Inspired by the films of Jacques Demy and Stanley Donen, this musical comedy follows a young woman who must dance between a budding romance, a scheming boss, and co-workers on strike at her new job in a luxury shoe factory.
Footnotes comes at a perfect time in cinema history where the movie musical is once more appreciated and praised. This sweet and relatable story of Julie having to choose between love and loyalty has all the whimsy of a great French musical from the 60’s. From the costumes to the Fosse-esque choreography, Footnotes brings a smile to your face at each turn. It is very reminiscent of The Pajama Game but set this time in a shoe factory. Lead, Pauline Etienne is as charming and awkward as the role of Julie requires. Her airy voice suits the role and is a lovely foil to the gaggle of surprising factory women. With a wonderful, never over the top message of respect in the workplace and equal pay, this gem of a film will have your feet tapping and heart singing, no doubt about it. You can listen to the soundtrack right now on Spotify (link below) but first, check out the trailer. You can catch Footnotes in theaters today!
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Listen to the official Footnotes soundtrack with original songs written by Olivia Ruiz, Clarika, and many more!
The film features an all-star ensemble cast including 
Once Upon A Time In Venice is one quirky piece of hilarity. While I was not prepared to see Bruce Willis buck naked on a skateboard, I was not mad about it. The film is a bit all over the place but wildly entertaining. In practically every new scene there is a crazy celebrity cameo, aside from the major ensemble cast to begin with. Willis and Goodman are charming as ever. Momoa is almost unrecognizable and Middleditch is genuinely adorable. Everyone is stellar and the script has some huge laugh out loud moments. 
Maudie is the story of two misunderstood people who yearn for physical and emotional connection. Finding one another at their loneliest, Maud and Everett form a seemingly unlikely bond navigating their way from work relationship to honest intimacy. The script has a quiet beauty, with cinematography that is as vibrant as Maud’s unique artwork. Sally Hawkins‘ performance in the titular role is nothing short of award-worthy. While portraying real life folk artist stricken with severe arthritis, each movement seems both physically pained and balletic all at once. Ethan Hawke steps outside his usual cool guy fare to portray a rather rough around the edges fishermonger. Their chemistry on screen is an absolute joy to watch. Maudie is an unusual love story that will capture your heart and touch your soul.
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Camera Obscura has an engrossing plot. The script has nods to horror classics like Amityville, Final Destination, and every haunted object film out there. Adding in the element of PTSD allows the audience to further question what is real and what is in the mind’s eye. There are some truly vibrant visuals when those lines are blurred. With a fair number of skin-crawling moments thrown in, Camera Obscura does its job at entertaining and keeping you guessing. I certainly did not see the ending coming. I will also give credit to the fact that the pace is already ramped up in full force before we’re even 20 minutes in. The cast is wonderful with particularly outstanding moments coming from Catherine Curtain and (no stranger to the horror genre) Andrew Sensenig. All while utilizing throwback ideas, Camera Obscura stands on its own as something disturbing and unique. You can catch the trailer below.
Directors Joachim Rønning and Espen Sandberg (Kon Tiki) are tasked with taking on the behemoth of a franchise and the two hold their own. The visual spectacle and the amusing action set pieces that have made this franchise so popular are bigger and more elaborate, but it’s the storytelling that has been lacking since the first film. The story for Dead Men Tell No Tales is not overly original, but does offer some complexity to the existing franchise storyline that will amuse fans and pump some much needed new blood into this series. Johnny Depp brings life to Jack Sparrow like no one else could. The character doesn’t evolve, but maybe he doesn’t have to. Watching the character on screen can, at times, feel nostalgic, but it’s still fun to watch him in action. Javier Bardem brings this franchise the best villain it’s had and commands the screen in every scene.
It’s the year 2104, the crew of the colony ship Covenant is bound for a remote planet, Origae-6, with thousands of colonists in stow. All are deep in hypersleep being watched over by Walter (Michael Fassbender), a synthetic charged with piloting the ship during travel. When an unexpected burst hits the ship, the crew are awoken to assess the damage and help reset the ship for the rest of it’s journey. During the repairs, they intercept a human radio transmission from a nearby unknown planet and acting crew chief Christopher Oram (Billy Crudup) makes the call to set a course for the planet. Daniels (Katherine Waterston) exercises her opinion as first mate against the move, electing to continue on to Origae-6, but reluctantly agrees to be part of a landing party to inspect the planet.
Upon landing, the team splits off to explore the new world while the core team searches for the signal to the transmission. Ultimately, they track the signal to a crashed Engineer ship and more questions than answers. Two crew members are mysteriously infected with an alien spore and the team is forced to defend itself against the unknown foe. Unable to contact the Covenant, Daniels and the remaining survivors must rely on the help of a stranger to lead them to safety and help them understand the impending threat. What will be unearthed will be like nothing this crew has ever faced. One thing’s for sure, for Daniels, the protection of the Covenant and its passengers must be protected at all cost.
Buster’s Mal Heart took everyone by surprise this year. There seemed to be 2 distinct reactions once the credits began to role. 1. That was terrible. 2. That was amazing. I happen to be in the party of the amazing. Rami Malek is the perfect choice for this role. With the incredibly successful run of Mr. Robot, Malek takes on yet another role that is mysterious and mind-bending. Whether you enjoyed the film or not, there was no arguing that it left you wondering what the hell you just watched. The plot is left to the audience’s interpretation at times. There is zero doubt about the talents of Malek in what is a challenging role. Half the film has no dialogue from his character at all. Nuanced and heartbreaking but also filled with innocent humor, you will never be bored and you will be made to think. Buster’s Mal Heart will keep you guessing long after you leave the theater and well, isn’t that what great cinema is all about?
The film is now in theaters and if you’re already a fan of Malek, I highly recommend you catch this film. The 1hr 36min run feels longer but in the best way possible. The film’s themes go full speed ahead, and there is a number of them. From best intentions, living up to other’s expectations, to anarchy and testing one’s own sanity, Buster’s Mal Heart will confuse and provoke you. You’re going to want to watch it over and over. We’d love to hear your thoughts once you’ve seen the film! Check out the madness that is the trailer below.
There is a ton of potential in The Shadow Effect. Stars Cam Gigandet and Jonathan Rhys Meyers are both absolutely on point with their performances. They try very hard with the material provided, so it’s not really their fault that the film’s inconsistent moments of great and not so good cannot match up to the caliber of their talents. The editing is the guilty culprit. There are moments in the first half of the film with stellar use of speed dynamics that set up the plot, but the CG is downright awful. Some of the action sequences, including punches, are ill-timed and/or missing the proper sound effect. It’s incredibly distracting. The Shadow Effect might have been better off as a series on SyFy network. The script is intriguing enough to hold your attention, but I yearned for more. There is so much we’re missing or quickly glazed over that I think multiple episodes would have done a better job at delving into the past of all the characters. Trying to shove everything into about a 95-minute run doesn’t do any one plot line the justice it deserves.
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