Aspiring actress Gemma leaves behind her small town and moves to LA. Upon discovering the harsh reality of pounding the pavement in Hollywood, from failed auditions to a dwindling bank account, Gemma desperately takes a position at a dream studies lab, Somnium. After accidentally meeting a producer, things are looking up. Until her graveyard shift, severe lack of sleep, and the discovery of questionable lab practices, cause her new life to shift into a waking nightmare. Read More →
Selling is theatre and coercion. Stanley Jacobs‘ documentary PITCH PEOPLE explores the very best in persuasive personas and the history of honest sales.
The film is a clever “how-to” guide to moving products. They are magnetic and funny. Urgency and cleverness get your attention. Does the product make life easier? All people genuinely want is to smile and feel like they’re not being taken advantage of, and that’s the key to selling.
Nowadays, if you can find an operating mall, you might still come across an AS SEEN ON TV store. A small display remains at Bed, Bath, and Beyond locations. Back in the 1950s, Atlantic City was the hub of Pitchmen. Future American celebrities like Ed McMahon, of Star Search fame, began on the boardwalk.
You all remember waking up at 3 am to infomercials. From Vitamix to ShamWow, you find yourself watching but just a bit longer than you anticipated. In person, it’s an electric energy. It has to be more personable to lock you in, and the moment these experts get you to pause and pay attention, they’ve got you sold.
Between local television spots and fairgrounds, pitching products was (and still is) a lucrative career. Only the best survive and put bundles of cash in their pockets. In a world of MLMs, this intimate energy exchange is the oldest truck in the book, and it works. The modern version comes in the form of TikTok influencers, but those 10-30-second uploads have nothing on the original masters.
PITCH PEOPLE takes the “Always Be Closing” model and mesmerizes by showing audiences entire live pitches in the wild, then cutting in sit-down interviews and archival footage. The editing is the hero of this film. You’ll be dazzled. And maybe start Googling the products as I did.
Directed, written, and produced by Stanley Jacobs (96 Souls), PITCH PEOPLE features Arnold Morris, Nancy Nelson, Lester Morris, Al Spino, Sandy Mason, Ed McMahon, Jerry Crowley, Joe Fowler, Jan Muller, John Parkin, Chester Nairne, Wally Nash, Jerry Mascuzzio, James Mason, Ian Long, and Harry Matheson.
The documentary PITCH PEOPLE is an energetic look at the pitch business, a dynamic world that started in Europe, made its way to the U.S. boardwalks, and exploded on television in the 1990s.
Run Time: 88 minutes | Rating: Not Rated
Christopher Schrack‘s FOR SALE finds Mason, a shady salesman who gets the opportunity to score big if he can sell a murder house. Can his relentless determination drive a sale and the spirits away?
Corrine Britti gives Psychic Claire a great quirkiness. Schrack and co-writer Jordan Friedber‘s screenplay allows her to play a dual role. Her commitment is applause-worthy. Andrew Roth does a fantastic job at filling the screen with his presence. His optimism and generally ridiculous “always be selling” persona keep the film in the horror comedy subgenre. Once again, Friedberg and Schrack mix it up in the final act so Roth can show off his acting chops. 
The soundtrack is fun. A handful of sharp jump scares had my heart racing. I wish Schrack and Friedberg had leaned into Mason’s unresolved trauma earlier in the film. That emotional pull hits another level, heightening the dark threats, but I respect them for introducing a redemption arc. While the pacing is uneven, the visuals and sound editing are phenomenal. Essentially, what is good is extremely good. FOR SALE ends with one final genuine gafaw.
FOR SALE is a handmade film in the truest sense – a crew of three, a cast of ten, and produced by director CHRISTOPHER SCHRACK and lead actor ANDREW ROTH. Despite its humble budget, the film went on to receive multiple awards on the festival circuit, including BEST FILM (Magic of Horror 2023), BEST COMEDY FEATURE (International Comedy Film Festival 2024), BEST ACTOR and BEST DROP DEAD FUNNY (Haunted House FearFest 2023), as well as receiving numerous other nominations.
