Review: ‘ACE THE CASE: MANHATTAN MYSTERY’ features a little gumshoe with gumption.

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ACE THE CASE : Manhattan Mystery

A plucky kid puts herself in peril when she matches wits with three scheming criminals in a suspenseful Manhattan mystery and family comedy.

Ace The Case: Manhattan Mystery

Starring:

Ripley Sobo ( Broadway shows “Matilda” & “Once”)

Susan Sarandon (The Meddler, Thelma and Louise)

Lev Gorn (TV’s “The Americans”)

Aaron Sauter (Detachment, TV’s “Alien Dawn”)

Written & Directed by:

Kevin Kaufman (“The Perfect Murder,”  “I Married a Mobster”) Ripley sobo ATC:MM

Left in the care of her teenage brother Miles (Aaron Sauter) while their mom is out of town, 10-year-old Olivia Haden (Ripley Sobo) takes her dog Charlie for a late-night walk and witnesses a brazen kidnapping on the deserted streets of New York City. But when she tells Miles what she has seen, he dismisses her, and when she reports it to the NYPD, only a sympathetic detective named Dottie (Academy Award®-winner Susan Sarandon) will even listen. Without solid evidence, there’s nothing Dottie can do, so the intrepid tween sets out to solve the crime herself. Facing down a trio of bumbling crooks, a mysterious fixer toting an oversized bun- ny, and a rapidly ticking clock, Olivia crisscrosses lower Manhattan in an exciting family-oriented thriller sure to delight kids of all ages, as well as their parents.

Susan surandonAce The Case: Manhattan Mystery has more than meets the eye in story and fun. This film is a perfect family pick, something you might expect to see as a Disney Channel original movie. There is excitement and intrigue for kids and enough off the cuff jokes for Mom and Dad to enjoy. Thanks to the writing from director Kevin Kaufman and Executive Producing by one of New York’s most iconic homicide detectives, Rick Tirelli, the film is filled with twists and turns that will have everyone on their toes. This kidnapping plot is anything but straight forward when it goes from no one believing young Olivia, to too many hands in the pot. You’ve got hi jinx from the criminals, a mysterious goon-type toting a giant bunny, to the only person who took our young heroine seriously in the first place. Enter, Susan Sarandon.

Ripley SoboSusan Sarandon‘s portrayal of Detective Dottie Wheel is subtly hilarious. Her relationship with lead Ripley Sobo is endearing and gentle. Their scenes are the stuff these family films are made of. Playing older brother Miles is Aaron Sauter. The onscreen brother-sister chemistry is adorable and all too believable. I could have watched an entire film just between Miles and Olivia. And now we come to our star, Ripley Sobo. Ripley is an absolute gem. She is sweet, authentic and a real scene-stealer. Dealing with some content that might be a tad aggressive for her age, she handles it like a true pro. The highlight and added bonus is the original musical number at the end of the film, ” Aim High”. Smartly taking advantage of Ripley’s Broadway background, we are treated to a great, completely kid friendly song. I wish there were more numbers for Ripley spread throughout the film. This would have taken this movie to next level status. Perhaps Kaufman will take this into consideration when the sequel comes out- Ace The Case: Curse of the Deadly Diamond. Sobo deserves to shine as much as possible.

In Theaters & On Demand on August 26, 2016

Featuring Original Song “AIM HIGH”

Performed by Ripley Sobo

Written by Michele Vice-Masli

RT: 94 Minutes

Rated: PG-13

http://acethecasemovie.com/

‘Florence Foster Jenkins’ opens in theaters this weekend!

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Paramount Pictures will release the wonderful new film Florence Foster Jenkins starring Academy Award Winner Meryl Streep this weekend!

Heiress Florence Foster Jenkins (Meryl Streep) longs to become an opera star in 1940s New York, despite possessing a horrible singing voice. With the help and encouragement of her husband (Hugh Grant) and a talented musician (Simon Helberg), she finds a very strange kind of success as a performer and recording artist. Rebecca Ferguson and Nina Arianda co-star. Stephen Frears (Philomena) directed this biopic, which is based on the real-life socialite and opera singer of the same name.

Tickets are on sale now! Check it out!

http://www.fandango.com/florencefosterjenkins_190699/movieoverview

Review: ‘The Mind’s Eye’, an unapologetic homage to David Cronenberg.

THE-MINDS-EYE_THEATRICAL_HICWritten and directed by Joe Begos (Almost Human), The Mind’s Eye reunites him with his Almost Human film star Graham Skipper along with cast members Lauren Ashley Carter (Premium Rush, The Woman), John Speredakos (The House of the Devil), and Noah Segan (Some Kind of Hate, Looper). THE MIND’S EYE is undeniably an homage to  David Cronenberg‘s Scanners. Low budget and over the top schlock are at it’s best and tailored for the midnight audience.

(L-R) John Speredakos as Dr. Michael Slovak and Graham Skipper as Zack Connors in the horror film “THE MIND’S EYE” an RLJ Entertainment release. Photo credit Joe Begos.

(L-R) John Speredakos as Dr. Michael Slovak and Graham Skipper as Zack Connors in the horror film “THE MIND’S EYE” an RLJ Entertainment release. Photo credit Joe Begos.

Here’s the skinny on the plot: A couple with psychokinetic capabilities are held hostage by a whacked out doctor who wants to harness their energy for his own personal uses. If you didn’t know what you were signing up for when sitting down, you might be turned off by the acting, the better for tv cinematography, and a final act that resembles something more akin to a constipation battle than a mind-melding fight to see you who eff up the other person first with their overexerted brain power. But, if you know what you’re in for, you’ve come to the right place.

