‘SCARED SHITLESS’ (2025) Gooey, goofy greatness.

Blue fox LogoSCARED SHITLESS

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Vivieno Caldinelli delivers a beautifully absurd, delightfully disgusting treat with SCARED SHITLESS. The film follows widowed plumber Don and his germaphobic son Sonny as they attempt to save an apartment building from a disastrous lab experiment.
 
scared shitless 1Chelsea Clark (Pins and Needles) gives Patricia, the building owner’s daughter, an incredibly grounding energy. She’s the straight character of this bunch. Patricia also solidifies the plot by guilting Sonny into continuing his work and providing a safe space for Sonny’s phobias. Clark also serves as the third hero with her scientific knowledge.
 
scared shitless 2Daniel Doheny plays Sonny with perfect manic energy. He is one panic attack away from implosion. Doheny handily glides through Sonny’s arch as the gross factor increases. He nails this genre. Steven Ogg (Dark Match) is such a magnetic presence in everything, and as Don is no exception. His relentless confidence makes him easy to root for. Clark, Doheny, and Ogg share phenomenal chemistry. I would love to see this trio tackle more weird shit together.
 
scared shitless creatureSteven Kostanski serves as both Executive Producer and FX goo god. The amount of physical ick in the film should come as no surprise to fans of Kostanski’s work. PG: Psycho Goreman is a damn joy. Writer Brandon J. Cohen seamlessly marries creature feature gore, family trauma, and laugh-out-loud funny dialogue. The kills are actually insane. I definitely yelled, “OH, SHIT,” at the scream. I gagged more than once. Troma would be proud.
PS- stay for the credits.

HERE is the Scared Shitless TRAILER.

SCARED SHITLESS, opening in US theaters and on digital October 3, 2025.



The buzzy festival creature feature stars Steven Ogg (“Grand Theft Auto,” AMC’s The Walking Dead, HBO’s Westworld), Daniel Doheny (Alex Strangelove, The Package, Syfy’s Day of the Dead), Chelsea Clark (Degrassi: Next Class, Tokens, Ginny & Georgia, The Protector, Life with Luca), and Mark McKinney (The Kids in the Hall). The film picked up several festival awards during its festival run which included over 25 official selections internationally. (full list below)

In Scared Shitless, a plumber (Ogg) and his germaphobic son (Doheny) are forced to get their hands dirty to save the residents of an apartment building when a genetically engineered, blood-thirsty, creature escapes into the plumbing system.

Genre: Horror Comedy
Distributor: Blue Fox Entertainment
Production Company: Happy Cat Productions
Directed by: Vivieno Caldinelli
Written by: Brandon Cohen
Produced by: Lewis Spring
Cast: Steven Ogg, Daniel Doheny, Chelsea Clark, Mark McKinney, Marcia Bennet
Tagline: Don’t forget to flush!
Logline: Two plumbers are forced to save the residents of a building when they discover a killer creature in the pipes.
Synopsis: Don, a blue-collar plumber, and Sonny, his germaphobic son, are forced to take care of one another after the death of Sonny’s mom. To help Sonny overcome his germaphobia, Don drags him out on a routine house call where they encounter a plumber’s worst nightmare… a vicious killer creature that’s swimming through the pipes, killing the building’s tenants in an increasingly grisly fashion.
Country: Canada
Language:  English
Not Yet Rated
Year: 2025
 
 
Film Festivals Info
Scared Shitless Wins:
Fantasia Film Festival (Montreal) – Bronze Audience Award for Best Canadian Feature 
Blood In The Snow (Toronto) – Best Picture, Best Special Makeup F/X
Fantaspoa (Brazil) – Best All-Nighter Film
FogFest (Newfoundland) – Best Special Effects
FilmQuest (Utah) – Best Supporting Actor
Dead Of The Night (UK) – Best Feature
NorthWest FearFest (Edmonton) – Best Canadian Feature
Vancouver Horror Show (Vancouver) – Best Lead Actor
Be Afraid Horror Fest (Italy) – Best Feature
 
Nominations:
Vancouver Horror Show – Best Feature, Best Director, Best Writer, Best Cinematography
Fantasy Film Fest – Fresh Blood Award
FilmQuest – Best Makeup F/X, Best Production Design/Art Direction, Best Actor
Blood In The Snow – Best Supporting Actor
FogFest (Newfoundland) – Golden Guts Award
 
Official Selection:
Fantasia (Montreal)
FrightFest UK (London)
Screamfest (LA)
Calgary International Film Festival (Calgary)
Fantasy Film Fest (Germany)
Slash Film Festival (Austria)
ASNIFF (France)
Dead of The Night (UK) 
Ramaskrik (Norway)
Vancouver Horror Show (Vancouver)
Horrorthon (Dublin) 
Razor Reel (Belgium)
NorthWest FearFest (Edmonton) 
Lund (Sweden)
FilmQuest (Utah)
Morbido (Mexico)
Blood In The Snow (Toronto)
It’s Alive (Bulgaria)
Blodig (Denmark)
Molins (Spain)
Tallins (Estonia)
Night Visions (Finland)
Be Afraid Horror Fest (Italy) 
BIFFF (Belgium)
Fantaspoa (Brazil)
Brugggore (Switzerland)
FogFest (Newfoundland)
 
For more horror, click here!

‘SCURRY’ (2025) Super satisfying creature-feature available this Friday

SCURRY

Scurry poster

Luke Sparke‘s apocalyptic sci-fi creature feature SCURRY opens in theaters and on VOD this Friday. The film follows two strangers trapped in a series of pitch black tunnels. They search for an escape route while being stalked by the lifeforms wreaking havoc above ground.

scurry main stillFew films have been able to pull off the one-shot feat. SCURRY owns it. Here is a team that has total trust, impeccable timing, and chemistry between the cast and crew, leading to cinematic magic. The element of enveloping darkness, a small, unpredictable light source, and the blurry infrared of a camcorder create relentless dread.

scurry stillJamie Costa and Emalia (The Dog) are spectacular, balancing caution, fear, desperation, audacity, and unrelenting determination. Screenwriter Tom Evans has Mark and Kate simultaneously butting heads while also needing to collaborate. Emalia’s physical performance encapsulates real-life panic attacks. Costa’s emotionally fraught turn has you rooting for him. If you’re like me, you may find yourself yelling at the screen.

Scurry has elements of CLOVERFIELD, THE DESCENT, and Stephen King‘s THE MIST. It is a tense and entertaining watch from beginning to end.


Scurry Trailer:

Luke Sparke’s One-Shot Horror Sci-Fi Scurry
Starring Jamie Costa & Emalia
Streaming on Digital HD October 3


When an unthinkable attack devastates their city, two strangers find themselves trapped beneath the chaos, wounded and disoriented. As they fight to survive in a narrowing underground tunnel, their injuries worsen, and their chances of escape dwindle. But the collapsing passageways aren’t their only threat—something else is lurking in the darkness, something relentless and hungry. Shot in real-time using a single continuous take, Scurry delivers a gripping, claustrophobic horror experience that will keep audiences on edge until the very last moment.