Mason McGinness has always been good at two things: selling himself, and finding ways to cheat people into buying when they shouldn’t. One day, his brazen swindling catches up with him and he finds himself fired from his job and kicked to the curb by his ex-girlfriend. Mason finds a small realty company that needs someone to sell a piece of property that is considered “unsellable.” The catch? It is the infamous Scarlett Clay house — a haunted house where anyone who inhabits it ends up dead. Now, with the help of a quirky psychic, Mason must find his humanity to get his life back… or die trying.
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Ah, the holidays. Lucy Raulie (Raye Levine Spielberg) has always had a complicated relationship with her dysfunctional family, but when her mother disappears on Christmas Eve (and it’s maybe Lucy’s fault…) it’s going to be up to Lucy to bring her family back together again, whether she knows it or not.
Joined in forces (sort of…) by her older brother Tim (Daniel Desmarais) and younger sister Cynthia (Comfort Clinton) the Raulie kids may get more than they all bargained for when their eccentric father George (Joel Murray) shows up to “help” in the search. Featuring vintage songs and a stand-out ensemble cast that also includes Sawyer Spielberg, Marcia DeBonis, Neil Casey and Sophie von Haselberg, Merry Good Enough is at once warm-hearted and sharp, a new holiday classic in the making.
Coming home for the holidays is always wrought with complex emotions. Directors Caroline Keene and Dan Kennedy give audiences much to ponder in MERRY GOOD ENOUGH. A film about familial chaos across generations, this enjoyable small-town film is sure to strike a chord this holiday season.
Joel Murray is George, the absent but immensely excitable father figure. Writer-director Caroline Keene drops early hints of his toxic masculinity, and Murray eases into the skin of a pretty loathsome man. Daniel Desmarais plays Tim. His sardonic wit meshes perfectly with this cast of fantastic misfits. Comfort Clinton is Cynthia. She is uptight and controlling. Clinton owns the role with her evident daddy issues and needs for approval. 
Sawyer Spielberg is charming as neighbor Sam. His chemistry with Levine is magic, which makes sense since they’ve been married since 2018. Susan Gallagher‘s performance is spectacular. Keene’s script nails the mother of adult children vibe with running errands, asking if we’ve eaten, awkwardly using technology, grabbing coffee, and the overly stocked fridge. Gallagher captivates with her vulnerability. Raye Levine gives Lucy a tangible relatability. She’s funny, a little lost, and yet entirely grounded.
At the heart of MERRY GOOD ENOUGH, this script delves into unresolved childhood trauma, emotional isolation, mental health, and forgiveness. It’s a breezy watch about finding bliss and connection in the imperfect.
CO-DIRECTORS:
Caroline Keene
Dan Kennedy
WRITER:
Caroline Keene
PRODUCERS:
Shawn Gauvain
Dan Kennedy
Krista Minto
Jamieson Shea
Genevieve Skehan
CAST:
Raye Levine Spielberg
Joel Murray
Comfort Clinton
Sawyer Spielberg
Susan Gallagher
Daniel Desmarais
Neil Casey
RUNNING TIME:
97 Minutes
Eva narrowly escaped being murdered during a recent terrifying home invasion in Mexico City. She and her husband decide to relocate to Los Angeles where she can recuperate. But when her husband has to travel for business, she’s left alone in an unfamiliar place and suffering from paranoia. She’s consoled by the smart home security system, but the technology is difficult to master and she starts to wonder if it will actually keep her safe or take over her life.
MOTION DETECTED relies entirely on Natasha Esca‘s performance as Eva. Her descent into madness goes from 75 to 200 very quickly. A moment with wine is, perhaps, a touch over the top. Esca shines brightest when speaking Spanish. It’s her most natural delivery.
I understand the need for lighting, but the nighttime bedroom scenes appear overlit. That aside, the set is gorgeous. This LA mansion has all the architectural features to swoon over. Using what appear to be Ring video clips to create palpable fear is a slick device, and the subplot of trauma heightens the stakes.
