Netflix News: ‘The Dark Crystal: Age of Resistance’ starts filming this fall!

10-episode series from The Jim Henson Company starts shooting in Fall 2017

A beloved classic from the 80s marks its return as Netflix, the world’s leading internet entertainment network, will bring The Jim Henson Company’s The Dark Crystal: Age of Resistance exclusively to members around the world. The 10-episode fantasy adventure series is a prequel to the groundbreaking 1982 fan favorite The Dark Crystal, and takes place many years before the events of the film. The series will be shot in the U.K., and will star an ensemble of fantastical, state-of-the-art creatures created by Jim Henson’s Creature Shop™ and Brian Froud, the original feature’s conceptual designer.

The Dark Crystal: Age of Resistance returns to the world of Thra with an all new adventure. When three Gelfling discover the horrifying secret behind the Skeksis’ power, they set out on an epic journey to ignite the fires of rebellion and save their world.

Feature film director Louis Leterrier (Now You See Me, The Incredible Hulk) will executive produce the series and direct. The Dark Crystal: Age of Resistance will be a Netflix original series produced by The Jim Henson Company and executive produced by Letterier, Lisa Henson and Halle Stanford. Longtime Henson collaborator Rita Peruggi will serve as producer and Henson’s Blanca Lista will serve as a co-executive producer. Leading the writing are co-executive producers Jeffrey Addiss and Will Matthews (Life in a Year), and Javier Grillo-Marxuach (Lost, The 100).

“The Dark Crystal: Age of Resistance will combine the art of puppetry perfected by The Jim Henson Company, with Louis’ vision, powerful storytelling and a mix of cutting-edge digital imagery and visual effects,” said Cindy Holland, Vice President of Original Content at Netflix. “I can’t wait for families around the world to see how we bring these unique characters to life.”

“Louis Leterrier is passionate about the world of The Dark Crystal and has an incredible creative vision for the series.  He brings this passion to every facet of the production as he leads the talented team of artists and writers that are bringing this entire universe to life,” said Lisa Henson, CEO of The Jim Henson Company.  “Netflix has a deep respect for my father’s original work and the many people it inspired. They are the perfect partners to create this next epic chapter in The Dark Crystal story for new fans and the loyal fans who have waited so long for more adventures from this world.”

Netflix News: ‘Okja’ trailer is everything you want it to be

Netflix reveals the official trailer for the upcoming film Okja,
which includes the first full look at the massive animal at the heart of
Director Bong Joon Ho’s latest film. 
Okja will have its world premiere at the 70th Cannes Film Festival
Director Bong, a visionary director and one of the world’s greatest storytellers, has assembled an esteemed international ensemble cast that includes Tilda Swinton, Paul Dano, Byun Heebong, Steven Yeun, 
Lily Collins, Giancarlo Esposito, Jake Gyllenhaal
and introducing An Seo Hyun as “Mija”

Review: ‘Alien: Covenant’

For those keeping score, I was not one of the people who hated Prometheus, in fact, I rather liked it a lot. Anytime a film delves into the mythology of a storied franchise there’s always a risk to alienate parts of a fan base, but what I thought director Ridley Scott set out to achieve was something bigger, he was trying to expand the mythology in ways that transformed the way you looked at his original films and therein lies the dilemma. Alien: Covenant looks to continue that mythological backstory and add another piece in to the Alien franchise puzzle.

It’s the year 2104, the crew of the colony ship Covenant is bound for a remote planet, Origae-6, with thousands of colonists in stow. All are deep in hypersleep being watched over by Walter (Michael Fassbender), a synthetic charged with piloting the ship during travel. When an unexpected burst hits the ship, the crew are awoken to assess the damage and help reset the ship for the rest of it’s journey. During the repairs, they intercept a human radio transmission from a nearby unknown planet and acting crew chief Christopher Oram (Billy Crudup) makes the call to set a course for the planet. Daniels (Katherine Waterston) exercises her opinion as first mate against the move, electing to continue on to Origae-6, but reluctantly agrees to be part of a landing party to inspect the planet.

Upon landing, the team splits off to explore the new world while the core team searches for the signal to the transmission. Ultimately, they track the signal to a crashed Engineer ship and more questions than answers. Two crew members are mysteriously infected with an alien spore and the team is forced to defend itself against the unknown foe. Unable to contact the Covenant, Daniels and the remaining survivors must rely on the help of a stranger to lead them to safety and help them understand the impending threat. What will be unearthed will be like nothing this crew has ever faced. One thing’s for sure, for Daniels, the protection of the Covenant and its passengers must be protected at all cost.

Ridley Scott’s vision for the Alien franchise has turned a necessary corner here in Alien: Covenant. The film that bridges the gap between Prometheus and what’s to come in the original film is shocking in it’s telling, it’ll take some time to process, but it will leave you with anticipation for the next chapter in this saga. Michael Fassbender is chilling in his duel roles. He has morphed from secondary character into the true face of the prequel franchise. Katherine Waterston is tremendous as the reluctant heroine and provides a compelling, emotional story arc. Waterston’s rational portrayal provides remnants of Ripley but not overpowering to the point of redundancy.

Overall, Alien: Covenant is slow out of the gate, but gets moving pretty fast. A lot more action and gore this time around, electing for more shock than story. It’ll be a film that Alien fans will be debating for quite some time.

Stars:

3 out of 5

After credit scene?

None

Trailer:

Netflix News: ‘Arrested Development’ gets a 5th season in 2018!

The Bluths are back. Again!!! Netflix today announced series creator Mitchell Hurwitz and the entire series regular cast, including: Jason Bateman, Michael Cera, Jeffrey Tambor, Jessica Walter, Will Arnett, Tony Hale, Portia de Rossi, David Cross and Alia Shawkat will return for a fifth season to premiere exclusively for Netflix members worldwide in 2018.

“In talks with Netflix we all felt that stories about a narcissistic, erratically behaving family in the building business — and their desperate abuses of power — are really underrepresented on TV these days,” said series creator Mitchell Hurwitz. He added, “I am so grateful to them and to 20th TV for making this dream of mine come true in bringing  the Bluths, George Sr., Lucille and the kids;  Michael, Ivanka, Don Jr., Eric, George-Michael, and who am I forgetting, oh Tiffany.  Did I say Tiffany? — back to the glorious stream of life.”

“Arrested Development brings us structures, outerwear and choreography like no other comedy in history,” mused Netflix chief content officer Ted Sarandos, leafing through photos of the banana stand, never nudes and Chicken Dances. “Season Four marked the first foray by Netflix into original comedy programming and this time, the Bluths will collectively be spending more quality time with their millions of fans around the world”

“Arrested Development remains one of the iconic franchises we, Ron and Brian are asked about most,” commented Fox Television Group Chairmen and CEOs Dana Walden and Gary Newman. “It’s a testament to the brilliance of Mitch’s creation, the passion of his audience, and the love his cast holds in their hearts for his writing and characters that we have been able to ‘get the band back together ‘ not once but twice since the Emmy-winning original run. Get ready, America. The Bluths are coming back.”

