Fantasia 2023 review: Larry Fessenden’s ‘BLACKOUT’ is more than a monster movie.

Fantasia Festival 2023 logo

BLACKOUT

 

Opening with a bang, quite literally, horror auteur Larry Fessenden gives Fantasia 2023 audiences the premiere of his latest film, BLACKOUT. With previous titles like Depraved and Habit under his belt, it’s clear he is a classic monster movie fan. His complex modern-day versions give you the shivers and make you think. BLACKOUT is yet another perfect chapter in what I suspect to be a long line of Fessenden cult classics.

The ensemble cast is enormous. Joe Swanberg, Jeremy Holms, and Motell Gyn Foster add to the validity of Fessenden’s horror community building. Barbara Crampton, horror legend extraordinaire and a woman who appears in more movies than I thought humanly possible, plays Charley’s family lawyer with a touch of cougar for extra hotness. Rigo Garay brings relaxed authenticity to Miguel. His chemistry with Alex Hurt is electric.

A still from Larry Fessenden's BlackoutJoseph Castillo-Midyett and Ella Rae Peck are a great team as the local cops. Their scenes together are a welcome break. Marshall Bell plays Hammond as the wealthy town villain with the precise amount of elitist disdain we need. Alex Hurt plays Charley with a passion and relentless do-gooder attitude despite his surmounting inner turmoil. His physical work is magnificent. He has a strangely calming presence, even through his sullen outlook. I could watch him all day.

The second half takes several tonal shifts, but you’re already into the narrative. Fessenden injects family legacy, environmental and racial politics into the narrative organically. Small town and small-mindedness read universal, never forced. We even get a subtle glimpse of MAGA idiocy. One of the most intriguing aspects is the film’s overall look. It could have been made in the same year as An American Werewolf in London, down to the ominous era soundtrack. The special FX makeup progression also possesses a timeless monster movie feel. Beautifully painted animation illustrates Charley’s physical and innermost turmoil.

Part nostalgia and part modern-day commentary, Fantasia 2023 gets Fessenden at his best with BLACKOUT.


Fantasia Screening Schedule

World Premiere Screening 
Thursday, July 20th @9:45PM – Salle J.A. de Sève

Public Screening #2 
Thursday, July 27th @11:30AM – Salle J.A. de Sève
 

 

Writer/Director: Larry Fessenden

Producers: Larry Fessenden, James Felix McKenney and Chris Ingvordsen

Cast: Alex Hurt, Addison Timlin, Motell Gyn Foster, Joseph Castillo-Midyett, John Speredakos, Michael Buscemi, Joe Swanberg, Barbara Crampton, James Le Gros, and Marshall Bell.

103 MIN / 2023 / USA / ENGLISH / HORROR


 

Review: ‘Depraved’ reminds us who the real monsters are.

The legend of Frankenstein gets a provocative modern update in the stylishly disturbing new film from indie horror master Larry Fessenden. Suffering from PTSD following his stint as an army medic, Henry (David Call) now works feverishly in his Brooklyn laboratory to forget the death he witnessed overseas by creating life in the form of a man cobbled together from body parts. After procuring a brain from an unwitting victim, his creation—Adam (Alex Breaux)—is born. But it soon seems that giving life to Adam was the easy part; teaching him how to live in a dark and troubled world may be perilous. A complex, emotionally shattering tale about what it means to be human, Depraved brings Mary Shelley’s immortal fable fully into the 21st century.

 

Like Mary Shelley‘s novel, as you watch Depraved, you immediately realize that our Dr. Frankenstein character is the monster and not his creation. The emotional connection in this script is what engrosses you from the very beginning. It explores the good, the bad, and definitely the ugly of the human condition.

