The Song of Sway Lake has the class and reminiscence of Dirty Dancing in its music and style. Only, this story is one of family dynamics and the desperation to feel loved and understood across three generations. It centers around a grandson who has plans to steal a treasured and incredibly valuable jazz record from his grandmother’s famed lake house. The snag in the plan comes when his coconspirator becomes infatuated with the matriarch. The plot rolls out like a beautiful novel. Issues of class, racism, ambition, and acceptance all feature heavily in this lovely film. It’s not pretentious or preachy. Phenomenal performances from every single lead (which I consider to be six, including a voiceover role). With the likes of Rory Culkin, Mary Beth Peil, and the late Elizabeth Pena, there is not a loose thread in this elegantly woven tale. I would be remiss if I didn’t specifically point out the performance of Robert Sheehan as Nikolai. He is a firework opposite Culkin’s brooding Ollie. Their chemistry is perfection. Peil’s radiant presence on screen forgives the awfulness in her character’s flaws and Pena, ever the master, anchors the entire story with a quiet force. The Song of Sway Lake is like a long lost melody of the times, both good and bad. With stunning cinematic choices, vintage style score, and one of the most creative final credit sequences of late, writer/director Ari Gold has given us a lovely end of summer gift.
‘Miss Sherlock’ from HBO ASIA® streams for US subscribers today

MISS SHERLOCK pays homage to the classic by Sir Arthur Conan Doyle, Sherlock Holmes, with bold interpretations of the iconic characters, Sherlock Holmes and Dr. John Watson. MISS SHERLOCK is set in modern day Tokyo and both lead characters are Japanese women – Dr. Wato Tachibana, a surgeon recently returned from a volunteer doctors’ mission in Syria and Sara Shelly Futaba, an investigation consultant to the police department who solves bizarre and difficult cases. Throughout the series, the pair solves mystery after mystery with Miss Sherlock’s extraordinary observation and reasoning skills.
The HBO Asia series MISS SHERLOCK will be available to HBO’s U.S. subscribers across all of the channel’s platforms, including HBO GO®, HBO NOW®, HBO On Demand and partners’ streaming portals, starting SATURDAY, SEPT. 1. MISS SHERLOCK is the latest programming from HBO’s international partners to be made available to U.S. subscribers, joining critical hits such as HBO Europe’s “Wasteland” and “Aranyélet”; HBO Asia’s “Halfworlds” and “The Teenage Psychic”; and more.
Review: ‘BLOOD FEST’ is a fun homage to genre filmmakers and fans alike.
presents
BLOOD FEST
Fans flock to a festival celebrating the most iconic horror movies, only to discover that the charismatic showman behind the event has a diabolical agenda. As attendees start dying off, three teenagers with more horror-film wits than real-world knowledge must band together and battle through every madman, monstrosity and terrifying scenario if they have any hope of surviving.
Blood Fest takes a page out of the Scream franchise playbook by breaking down the scary movie rules and tropes. It’s a horror fan’s playground, literally. “Bloodfest” is horror’s Comic-Con or Disneyland. The film doesn’t take itself too seriously, the dialogue is snappy as hell, and the sets are incredible. I know people, myself included, that would pay good money to enter such a gore-infused playland. Blood Fest is unapologetically silly and wonderful. Once on location at Bloodfest, we get right into the slashing, enhanced by a nice practical FX and some CG shots. It’s like being trapped in a horror video game you’re watching someone else play for you. Every nightmare someone might have is explored even if only for a moment.Think Cabin In The Woods level humor and (frankly, plot, as well) but with some new twists. To top it off, the entire cast is phenomenally talented. Also, ladies and gentlemen, Zachery Levi cameo. Blood Fest is wildly entertaining and undeniably fun. If you love the horror genre you’ll be thoroughly amused by the tongue-in-cheek way the plot rolls out, despite a few corny moments. Simply sit back and enjoy the bloody ride. Oh, and back to the franchise mention, there is no reason why this couldn’t turn into one itself. A sequel, at the very least, is completely plausible and welcome.
Starring: Tate Donovan (The Untouchables, The Only Boy Living in New York,”The O.C.”), Robbie Kay (“Once Upon a Time”), Seychelle Gabriel (The Last Airbender, “Falling Skies”, “Sleepy Hollow”), Jacob Batalon (Spider-Man: Homecoming and Avengers: Infinity War, Every Day, and The True Don Quixote), and Barbara Dunkelman (RWBY), Nick Rutherford, Chris Doubek, Rebecca Wagner and Zachary Levi
Executive Producers: Matt Hullum, Burnie Burns, and Ryan P. Hall
Producers: Seth Caplan, Will Hyde, and Ezra Venetos
Trailer for ‘BLOODFEST’, in Theaters and On Demand August 31st!
presents
BLOODFEST
Synopsis:
Fans flock to a festival celebrating the most iconic horror movies, only to discover that the charismatic showman behind the event has a diabolical agenda. As attendees start dying off, three teenagers with more horror-film wits than real-world knowledge must band together and battle through every madman, monstrosity, and terrifying scenario if they have any hope of surviving.
In Theaters & On Demand on August 31, 2018
Written and Directed by: Owen Egerton
Starring: Tate Donovan (The Untouchables, The Only Boy Living in New York,”The O.C.”), Robbie Kay (“Once Upon a Time”), Seychelle Gabriel (The Last Airbender, “Falling Skies”, “Sleepy Hollow”), Jacob Batalon (Spider-Man: Homecoming and Avengers: Infinity War, Every Day, and The True Don Quixote), and Barbara Dunkelman (RWBY), Nick Rutherford, Chris Doubek, Rebecca Wagner and Zachary Levi
Executive Producers: Matt Hullum, Burnie Burns, and Ryan P. Hall
Producers: Seth Caplan, Will Hyde, and Ezra Venetos
Review: ‘SONGWRITER’ gives birth to Ed Sheeran’s best album yet.