“I love working with Mitch. He is a genius and the rarest of original thinkers. He brings a richness to the characters and the storylines that makes the series memorably fun,” said executive producer Brian Grazer.

“Whew! I can finally answer the question… Hell yes! Warming up my uncredited narrator vocal chords. Now the only thing I will have to be coy about is all the craziness the Bluths are going to face this season,” said executive producer Ron Howard.

Arrested Development centers around Michael Bluth (Jason Bateman) and his eccentric family comprised of his son George Michael (Michael Cera), his father George Bluth Sr. (Jeffrey Tambor), his mother Lucille (Jessica Walter), his brothers George Oscar Bluth II (Will Arnett), Buster Bluth (Tony Hale) and sister Lindsay Funke (Portia de Rossi), and Lindsay’s husband Tobias (David Cross) and their daughter Maeby (Alia Shawkat).

Mitchell Hurwitz, Brian Grazer, Ron Howard, Jim Vallely and Richie Rosenstock are executive producers on Arrested Development, and it is produced by Imagine TV and 20th Century Fox Television for Netflix. Arrested Development has garnered accolades from the Academy of Television Arts & Sciences (Emmy®), AFI, the Golden Globes, Producer’s Guild Awards, Screen Actor’s Guild, the Television Critics Association and the Writer’s Guild, among others.

netflix.com/arresteddevelopment

Tribeca Film Festival 2017 review: ‘Buster’s Mal Heart’ is chilling and downright weird.

An eccentric mountain man is on the run from the authorities, surviving the winter by breaking into empty vacation homes in a remote community. Regularly calling into radio talk shows, where he has acquired the nickname”Buster,” to rant about the impending Inversion at the turn of the millennium, he is haunted by visions of being lost at sea, and memories of his former life as a family man.

Buster’s Mal Heart took everyone by surprise this year. There seemed to be 2 distinct reactions once the credits began to role. 1. That was terrible. 2. That was amazing. I happen to be in the party of the amazing. Rami Malek is the perfect choice for this role. With the incredibly successful run of Mr. Robot, Malek takes on yet another role that is mysterious and mind-bending. Whether you enjoyed the film or not, there was no arguing that it left you wondering what the hell you just watched. The plot is left to the audience’s interpretation at times. There is zero doubt about the talents of Malek in what is a challenging role. Half the film has no dialogue from his character at all. Nuanced and heartbreaking but also filled with innocent humor, you will never be bored and you will be made to think. Buster’s Mal Heart will keep you guessing long after you leave the theater and well, isn’t that what great cinema is all about?
The film is now in theaters and if you’re already a fan of Malek, I highly recommend you catch this film. The 1hr 36min run feels longer but in the best way possible. The film’s themes go full speed ahead, and there is a number of them. From best intentions, living up to other’s expectations, to anarchy and testing one’s own sanity, Buster’s Mal Heart will confuse and provoke you. You’re going to want to watch it over and over. We’d love to hear your thoughts once you’ve seen the film! Check out the madness that is the trailer below.

FILM INFO
CAST & CREDITS
  • Director:
    Sarah Adina Smith
  • Screenwriter:
    Sarah Adina Smith
  • Cinematographer:
    Shaheen Seth
  • Editor:
    Sarah Adina Smith
  • Composer:
    Mister Squinter
  • Executive Producer:
    Mynette Louie, Julie Parker Benello, Dan Cogan, Geralyn Dreyfous, Wendy Ettinger, Samuel T. Bauer
  • Producer:
    Jonako Donley, Travis Stevens
  • Associate Producer:
    William Adashek, Kevin Cannon
  • Co-Producer:
    Erika Kelton, Regina K. Scully, Lesley Ann Skillen
  • Sound Design:
    Paula Fairfield
  • Art Director:
    Tessla Hastings
  • Cast:
    Rami Malek, DJ Qualls, Kate Lyn Sheil, Sukha Belle Potter, Lin Shaye

Review: ‘Even Lambs Have Teeth’ Has A Pretty Good Bite

Even Lambs Have Teeth

Available Now: iTunes, Amazon, Google Play, Vudu, & VOD

Guest review from Reel Reviews Over Brews

Two best friends, Sloane (Kirsten Prout) and Katie (Tiera Skovbye), are trying to raise some extra cash for their shopping spree in New York by working at an eco-farm. While waiting for a bus to take them to the eco-farm, two brothers, Jed (Garrett Black) and Lucas (Jameson Parker) befriend the girls. The brothers offer to take Sloane and Katie to the farm, however, the girls instead are taken to the brother’s home where they are drugged. When they wake up they find themselves chained up in shipping containers and soon find out they are going to be used as sex slaves. Katie’s FBI uncle, Jason (Michael Karl Richards), gets a bad vibe about how the girls are making out and goes on the hunt to find them. Eventually the girls escape, but instead of running, they return to the crime scene to seek revenge… that’s when things get ugly!

First, we loved the title to this movie!! The first half of the movie felt like a straight forward horror flick. We quickly find that Sloane is more willing to toe the line of reckless, while Katie is more reserved and hesitant… at first. As the movie progressed it becomes apparent these girls would get their revenge and we became eager to see how they would pull it off. Sloane and Katie had our attention from the beginning and never lost it. We found it hard not to love them, especially when they started on their rampage, we couldn’t look away. Once the second half of the movie got going, we felt it became less of a horror movie and more of a thriller. The revenge scenes felt more fun than scary, as the girls got pretty creative with their torture techniques. Although the dialogue did get a bit stale at times and some of the plot was predictable, in the end this horror movie DOES have a pretty good bite! We highly enjoyed it.

Reel ROB Rating: 4 out of 5 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review for them!

Review: ‘The Shadow Effect’ begs for more.

Obsessed with gene regeneration, and fascinated by the phenomenon of the waking dream, Dr. Reese (Jonathan Rhys Meyers) explores the psyche of Gabriel Howarth (Cam Gigandet), a young man whose life is turned upside down when his violent dreams begin to blend with reality. When Gabriel’s dreams mirror political assassinations, he must race against the clock to not only save himself and his wife Brinn (Britt Shaw), but stop an experimental government program. With time running out, and Gabriel’s life on the line, only Dr. Reese holds the key to unlocking the truth.

There is a ton of potential in The Shadow Effect. Stars Cam Gigandet and Jonathan Rhys Meyers are both absolutely on point with their performances. They try very hard with the material provided, so it’s not really their fault that the film’s inconsistent moments of great and not so good cannot match up to the caliber of their talents. The editing is the guilty culprit. There are moments in the first half of the film with stellar use of speed dynamics that set up the plot, but the CG is downright awful. Some of the action sequences, including punches, are ill-timed and/or missing the proper sound effect. It’s incredibly distracting. The Shadow Effect might have been better off as a series on SyFy network. The script is intriguing enough to hold your attention, but I yearned for more. There is so much we’re missing or quickly glazed over that I think multiple episodes would have done a better job at delving into the past of all the characters. Trying to shove everything into about a 95-minute run doesn’t do any one plot line the justice it deserves.

