t – make them pay for their crimes in the most horrific ways imaginable. Only this time, no jury may be able to save her. Jennifer Landon (“The Young and the Restless”), Doug McKeon (ON GOLDEN POND) and Gabriel Hogan (“Heartland”) co-star in this unforgiving, unmerciful and uncut new chapter of one of the most notorious franchises in movie history.

Anchor Bay Entertainment released I Spit on Your Grave in 2010 and I Spit On Your Grave 2 in 2013 to critical acclaim.  Based on Meir Zarchi’s 1978 version, the franchise has gained the respect of both mainstream and genre critics. This latest installment is a continuation of the 2010 film’s storyline._MG_7009This particular film is a real departure from the tried and true formula of the first two films. Utilizing flashbacks to connect with the former, ISOYG 3, is intense and twisted in the revenge game. Sarah Butler once again nails this role. She captures the screen, never unassuming, Butler is relatable and engrossing. Sidekick of sorts in the plot is actress Jennifer Landon as Marla (pictured above) as an ass-kicking, no mercy, take back the night kinda chick. She shines just as brightly as Butler. The other performance that absolutely deserves mention is that of Doug McKeon, as distraught father whose daughter was a victim of rape. Throwing caution to the  wind, his performance gets better and better as the film progresses. He gains your sympathy, support, and finally cheers. _MG_7136While the plot is quite the structural departure, it almost works wonders, almost. Strong performances save the plot that seems so far from the first two. It’s an interesting look into the emotional damage of such acts, and don’t be mistaken, it is a victim’s fantasy. I SPIT ON YOUR GRAVE 3 will entertain genre fans with its heightened gore factor and practical effects, no doubt. There is no shortage of cringe worthy moments… massively cringe worthy. The film opens today in LA (October 9) and will be available on DVD, Blu, Ray, VOD October 20. 

 

One Night Only ‘Scouts Guide to the Zombie Apocalypse’ Ultimate Fan Experience in Select Cities

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Paramount Pictures, AMC Theatres and Dillon Francis are offering moviegoers in the U.S. a one-night-only Scouts Guide to the Zombie Apocalypse Ultimate Fan Experience with an advance screening of the film as well as exclusive music and a special visual show from Dillon Francis for the regular price of admission. The visual experience blends the bold graphics of creative powerhouse Pizzaslime and Dillon Francis, short form video content from Dillon Francis’ zombie alter ego “Dead Dillon,” scenes from the film and original music from Dillon Francis.

The event will take place in select AMC Theatres locations across the U.S. on Wednesday, October 28th at 7:00 p.m. Ticket holders will also receive a commemorative t-shirt.

In New York City, ticket holders attending the Scouts Guide to the Zombie Apocalypse Ultimate Fan Experience at the AMC Loews 19th St. East 6 theater will receive admittance to an exclusive, off-site after party event featuring a performance by Dead Dillon following the screening.

Tickets are available for purchase now at participating theater box offices and online at

www.ScoutsAndZombiesMovie.com/ultimatefanexperience

DJ/Producer/Artist Dillon Francis, who makes a cameo in the film, released his debut album “Money Sucks, Friends Rule” last year. Featuring standout track “Get Low,” the album was named one of Rolling Stone’s Top Electronic Albums of 2014. His latest release “This Mixtape is Fire,” which sees Dillon Francis return to his Moombahton roots, debuted at #1 on Billboard’s Dance/Electronic chart, fueled by collaborations with Calvin Harris, Skrillex, Chromeo and more. Having played shows and festivals in the UK, Brazil, Argentina, Chile, France, Australia and more, Dillon Francis is continuing to make a name for himself as one of the most influential players in electronic music.

Scouts Guide to the Zombie Apocalypse follows three scouts and lifelong friends who join forces with one badass cocktail waitress to become the world’s most unlikely team of heroes. When their peaceful town is ravaged by a zombie invasion, they’ll fight for the badge of a lifetime and put their scouting skills to the test to save mankind from the undead. Starring Tye Sheridan, David Koechner, Cloris Leachman¸ Halston Sage, Logan Miller, Joey Morgan, Sarah Dumont and Patrick Schwarzenegger.