I feel like if you don’t like Ed Sheeran‘s music you may be a bit of a sociopath. His songs are the ones you here over and over on the radio and either find yourself singing or waxing philosophically about. In the new doc by Murray Cummings, Songwriter, we get to go behind the magical creativity that becomes an Ed Sheeran album. Specifically, his third (and latest) album, “Divide”. One gorgeous hit after another is created by Ed, producer Benny Blanco, and a slew of family, friends, and fellow songwriters. The songs come in waves and sometimes tsunamis. Cummings, who just so happens to also be Sheeran’s cousin, has real-time studio, tour, and vacation footage mixed with childhood films of Ed. We’re even treated to his very first recording session, something altogether different from the songs we’ve fallen in love with. I often wonder how many babies exist in the world because of his melodies. Sheeran’s passion and talent permeate the screen. He is as charming and genuine offstage as he is on. Songwriter deserves to be watched on a device with superior speakers. Sheeran and his cohorts let us peek behind the curtain of their process. It is honest, funny, emotionally indulgent, and damn near perfect. Sheeran is something akin to a modern-day Shakespeare, in a word of 140 characters of all too often vitriol. So, if music be the food of love, play on Ed Sheeran, play on.

https://youtu.be/3NqQv4H22XU
In Theaters on August 17th in NY and August 24th in LA and exclusively on Apple Music August 28th
Songwriter is an intimate and personal look into the writing process of one of the world’s leading artists – Ed Sheeran. Songwriter details the creation of Ed’s third studio album “Divide” and gives an authentic insight into Ed’s life through never before seen home videos. Witness firsthand the creativity, from the very first chord to the finishing touch – as the sounds become the songs.
Fantasia International Film Festival review: ‘The Night Eats The World’ breathes new life into the zombie genre.


The morning after a party, a young man wakes up to find Paris invaded by zombies.
The Night Eats The World is all about isolation. Sam is alone in his ex’s apartment, walls splattered with blood, and the other floors are not much better. Realizing the outside is even less safe, he begins to use his wits by gathering what he can find, little by little, staying organized but perhaps not sane. Actor Anders Danielsen Lie is in every single scene of the film. His performance is so engrossing that I almost missed his complete physical transformation along the way. He must remain as calm as possible, which is pretty difficult considering the circumstances. Director Dominique Rocher has given us quite the gem here. The Night Eats the World easily sets itself apart from the average zombie film. The film delves into the complexity of human intimacy. This is explored through a relationship with an undead individual trapped inside an elevator (played magnificently by Denis Lavant), an encounter with a fellow survivor, and a cat. An added element of interest that propels the plot is the fact that Sam is a musician. This becomes both an advantage and a misstep along the way. We’ve all watched The Walking Dead for years now but off the top of my head, I’m not sure I would be as methodic in my solitary survival as Sam. While we don’t get any information about the outbreak specifically, it never stopped me from enjoying the film, rooting for Sam to stay alive. Sometimes you don’t need it all spelled out for you, sometimes great storytelling is more than enough.

The Night Eats The World made is Canadian Premiere at this year’s Fantasia International Film festival. The 2018 fest came to a close last night, but we’ll keep you updated on the release dates. As for The Night Eats The World, you can catch it in theaters now and on VOD platforms like Amazon, Google Play, and YouTube.
Fantasia International Film Festival review: ‘CAM’ flips subject and voyeur.

Cam is unique for so many reasons. First, it’s a genre-bending menagerie. You think you know what you’re in for with a sex worker vying to be in the top ten of her live sex show site. But the script is flipped several times and in completely unexpected ways each time. It’s difficult to categorize Cam and I do mean this as a compliment. It seesaws from horror to thriller and swings into surreal territory all while keeping the audience in the dark until the very end. Rarely do we see sex workers treated as human beings, but in Cam, there is a sense of empowerment attached to the storyline. Lead actress, Madeline Brewer, has the massive task of being more than two distinct characters and to explain further would ruin the plot. Brewer knocks it out of the park here. Her talent is undeniable. I will say that the commentary on social media and immediate gratification it can produce is front and center. The final scene renders the plot unapologetic. Cam is an all-around good trip.

Fantasia International Film Fest 2018 ends tonight. But we’ll keep you updated on release dates for all the films that screened this year.
Fantasia International Film Festival review: ‘THE WITCH IN THE WINDOW’ takes its place among the classics.