For more horror, click here!

‘SOMNIUM’ (2025) Where dreams coming true is a double entendre.

Yellow Veil Updated logo

SOMNIUM

SOMNIUM poster

Aspiring actress Gemma leaves behind her small town and moves to LA. Upon discovering the harsh reality of pounding the pavement in Hollywood, from failed auditions to a dwindling bank account, Gemma desperately takes a position at a dream studies lab, Somnium. After accidentally meeting a producer, things are looking up. Until her graveyard shift, severe lack of sleep, and the discovery of questionable lab practices, cause her new life to shift into a waking nightmare.  Read More →

‘JAMES CAN EAT’ (2025) An eye-opening look into this stomach-churning sport.

Amazon_Prime_Video_tips_1JAMES CAN EAT

James can eat poster

Vlad Yudin‘s documentary JAMES CAN EAT dives into the dramatic world of competitive eating through the journey of Australian champion James Webb, AKA JWebby. The story brims with controversy, sabotage, favoritism, pride, and social media mayhem as James Webb faces adversity in pursuit of the ultimate competitive eating prize and his honor.

If you’ve ever had the pleasure of witnessing the annual celebration of gluttony, otherwise known as Nathan’s Famous Hot Dog Eating Contest, you understand that there is nothing like it. I like to describe it as witnessing a car crash that people are cheering for. It is a visceral and shocking event. James’ goal is to improve every year while chasing the title.

JAMES CAN EAT_FILM MASTER_PRO RES V2.00_17_49_07.Still008The doc features sit-down interviews with the world’s most successful competitive eaters as well as James’ family members. The latter informs his motivation, from his love of soccer to bodybuilding. Yudin sets the audience up to root for James as we lead up to the 2023 Hot Dog Eating contest. 10 weeks out, and something diabolical occurs in middle America. We learn about the physical barriers, including his brutal two-year hospital stay after his Guillain-Barré diagnosis. But Webb refused to lose.

Webb’s rising star is a boost to the sport. The competitive eating veterans validate his abilities at every turn. Even the ultimate champ, Joey Chestnut, loves him. James’s success online also comes with the dark side of social media, as anonymous users question his integrity. Webb will go to any length to beat Joey, and with all due respect. The irony that runs through the film is jaw-dropping.

JAMES CAN EAT_FILM MASTER_PRO RES V2.00_08_08_02.Still003Doo Soo Kim‘s tight close-ups in the opening credits alongside the rather ominous score might make you think you’re about to watch a slasher film. If you can’t stand to witness grown men stuffing food into their mouths, then you might be right. Yudin subconsciously taps into the horror of it all.

If you think you’re not interested in competitive eating, think again. Yudin allows Webb to shine. Make no assumptions about James Webb. His personality is infectious, and his undeterred passion is inspiring. JAMES CAN EAT is an engrossing peek behind the scenes of the sport. Does James achieve his goal? You’ve gotta watch and find out. So much will have you shaking your head, and I, for one, will never look at Nathan’s contest with the same respect, but I will forever honor James Webb’s honesty.

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JAMES CAN EAT trailer:

Generation Iron’s compelling new documentary JAMES CAN EAT
will be available on VOD and streaming exclusively on Prime Video on Friday, August 22nd.

 

Featuring JAMES WEBB, JOEY CHESTNUT, AND GEORGE SHEA

Directed By VLAD YUDIN

Produced by EDWIN MEJIA JR., P.G.A. and VLAD YUDIN, P.G.A.

Cinematography by DOO SOO KIM

Edited by ADIO ASH

https://generationiron.com/james-webb-can-eat-movie/

Documentary | 107 minutes | Not Rated | 2025 | English | USA

For more documentary coverage, click here!

‘DANIELA FOREVER’ (2025) Grief, guilt, and grace. Nacho Vigalondo delivers another stunner.

well go usa logoDANIELA FOREVER

daniela forever poster

Following the death of his beloved, Nicolas enters a visionary drug trial that lets him explore his relationship with new eyes and the boundaries of physics. Nacho Vigalondo‘s DANIELA FOREVER is an emotionally complex, visually stunning deep dive into grief.

daniela forever 3As Nicolas learns to navigate and control his time and environment with Daniela, real life pales in comparison. He selectively shares information with the scientists, and suddenly Daniela’s behavior evolves, allowing Nicolas to control her newly created memories. With each evolution of his dream states, Nicolas destroys the dimensions of reality, while also coming to terms with his selfish behavior.

daniela forever 2The lighting is dazzling. The stark visual contrasts, including varying aspect ratios, between the memory and the present, are incredible. The grainy, Super 8 camera effect screams sadness, while the sharp, CGI-enhanced dream state envelops the audience from every angle and emotion.

Henry Golding easily carries the film. He is brave, funny, and authentic. His chemistry with Beatrice Grannò is tangible. Nicolas’ emotional arc is fascinating, and Golding lives every beat. He is effortlessly charming and vulnerable.

daniela forever 1Fans of Eternal Sunshine of the Spotless Mind will instantly vibe with DANIELA FOREVER. Vigalondo delves into selfishness, manipulation, and jealousy through his penchant for magical realism, sci-fi, and visual spectacle. If you are familiar with his resume, you understand how perfectly this film slots into his catalog. This exploration of anguish is undeniably extraordinary, but more importantly, DANIELA FOREVER is about rediscovering what makes life glorious, cherishing the details, honoring the mundane, and remembering how much joy still exists. It very much tackles the adage, “If you love something, set it free.”

Daniella Forever Trailer:

DANIELA FOREVER
In Select Theaters July 11
and On Digital July 22

 

For more sci-fi coverage, click here!

‘PINS AND NEEDLES’ (2025) Science and psychopaths make great bedfellows

filmhub logoPINS AND NEEDLES



PINS_AND_NEEDLES_Key_ArtFilmmaker James Villeneuve brings audiences a creative thriller ripped straight from global science and technology headlines. In PINS AND NEEDLES, a diabetic biology grad student’s ride back to campus turns deadly when a flat tire finds her trapped with two diabolical biohackers. With her insulin running dangerously low, Max must figure out a way to escape and take down a couple of psychopaths in the process.

PINS_AND_NEEDLES_03Max’s diabetic hallucinations are an incredibly creative way to use Daniel Gravelle and work out potential escape routes. Short and sweet fantasy sequences also keep your heart racing. I would have loved more of both. I do have a gripe about there being no food in the house. Emily and Frank very clearly live in the house, and there is not a single snack lying around.

PINS_AND_NEEDLES_04While Kate Corbett and Ryan MacDonald are sufficiently eccentric and evil as our whackjob “scientists,” PINS AND NEEDLES is 100% the Chelsea Clark show. She easily carries every scene with grace and ferocity while never going overboard. She is one to watch.