Produced by Todd Garner and Andy Fickman. Story by Carrie Evans & Emi Mochizuki and Lona Williams, with a screenplay by Carrie Evans & Emi Mochizuki and Christopher Landon. Directed by Christopher Landon.

Scouts Guide to the Zombie Apocalypse opens in theaters on October 30th, 2015.

Jessica Jones Takes Flight in the New Teaser Trailer from Netflix

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Netflix and Marvel Entertainment have released a new teaser trailer for the upcoming series “Marvel’s Jessica Jones” and we have it for you below!

Krysten Ritter stars as the titular character. After a tragic ending to her short-lived superhero stint, Jones is rebuilding her personal life and career as a detective who gets pulled into cases involving people with extraordinary abilities in New York City.

Ritter is joined by David Tennant (Kilgrave), Mike Colter (Luke Cage), Rachael Taylor (Trish Walker), Carrie-Anne Moss, Eka Darville, Erin Moriarty, and Wil Traval, among others.

“Marvel’s Jessica Jones” is the second of four planned live-action adventure series (“Marvel’s Daredevil”, now available, “Marvel’s Luke Cage” and “Marvel’s Iron Fist”, all leading up to the teaming of the main characters in “Marvel’s The Defenders”) to premiere only on Netflix.

“Marvel’s Jessica Jones” will premiere on Netflix November 20th at 12:01am PT in all territories where Netflix is available.

Review: ‘A Christmas Horror Story’

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We are approaching the best time of the year, however this year, Christmas has come a little early. For those of you who enjoy the hilarity of over dramatized gore and horror, look no further, we have found the perfect holiday classic that would make a killer drinking game. This October audiences will be given the pleasure of celebrating the upcoming holiday cheer with a frightening twist in A Christmas Horror Story. Read More →

New York Film Festival Review: ‘STEVE JOBS’ The idol and the narcissist.

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SteveJobs-NYFF53-fullSteve Jobs posterSteve Jobs: Humanity may recognize his face quicker than any religious leader, sports icon, historical figure… even Kardashian. The world knows this man. But, do they really?  Danny Boyle‘s new film, based upon the biography by Walter Isaacson, focuses on three specific moments in the life of Jobs; the launches of the Macintosh, Next, and the iMac. You may think you know the man that inspired the internet in your pocket, but truly you have no idea.stevejobs0004

The unmistakable dialogue from Aaron Sorkin breathes life into this film. Steve Jobs takes off running right out of the gate without a moment’s rest in it’s 122 minute run time. Each of the three sequences appearing in “real time” as they play out on screen. Sorkin admitted in the press conference following the screening that he has a bit of an obsession with time itself. The pacing is unreal. You have no idea how far you are into the movie at any given time as his dialogue is lush but never verbose. The entire cast nails each beat precisely.

steve jobs michael fassbender Lisa Still

If you haven’t read Isaacson’s book, you may not have a clear picture of Jobs. While he was adored by those in the public and those closest to him, the man was no saint. Self obsessed, “my way or the highway attitude” and in total denial, each move in his career was 1000% calculated. Oftentimes, to the detriment of those personal relationships. This is another brilliant aspect that the film brings in its editing. Each of the three launches is inter-cut with a pivotal moment from the past in which a character had a confrontation with Steve. While the adoration remains, let it be known that everyone in his path at some point reached their emotional limit and let him know it. I would be remiss to ignore the look and feel of each era, including wardrobe, music, and sporadic text visuals that serve to quietly highlight it’s excellence. Michael Stuhlbarg, Michael Fassbender, Kate Winslet Steve Jobs

