MERCHANTS OF JOY
Celia Aniskovich‘s DOCNYC film, MERCHANTS OF JOY, brings audiences behind the scenes of an annual venture most of us take for granted. For the five families that dominate the Christmas Tree market in NYC, the Holiday Season is a business of mayhem and memories. Dive into the underworld of a tradition where vendors battle it out for prime positions and quality product in hopes of making each year better than the last.
The film is a collection of personalities all jockeying to outdo each other. Greg looks like Santa and is happy to dress as such for the local kids. His son, Little Greg, is poised to take over the family business as his father battles cancer. Brooklynite George (who used to work for Greg) hopes to find love this season and brings bravado to the group. Heather is nine years sober. You will find her supporting those struggling on a similar path. Ciree takes the reins from her parents after 30 years. All of them find themselves under the thumb of the mysterious Kevin Hammer. Think of him as the Christmas Tree Mafia Boss.
The film is a countdown to Christmas, tracking the complicated and expensive logistics of purchasing trees, trucking them sometimes across the country, bidding on street corner permits, setting up shop, all while navigating weather, workforce, and the economy. It’s a risky business that can be rewarding in the end. The job is physically taxing and emotionally exhausting, but its impact on building family traditions is worth its weight in gold.
Aniskovich intersperses sit-down interviews with action on the ground. The pièce de résistance are the scenes mimicking the stop-motion animation in Christmas classics like Rudolph the Red-Nosed Reindeer (1964), Santa Claus Is Comin’ to Town (1970), and The Year Without a Santa Claus (1974). In fact, Kevin Hammer only appears as an incognito character with phone interview audio. It is a perfect touch, wrapping MERCHANTS OF JOY with a nostalgia bow.
It is a film that will touch your heart. It is a delightful, warm hug, a movie about human connection, and a perfect segway for the holiday spirit.
MERCHANTS OF JOY – Coming to Prime Video Dec 1st!
WORLD PREMIERE- MERCHANTS OF JOY
Directed by Celia Aniskovich (Burn It Down!, Call Me Miss Cleo), the film captures the cast of characters behind the city’s Christmas tree stands– small business owners who bring holiday cheer to the streets each season, along with a healthy dose of friendly (and sometimes not-so-friendly) competition with each other.
A lifelong Christmas lover, Aniskovich first discovered the story after reading Epic Magazine and NY Mag’s article “Secrets of the Christmas Tree Trade” and immediately knew this was a story she wanted to tell. Drawn to the community, pride, and hidden labor, she started filming within days of meeting “Big Greg,” – one of the film’s central figures – and eventually Amazon MGM Studios and Artists Equity came aboard the project as well. What began as a portrait of holiday hustle evolved into a story about faith, family, and resilience as she continued following the families. Merchants of Joy
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Crutch is about Bill Shannon‘s extraordinary life. Shannon wants to be recognized as a performance artist, and rightfully so. As a dancer since the age of three, I can attest to how the physical and emotional energy toll performing can have. Like many dancers, my body is ravaged from the work I asked it to do when I was younger. But I wasn’t faced with the challenges that Bill Shannon faced from childhood. Bill Shannon is on another level from us all. He is a relentless artist and it’s magic.
He grew up making home movies, being a daredevil, skateboarding, and creating a new language for dance, all while having a rare degenerative hip condition. He is a provocateur. Exploring his own pain and emotional hurt by placing others into his realm. He essentially created “What Would You Do?” scenarios before it was mainstream. As a breakdancer and choreographer, he presented the world with evolutionary milestones in thinking and accepting. But this is only a sliver of what he deals with and tries to effect. This doc tackles ableism at its core. He uses his filmed setup moments to organically teach an audience about the human mind. It’s a refreshing perspective that will grab your attention. He never lets up. His innovation is astounding. That’s true artistry. Crutch pushes past cynicism to teach and entertain and delight.
Intimate and thoughtful cinematography makes
The editing is sharp. Millisecond takes of words and paintings are cut into the chronological storytelling. It keeps you on your toes (no pun intended). Not only does BARE give you an up-close and personal look at the performance world, but it tackles issues of masculinity and preconceived notions of male dancers. Moments of pure levity come in the acceptance that performers are cheeky attention seekers all the time. When the men become fully aware of the ever-present cameras, they mug for them ceaselessly. Experimental exercises are something magical to behold. If you pause any moment during the film when dance occurs, it’s a breathtaking tableau of life and movement. BARE eases a viewer not familiar with dance into a world brimming with discovery, raw emotions, organic yet precise planning, sometimes fraught with injury, but always filled with surprise.


Collier Landry brings us on a journey no child should ever have to go on. 27 years after a horrific crime by the hands of his own father, we learn that Landry had the foresight to keep all the correspondence between the two, adding to the real life, emotionally manipulative drama that endured. This doc has some of the most graphic details shown to an audience as we are privy to the actual crime scene photos alongside Collier. While he attempts to come to terms with the truth about his father, he also explores the greater effect that violence leaves on a community. Through interviews with friends and family, the hold this event still has on so many is more than evident. Landry not only had his mother stolen from his life, not only his innocence, but an adoptive sister. As a viewer, I mourned right along with him at every turn. His determination is contagious and brave. Director Barbara Kopple yet again delves into the lives of people making waves, big and small. A Murder in Mansfield displays a sorrow and engages the detective we all have buried inside. It is both an honest portrait of grieving and a peak inside the chilling mind of a murderer.





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