
CAN
Filmmaker Kailee McGee shares snapshots of her innermost thoughts on her journey with breast cancer. Tongue in cheek, manic, clever, stream of consciousness, unfiltered, and hilariously meta, CAN feels revelatory. It is celebratory irreverence. McGee makes her situation relatable and palpable. She is raw and funny as hell. I would 1000% watch a feature-length version. It has that “it” factor, and McGee owns every bit of its magic.

Credits
Director: |
Kailee McGee |
|---|---|
Producer: |
JP Bolles, Kailee McGee |
Screenwriter: |
Kailee McGee |
Cinematographer: |
Patrick Jones |
Editor: |
Rich Costales, Kailee McGee |
Production Designer: |
Rose Curry |
Sound Designer: |
Travis Prater |
Music: |
Andrew Orkin |
Principal Cast: |
Kailee McGee, Mamoudou Athie, Whitmer Thomas, Ellyn Jameson, Greta Titelman, Nori Reed |
Additional Credits: |
Sound Recordist: Dave McKeever, Art Director: Tahryn Smith, Art Director: Conor Brown, Hair & Makeup: Christina Spina, Additional Editing: Mike Giambra |

MY IDEA

The video features a performer perpetually dressed in a mo-cap suit. It is what my brain imagines Andy Serkis‘ life to be in his nightmares. Alex Karpovsky delivers a charming performance. You can feel the yearning for freedom.
YATCH‘s track is super catchy. Kailee McGee proves, for the 2nd time at this year’s fest, that she possesses unbridled creativity. Reteaming with editor Rich Costales is chef’s kiss. They clearly understand each other’s vision. Give her all the jobs.
Credits
Director: |
Kailee McGee |
|---|---|
Executive Producer: |
Adam Lisagor |
Producer: |
Kailee McGee, Nichole Luna, Rich Costales |
Screenwriter: |
Kailee McGee |
Cinematographer: |
Connor Heck |
Editor: |
Rich Costales |
Production Designer: |
Tahryn Smith |
Sound Designer: |
Dave McKeever |
Music: |
YACHT |
Principal Cast: |
Alex Karpovsky, Claire L. Evans, Jona Bechtolt, Rob Kieswetter, Kailee McGee |
Additional Credits: |
Hair & Make-Up: Christina Spina, 1st AD: Jason Lawliss, Choreography: Maritza Navarro, Color by: Beau Leon, VFX: Sandwich Video, MoCap Costume by: Francesca Roth, Set Dresser: Conor Brown, Prop Master: Graham Anderson, TED Talk Script by: Claire L. Evans |















At one point the Summer Season was depicted by the film’s released between Memorial Day and Labor Day weekends, but the time’s have changed and so has Hollywood. Summer tent-pole films are being released earlier and earlier to avoid the cluster of blockbusters being released weekly to capitalize on the lack of competition which of course means more money. So we’ve decided to expand our scope and include April into out Top Summer Movies of 2014…buuuuut we’re also cutting off the last 2 weeks of August…so sue us!
For all the summer blockbuster busts that 2014 has produced, it’s refreshing when a film like Dawn of the Planet of the Apes is released. Set a decade after the events of Rise of the Planet of the Apes, Dawn takes us further into the backstory of how the human race succumbed to the apes and ultimately lost the planet. Director Matt Reeves takes over the franchise and creates a smart, visually stunning, spectacle that revolves more around the apes as the central characters than the humans. Andy Serkis returns to the motion capture suit to again play the role of Caesar, the leader of the apes, whose history has lead him to both respect and fear the human race. Will Dawn be the smash hit Fox is hoping for and pave a fresh new path for further sequels in this storied franchise?
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