This cast is beyond perfection. Michael Fassbender, who admits he looks nothing like Jobs, did his actor’s due diligence studying YouTube clips of Steve. The rhythm and timbre of his voice and his physicality. Kate Winslet plays Joanna Hoffman, Job’s head of marketing and perhaps closest female friend ever, with a delicious ease. The leftover Polish accent of Hoffman is perfectly captured on Winslet’s lips. Seth Rogen is the ever forgotten genius Steve Wozniak. Rogen’s performance should not be overlooked in this year’s awards nominations. His quiet power does not go unnoticed and the scenes between he and Fassbender are spellbinding. Jeff Daniels, who perhaps has the most experience with Sorkin’s writing with his work on The Newsroom, gives us a knockout performance as Apple CEO John Sculley. Butting heads with Jobs but revealing a while boat load of truth in the process, Daniels also deserves accolades for this role. The cast is rounded out by exceptional portrayals of Crisann Brennan, Jobs’ thrown to the wind ex and mother of his first child, by Katherine Waterston. The emotional torture this woman endured is evident in each scene. Finally, Michael Stuhlbarg is Andy Hertzfeld, Mac software system designer, who often argued with Steve about his closed source software (the reason Mac is incompatible with anything other than Mac, which was probably his most calculated decision ever). Stuhlbarg, like the majority of the cast, spent time with his real life counterpart, getting to know the true ins and outs of who they were to  Steve and who they were as individual innovators. Seth Rogen Steve JobsSTEVE JOBS is both a pretty picture and a not so pretty picture of a man the world still worships. It will take you by surprise in every way possible. A triumph from start to finish, look for, at the very least, massive nominations for all involved come award season. STEVE JOBS comes to theaters in limited release Friday, October 3rd, followed by it’s nationwide release Friday, October 23rd. Stay tuned to Reel News Daily for the latest updates.

  • Directed By Danny Boyle
  • 2015
  • USA
  • DCP

Anyone going to this provocative and wildly entertaining film expecting a straight biopic of Steve Jobs is in for a shock. Working from Walter Isaacson’s biography, writer Aaron Sorkin (The Social Network, Charlie Wilson’s War) and director Danny Boyle (Slumdog Millionaire, 127 Hours) joined forces to create this dynamically character-driven portrait of the brilliant man at the epicenter of the digital revolution, weaving the multiple threads of their protagonist’s life into three daringly extended backstage scenes, as he prepares to launch the first Macintosh, the NeXT work station and the iMac. We get a dazzlingly executed cross-hatched portrait of a complex and contradictory man, set against the changing fortunes and circumstances of the home-computer industry and the ascendancy of branding, of products, and of oneself. The stellar cast includes Michael Fassbender in the title role, Kate Winslet as Joanna Hoffman, Seth Rogen as Steve Wozniak, Jeff Daniels as John Sculley, Katherine Waterston as Chrisann Brennan and Michael Stuhlbarg as Andy Hertzfeld. A Universal Pictures release.

New York Film Festival Review: ‘MICROBE & GASOLINE’ is a charming coming of age road movie.

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NYFF 53 bannerMICROBE ET GASOIL-4So many of us did not fit in while we were in school. Maybe we wore clothes that were different, has religious parents, or just had quirky personalities that wouldn’t be appreciated until college. Director Michel Gondry tackles the coming of age genre with his new film MICROBE & GASOLINE. With credits like Eternal Sunshine of the Spotless Mind and The Science of Sleep, Gondry has no problem tackling the whimsy many of us enjoy while sitting in  a dark theater to escape our everyday lives. Still brimming with that very same sense of lightness, Microbe & Gasoline takes on the subject of two young boys trying to navigate insecurities and innocence… all while alone on the road in a car they build themselves.