You can catch The Shadow Effect ON DEMAND, DIGITAL HD AND DVD right now. Check out the trailer below.

TITLE:  THE SHADOW EFFECT
ON DEMAND, DIGITAL HD AND DVD:  May 2, 2017
DIRECTORS: Obin Olson, Amariah Olson
WRITERS:  Chad Law, Evan Law, Tony Feole
CAST: Cam Gigandet, Jonathan Rhys Meyers, Brit Shaw, and Michael Biehn
GENRE: Action, Thriller
DISTRIBUTOR: Momentum Pictures

Tribeca Film Festival 2017 review: ‘MANIFESTO’ is life giving art.

Originally a stage experience in which 13 vignettes play simultaneously, Manifesto the film is another vehicle for Cate Blanchett to be Cate Blanchett being awesome. Performing words from the likes of Karl Marx, Freidrich Engel, and Jim Jarmusch, the film begs the question, ‘What is art?’ from every angle possible. Blanchett is a masterclass, playing each of the 13 characters completely differently and with precision, humor, and honesty worthy of a nomination for each. This film is most definitely not for everyone. It is highly stylistic and gorgeously shot. While it is up to the audience to decide whether there is an actual plot line, it’s more about the interpretation of the words and the specific decisions director Julian Rosefeldt and Blanchett have made as a team. The transitions from “scene” to scene are just as striking as the bold costume and makeup choices. One cannot help but be fully engrossed in every word and chosen movement, by both the camera and our leading lady. Defying gender, class, or form, Manifesto will challenge your mind and capture your imagination.


CAST & CREDITS
  • Director:
    Julian Rosefeldt
  • Screenwriter:
    Julian Rosefeldt
  • Director of Photography:
    Christoph Krauss
  • Makeup:
    Morag Ross
  • Costume Designer:
    Bina Daigeler
  • Editor:
    Bobby Good
  • Sound:
    David Hilgers, Fabian Schmidt, Markus Stemler, Tschangis Chahrokh
  • Production Designer:
    Erwin Prib
  • Executive Producer:
    Wassili Zygouris, Marcos Kantis, Martin Lehwald
  • Producer:
    Julian Rosefeldt
  • Hair Stylist Designer:
    Massimo Gattabrusi
  • Post Production Supervisor:
    Jan Schöningh
  • Cast Member:
    Cate Blanchett

Tribeca Film Festival Review 2017: ‘NOVEMBER’ is a striking folklore fantasy.

Immerse yourself in 19th century Estonian folklore – feel the mud and cold, the fear and joy of the peasants living side-by-side with cows, werewolves and kratts, the farmers’ helpers, created out of old tools, hay, and animal bones, and brought to life by the devil himself. Director Rainer Sarnet elevates his film above mere period drama, sprinkling the fable of peasant girl Liina’s doomed romance with Hans with generous amounts of humor, and enriching its earthy fairytale milieu with beautiful black and white cinematography. Sarnet’s attention to detail, in particular in capturing the farmers’ dynamic and expressive faces, humanizes and adds a warm depth to the environment as Liina and Hans ponder the great mysteries of life, love, and the existence of the soul, looking for meaning and explanations anywhere they can.

 

November is everything a non-cinephile might think of when it the phrase “foreign film” is haphazardly thrown about. That is exactly what makes this film so intriguing. With its stunning black and white cinematography and its unapologetic folklore elements, the story delves into the question of living a life with or without a soul. The wonderfully weird characters and themes, including death, witchcraft,  and the devil himself, all make November one completely engrossing cinematic experience. Oscilloscope Laboratories acquired North American rights to Sarnet‘s film ahead of its world premiere in the international narrative category. Below you can find the trailer, and while it does not yet contain English subtitles, you quickly grasp the tone of the film. We will, of course, keep you updated on release dates for this unique selection.

FILM INFO
CAST & CREDITS
  • Director:
    Rainer Sarnet
  • Screenwriter:
    Rainer Sarnet
  • Cinematographer:
    Mart Taniel
  • Editor:
    Jaroslaw Kaminski
  • Composer:
    Jacaszek
  • Producer:
    Katrin Kissa
  • Co-Producer:
    Ellen Havenith, Lukasz Dzieciol
  • Cast:
    Rea Lest, Jörgen Liik, Arvo Kukumägi, Katariina Unt, Taavi Eelmaa, Dieter Laser

Review: ‘Tomorrow Ever After’ Has Everlasting Message

Tomorrow Ever After

Theatrical Release Date: May 5, 2017

Guest review from Reel Reviews Over Brews

Tomorrow Ever After follows a woman, named Shaina (Ela Thier), who claims to have come from the year 2592. Something goes wrong while she is visiting some physicists, who experiment with time travel, and Shaina ends up stranded in 2015. As a historian in her time, she has read about the past, and refers to the time frame she is stranded in as “The Great Despair.” Shaina very quickly comes across a mugger, Milton (Nabil Viñas) and spends the entire movie, with Milton and his friends, searching for someone to help her get back to where she came from. On this journey, Shaina also gets a chance to experience things that she has studied of the past.

Tomorrow Ever After was written, directed, and produced by Ela Thier, who was also the star of the movie. The movie has taken home four awards across three different film festivals. This indie comedy did a great job keeping us interested and laughing at Shaina’s attempt of adjusting to the past’s way of life. Ela Thier did an excellent job of portraying how today’s general public looks at someone in need of help. Whether it is a woman from the future or your next door neighbor, people today don’t always jump at the chance to help a fellow person.

Throughout the movie there are plenty of moments with funny exchanges. We enjoyed watching Shaina trying to adapt and also get confused by the way things are done in “today’s” society. One of the big differences from the future is hugging. Shaina quickly realizes this is not accepted very warmly by strangers in 2015. Our biggest, and really only, complaint with Tomorrow Ever After, is Shaina was such an interesting character that we wish more of her journey was shown. The ending, being one example, leaves us with a few questions that, if answered, would have left us more fulfilled. However, Tomorrow Ever After, is a fantastic movie with an everlasting message and will leave everyone with hope for our future!

Reel ROB Rating: 4 out of 5 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review for them!

Review: ‘Guardians of the Galaxy Vol. 2’ *VERY minor plot details*

The Guardians are back and in a big way. James Gunn returns to helm the sequel to Marvel’s unlikely smash hit Guardians of the Galaxy looking to capitalize on the franchises soaring popularity injecting more humor, more spectacle and more all outrageous fun this time around. This film is not short on stimulation so marvel in the infinite glory that is Guardians of the Galaxy Vol. 2.