PINS_AND_NEEDLES_02I loved the use of car keys, and women will cheer that shit on. Did I yell at the screen during the finale? Damn right. PINS AND NEEDLES makes direct fun of billionaire Bryan Johnson. You know, the guy injecting himself with his son’s blood to stay young forever. And, just for your information, he’s moved on from that practice and opted for a “total plasma exchange” instead. Biohackers love to claim science when we all know damn well any fountain of youth is only for sale to the highest bidders. PINS AND NEEDLES leans into real-life monsters in a wildly clever way.

Pins and Needles Trailer:

 Canadian cat-and-mouse thriller PINS AND NEEDLES opens in the U.S. on June 24th from Filmhub

 

For more thrillers, click here!

‘DON’T TELL LARRY’ (2025) The dark and hilarious workplace comedy is in theatres and On Demand today!

level 33 logoDON’T TELL LARRY

After lying to her new eccentric coworker Larry about a company party, an ambitious corporate flunky must deal with the deadly consequences.

Dot-Marie Jones and Ed Begley Jr. serve up pro performances that most certainly elevate DON’T TELL LARRY. Kiel Kennedy has a genuine Will Ferrell energy. His portrayal of Larry is cringe, uncomfortable, and entirely unhinged. It’s wild and wonderful. I won’t say more because seeing is believing. Kennedy gives Larry a larger-than-life persona, mastering the comedy and terror.

Kenneth Mosley is Patrick, Susan’s work bestie and equally fabulous sidekick. Do yourself a favor. Watch Mosley’s reel on IMDB. You will wonder why he isn’t on every screen in your home. His performance as Patrick immediately catches you off guard in the best way. He’s magnetic. Patty Guggenheim is unforgettable as the hyper-ambitious Susan. Guggenheim is a star. She has a similar energy to Julia Louis-Dreyfus. Her comic timing and charisma pull you in. Her chemistry with Mosely makes me want a sequel/spin-off/whatever!

Filmmakers Greg Porper and John Schimke give us a classic, over-the-top workplace comedy that stands alongside titles like OFFICE SPACE. It’s wacky and worth your eyeballs.

Watch the Don’t Tell Larry Trailer:


93 MIN | DARK COMEDY | THRILLER | ROMANCE | INDEPENDENT | NR TV-14

Don’t Tell Larry is

IN THEATRES AND ON DEMAND 6.20.25



Emagine Portage 16 | Portage, IN

Emagine Palladium 15 | Birmingham, MI

Emagine Rogers 18 | Rogers, MN

Galaxy Monroe 12, Monroe | WA

Laemmle Royal | Los Angeles, CA

Sunrise Theatre | Southern Pines, NC

Laemmle Town Center | Los Angeles, CA



Directed by

Greg Porper & John Schimke



Written by

Greg Porper & John Schimke



Produced by

Greg Porper, p.g.a.

John Schimke, p.g.a.

Brad Keller



Executive Produced by

Ed Begley Jr., Barry Goodman, Robert Porper



Starring

Ed Begley Jr., Dot-Marie Jones, Patty Guggenheim, Kiel Kennedy, Kenneth Mosley, Tina Parker, Heath Allyn, Molly Franco, Ronda Dale Kirk, Joe Rojas Jr., Terrence Dearman, Billy Blair, Bruce Davis



DON’T TELL LARRY – SYNOPSIS

After Susan tells a harmless white lie about an office party to her truth-obsessed co-worker Larry to secure a promotion, she finds herself in over her head when tragedy strikes, and all signs point to Larry as responsible. Terrified her secret will be exposed, Susan ropes in her well-meaning but clueless co-worker Patrick to help cover up her tracks—but every move they make unleashes a whirlwind of chaos. From random drug tests and car explosions to a suspicious detective and a rising body count, Susan’s workweek spirals into a full-blown clusterf*ck.



About Level 33 Entertainment

Los Angeles based Level 33 Entertainment is a global content sales and distribution company dedicated to promoting diverse voices in independent film. Level 33 provides innovative sales, marketing and distribution services for feature films and entertainment content, delivering a flexible and transparent distribution solution for all platforms including Theatrical, Home Entertainment, On Demand, Broadcast and OTT.

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‘BLEEDING’ (2025) This new take on the vampire genre is addictive.

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BLEEDING

Bleeding poster

In a world where infected blood has become the most dangerously addictive opioid, a teen must cross moral lines to save his spiraling cousin and a reluctant acquaintance.

The blood of the infected is harvested and dried into pill form. People are turning into vampires during an overdose and then using others as incubators to feed their needs or sell to the masses. Society has turned its back, deeming the cursed monsters, even airing reality television series in the vein of COPS, showing the brutal deaths of infected individuals.

Bleeding_Still_5Following the overdose death of his brother, Eric’s coping mechanism for his unresolved trauma is breaking and entering to avoid his home life. A visit to his junkie cousin Sean’s house leads to the accidental destruction of a bag of drugs. Now, the boys must devise a plan to find the funds to pay back Sean’s dealer.

After Eric and Sean break into what they assume to be a vacation home, they discover Marcus’s close friend, Sarah, zip-tied in a dark bedroom. Two scumbags are farming her. When Sean needs a fix, he can’t resist her vulnerable neck. Except he’s never had pure blood, and the lure puts him over the edge. Sarah prevents him from turning.

She and Eric strike a deal for survival- He will try to get her across the Canadian border for experimental treatment in exchange for a jar of her blood to pay off Sean’s debt. Sean makes his way to the dealer Dustin’s house alone. Little does he know who he’s dealing with. His ultimate selfishness may be everyone’s undoing.

Bleeding 1Jasper Jones is a pretty boy screw-up. His tough-guy persona leads to stupid decisions. Jones is incredibly watchable. He expertly leans into a character that feels deeply punchable but shows us we’re missing the root cause. Jones delivers the manic behavior of addiction like a pro. It is an impressive turn.

John R. Howley is dazzling as Eric. He takes a wounded bird, combines it with fearless desperation, and demands your attention. It’s unfathomable that this is his first film role. There is a bright and busy future ahead for this young man.

Cinematographer Daniel Cho takes advantage of the ever-changing natural light as the film plays out in relatively real time. BLEEDING will make a perfect companion watch with MY HEART WON’T BLEED UNLESS YOU TELL IT TO. Both films center on complex family relationships and bargaining with death. Filmmaker Andrew Bell creates an endlessly intriguing meditation on cyclical addiction. This new take on the vampire genre is undeniably refreshing. BLEEDING is so dark it may consume you whole.

BLEEDING Trailer:


BLEEDING is available on Screambox + VOD beginning Tuesday, June 10th. (Today!!)

Written & Directed by: Andrew Bell

Produced by: Nicholas Payne Santos, Bofan Zhang, and Kenneth Green

Starring: John R. Howley, Jasper Jones, and Tori Wong

www.bleedingfilm.com

 

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‘PÁRVULOS: CHILDREN OF THE APOCALYPSE’ (2025) One of last year’s best gets a June release. Check out the trailer!