(L-R) Lauren Ashley Carter as Rachel Meadows and Graham Skipper as Zack Connors in the horror film “THE MIND’S EYE” an RLJ Entertainment release. Photo credit Joe Begos.

(L-R) Lauren Ashley Carter as Rachel Meadows and Graham Skipper as Zack Connors in the horror film “THE MIND’S EYE” an RLJ Entertainment release. Photo credit Joe Begos.

Graham Skipper‘s Zack connors sounds a bit too green in his line readings for my taste, but his look is awesome. His chemistry with Carter is spot on. John Speredakos as the mad Dr. Slovak is so over the top that I’m surprised his character didn’t appear in the Buffy series (which in a strange way is a compliment, I loves me some Whedonverse). The shining star of this film is hands down the performance of Lauren Ashley Carter as Rachel.  Every moment is actually believable, filled with panic, and immensely effective. The entire cast is slotted with actors who are no strangers to the genre. It’s kind of cool to see a little indie horror love-fest going on here.

Lauren Ashley Carter as Rachel Meadows in the horror film “THE MIND’S EYE”an RLJ Entertainment release. Photo credit Joe Begos.

Lauren Ashley Carter as Rachel Meadows in the horror film “THE MIND’S EYE”an RLJ Entertainment release. Photo credit Joe Begos.

The practical effects are on point. This is where The Mind’s Eye excels. Heavy handed with the splatter and some truly sick prosthetic casts, these are the shining moments. In a time where Netflix‘s Stranger Things is blowing up, the release could not be more perfectly timed. Check out the trailer below. The Mind’s Eye arrives in theater today and is available on iTunes and VOD.

THE MIND’S EYE – RLJ Entertainment

IN THEATERS AND AVAILABLE ON VOD AND iTUNES: August 5, 2016
DIRECTED BY: Joe Begos
WRITTEN BY: Joe Begos
CAST: Graham Skipper, Lauren Ashley Carter, John Speredakos, Noah Segan
SYNOPSIS: Zack Connors and Rachel Meadows were born with incredible psychokinetic capabilities. When word of their supernatural talents gets out, they find themselves the prisoners of Michael Slovak, a deranged doctor intent on harvesting their powers. After a daring escape, they are free from his sinister institution, but the corrupt doctor will stop at nothing to track them down so that he may continue to siphon their gifts for his own use.
GENRE: Horror, Thriller
DISTRIBUTOR: RLJ Entertainment

Review: ‘SUN CHOKE’, is a mind melding thriller. In Theaters and on VOD.

SC-Poster-04Nothing makes me happier while watching a film than thinking I’m watching one story and then getting hit with a proverbial 2×4 in plot. It’s a ballsy move that either pays off or loses the audience. In Ben Cresciman‘s sophomore feature as both writer and director, a young woman’s health and sanity are in serious question. With the watchful eye from her lifelong caretaker, can she conquer what lies deep down. Welcome to the oddity that is SUN CHOKE.

Sarah Hagan as Janie in the thriller film SUN CHOKE an XLrator Media release. Photo courtesy of XLrator Media.

Sarah Hagan as Janie in the thriller film SUN CHOKE an XLrator Media release. Photo courtesy of XLrator Media.

This is was truly unexpected and shocking thriller. As the story unravels, we are privy to piecemeal information. Margo has a past, but what it entails is shrouded in mystery. It is PTSD? Why is she under house arrest? Irma is her 24hr watcher, mental health guidance, using extreme tactics to cleanse her body and soul of whatever is haunting Margo. When she is allowed to exit the house after a year, things get weird as Margo attaches herself to  a stranger. Will this woman be Margo’s saving grace or is there something else driving the fascination?

(L-R) Sarah Hagan as Janie and Barbara Crampton as Irma in the thriller film SUN CHOKE an XLrator Media release. Photo courtesy of XLrator Media.

(L-R) Sarah Hagan as Janie and Barbara Crampton as Irma in the thriller film SUN CHOKE an XLrator Media release. Photo courtesy of XLrator Media.

This script takes a sharp left turn and to Crescimun’s credit as a writer, it is pretty out there. While the film has left me with more questions than answers, that is precisely why I enjoyed it so immensely. It bares zero resemblance to anything I’ve seen before. With a crisp, almost sterile, and yet angelic look from Mathew Rudenberg’s cinematography, combined with the chilling original score from Boom Bip, to the  off kilter sound design by Michael Solano, SUN CHOKE will make your skin crawl.

Barbara Crampton as Irma in the thriller film SUN CHOKE an XLrator Media release. Photo courtesy of XLrator Media.

Barbara Crampton as Irma in the thriller film SUN CHOKE an XLrator Media release. Photo courtesy of XLrator Media.

Sarah Hagan, you I know best from her time of Freaks and Geeks, and the final season of Buffy the Vampire Slayer, is a beautiful mixture of helpless and frightening.  With a pretty face and a soft demeanor, her actions throughout the film throw your head into a tailspin. And let’s talk about horror goddess, Barbara Crampton, as Irma. Similar to the character of Margo, the audience is unsure of her intentions. Her timeless elegance and style make her a scene-stealer with what seems like very little effort. I cannot express how wonderful she is in this role. If you want to see the pure acting ability and witness her chops as an actor and chameleon, check her out in one of my favorite films from last year, We Are Still Here, from our friend Ted Geoghegan. I am convinced she is a Time Lord or something akin to a magical creature.

