JIMMY & THE DEMONS

Cindy Meehl brings the life of larger-than-life artists to Tribeca 2025 audiences in JIMMY & THE DEMONS. James Grashow‘s work has been seen by millions, even if his name is unknown. From album art to 30 years of weekly drawings in The New York Times, his massive installations of cardboard sculptures appear around the world. Jimmy’s work can best be described as if Tim Burton’s stop-motion creations were life-sized and brimming with color.
In Meehl’s documentary, one of Jimmy’s prominent collectors commissions a piece based on his deep connection to religion. Having never worked with wood in this way, Jimmy is winging it. You’d never know. The intricacy of the work is astounding. The piece evolved over the years into a one-of-a-kind sculptor of demons, tortured souls, and Christ carrying a Cathedral on his very back. Each piece is mocked up in cardboard and then hand-carved.

All the while, Meehl features intimate sitdowns with Jimmy and his wife, Guzzy, as they talk about his work. During Jimmy’s in-school cardboard workshops over the years, he says you can pinpoint the moment an artist is born and how the entire class lights up at the realization of talent.
Jimmy’s art is immersive and brimming with joy. Scott Ruderman does a beautiful job capturing the minute details and the wonder of Jimmy’s creations. The film culminates in a grand retrospective of his pieces, and the result is like being transported to a living storybook. Grashow’s ability to manifest pure wonder is breathtaking. JIMMY & THE DEMONS simultaneously feels like a nostalgic hug and a whimsical journey.
Jimmy & The Demons: World Premiere – 2025 Tribeca Festival – Spotlight Documentary
SYNOPSIS
A magical journey into the artistic life and inner mind of celebrated sculptor James Grashow, who, at age 79, devotes four years to creating his magnum opus.
DIRECTED BY
Cindy Meehl (“Buck”, “The Dog Doc”)
PRODUCED BY
Elizabeth Westrate
ASSOCIATE PRODUCER
Jennifer Wastrom
CINEMATOGRAPHY BY
Scott Ruderman
FEATURING
James Grashow, Guzzy Grashow
RUN TIME: 93 Minutes








Playing like a graphic novel, with characters’ names scrawled next to their introduction, the gunfire is chaotic and aplenty. I watched this a 2-hour film a second time to make sure I wasn’t missing anything. I think I still am. Even after my second viewing, American Night remains confusing in its non-linear storytelling. Listen, I wanted to love this film. The potential is there.
Jonathan Rhys Meyers does his best to make American Night engaging. His character, John, attempts to make amends in love and begin an honest career. He’s strong as ever, in true neo-noir fashion. Though try as he might, he cannot hold up an uneven narrative that relies on cliché over concept. Jeremy Piven steals the show. The seriousness in which his character desires to be a ninja becomes the much-needed levity in all these convoluted shenanigans. I would happily watch an entire film about him. Emile Hirsch is the son of a New York City Mafia boss Michael Rubino, whose love of art plays above all else. That, and perhaps, his ego and an incredibly random love for scorpions. The performance goes from levelheaded to absurd based on the script. Hirsch takes it all in strive with 100% commitment.
Here’s what doesn’t work for me; it takes 1 hour and 25 minutes for the stories to finally overlap after living them from different perspectives. The runtime would benefit from a 20-minute shave. Some of the delivery from ancillary characters reads as hokey. Okay, a lot of the dialogue does. The film includes one of the most ridiculous sex scenes ever. It seems like a laughable excuse to have Paz Vega appear naked onscreen.



Crutch is about Bill Shannon‘s extraordinary life. Shannon wants to be recognized as a performance artist, and rightfully so. As a dancer since the age of three, I can attest to how the physical and emotional energy toll performing can have. Like many dancers, my body is ravaged from the work I asked it to do when I was younger. But I wasn’t faced with the challenges that Bill Shannon faced from childhood. Bill Shannon is on another level from us all. He is a relentless artist and it’s magic.
He grew up making home movies, being a daredevil, skateboarding, and creating a new language for dance, all while having a rare degenerative hip condition. He is a provocateur. Exploring his own pain and emotional hurt by placing others into his realm. He essentially created “What Would You Do?” scenarios before it was mainstream. As a breakdancer and choreographer, he presented the world with evolutionary milestones in thinking and accepting. But this is only a sliver of what he deals with and tries to effect. This doc tackles ableism at its core. He uses his filmed setup moments to organically teach an audience about the human mind. It’s a refreshing perspective that will grab your attention. He never lets up. His innovation is astounding. That’s true artistry. Crutch pushes past cynicism to teach and entertain and delight.
Lena Olin and Bruce Dern star in Tom Dolby‘s newest film The Artist’s Wife. While Olin plays the wife of a world-renowned artist, the film is centered on her. She has clearly given her entire life to serve and care and nourish her husband’s talent, but her emotional patience has finally run out, and rightfully so. Olin’s performance is like watching a masterclass in acting because it is not “acting”, she is living in this role. Her effortless grace and honesty explode off the screen. Dern, ever the master himself, brings precision and sadness to his character’s circumstance that you will love and hate him all at once. It is captivating.
The screenplay by Dolby, Nicole Branding, and Andi Nazemian about is a woman’s reawakening and the pressures of a caretaker. It skillfully highlights perceived gender roles. At some points actually taking an ax to them. The exploration of the ripple effects of dementia on a family unit certainly rings true. The manic behavior, the confusion, the disdain, and anger all come to a head. It’s tragic and very real.
The cinematography is beautiful. The soundtrack is a spectacular collection of indie hits. I especially adored the placement of Us by Regina Spektor. It’s joyful and perfect. The Artist’s Wife is about loss. But it is also about self-care. It is about sacrifice. Tom Dolby has presented us with a complex look at the human spirit through art and love. You will be entranced from every perspective.

Maudie is the story of two misunderstood people who yearn for physical and emotional connection. Finding one another at their loneliest, Maud and Everett form a seemingly unlikely bond navigating their way from work relationship to honest intimacy. The script has a quiet beauty, with cinematography that is as vibrant as Maud’s unique artwork. Sally Hawkins‘ performance in the titular role is nothing short of award-worthy. While portraying real life folk artist stricken with severe arthritis, each movement seems both physically pained and balletic all at once. Ethan Hawke steps outside his usual cool guy fare to portray a rather rough around the edges fishermonger. Their chemistry on screen is an absolute joy to watch. Maudie is an unusual love story that will capture your heart and touch your soul.


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