PÁRVULOS: CHILDREN OF THE APOCALYPSE

PÁRVULOS poster

PÁRVULOS: CHILDREN OF THE APOCALYPSE- One of the coolest films from last year’s festival circuit is coming in June.

Synopsis: In a dystopian future ravaged by a viral apocalypse, three young brothers—Salvador, Oliver, and Benjamin—find themselves isolated in a remote cabin deep within the woods. As they navigate this desolate world, they harbor a dark and disturbing secret in their basement, a presence they must feed to ensure their own survival.


Here is our original Fantastic Fest 2024 review:

Filmmaker Isaac Ezban brings Fantastic Fest 2024 PÁRVULOS, the story of three siblings surviving in the woods by scavenging in a virus-ravaged world. The dangerous secret they harbor in the basement may be their undoing.

PÁRVULOSThe cinematography is something to behold. The sepia-toned lens locks you into a compelling plot. It creates this magical, borderline eerie feeling. The production design team is aces with children’s drawings and makeshift inventions. The post-apocalyptic aspects are relatively subtle but incredibly effective. The end credits are outstanding. The original song “Our People Need Our Help” is a certified banger.

Two surprising performances will blow you away, but I won’t spoil that with specifics. I will only say that Norma Flores and Horacio Lazo give us everything they’ve got. Our three young brothers are magnificent. Mateo Ortega Casillas gives Benny the right amount of innocence and rebellion. Leonardo Cervantes delivers vulnerability and compassion as Oliver. Farid Escalante Correa gives Salvador a perfect mix of resentment and raging hormones. Together, they warm and break your heart.

The film’s tone takes an unexpectedly amusing twist once Benny learns the secret that Oliver and Salvador keep in the basement. Benny convinces his brothers that normalcy can return if they try hard enough. Their unrelenting determination hits a snag when a young woman crashes their holiday plans. The film takes another turn during its nearly two-hour run. A wildly dark finale holds you captive.

PÁRVULOS has enough meat on the bone for a series. Visually striking, beautifully acted, and ceaselessly compelling. Is it not only a highlight of Fantastic Fest, but one of the year’s best films, period.

Trailer:

PÁRVULOS: CHILDREN OF THE APOCALYPSE
On Demand June 3rd

‘EGGHEAD & TWINKIE’ (2025) The perfect Gen-Z rom-com finally gets a release date!

giant pictures logoEGGHEAD & TWINKIE

Egghead & Twinkie poster

EGGHEAD & TWINKIE is an instant classic. After coming out to her parents, two best friends go on an impromptu road trip to meet a crush. This genre-bending film is one of the most fun selections at Outfest: LA. (Here is our original review from the fest)

Egghead & TwinkieJill Cefalo-Sanders provides quirky animation, giving us adorable hand-drawn anime-inspired visuals for emotions, sounds, and transitions. It’s very Lizzie McGuire, and that’s an absolute compliment. It’s almost its own character in the film. The script kicks close-minded conservatism to the curb, much like a Mini Katana cutting through outdated beliefs with precision and style. Writer-director Sarah Kambe Holland makes Twinkie a total badass. She is funny, brave, awkward, fearless, and (to use a Gen Z word) fire. Holland gives Egghead all the qualities to balance his best friend. He is nerdy, loyal, thoughtful, and unequivocally at Twinkie’s mercy. The script doesn’t shy away from sexual fluidity but directly addresses it in an accessible way. 

Egghead & Twinkie_Still 15_300dpiAsahi Hirano plays Jess with a comfortability that is chef’s kiss. Acting like an LGBTQ+ sensai for Twinkie, Hirano makes the conversation flow easily. She is a delight, someone who could carry a spinoff film. Louis Tomeo as Egghead is fantastic. He is laugh-out-loud funny in his natural delivery. The sass is perfection. Holland allows him to show his comedy chops through the script and hilarious editing from Anna DeFinis and Kristina League. Sabrina Jie-a-fa plays Twinkie with a perfect balance of audaciousness and hesitancy. We see authentic coming-of-age and coming-out stories in her journey. Together, Tomeo and Jie-a-fa are a spectacular duo. You will fall in love with them. 

egghead & Twinkie dinner sceneThe teenage shenanigans ring true. That feeling of invincibility and daring reminds me of my crazy ideas and dumb decisions in the late 90s. Egghead and Twinkie take risks, make mistakes, hurt each other, get their hearts broken, and confess their fears. The film is a helpful guide for parents struggling to understand their kids’ feelings. Regardless of their core beliefs, EGGHEAD & TWINKIE is undeniably relatable. A modern-day romcom-buddy comedy-road movie we all needed to see. It is easily one of the year’s best films. Do not sleep on it!

EGGHEAD & TWINKIE
2023 | USA | 87 min | Color | Narrative Comedy
 RELEASE INFO
Available on Demand April 29 (U.S. & Canada)
*Special Screening in Los Angeles, including Q&A with filmmakers and cast
Thurs, April 24, 7:00pm
Laemmle Glendale, 207 N. Maryland Ave.
Info & Tickets:
https://www.laemmle.com/film/egghead-twinkie

  • Director:
    Sarah Kambe Holland
  • Screenwriter:
    Sarah Kambe Holland
  • Producer:
    Danielle Fountaine, Sarah Kambe Holland, Valerie Starks
  • Executive Producer:
    Simon Holland, Torye Kambe, Dan Pastewka, Kathleen Weldon
  • Cast:
    Sabrina Jie-A-Fa, Louis Tomeo, Asahi Hirano, Ayden Lee
  • Cinematographer:
    Olivia Wilson
  • Editor:
    Kristina League, Anna Definis, Sarah Kambe Holland
  • Animator:
    Jill Cefalo-Sanders
  • Production Design:
    Luke Sanders
  • Composer:
    Ben Thornewill
  • Sound Design:
    Bo Li
  • Music:
    Arielle James Harris
For more LGBTQ films, click here!

‘DADDY’ (2025) The terrifying consequences of dragging emotional baggage into parenthood.

anchor bay ent logoDADDY

Daddy poster

In Neal Kelley and Jono Sherman‘s sci-fi comedy DADDY,  four men navigate an intense government-controlled assessment retreat to determine whether they are eligible to father children. When they arrive at a remote cabin in the California hills without phones or the appearance of an assigned monitor, paranoia sets in. 

The dialogue feels like a stage play. The men share anxieties, theories, dreams, trauma, and awkward existential moments. Their social hardwiring takes center stage with subtle (and not so subtle) toxicity and competitive natures rearing their ugly heads. The audience lives in their discomfort. 
DADDY-FEATUREThe men are colored-coded with various shades of sweatsuits and matching household items. Each one has a unique personality, problem-solving strategies, and emotional intelligence. Kelley and Sherman escalate mundane scenarios mirroring the unpredictability of parenting. I would love to see the women’s retreat as a sequel. 