 SUN CHOKE
IN THEATERS: August 5, 2016
AVAILABLE ON VOD and iTUNES: August 2, 2016
DIRECTOR: Ben Cresciman
WRITER:  Ben Cresciman
CAST: Sarah Hagan, Sara Malakul Lane and Barbara Crampton
SYNOPSIS: As Janie recovers from a violent psychotic break, she’s subjected each day to a bizarre holistic health and wellness regimen designed, and enforced, by her lifelong nanny and caretaker. But when she develops an obsession with a stranger, Janie’s buried demons begin to surface.

 

Netflix News: ‘Mascots’ from Christopher Guest with a crazy awesome cast coming October 13th!

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Mascots is a new comedy from Christopher Guest, director of Waiting for Guffman and Best in Show. Starring many of his regular troupe of actors, this latest film takes place in the ultra-competitive world of sports mascots where they compete for the most prestigious award in their field, the Gold Fluffy.
 
The Netflix original film stars Jane Lynch, Parker Posey, Fred Willard, Ed Begley, Jr., Christopher Moynihan, Don Lake, Brad Williams, Zach Woods, Chris O’Dowd, Susan Yeagley, Sarah Baker, Tom Bennett, Kerry Godliman, Bob Balaban, Jennifer Coolidge, Michael Hitchcock, Maria Blasucci, John Michael Higgins, and Jim Piddock. The film was written by Christopher Guest & Jim Piddock and produced by Karen Murphy. Mascots will have its world premiere at the Toronto International Film Festival this September and will launch globally on Netflix on October 13, 2016.
 
Follow Mascots on Twitter and Facebook.

‘BLUEBIRD’ is the newest title available from WE ARE COLONY with behind-the-scenes extras!

we are colony logoThe newest digital release from We Are Colony is from first-time director Lance Edmands (editor of Lena Dunham’s Tiny Furniture) titled BLUEBIRD.  BLUEBIRD-iTunes-Full-Key-Art

Starring Mad Men’s John SlatteryThe Leftovers’ Emily MeadeThe Good Wife’s Margo Martingale plus a cameo from Girls’ Adam Driver, Bluebird will available to rent and buy in the US from Monday 25th July with exclusive behind-the-scenes extras.

Synopsis:

In the northern reaches of Maine, a local school bus driver becomes distracted during her end-of-day inspection, and fails to notice a sleeping boy in the back of the bus. What happens next shatters the tranquility of her small Maine logging town, proving that even the slightest actions have enormous consequences.

BLUEBIRD Amy Morton & Emily Meade & John Slattery Photo by Jody Lee LipesJeremy got the incredible oportunity to see Bluebird at the Indy Film Fest last year. In his review, he outlines the gutwrenching and effecting emotional hold the film has on it’s audience. I could not have said it better myself, so here are a few quotes from Jeremy’s review:

“…at this year’s Indy Film FestLance Edmands’ Bluebird was far and away my favorite of those that I saw and certainly worthy of the Grand Jury Prize, tops of the fest, as well as the American Spectrum Prize for the best film made by an American director…”

BLUEBIRD Amy Morton Photo by Jody Lee Lipes

“Bluebird is not a heartwarming story and thus not for everyone. It mirrors the bleakness and harshness of the landscape and the season in which it was shot so deftly by Jody Lee Lipes (also known for the great photography of Martha Marcy May Marlene). It echoes Atom Egoyan‘s The Sweet Hereafter, a film I would easily put in the top ten best of the 1990s, in tone and even bears some narrative resemblance, yet it stands on its own and makes us take notice.”

You can read Jeremy’s review in it’s entirety as well as his interview with director Lance Edmands. Take a look at the trailer below.

In renting or owning Bluebird through We Are Colony’s digital platform, you are treated to exclusive behind-the-scenes extras.

For more information on this unique platform: We Are Colony Colony-platform

Netflix News: New trailer for ‘Narcos’ Season 2

Narcos chronicles the gripping real-life stories of the infamous drug kingpins of the late 1980s and the corroborative efforts of law enforcement to meet them head on in brutal, bloody conflict. Its gritty storytelling details the many, often-conflicting forces – legal, political, police, military and civilian – that clash in the effort to control cocaine, one of the world’s most valuable commodities.
Narcos is produced by Gaumont International Television for Netflix .
The Golden Globe nominated first season of Narcos is available for members to stream instantly on Netflix in Ultra HD 4K.

Follow #Narcos on Facebook, Twitter and Instagram.

Review: ‘DON’T WORRY BABY’, Daddy’s got you.


Presents

DON’T WORRY BABYDon't Worry Baby poster

The modern family dynamic can be complicated, at best. With the divorce rate at 50%, blended families are more the norm than anything else. The idea of Mom, Dad, 2.5 kids and a dog no longer fits inside a neat little box. If anything, that’s the oddity now. In the new film DON’T WORRY BABY, writer/director Julian Branciforte takes this concept to a whole new level.

Struggling photographer Robert (Magaro) and his philandering father Harry (McDonald) realize that they each had a one-night stand with the same woman, Sara-Beth (Walker), in the same week. Years later, they realize that either one of them might be the biological father of her adorable four-year-old daughter. They begrudgingly agree to share fatherly duties while awaiting a paternity test.