The film struggles with picking a storytelling lane. Eva’s PTSD and (*spoiler alert*) the haunted alarm system conflict more than they mesh. The idea that Diablo might manifest your greatest fears to lure you in needs a better narrative anchor in the film’s opening scene. Overall, the notion of tech knowing too much about us at every moment is a solid starting point. We can all relate to using some version of an AI assistant. The meat is on the bone in MOTION DETECTED, but it is a tad undercooked, in my opinion.
In a small Mediterranean village, Carmen has looked after her brother, the local priest, for her entire life. When the Church abandons Carmen, she is mistaken for the new priest. Carmen begins to see the world, and herself, in a new light.
A tongue-in-cheek story of sacrifice and reward inspired by actual events, CARMEN finds Natascha McElhone recapturing the youth she lost to familial duty and heartache. After a life spent taking care of her brother, the local priest in Malta, his death pushes Carmen, quite literally, out the door.
Carmen’s years of demure nature allow her to become a ghost, eavesdropping on the townsfolk that ignored her. With the unlikely help of a pigeon, Carmen takes control of the very church that kicked her to the curb, fooling the locals for personal entertainment. But, her mischievous advice from the confessional booth changes everything.
Natascha McElhone is elegant and effortlessly charming. CARMEN is essentially a later coming-of-age tale. McElhone’s wide-eyed exploration of life is enchanting, funny, and honest. Shot on the beautiful island of Malta, which if you’ve never been, I suggest you visit. The script’s structure utilizes flashbacks of Carmen’s elusive backstory. Writer-director Valerie Buhagiar brings unbridled joy and hidden complexity to audiences. CARMEN is a delight.
CARMEN will be released in the US Theatrically in major cities and on VOD in the US and Canada on Friday, September 23.
Director: Valerie Buhagiar
Starring: Natascha McElhone, Michaela Farrugia, Steven Love.
Theaters include:
NEW YORK – Cinema Village
LOS ANGELES – Laemmle Monica
With exclusive engagements in Chicago, Detroit, San Francisco (Bay Area), Columbus and more.
VOD Platforms include:
US: Apple TV/iTunes, Amazon, Google Play, Vudu, XFinity Cable, and more.
Told through the lens of a man searching for his father, a small village with a medieval mindset, and a pig, the Latvian film SQUEAL is a wild blend of storytelling elements. One part fairytale and one part romanticized Stockholm Syndrome, trust me, you have never seen anything quite like this. Alongside co-writer Aleksandr Rodionov, writer-director Aik Karapetian brings to life a story of belonging under the strangest circumstances.
In search of his father in rural Eastern Europe, Samual is far from home and does not speak the language. After getting lost on his journey, he gets into a car accident. Sidelined by the local farmer’s daughter, he finds himself chained in a pigsty, forced to work as a farmhand. As jealousy and misogyny cause a rift among family members and the locals, Sam must use everything at his disposal to escape or adapt. 
The cast is magnificent. Knowing full well of the bizarre nature of this twisted tale, they amazed me. The script is an ever-evolving, emotional rollercoaster. Your feelings about each character change from scene to scene as the screenplay progresses. The narration from Uldis Verners Brūns is delicious. His voice is like a warm hug. The soundtrack is a sumptuous mix of classical pieces from Handel to Vivaldi. Squeal is undoubtedly a unique story that will have you questioning your morality. With an ending that leads to more questions than answers, you’ll leave thinking about this film long after the credits roll.
Director: Aik Karapetian
Scriptwriter: Aik Karapetian,Aleksandr Rodionov
Cast: Kevin Janssens,Laura Siliņa,Aigars Vilims,Normunds Griestiņš,Juris Bartkevičs,Guntis Pilsums
Filmmaker Aik Karapetian’s dark fairy tale SQUEAL centers on Samuel (Kevin Janssens), who is far from home, searching for his father. Lost in remotest Eastern Europe, on the edges of a mythical forest, a minor road accident leads to a chance meeting with a pig farmer’s daughter Kirke (Laura Siliņa). Sam soon learns that his priorities must change if he wants to survive. Her initial hospitality is a smoke screen to capture him and make him a forced laborer on the farm. Alone, unable to speak the language, and chained up 24/7 with the pigs, he learns to adapt. Fortunately, a seemingly magical piglet gains Sam’s confidence and shows him the way to freedom and true love.