These men are complicated, and the arrival of a mystery guest heightens everything. Yuriy Sardarov, Jacqueline Toboni, Neal Kelley, Jono Sherman, and Pomme Koch deliver exceptionally nuanced performances. 
Daddy Still 9Empathy, competition, and fear create a powder keg. DADDY is a superb companion watch for The Assessment. Both occur in a dystopian near-future that looks more plausible with each passing day. DADDY is a complex character study with an ending that may shatter your moral compass. Do not miss it. 

DADDY Trailer:

The film will be available on VOD on Tuesday, April 15th following a limited theatrical release.

 

Anchor Bay Entertainment’s sci-fi comedy DADDY, directed and written by Neal Kelly and Jono Sherman and starring Yuriy Sardarov (“Chicago Fire,” Argo), Jacqueline Toboni (“Grimm,” “The L Word: Generation Q”), Neal Kelley, Jono Sherman, and Pomme Koch (“Law & Order,” “WeCrashed”).  

Daddy doll stillFor more sci-fi coverage, click here!

‘ZERO’ (2025) Next-level cat-and-mouse-thriller that wowed at Beyond Fest 2024 finally in theatres and on VOD April 11th!

well go usa logoZERO

Zero poster

Jean Luc Herbulot brings Beyond Fest 2024 audiences a heartpounder in ZERO. Two Americans in Senegal wake up to discover bombs strapped to their chests and an unknown man speaking in their ear. They have ten hours to complete seemingly unrelated tasks before they explode. Can they beat a madman at his own game? This stealthy geopolitical thrill ride does not disappoint.

At first glance, our leading men appear opposites, but the script slowly reveals their motivations are the same. ZERO is an entirely new game of cat-and-mouse. A surprising philosophical angle is carefully crafted into the screenplay, branding a message into the audience’s psyche.

zero 2Fast-paced editing and augmented sound effects keep you engaged from the first frame. The concept combines the adrenaline of SAW and SPEED, but it’s funnier and inevitably much darker. The soundtrack is fantastic. Gregory Turbellier‘s camerawork is immersive and sharp.

Performances are outstanding. Unmistakable icon Willem Dafoe is the mysterious voice over the phone. There is something about his tone and rhythm that hypnotizes the viewer. Gary Dourdan adds a voice of enlightenment. His calm, powerful demeanor sets a tone against the tumultuous pacing.

zero 3Leading players Hus Miller (who also co-writes) and Cam McHarg have fiery chemistry, each delivering fully flushed-out characters even if we know the most basic information about them. They make a great on-screen team. I would love to see this entire crew create more projects together.

Jean Luc Herbulot delivers a winner in ZERO. Its bold messaging and fearless choices make it one of the year’s most shocking thrillers.

ZERO Trailer:

DIRECTOR: Jean Luc Herbulot
WRITERS: Jean Luc Herbulot, Hus Miller
CAST: Hus Miller, Cam McHarg, Gary Dourdan, Moran Rosenblatt, Annabelle Lengronne, Jessica Lorraine, Roger Sallah

zero 1For more Beyond Fest 2024, click here!

Reunion comedy ‘THE STRESS IS KILLING ME’ (2025) A palatable entry into Gen X misery share

freestyle-digital-media-logoTHE STRESS IS KILLING ME

THE STRESS IS KILLING ME poster

Following their 20th college reunion, a group of old friends agrees to stay in a rental together for a week-long getaway rather than immediately part ways. During dinner, everyone around the table says what they’d be if they could choose another career path. They agree to take the week and live out that dream in the rental house. From chef to teacher, artist to detective, the group reluctantly indulges in each other’s fantasies. The past does not stay buried, and things get chaotic.

THE STRESS IS KILLING ME groupYou know these characters. They are quirky, anxiety-riddled, moody, unhappy, hopeful, and exhausted. Ya know, all the things we are in our 40s. The cast has a fun chemistry. It’s easy to imagine that they are friends in real life, and they concocted this film throughout the weekend. Misery loves company. THE STRESS IS KILLING ME digs into all those messy, unresolved feelings that hide in the back of our memories 20 years later.

THE STRESS IS KILLING ME 1Each character delves into regrets and what-ifs. The script examines mortality, imposter syndrome, and the patterns we fall into with old friends. While it’s still slightly goofy and relatively predictable, THE STRESS IS KILLING ME is an enjoyable walk down memory lane. It’s a comfort watch.


THE STRESS IS KILLING ME Trailer:

Freestyle Digital Media’s new comedy, THE STRESS IS KILLING ME will have its world theatrical premiere on Friday February 28, 2025 at the Landmark Westwood Theatre in Los Angeles and run for a week in the lead to the March 7th digital and streaming release.


THE STRESS IS KILLING ME entry
THE STRESS IS KILLING ME is written, directed, and produced by Tom Carroll, and stars Grayson Berry, Carly Christopher, April Hartman, Theron LaFountain, Barry Landers, Lisa Lucas, Matthew Page, and Crystal Thomas.

Synopsis: THE STRESS IS KILLING ME is a comedy about eight college friends reuniting for their 20th reunion at the University of New Mexico. Now in their forties, they’ve all achieved professional success but find themselves disenchanted with their current careers. During the reunion, they share their dream jobs and decide to spend a week to live them out, leading to a whirlwind of hilarious and heartfelt moments. THE STRESS IS KILLING ME explores mid-life crises, the search for happiness, and the unexpected twists life throws our way. As each friend steps into a wildly different role—like artist, yoga teacher, or sex therapist—they confront the challenges of their aspirations and rediscover the bonds of friendship that have stood the test of time.

 

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‘THE BUILDOUT’ (2025) A gorgeously shot, nail-biting genre-bender

Ethos logoTHE BUILDOUT

The Buildout poster

Filmmaker Zeshaan Younus has been the talk of the town on the festival circuit with THE BUILDOUT. The film follows two close friends scouting the Southern California desert, searching for a new site for their religious group. That is only the beginning.

The Buildout_04Cameron and Dylan are not the first to set foot on the land. Timelines cross. The two friends document what they find on a camcorder. In the isolation, they discover more questions than answers, and the viewer travels down a rabbit hole of unnerving chaos.

The Buildout_02Jenna Kanell gives Cameron a feisty edge that reminds me of Robin Tunney in Empire Records, appearance and all. There is a visible aversion to the hyper-religious nature that Dylan openly expresses. Hannah Alline (Adult Swim Yule Log) is Dylan. Alline brings an almost unwavering, psychopathic faith as a recovering addict. Kanell and Alline share a beautifully organic chemistry. They are perfect foils for one another. They share an unresolved trauma bond within a larger mystery.

The Buildout_05The audience holds its collective breath with only drips of information at any given time. The eclectic camera work by Justin Moore is jarring in the best way possible, delivering a continuously menacing vibe. (Don’t think I missed your EP credit, Emily Bennett!) Matt Latham‘s editing is emotionally dizzying and brilliant. This entire team knew precisely what they were doing. Younus creates characters that captivate, backed by a story that digs its talons into your brain. THE BUILDOUT will have you begging for more.