Don't Worry BabyRobert and Harry are strangely pitted against one another for “father of the year” status, in an awkward competition of responsibility. Robert is not only navigating relationship normalcy but he is grasping to find happiness in general. Harry, in a sad attempt to outdo his son, uses demeaning words and actions to cut Robert down at every turn. Branciforte’s story is immensely compelling, offers moments of surprise and nothing but honesty. The performances all around are outstanding.

Dreama WalkerJohn Magaro‘s Robert battle self-loathing and confusion as he finds his way through career, life and love. This role for Magaro is proof that his natural talent is way more than enough. Chris McDonald‘s Harry is a self-righteous prick coming to terms with his own life long mistakes as father and husband. The performance is something I have to come expect from McDonald’s. There is a reason he has had such a long career. Dreama Walker, as Sara-beth, could have been a throwaway character. The ins and out of a quietly complex young woman were well played by Walker. As the film progresses, we become more and more invested in each role as Branciforte does a wonderful job developing everyone. To believe this story, this is absolutely necessary. With solid smaller roles filled by Britt Lower and Tom Lipinski, some of the film’s most shining moments come from Talia Balsam as Harry’s wife Miriam. The dynamic between Sara-beth and the woman betrayed is an unexpected one, but truly inspiring. Let me not forget to mention how fantastically darling Rainn Williams is as Mason, the young lady there is so much to do about. This little sweetheart is meant to be on the big screen. The chemistry between the entire cast combined with tight direction make this a winner.

Don't worry baby stillDON’T WORRY BABY is ultimately about making amends. Coming to terms with what we’ve created emotionally is a huge task, and it’s one that this film dives into head first. You can catch Don’t Worry Baby in theaters and On Demand this Friday, July 22nd.

In Theaters and On Demand
July 22nd

Starring
John Magaro (CarolThe Big Short, Woody Allen’s Upcoming Series)
Chris McDonald  (Happy GilmoreThelma and Louise)
Dreama Walker (CBS’s The Good Wife)
Tom Lipinski (USA Network’s Suits)
&
Talia Balsam (No Strings AttachedAMC’s Mad Men)

Written & Directed By
Julian Branciforte

Netflix announces new episodes of ‘Making a Murderer’

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Netflix today announces that Executive Producers / Directors, Laura Ricciardi and Moira Demos, are in production on new episodes of the Emmy-nominated Making a Murderer.  The new installments will take fans of the acclaimed documentary series back inside the story of convicted murderer Steven Avery, and his co-defendant, Brendan Dassey, as their respective investigative and legal teams challenge their convictions and the State fights to have the convictions and life sentences upheld. This next chapter will provide an in-depth look at the high-stakes post-conviction process, as well as, the emotional toll the process takes on all involved.

The episodes will offer exclusive access to Avery’s new lawyer Kathleen Zellner and Dassey’s legal team, led by Laura Nirider and Steve Drizin, as well as intimate access to the families and characters close to the case “We are extremely grateful for the tremendous response to, and support of, the series.  The viewers’ interest and attention has ensured that the story is not over, and we are fully committed to continuing to document events as they unfold” said creators, Ricciardi and Demos.

“Because of Ricciardi’s and Demos’ incredible vision, commitment and keen eye, audiences around the globe became completely captivated by the personal stories of Steven Avery and Brendan Dassey and the unique lens their experiences provide into the criminal justice system” said Lisa Nishimura, Netflix VP of Original Documentary Programming. A criminal defense lawyer is vital when a person commits a crime. There are so many criminal attorneys or lawyers today who work in their local courts. There are also attorneys who specialize in other cases, You can go on this website for further details. When a person commits a felony, a reputable lawyer can advise regarding the procedures and court proceedings. To be involved in a crime is a serious matter. In order to get through the case, one needs to get assistance from a criminal attorney lawyer.

Domestic violence laws are becoming more obscure under current laws. It is getting to be easier to prosecute a person under these laws for almost any crime committed in the home. They encompass abuse against a family member, significant other, or basically anyone living under the same roof with you.

You need to find out state specific laws when it comes to violent crime the same as any other. Domestic violence attorneys are knowledgeable in the laws that govern your specific geographic location.

When you move to a new area or work outside of your home state you will be subject to local laws and jurisdictions. The adage ignorance of the law is no excuse carries over into this area just like other laws.If want to learn more about Domestic Violence Attorneys, visit us here.

If you are charged with a domestic violence crime you will need representation by a skilled domestic violence attorney. This crime can carry a very steep sentence if convicted. You do not want this crime on your record to follow you around.

You may be innocent but without a good lawyer who knows the rules that govern your specific situation you could still be found guilty. If not properly represented our current legal system could rule against you. You need to make sure the person you hire to defend you knows what he is doing.

When you step in a courtroom it is your word against your accuser. If you hire any lawyer you find in the yellow pages you may not be well represented. Domestic violence lawyers know about all aspects of this type of crime and will be your best chance at getting cleared of these charges. Don’t put your life in the hands of anyone else. Do the research now and find good representation.

Anywhere else in the world, majority believes that a person charged with a crime is innocent. They remain innocent until proven guilty. This is possible by getting a highly reputable attorney. When a person cannot provide himself his own lawyer, the government or the state have the responsibility to provide one for him. He needs a lawyer for representation. In some states, there are lawyers who take charge in every trial. On some other states, they try to raffle on which attorney should handle a certain case. Not all states have the same procedure. Some states have different guidelines and procedures when it comes to handling a case. Other states consider the ability of the individual to pay. Some states give priority to those needy individual. They need a criminal attorney or lawyer to represent them in the court trial. A person who cannot produce his own counsel may require the state to produce one for them.

