Review: EMELIE is a parent’s worst nightmare.

Dark Sky Films Logopresents

EMELIE

Directed by: Michael Thelin

Starring: Sarah Bolger (ABC’s “Once Upon a Time,” AMC’s “Into the Badlands” )

EMELIE poster

 In Theaters and On Demand March 4, 2016 

As a parent, all you want is for your family babysitter to care for your kids like you would.. When you do find a reliable sitter, you hold onto then for dear life. But what happens when, once in a  while, your beloved child care provider is unavailable? You might panic and start calling other parents for recommendations, but if you’re really lucky, your babysitter has an alternative option already in the pipe line. Evening saved, right? What if the kids don’t like them? They’re probably just overreacting. What if it’s for a good reason? EMELIE is a parent’s worst nightmare.

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As their parents head out for a date in the city, the three young Thompson children immediately take to their new babysitter, Anna (Sarah Bolger, Into the Badlands, Once Upon a Time), who seems like a dream come true: she’s sweet, fun, and lets them do things that break all of their parents’ rules. But as Anna’s interactions with them take on a more sinister tone, the kids realize that their caretaker may not be who she claims to be. Soon it’s up to big brother Jacob to protect his siblings from the increasingly nefarious intentions of a very disturbed woman whose weapon is trust, and whose target is innocence.

Featuring tour-de-force performances from Bolger and its three young leads, EMELIE is a multidimensional, nail-biting thriller that asks the question: how can you put an end to horror after you’ve already let it in?

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Sarah Bolger stuns as the babysitter from Hell. Soft and cool one minute and downright sociopathic the next. Her backstory makes her motives all the more incredible. Never is there a moment when you don’t feel beyond uncomfortable. You never know what she’ll do with the constant passive aggressive look in her eyes. It is completely terrifying. Scene stealer award goes to Bolger’s foil, Joshua Rush, as Jacob. He is perfect from beat to beat. It’s a complex role for any actor, let alone someone so young. Think a slightly older Jacob Tremblay from ROOM. That’s the quality Rush gives in Emelie. He deserves much more attention and I look forward to SEEING more of him in the future, as the majority of his current body of work has been voice. Director Michael Thelin has created a quite a roller coaster of  fear. I was off my game from the first frame to the very last. EMELIE will make any parent think twice about who’s really watching their children.

 In Theaters and On Demand March 4, 2016 

#EmelieMovie
@DarkSkyFilms

Brand New Trailer for ‘Ice Age: Collision Course’ is Here!

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Fox and Blue Sky animation have released the trailer for Ice Age: Collision Course and we have it for you!

Scrat’s epic pursuit of the elusive acorn catapults him into the universe where he accidentally sets off a series of cosmic events that transform and threaten the Ice Age World. To save themselves, Sid, Manny, Diego, and the rest of the herd must leave their home and embark on a quest full of comedy and adventure, traveling to exotic new lands and encountering a host of colorful new characters.

The film stars  Ray Romano, Denis Leary, John Leguizamo, Queen Latifah, Seann William Scott, Josh Peck, Simon Pegg, Keke Palmer, Wanda Sykes, and Jennifer Lopez and new cast members Stephanie Beatriz, Adam DeVine, Jesse Tyler Ferguson, Max Greenfield, Jessie J, Nick Offerman, Melissa Rauch, Michael Strahan and Neil deGrasse Tyson.

Ice Age: Collision Course crashes into theaters on July 22, 2016

Review: Now available on VOD, film festival favorite ‘ANGEL OF NANJING’ soars.

Balance Films and Blue Bus Productions PresentsANGEL OF NANJING

In the US, depression is a subject we either tackle with prescription drugs or after a suicide. Most of us are so consumed with our own lives, we oftentimes fail to look beyond the emotional scope of our own noses. In a new documentary by Jordan Horowitz and Frank L. Ferendo, ANGEL OF NANJING, one solitary man makes it his mission to save the souls on The Yangtze River Bridge.

SYNOPSIS:

The Yangtze River Bridge in Nanjing is one of the most famous landmarks in China. It is also the most popular place in the world to commit suicide. After hearing reports about this from the news, Chen Si, an average man with no professional training, decided to do something about it. On September 19, 2003, he went to the bridge with a heart-shaped sign that read, “Nothing is impossible. When God closes a door he opens a window.” That morning he saved someone, and has dedicated his life to standing vigil on that bridge ever since. Incredibly, he’s saved over 300 lives since he began.

 

Despite all the lives he’s saved, Chen’s mission has taken an unexpected toll on him. He feels incredible guilt when he learns someone committed suicide while he wasn’t at the bridge, and even more when he is there and is still unable to save them. He’s become a heavy smoker and drinker, and often finds himself battling with depression. He is also under growing pressure from his family to quit, who cannot understand why he spends so much time and money helping others when he has his own family to worry about.