The Buildout Trailer:

The harrowing, horrifying festival favorite

THE BUILDOUT

arrives on all VOD platforms February 25th
 
The acclaimed, dramatic thriller stars Jenna Kanell (TERRIFIER, RENFIELD) and Hannah Alline (DC’s Doom Patrol, ADULT SWIM YULE LOG)
 


Something is happening in the desert. The epicenter is a strange tent, humming with an imbued esoteric energy. What is found within its walls is incomprehensible.

We first meet Dylan and Cameron as they barrel deeper into the desert. One knows exactly where they’re going, the other one is doing their best to be a good friend.

On a road trip fueled by junk food and documented by a handheld camera, the women traverse a landscape that feels more like Mars than Earth – the California Desert. This is their last chance to get back – back to what they used to be. Today, they are but mere fragments of their former selves; weighed down by the looming presence of a shared tragedy.

A story of rebirth, recovery, closure, and accountability propelled forward by an esoteric conduit. This women-led narrative follows the tectonic shift of a friendship over one fateful day. In the face of the unexplained, they lean into their truest selves and come face-to-face with an unnerving discovery.

THE BUILDOUT is a meditation taken from behind the handlebars of a speeding motorcycle. It aims to bridge the gap between found footage and traditional cinematic storytelling while leaning into strong, capable, and unapologetic characters.

The debut feature from distributor Ethos Releasing, THE BUILDOUT is written and directed by Zeshaan Younus and stars Jenna Kanell, Hannah Alline, Natasha Halevi, Michael Sung Ho, and Danielle Evon Ploeger.

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‘STOCKADE’ (2025) Art, antiquities, and mystery collide in this unique immigrant story.

STOCKADE

Stockade_Ahlam outside house (Sarah Bitar), Credit Veronique FilmsEric McGinty‘s STOCKADE follows Ahlam, a Lebanese woman trying to get her artist’s visa extended in NYC. To pay her lawyer, she agrees to deliver a package upstate. 

Stockade_Ahlam gives package to Richard (Eric McGinty & Sarah Bitar), Credit Veronique FilmsHalfway through the story goes in an entirely bizarre direction when Richard doesn’t show up, Paul isn’t answering the phone, and two strangers appear in the house demanding the contents of the package.  Suddenly, easy money is not so easy after all.

The tonal shift into antiquities thriller/wild goose chase is a bit jarring, but you root so hard for Ahlam that you go along for the ride. It definitely feels like everyone in Stockade knows more than they’re willing to divulge, and Ahlam is a manipulated chess piece in a game she never agreed to play.
Stockade_Ahlam in her studio with Linton in BG (Sarah Bitar & Michael Wiener), Credit Veronique Films
The script features characters with racial microaggressions. The film didn’t actually need the thriller aspect at all. Ahlam’s immigrant artist story is enough to keep an audience engaged in earnest, although the commentary on the abuse of immigrant bodies is undoubtedly impactful. 

Stockade_Richard speaks to Ahlam (Eric McGinty & Sarah Bitar), Credit Veronique FilmsWhile the rest of the cast is mediocre at best,  Sarah Bitar is spectacular. She has a commanding presence about her. Ahlam holds unspoken trauma and guilt from leaving her family in Beruit. Bitar holds you captive with her fierce energy. She is the reason to watch this film.


Trailer:

Award-Winning Mystery-Drama STOCKADE Sets Limited Theatrical Release on February 21, 2025 and North American VOD Platforms and DVD on February 25, 2024 Via Freestyle Digital Media

 

The award-winning mystery-drama STOCKADE will have a limited theatrical release in Los Angeles at the Laemmle Glendale theater starting February 21, 2025, and will also be available on all North American digital HD internet, cable and satellite platforms, as well as on DVD, on February 25, 2025 via Freestyle Digital Media. In this psychological “immigrant noir” thriller, a Lebanese artist (played by Sarah Bitar) in New York takes a job delivering a package upstate, only to get embroiled in a murky scheme. STOCKADE is written and directed by Eric McGinty.

STOCKADE had its World Premiere at the 2023 Woodstock Film Festival, where it was nominated for the Ultra Indie Award. The film was also an Official Selection of the 2024 Queens World Film Festival at the Museum of the Moving Image where it won awards for Best Narrative Feature and Best Female Actor, and was also nominated for Best Director Narrative Feature, Best Ensemble Feature and Best Narrative Feature Screenplay.

STOCKADE tells the story of Ahlam, a struggling Lebanese artist in New York City who takes a job delivering a package upstate, only to open a Pandora’s box. In this updated meditation on the pursuit of the American dream, Ahlam finds herself in dire financial straits and desperate to come by the funds to extend her artist’s visa. When she is offered a job to deliver a mysterious package upstate, Ahlam believes she has found a solution. Upon her arrival in the Hudson Valley, Ahlam encounters shady characters and quirky neighbors as she is unwittingly drawn into the world of ancient artifact trafficking. Every step of the way, STOCKADE keeps viewers guessing, and with its naturalistic yet expressionistic aesthetic, this noir thriller makes a unique addition to the crime genre.

Written and directed by Eric McGinty, STOCKADE was produced by Anna Sang Park, Eric McGinty and Adam Vazquez. The cast features Sarah Bitar (‘Ahlam’), Bahar Beihaghi (‘Zora’) and Guy de Lancey (‘Paul’).

“STOCKADE was inspired by my experience as an artist who’s tracked the fine art world in New York City for many years, as well as my research on Middle-Eastern artifacts and the illegal antiquities trade,” said writer/director Eric McGinty. “But above all else, I was determined to make an ‘immigrant film noir,’ where characters and situations that are underrepresented in most mainstream films are instead at the center of the story.”

McGinty first met trilingual (English, Arabic and French) film and stage actor Sarah Bitar, when she was attending drama school in New York City. Bitar’s actual struggles inspired the creation of Ahlam, a Lebanese painter just out of art school; an antihero who gets caught up in the hyper-capitalistic, colonialistic world of fine art. The intersectionality of Bitar’s real-life – as an immigrant to America and a queer person from a region in the world where the LGBTQ+ community is often not accepted by significant swaths of society – was deeply influential as McGinty crafted the character. “It was also imperative for me to collaborate with Lebanese cast and crew members, including our editor, composer and several actors. Other performers are from the Middle-Eastern diaspora, South Africa, Korea and Argentina,” he added.

About STOCKADE writer/director Eric McGinty:

McGinty’s first feature, Wallabout, won the Best Narrative Feature Award at the 2015 Bushwick Film Festival and the Best Personal Narrative Award at the 2014 Manhattan Film Festival. In 2016, Wallabout had a theatrical release for a month at the venerable Paris art house, Cinéma Saint-André des Arts, where the esteemed film magazine, Positif, gave it 4 stars. As a first assistant director, Eric often collaborated with French directors who were shooting films in the US, including Cédric Klapisch, Luc Besson, Olivier Nakache/Eric Toledano and Rachid Bouchareb. Based in Brooklyn, Eric grew up in a bicultural environment, having been raised in Paris and Washington, D.C. by a French mother and an American father. He began his career in Paris working as an actor and stage manager in theater and modern dance. He attended the Sorbonne and graduated from the University of Pennsylvania, concentrating his studies in film and literature. In STOCKADE, Eric also plays the role of Richard.