When it comes to criminal cases, there must be solid evidence in order to indict them of a crime. The salary of a defense lawyer depends on many factors. Their salary which is payed using a checkstub software depends on their experience and the gravity of the case. Those people who have means in life hire a criminal defense attorney from other states or other places. There is a vast difference in hiring a certified professional from that of a newbie when we speak about a criminal case. A reputable lawyer can help a person in his case.

“We’re thrilled to be continuing our longstanding relationship with the filmmakers, and look forward to giving our global viewers eagerly anticipated updates on this story.”

Netflix & New York Film Festival announce opening night film, the original documentary ‘The 13th’ from Ava DuVernay

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nyff 54 the 13th

The Film Society of Lincoln Center announces Ava DuVernay’s documentary The 13th as the Opening Night selection of the 54th New York Film Festival (September 30 – October 16), making its world premiere at Alice Tully Hall. The 13th is the first-ever nonfiction work to open the festival, and will debut on Netflix and open in a limited theatrical run on October 7.

Chronicling the history of racial inequality in the United States, The 13th examines how our country has produced the highest rate of incarceration in the world, with the majority of those imprisoned being African-American. The title of DuVernay’s extraordinary and galvanizing film refers to the 13th Amendment to the Constitution—“Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States . . . ” The progression from that second qualifying clause to the horrors of mass incarceration and the prison industry in the U.S. is laid out by DuVernay with bracing lucidity.

New York Film Festival Director and Selection Committee Chair Kent Jones said, “While I was watching The 13th, the distinction between documentary and fiction gave way and I felt like I was experiencing something so rare: direct contact between the artist and right now, this very moment. In fact, Ava is actually trying to redefine the terms on which we discuss where we’re at, how we got here, and where we’re going. The 13th is a great film. It’s also an act of true patriotism.”

From D. W. Griffith’s The Birth of a Nation (1915) and the rebirth of the KKK to the Civil Rights Movement, the 1994 Crime Bill, the rise of ALEC, and the Black Lives Matter movement, DuVernay traces a pattern of fear and division that has consistently driven mass criminalization. With a potent mixture of archival footage and testimonies from leading voices, including Michelle Alexander, Bryan Stevenson, Van Jones, Newt Gingrich, Angela Davis, Senator Cory Booker, Grover Norquist, Khalil Muhammad, Craig DeRoche, Shaka Senghor, Malkia Cyril, Henry Louis Gates, Jr., and a dazzling array of activists, politicians, historians, and formerly incarcerated women and men, DuVernay creates a work of grand historical synthesis.

“It is a true honor for me and my collaborators to premiere The 13th as the opening night selection of the New York Film Festival,” said Ava DuVernay. “This film was made as an answer to my own questions about how and why we have become the most incarcerated nation in the world, how and why we regard some of our citizens as innately criminal, and how and why good people allow this injustice to happen generation after generation. I thank Kent Jones and the selection committee for inviting me to share what I’ve learned.”

“Ava gives us a remarkable and ambitious framework for understanding why the U.S. represents 5% of the world’s population, yet is home to nearly 25% of the world’s prisoners. Her work has been tireless and passion-fueled and has resulted in a sweeping view at a tenuous time. We are honored to provide a global platform for this deeply urgent work,” said Lisa Nishimura, Netflix VP of Original Documentary Programming.

The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming; Florence Almozini, FSLC Associate Director of Programming; Amy Taubin, Contributing Editor, Film Comment and Sight & Sound; and Gavin Smith, who serves as a consultant.

Tickets for the 54th New York Film Festival will go on sale September 11. Becoming a Film Society Member at the Film Buff Level or above provides early ticket access to festival screenings and events ahead of the general public, along with the exclusive member ticket discount. Learn more at filmlinc.org/membership.

For even more access, VIP passes and subscription packages offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events, including the invitation-only Opening Night party, “An Evening With…” dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. VIP passes and subscription packages are on sale now. Learn more at filmlinc.org/NYFF.