Performances are out of this world. David Call as Henry is exceedingly ambitious. He easily flips from hopeful excitement to an underlying irrational rage, fueled by military PTSD. As a mother, it’s like watching myself teaching my toddlers, especially when I’ve reached my mental and emotional limits. Joshua Leonard as Polidori is the diabolical shit starter that propels the insanity to the next level. Alex Breaux as Adam is captivating. His vulnerability is literally a head to toe performance. These men give us a complex dynamic that is undeniably intense and brilliant. Director Larry Fessenden has created something spectacular in every way. Depraved is easily one of my favorite films of 2019.

The overall editing of Depraved is a masterclass unto itself. Utilization of flashbacks fills in the backstory gaps. The visual overlays of synapses firing are truly effective. We become Adam. It is damn near perfect. The special effects make-up is striking. The sound editing is hypnotizing and the score is breathtaking. Fessenden has given us a complex character study that subtly shines a light on issues from big pharma to the treatment of our veterans and beyond. It is a story about moral corruptibility at its finest. You will be left in awe. Depraved is a modern-day, movie monster masterpiece.

 In Theaters September 13

Directed and Written by Larry Fessenden (The Last Winter, Until Dawn, Habit)
Starring David Call (“The Sinner”), Joshua Leonard (The Blair Witch Project), Alex Breaux (“When They See Us”), Addison Timlin (Odd Thomas, Fallen), Maria Dizzia (“Orange Is The New Black,” “13 Reasons Why”)

Tribeca Film Festival 2019 Podcast Interview: Jeremy Gardner, Christian Stella, and Brea Grant share all the gory and gorgeous details of ‘AFTER MIDNIGHT’ (Something Else).

AFTER MIDNIGHT (Something Else) Podcast

AFTER MIDNIGHT (formerly titled Something Else) was one of the most unique selections in this year’s festival. Both a monster movie and a love story, the film’s deliberate structure is a standout all on its own. The writing is fresh and funny and the use of light makes it a joy to watch. There are brilliantly theatrical moments. I believe this film would actually translate incredibly well onstage! When you see it, you’ll know what I mean. It’s a complete compliment. I sat down with co-directors Christian Stella and Jeremy Gardner (who also stars and wrote the script) and star Brea Grant to chat all things AFTER MIDNIGHT. How did the script come about? What in the world were they thinking with certain choices? What did Brea think the first time she read the script?  We talk favorite movie monsters, and how the filmmakers of one of my favorite films The Endless, Justin Benson and Aaron Moorhead, got on board. You can read my full review of AFTER MIDNIGHT here, but give a listen to the awesome time we all had together. Be warned, when I walked into the room, Christian, Jeremy, and Brea had all been in the super cool bathroom of our interview room at The Roxy Hotel taking a photo, and I’m disappointed in myself for not getting in on the selfie action on my way out the door. Also, when you hear us refer/talk to “Ted”, we’re actually talking to We Are Still Here and Mohawk filmmaker Ted Geoghegan who just so happened to be in our presence. No big deal. Anyhow, without further ado, here is our podcast talking all things Tribeca, monsters, and AFTER MIDNIGHT.

ABOUT THE DIRECTOR(S)

Jeremy Gardner and Christian Stella are the filmmakers behind the indie zombie film The Battery and survival comedy Tex Montana Will Survive! Lifelong friends, both directors were born and raised in Florida.

FILM INFO
  • Section:
    Midnight
  • Year:
    2019
  • Length:
    83 minutes
  • Language:
    English
  • Country:
  • Premiere:
    World
  • Connect:
CAST & CREDITS
  • Director:
    Jeremy Gardner and Christian Stella
  • Producer:
    David Lawson Jr., Justin Benson, Aaron Moorhead, Arvind Harinath
  • Screenwriter:
    Jeremy Gardner
  • Cinematographer:
    Christian Stella
  • Editor:
    Christian Stella and Jeremy Gardner
  • Executive Producer:
    Venu Kunnappilly
  • Cast:
    Jeremy Gardner. Brea Grant, Henry Zebrowski, Justin Benson, Ashley Song, Nicola Masciotra