CREDITS:

Written and Directed by Eric McGinty

Produced by Anna Sang Park, Adam Vazquez, Eric McGinty

Executive Producers: Anna Sang Park, Lela Meadow-Conner

Director of Photography: Guy de Lancey

Editor: Nay Tabbara

Music by Alex Wakim

Sound: Samuel O’Sullivan

Art Director: David Raff

 

TRT 88 minutes | Color | English, Arabic, French

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‘MOM’ (2025) Emily Hampshire wows in this visceral watch. It will haunt your soul.

Uncork'dEntertainment_Logo_CurrentMOM

Mom poster

Being a mom to a newborn is overwhelming. The isolation, judgemental eyes, unsolicited advice, sleep deprivation, and the death of your former self can eat you alive. There is no way to adequately explain the transformation of our mental, emotional, and physical being unless you have experienced it personally. Adam O’Brien brings audiences a film that tackles all these elements with a horror twist. MOM stars Emily Hampshire as a new mother struggling to connect with her newborn son. Her unforgiving husband only exacerbates each new challenge, leading to the darkest outcomes for this little family.

Mom Jared and Meredith - Rotten Tomatoes - [www.rottentomatoes.com]As a mother of two, I will never forget those days of newborn life. Lack of sleep almost drove me to the edge. In MOM, Hampshire skillfully captures the nuance of first-time parenting like I have never seen portrayed onscreen before. Screenwriter Philip Kalin-Hajdu combines each new hardship with unresolved trauma, and the marriage of those two stories makes for the perfect storytelling storm.

François Arnaud is loathsome, which means he is doing a fantastic job. His careless reactionary blaming makes him punchable. Arnaud’s version of Jared will make you want to scream. Mothers will immediately recognize the pattern of behavior.

Mom Pictures - Rotten Tomatoes - [www.rottentomatoes.com]Emily Hampshire nails this role. Her chameleon abilities shine once again in Meredith. Hampshire is so compelling you cannot take your eyes off her. She delivers an emotional torrent that burrows into your psyche. It is truly startling.

The editing, sound, and cinematography are fantastic. Often jarring in nature, they match the tone from the first frame. MOM delves into the stress of default parenting, the impossible expectations we put on women, the pressure to bond, and the insurmountable grief that digs into your soul. The film is a physical manifestation of PPD and unresolved trauma. MOM is a hauntingly visceral watch. You will feel it in your bones.

MOM Trailer:


Uncork’d Entertainment will release the postpartum horror MOM in select theaters beginning February 7 before arriving on digital/VOD platforms on February 11.

Starring Emily Hampshire, known for her acclaimed role in “Schitt’s Creek,” the film made its world premiere at Glasgow FrightFest in 2024, receiving praise for its haunting exploration of motherhood and psychological trauma.

MOM follows a struggling mother (Hampshire) who is abandoned by her family and partner after a horrific incident. As she falls further into isolation, she begins to be haunted by a sinister entity that is determined to make her relive her darkest moments. Delving into the darker side of motherhood, Mom is an intelligent and original take on the family-based horror story.

Directed by Adam O’Brien and written by Philip Kalin-Hajdu, the film also stars François Arnaud (Marlowe) and Christian Convery (Cocaine Bear). Producing are Delirium Pictures and Kinetic Film Group.

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‘IT’S COMING’ (2024) A Multi-generational American Haunting

freestyle-digital-media-logoIT’S COMING

It's_Coming_2023_film_poster

Filmmaker Shannon Alexander delivers a chilling documentary about one family’s tumultuous home life in IT’S COMING. Ashley Roland has a gift, although she may feel it’s more of a curse. Her ability to see beyond the veil began at age eleven. Now a mother of five children and having moved back to her family’s Brooklyn apartment, entities are haunting everyone, particularly her young son, Javier. A black figure is making life incredibly frightening.

It's Coming_28Ashley can see and hear spirits. The physical and mental toll is obvious, despite her shockingly calm demeanor. She has become so accustomed to her circumstances, and not much ruffles her feathers, until she realizes how deep the negative energy goes.

The film’s structure features sit-down interviews with Ashley and some of her children. She describes her family history and evolving abilities. Alexander accidentally captures small paranormal incidents on camera, predominantly while Javier and Ashley speak. Blink and you’ll miss it, Alexander seamlessly replays those seconds in slow motion, making audiences aware of what they’ve just witnessed. We also get a glimpse of Ashley’s home security footage. Unsurprisingly, the activity increases when the family addresses them in interviews.

It's_Coming_25Ashley brings in medium Soledad Haren to cleanse the apartment. She provides viewers with paranormal canon, reasons, and triggers for an uptick in activity. It is a solid checklist if you aren’t a connoisseur of this genre. Like clockwork, incidents get worse. An acrid odor pervades their apartment, so intense it triggers CO2 alarms and multiple fire department visits. Soledad returns with her spirit box and performs an automatic writing session, providing few answers and more questions.

It's_Coming_28A husband and wife team of demonologists, Chris and Harmony DeFlorio, arrive with all the electronic bells and whistles. We see their footage intercut with Shannon’s. The results are undeniably unsettling. This is the point where Ashley finally breaks. It is the first time we see her cry and become physically unwell. When you witness the effect on Chris and Harmony, your heart rate increases tenfold. The comparisons to England’s most infamous haunting, The Enfield Poltergeist, are inevitable.

It's ComingJavier’s personality slowly changes throughout the long months of filming. He describes a growing friendship with the black entity he calls Kitty. If you know anything about the paranormal, you understand how dangerous this is. You can track what looks like disassociation creeping onto his face. Something is affecting this child, whether it’s his mother’s energy or something genuinely sinister is up to the viewer, but I’ve not been this disturbed by a paranormal documentary in a long time. The final scene will send a shiver down your spine. IT’S COMING will haunt your mind long after the credits roll. You’ll question everything.


IT’S COMING Trailer:

“It’s Coming” which debuted at Hot Docs, is being released by Freestyle Digital Media in North America on November 12th.

Synopsis:
Ashley Roland, a wife and mother of 5, has been beset by supernatural entities since the age of 11. After returning to her family’s ancestral Brooklyn apartment, she begins to witness strange events in her home and learns that her children are now experiencing the same. As the paranormal encounters begin to escalate, Ashley attempts to rid her house of malevolent spirits along with specialists in the field.