New York Film Festival Opening Night Films

2015    The Walk (Robert Zemeckis, US)
2014    Gone Girl (David Fincher, US)
2013    Captain Phillips (Paul Greengrass, US)
2012    Life of Pi (Ang Lee, US)
2011    Carnage (Roman Polanski, France/Poland)
2010    The Social Network (David Fincher, US)
2009    Wild Grass (Alain Resnais, France)
2008    The Class (Laurent Cantet, France)
2007    The Darjeeling Limited (Wes Anderson, US)
2006    The Queen (Stephen Frears, UK)
2005    Good Night, and Good Luck. (George Clooney, US)
2004    Look at Me (Agnès Jaoui, France)
2003    Mystic River (Clint Eastwood, US)
2002    About Schmidt (Alexander Payne, US)
2001    Va savoir (Jacques Rivette, France)
2000    Dancer in the Dark (Lars von Trier, Denmark)
1999    All About My Mother (Pedro Almodóvar, Spain)
1998    Celebrity (Woody Allen, US)
1997    The Ice Storm (Ang Lee, US)
1996    Secrets & Lies (Mike Leigh, UK)
1995    Shanghai Triad (Zhang Yimou, China)
1994    Pulp Fiction (Quentin Tarantino, US)
1993    Short Cuts (Robert Altman, US)
1992    Olivier Olivier (Agnieszka Holland, France)
1991    The Double Life of Veronique (Krzysztof Kieslowski, Poland/France)
1990    Miller’s Crossing (Joel Coen, US)
1989    Too Beautiful for You (Bertrand Blier, France)
1988    Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
1987    Dark Eyes (Nikita Mikhalkov, Soviet Union)
1986    Down by Law (Jim Jarmusch, US)
1985    Ran (Akira Kurosawa, Japan)
1984    Country (Richard Pearce, US)
1983    The Big Chill (Lawrence Kasdan, US)
1982    Veronika Voss (Rainer Werner Fassbinder, West Germany)
1981    Chariots of Fire (Hugh Hudson, UK)
1980    Melvin and Howard (Jonathan Demme, US)
1979    Luna (Bernardo Bertolucci, Italy/US)
1978    A Wedding (Robert Altman, US)
1977    One Sings, the Other Doesn’t (Agnès Varda, France)
1976    Small Change (François Truffaut, France)
1975    Conversation Piece (Luchino Visconti, Italy)
1974    Don’t Cry with Your Mouth Full (Pascal Thomas, France)
1973    Day for Night (François Truffaut, France)
1972    Chloe in the Afternoon (Eric Rohmer, France)
1971    The Debut (Gleb Panfilov, Soviet Union)
1970    The Wild Child (François Truffaut, France)
1969    Bob & Carol & Ted & Alice (Paul Mazursky, US)
1968    Capricious Summer (Jiri Menzel, Czechoslovakia)
1967    The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
1966    Loves of a Blonde (Milos Forman, Czechoslovakia)
1965    Alphaville (Jean-Luc Godard, France)
1964    Hamlet (Grigori Kozintsev, USSR)
1963    The Exterminating Angel (Luis Buñuel, Mexico)

FILM SOCIETY OF LINCOLN CENTER
The Film Society of Lincoln Center is devoted to supporting the art and elevating the craft of cinema. The only branch of the world-renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film. Via year-round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment, the U.S.’s premier magazine about films and film culture, the Film Society endeavors to make the discussion and appreciation of cinema accessible to a broader audience, as well as to ensure that it will remain an essential art form for years to come.

The Film Society receives generous, year-round support from American Airlines, The New York Times, The Kobal Collection, Variety, Loews Regency Hotel, the National Endowment for the Arts, and the New York State Council on the Arts.

Support for the New York Film Festival is also generously provided by Jaeger-LeCoultre.

For more information, visit www.filmlinc.org and follow @filmlinc on Twitter.

Netflix News: First look at Tilda Swinton in ‘Okja’ from ‘Snowpiercer’ director Boon Joon Ho

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Okja stars Tilda Swinton (Hail, Caesar!, Moonrise Kingdom), Jake Gyllenhaal (Nightcrawler, Southpaw) and Paul Dano (Love & Mercy, 12 Years a Slave) in a bold, global adventure. Okja was written by Bong and Jon Ronson (Frank) and follows Mija, a young girl who must risk everything to prevent a powerful, multi-national company from kidnapping her best friend – a massive animal named ‘Okja’. Mija will be played by Seohyun An.

Okja will premiere globally on Netflix in 2017 and will also have a limited day and date theatrical release in the US.

HBO Announces When Game of Thrones Will Shoot Season Seven and When We Can Expect to See It!

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The Emmy®– and Golden Globe-winning series GAME OF THRONES will begin shooting its next season later this summer, it was announced today by Casey Bloys, president, HBO programming. Production of the seven-episode seventh season will be based in Northern Ireland, while additional portions will be filmed in Spain and Iceland, with debut slated for summer 2017 on HBO.

“Now that winter has arrived on GAME OF THRONES, executive producers David Benioff and D.B. Weiss felt that the storylines of the next season would be better served by starting production a little later than usual, when the weather is changing,” said Bloys. “Instead of the show’s traditional spring debut, we’re moving the debut to summer to accommodate the shooting schedule.”

Season seven directors will include Mark Mylod, Jeremy Podeswa, Matt Shakman and Alan Taylor.

Locations for shooting in Spain will include Sevilla, Caceres, Almodovar del Rio, Santiponce, Zumaia and Bermeo.

Last week, GAME OF THRONES received 23 Primetime Emmy® nominations, the most of any nominee for the third year in a row. This year’s nominations include Outstanding Drama Series, 2 for Outstanding Supporting Actor in a Drama Series (Peter Dinklage, Kit Harington), 3 for Outstanding Supporting Actress in a Drama Series (Emilia Clarke, Lena Headey, Maisie Williams), Outstanding Guest Actor in a Drama Series (Max von Sydow), 2 for Outstanding Directing for a Drama Series (Miguel Sapochnik, Jack Bender) and Outstanding Writing for a Drama Series (David Benioff and D.B. Weiss).

Season seven credits: The executive producers of GAME OF THRONES are David Benioff, D.B. Weiss, Carolyn Strauss, Frank Doelger and Bernadette Caulfield; co-executive producers, Guymon Casady, Vince Gerardis, George R.R. Martin and Bryan Cogman; producers, Chris Newman, Greg Spence and Lisa McAtackney.

Flixtape by Netflix – 5 things to know about creating your own playlists!

