THE MISSING

Eric has a well-paying job as an animator, a crush on a co-worker, and harbors a secret. Filmmaker director Carl Joseph Papa brings Fantasia 2024 audiences his third feature-length animated film, THE MISSING. Hindering Eric’s new romance are the memories triggered after discovering his estranged uncle dead. Can Eric finally find his voice?
The longer Eric waits to tell his loved ones, the stranger his life gets. An alien threatens to take him back to outer space. He is losing time, and his body parts are falling off. This aspect is particularly upsetting because he is literally missing his mouth. This creative metaphor becomes the backbone of THE MISSING.
Digital Rotoscope adult animation often has a heavy feel. In the last 20 years, films like A Scanner Darkly (which blew my mind in 2006), The Spine of Night, and The Peasants give audiences a similar vibe. It is undoubtedly a cinematic wonder, drawing your eye to places you might not otherwise look had filmmakers shot on digital or even traditional film. There is a beauty that harkens back somewhere between Henri Matisse and Disney.
I wasn’t aware that I grew up on Rotoscope films before doing a quick Google search. Some of my most beloved childhood films fall into the genre- The Lord of the Rings (1978), The Secret of NIMH (1982), and Anastasia (1997). First introduced in 1918, I had no idea the process was so old. THE MISSING stylistically mirrors The Spine of the Night rather than Alice In Wonderland. 2D animation illustrates Eric’s childhood memories in a stunning visual contrast that serves a dual purpose. The choice to childishly scribble over Uncle’s face speaks volumes. It is a visually captivating film.
Carlo Aquino is esquisite as Eric. The vulnerability that flows from Aquino without dialogue is astonishing. What a star. Backed up by the extraordinary duo of Dolly De Leon and Gio Gahol, THE MISSING is a uniquely crafted metaphor for unresolved trauma. It’s a poignant exploration of abuse, grief, and healing, and a creative catharsis.
Remaining Screenings of THE MISSING:
Salle J.A. De Sève
PRESENTED WITH The Sun, Moon and the Mountain
OFFICIAL SELECTION
Annecy International Animation Festival 2024
Palm Springs International Film Festival 2024
International Film Festival Rotterdam 2024
Osaka Asian Film Festival 2024
Queer East Festival 2024
HONORS
Best Supporting Actress for Dolly de Leon – Cinemalaya Independent Film Festival 2023
Philippines’ submission to the 96th Academy Awards
Best Film – Cinemalaya Philippine Independent Film Festival 2023
NETPAC Award – Cinemalaya Philippine Independent Film Festival 2023






MOSQUITO LADY
Phillipino folklore Manananggal meets Catholic guilt in Kristine Gerolaga‘s short film, MOSQUITO LADY. When a young woman can no longer hide her pregnancy from her devout parents, she resorts to a legendary monster to assist her. The practical and Special FX are exquisitely gag-worthy. What a frightening jab at religious righteousness and an exploration of culture.
A little girl who lost her sight tries to convince her mother that an old woman haunts her. ALICIA is a standout short in story, production, and performance. The score is a perfect combination of high-intensity strings. The film hinges on the spectacular young lead, Naia Las Heras, as the titular character. There’s nothing more unsettling than experiencing the genuine fear of a child. Director Tony Morales and writer Cekis Casanova give us enough information to grow an entire franchise. I could see studios from Blumhouse to IFC Midnight snapping this up for development.
Pure O
Raging Grace (United Kingdom)
Another Body
























As a writer, this script is essentially a dream, pun intended. Leading lady 


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