Filmmaker Aik Karapetian is a graduate of the Latvian Academy of Culture and has a master’s degree in film direction from the Académie Internationale des Arts – ESEC (Paris). His first feature film, PEOPLE OUT THERE gained international acclaim after its premiere at the Karlovy Vary film festival in competition in 2012. After the successful horror feature THE MAN IN THE ORANGE JACKET (Fantastic Fest 2014, BFI London Film Festival), Aik released the thriller FIRSTBORN (Sitges, Fantastic Fest, Paris International Film Festival 2017).
Aik has also staged two successful opera productions at the Latvian National Opera house, THE BARBER OF SEVILLE, which was awarded as the Best stage production of the season in 2011 and FAUST, which premiered in September 2016. His version of Bizet’s CARMEN premiered at the Opera National de Montpellier (France) in 2018 followed by Gounod’s FAUST at the Trondheim Symfoniorkester & Opera (Norway) in 2019.
ABOUT GOOD DEED ENTERTAINMENT
Good Deed Entertainment (GDE) is an Ohio-based independent studio dedicated to producing, financing, and distributing quality entertainment for under-served audiences. Its distribution slate includes recent releases Summertime, Ma Belle, My Beauty, and Lucky Grandma, in addition to the Academy Award-nominated, Loving Vincent, and Spirit Award-nominated, To Dust.
Website: http://www.
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Just your typical queer, Asian American, comedic sex education documentary about the universal search for love, connection, and family acceptance.
Gloriously raw and unapologetic, A Sexplanation was the most informative lesson on sex I’ve ever seen. Like director Alex Liu, my parents never had “The Talk” with me. My Catholic school elementary sex-ed class was in 5th grade. Separating the boys and girls, we got the basics on menstrual health and body parts. That was it. I think I got that same lesson in my high school health class. Why are those classes always taught by gym teachers, anyway? Seriously, why don’t schools bring in experts? In A Sexplanation, Alex Liu does all the groundwork for those left to their own devices at slumber parties, sleep-away camps, and dial-up internet.
Liu sits down with folks across the sexuality information spectrum; doctors, scientists, therapists, activists, a politician, and a priest! Some of the most intriguing moments happen when Alex speaks with his parents. They are honest, unfiltered, and make the viewer feel the need to talk to their parental figures to clear some shit up. The film also introduces us to programs like INclued, an LGBTQ-centered evidence-based sexual health education program for youth ages 14-19. I wish that existed when I was a teen!
Along with the interviews, visual gags featuring phallic objects and vibrant cartoon animation from Woodenmarker serves as quirky transitions. The biggest challenge in watching the film will be the same for everyone, and Liu understands this. Getting past our ingrained biases, owning each cringe at an image or word, and diving deep into the reasons those reactions occur in the first place. Tackling family dynamics, “The Talk” is so important and how we learn to talk about sex. Statistics do not lie. States teaching abstinence-only have higher teen pregnancy and STI rates. Families need to normalize open lines of communication. We need to step out of our comfort zones and embrace our own sex positivity to better the world. When it comes to sexual health, there are a lot of things that can go wrong. That’s why it’s so important to make sure that you’re doing everything you can to stay healthy and safe. One of the best ways to do this is to have a live sex call at eho cams.
Liu makes himself the guinea pig in a project that could actually save lives. The amount of information in the doc is mind-blowing. The lack of shame makes A Sexplanation a glorious watch and an honest-to-goodness celebration of sexual literacy.
Director’s Statement
Alex Liu, writer and director: “A Sexplanation follows my quest to confront my sex education — by finally getting a real one.
Growing up, sex felt shameful. My parents never brought it up. School focused on disease, pregnancy, and abstinence. By my 30s, I was surprised by how much shame I still carried. After talking with friends, I realized I wasn’t alone.
The film documents my attempt to strip away this shame, no matter how awkward it might get — even masturbating in an MRI machine (for science!).
Through honest conversations with scientists, educators, and even my parents, I try to uncover some naked truths and hard facts that will get us to a healthier, sexier future.”