Available to rent and buy onTuesday, September 4th with behind-the-scenes extras on We Are Colony

MICROBE ET GASOIL-7Newcomer Ange Dargent, is a true delight on screen. His natural presence is so relatable. He plays young introvert and artist, Daniel. Nicknamed ‘Microbe’ by classmates, even though he continually points out he is not the shortest boy in the class, he is constantly picked on at school. While at home, mother Marie-Thérèse (played effortlessly by the beautiful Audrey Tautou) dotes so heavily it drives him deeper into himself. Enter new kid, Théo, rambunctious, confident and perfect foil for Daniel, he is unafraid of standing up to bullies even if he not the most popular. Young actor, in only his sophomore picture, Théophile Baquet, plays Gasoline with the perfect balance of snark and charm. Buzzing onto the scene with a souped up electric bicycle and smelling of, yep, you guessed it, gasoline, he adopts our Microbe as his new project. The two discover that with a whole lot of ingenuity they can build their own car to escape struggles at home for the summer. But why stop at a car? Why not add a house on top for camouflage and living purposes. MICROBE ET GASOIL-12

Tackling subjects like confidence, sex, loss, and just plain growing up, MICROBE & GASOLINE has enough heart to compete with Gondry’s previous adult incarnations with the same issues. The dialogue is snappy, sweet, and funny. While the plot itself is not necessarily a new idea, I still believe it to be a true success. Below you can find the trailer. While for now we only have it  available in French (sans subtitles), you still get the general idea of how wonderful this film truly us. And, not to worry, there are English subtitles during the film itself.

  • Directed By Michel Gondry
  • 2015
  • France
  • French with English subtitles
  • DCP
  • 103 minutes

The new handmade-SFX comedy from Michel Gondry (Eternal Sunshine of the Spotless Mind, Be Kind Rewind) is set in an autobiographical key. Teenage misfits Microbe (Ange Dargent) and Gasoline (Théophile Baquet), one nicknamed for his size and the other for his love of all things mechanical and fuel-powered, become fast friends. Unloved in school and misunderstood at home—Microbe is overprotected, Gasoline is by turns ignored and abused—they decide to build a house on wheels (complete with a collapsible flower window box) and sputter, push, and coast their way to the camp where Gasoline went as a child, with a stop along the way to visit Microbe’s crush (Diane Besnier). Gondry’s visual imagination is prodigious, and so is his cultivation of spontaneously generated fun and off-angled lyricism, his absolute irreverence, and his emotional frankness. This is one of his freshest and loveliest films. With Audrey Tatou as Microbe’s mom.

Showtimes

SUNDAY, OCTOBER 4

12:00 PM

Buy Tickets

MONDAY, OCTOBER 5

9:00 PM

Standby Only

VENUE

Francesca Beale Theater Alice Tully Hall

Review: ‘THE CONNECTION’ out on DVD, Blu-Ray, and HD Digital!

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The Connection posterA stylish, ’70’s-period crime thriller inspired by true events, THE CONNECTION tells the story of real-life Marseille magistrate Pierre Michel (Academy Award® Winner Jean Dujardin, The Artist, The Wolf of Wall Street) and his relentless crusade to dismantle the most notorious drug smuggling operation in history: the French Connection. In his crosshairs is charismatic and wealthy kingpin, Gatean, who runs the largest underground heroin trade into the States. Though the fearless and tenacious Michel, aided by a task force of elite cops, will stop at nothing to ensure the crime ring’s demise, Zampa’s “La French” always seems one step ahead. As La French mounts its retaliation, Michel will be forced to make the most difficult decision of his life: to continue waging his war, or ensure his family’s safety, before it’s too late.The connection
This film is massively dynamic. From the crisp and well framed cinematography to the outstanding cast. Dujardin proves he is still a star as Michel. He owns every moment on screen as his presence is captivating. Gilles Lellouche as Gaëtan ‘Tany’ Zampa is just as powerful. In a script where both men are equally determined to protect their legacy, Dujardin and Lellouche are movie magic when they appear on screen together. The film is action packed. Even with a runtime of 135 mins, it never seems like it drags. If you’re a fan of Netflix‘s new series Narcos, The Connection is right up your alley.The connection 2 still
It deserves the multitude of praise and awards is has garnered thus far. Director Cédric Jimenez (also one of the screenwriters) clearly knows his stuff. I’d love to see more from him asap. The overall look is pretty killer from the slick wardrobe to the soundtrack of the era filled club scenes. They nailed it.  While the idea of cops and gangsters is anything new, I still think this film keeps your interest with it’s mixture of action and plan of action. The acting is beyond solid with a vast array of bad guys to run through. DVD extras include a featurette on the making of The Connection as well as some great deleted scenes. We highly recommend you catch this film and thankfully, now you can!
 