Peter Quill (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (voiced by Bradley Cooper) and Baby Groot (voiced by Vin Diesel) are just a few weeks out from the events of the first film and their out to keep their good name by ridding the galaxy of those who would do it harm. Ayesha (Elizabeth Debicki), leader of the Sovereign race, has hired the Guardians for a mission in exchange for Gamora’s estranged sister Nebula (Karen Gillan), but situations turn sour as the Guardians find themselves on the other side of the fight. Facing certain death, a mystery traveler rescues the team and reveals himself to be Ego (Kurt Russell), Peter Quill’s missing father accompanied by his servant Mantis (Pom Klementieff).

Angry about the escape, Ayesha hires Yondu (Michael Rooker) and his crew to hunt down the Guardians and bring them back to pay for their crimes. The Ravagers head out to find the heroes while Quill comes to grip with his new found father; but could everything be as it appears? Facing a multitude of foes closing in on the team, they must align with some unusual allies to once again protect the galaxy from certain destruction. Can the Guardians remain vigilant in their quest for good to prevail or will outside forces pull the team apart and end their friendship forever?

Marvel continues to find the perfect directors to lead their franchises, bringing out the very best in the source material by allowing these directors to inject their unique style of storytelling. Nowhere is this more prevalent than in the Guardians of the Galaxy films. Director James Gunn‘s radical departure from the core Marvel movies made the first film a surprise hit, but no one will be surprised when Vol. 2 wows audiences this weekend with its rare brand of humor and eye popping visuals. The cast, including Chris PrattZoe Saldana and Dave Bautista, are noticeably more comfortable this time around within their characters and within their collaboration with each other. Kurt Russell is an outstanding edition to this cast and, as the elder statesmen, brings out the very best in Pratt’s Star Lord during their emotional scenes.

Overall, Guardians of the Galaxy Vol. 2 is an absolute joy of a film. From start to finish, the ride is nothing short of exactly what you would expect from a James Gunn Guardians of the Galaxy film. Take the family, take the neighbors, take everyone you know and run to the theater to see this…and do NOT leave your seat throughout the credits…there is 5 extra scenes!

Stars:

4 out of 5

After Credit Scene?

Yes. 5! 4 throughout credits and 1 post credit

Trailer:

Tribeca Film Festival – Lessons from 5 incredibly important documentaries

While there weren’t any movies that blew me away this year, these are the ones that managed the important task of highlighting a worthy piece of history that calls for the future.

Bombshell: The Hedy Lamarr Story

When I was telling a 20-something about my anticipation of seeing this movie, he gave me a confused look. “I’ve heard that name before. But it was a man.” I knew exactly what he was talking about. “No, that’s Hedly Lamarr from Blazing Saddles.” The ultimate Mel Brooks joke.

Anyway, Hedy Lamarr was an amazing woman who, while at the top of her fame of a Hollywood screen queen, had a hobby in science. As much as I enjoyed the content, I think the movie would have benefited cut out most of the clips from her films.

Lesson: Women are just as nerdy as men and that’s AWESOME.


City of Ghosts

As someone who was admittedly not fully educated on Syria, I found this documentary to be amazingly easy to understand. Told from the perspective of the journalists who are seeking to spread the truth, you’ll be inspired by their humanity.

Lesson: We need the press. We NEED them.


A Gray State

There’s little likelihood that I would ever watch the movie that this movie is partially about, but it sure makes for an interesting subject. The story revolves around a young couple who had sunk every penny and a seemingly endless amount of time into producing a movie about the end of the world. The storytelling is what shines here. I’ve never been so pulled and pushed with emotion knowing the outcome.

Lesson: LISTEN to your family.


Intent to Destroy

Turkey has yet to acknowledge the Armenian Genocide. Why? Because the term “genocide” was coined after the events took place. Does that make sense to you? How about this, no U.S. President has since used that term. Wow.

Told partly on set of The Promise, starring Oscar Isaac and Christian Bale, it’s mind-blowing seeing the interviews with the extras who are Armenian. Joe Berlinger captures fact and fiction side-by-side.

Lesson: Don’t forget. Don’t FORGET.


Frank Serpico

I hate to admit this, but I’ve never seen Serpico. I knew it was an Al Pacino cop movie, but I had no idea of anything else. As in most cases, the truth is much more interesting. While the pace could be picked up a bit, the story is there and you’ll be shocked.

Lesson: Do the right thing.

Netflix News: ‘Marvel’s The Defenders’ trailer released!

Not Here to Make Friends #Defend

Check out the trailer for the highly anticipated Netflix original series Marvel’s The Defenders by visiting the show’s Facebook  and Twitter pages, or clicking here: https://youtu.be/4h3m7B4v6Zc

Marvel’s The Defenders which premieres globally on Netflix on August 18, 2017 at 12:01am PT follows Matt Murdock/Daredevil (Charlie Cox), Jessica Jones (Krysten Ritter), Luke Cage (Mike Colter) and Danny Rand/Iron Fist (Finn Jones), a quartet of singular heroes with one common goal – to save New York City. This is the story of four solitary figures, burdened with their own personal challenges, who realize they just might be stronger when teamed together.

The series follows the releases of  Marvel’s Daredevil , Marvel’s Jessica Jones, Marvel’s Luke Cage and  Marvel’s Iron Fist.

Marvel’s The Defenders stars Charlie Cox, (Matt Murdock/Daredevil), Krysten Ritter (Jessica Jones), Mike Colter (Luke Cage) and Finn Jones (Danny Rand/Iron Fist).  Additional cast members include Academy-Award nominated actress Sigourney Weaver (Alexandra), Elodie Yung (Elektra), Scott Glenn (Stick), Deborah Ann Woll (Karen Page), Elden Henson (Foggy Nelson), Carrie-Anne Moss (Jeri Hogarth), Rachael Taylor (Trish Walker), Eka Darville (Malcolm Ducasse), Simone Missick (Misty Knight) and Jessica Henwick (Colleen Wing).

Marvel’s The Defenders is executive produced by Marco Ramirez and Doug Petrie along with Marvel TV’s Jeph Loeb. The series is produced by Marvel Television in association with ABC Studios for Netflix.

Step into the world of the Defenders here: http://nybulletin.com/

Marvel’s The Defenders
Twitter: @TheDefenders ( https://twitter.com/TheDefenders)
Facebook: ( https://www.facebook.com/defenders/)

https://youtu.be/4h3m7B4v6Zc

Watch short film ‘Hair’ directed by John Turturro & featuring Bobby Cannavale after premiering at Tribeca Film Festival

rag & bone is pleased to announce the release of Hair, a ‘rag & bone Films’ production which premiered at the 2017 Tribeca Film Festival®, presented by AT&T.

