INDIVISIBLE
(Indivisibili)
In a complex and incredibly nuanced new film, sisters must decide if physical and emotional separation is what they need to survive. Indivisible is a story of exploitation and personal desire.
In a complex and incredibly nuanced new film, sisters must decide if physical and emotional separation is what they need to survive. Indivisible is a story of exploitation and personal desire.
Daisy and Viola are conjoined twin sisters living in the suburbs of Naples. They are blessed with beautiful voices and, thanks to their performances at local weddings, communions, and baptisms, have become the breadwinners for their entire family. Kept isolated from the world by their exploitative father, their lives are turned upside down when one of them falls in love for the first time… and they discover that it is possible for them to be separated.
Angela and Marianna Fontana play conjoined twins Dasy and Viola. Sought after for their singing talents and local idolatry, everyone wants a piece of them. Born into a selfish family living off the girls’ fame, they are forced to perform, threatened by guilt and permeating greed. While one sister yearns to be surgically divided, the other feels devastated by the idea. In bold performances from these real-life twins, we are rooting for their ultimate happiness. Despite being attached at the hip, each young woman gives a brilliant performance. Full of dreams and determination, these ladies own the screen is presence and ability. Battling religious fanaticism and the seduction of escapism, our leading ladies ooze with charisma. Indivisible takes a heartfelt and intimate approach to dismiss the sideshow mentality. Every theme in this script is some sort of double entendre. With beautiful cinematography on top of a clever and unexpected script, Indivisible is one of a kind.The film is currently playing in New York City and opens theatrically in Los Angeles today. A national rollout will follow.
100 mins | Italy | in Italian with English subtitles | 2016
Written and Directed by Edoardo De Angelis
**NORTH AMERICAN PREMIERE – TORONTO INTERNATIONAL FILM FESTIVAL 2016**
**WORLD PREMIERE – 73RD VENICE INTERNATIONAL FILM FESTIVAL**
**OPENING NIGHT – OPEN ROADS**
BUSHWICK is unrelenting from its opening shots until the final frame. The audience experiences the story in real time just as the main characters do. With the use of what feels like a single camera, lengthy POV takes (as if the viewer were the unseen third character), add to the heightened pace and overall menace of the film’s plot. Bushwick pulls no punches with its realism. There are small lulls but you might imagine that to be the case if the scenario presented were actually occurring. Overall, the action is non-stop and scary. Both Snow and Bautista deliver down-to-earth performances and give us two very different backgrounds from which to relate to. There are moments that seem unscripted they are so natural and out of the blue. Without spoiling anything, you’ll have to watch to understand what I mean by that. The timing of the film’s release is eerie considering our present political climate. It’s almost like a creepy omen of things yet to come. Don’t be fooled by the trailer. You are in for a much darker ride than you might expect. You can watch BUSHWICK now in theaters, on VOD and Digital HD.
Buster’s Mal Heart took everyone by surprise this year. There seemed to be 2 distinct reactions once the credits began to role. 1. That was terrible. 2. That was amazing. I happen to be in the party of the amazing. Rami Malek is the perfect choice for this role. With the incredibly successful run of Mr. Robot, Malek takes on yet another role that is mysterious and mind-bending. Whether you enjoyed the film or not, there was no arguing that it left you wondering what the hell you just watched. The plot is left to the audience’s interpretation at times. There is zero doubt about the talents of Malek in what is a challenging role. Half the film has no dialogue from his character at all. Nuanced and heartbreaking but also filled with innocent humor, you will never be bored and you will be made to think. Buster’s Mal Heart will keep you guessing long after you leave the theater and well, isn’t that what great cinema is all about?
The film is now in theaters and if you’re already a fan of Malek, I highly recommend you catch this film. The 1hr 36min run feels longer but in the best way possible. The film’s themes go full speed ahead, and there is a number of them. From best intentions, living up to other’s expectations, to anarchy and testing one’s own sanity, Buster’s Mal Heart will confuse and provoke you. You’re going to want to watch it over and over. We’d love to hear your thoughts once you’ve seen the film! Check out the madness that is the trailer below.
November is everything a non-cinephile might think of when it the phrase “foreign film” is haphazardly thrown about. That is exactly what makes this film so intriguing. With its stunning black and white cinematography and its unapologetic folklore elements, the story delves into the question of living a life with or without a soul. The wonderfully weird characters and themes, including death, witchcraft, and the devil himself, all make November one completely engrossing cinematic experience. Oscilloscope Laboratories acquired North American rights to Sarnet‘s film ahead of its world premiere in the international narrative category. Below you can find the trailer, and while it does not yet contain English subtitles, you quickly grasp the tone of the film. We will, of course, keep you updated on release dates for this unique selection.
This insightful doc is has a gorgeous structure. Including sit-down interviews with local police, Linda’s family, and narrated passages from Linda’s diary entries, the impact of God Knows is massive. It’s heart-wrenching as you slowly realize that this poor woman’s death could have easily been prevented. The system failed her in an atrocious way. As Bishop descends into starvation and deeper mental state, we already know the writing on the wall, but that does not make the outcome any less shocking. While difficult to watch on many levels, it’s an important and timely film in many ways in our national discussion of how we treat mental illness as a nation. I highly recommend you catch God Knows Where I Am this Friday, March 31st. Check out the trailer below for a peek into this sad true story.