Product Information
Language: French                                                     
Subtitles: English
Widescreen: Yes
Length: 135 min.
Year: 2014                                        
Genre: Action/Foreign
Rating: NR
CC: No
DVD
SRP: $24.99                                                  
Blu-Ray
SRP: $29.93
About Drafthouse Films
Drafthouse Films, the film distribution arm of the Alamo Drafthouse Cinema, is a curated brand of provocative, visionary and artfully unusual films new and old from around the world. Following the earnestly simple motto of “sharing the films we love with widest audience possible,” Drafthouse Films debuted in 2010 with the theatrical release of Four Lions, which was named of Time Magazine’s “Top 10 Films Of The Year.” Their diverse and unique slate includes the highly-acclaimed, Oscar® nominated documentary The Act Of Killing produced by Errol Morris and Werner Herzog, 2013 SXSW Midnight Audience Award winner Cheap Thrills starring David Koechner (Anchorman), British auteur Ben Wheatley’s psychedelic trip into magic and madness, A Field In England, Ari Folman’s Cannes Film Festival selected sci-fi epic The Congress starring Robin Wright, Harvey Keith, Jon Hamm and Paul Giamatti, Midnight Movie sensations Miami Connection andThe Visitor and rediscovered classics Wake in Fright and Ms. 45. Recent and upcoming releases include Dutch thriller Borgman, Michel Gondry’s Mood Indigo, Sundance Award-winning documentaries The Overnighters and the recently acquired Look of Silence, Joshua Oppenheimer’s stunning follow up to The Act of Killing. Drafthouse Films distributes films theatrically, through home video, VOD and their direct-to-consumer platforms integrating into the ever-growing Alamo Drafthouse entertainment lifestyle brand, which along with the Alamo Drafthouse Cinemas includes: Mondo, the collectible art boutique; Fantastic Fest, the largest international genre film festival in the US; and the pop culture website Birth.Movies.Death.

 

New York Film Festival 53 Review: ‘MIA MADRE’

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NYFF 53 bannerMIA MADRE_1304Impending death of a loved one is something we’ll all face in our lifetime. Everyone deals with it on their own very personal way. In Nanni Moretti‘s new feature MIA MADRE, Margherita knows her mother is on the verge of death, but is in the kind of denial that turns her world into a tailspin. Trying to separate her professional life and her home life is not working. Relationships with her volatile American actor, her loving brother, young daughter, and her film, are all in jeopardy as she flails through feigning normalcy.MIA MADRE_1252Margherita Buy is beyond brilliant as our lead. Never a false moment or a skipped beat. her presence is perfection and the story is relatable on every level. John Turturro’s outstanding performance as over the top American actor Barry Higgins is equally captivating. His boisterous sense of importance is the perfect foil to Margherita’s slow emotional unraveling. The film’s impact is pretty massive. It will stick with you long after you leave the theater. It’s a true study in human behavior.MIA MADRE_1228jpgIn the press conference immediately following the screening, Nanni Moretti and John Turturro sat down to chat about the experience. Moretti crafted this script when his own mother became ill while he as editing one of his films and later passed away. He explained that Margherita Buy was his first choice to play the leading lady, and that he felt that it would be more interesting to play the story out through a female character. As he was writing and shooting, his catharsis also occurred in his portrayal of the character Giovanni, Margherita’s brother. “Giovanni is the character I wanted to be (in real life), but I’m not.” This quiet, grounded performance speaks volumes and is another gorgeous emotional counterbalance to Margherita.