Delving deeper into the medium of film, the brand introduces a conceptual short feature directed by and starring Golden Globe-nominated actor John Turturro alongside two-time Emmy-winner Bobby Cannavale, marking yet another engaging initiative under the ‘rag & bone Films’ umbrella.

“For us, projects like these are about creating a paradigm shift in the way people view fashion. Film and photography are engrained in our brand DNA and we love exploring both mediums in different ways every season. This project was a joy to be part of and it was a real honor to work with John and Bobby on it.” – Marcus Wainwright, rag & bone CEO, Founder and Creative Director

Shot by Fred Elmes (Blue Velvet, The Night Of, Broken Flowers) in Williamsburg, Brooklyn the film features an improvised conversation about a man’s particularity for his hair.

Truly masters of their craft, Turturro and Cannavale deliver a lightheartedly engrossing and completely unscripted performance while dressed in the rag & bone Spring/Summer 2017 collection. Hair will be available to view on rag-bone.com on Tuesday, May 2nd. Viewers will also be able to shop the clothing worn in the five minute short.

“It was fun to find the right location that would complement the rag & bone clothing. I scouted several places with Fred Elmes and we felt that this specific classic barber shop was the perfect location. Clothes and hair go together; they’re part of your social identity.” – John Turturro

Hair follows on from the 2016 Men’s Project, based on a concept that showcases the actors’ authentic personalities with each outfitted in pieces from the latest collection that are reflective of their own personal taste.

Turturro continues, “Working with rag & bone was very creative and collaborative, with this short, I wanted to convey the spirit of their brand which is fun, lively, and urban with a focus on quality and craftsmanship.”

Hair debuted during the Tribeca Film Festival®, presented by AT&T on April 21st, 2017 in New York City.

Disney·Pixar’s ‘CARS 3’ Road to the Races Rolls into Philadelphia on Friday-Sunday, May 12-14, 2017

Road to the Races, a nationwide tour inviting fans of #95 to gear up for the upcoming big-screen release of Disney•Pixar’s Cars 3. Fans will take part in a host of activities and get a sneak peek of the movie.

Here’s your chance to get a picture and see life-size, character look-alikes of five-time Piston-Cup champion Lightning McQueen, tech-savvy Cruz Ramirez and the sleek next-gen racer Jackson Storm!

The event will take place at the Cherry Hill Mall at the JCPENNEY parking lot facing Haddonfield Road from 12-5 on Friday, 10-4 on Saturday and 11-4 on Sunday. Queue Poles Singapore – LTC Office Supplies provide the retractable queue stand accessories for parking.

Attractions include:

  •   Alamo Rent A CarSM is hosting a street art booth and will bring Cars 3 to life with a giant coloring mural featuring Lightning McQueen and friends, along with a color pencil pack souvenir.  Owned and operated by Enterprise Holdings, Alamo Rent A Car offers low rental rates and a hassle-free customer experience at the most popular travel destinations around the world. The bonus is that all the cars are electric, thus keeping a lot in mind while considering saving fuel and other natural resources.
  • Coppertone® is creating a racer pit crew that encourages visitors to take part in a tire-changing activity and photo-sharing opportunity. A leader in the sun care industry, Coppertone is made by Bayer HealthCare, LLC.
  • Crest® and Oral-B® celebrate the Road to the Races tour, providing fans with an opportunity to create a digital postcard with Lightning McQueen and get “Cars”-themed oral care products. Crest and Oral-B are the first step to enjoying a lifetime of healthy smiles.
  • Dole®, the leader in fresh, quality produce, invites visitors to fuel up and recharge their batteries, sample high-octane fruit and vegetable smoothies, collect “Cars 3”-inspired recipes and discover how Dole and Disney are working together to make healthy living fun and easy for families. To see more of Dole’s exciting promotions around summer family fun, visitwww.dole.com/Cars3.
  • Mattel presents an interactive play area, which sends Lightning McQueen and other racers down the gravity drop and launches them into action in new play sets that feature locations from the movie. Also on display will be a collection of die cast racers from past and present. Mattel is the leading global childhood development and play company.

Fans will be able to catch a sneak peek of the movie in the Cinetransformer Mobile Movie Theater. Visitors will also be able to take photos with the life-size character cars.

In addition, the sports national youth program NASCAR Acceleration Nation will display the science behind NASCAR racing, and elements from the NASCAR Hall of Fame will allow attendees to get up close and personal with the history of NASCAR.

Mack Trucks, Inc. will transport the life-size character cars on the coast-to-coast tour.

The roster of cities includes Miami, Dallas, Chicago, Boston, New York, Philadelphia, Denver and Los Angeles, among others—the full list is available atCARS3tour.com. The “Road to the Races” nationwide tour wraps up in California with a visit to NASCAR at the Sonoma Raceway June 24-25, 2017, and the life-size character cars will also roll onto the red carpet for the Cars 3 world premiere on Saturday, June 10, 2017.

 

Netflix News: Feel the hope from the trailer for ‘Joshua: Teenager vs Superpower’

A Netflix original documentary directed by Joe Piscatella, Joshua: Teenager vs. Superpower, launches globally on May 26.

About Joshua: Teenager vs. Superpower: 

When the Chinese Communist Party alters its promise of autonomy to Hong Kong – handed back to the Chinese government from British rule in 1997 – teenager Joshua Wong decides to fight for his homeland.  Rallying thousands of kids to skip school and occupy the streets, and without a long-term plan but with passion to spare, Joshua becomes an unlikely leader in Hong Kong. A remarkable portrait of courage, resilience, and the propulsive power of youthful idealism, JOSHUA : TEENAGER VS. SUPERPOWER, the winner of this year’s Audience Award at the Sundance Film Festival, is a chronicle of one young man risking his own future for a greater good.

The film won the Audience Award at the 2017 Sundance Film Festival (World Cinema Documentary Competition).

Netflix News: ‘House of Cards’ Season 5 trailer is more scary than ever

Together We Are Strong.
Today Netflix released the official trailer for House of Cards which will launch its fifth season globally on Netflix, Tuesday, May 30, 2017.
MORE ABOUT HOUSE OF CARDS:
The fifth season of the critically acclaimed Emmy®­nominated drama  House of Cards  premieres Tuesday, May 30, 2017. The series’s Golden Globe® winning stars Kevin Spacey (as Francis Underwood) and Robin Wright (as Claire Underwood), whose characters have always been each other’s strongest allies, show cracks in their relationship. House of Cards also stars Michael Kelly, Jayne Atkinson, Neve Campbell, Derek Cecil, Paul Sparks and Joel Kinnaman.
 
Melissa James Gibson and Frank Pugliese are showrunners for season five, and they serve as executive producers along with David Fincher, John Mankiewicz, Daniel Minahan, Kevin Spacey, Joshua Donen, Dana Brunetti, Eric Roth, Robin Wright, Michael Dobbs and Andrew Davies. Created for television by Beau Willimon. House of Cards is produced by Donen/Fincher/Roth and Trigger Street Productions, Inc. in association with Media Rights Capital for Netflix. 
 