The Witch in the Window has a classic ghost story feel. Anchored by a local legend, the film’s uniqueness is amped up by the fact that the locals can also see the ghost in question. With all of the usual tropes in place, The Witch in the Window uses humor to keep the peace in a genuine way between father and son until the subtle scares become huge ones… in broad daylight. That’s the key to this film. Much like Ted Geoghegan‘s We Are Still Here, it’s the daylight scares that make The Witch in the Window so powerful. While Geoghagan’s makeup FX are beyond compare, this film’s in your face close-ups are what grab you. I literally shouted, “OH!” as I was not expecting to be yelled at from the screen. You absolutely feel like you are in that house. Alex Draper and Charlie Tacker are outstanding together onscreen. Their father/son chemistry is extraordinary. Writer/Director/Composer/Editor (and clearly all around badass) Andy Mitton‘s storyline may also be taking a page from David Robert Mitchell’s IT FOLLOWS. To say much more would take away from the viewer’s experience. It is a solid film that should garner its rightful place in ghost story cult catalog. 
Check out the awesome trailer below.
Fantasia International Film Festival closes tonight, but we will keep you updated on all of the release dates for films that screened at the fest!
Divorced dad Simon (Alex Draper) brings his 12-year-old son, Finn (Charlie Tacker) out to Vermont to help him renovate an old house he recently purchased. Used to the speed of New York City, Finn has an impossible time slowing down to a smalltown pace, and he’s disappointed before even getting there. So is Simon (“I guess I was hoping I would catch you on the 12 side of 12, instead of the 13 side of 12”). Afflicted with a rare medical condition in which there’s a literal hole in his heart, Simon, ever resourceful, does what he can to make things good as he and his son attempt to repair what’s broken. Soon, a series of nonsensically terrifying happenings occur, nightmarish and incomprehensible. It becomes clear that they aren’t alone in the house. That there is more work to be done than either could be capable of grasping. That death is a partially living state. And that they are in a very special kind of danger.
Willem Dafoe is Vincent Van Gogh in closing film ‘At Eternity’s Gate’ of the New York Film Festival this October
Nominated for Best Film at the Venice Film Festival earlier this year, At Eternity’s Gate (named for a painting of Van Gogh) will close the 56th Annual New York Film Festival. Directed by Julian Schnabel (Diving Bell & the Butterlfy), starring Willem Dafoe as Van Gogh with Rupert Friend and Oscar Isaac.
Julian Schnabel’s ravishingly tactile and luminous new film takes a fresh look at the last days of Vincent van Gogh, and in the process revivifies our sense of the artist as a living, feeling human being. Schnabel; his co-writers Jean-Claude Carrière and Louise Kugelberg, also the film’s editor; and cinematographer Benoît Delhomme strip everything down to essentials, fusing the sensual, the emotional, and the spiritual. And the pulsing heart of At Eternity’s Gate is Willem Dafoe’s shattering performance: his Vincent is at once lucid, mad, brilliant, helpless, defeated, and, finally, triumphant. With Oscar Isaac as Gauguin, Rupert Friend as Theo, Mathieu Amalric as Dr. Gachet, Emmanuelle Seigner as Madame Ginoux, and Mads Mikkelsen as The Priest.
New York Film Festival Director and Selection Committee Chair Kent Jones said, “At Eternity’s Gate is such a surprising film, for all kinds of reasons. Julian Schnabel makes use of the most up-to-date information about Vincent van Gogh, altering our accepted ideas of how he lived and died; he grounds the film in the very action of painting, the intense contact between an artist and the world of forms and textures colored by light; and he gives us Willem Dafoe’s performance as Vincent—acting this pure is endlessly surprising.”
“I would like to say thank you to Kent Jones and the NYFF selection committee on behalf of Willem Dafoe, who is Vincent van Gogh in the film, and the cast and crew, who I have been so privileged to work with, for choosing At Eternity’s Gate for Closing Night,” said Schnabel. “It is a profound honor to be included with the other films and to be part of the history of Closing Night films that came before us. Looking forward to sitting in the audience with everybody.”
The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming, and Florence Almozini, FSLC Associate Director of Programming.
Earlier this summer, NYFF announced Yorgos Lanthimos’s The Favourite as Opening Night and Alfonso Cuarón’s ROMA as the Centerpiece selection. This year’s gala screenings, including Closing Night, will be held on Fridays instead of Saturdays.
Tickets for the 56th New York Film Festival will go on sale to the general public on September 9. Festival and VIP passes are on sale now and offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events, including Closing Night.
New York Film Festival to open with 18th Century romp from the director of ‘The Lobster’ – Yorgos Lanthimos

Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and a mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time-consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.
While I really enjoyed The Lobster, from writer/director Yorgos Lanthimos, I couldn’t connect with the director’s last work, Killing of a Sacred Deer starring Colin Farrell and Nicole Kidman. I’m cautiously optimistic for The Favourite.
If you haven’t seen or heard of The Lobster, you really must at least check out the trailer.
Here’s the trailer for Killing of a Sacred Deer
Review: ‘PUZZLE’ allows one woman to solve the enigma of herself.

PUZZLE is a closely observed portrait of Agnes, who has reached her early 40s without ever venturing far from home, family or the tight-knit immigrant community in which she was raised by her widowed father. That begins to change in a quietly dramatic fashion when Agnes receives a jigsaw puzzle as a birthday gift and experiences the heady thrill of not only doing something she enjoys, but being very, very good at it.