There was a whole lot of improv on the set. I asked John if it was complicated to switch between fluent Italian and English in the same monologue stream or if that was precisely how Nanni had written the dialogue. John revealed that Nanni asked him to memorize all the lines in Italian, go back and learn them again in English, then once he had a true sense of who ,Barry Huggins was, he had the freedom to play within the languages. He admitted it was incredibly complicated. Let me assure you, it is deliciously effective.

MIA MADRE is a beautiful film. One that we, at Reel News Daily, highly recommend.

  • Directed By Nanni Moretti
  • 2015
  • Italy/France
  • Italian and English with English subtitles
  • DCP
  • 106 minutes

Margherita (Margherita Buy) is a middle-aged filmmaker who has to contend with an international co-production starring a mercurial American actor (John Turturro) and with the realization that her beloved mother (Giulia Lazzarini) is mortally ill. Underrated as an actor, director Nanni Moretti offers a fascinating portrayal as Margherita’s brother, a quietly abrasive, intelligent man with a wonderfully tamped-down generosity and warmth. The construction of the film is as simple as it is beautiful: the chaos of the movie within the movie merges with the fear of disorder and feelings of pain and loss brought about by impending death. Mia Madre is a sharp and continually surprising work about the fragility of existence that is by turns moving, hilarious, and subtly disquieting. An Alchemy release.

Showtimes

MONDAY, SEPTEMBER 28

9:15 PM

Standby Only

VENUE

Francesca Beale Theater Alice Tully Hall

Review: ‘BECOMING BULLETPROOF’ is a touching and insightful documentary.

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Bulletproof posterI went to camp as a kid. It was pretty typical; arts & crafts, team sports, theater, and camp songs. I also remember being integrated with a few kids who has Down syndrome. As a little kid, this was pretty foreign to me, but as I attended high school, some of these same kids were now in my art classes. My mother’s second major in college, I would come to find out, was special education. As time passed and I worked in more and more private pre-schools, I was directly exposed, now as an educator, to a challenging world I had mostly experienced as an outsider. But… nothing was ever akin to the extraordinary summers that must occur each year at Zeno Mountain Farm.  Read More →

Review: Peter Anthony’s ‘The Man Who Saved the World” Is an Incredible Tribute to a Largely Unknown Hero

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man who saved the world - posterMost people think that the 80s were a carefree time where synthesizer infused music, really terrible clothes and fast food reigned. What many forget is that we were still well entrenched in the death rattles of the Cold War. There was a lot of tension between the Soviet Union and the United States. Between Ronald Reagan‘s ridiculous sabre-rattling and reckless rhetoric and the constant shuffling of General Secretaries of the Central Committee of the Communist Party in the Soviet Union (Brezhnev, Andropov and Chernenko all filled the role from November ’82 – March ’85), there was a lot of uncertainty and tensions were incredibly high and for many good reasons. When Nicholas Meyer‘s The Day After, which showed what the effects of nuclear war would be on American soil, aired on November 20, 1983, the conversation changed, at least for Americans who had only seen the after effects of the bombs in Hiroshima and Nagasaki. The film was incredibly graphic it scared the shit out of me and it still holds up incredibly well. But as that part of our history faded, the notion that a nuclear attack could happen also faded. And this is where the story of Stanislav Petrov comes in to play.

man who saved the world - petrov

On September 26, 1983, when Petrov, a Lt. Col in the Russian army and specifically the Soviet Air Defense was on duty, an alert sounded for an incoming missile from the United States. As the officer in charge, Petrov had to decide whether or not the threat was real or if it was a malfunction of the system. Literally, the fate of the world rested in his hands – he had to decide whether or not to launch a counter offensive that would essentially begin, and effectively end, World War III with the punch of one button. In his wisdom, and without visual confirmation from his staff from satellite imagery, Petrov to issue the order to launch Russia’s nuclear arsenal. But when not one, not two but four more missiles were picked up by the tracking system, the decision became increasingly more difficult not to launch. But Petrov held strong to his convictions that an unprovoked attack from the United States had not occurred and lucky for ALL of us, his assertions were correct. Had he gotten caught up in the moment like any number of other Russian officer hungry for American blood, no one would be reading this, let alone the name of Petrov, as the Earth would have ended on that day.