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The film has an incredibly organic feeling from its handheld camera work to the pulled back moments when Chen is speaking to the men and women so seemingly desperate to jump. Once rescued, the audience feels as if they’re part of the healing as they are treated to intimate face to face conflict resolution. It is a perfect snapshot into the Chinese culture. Suicide is considered extraordinarily shameful. Chinese media always refers to a desperate or depressed individual as in a “bad mood” in any aftermath coverage. Once you accept the familial implications of a suicide, you begin to understand Chen’s pragmatic approach. Cultural tactics are perfectly balanced with genuine tenderness resulting in incredibly touching rescues. Chen is a complex man, struggling with the sense of responsibility to those in such despair and his own happiness. Horowitz and Ferendo do absolute justice to Chen and this unique scenario. As an added bonus, the film’s score is both haunting and glorious. It is something I would seek out on its own. As a whole, ANGEL OF NANJING is a beautiful story of hope and humanity.

ANGEL OF NANJING

ANGEL OF NANJING is now available! Check out the trailer below…

Award-winning documentary debuted on VOD (iTunes, Amazon, and Google Play) February 16

Winner – Best Documentary, Phoenix Film Festival
Wi
nner – Best Documentary, Catalina Film Festival
Winner – Best Documentary, SaMo Indie Fest
Winner – Best Documentary, Big Apple Film Festival
Winner – Best Documentary, New Jersey Film Festival

Directed by Jordan Horowitz and Frank Ferendo, ANGEL OF NANJING tells the story of an ordinary man doing something extraordinary, and at great personal sacrifice. It is a personal portrait of a man, who in a country of over one billion people, has chosen to dedicate himself to making a difference, one person at a time. 

‘CABIN FEVER’ reboot leaves a familiar taste in your mouth.

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Presents

CABIN FEVER

A Film By Travis Zariwny

Executive Produced By Eli Roth

IN THEATERS FEBRUARY 12TH NEW YORK & LOS ANGELEScabin fever poster

In 2002, Writer/Director/Producer, Eli Roth, brought us the original Cabin Fever. I happened to be in college at the time and just finishing college. Already questioning the cleanliness of city dwelling, this film did not help. I  just kept hearing  Dave Matthews Band, “Don’t Drink The Water” over and over. Now, I know better. I tell out-of-towners that we have the best tap water in the country. In the wake of the Flint, Michigan disaster currently playing out in the national media, the release of Travis Zarwiny‘s reboot (With Roth as Exec. Prod) is both terrifying and timely. CABINFEVER2016REVFEAT

The set up is exactly the same. Five friends head to a remote cabin, man with flesh-eating disease contaminates the drinking water, people start to die. With a cast including Gage  Golightly (Teen Wolf) and Dustin Ingram (Paranormal Activity 3), the acting is strong. Shot over the course of 20 days in Oregon, this incarnation is pretty much the exact same script, save a few minor details; updated technology, weaponry, social media shout references, and some gender bending in a role. I was impressed with the practical effects in the original. Seeing how closely the reboot stayed true, oftentimes with shot for shot symmetry, there is one big uptake; gore factor. I thought you couldn’t possibly get any grosser than the first, and boy was I wrong. As a horror vet, even I had to look away for one moment in particular that I had been anticipating having to do with the character of Karen. I might just prefer the 2002 ending as I admit this version had me scratching my head a bit after the credits begin to roll. Anyhow, the reboot is a pretty good splatter-fest for those who weren’t treated to the original.

Executive producer Eli Roth presents this reboot of his instant classic gorefest, which features all new characters and all new kills. This story is familiar: fresh out of college, a group of five friends retreat to a remote cabin in the woods for one last week of partying- only to become snacks for a gruesome, flesh-eating virus. What’s surprising are the ingenious new deaths, which offer a fresh spin on a horror-comedy milestone. With Gage Golightly (Teen Wolf) and Dustin Ingram (Paranormal Activity 3).

Directed by: Travis Zariwny

Executive Produced by: Eli Roth

Starring: Gage Golightly, Dustin Ingram, Nadine Crocker, Matthew Daddario & Samuel Davis

IN THEATERS FEBRUARY 12TH NEW YORK & LOS ANGELES

Love never dies as ‘NINA FOREVER’ comes to theaters and VOD today.

Epic Pictures Presents

NINA FOREVER

Written & directed by Ben and Chris Blaine

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Just in for Valentine’s Day weekend, there is a new trailer and bonus clip from indie horror film Nina Forever.

HOLLY wants to save ROB, has fallen in love with him. She is training to be a paramedic and works a dead end job in a supermarket where Rob is the only remarkable thing; lost and angry since the death of his girlfriend NINA. Drawn into a relationship, the first time they’re in bed together so is Nina. A tangled and bloody mess of broken limbs, she is very much dead but still here, still talking, still angry…

However Holly doesn’t freak out and run – she is determined to be the one who heals Rob’s wounds. She can deal with the dead girl sharing their bed, their lives, their minds. If it’s what Rob needs, it’s what Holly will do, whatever the consequences…

It’s sounding like a potentially more successful film than the 2014 release of Burying The Ex, starring Anton Yelchin and Ashley Greene. Seemingly similar premise, but hopefully a bit more promising. Nina Forever has been a hit on the festival circuit following its premiere at the 2015 SXSW Film Festival. On their website, http://ninaforever.com/, they have created a Spotify playlist you can access featuring the film’s soundtrack. Great marketing ploy and a bit of extra fun for fans. Just released is a clip from the film. If this is any indication of how weird and wonderful the rest of the story will play out, count me in. Stay tuned to ReelNewsDaily later on today for our full review!