Oftentimes, mothers lose their own identities tending to the needs of their families. Balancing loved ones and household management consumes who we once were and who we truly long to be. It is easy to get stuck in an endless cycle of chores and other people’s feelings. If you’re lucky enough to give yourself a voice, therein lies your truth. The film is not ultimately about puzzles, but they are a brilliant metaphor for relationships and the enigmatic ways of people. Puzzle illustrates the idea of not fitting into your expected place.In Theaters July 27th!
Starring Kelly Macdonald (Golden Globe nominee for “Boardwalk Empire”, NO COUNTRY FOR OLD MEN, GOSFORD PARK), Irrfan Khan (THE LUNCHBOX, SLUMDOG MILLIONAIRE, LIFE OF PI, David Denman (“The Office”, 13 HOURS), Bubba Weiler, Austin Abrams
Directed by Marc Turtletaub (producer, LITTLE MISS SUNSHINE)
Written by Oren Moverman (Oscar nominee for Best Writing, Original Screenplay, THE MESSENGER)
Music by Dustin O’Halloran (Oscar nominee for Original Score, LION)
Review: ‘Occupation’ has a full sci-fi miniseries feel in 2hrs
A ragtag group of folks from a small town band together when the unexpected is thrust upon them. Think The Walking Dead (RV and all), but with aliens.. and sped up in time. The intersection of different personalities makes for an intriguing story of survival. There is a beautiful first visual, and perhaps an homage to Close Encounters of the Third Kind, as we are introduced to the threat. But that does not last long. In a matter of seconds, mass explosions and hysteria as a heavily armed alien army approaches the local rugby game and obliterates the scene. It’s pretty exhilarating immediately. You are invested in these folks. The alien armor is designed in a RoboCop meets Cybermen (Doctor Who) fashion. While I wasn’t a huge fan of their appearance underneath, I’ll forgive it for all the other positive aspects. Our group takes aim at not only survival but fighting back, and making a new life for others. The film pushes forward in time quickly covering a ton of story ground. The performances are great. The FX are pretty stunning. This could have easily been an entire series. Occupation is truly action-packed and phenomenally engrossing. It goes far beyond the normal invasion movie. At its core, Occupation is about humanity.
Saban Films will release the upcoming sci-fi film OCCUPATION in theaters and on VOD and Digital HD on July 20, 2018.
The film was written and directed by Luke Sparke (Red Billabong)and starsDan Ewing (“Home and Away,” “Power Rangers R.P.M.”), Temuera Morrison (Aquaman, Green Lantern), Stephany Jacobsen (Alex Cross, “Terminator: The Sarah Connor Chronicles”), Rhiannon Fish (“The 100,” “Home and Away”), Zachary Garred (“General Hospital,” Marriage of Lies), Izzy Stevens (“Puberty Blues,” “Underbelly”), Charles Terrier (“Interface,” King of Ashes), Charles Mesure (“Once Upon a Time,” “The Magicians”), Trystan Go (“Small Town Hackers,” “The Family Law”), Felix Williamson (Peter Rabbit, The Great Gatsby), Jacqueline McKenzie (The Water Diviner, “The 4400”), Aaron Jeffery (Turbo Kid, X-Men Origins: Wolverine), and Bruce Spence (Winchester, Pirates of the Caribbean: Dead Men Tell No Tales).
Quiz: How much do you know about the Marvel & DC Comics movie universe?
[streamquiz id=”1″]
Wanna find out other interesting trivia about the crossover actors?
Fantasia International Film Festival Review: ‘Relaxer’ pulls you in with its beautifully weird premise.


Y2K is right around the corner, and Cam just gave his younger brother Abbie ( Joshua Burge) the dopest, most ultimate challenge, um, ever: to beat Billy Mitchell’s infamous Pac-Man high score (by going beyond level 256’s glitch, of course) without ever getting off the couch.
Emotionally abused Abbie has accepted this challenge to finally prove a point to his older brother. He is not a quitter. With the very real threat of Y2K looming on the horizon, Abbie is hell-bent on defeating his brother’s perception of him and earning a massive cash prize all at once. But literally not getting up has consequences for our leading man. Eventually, food and drink run out. The lengths to which he will go to survive on this couch are beyond ludicrous, some downright disgusting. But this is about principal dammit. Joshua Burge, once again, proves to be a master at tackling the oddball guy with an ease that is frightening. A longtime collaborator with writer/director/editor Joel Potrykus, the two have brought some of the boldest characters and stories to life over the past 6 years. Buzzard is still one of my top recommended films of all time. Potrykus pulls inspiration from his real-life experiences. Relaxer is set at a very specific moment in time and anyone who is of a certain age will feel bombarded (in a great way) with 90’s nostalgia. Fantasia International Film Festival is the perfect platform for this film to shine. The film has a genius undertone of supernatural and the final sequence is so satisfying, I cheered out loud.

Relaxer Director Joel Potrykus
The Fantasia International Film Festival runs from July 12th- August 2nd. You can find out more about the full lineup and tickets at Fantasia.com
Fantasia International Film Festival 2018 Review: ‘Mega Time Squad’ is an editor’s masterpiece.