Website
https://itscomingfilm.com/

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‘FILTHY ANIMALS’ (2024) Superbly unhinged vigilante shit, and that’s a compliment.

freestyle-digital-media-logoFILTHY ANIMALS

Filthy Animals poster

James T. North provides audiences with delicious and wickedly dark humor in his latest film. Set on Christmas Eve, FILTHY ANIMALS tells the story of two misfits, Lars, a thrill-seeking drug enthusiast, and Freddy, a bodybuilder recently out of rehab, who hunt down child sexual predators.

FilthyAnimals_grd04_Rec709_1.529.1.png - Powered by Box - app.box.comThis oddball team of modern-day outlaws fearlessly tracks down society’s worst with hypnotic nonchalance. It is no wonder the film had a field day on the festival circuit—the cast rules. Raymond S. Barry is phenomenal as Lester. Mena Elizabeth Santos is equally deranged, letting the intrusive thoughts win.

FilthyAnimals_grd04_Rec709_1.624.1.tif - Powered by Box - app.box.comRyan Patrick Brown delivers an unexpectedly gentle turn as Freddy. Focusing on gains rather than violence, his love for his Baba and adoration for Westerns fit perfectly into this weird puzzle. Austan Wheeler delivers a comedically unhinged performance playing Lars. He is a coked-up loose cannon and motivator/bad influence for Freddy. Wheeler’s toxic aggression gets a pass due to his vigilante goals.

FILTHY ANIMALS standoff stillRobby Ngai‘s editing is applause-worthy. North provides enough meat to expand into a series. There is much to explore within these characters. Each one deserves an entire episode for their backstory.

FilthyAnimals_grd04_Rec709_1.945.1.png - Powered by Box - app.box.comThe film celebrates the morally grey areas of life. The fantasy sequences bleed into the narrative like a gift. Memorable, singular, and sensorial FILTHY ANIMALS is the epitome of cult indie filmmaking.


 
Freestyle Digital Media’s newest crime thriller FILTHY ANIMALS with a Western, holiday twist, opens in select theaters and will be available on VOD on Friday, December 13th.

 

Written and Directed by JAMES T. NORTH

Produced by ELYUSHA VAFAEISEFAT, KENDRA GAGE NORTH, and JAMES T. NORTH

Starring RYAN PATRICK BROWN, AUSTAN WHEELER, MENA ELIZABETH SANTOS, PETER LARNEY, and RAYMOND J. BARRY

96 minutes | Crime, Thriller | 2024 | English | USA

MPA Rated R for language, violence, sexual references, drug material

 

Official Site: www.filthyanimalsmovie.com

IMDb: https://www.imdb.com/title/tt11468144/

Instagram: @FilthyAnimalsMovie

Facebook: @FilthyAnimalsMovie

X: @FilthyAnimalzzz

#FilthyAnimalsMovie    #ABadDayInTheSouthBay

 

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super clone watches

‘PERSONA’ (2024) A clever, chameleon nightmare.

gravitaslogo2020PERSONA

Persona poster

Director Mike Ho and screenwriter Blyth Kemp deliver a chaotic bullet train of panic and blurry flashes with PERSONA. Two trapped women with vastly different outlooks must come together to survive the isolated cabin of a serial killer. As each spirals in and out of manic episodes, the other counters her with brave calm. They must work together to survive the unthinkable.

Persona Set Stills for PR-36Sophia Ali is Sam, a fiery, take no shit woman whose severe injury and unresolved trauma threaten to end her fight. Ali nails every beat. You are rooting for her every second she is on screen.

Persona Set Stills for PR-56Shanti Lowry gives Tricia a hopeful nature. Underneath is a mess of cryptic hallucinations and garbled memories. Lowry moves through the character with grace amongst the unpredictable.

There is one performance that blows the viewer away. Andrew Howard is unforgettable in a purely schizophrenic, award-worthy turn.

Persona Set Stills for PR-4Ho’s editing is quick and clever. Some of the most effective moments come as the women imagine rescue scenarios for better or worse. PERSONA taps into every true-crime-obsessed female fear. It’s like some demented practice run for very real circumstances. The film boasts an explosive final act. This pulse-pounding, dark ending is worth the wait.


PERSONA Trailer:

SHANTI LOWRY & SOPHIA ALI STAR IN PSYCHOLOGICAL THRILLER PERSONA
AVAILABLE ON DIGITAL/ON-DEMAND DECEMBER 3RD, 2024

 

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‘YEAR 10’ (2024) A frightening glimpse into humanity’s darkness. What can we learn from this dialogue-less apocalyptic thriller?

Blue fox LogoYEAR 10

Year 10 poster

In a post-apocalyptic world of cannibals, a man (Toby Goodger) fights wild dogs, nature, and a violent tribe to save his love (Hannah Khalique-Brown) and avenge his father (Duncan Lacroix).


Filmmaker Benjamin Goodger brings audiences a pulse-pounding apocalyptic thriller in YEAR 10. After the world has turned to cannibalism, one man embarks on a dangerous journey of vengeance and medicine to save the woman he loves. 

Year10_Grab000002Somber natural lighting sets the tone for Year 10 from the get-go. The sweeping and ominous score plunges us deep into this near-future reality of sadness and violence. The team raises the bar even further by including heartbeat sounds, heavy drums, and dazzling strings. 

year 10 still 2The film is a genuine family affair. Scan the credits for the many Goodgers involved in this magnificent production. Charlie Googger‘s handheld camera work is immersive and beautifully choreographed.  Year 10 is quite a feat. This feature-length film with zero dialogue captivates with stunning performances wrought with panic and desperation. Toby Goodger is outstanding. His furious passion and fearless energy carry the entire movie. 

year 10 Toby goodgerThe script juxtaposes two survival styles, one of heart and kindness, and the other savagely selfish and brutal. The lack of dialogue never lessens the intensity. If anything, it allows raw emotion to convey each beat. YEAR 10 taps into the best and worst of humanity’s most feral instincts.


Year 10 Trailer:

YEAR 10 – Intense Apocalyptic Thriller In theaters and on VOD December 6th


Genre: Horror/Sci-fi / Apocalyptic Thriller
Distributor: Blue Fox Entertainment
Production company: Family Pictures
Directed by: Ben Goodger
Written by: Ben Goodger
Produced by: Bill Kenwright
Executive Producers: David Gilbery, Naomi George
Cast:Toby Goodger, Duncan Lacroix, Hannah Khalique-Brown, Luke Massy, Emma Cole, Alexander Anderson, King Gayle, Jessica Zerlina-Leafe, Tom Gaskin
Logline: In a post-apocalyptic world, a man battles cannibals and wild dogs to save his love and avenge his father.
Synopsis: 10 Years after the fall of civilization, cannibalism has become the only option for humanity’s dwindling survivors. When a violent tribe murders his father and steals the medicine keeping his love interest alive, our protagonist must embark on a treacherous journey battling the elements, packs of vicious wild dogs, and the cannibal group, or else lose the only thing he has left.

IMDB: https://www.imdb.com/title/tt21154574
Runtime: 97 minutes
Country: UK
Language: English

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