Nina Forever comes the theaters and on  iTunes/VOD and other digital platforms beginning today, Friday, the 12th. Happy Bloody Valentine’s Day, Everyone!

Review: The raw nature of ‘Glassland’ will leave you broken hearted

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America has fortunately be given another profoundly great Irish Film. After the overwhelming feelings of isolation we felt with the Irish film, Room (2015); our emotions take another beating when witnessing the physical and mental consequences of alcoholism in Gerard Barrett’s Glassland. The film had an incredible cast who really blew me away with their performances. Alcoholism is not a joke, and this film will show audiences just how heartbreaking it really is.

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John (Jack Reynor) and his mother Jean (Toni Collette) reside in a low-income suburb in Dublin, Ireland. With no help from his mother, John works all night driving a taxi to help provide for his family, all while his mother falls victim to her disease. She believes a better life is found at the bottom of a bottle, even while knowing the impact her choices have on her family. Their story shows the sacrifices that have to be made from both John and Jean in order to create some hope for their future.

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Barrett’s shots throughout the film were powerful. The change in technique and the difference in the camera’s movements really set the tone for each scene. There are times where the camera is motionless in a single room, making the audience feel as trapped as Jack feels in the scene. Later, Barrett changes over to a shaky camera technique, giving the audience more of an unsettled feeling. The film overall is simple, and despite not having a very complex story, it is raw and beautifully demonstrated. This film shows us the heartbreaking truth that many people in this world deal with everyday;  without the amazing performances from the cast and well executed cinematography, this meaningful film might of fallen through the cracks. Check out Glassland in theaters on February 12th.

WINNER – SPECIAL JURY PRIZE – SUNDANCE FILM FESTIVAL 2015
BEST FILM – GALWAY FILM FESTIVAL

3/5 Stars

Two newly restored gems from AGNÈS VARDA and starring JANE BIRKIN now available on Amazon and on iTunes and Blu-Ray March 8th.

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CINELICIOUS PICS & CINE-TAMARIS PRESENT:

JANE B. PAR AGNÈS V.

and

KUNG-FU MASTER! 
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JANE B. PAR AGNÈS V.

“I’ll look at you, but not at the camera. It could be a trap,” whispers Jane Birkin shyly into Agnès Varda‘s ear at the start of JANE B. PAR AGNÈS V. The director of CLEO FROM 5 TO 7 and VAGABOND once again paints a portrait of a woman, this time in a marvelously Expressionistic way. “It’s like an imaginary bio-pic,” says Varda. Jane, of course, is the famed singer (“Je t’aime … Moi non plus”), actress (BLOW UP), fashion icon (the Hermes Birkin bag) and longtime muse to Serge Gainsbourg. As Varda implies, JANE B. PAR AGNÈS V. abandons the traditional bio-pic format, favoring instead a freewheeling mix of gorgeous and unexpected fantasy sequences.

Jane Birkin and Serge Gainsbourg in Jane B. par Agnès V. © Cinelicious Pics

Jane Birkin and Serge Gainsbourg in Jane B. par Agnès V.
© Cinelicious Pics

Newly-restored from the original 35mm camera negative, overseen by director Varda herself. The film has a quirky appeal. With a blend of personal narrative juxtaposed with fine art and Greek history, Birkin speaks of her life, fears, future plans. Varda leads her through a wondering maze of musing. It’s an unusual and unique peak into the mind of  both women.

Kung-Fu Master

KUNG-FU MASTER!

A lovely, bittersweet companion piece to JANE B. PAR AGNÈS V., KUNG-FU MASTER! has nothing to do with martial arts – the film’s title comes from an arcade video game played obsessively in the film by a teenaged boy, Julien (played by Varda’s real-life son with husband Jaques Demy). Jane Birkin delivers one of her finest performances as a lonely 40-year old woman who finds herself falling in love with the 14-year old Julien – but is it romance, or a desperate attempt to turn back time in the face of middle age? A real family affair, Birkin’s daughters, Charlotte Gainsbourg and Lou Doillon, her child with well-known filmmaker Jacques Doillon, also appear in the film.

Jane Birkin and Charlotte Gainsbourg in Kung-Fu Master! © Cinelicious Pics

Jane Birkin and Charlotte Gainsbourg in Kung-Fu Master!
© Cinelicious Pics

Long unavailable in the US, the film has been newly-restored from the original 35mm camera negative. The film is a perfect time capsule from 80’s French cinema. Addressing the AIDS crisis through nonchalance and jokes, capturing the effortless sensuality of Birkin, and highlighting the differences in the use of sexuality on screen in Europe Vs America. The performances are, as expected, top notch. The use of Birkin’s children is brilliant. The natural banter, even when the scenario might seem unnatural given the relation, is captivating. As a first time viewer of these pieces, I was glad to have watched KUNG-FU MASTER! first. The two should most definitely been seen back to back. Both titles are currently streaming on Amazon and will be available on Blu-Ray and iTunes March 8  (additional VOD platforms to be announced)

Jane Birkin and Mathieu Demy in Kung-Fu Master! © Cinelicious Pics

Jane Birkin and Mathieu Demy in Kung-Fu Master!
© Cinelicious Pics

 

BLU-RAY SPECIAL FEATURES INCLUDE:

 Video interview with Agnès Varda by Miranda July
 
Essay by Sandy Fitterman-Lewis

Surprise! ‘Cloverfield’ Sequel in Coming and We Have the Trailer!

