New York Film Festival Review: ‘The Wild Goose Lake’

The Wild Goose Lake

  • Diao Yinan
  • 2019
  • China/France
  • 113 minutes
  • Subtitled

U.S. Premiere · 

Small-time mob boss Zhou Zenong (the charismatic Hu Ge) is desperate to stay alive after he mistakenly kills a cop and a dead-or-alive reward is put on his head. Chinese director Diao Yinan deftly keeps multiple characters and chronologies spinning, all the while creating an atmosphere thick with eroticism and danger.

Stylized fight choreography and lush cinematography drive this film firmly into the crime noir genre. While the quick take editing lies somewhere between self-indulgence and brilliance, The Wild Goose Lake is altogether engrossing. An over the top take on territory grievances becomes a backstabbing story of survival and redemption. There is actually very little dialogue for s film of this length but this is another area where the film can shine. The almost immersive sound editing is a transitional heads up. The plot is chaos and greed-driven, inevitably leading to brutal violence. Lead performances are incredibly strong, especially Hu Ge . The Wild Goose Lake is worth the price of entry at this year’s NYFF. This is a film that deserves a top-quality viewing experience on a large screen if you can swing it.

https://www.filmlinc.org/nyff2019/films/the-wild-goose-lake/

About Liz Whittemore

Liz grew up in northern Connecticut and was memorizing movie dialogue from Shirley Temple to A Nightmare on Elm Street at a very early age. She will watch just about any film all the way through (no matter how bad) just to prove a point. A loyal New Englander, a lover of Hollywood, and true inhabitant of The Big Apple.

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