Think “Multiplicity on crack” (and yes, I am referencing the 1996 Micheal Keaton and Andie MacDowell sci-fi comedy delight… and crack cocaine) and you’ll begin to understand the insanity that is Mega Time Squad. Our main man, Johnny, is a low-level criminal who accidentally discovers he is wearing an ancient bracelet that will bring him back in time. Problem being, each use of said bracelet also produces another version of himself, all while running from the both he stole from and his gang of thugs. This heist movie with an incredible twist is hilarious. Packed with deliciously colorful local slang and plenty of four-letter words for punctuation, Mega Time Squad hits every mark. Anton Tennet, writer/director Tim Van Dammen, and editor Luke Haigh deserve your applause and as many beers as a bartender will allow in one sitting. Tennet, as each version of Johnny, brings a distinct specificity that is wildly impressive. Haigh had one hell of a challenge in editing and holy hell is this a triumph. Van Dammen has gifted the Fantasia 2018 audience with a warped premise begging the question of one’s own morality. You have to really pay attention to keep up with the shenanigans and you will have a blast doing so. If you enjoyed The Hunt for the Wilderpeople, Mega Time Squad is your jam. And speaking of jams, the music is totally sick. Mega Time Squad is a blast from past to present.
The Fantasia International Film Festival runs from July 12th- August 2nd. You can find out more about the full lineup and tickets at Fantasia.com
Review: ‘SIBERIA’ left us out in the cold.
Keanu Reeves
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SIBERIA
When a business deal in Russia goes south, a U.S. diamond merchant (Keanu Reeves) and his lover (Ana Ularu) are caught in a lethal crossfire between the buyer and federal intelligence service.
Sometimes I forget how talented Keanu Reeves truly is. He can take a pretty lifeless role and make it into something we weren’t expecting. That being said, these talents are really wasted in Siberia. It’s a poor man’s John Wick. The pace is often excruciating. When it is on, it’s vastly entertaining. The potential lies within the higher stakes, action-oriented scenes, but since they are few and what feels like far between it’s tough to stay on the train. 50 minutes into the 1:44 minute run it finally feels like,”Ok now we’re getting somewhere!” Alas, it will be 15 more minutes until something relatively interesting occurs. The script really takes it damn time getting to the point.
The performances are strong. Ana Ularu is vastly underutilized opposite Reeves. There is so much going on behind that tough girl veneer, a sadness that you want to fix. She has a brilliant presence but has been diminished to sex doll with a heart of gold. Someone write her a juicy role, please. Molly Ringwald appears for what is tantamount to a cameo, speaking of underutilized. Her performance in this year’s Tribeca selection, All These Small Moments is proof we need her back in our lives on a more permanent basis. Reeves, as Lucas Hill, diamond dealer trapped in a lackluster marriage and put in a shady work position, is the only saving grace. The problem being, you can feel the pained longing to kick some real ass. Ultimately, Siberia ends up being a midlife crisis cry for help, more than anything else. It left me cold and a bit empty.Saban Films will release the romantic crime thriller SIBERIA in theaters and On Demand / Digital HD on July 13, 2018.
SIBERA stars Keanu Reeves (The Matrix, Speed, Bill & Ted’s Excellent Adventure), Molly Ringwald (“Riverdale,” “The Secret Life of the American Teenager,” Sixteen Candles), and Ana Ularu (Outbound, Inferno). The film is directed by Matthew Ross (Frank & Lola) from a script by Oscar nominated novelist/screenwriter Scott B Smith (The Ruins, A Simple Plan) and producer/screenwriter Stephen Hamel (Passengers, Henry’s Crime).
Fantasia International Film Festival 2018 starts this week! Here are 10 films that are getting us excited.



Blue. Of the bewildered spirit intermediating between child and sea. Blue is the colour of Mia (Luna Wedler), 15 years old, newly arrived in a town that looks like all the others. Breaking away from the sterile environment provided by her parents, she is drawn to the pack of popular kids, the ones who smoke, shoplift, mess around. Mia has everything, yet she suffocates. Then comes an odd thirst, an irresistible instinct that has her reaching out for air where there is none. In her head are the turbulent sounds of crashing water against the pebble beach. In her tortured flesh, the alienation of nature, the terrifying and unstoppable transformation of her body conflicting with the need for stillness, to press pause on the perfect breath.
Blue My Mind from Festival Fantasia on Vimeo.

Life has its downsides in a small, northern Finnish town. The local bros give long-haired, leather-clad Turo a tough time, and his job at the mental hospital is literally shitty. His crush on Miia at the flower shop is thwarted by the tacky lounge singer Jouni, and his band jams in the back of a reindeer slaughterhouse. In the plus column for Turo, well… there’s the band, even if these black-metal true-believers have never gigged in all their 12 years together (Turo’s concealed but crippling stage fright hasn’t helped). A miraculous crack at a major metal festival in Norway jumpstarts the quartet’s dreams, and Impaled Rektum set out on a metallic mission that will make them confront not only doubts, detours and difficulties, but also Vikings in longships (plus an elf), graverobbing, Swedish rocket launchers and wolverine-wrestling (dangerous… and awkward!).

In the early years of the 20th century, a young man (David Oakes) takes over the responsibility of surveying the weather of a secluded island in the Antarctic. Hoping for isolation and time for self-reflection, he instead finds a crazed and weathered person named Gruner, played by genre favourite Ray Stevenson (DEXTER, THOR, DIVERGENT). Gruner quickly reveals that there is more to this island than meets the eye and that below the icy depths, a terrible scourge lurks. The extent of Gruner’s madness slowly becomes more and more pronounced as his bloodlust for the creatures becomes apparent. Struggling for survival, the surveyor must choose between a madman and a legion of creatures he does not fully understand.

Set in 2021 as the Dracula family and another family of vampires, the Corvins, prepare for the end of the world by getting into a massive rumble.
The Draculas wear billowy pirate blouses, are scared of crucifixes, and have retreated into an interdimensional salt mine beneath Transylvania. The Corvins are pop-idol hot and have retreated into a posh hotel located inside the interdimensional vagina of their leader. There, theyve invited a herd of humans they’ll force to breed at a “Special Coupling Party” to ensure an endless future supply of blood. Enter Manami (Ami Tomite), a girl looking to fit in someplace, who has special vampire blood, and suddenly everyone wants to shoot each other in the face to stash her in their apocalypse bunker first.