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Surprise! a secret trailer from Bad Robot has been unveiled to be an upcoming sequel to creature feature Cloverfield and will hit theaters on March 11, 2016! Have a look below.

The film is produced by J.J. Abrams and is directed by Dan Trachtenberg. The film stars John Goodman, Mary Elizabeth Winstead and John Gallagher Jr. The script was written by Josh Campbell and Matthew Stuecken.

www.10cloverfieldlane.com

Here’s a look at the poster…

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Check Out Richard Linklater’s Trailer to “Everybody Wants Some’

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Paramount Pictures has released the trailer for Everybody Wants Some, spiritual sequel to Dazed and Confused directed by Richard Linklater.

The movie stars Will Brittain, Zoey Deutch, Ryan Guzman, Tyler Hoechlin, Blake Jenner, J. Quinton Johnson, Glen Powell, Wyatt Russell, Austin Amelio, Temple Baker, Tanner Kalina, Juston Street and Forrest Vickery

Everybody Wants Some arrives in theatres on April 15, 2016

Lionsgate Unleashes a New Trailer for ‘Gods of Egypt’

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Lionsgate unleashes a new trailer for Gods of Egypt and we have it for you below!

In this spectacular action-adventure, the survival of mankind hangs in the balance as an unexpected mortal hero Bek (Brenton Thwaites) undertakes a thrilling journey to save the world and rescue his true love. In order to succeed, he must enlist the help of the powerful god Horus (Nikolaj Coster-Waldau) in an unlikely alliance against Set (Gerard Butler), the merciless god of darkness, who has usurped Egypt’s throne, plunging the once peaceful and prosperous empire into chaos and conflict.  As their breathtaking battle against Set and his henchmen takes them into the afterlife and across the heavens, both god and mortal must pass tests of courage and sacrifice if they hope to prevail in the epic final confrontation.

The film also stars Chadwick Boseman, Elodie Yung, Courtney Eaton and Geoffrey Rush and is directed by Alex Proyas.

Gods of Egypt opens February 26, 2016

Hugh Jackman and Taron Egerton Bring ‘Eddie The Eagle’ to Life in The First Trailer from 20th Century Fox

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20th Century Fox has released the first trailer for Eddie The Eagle! Inspired by true events, Eddie the Eagle is a feel-good story about Michael “Eddie” Edwards (Taron Egerton), an unlikely but courageous British ski-jumper who never stopped believing in himself – even as an entire nation was counting him out.  With the help of a rebellious and charismatic coach (played by Hugh Jackman), Eddie takes on the establishment and wins the hearts of sports fans around the world by making an improbable and historic showing at the 1988 Calgary Winter Olympics.

Eddie the Eagle flies into theatres February 26, 2016

WEBSITE: www.EddieTheEagleMovie.com

FACEBOOK: https://www.facebook.com/EddieTheEagleMovie/

TWITTER: https://twitter.com/EddieEagleMovie

HASHTAG: #EddieTheEagle

 

Review/Interview: OITNB star Nick Sandow talks ‘THE WANNABE’

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Presents

THE WANNABE

Respect isn’t earned. It’s stolen.

Written & Directed & Co-Starring Nick Sandow (Captuto on Orange is the New Black) Executive Produced by Academy Award Winner Martin Scorsese (Goodfellas) & Dean Devlin (Independence Day)

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No matter who we are, during our lives we have idolized a person. Perhaps in some cases, to a point that may border on the unhealthy. Orange Is The New Black star, Nick Sandow, has written and directed a new film where that idol is the infamous mobster John Gotti. Meet one man’s story of obsession and desperation to be somebody, in The Wannabe.
The wannabe still Patricia Arquette,Vincent Piazza

Based on true events and Executive Produced by Martin Scorsese and Dean Devlin, comes  a story about Thomas ( Vincent Piazza), a man obsessed with Mafia culture during the 1990s in New York City. When Thomas’s failed attempts to fix the trial of infamous mobster John Gotti gets him rejected by the people he idolizes most, he sets off on a drug infused crime spree with his girlfriend and long time mob groupie, Rose (Patricia Arquette), by brazenly robbing the local Mafia hangouts.

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The film is perfectly paced by Sandow‘s writing. Coming up with the story after a friend sent him an article about the real life couple, The Wannabe is a “what might have happened” tale. Perfectly cast as Thomas, Vincent Piazza gives a fully fleshed out performance as a man who craves acceptance. When he doesn’t receive it, drugs lead to power hungry and dangerous life choices. Piazza’s time on Boardwalk Empire served him well in outlining his gangster look and the way he carried himself physically. We’re on the emotional roller coaster alongside him throughout. Patricia Arquette as Rose, is nothing less than brilliant. I am convinced that no matter what character you throw at her, she would own it. Her ease and presence on screen is unmatched, ever the scene stealer. Also, a Boardwalk alum, along with Sandow, it is clear that their chemistry as a trio makes the film as successful as it is.wannabe- Patrcia Arquette

I was privileged to interview Nick Sandow this week. Take a look at what he had to say about The Wannabe.


Liz: Firstly, Nick, thanks for taking the time to chat with me. The Wannabe is an incredibly successful story of audacious choices and personal delusion. Love the structure and style. So, congratulations on the film!