man who daved the world - costner

Director Peter Anthony‘s approach to telling this story is quite compelling. He bounces back and forth from narrative, biopic-style storytelling to documentary footage of Petrov fleshing out the whole of his story, every sad and lonely last detail. For a man who actually saved the world from total annihilation and destruction, Petrov was largely denied the rightful thanks he so deserved. He lost his rank after the incident because he didn’t follow protocol, his wife died and he fell into alcohol, all while being estranged from his family who showed him no love which is what led him into the army to begin with. This is a gut wrenching story but one of such incredible importance that I’m glad it was finally told.

man who saved the world - cronkite

In watching this film, I couldn’t help but to think of Sting‘s song, “Russians”  and the line “do the Russians love their children too?” The Russians were so demonized by Reagan and his administration (and many of them before it), that it is probably hard for some of them to swallow Petrov‘s story. Peters did such a magnificent job in telling it in a way that I believe honored Petrov but pulled no punches in showing him as he is and the situations that surrounded him, either through the fictional narrative flourishes or through the tough documentary segments. Just when you feel you might lose your faith in humanity, a story like this comes along and restores at least a little of it. Petrov is no doubt a hero and worthy of any and all accolades. Perhaps the toughest part about this story is that the fate of our existence can really come down to the decision of one person supplied with bad information. Whether that person can make the choice that Petrov did is an entirely different story. I, for one, am glad it was Petrov who was at the helm on September 26, 1983.

This film opened in New York this past weekend and hits theaters in LA this coming weekend. As we creep closer to the Oscar fare hitting big screens, there is still time to catch a film as wonderful as this. This a story that is almost too unreal to be real.

Get there, people.

It’s DOCTOR WHO DAY!! Series 9 Premieres Tonight!

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doctor-who-logodw-901-10In just under 30 minutes, Series 9 of Doctor Who will begin on BBCAmerica. Last time we saw the Doctor and Clara, Missy was running amuk, Cybermen were causing a ruckus and the fate of the universe was in jeopardy. But this, my friends, is why we love the show. Steven Moffat is teaming up with “Blink” director, Hettie MacDonald. Tonight’s episode is titled, “The Magician’s Apprentice“. Peter Capaldi and Jenna Coleman are back in action. Here is the run down… as far as I can reveal to you.

Where is the Doctor?” When the skies of Earth are frozen by a mysterious alien force, Clara needs her friend. But where is the Doctor, and what is he hiding from? As past deeds come back to haunt him, old enemies will come face-to-face, and for the Doctor and Clara survival seems impossible

Clara Series 9I was fortunate enough to attend the premiere screening here in NYC Thursday night. The Mistress herself, Michelle Gomez, was in attendance along with hundreds of lucky Whovians. TARDIS outside the theater, cosplayers as far as the eye could see, Michelle sat down for a pre-screening Q&A to reveal some of her favorite things about playing  The Mistress. The biggest surprise to the audience came when she revealed that not only would we be privy to the first episode, but the second as well! As you can imagine, the  house went nuts; cheering and shouting surrounded by the glow of sonic screwdrivers. It was brilliant. Here are a few pics I shared from the event.

Guess where I am? #HappyWhovain #series9 #DoctorWho #TheMistressIsHere A photo posted by Elizabeth Whittemore Ferry (@indiebizliz) on

We’re certainly excited and you should be, too!  That’s all I can say for now…. Spoilers.

DOCTOR WHO airs tonight at 9pm/8C on BBCAmerica.