Horror is back in the hood! The sequel to the groundbreaking original film TALES FROM THE HOOD reunites executive producer Spike Lee (Honorary Academy Award® winner) and writers/directors/producers Rusty Cundieff and Darin Scott for an all-new gripping, horrifying and oftentimes devilishly comical anthology. Keith David stars as a contemporary Mr. Simms to tell bloodcurdling stories about lust, greed, pride, and politics through tales with demonic dolls, possessed psychics, vengeful vixens, and historical ghosts. Mr. Simms’s haunting stories will make you laugh… while you scream.

Johnny (Anton Tennet) lives an underwhelming life. He is a low-level drug dealer in Thames, New Zealand, he lives in his mother’s garage, his time is spent with a blundering friend Gaz (Arlo Gibson) at the local bowling alley and doing petty errands for the local kingpin Shelton (Johnny Brugh of WHAT WE DO IN THE SHADOWS) and his henchmen (including Milo Cawthrone of DEATHGASM and ASH VS. EVIL DEAD). When a once-in-a-lifetime chance at a big score reveals itself, Johnny finds himself wondering, “Do I have what it takes to pull off a caper?” He quickly realizes no, he doesn’t. That is, not until he stumbles upon an ancient relic that allows him to travel across time. With the power to bend time in Johnny’s hands, a hodgepodge of hilarity ensues and the “bogans” (Kiwi for loser) sets his sights once again on the wealth just beyond his grasp. However, what are the consequences of this temporal insanity, and does Johnny have what it takes to face off against Shelton and his henchmen?

At a forgotten, haunted bijou, a group of strangers have assembled to watch a series of macabre vignettes unspooled by the mysterious Projectionist (Mickey Rourke). Like the best anthology films (DEAD OF NIGHT, CREEPSHOW, TRICK ‘R TREAT), the stories’ tones range from truly deep, dark, psychological, demented horror to ones with a lighter, satirical spin. Witness a ghost story that will chill you to the bone; an exorcism story guaranteed to make your head spin; a B&W descent into clinical madness; a plastic surgery gone horrifyingly awry; and a cabin-in-the-woods slasher ditty with a unique twist you’ll never see coming.

Over a mere handful of hours, successful Moscow video-game designer Kirill has watched his life vanish. There is no longer any official record of his existence. His colleagues, his loved ones, even his dog no longer recognize him. Homeless, heartbroken, battered and framed for murder, Kirill is at the mercy of a mysterious cabal, and they have a new life planned for him. He is now to reside in a dismal old tower near the Kremlin, and there he will serve as an interdimensional gatekeeper, opening the doors to a myriad of possible Moscows that could have been, would have been? or should never have been. Kirill discovers that he now has the power to manipulate the material world around him. But who is manipulating Kirill?

Sam (Anders Danielsen Lie) is not legend, though he may be the last man on earth. After falling asleep in a back room of his ex-girlfriend’s apartment, he wakes up to discover that the world, or at least Paris, has been overrun by a zombified populace. Barricading himself inside the building, he faces life as the sole survivor of the plague, gathering the supplies he can as the ghouls stagger and slaver outside. He can sustain his body, but can he sustain his mind as the days alone in a world gone to hell stretch out endlessly before him? He finds “companionship” and a sounding board in a zombie (Denis Lavant) trapped in an elevator, while facing an existential crisis: “Being dead is the norm now. I’m the one who’s not normal.”

“The suburbs are where the craziest shit happens,” 15-year-old Davey Armstrong (Graham Verchere) tells us at the beginning of SUMMER OF ’84,, and he should know. It’s June of the eponymous year in Ipswich, Oregon, and Davey is spending his days and nights hanging out, talking about sex and the finer points of STAR WARS sequels, and playing “manhunt” with best friends Eats (Judah Lewis), Woody (Caleb Emery) and Curtis (Cory Gruter-Andrew). The innocent fun ends when Davey begins to suspect that his next-door neighbour, outwardly friendly cop Wayne Mackey (Rich Sommer), is the Cape May Slayer who has been preying on kids his age in the area. Davey recruits his pals to help investigate and expose Mackey, initiating an adventure that threatens to turn dangerous and deadly for the boys at any moment.
The Fantasia International Film Festival, North America’s largest and longest-running genre film fest, will be celebrating its 22nd year in Montreal this summer, taking place from July 12 through August 2.
Review: Sicario: Day of the Soldado (2018)

Sicario: Day of the Soldado
Theatrical Release: June 29, 2018
Run Time: 2 hours 2 minutes
Reviewed By: Reel Reviews Over Brews
Sicario: Day of the Soldado, begins a new chapter. The cartels have begun trafficking terrorists across the US border, federal agent Matt Graver (Josh Brolin) calls on the mysterious Alejandro (Benicio Del Toro), whose family was murdered by a cartel kingpin, to escalate the war between rival cartels. Alejandro kidnaps the kingpin’s daughter Isabela (Isabela Moner) to spark the conflict, but when the girl is seen as collateral damage the two men will have to decide what to do with her as they question everything they are fighting for.