 Where is the line between truth and fiction with Thomas and Rose’s story?
Nick: The line is blurry. There were a handful of facts about a real couple that in the early nineties went around robbing mob social clubs. I was fascinated with how they got from A to Z. I just ran with the story and started to blend in real events that were going on at that time.
Liz: You write and direct this project. What was the biggest challenge in wearing both hats?
Nick: Writing and directing hats go very well together. I’ve directed things that I didn’t write and I have to work very hard to find my way into it. When you write it….. it’s yours…. you are already inside it. It has your DNA all over it so when it comes time to direct it I am attempting to take it further and trying to find another level of understanding with all the tools available.
Liz: Getting the script to Scorsese, wow. What was that moment like when he decided to come on board?
Nick: I couldn’t believe it. I still don’t. It’s hard to fathom. But what a gentle guiding spirit he is.
Liz: When writing, did you already have Vincent and Patricia in mind?
Nick:  I didn’t have them in mind at first but when they did come on board they were both very influential contributors to the rewriting process.
Liz: Was mob history an interest of yours prior to discovering this story?
Nick: Mob history wasn’t an interest. I grew up in a very similar neighborhood in the Bronx. So it was less an interest than a way of life.
Liz: How easy/difficult was it to shoot in the city for it being a period piece?
Nick: It was extremely difficult shooting a period piece in NYC on our budget in 20 days. It was all about finding the right locations. We had 35 location in 20 days. We were trying to find the 90s in the city and you really have to hunt for it. It’s there, you just have to get out into the boroughs. We shot in every one of them except Staten Island.
Liz: Have you ever been obsessed, for lack of a better word, with an individual in the way Thomas was?
Nick:  I’m not sure I was ever as obsessed as Thomas with one single person but I do very much identify with the desperation of wanting to be someone you are not. I’ve made a living out of doing that as an actor for 25 years. I understand where that obsession comes from… I had an outlet for it with acting.
Liz: You, as an actor, have a knack to for being cast as an authority figure, shall we say? Why do you think that is?
Nick: I’ve never really thought of this before. An authority figure….hmmmm. To be honest the first thing that pops into my head is that as a kid I always felt I needed to know the answers to survive. In many ways that served me and in many ways as a young person I feel it shut me down to learning as much as I could of. Maybe this is why? It’s only a guess. I really don’t know.
Liz: We are definitely excited for more Caputo action in Season 4 this June. We’re really rooting for something good to happen to this character! Outside of OITNB, what’s next for you?
Nick: Yes, there will be more Caputo in Season 4. It’s going to be a great season. I’m also excited about it.
Besides Orange, I am looking to shoot another film this spring. It’s a great script written by Frank Pugliese of House of Cards. It is the weekend in the life of a middle aged retired pro football player coming to grips with having Dimentia. I’m also working on a documentary about Kalief Browder who was wrongfully imprisoned for 3 years on Rikers Island from the age of 16 to 19.
Liz: That all sounds incredibly exciting! Thanks again for your time, Nick. ReelNewsDaily is looking forward to seeing more of you any way we can!

Starring:

Academy Award Winner Patricia Arquette (Boyhood),  Vincent Piazza (Boardwalk Empire), Michael Imperioli (The Sopranos),Domenick Lombardozzi (The Wire), David Zayas (Dexter) & Nick Sandow (Orange Is The New Black)

The Wannabe is now playing in select theaters nationwide and is available on all VOD platforms.

ICYMI: Frank Underwood is jumping into the Presidential race. He’s got my vote.

netflix logoDuring last night’s GOP debate, we were treated to a new political ad. While I generally find these to be full of lies and altogether vomit inducing, this particular ad was right up my alley. Take a look for yourself.

I’d vote for him.

FU2016

The fourth season of House of Cards premieres
Friday, March 4, 2016 on Netflix.
For more information, visit http://www.fu2016.com/

Trailer for ‘Fantastic Beasts and Where to Find Them’ has Arrived!

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The official teaser trailer and poster for Fantastic Beasts and Where to Find Them
has been released and we have them for you now!

Set in the wizarding world created by J.K. Rowling and directed by David Yates, the film opens in 1926 as Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures.  Arriving in New York for a brief stopover, he might have come and gone without incident…were it not for a NoMaj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.

The film stars Academy Award winner Eddie Redmayne, Colin Farrell, Ron Perlman, Dan Fogler, Katherine Waterston, Alison Sudol, Ezra Miller, Samantha Morton, Gemma Chan, and Jon Voight.

Fantastic Beasts and Where to Find Them is set for release in 2D and 3D in select theatres and IMAX on November 18, 2016.