A Sexplanation will be available on Digital Download from 6th June on iTunes on GooglePlay.
BEING BEBE intimately charts 15 years of drag performer Marshall Ngwa (aka BeBe Zahara Benet): An immigrant to America from homophobic Cameroon, first champion on now-iconic LGBTQ+ reality show phenomenon RuPaul’s Drag Race. Grounded by Marshall’s present-day narration, the film features vérité, interviews and performances illustrating his journey to Queer Black Excellence.
A cultural icon in the world of female illusion, BeBe Zahara Benet rose to international fame as the first winner of RuPaul’s Drag Race. But Marshal Kudi Ngwa‘s career was years in the making before the reality series. Director Emily Branham uses archival footage mixed with sit-down interviews during COVID. How does a star slowed down by a global pandemic remain relevant without a live audience’s love and energy? Being BeBe is a heartfelt and honest look at the artist pushing boundaries without pause.
The film addresses the criminality of queerness in Cameroon. Branham respectfully blurs the faces of the participants not only for their physical safety but to give them the freedom to express themselves fully on camera. These young men explain the constant fear of being discovered by family or friends. The isolation takes a toll. The slip of a gesture could mean putting their existence at risk. BeBe has become a role model for those in Cameroon. She uses her platform to support the queer community and give a face to black excellence.
Marshall has a personable and glorious nature. You long to be in his presence as he radiates kindness, humor, grace, and an intensely inspiring work ethic. The film is an unfiltered look at the industry’s ups and downs. That unpredictability causes Marshall to push his ego aside, emotional breakthroughs, and unapologetic admissions. Being BeBe is infectious. If you weren’t a fan before, get ready for newfound respect and adoration for BeBe Zahara Benet because, honey, she continues giving us Face, Face, Face, no matter what.
BEING BEBE // Festival Teaser from Emily Branham on Vimeo.
After being rejected letter from the AI robotics program he’s worked his entire life towards, Paulie won’t take no for an answer. He steals his uncle’s van and drives to Minnesota in an attempt to track down one Professor Chuck Shikenjansk and change his mind.
As Cheryl, Tracie Thoms is a joy, possessing aspects of Paulie and Avery’s personalities. Her character brings Paulie Go! to another level of storytelling. Madison Wolfe plays Avery with an effortless cool. She’s slick and savvy. Without even knowing it, she’s a role model. Ethan Dizon as Paulie is so much fun to watch. He’s a master of awkward social-emotional interaction and a victim of extreme overconfidence. Dizon’s energy is infectious. He and Wolfe have perfect chemistry.
Director Andrew Nackman brings audiences a fish out of water road (or boat) movie that is relatable and family-friendly. In truth, it’s a genre-defying delight. That small-town Minnesota energy lends itself to genuine and funny dialogue. Paulie Go! is a film about two teens who have more in common than they realize. Jake Greene‘s script ( story also by Nackman and David J. Lee) subverts all expectations as it overflows with nuance. Paulie Go! deals with adolescence, loss, and self-discovery. Watch it with the entire family.
Available to Rent or Own on Digital Platforms May 24, 2022
Directed by ANDREW NACKMAN
Written by JAKE GREENE
Produced by LAUREN TAIT HOGARTH, LAURA IVEY & JAKE GREENE
Starring ETHAN DIZON, MADISON WOLFE, DAVID THEUNE, BERNARD WHITE & TRACIE THOMS
Based on the bestselling posthumously published memoir of the same name, SALT IN MY SOUL is a documentary and classic coming of age story about a young woman figuring out how to live while dying. Mallory Smith was diagnosed with cystic fibrosis at the age of three. In her twenty-five-year battle with the deadly disease, she carved out a life that most of us don’t come close to. Using Mallory’s posthumously published 2500-page secret diaries, hundreds of hours of newly discovered footage, and audio recordings, the film offers Mallory as the narrator of her own extraordinary chronicle.
