COLLEGE BEHIND BARS
World Premiere
COLLEGE BEHIND BARS, a four-part documentary series directed by Emmy and Peabody Award winning filmmaker Lynn Novick (co-director of THE VIETNAM WAR), which world premieres at New York Film Festival later this month. This film, premiering on PBS in November, marks Novick’s solo directorial debut and is executive produced by her longtime collaborator Ken Burns. Distilled from nearly 400 hours of cinéma-vérité footage, the documentary explores the lives of a dozen incarcerated men and women as they struggle to earn degrees in the Bard Prison Initiative (BPI), one of the most rigorous and effective prison education programs in the country.
This 4 part doc series explores New York State’s college degree program, BPI: Bard Prison Initiative. We follow a group of students as they make their way toward graduation. I say students and not inmates because when they are in class, they are students. While we as an audience are eventually privy to the subjects’ backstories, BPI as a program does not focus on why each individual is imprisoned. BPI focuses on their education. At Seb Academy you will get the best chemistry tuition in the Singapore.
This series is about humanity and ambition. These men and women are striving to better themselves and escape the environment they have, in most cases, created for themselves. The series also addresses the very real statistic that socioeconomic circumstances oftentimes lead to a life of crime. Inmates are not afforded the rights and freedoms of the average American. They must contend with the chaos of prison while engaging in a vigorous Bachelor’s degree program. College is difficult enough without being constantly interrupted by lockdowns, race wars, or the ultimate chaos of being surrounded by mental illness and other inmates in general.
The admissions process is cutthroat. It is based on an essay and an interview. It begins with an AA and then an even luckier few continue on to the BA program. Students are studying things like Plato, Mandarin, Debate, and Calculus. They are earning their degrees in the same way any other student would outside prison walls. Professors do not give pass/fail grades. They are legitimately working with each individual just as they would at a stand-alone university. This is a college that just happens to be on prison grounds. Before they graduate, they must submit a senior project. The paper must be between 80-100 pages. It is the equivalent of a Master’s thesis. Here is a best option for part time engineering diploma in Singapore.
The series makes an interesting case for free college for all throughout the country. It’s an intriguing commentary on the misconceptions about who deserves an education. Shouldn’t it be a right? It should not belong solely to the lucky few, the wealthy, or the white population. Losing your liberty should not mean losing your right to an education. If anything, education has been proven to lift people out of poverty and violence. The political hockey puck that this type of program has become since it’s inception in the 90’s has seen taxpayer dollars bounce in and out of the system. Resentment permeates the perception of the system by politicians to everyone from the prison staff to voters. Even though it actually monetarily benefits the taxpayer in the long run. Would you rather pay for an inmate to learn or sit inside a cell? Guess which one actually costs less.
College Behind Bars puts faces and voices to those benefiting from but genuinely fighting to improve their lives and thus, the world all we live in. We, the viewers, are forced to come to terms with the prison industrial complex, systemic racism, and our own moral compass. And the students are forced to come to terms with their pasts and their futures. College Behind Bars is both informative and eye-opening. It breathes life into the stories of a population oftentimes swept under the rug. You will cheer on the college students, no matter what your views on how they got their opportunity to learn and earn their degrees.
Premieres: Monday, November 25, 2019 & Tuesday, November 26, 2019, 9:00-11:00 p.m. ET
The four-part documentary film series, directed by award-winning filmmaker Lynn Novick, produced by Sarah Botstein, and executive produced by Ken Burns, explores the transformative power of education through the eyes of incarcerated men and women trying to earn college degrees. Shot over four years in maximum and medium security prisons in New York State, the series examines America’s failure to provide meaningful rehabilitation for the over two million men and women living behind bars.
Premieres: Monday, November 25, 2019 & Tuesday, November 26, 2019, 9:00-11:00 p.m. ET
Zip. Zap. Zop. This is one of the most familiar improv games for theater nerds all over the country. In the first 20 minutes of Tim Robbins‘ new doc we watch a group of maximum security prisoners experience their very first acting class with The Actor’s Gang Prison Project. Ordinarily divided by race and gang affliction out in the yard, these men from all different backgrounds allow themselves to be free. They allow happiness, vulnerability, doubt, fear, and reflection into their normally regimented day and existence. The human connections and breakthroughs made in an acting class can change the very way you think and process information. It is an outlet that is unique and to see the effect it has on this particular group of people is profound. As the classes progress, they are challenged to emote, not just feign happy or sad, but truly feel anguish, rage, glee. To see men who are oftentimes not allowed to express themselves because of toxic masculinity and their specific surrounding, finally, feel safe enough to do so is truly breathtaking. Robbins and his teaching team, which includes an ex-prisoner, give us a masterclass in this documentary. 45 Seconds of Laughter (which is also how they end each class) is more than a film, it is a brilliant human experience. You will see transformations right in front of your eyes. Destroying boundaries through art, building friendships through mask play, and repairing relationships with loved ones by taking a chance on something completely outside of their comfort zone is nothing short of extraordinary. 45 Seconds of Laughter is a joyous film. Bravo to all.