Fantastic Beasts

Shocking Tribeca doc ‘DREAM/KILLER’ finally gets released in theaters!

dream killer posterOne of the most acclaimed docs from this year’s Tribeca Film Festival, dream/killer,  is being released in NY today and in LA next Friday, Dec 11th. Fans of the podcast Serial and HBO’s The Jinx, this film is right up your alley, I highly recommend  you seek it out!Ryan Ferguson dream killer

In the fall of 2005, 19-year-old Ryan Ferguson was convicted of murder and sentenced to 40-years in prison based on someone else’s dream.  Over the next ten years while Ryan languished in prison, his father Bill engaged in a tireless crusade to find justice.  dream/killer tells the story of this extraordinary father’s journey to free his son.Courtroom still dream killer

When Columbia Daily Tribune sports editor Kent Heitholt was brutally murdered in the newspaper’s parking lot, the crime went unsolved for two years, leaving the affluent college town desperate to bring home justice. At the time, it was the only unsolved murder in the city. A break in the case lead police to Chuck Erickson, who confessed to the crime, implicated Ferguson as an accomplice and left America with one of the country’s most outrageous miscarriages of justice.The Ferguson family dream killer

The documentary uses archival footage from when Ryan was first arrested, interviews with him in prison, and court hearings that reveal the strengths and the flaws of the American judicial system. The arguments of the ruthless prosecutor and Ryan’s brilliant defense attorney are also depicted to show how easily the system is influenced.  Interspersed with footage from the Ferguson family archive, dream/killer looks at the personal consequences of a wrongful conviction.

dream/killer – OFFICIAL TRAILER (2015) from Bloom Project on Vimeo.

You can check out my original review and listen to my exclusive interview with Ryan and Bill in the link below. This is one extraordinary story and family.

Review/Interview with ‘Dream/Killer’ subject Ryan and Bill Ferguson

Review: ‘THE LADY IN THE VAN’ is Alan Bennett’s mostly true story brought to life by Dame Maggie Smith and Alex Jennings

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The Lady in the Van, Alan Bennett’s adaptation of his commercial and critical West End hit, based on his own bestselling memoir will open in New York & Los Angeles for a Limited Engagement on December 4, 2015Dame Maggie Smith reprises one of her most-loved stage roles for the big screen, under the direction of Nicholas Hytner, who also directed the stage version.  Damian Jones and Kevin Loader produced, along with Hytner.

Alex and Maggie The Lady in the Van

The film tells the true story of Alan Bennett’s strained friendship with Miss Mary Shepherd, an eccentric woman of uncertain origins, who “temporarily” parked her broken down van in Bennett’s London driveway… and proceeded to live there for the next fifteen years. Their unique story is funny, poignant and life-affirming.

Maggie Smith the lady in the vanMiss Smith, who plays the singular Miss Shepherd, is joined by Alex Jennings (The Queen), who plays Bennett.  Smith incarnation of Shepard is nothing but her usual brilliance. She is quirky and earnest. We are treated to a true character study in her subtle facial expressions and physicality. Each beat is masterful in comic timing. Jennings, as Bennett, is equally as charming in his quiet insolence. As Miss Shepard’s inevitable enabler, their relationship is actually a foil for Bennett’s real life lack of a relationship with his own mother. Bennett as narrator of his own tale, has the opportunity to play two very distinct sides of his personality. The performance should not go unnoticed come awards season. Others in the cast include Frances de la Tour, Roger Allam, Dominic Cooper, Jim Broadbent & James Corden.alex jennings still the lady in the vanThe script has a lovely Odd Couple feel to it. Filed with heart, emotional pull, mystery and levity, The Lady in the Van, (however much based on true events) will capture your soul. With a cast such as this, under the delightful direction of Nicholas Hytner, one cannot go wrong.
Maggie Smith and co the lady in the van

Sony Pictures Classics Will Release The Lady in the Van In The U.S. on January 15, 2016 Following A Limited Engagement In New York & Los Angeles Starting on December 4, 2015

THE LADY IN THE VAN runs 103 Minutes.

Behind the scenes Alex still the lady in the vanThe film is Hytner’s first directorial outing after ending his massively successful decade at the head of the British National Theatre. He and Bennett previously collaborated on The Madness of King George and The History Boys. Damian Jones (The Iron Lady, Belle) and Kevin Loader (Venus, In the Loop) produced, along with Hytner. Hytner is among the preeminent theatrical creators of his generation, having directed such standouts as Miss Saigon, Stuff Happens, and One Man, Two Guvnors. At the National, he commissioned the breakout hits Warhorse, The Curious Case of the Dog in the Night, Jerry Springer, The Opera and Danny Boyle’s Frankenstein. In addition to Madness and History Boys, his filmography also includes Wendy Wasserstein’s The Object of My Affection and Arthur Miller’s The Crucible, starring Daniel Day-Lewis. He has won multiple Olivier and Tony Awards, and a BAFTA.

Dame Maggie Smith has led a distinguished, varied career on stage, in film and in television over the past six decades. She is a two-time Academy Award® winner (The Prime of Miss Jean Brodie, California Suite) and has been nominated an additional four times.  Among many other accolades and honors, she has won multiple BAFTA Awards, Emmy Awards and a Tony.  Her achievements range from performing Shakespeare opposite Laurence Olivier, to capturing the attention of a new generation when she played the strict witchcraft teacher Minerva McGonagall in the Harry Potter films, and recently as the Dowager Countess of Grantham, in the acclaimed television drama Downton Abbey.

Alex Jennings is one of the most successful British actors of his generation. He has played Alan Bennett multiple times and is currently shooting the Netflix series “The Crown” where he portrays the Duke of Windsor.

Bennett, a celebrated playwright, screenwriter, actor and author, is considered a national literary treasure in England. Over the course of his more than 50-year career, he has won, or been nominated for, every major writing award that exists in film, television and theatre, including an Academy Award®, multiple BAFTAs, Tonys, and Oliviers.