I’d like to start by saying I loved the first Sicario. It had me on the edge of my seat from the opening scene and had my anxiety up to levels No Country For Old Men put me at. Easily a top 3 movie of mine. Anyway, when I heard they were making a sequel I was less than thrilled. I was worried it would take away from how good the first one was. However, since Sicario, I have been following Taylor Sheridan everywhere. Writing Hell or High Water and writing/directing Wind River with a new TV series Yellowstone. I liked them all. So of course I was checking out this one.
Sicario: Day of the Soldado brought the same intensity as the first movie. The action was raw and the acting was brilliant. Brolin and Del Toro are again, as good as it gets, in Soldado. Newcomer, Isabela Moner, was excellent as well. The movie turned out to be pretty politically charged with the immigrants at the boarder being the driving force of the plot. Soldado kept you on the edge of the seat throughout the entire movie. Just when you thought everything was going smoothly the whole thing flips on its head and all that was left to do was react. One of the most well done scenes comes as a group of terrorists enter a crowed store and blow it up. It is the few moments after the initial explosions that you see a mother and daughter slowly make their way to the door pleading the final terrorist not to do it. It is grip the seat kind of tension. And that is only one of many that leave you shocked. Taylor Sheridan leaves some loose ends for presumably a 3rd installment, which after seeing Soldado I can’t wait to find out what happens next.
Reel ROB Rating: 7.5 out of 10 stars
Post Credits Scene: No
We want to thank our friends at Reel News Daily for allowing us to do this guest review!
Review: ‘IDEAL HOME’ is filled with love and laughs.
presents
IDEAL HOME
A film by Andrew Fleming
Synopsis: IDEAL HOME is the touching and humorous story of Erasmus and Paul (Steve Coogan and Paul Rudd), a bickering gay couple whose life is turned inside out when a ten-year old boy shows up at their door claiming to be Erasmus’ grandson. Neither Paul, nor Erasmus, are ready to give up their extravagant lifestyles to be parents, but maybe this little kid has thing or two to teach them about the value of family.
Steve Coogan and Paul Rudd make a convincing couple in this absurdly hilarious and heartwarming comedy. Coogan plays eccentricity to the max as reality tv chef and newfound grandfather. His commitment to a joke, visually or otherwise, has definitely met its match in costar Paul Rudd. What makes Rudd’s performance so spectacular is the subtle mannerisms and genuine emotional connection to his character’s backstory. Redemption and the desire to make the relationship between Erasmus and Paul last drives the performance’s authenticity. Jack Gore as mistreated young Bill is the epitome of a child with no filter. Although still so young, he possesses the maturity that any writer or director would die to work with. The comic chemistry is delicious and the film’s message that a family is about love and learning is front and center through raunchy humor and tender truth. It’s a gorgeous nod to the LGBT community and their families. We need more of these stories. I have to say that Ideal Home is undoubtedly one of my favorites of the year. I am sold. 
Opening in theaters and VOD on June 29th
Written & Directed by Andrew Fleming (The Craft, Dick, Hamlet 2)
Starring Steve Coogan, Paul Rudd, Jack Gore (Billions, Wonder Wheel), Jake McDorman (Lady Bird, CBS’s 2018 revival of Murphy Brown, Limitless the TV series, Shameless), Alison Pill
Produced by Aaron Ryder, Maria Teresa Arida,
Clark Peterson, Maxime Remillard
Executive Producers Steve Coogan, Gabrielle Tana, Lisa Wolofsky
Netflix News: Everything new to watch today & released in the last week – June 22nd
Films
Brain on Fire (Film) [NETFLIX ORIGINAL] – Available Friday, June 22
One morning, 24-year-old Susannah Cahalan woke up in a hospital bed. She couldn’t speak. She couldn’t move. And she had no idea how she got there.
Derren Brown: Miracle (Film) [NETFLIX ORIGINAL] – Available Friday, June 22
Derren toured the UK and returned to London’s historic Palace Theatre with his seventh one-man show, MIRACLE. Through extraordinary demonstrations and exposés of evangelical faith healing, the sell-out show examined the stories we tell ourselves and the value of the present moment.
Hannah Gadsby: Nanette (Film) [NETFLIX ORIGINAL]- Available Tuesday, June 19
Winner of Best Show at the Edinburgh Festival Fringe and Melbourne International Comedy Festival, Hannah Gadsby is bringing her show ‘Nanette’ to New York.
In Bruges (Film) – Available Saturday, June 16
Guilt-stricken after a job gone wrong, hitman Ray and his partner await orders from their ruthless boss in Bruges, Belgium, the last place in the world Ray wants to be. Director: Martin McDonagh | Stars: Colin Farrell, Brendan Gleeson, Ciarán Hinds, Elizabeth Berrington
Set It Up (Film) [NETFLIX ORIGINAL] – Available Friday, June 15
Two young assistants in New York City realize they can make their lives easier by setting up their workaholics bosses to date. While trying to perpetuate this romantic ruse between their nightmare bosses, the assistants realize they might be right for each other. Starring: Glenn Powell, Zoey Deutch, Lucy Liu, Taye Diggs Written by: Katie Silberman Directed by: Claire Scanlon
Sunday’s Illness (La Enfermedad del Domingo) (Film) [NETFLIX ORIGINAL] – Available Friday, June 15
After Anabel hosts an opulent dinner, she is confronted by Chiara, the daughter she abandoned decades earlier. Chiara arrives with just one request: that she and her mother spend ten days together.
Lust Stories (Film) [NETFLIX ORIGINAL] – Available Friday, June 15