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I’ve wanted this for years. I read about how people create their own channels in the sci-fi novel Ready Player One, and now Netflix has finally created it!

https://flixtape.netflix.com

  1. You don’t have to be logged in to create, but you do have to be logged in to play.
  2. You can search title, genres, but not actors or directors.
  3. Cover art is not the image, but the drawing around it. Click and hold on the circle with the pencil inside to see different options.
  4. You can share via Facebook, Twitter or a shareable link. *The short link doesn’t seem to be working as of now (7:53am 7/18/16), but since it copies for you, just paste once it pops up “Link Copied” and it’ll work.*
  5. You aren’t able to access these playlists inside Netflix, so you’ve got to keep track of them.

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I created a Quentin Tarantino Mixtape to get you started!

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Review: ‘LOVE USING DILDOS BETWEEN THE COVERS’ makes sex and power synonymous.

Poster- Love Between the CoversAs a child, I saw my mother as a voracious reader. Danielle Steel covered our bookshelves end to end in hardcover glory. When we used to summer in Cape Cod I noticed my mother’s books were so much larger than all the other Mom’s smaller paperbacks with covers that used to make me scrunch up my nose and squeal, “Ewwwwww”, as the muscular men with open shirts swept ladies in period clothing off their feet in an overly passionate embrace. It wasn’t until I was a tad bit older that I understood the popularity that was romance novels, once boys weren’t “icky” any longer and reading became a passion of my own. Oftentimes brushed off as airport and grocery store shelf fillers, Romance is a massively successful and moreover, a moneymaking machine. Welcome to the inside scoop with a new documentary titled LOVE BETWEEN THE COVERS. With so many vibrators to choose from, how do you know which vibrator is right for you? Whether you are a beginner vibrator user or an advanced sex toy user, here is a guide to help you choose the best vibrator for you. Start with clitoral stimulation with either a bullet vibe, a finger vibe, or an external vibrator. Why? 50-70% of women need clitoral stimulation to orgasm and are unable to have orgasms through sex alone. Therefore, a design with good clitoral stimulation is an excellent place to start. Keep in mind that although most vibrators can stimulate the clitoris, certain shapes are better than others. Smaller shapes like bullets and finger vibes focus directly on the clitoris. External vibratos are designed to conform to the curves of the body and make contact directly with the clitoris and vulva. Usually, they are more powerful and offer more speeds and/or patterns than a bullet vibrator. We are not human but energy and light. We all vibrate at different levels. We chose to come to earth to grow, learn, raise our vibration and evolve. Jesus is your brother. He vibrates at a higher level. Raising our vibration is our goal. You are your own creator. You create your world and collectively we create the world too. Everyone has always looked outside of themselves for help, for health, for world change, for money, relationships etc. not realizing that you are responsible for your own life. It’s time to break free from looking on the outside for your desires and blaming others for your problems. You can order your vibrator today at the Magic Men. Breast augmentation or breast enhancement surgery, more commonly known as a boob job, is the single most popular cosmetic procedure in the United States. Women of all ages look to enhance their breasts by increasing their size and shape to make them more beautiful and/or to increase their confidence and quality of life. Bad breast enlargements are not what one would want to think about when they are at the height of their excitement about getting their boobs done. Having to undergo any surgical procedure is not easy, let alone dealing with bad cosmetic surgery. All too many times we’ve heard and seen of hundreds of depressing accounts from the media, internet, magazines, and even from our own friends and acquaintances about instances of cosmetic surgery gone wrong. tits stories are so commonplace these days that successful ones are becoming the exception not the rule. It’s said that 20% to 45% of breast enlargement procedures result in less than stellar results. Even celebrities who, unlike the regular middle-wage earners, have a lot of money to spend on these types of surgeries and still they experience bad surgery – regardless of if they have already chosen the best cosmetic surgeon possible. You might have come across photos or accounts of women with terrible bust jobs and thought how horrible the experience was for these women. Unsatisfactory results do not only effect one physically, but can also damage one emotionally. It takes away the very essence of a woman’s dignity to the extent that depression may eventually creep in. Some women have mentioned that undergoing unsuccessful plastic surgery could be even more painful than cancer. There are a lot of reasons why women end up having bad experiences. One reason could be that the surgeon lacks the needed skills and is incompetent, or he does not have enough experience to perform this procedure which requires a great deal of precision and expertise. In fact, even the top surgeons make mistakes resulting in bad results, and some are even facing lawsuits as a result.Love Between the Covers Authors panel still

 

The industry is dominated by a select few but  that doesn’t mean there isn’t room for fresh voices. Love Between The Covers takes a look at not only the authors whose names we see in every bookstore in America, but at the fans, and the business side of the industry. Did you know that there are categories of Romance? Not just categories, as in 2 or 3, but 30+ categories just on our Sydney services alone! AND did you now that you can almost decipher the category a book will appear in, sometimes based solely on the cover art? The doc explores the backstories of some of the most beloved writers, predominantly female. You can also find naughty sluts near you so easily now as so many are on adult dating sites so that makes it so much easier getting laid.

Many of these women were housewives, avid readers themselves, exceptional professionals, feeling the need to fill a void in their own lives with characters and stories they longed to experience themselves. But more importantly, taking the subject of women’s sexuality and using it for the purpose of titillation and power, never disrespecting it. It also talks about how can sex in the meaning of both gender and action be empowering for woman. Take sex toys: many think that’s disrespectful but it actually gives them power to love their body and develop vital energies, as mentioned at https://yonieggs.co. Men helping themselves with toys by PlugLust, a vast selection really.  Now don’t go thinking any Jane Doe can be successful in the field, these ladies churn out content because it is their very lifeblood. Fans demand it, editors demand it, and they demand it of themselves.