Review: ‘A ROYAL NIGHT OUT’ contains light introduction to feminism.

poster for a royal night outWhat little girl, at some point or another, didn’t want to be a princess? I wanted to be Princess Leia but I’m pretty sure that still counts. What I didn’t think about back then was the oppressive sense of duty and decorum that stunted normal adolescent growth.Sarah and Bel for ARNO

A ROYAL NIGHT OUT is a film about one perfect, glorious evening in the lives of two real-life princesses. They are Elizabeth and Margaret Windsor at and the night is 8 May 1945, V-E Night. The whole of London is on the streets to celebrate the official end of World War II in Europe. It is known the young princesses, aged 19 and 14, slipped out of the palace to join the communal euphoria and went dancing at the Ritz. They apparently returned to Buckingham Palace just after midnight. Directed by acclaimed UK director Julian Jarrold (Becoming Jane, Brideshead Revisited), A ROYAL NIGHT OUT is an affectionate ‘what-if’ story about the adventures Elizabeth and Margaret might have had on the joyous night that brought the whole of London together.

crowd still a royal night outSarah Gadon‘s portrayal of Elizabeth is absolutely stunning. She gives us the perfect mix of proper royal behavior, wide-eyed innocence and subtle heroism. She is elegant and soft all while giving us a beautifully timed coming of age performance thanks to writers Trevor De Silva and Kevin Hood and, of course, Julian Jarrold‘s direction. You can see Sarah in Dracula Untold, the upcoming 11/22/63, and as the face of Armani Beauty. Bel Powley, who was outstanding in Diary of a Teenage Girl, takes only somewhat of a backseat to Gadon as sister Margaret. Reminiscent of Prince Harry today, as second in line for the throne, she is more carefree and much more outspoken, constantly telling people that no one cares what she does. Her rambunctious energy is electric. Jack Reynor is the object of young Elizabeth’s fascination. Firstly as a savior and secondly as a teacher. His opinions shape her sheltered view of what the country really thinks of the war and the royal family. Emily and Rupert ARNORounding out the cast are heavy hitters, are Rupert Everett as the King and Emily Watson as The Queen. We are treated to moments that will throw your memory back to blockbuster The King’s Speech, starring Colin Firth. This is a key part of the emotional growth experienced by Elizabeth. A Royal Night Out will play particularly well with a YA audience. It’s a great family film that parents can take their children to. It contains a soft entrance of feminist message, with both princesses trying to break free from familial duty for just a brief moment in time. It’s subtle but eased into slowly and appropriately for the plot, the period, and the audience. With meticulous sets, gorgeous costumes and a message of culture and class relations, A Royal Night Out is a real victory.

You can check out the trailer below:

Directed by:                       Julian Jarrold

Written by:                         Trevor De Silva and Kevin Hood

Starring:                              Sarah Gadon, Bel Powley, Jack Reynor, Rupert Everett, and Emily Watson

Produced by:                     Robert Bernstein and Douglas Rae

Running Time:                  97 Minutes / Rating:  PG-13bel and sarah a royal night outA ROYAL NIGHT OUT comes to theaters today!

Review: ‘UNCLE NICK’ is not your typical holiday fare.

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Presents

Uncle Nick poster

Oh, the holidays. A time for an overabundance of food, gifts, parties… and family. Inevitably, someone is going to get a dinner role thrown at them, or maybe that only happens in my family. In the end, love or hate each other, spending time with the people you grew up with will lead to some of the best and worst moments of your life. Brian Posehn still from Uncle Nick

That voice you know so well, that massive stature, that snarky wit. All the things that make Brian Posehn the perfect choice to play the title character in Chris Kasick‘s new Christmas family fiasco film, UNCLE NICK. Nick is an alcoholic and depressed individual who is dreading attending Christmas Eve at his younger brother Cody’s new cougar wife’s house. With his brass balled sister, her adorably down-to-earth husband, his tech obsessed nephew, and over-sexed niece, shit is going to get real. Trying desperately to not hold his tongue, Nick runs through all the inappropriate behaviors expected from “that one family member.” But in reality, could he be the only normal one in the bunch? Probably not. Cast still Uncle Nick

With an outstanding ensemble cast including Paget Brewster, as pristine pharma saleswoman and new sister-in-law, Missi Pyle as Nick’s sister, Michelle, is an awesome reflection of the no-filter nonsense I like to add to my own family dynamic. A little crass and a little class, know your surroundings I always say. Scott Adsit as her husband Kevin is a perfect example of a not uptight, go with the flow, funny guy… with a passion for podcasting, because, why not. Melia Renee as new niece Valerie and grossly the object of Nick’s fantasies, doesn’t make it easy to resist her daddy issues. Jacob Houston and nephew Marcus is the epitome of 16 with his face in his laptop, video game, or phone the entire film plus a dash of volatile sarcasm thrown in for good measure. Beau Ballinger plays Nick’s younger brother Cody, whose former childhood shenanigans cause the animosity that Michelle and Nick still hold, and for the right reasons, trust me. And of course, Brian Posehn, the man himself. I don’t think this man can be unfunny. He captures this role with so much ease, whether you’re laughing at him or with him, rolling your eyes or cringing, his performance is brilliant.Uncle Nick 10 cents beer night still

Mike Demski’s script is just cool. Structurally surprising, he gives us a history lesson in Cleveland baseball intertwined with the narrative as a juxtaposition to the plot. I love me some baseball and somehow, I had never heard this story, and boy is it gold. The dialogue is quippy and sardonic, perfect for the holiday script. Uncle Nick works on many levels. It is not what you’re expecting going in and that’s what makes it great. Unapologetically in your face, do not bring kids to this film. In one way or another, you’ll relate to it, for better or worse.