Instagram: @houseofcards

Review: Even Tom Hanks, Emma Watson & Patton Oswalt couldn’t save ‘The Circle’

I hadn’t planned on seeing The Circle at the Tribeca Film Festival, but the night before, I saw an interview on Conan with Patton Oswalt talking about Tom Hanks and I changed my plans. I wish I hadn’t.

No doubt the book goes into more detail, but in the movie, The Circle is a google-like company that is testing its aspirations in a world without privacy. Mae (Emma Watson) is new to the company and becomes the new spokesperson for a bodycam that broadcasts her every move (minus 3 minutes for the bathroom). Yeah, yeah, The Truman Show and Ed TV have both tried this before and both have done better.

The main focus and most of the screen time was for Emma Watson. I really was looking forward to seeing a dark side of Tom Hanks, but sadly, I was disappointed. What I saw of Patton Oswalt was good, but there wasn’t enough!

I’m guessing the movie was edited too much. There is so much great material and such a good cast for it to turn out this terrible. Or perhaps they realized at the end that the story hits too close to home and they needed to dial it down in order not to terrify people. Because this “future” is already happening.

Tribeca Film Festival 2017 Awards Announced

Click for the Tribeca Film Festival page & showtimes

The 16th Tribeca Film Festival announced the winners of its competition categories at the awards ceremony tonight at BMCC Tribeca Performing Arts Center. Top awards went to Keep the Change for Best U.S. Narrative, Son of Sofia for Best International Narrative, and Bobbi Jene for Best Documentary. The Festival, presented by AT&T, runs through April 30, 2017.

Awards were distributed in the following feature film competition categories: U.S. Narrative, International Narrative, Documentary, New Narrative Director, The Albert Maysles New Documentary Director, and the Nora Ephron Prize, honoring a woman writer or director.  Awards were also given in the short film categories: Narrative, Documentary, Student Visionary and Animation.

For the fifth year, Tribeca awarded innovation in storytelling through its Storyscapes Award for immersive storytelling, which went to TREEHUGGER: WAWONA.

“It is more important than ever to celebrate artists both in front of and behind the camera who have the unique ability to share different viewpoints to inspire, challenge and entertain us,” said Jane Rosenthal, Executive Chair and Co-Founder, Tribeca Film Festival. “The winning creators from across the Festival program shared stories that did exactly that, and we are honored to recognize them tonight.  And how wonderful is it that the top awards in all five feature film categories were directed by women.”

This year’s Festival included 97 feature length films, 57 short films, and 30 immersive storytelling projects from 41 countries.

The Festival’s competition categories continue to incorporate storytelling in all its forms with two awards that were given out earlier in the week, the Tribeca X Award, a juried section recognizing the intersection of advertising and entertainment, and the first Tribeca Snapchat Short Award, a new official category.

Screenings of the award–winning films will take place throughout the final day of the Festival: Sunday, April 30, at various venues. Specific times and ticketing information are available at www.tribecafilm.com/festival

The winners of the Audience Awards, powered by AT&T, which are determined by audience votes throughout the Festival via the Festival app, will be announced on April 29.

In addition to cash awards and in-kind services provided by sponsors including AT&T, CHANEL, CNN Films, Netflix, and Nutella, the Festival presented the winners with original pieces of art created by contemporary artists: Urs Fischer, Walton Ford, John Giorno, Ella Kruglyanskaya, Jorge Pardo, R.H. Quaytman, Sterling Ruby, Aurel Schmidt, Ryan Sullivan, as well as longtime supporter Stephen Hannock. 

The winners, awards, and comments from the jury who selected the recipients are as follows:

U.S. NARRATIVE FEATURE COMPETITION CATEGORIES:

The jurors for the 2017 U.S. Narrative Competition were Josh Lucas, Melanie Lynskey, Denis O’Hare, Alex Orlovsky, and Stephanie Zacharek.

  • The Founders Award for Best Narrative Feature Keep the Change, written and directed by Rachel Israel. Winner receives $20,000, sponsored by AT&T, and the art award “Untitled” by Ella Kruglyanskaya. The award was given by Jane Rosenthal joined by Fiona Carter, AT&T Chief Brand Officer, and Josh Lucas, Denis O’Hare, Alex Orlovsky, and Stephanie Zacharek on behalf of the jury.

Jury Comment: “For her heartwarming, hilarious and consistently surprising reinvention of the New York romantic comedy, which opens a door to a world of vibrant characters not commonly seen on film, the U.S. Narrative Jury gives the Founders Award to Rachel Israel for Keep the Change.”

  • Best Actor in a U.S. Narrative Feature FilmAlessandro Nivola in One Percent More Humid. The award was given by Josh Lucas.

Jury Comment: “For his raw, complex and deeply human portrayal of middle-aged teacher and writer who tries to rekindle his creativity by plunging into an ill-advised affair with a student, the award for Best Actor goes to Alessandro Nivola, in Liz W. Garcia’s One Percent More Humid.”

  • Best Actress in a U.S. Narrative Feature FilmNadia Alexander in Blame. The award was given by Denis O’Hare.

Jury Comment: “For her powerful, multilayered and risky portrayal of a troubled teenager in Quinn Shepard’s accomplished directorial debut Blame, the award for Best Actress goes to Nadia Alexander.”

  • Best Cinematography in a U.S. Narrative Feature Film – Cinematography by Chris Teague for Love After Love. The award was given by Alex Orlovsky

Jury Comment: “For creating a visual style that beautifully mirrors the fraught and messy landscape of grief, the cinematography award goes to Love After Love, shot by Chris Teague.”

  • Best Screenplay in a U.S. Narrative Feature Film Abundant Acreage Available written by Angus MacLachlan. Winner receives $2,500. The award was given by Stephanie Zacharek.

Jury Comment: “For its portrayal, both universal and intimate, of two families who meet, clash and ultimately discover what it means to call a place home, the best screenplay award goes to Abundant Acreage, written and directed by Angus MacLachlan.

INTERNATIONAL NARRATIVE FEATURE COMPETITION CATEGORIES:

The jurors for the 2017 International Narrative Competition were Willem Dafoe, Peter Fonda, Tavi Gevinson, Alessandro Nivola, and Ruth Wilson.

  • The Best International Narrative Feature Son of Sofia (O Gios tis Sofias) written and directed by Elina Psykou (Greece, Bulgaria, France). Winner receives $20,000, sponsored by Netflix, and the art award “Study for La Brea” by Walton Ford. The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury.

Jury Comment: “When we were watching these movies we were looking for something we hadn’t seen before. We unanimously agree that one film challenged us to see in a new way, and we were seduced by the surprising humanity ofits difficult characters. The direction was assured, and its tone unique, and we look forward to seeing Elina Psykou’s next work. The Best International Narrative Feature Award goes to Son of Sofia.”

