THE CRITIC

Years of notoriously harsh criticism result in a pending forced retirement for Jimmy Erskine, chief drama critic for The Daily Chronicle. When the end of his career and one actress’ daring confrontation change his life, a stealth proposition takes advantage of weak hearts. THE CRITIC manipulates the audience in a way that is bold and devastating.
Lush cinematography and lighting immediately draw you into the narrative alongside McKellen’s iconic voice. From the costumes to the jewel-toned sets, it’s a period drama fans dream.
Mark Strong delivers a heart-wrenching performance as David Brooke. His palpable vulnerability pours off the screen. He is captivating. Gemma Arterton gives Nina Land noble fierceness matching McKellen’s presence. Like most of us with the acting big hardwired into our DNA, Nina seeks approval. But her adoration from Erskine comes with a caveat: seduce the paper’s new proprietor in return for rave reviews.
Sir Ian McKellen is vicious and brilliant. Playing Jimmy Erskine, he is a rather vile curmudgeon who revels in taking down enthusiastic artists and their work. Jimmy is an unapologetic diva. The fear he leaves in his wake destroys careers with the stroke of his pen. McKellen succeeds in making audiences adore a genuine villain.
Director Anand Tucker and writer Patrick Marber skillfully steal the plots of Nina’s stage versions for Erskine’s personal use. Shakespeare would love Jimmy Erskine. Audiences will love to hate him. “The plays the thing,” as they say. THE CRITIC is the epitome of this very notion.
In Theaters September 13, 2024!
Directed By: Anand Tucker (Hilary and Jackie, Shopgirl)
Written by: Patrick Marber (Closer, Notes on a Scandal)
Starring: Ian McKellen (Lord of the Rings, Gods and Monsters), Gemma Arterton (Prince of Persia, Byzantium), Mark Strong (Tinker Tailor Soldier Spy), Ben Barnes (Shadow and Bone), Alfred Enoch (Harry Potter), Romola Garai (One Life), and Lesley Manville (Phantom Thread)
Produced by: Jolyon Symonds, Bill Kenwright and David Gilbery
Executive Produced by: Mark Gordon, Zygi Kamasa, Naomi George, Tom Butterfield and Harry White
London, 1934. Jimmy Erskine (McKellen) is the most feared theatre critic of the age. He lives as flamboyantly as he writes and takes pleasure in savagely taking down any actor who fails to meet his standards. When the owner of the Daily Chronicle newspaper dies, and his son David Brooke (Strong) takes over, Jimmy quickly finds himself at odds with his new boss and his position under threat. In an attempt to preserve the power and influence he holds so sacred, Jimmy strikes a faustian pact with struggling actress Nina Land (Arterton), entangling them and Brooke in a thrilling but deadly web of desire, blackmail and betrayal.


CLOSE TO YOU
CLOSE TO YOU


The film consists of informal sit-down interviews, extensive personal writings, archival footage, and plenty of home videos of the generations of strong women in the family. We discover the hurt from Hiam’s past, the emotional baggage of leaving behind the turmoil of Palestine, but also the treasured connections of the women who shaped her. Hiam’s letters and poems serve as both insight and narration. They are intensely affecting.
Hiam and her family love one another with their whole hearts. They have no filters when speaking to each other, and their words of affirmation are something to aspire to. Lina Soualem captures all of this in an elegant edit. The film is beautifully intimate. It’s a loving commentary on memory, identity, and honoring your past.
The overwhelming joy of hearing these kids laugh is infectious. SUMMER QAMP is an education, through and through. As a former theatre kid and current creative adult with two kids, I strive to understand how identity plays a part in overall confidence. I grew up with often crippling anxiety, a stranglehold of perfectionism, and feeling othered. It doesn’t feel good. My job is to protect my kids from the same overwhelming feelings of chaos any way I can.
SUMMER QAMP‘S brave kids allow the audience into their personal lives. They may not fully appreciate how fearless they are. Campers share their gender identity journey, the good, the bad, and the emotionally ugly. This film provides a conversation starter for understanding gender dysphoria from those experiencing it firsthand. It’s an aha of a film. 





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