Lewd, drunken Uncle Nick (Brian Posehn, Mr. Show, The Sarah Silverman Program) stumbles his way through his brother’s cookie cutter-family’s annual Christmas gathering in the hopes of scoring with a super-hot party guest. But the arrival of his equally crass sister coupled with  Nick’s liquor-fueled faux pas cause family secrets to bubble to the surface that might spell disaster for the whole clan before the night is over. Presented by Errol Morris, UNCLE NICK is a raucously funny comedy of inappropriate behavior, uncomfortably interrupted trysts, and a monumental over serving of ten-cent beers.

In Theaters Nationwide December 4th, 2015

THE ANTI-CHRISTMAS MOVIE OF THE YEAR!

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Review: ‘CHRISTMAS, AGAIN’ is a true NYC character study.

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Presents
CHRISTMAS, AGAIN

Starring Kentucker Audley and Hannah Gross
Written, Produced & Directed by Charles Poekel

Christmas, Again poster

The holidays inevitably spark memories of both the good times and the bad. We often think of those we’ve lost, while trying desperately to cling to every last minute of holiday spirit. Some love the season. Some think it the worst time of the year. In Charles Poekel‘s CHRISTMAS, AGAIN, we are treated to both sides of the coin. Kentucker Audley Christmas againSynopsis:

For a fifth consecutive December, a heartbroken Noel returns to New York City to work the night shift at a sidewalk Christmas tree lot. Devoid of any holiday spirit, he struggles to stay awake during the long, chilly nights in his trailer, while the daytime traffic keeps him from getting any real rest. As he slowly spirals into despair, he comes to the aid of a mysterious young woman in the park. Her warming presence, matched with some colorful customers, help rescue him from self-destruction.

Hannah Gross Christmas againKentucker Audley owns every minute of screen time as Noel. This organically written character of Poekel‘s allows Audley to give a down-to-earth performance of a young man we all know to well. Tackling depression, loneliness, longing, and emotional survival, Christmas, Again is a such a success in it’s honest simplicity.There are no fancy car chases or explosions. The story is straight forward and beautifully quiet. Hannah Gross gives a lovely performance as Lydia. A little lost, a little sad, but very much a real person. The chemistry between the two characters is a slow and realistic build, again, thanks to Poekel. He never pushes too hard, there are no gimmicks or exploited moments we’re used to in a typical holiday blockbuster. This indie is fresh and easy. Combined with the calling card cinematography of Sean Price Williams (Listen Up Phillip, Queen of Earth), the film has a gorgeous added intimacy with it’s single handheld camera and use of close ups. All involved should  be extremely proud of their work. I applaud the departure in tone and style. While I certainly enjoy a good, old fashion Hollywood role call such as The Coopers, CHRISTMAS, AGAIN is a comforting film that has an incredible amount of heart and relatability.

FACTORY 25 will release CHRISTMAS, AGAIN at the MoMA in New York (and exclusive SVOD on Fandor) on Thursday, December 3rd, and  Los Angeles on Friday, December 11th.

Review: Experience a joyride to hell in ‘SUBMERGED’.

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Presents
SUBMERGED 
Submerged poster
SYNOPSIS:

A limousine joyride goes berserk in this breathless, pulse-pounding thriller. Jonathan Bennett stars as an ex-soldier turned bodyguard hired to protect a young woman. But while cruising with a group of friends one night, their stretch limo is run off the road and underwater by a gang of ruthless kidnappers-who then dive in to finish the job. Suddenly it’s sink or swim, as the bodyguard must fight to keep the vehicle from becoming a watery grave.Submerged Jonathan Bennet

Small town politics turns into a deadly cat and mouse game in this indie thriller. Jonathan Bennett, who most of us will recognize from Mean Girls, becomes the protagonist who simply wants to protect the ones he loves. Run off the road by masked gunman, he and five 20-somethings are at the bottom of a waterway that will eventually lead straight out into the ocean, if they cannot figure out a way to escape. The script is filled with who-dun-it moments, keeping the viewer engaged throughout. Bennett has an incredibly strong screen presence and captures the lead role in a surprisingly effortless manner. With a really nice ensemble cast surrounding him, including Cody Christian, Talulah Riley, Tim Daly and Mario Van Peebles, the film certainly delivers in it’s ups and down emotionally. Submerged utilizes time hops for an effective high stress pace. High five to the director Steven C Miller‘s use of creative visual cues as scene transitions between the past and present story lines. The film also has some nice gun play choreography. If you’re looking to sit back and relax with some not altogether mindless action this holiday weekend, Submerged could be your answer to the overcrowded blockbusters.

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Check out the trailer below:

Open in NY and LA November 27th
99 Minutes. Not Rated.