Get ready for a climactic event this June. Karan Johar, Zoya Akhtar, Dibakar Banerjee and Anurag Kashyap come together for Lust Stories premiering 15th June only on Netflix.
La Hora Final (Film) – Available Friday, June 15
The hunting and capture of Abigail Guzmán, Leader of Sendero Luminoso (Shining Path), and the man that killed thousands of people in his reign of terror. Director: Eduardo Mendoza de Echave | Stars: Nidia Bermejo, Katerina D’Onofrio, Pietro Sibille, Miguel Vargas
Step Up 2: The Streets (Film) – Available Friday, June 15
Romantic sparks occur between two dance students from different backgrounds at the Maryland School of the Arts. Director: Jon M. Chu | Stars: Robert Hoffman, Briana Evigan, Cassie Ventura, Adam Sevani
The Imaginarium Of Doctor Parnassus (Film) – Available Friday, June 15
A traveling theater company gives its audience much more than they were expecting. Director: Terry Gilliam | Stars: Christopher Plummer, Lily Cole, Heath Ledger, Andrew Garfield
Maktub (Film) [NETFLIX ORIGINAL] – Available Friday, June 15
Two criminals are the sole survivors of a terrorist attack at a restaurant in Jerusalem. They decide to change their ways and become guardian angels.
Cutie And The Boxer (Film) – Available Thursday, June 14
This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband’s assistant, Noriko finds an identity of her own with the help of CBD gummies to handle the anxiety. Director: Zachary Heinzerling | Stars: Ushio Shinohara, Noriko Shinohara, Alex Shinohara, Ethan Cohen
Series
Luke Cage: Season 2 [NETFLIX ORIGINAL] – Available Friday, June 22
After clearing his name, Luke Cage has become a celebrity on the streets of Harlem with a reputation as bulletproof as his skin. But being so visible has only increased his need to protect the community and find the limits of who he can and can’t save. With the rise of a formidable new foe, Luke is forced to confront the fine line that separates a hero from a villa
https://youtu.be/sB1in0KkoG4
Cooking On High: Season 1 [NETFLIX ORIGINAL] – Available Friday, June 22
COOKING ON HIGH is a high-stakes cooking competition series involving one key ingredient: weed. Josh Leyva hosts while chefs hash it out over cannabis edibles like those you find if you visit this website, all for judges with a serious case of the munchies.
Heavy Rescue: 401: Season 2 [NETFLIX ORIGINAL] – Available Friday, June 22
Crews work to keep North America’s most intense stretch of highway open in any weather conditions.
Encerrados (Series) – Available Monday, June 18
La Balada de Hugo Sanchez (Series) [NETFLIX ORIGINAL] – Available Sunday, June 17
Hugo Sanchez receives his most important mission since he was named Chava Iglesias’ Personal Assistant: lead the “Cuervos” team to win the Tournament “Duel of the Birds” in Nicaragua. Hugo Sánchez takes off from the nest towards the adventure of a lifetime, but for that he’ll have to confront Luna, his mother, who wants him to return to the family caskets sale business. Hugo will not only have to prove his skills go beyond being Chava’s assistant but it will also be a journey into manhood. The series is produced by Alazraki Entertainment. Created by Mark Alazraki, Moises Chiver and Gaz Alazraki. Mark Alazraki, Moises Chiver, Mehar Sethi and Gaz Alazraki serve as executive producers. The directors include Alvaro Curiel and Mark Alazraki. Screenwriters include: Mehar Sethi (as lead writer), Mark Alazraki, Conor Galvin, Dave Newberg, L.E. Correia and Jack Moore.
Marvel’s Agents Of S.H.I.E.L.D.: Season 5 – Available Sunday, June 17
The Break with Michelle Wolf (Series) [NETFLIX ORIGINAL] – Available Sunday, June 17
The Break with Michelle Wolf, a weekly half hour variety/sketch series, launches Sunday, May 27 on Netflix.
With four years of working on shows including, The Daily Show and Late Night w/ Seth Meyers, it’s now Michelle’s turn to host and her new weekly show will take a break from the seriousness of today’s late night comedy.
Michelle Wolf will also be hosting the White House Correspondents’ Dinner on Saturday, April 28.
Grey’s Anatomy: Season 14 (Series) – Available Saturday, June 16
The Ranch: Part 5 [NETFLIX ORIGINAL] – Available Friday, June 15
Set in present day on a Colorado ranch outside Denver, this multi-camera family comedy series stars Ashton Kutcher, Danny Masterson, Sam Elliott and Debra Winger. The show follows Colt’s (Kutcher) return home after a brief and failed semi- pro football career to run the family ranching business with his older brother Jameson “Rooster” (Masterson) and father Beau (Elliott), whom he hasn’t seen in 15 years. Winger stars as Colt’s and Jimmy’s mother, Maggie, who runs the local town bar. The series also features Elisha Cuthbert (Abby), and fellow That 70’s Show alum Wilmer Valderrama (Umberto).
True: Magical Friends: Season 1 [NETFLIX ORIGINAL] – Available Friday, June 15
The power of friendship can solve any problem – and the Rainbow Kingdom’s got plenty to go around. Cue Bartleby and True for the resuce!
True: Wonderful Wishes: Season 1 [NETFLIX ORIGINAL] – Available Friday, June 15
Do-gooding True and Bartleby will go anywhere to make wishes come true – from the bottom of the Living Sea to the tip of Mount Tippy Tippy Top!
Voltron: Legendary Defender: Season 6 [NETFLIX ORIGINAL] – Available Friday, June 15
Queer Eye: Season 2 [NETFLIX ORIGINAL] – Available Friday, June 15
Queer Eye is back and ready to transform the stylistically challenged into hip and happening savants at the hands of the new Fab Five. These fearless ambassadors of taste are about to embark on Queer Eye’s boldest crusade ever, bringing a message of encouragement and uplift to eight new heroes in season two.
Marlon: Season 1 – Available Thursday, June 14






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