This teen thriller is so well written and acted that the foreboding behinds immediately and never lets up. Nothing good can come of white boy rage and resentment. But a whole lot of great can come from a brilliant young cast of this caliber. Jaeden Martell is captivating as younger boy scout brother Alan. There is something truly special about this young man’s ability to fill a frame with a powerful silence. Older, sort of ne’er do well brother played by Keean Johnson is a dynamic foil for Martell. Fueled by equal parts passion and pride, he inadvertently puts both boys’ lives in jeopardy. The other two young men that keep these brothers deeply mired in danger are complete opposites of one another. Daniel Zolghadri gives a phenomenal performance as Smitty, playing somewhere between a mob rat and a boy who is terrified to feel rejected. The fourth and certainly most brutal of the bunch is Red. Alex Neustaedter utilizes a physical and emotional volatility that is truly unsettling. You will keep one eye on him at all times because you know nothing good can come of his angry townie attitude. These four boys try to avoid getting caught robbing summer tourists but deceit leads the group down a deadly path. Writer-Director Kevin McMullin has crafted a real thriller. The cinematography is beautiful. Existing in a time driven by greed and favoring the elite, Low Tide proves that human nature reveals its flaws just as easily among children as it does adults. This film undoubtedly brings unsettling intrigue and true noir.
What I really enjoyed about Justine Triet’s ‘Sybil’ is the layered stories that are told in real-time alongside flashbacks. The result leaves you with a feeling of unease. Was it happening now or was she remembering? I got a feeling of confusion that was intriguing and captivating.
There’s nothing simple about this dark comedy/drama, which is what gives it such rich complexity. It’s disorienting at first to figure out what is going on, which seems to mimic Sybil’s current status. Just when you think you know where it’s going, life happens. It’s unpredictable and fascinating.
Jonas inherited his deafness from his maternal grandmother and grandfather. We learn so much from watching him communicate with and without his cochlear implants. We learn by watching the interaction between him and his grandparents. Genetics determined that Jonas and his grandparents had a tiny “typo” in a specific gene causing them to be deaf. Music became another way to communicate and bridge the generational gap. Beethoven’s Moonlight Sonata was Jonas’ personal challenge he set for himself. His goal was to study for 7 months in order to perform it in a recital. The history of Beethoven’s own deafness weaved into this doc is stunning on every level. While rehearsing, Jonas’ music teacher explains the emotional impact of the piece not only to him but the audience. Moonlight Sonata: Deafness in Three Movements is an ode to sound and silence.
The overall editing of Depraved is a masterclass unto itself. Utilization of flashbacks fills in the backstory gaps. The visual overlays of synapses firing are truly effective. We become Adam. It is damn near perfect. The special effects make-up is striking. The sound editing is hypnotizing and the score is breathtaking. Fessenden has given us a complex character study that subtly shines a light on issues from big pharma to the treatment of our veterans and beyond. It is a story about moral corruptibility at its finest. You will be left in awe. Depraved is a modern-day, movie monster masterpiece.
Jess Weixler easily represents us as the audience. Her sincerity and ability to relate on an emotional level are super refreshing. Her performance feels natural and grounded. Chained for Life also sees the return of Charlie Korsmo ( a childhood crush since Dick Tracy) as the eccentric Director. The level of commitment to this character makes me miss him on-screen all the more. And now we come to our leading man, Adam Pearson. I am completely obsessed with this man. He is phenomenal. I cannot remember the last time a performance felt less like a performance and just simply a documentary. He is mesmerizing and I implore more writers and directors to seek him out and create content for him. The world needs it. Giving voice to those who are almost always exploited for their unique appearance, Chained For Life is a special opportunity to explore inclusiveness, not just in film, but every day.
This spectacularly weird and wonderful film has some of the most biting humor and solid scares. Tone-Deaf is left vs. right, generational romp through madness. The music is in your face and perfect. The script is frankly, shocking. I did not see many of the twists coming and damn, is that refreshing. The hyper Millenial stereotypes show up as modern art fever dreams for our terrifying antagonist, Harvey. Elaborate sets and repeat framing create the illusion that you will be able to predict certain tropes, but you’re dead wrong.