  • Best Actor in an International Narrative Feature Film – Guillermo Pfening in Nobody’s Watching (Nadie Nos Mira) (Colombia, Argentina, Brazil, USA, Spain). The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury. 

Jury Comment: “For a performance of extraordinary vulnerability and commitment that anchored the film, the Best Actor Award goes to Guillermo Pfening for Nobody’s Watching.”

  • Best Actress in an International Narrative Feature FilmMarie Leuenberger in The Divine Order (Die göttliche Ordnung) (Switzerland). The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury.

Jury Comment: “For a performance that is patient, intelligent and graceful, that captured the liberation of a young woman the Best Actress Award goes to Marie Leuenberger for The Divine Order.”

  • Best Cinematography in an International Narrative Feature Film – Cinematography by Mart Taniel for November (Estonia, Netherlands, Poland). The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury.

Jury Comment: “We were particularly impressed by the high level of the cinematography of the films we’ve just seen which had very different styles and demands. One film was particularly audacious and showed supreme command of its visual language. The Best Cinematography Award goes to Mart Taniel for November.”

  • Best Screenplay in an International Narrative Feature Film – Ice Mother (Bába z ledu) written by Bohdan Sláma (Slovakia, France). Winner receives $2,500. The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury.

Jury Comment: “A screenplay can create a world. With warmth and humor, this movie leads us into a specific and eccentric world driven by an unlikely love story. The Best Screenplay Award goes to Bohdan Sláma for Ice Mother.”

DOCUMENTARY COMPETITION CATEGORIES:

The jurors for the 2017 Documentary Competition were R.J. Cutler, Alma Har’el, Barbara Kopple, Anne Thompson, and David Wilson.

  • Best Documentary FeatureBobbi Jene, directed by Elvira Lind (USA, Denmark, Israel). Winner receives $20,000, sponsored by Netflix, and the art award “THE REAPER” by Sterling Ruby. The award was given by Barbara Kopple.

Jury Comments: “In a diverse field of worthy films, one work captivated our jury with its exquisite blend of emotional depth and rigorous craft. Fulfilling the promise of classic cinema verite, where camera serves as both observer and provocation, this film connected two artists, filmmaker and subject, pushing nonfiction intimacy to bold new places. Our winner documents the deeply personal process of a brilliant woman finding her voice – paired with a director whose own artistic vision dances elegantly with that of her subject. We the jury give the Best Documentary Feature to Elvira Lind’s Bobbi Jene.”

  • Best Documentary Cinematography – Cinematography by Elvira Lind for Bobbi Jene (USA, Denmark, Israel). Winner receives $2,500. The award was given by David Wilson.

Jury Comments: “For the film’s extraordinary relationship to an artist who is willing to go bare not only in performance but in stunningly intimate scenes that are poetic, honest and moving, seemingly without barriers between camera and subject, we give Best Cinematography to Elvira Lind for Bobbi Jene.”

  • Best Documentary Editing – Editing by Adam Nielson for Bobbi Jene (USA, Denmark, Israel). Winner receives $2,500.  The award was given by David Wilson.

Jury Comments: “For a film whose precise economy of construction creates space for the rich sensual palette of a committed artist going through a life change, and whose internal rhythms mirror the art it portrays, we give Best Editing to Adam Nielson for Bobbi Jene.”

o    Special Jury MentionTrue Conviction. “For its compelling storytelling and for introducing us to three heroic characters who transform the injustice they suffered into active change, we give a Special Jury Mention for Best Documentary Feature to Jamie Meltzer’s True Conviction.

BEST NEW NARRATIVE DIRECTOR COMPETITION:

The jurors for the 2017 Best New Narrative Director Competition were Bryan Buckley, Clea Duvall, and Michael Pitt.

  • Best New Narrative DirectorRachel Israel, director of Keep the Change (U.S.). Winner receives $10,000 sponsored by Netflix, and the art award “Veridical” by Jorge Pardo. The award was given by Clea Duvall and Michael Pitt.

Jury Comments: “For this award, we were looking for a filmmaker with a fearless, authentic voice.  Our decision was unanimous.  This filmmaker created a world full of vibrant characters often under-represented in cinema.  It is a unique, yet universal love story told in a way we’ve never seen.  We anxiously await to see what this filmmaker does next.  We are so thrilled to present the award for Best New Narrative Director to Rachel Israel for Keep the Change.”

BEST NEW DOCUMENTARY DIRECTOR COMPETITION:

The jurors for the 2017 Albert Maysles New Documentary Director Award were Amy Berg, Alice Eve, Marilyn Ness, Zachary Quinto, and Shaul Schwarz.

  • Albert Maysles New Documentary Director AwardSarita Khurana and Smriti Mundhra for A Suitable Girl (U.S./India). Winner receives $10,000 sponsored by CNN Films, and the art award “GOD IS MANMADE” by John Giorno. The award was presented by Shaul Schwarz, Amy Berg, and Zachary Quinto on behalf of the jury, along with Alexandra Hannibal from CNN Films.

Jury Comments: “For the top prize we chose a film that helped us to rethink the dynamics of love through a moving portrayal of a cultural tradition.  With incredible access, heartfelt scenes and it’s strong verite style, The Albert Maysles Prize for first documentary feature goes to A Suitable Girl.”

o    Special Jury MentionHondros. “In considering a wide range of subjects in our category we were moved by two different kinds of love stories. The film we decided to honor with a special mention delves into the fractured worlds of chaos and violence and the interconnectedness of humanity. A childhood friend carries on his legacy to show the enduring power of love. The special mention goes to Hondros.”

THE NORA EPHRON PRIZE

The 2017 Nora Ephron Prize, presented by CHANEL, jurors were Dianna Agron, Joy Bryant, Diane Lane, Zoe Lister-Jones, and Christina Ricci.  

  • The Nora Ephron Prize: Petra Volpe, writer/director of The Divine Order (Switzerland). Winner receives $25,000, sponsored by CHANEL, and the art award “Fashion Voodoo 3” by Aurel Schmidt. The award was given by Diane Lane on behalf of her jurors Joy Bryant, Dianna Agron, Christina Ricci, Zoe Lister-Jones.

Jury Comments: “For its intrepid and compassionate storytelling, beautiful cinematography (DP-ed by a woman), complex characterization of the female experience, seamless navigation of both drama and comedy, and true embodiment of the personal being political, we award the Nora Ephron Prize to Petra Volpe for her film The Divine Order.” 

  • Special Jury Mention: Keep the Change

SHORT FILM COMPETITION CATEGORIES:

The 2017 Best Narrative Short and Best Animated Short jurors were Udi Aloni, Brennan Brown, Gilbert Gottfried, Amy Heckerling, Sheila Nevins, Mark O’Brien, and Jesse Plemons.