Emma Roberts plays a mysterious young woman who is clearly troubled. It’s an unglamorous role but suits her well. She is, as ever, riveting on screen. Having watched Kiernan Shipka literally grow up on Mad Men, we find her in a role that’s totally unexpected and truly scary. The progression of her character is unhinged. Fun fact: Shipka has a hauntingly gorgeous singing voice. The script’s dynamic is engrossing and the concept of two stories colliding keep you consistently alert. The uncomfortable moments and there are many, will keep you on the edge of your seat long enough to get to the weird (in a good way) ending. The location screams typical New England boarding school. The winter weather adding to the gloom and darkness of the impending doom. The Blackcoat’s Daughter will stick with you in a disturbing way long after the credit roll. 
presents
Sometimes, when it’s 3 am and my unborn baby girl decided it’s an awesome time to do a dance instead of letting me sleep, I become, shall we say, a little grumpy. 3 weeks away from my second child, I’m freaking tired and sore and over being pregnant. Don’t get me wrong, I’m thrilled for this peanut. My soon to be two children will be less than 16 months apart. Yup, two under two. I shudder to think about the amount of rest I will not be getting for the next 18, nay, 19 years. All that being said, I’ll have my perfect little salt and pepper set, all we need is the dog. There will be days I will want to flee, I’m sure… but I cannot imagine a day where the acts of my kids will compel me to start, let’s say, murdering people. Though, it’s early and who am I to judge. In Alice Lowe‘s directorial debut, PREVENGE, Ruth’s unborn child is telling her to murder a very specific list of people and perhaps for a good reason.
Written, directed and starring Lowe while she was actually 7 1/2 months pregnant, Prevenge is savage and wickedly demented. Sharp British humor heightens this in-your-face rampage. As much as you attempt to figure out the actual reason for the string of murders, you won’t until very late into the film and thus a sign of great writing. Lowe’s portrayal of Ruth is frighteningly grounded and wonderful. The cast is filled with familiar faces and the chemistry between Lowe and her (mostly) victims is perfection. The colors are vibrant and the jarring jump cuts interspersed are incredibly effective. The film is weird and gruesome and unlike anything you’ve seen before. It’s just plain cool.
This truly entertaining doc lets us peek behind the feathers and into the lives of a troupe of very awesome entertainers. Often times the perception of Burlesque is objectification. This is totally misleading. The art of burlesque is about empowerment. It is not about having the perfect body, in fact, some of the best dancers are not the shapes we expect. Infusing sexiness, glamor, and humor is all part of the special form of performance. Here are a few introductions to the individuals we get to meet in the film.
Zora Von Pavonine, one of the stars featured in the film, spends every waking minute perfecting her act and 
We also meet Angelique DeVil, a college graduate and a dancer by trade, who credits burlesque for allowing her to express her various “personalities” – thus making her alive!
Lastly, Isaiah Esquire, is often referred to as “Glamazon.” He confesses that dance has transformed him from a shy, stuttering teenager who suffered from body image issues to a confident performer, dancer, and teacher.
With the perfect balance of intimate sit down interviews, backstage/rehearsals, and full-out performances, BURLESQUE: HEART OF THE GLITTER TRIBE is as enjoyable to watch as it is to be in awe of. You can watch the film
My Name is Emily is a stunning coming of age film. Evanna Lynch shines in this complex role of a sad and brilliant young lady. The layers of this character come from the outstanding script from writer/director Fitzmaurice. Infusing philosophy, literature, poetry, loss and teenaged angst all intertwined into a story of finding oneself through letting go and letting people in. Michael Smiley is as wonderful as he’s ever been, touching the cornerstone of every possible emotion. George Webster, in particular, is one hell of a find. His natural ability to draw you in is reminiscent of the late Anton Yelchin. He will seduce you with his awkwardness and charm the pants off you all in the same scene. The honest chemistry between Lynch and Webster makes this film what it is. Another high note (pun not intended) is the glorious soundtrack. Each song evokes a familiarity that seems to fit perfectly into the moment. With a cool mix of voiceover moments and flashbacks, My Name is Emily is a true delight.
Happy Thanksgiving! We are so excited to bring you this breaking news about THE SAN ANTONIO 4 – subjects of the award winning documentary “SOUTHWEST OF SALEM: THE STORY OF THE SAN ANTONIO FOUR.” Today, the Texas Court of Criminal Appeals has declared these four women innocent and fully exonerated. They were wrongfully convicted close to 20 years ago for a crime they did not commit. 
AFTER FIRE
Writer/Director Mike Mills knows women. He appreciates the ins and outs, the nuances of age and stage and the humor in everyday life. Annette Bening asks one of her tenants Abbie, and son’s high school aged best friend, Julie to teach him how to be a food man. Since his father is out of the picture and mother Dorothea has trouble keeping an age appropriate man around for long, she had enlisted help. thankfully she has been thus far successful in raising an open-minded and perfectly curious boy. His inspiration for exploring the world is only enhanced by the eclectic females he is surrounded by. The film is funny and sweet. It’s a bit if a time capsule and yet somehow remains timeless in the theme of self discovery. The transitions are like colorful music videos mixed with punk music from Talking Heads and Black Flag.
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