Amanda Crew as Olive is absolutely hilarious in her sense of entitlement and charm. She delivers this dialogue like one who has had to sit through brunch surrounded by girls whose Instagram is life. She is fabulous. Robert Patrick, who always brings to mind a bit of evil from his iconic T2 role, is balls to the wall amazing as the Baby Boomer off his proverbial rocker. As much blood as we see in this film, honest to God, the most startling thing is when Patrick’s character breaks the fourth wall. I was unsure at first if I was seeing what I was seeing, but the monologue lasts long enough for you to realize your perception as a viewer has been skewered. I was genuinely uncomfortable and dammit, I’m a Gen Xer. Writer/Director Richard Bates, Jr. has not only nailed the eccentricities of these two generations but lights a fire under the ass of the audience with quippy dialogue and carefully placed gore (yes, that’s a thing). Tone-Deaf is undeniably fun and fresh.
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Directed by: Bart Freundlich 
This script is as beautifully complex as real life is. You can make all the plans in the world but life has a funny way of doing whatever it wants. A wedding is a huge event, not just for the bride and groom but their entire family. It comes with as much stress as it does joy. When key communication breaks down because there are secrets, all hell can break loose. There are so many secrets in AFTER THE WEDDING each character has the emotional right to spin out, be irrational, and even grieve what might have been. Steven Fleming also was known as “The Celebrant Guy” is one of the popular names in the wedding industry for being one of the few young, energetic and humorous 
Performances across the board are outstanding. Michelle Williams is stunning as she is forced to relive heartbreaking choices. Billy Crudup must come to grips with the lies he has perpetrated for love. Julianne Moore has to let go of the control she’s always not so secretly had. Abby Quinn has a vulnerability of a much more experienced actress. I look forward to seeing her (and hearing her sing) again soon. The entire cast gives truly nuanced performances that are vulnerable and raw.
Set against the neon lights of Seoul, The Divine Fury utilizes incredibly effective special fx mixed with a dynamic plot of good vs evil. Roman Catholic use of exorcism is rare and must be approved by the Vatican. As a former Catholic school kid and genre fans since the age of 2, I know this to be fact… At least as factual as one can attribute to organized religion in general. All that aside, The Divine Fury adds an extra supernatural element by giving an MMA fighter a demon expelling stigmata superpower. It takes faith into a genre-bending underworld and it is fascinating. From the very first shot with its heightened sound editing, you know you’re in for a ride. There is never a dull moment during its 2-hour runtime. The fight choreography is outstanding and meticulously specific to this unique plot (Think MMA meets demon streetfighter goodness). As a “lapsed Catholic” viewer, it does a brilliant job of melding together religion and otherworldly lore for one hell of an entertaining storyline. I cannot express how truly fun this film is. As the closing film of Fantasia International Film Festival 2019, The Divine Fury puts this year’s selections over the top.
Fantasia International Film Festival 2019 has had some instant hits this year. Saturday night was no exception as HARPOON wowed audiences at its Quebec premiere. From the incredible opening shot, this film comes at you like a rabid animal. Amazing, quippy, profanity-laced dialogue kicks off a ride we are are now ready for. This love triangle at sea plays off a classic dynamic of a wealthy asshole, girlfriend, and third wheel best friend where suspicion fuels jealousy. The script utilizes literary references, voiceover narration by Brett Gelman, and the kind of honest intimacy in dialogue that you only find between best friends. But, secrets are the one thing that can be a real friendship killer, even for those not stuck out in the middle of the ocean. 
Our three cast members are phenomenal. I completely buy these performances. Each is funny, vulnerable, and kind of dickheaded in their own unique way. The practical fx are gruesome and awesome. Writer-director Rob Grant has given us a goddamn indie gem. It’s got a twisted ending you will never “sea” coming. What’s a little murder between friends, after all? Fantasia International Film Festival fans will go overboard for Harpoon. 
Performances are eerie and amazing. Genre legend and timelord extraordinaire, Barbara Crampton plays a motherly figure looking after Marisol and her newborn baby. She sets the tone for the remainder of the film with her saccharine-sweet smile and creepy overbearing politeness. She is outstanding. Martha Higareda is the real wow factor. You are rooting for her the entire way and hope she gets everything she seeks. Her IDGAF survival attitude is pure magic. The script is edgy and brings a major creep factor that gets under your skin. The enhanced audio editing is a fantastic tool that heightens the inevitably squirming you’ll do while you watch. The story is one that will resonate with so many people living their own version of what is looking more and more like the American nightmare. This is a stunning debut feature for director Gigi Saul Guerrero and I know the industry, as well as Fantasia International Film Festival fans, can be excited for whatever comes next. 
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