Mallory Smith‘s physically and emotionally fraught journey is equal parts heartbreaking and extraordinary. How does a person come to terms with death a such a young age? That’s the ultimate question as we delve into the mind of Mallory in her own intimate, raw, and eloquent reflections. Mallory’s parents, Diane and Mark, her brother Micah, friends, and doctors tell stories in sit-down interviews. A mix of photographs, home movies, cellphone videos, online and handwritten journals tell Mallory’s story and of those around her. Diane and Mark tasked themselves with different end goals. Mom took to fundraising and awareness while Dad researched relentlessly for new treatments. Mallory lived her life with a vigor you don’t often see or feel from a person twice her age. Her drive and determination to be present is an inspiration. No one treated her like a fragile object. It was the opposite.
Be warned that the film does involve scenes of surgery. They can be a bit intense if you are squeamish. Salt In My Soul predominantly shows Mallory and her family teaching us to celebrate and fight for life. The timing of this doc is more impactful given the current state of the world. The importance of masks for the immunocompromised has never been more relevant. An unfathomable number of us have been closer to death in the past two years than we ever thought possible Mallory’s message of living each moment to its fullest could not resonate more than in this moment in time. Salt In My Soul is a unique film. Undeniably intimate and relentlessly moving, it’s a film that stays with you.
SALT IN MY SOUL
A Feature Documentary Film by Will Battersby
Run time: 96 Minutes (USA- Feature Documentary)
SALT IN MY SOUL will be released theatrically in New York (Cinema Village) and Los Angeles (Laemmle Royal) on January 21 followed by the VOD Release in the US, Canada, and UK & Ireland and key territories worldwide on January 25.
VOD Platforms:
US- Apple TV/iTunes, Amazon, Google Play, Microsoft/Xbox, Vudu
Canada- Apple TV/iTunes, Microsoft/Xbox
UK- Apple TV/iTunes, Amazon, Google Play, Microsoft/Xbox
Ireland- Apple TV/iTunes, Google Play
Cable Platforms:
US- InDemand TVOD (Comcast, Spectrum, Cox), DirectTV/AT&T, and more
ABOUT THE BOOK
SALT IN MY SOUL: An Unfinished Life, by Mallory Smith, is a powerful, intimate, and inspiring portrait of a brave young woman living with chronic illness. Mallory understood that patient voices need to be amplified in order to improve healthcare, that the intersection of human behavior and nature is critical to environmental sustainability, and that love and friendship give life meaning. As Mallory’s body deteriorated, she sharpened her mind, crystallized her thinking, and honed her writing skills. In her 2500 pages of private journal entries, she created poetry out of prosaic experiences. Beautifully written, provocative, and peppered with insights, SALT IN MY SOUL reminds us to follow Mallory’s mantra and “Live Happy.”
For more information about the book SALT IN MY SOUL: An Unfinished Life please go to: https://www.
“Nocturna: Side A – The Great Old Man’s Night” follows a nearly 100-year-old man who, on his final night on earth, fights for redemption from his life’s misdeeds. In “Nocturna: Side B – Where Elephants Go to Die,” Calzada embarks on an aesthetically opposite experimental twist of the same story.
Visual representations of grief, love, and regret make for a unique movie experience in the first of these two films. An extraordinarily haunting score adds to the emotional pull of the film. It’s a genre-defying film. There are brilliant clues along the way, but you have to stay sharp-eyed to notice them from the beginning. The added device of Alzheimer’s creates a perfect dance of deception and mystery. The cast is outstanding. Not a performance is out of place. Nocturna: Side A will break your heart as it inspires you to make peace with your shortcomings. Somewhere between memory and longing lies an enchanting storyline.
Nocturna: Side B – Where the Elephants Go to Die
This film has an entirely different approach and aesthetic. Audio and narration give it an almost accosting opening that prepares you for a drastically stylistic approach to more in-depth stories of the souls in the building. Nocturna: Side B is perhaps questionable as a stand-alone film. But it is undoubtedly a rich, nightmarish addition to the Nocturna: Side A.
Nocturna: Side A – The Great Old Man’s Night and Nocturna: Side B – Where the Elephants Go to Die will be released January 18 on iTunes/Apple TV, Amazon Prime Video, Google Play, Xbox, Vudu, Vimeo, DirecTv, local cable & satellite providers, and on DVD.
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