Tag Archives: Jacqueline Toboni

‘DADDY’ (2025) The terrifying consequences of dragging emotional baggage into parenthood.

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anchor bay ent logoDADDY

Daddy poster

In Neal Kelley and Jono Sherman‘s sci-fi comedy DADDY,  four men navigate an intense government-controlled assessment retreat to determine whether they are eligible to father children. When they arrive at a remote cabin in the California hills without phones or the appearance of an assigned monitor, paranoia sets in. 

The dialogue feels like a stage play. The men share anxieties, theories, dreams, trauma, and awkward existential moments. Their social hardwiring takes center stage with subtle (and not so subtle) toxicity and competitive natures rearing their ugly heads. The audience lives in their discomfort. 
DADDY-FEATUREThe men are colored-coded with various shades of sweatsuits and matching household items. Each one has a unique personality, problem-solving strategies, and emotional intelligence. Kelley and Sherman escalate mundane scenarios mirroring the unpredictability of parenting. I would love to see the women’s retreat as a sequel. 

These men are complicated, and the arrival of a mystery guest heightens everything. Yuriy Sardarov, Jacqueline Toboni, Neal Kelley, Jono Sherman, and Pomme Koch deliver exceptionally nuanced performances. 
Daddy Still 9Empathy, competition, and fear create a powder keg. DADDY is a superb companion watch for The Assessment. Both occur in a dystopian near-future that looks more plausible with each passing day. DADDY is a complex character study with an ending that may shatter your moral compass. Do not miss it. 

DADDY Trailer:

The film will be available on VOD on Tuesday, April 15th following a limited theatrical release.

 

Anchor Bay Entertainment’s sci-fi comedy DADDY, directed and written by Neal Kelly and Jono Sherman and starring Yuriy Sardarov (“Chicago Fire,” Argo), Jacqueline Toboni (“Grimm,” “The L Word: Generation Q”), Neal Kelley, Jono Sherman, and Pomme Koch (“Law & Order,” “WeCrashed”).  

Daddy doll stillFor more sci-fi coverage, click here!

Grimmfest (2021) review: ‘Shot In The Dark’ has a brilliant and bloody storytelling structure.

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SHOT IN THE DARK

Two years ago, William Langston made a mistake that would affect the course of his life. Now, with a killer loose in his home town and his circle of friends falling away one at a time, William faces his greatest fears as well as his own mortality.

Shot In The Dark is emotional and physical torture porn driven by incel behavior and extreme toxic masculinity. But, it’s also a relationship film. Keene McRae and Lane Thomas’ screenplay slowly gives you insight into William’s circle of friends and how their social dynamics have decayed over time. The small-town mayhem takes a personal turn very early on. While some minute details still left me with questions, I was captivated by the script’s structure.

Austen Hubert plays the role of Josh Ferrel. He gives a nuanced performance. Christine Donlon, as Lili, hits you right in the heart. She’s charming and earnest. You are invested in the relationship between William and Lili. Kristoffer McMillan, as William, is a fully fleshed-out, honorable man. This character is the life-breath of this film. Depression has consumed him, and that darkness becomes his fatal flaw. His tragic backstory is the catalyst for a psychopath. McMillan, who is also a co-writer, owns every frame.

GRIMMFEST 2021 audiences will be taken aback by this film, no doubt about it. The ending will shock and infuriate you. Shot In The Dark is a hell of a feature debut for Keene McRae. With a script like this, we’ll all be clambering for whatever comes next.

[Available October 15, 2021, 1:30 – 11:30 PM] Watch now online…