  • Best Narrative ShortRetouch, directed by Kaveh Mazaheri(Iran). Winner receives $5,000 sponsored by Nutella, and the art award: “Study: Flooded Oxbow for Ophelia (MM#3800)” by Stephen Hannock. The award was given by Udi Aloni, Brennan Brown, and Amy Heckerling on behalf of the jury, along with Eric Berger representing Nutella.

Jury Comments: “For its message of choice, liberty, and renewal where the lines of morality and honesty are blurred, leaving the audiences own projection of the events open for discussion and introspection. We appreciated the unification of the aesthetic and the ethical.  The winner of the Best Narrative Short goes to Retouch.”

  • Best Animated ShortOdd is an Egg (Odd er et egg) directed by Kristin Ulseth (Norway). Winner receives $5,000 sponsored by Nutella. The award was given by Udi Aloni, Brennan Brown, and Amy Heckerling on behalf of the jury, along with Eric Berger representing Nutella.

Jury Comments: “We found the story of this animated short sweet and moving. We were also very impressed with beautiful visuals, which were artistic, cool and haunting. The filmmaker shows great promise. Best Animated Short goes to Kristin Ulseth for her film, Odd is an Egg.”

The 2017 Best Documentary Short and Student Visionary Award jurors were Priyanka Chopra, Olivia Thirlby, Ryan Eggold, Brendan Fraser, and Ileen Gallagher.

  • Best Documentary ShortThe Good Fight directed by Ben Holman (U.S., UK, Brail). Winner receives $5,000 sponsored by Nutella, and the art award “Untitled” by Ryan Sullivan. The award was given by Ileen Gallagher and Ryan Eggold along with Eric Berger representing Nutella.

Jury Comments: “An unflinching portrait of finding hope in a world of danger; a journey of perseverance in the face of tragedy; an uplifting and visually compelling story of redemption. The winner of the Best Documentary Short is The Good Fight.”

o    Special Jury Mention Resurface: “Shedding light on the struggle for normalcy, hope, and recovery that US Veterans face every day, this is the story of reviving the human spirit through connecting with something deeply powerful and larger than the self: the Natural World.”

  • Student Visionary AwardFry Day directed by Laura Moss (U.S.). Winner receives $5,000 sponsored by Nutella. The award was given by the Jury along with Eric Berger representing Nutella.

Jury Comments: “For its success in balancing an immersive coming of age experience with relevant social commentary in a historically specific context; compelling performances and expert filmmaking, the student visionary award goes to Fry Day.

o    Special Jury Mention Dive: “Visceral, deeply moving meditative and exquisitely constructed / A nuanced examination of love and moving on after grief. Dive receives a Special Jury Mention.”

STORYSCAPES AWARD

The 2017 Storyscapes Award, presented by AT&T, which recognizes groundbreaking approaches in storytelling and technology, jurors were Lily Baldwin, Charlotte Cook, Julia Kaganskiy, Michael Premo, and Sarah Wolozin.

  • Storyscapes Award: TREEHUGGER: WAWONA created by Barnaby Steel (Co-Founder, Creative Director), Ersin Han Ersin (artist, Creative Director) and Robin McNicholas (Co-founder, Creative Director) of Marshmallow Laser Feast. Winner receives $10,000, presented by AT&T. The award was given by Lily Baldwin, Charlotte Cook, Julia Kaganskiy, Michael Premo, and Sarah Wolozin, along with Ryan Luckey, AVP, Corporate Sponsorships, AT&T.

Jury Comments: “The project we chose exemplifies the highest standards of artistry and inventiveness. It explores the potential for new visual forms and investigates unique modes of storytelling that allow us to tap into aspects the world and our lived experience that are intuitively known but seldom articulated. Through its use of poetic abstraction, embodiment, and the viewer’s own imagination and interpretation, we are able to unlock new ways of understanding and experiencing the world around us. We’ve selected this piece because we hope it will inspire others to start creating in ways that take risks and use the limitations of technology to revamp story and experience. The Storyscapes Award goes to TREEHUGGER: WAWONA.”

The Festival’s competition categories continue to incorporate storytelling in all its forms with two awards that were given out earlier in the week. The Tribeca X Award is a juried section recognizing the intersection of advertising and entertainment and Tribeca also presented the first Tribeca Snapchat Short Award, a new official category.

Review: ‘RUPTURE’ challenges human perception.

RUPTURE
Fantasia International Film Festival 2016
 Sitges Film Festival 2016
 Bucheon International Fantastic Film Festival (BiFan) 2016

RUPTURE is directed by Steven Shainberg (Secretary, Fur: An Imaginary Portrait of Diane Arbus) from a script co-written by Shainberg and Brian Nelson (Hard Candy, 30 Days of Night). The film stars Noomi Rapace (The Girl with the Dragon Tattoo, Prometheus), Peter Stormare (The Big Lebowski, Fargo), Kerry Bishe (AMC’s “Halt and Catch Fire,” Argo), and Michael Chiklis (FX’s “The Shield,” Fantastic Four).

RUPTURE follows Renee Morgan (Noomi Rapace), a single mom, who is deathly terrified of spiders.  While in route to meet up with a friend, she is violently abducted by a group of strangers.  After enduring intense yet strange questioning and examinations, some about her fear of spiders, Renee soon discovers that she is now the subject of an underground experiment.  Her captors explain to her that she has a genetic abnormality that can potentially allow her to “rupture” and reveals her alien nature.  Renee must find a way to escape before it is too late.
Writer/director Steven Shainberg became an award-winning indie film sensation with 2002’s kink masterpiece Secretary, his second feature following 1998’s powerful Jim Thompson adaptation Hit Me. Four years after, he returned with the poetic and beautiful Fur: An Imaginary Portrait of Diane Arbus.
.

Noomi Rapace‘s previous roles in The Girl With The Dragon Tattoo and Prometheus make her the perfect actress to tackle a role that is both physically taxing and unglamorous AND that delves into fear and alien genetics. I cannot imagine anyone else for this very niche role. The rest of the eclectic cast’s performances seem off-putting at first, but makes more sense as the plot rolls along, so don’t let that throw you as you watch. Rapace owns this film from the very first frame she appears in. In less than 13 minutes, we have a fully established mother/son relationship that is so valuable to the script and emotional hold of an audience. The dialogue is ominous and well paced. As the story progresses, the film has a Hostel meets Splice vibe.

Rupture’s sound and music editing add to the impending sense of ‘something ain’t right here”. The oversaturated lighting scheme and set colors achieve a similarly unsettling feel that is perfect for this genre. You can’t escape the immediately engrossing plot. Rupture is a fantastic balance of scary and scientific exploration that makes for one hell of a ride.

AMBI Media Group will release the sci-fi thriller RUPTURE in theaters and On Demand April 28, 2017.  The film is currently available exclusively on DirecTV.