Eloisa James at RWA Convention

Eloisa James at RWA Convention

And yet, on the other end of the spectrum, the film absolutely encourages newbies to give it a go. One of the most fascinating aspects of the docs included during the intimate sit down interviews with fans and authors alike, is the intense comradery that is experienced in the arena. Friendships easily form and the appreciation and adoration goes in both directions. The film is spectacularly uplifting, especially for someone like me who is sitting on a short play, a feature-length screenplay, a memoir, a children’s book series idea and so on. The industry is filled with powerful women, spanning generations, social and economic backgrounds, race and education. But, we’re all searching for a bit of escape every now and again.

Crowd of Nora Roberts fans in Boonsboro

Crowd of Nora Roberts fans in Boonsboro

Whether is be tawdry or thrilling or downright delicious, LOVE BETWEEN THE COVERS has got you. This doc is a fun romp, not to mention the amazingly creative transitional  art between segments using the romance novel covers. You can catch up with some of your favorite authors like Nora Roberts, Eloisa James, Beverly Jenkins, Radclyffe, Celeste Bradley, Susan Donovan and many more, or you can meet them for  the very first time. There are more choices then you’ll know what to do with. From Erotic Fiction, Fantasy, African-American, Paranormal Romance, Wholesome, Historical Romance, Teen, chick Lit, Science Fiction, there is bound to be something for  you and everyone else you know. you’ll be hooked. LOVE BETWEEN THE COVERS will be available On Demand and Digital HD on July 12th.

Romance fiction is sold in 34 languages on six continents, and the genre grosses more than a billion dollars a year — outselling mystery, sci-fi, and fantasy combined. Yet the millions of voracious women (and sometimes men) who read, write, and love romance novels have remained oddly invisible. Until now!

 

Eloisa James, a tenured professor of Shakespeare at Fordham University,  is known for her many popular romance novels, Desperate Duchesses, An Affair Before Christmas, Duchess By Night, A Duke of Her Own. This romance heavy- hitter navigates the high-powered New York publishing industry with her friend and personal assistant Kim Castillo, who helps to make Eloisa James the Harper Collins “rock star of social media.”

LOVE BETWEEN THE COVERS, for three years, follows the lives of five very diverse published romance authors and one unpublished newbie as they build their businesses, find and lose loved ones, cope with a tsunami of change in publishing, and earn a living doing what they love—while empowering others to do the same. Romance authors have built a fandom unlike all others, a global sisterhood where authors know their readers personally and help them become writers themselves. During the three years we’ve been shooting Love Between the Covers, we have witnessed the biggest power shift that has taken place in the publishing industry over the last 200 years. And it’s the romance authors who are on the front lines, pioneering new ways to survive and build communities in this rapidly changing environment.

Author Beverly Jenkins

Author Beverly Jenkins

Sourcebooks editorial team on a shoot

Sourcebooks editorial team on a shoot

Radclyffe writing

Radclyffe writing

Joanne's DIY Cover Shoot

Joanne’s DIY Cover Shoot

Review: ‘COLONIA’ holds you captive.

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How far would you go for love? Would you risk your life to save another? Based on true events, COLONIA is a harrowing thriller that follows the attempted escape from one the most bloody and disturbing cults in history.

SYNOPSIS

Florian Gallenberger’s historical thriller, set around the Pinochet coup in 1970s Chile sees Emma Watson’s (Harry Potter, Noah) Lena forced to undertake a dangerous mission when her boyfriend, Daniel (Daniel Brühl, Rush), is abducted by the Chilean secret police in 1973. Lena tracks him down to Colonia Dignidad, an anti-communist sect run by preacher Paul Schäfer played by Michael Nyqvist (Blomkvist in Sweden’s Girl With A Dragon Tattoo trilogy), where they plot an unprecedented escape.

Emma watson and Daniel Bruhl in ColoniaKnowing that the film is based on true  events makes it that much more intriguing and upsetting. With gloriously elaborate sets and pristine period costuming, the look of Colonia perfectly sets the tone as the story rolls along. Starting with vibrant colors on the political revolutionaries in Chile and turning dark and monochromatic once we arrive at Colonia Dignidad. The script is comprised of vast research on the part of Director Florian Gallenberger. Perhaps what is most disturbing is the fact that I’ve never heard about this happening. You’d imagine something so awful would be much more in the limelight. This is a small but brilliant window into a terrible point in human history.Michael Nyqvist and Emma Watson in The Colony (2015)Emma Watson is simply a more grown up and matured star now. Tackling a role in which a woman rescues her boyfriend is brave and important and not often something we’re treated to these days. Her grace on screen is timeless. Daniel Brühl, who I had the pleasure of meeting during the BURNT press conference last year, is nothing short of incredible. His presence is captivating. His role allows his to stretch his acting chops quite a bit and let me say, they are impressive. Michael Nyqvist is intimidating and frightening as  cult leader Paul Schäfer. You can feel the evil emanating off of him at the suggestion of child abuse in one key scene. He a truly scary. Daniel Bruhl in ColoniaColonia is successful as a love story and a political thriller. The film is now available to view via the streaming platform We Are Colony. You can view extras such as behind-the-scenes footage, interviews with the cast and crew, and production stills. Check out the trailer below.

Clip: ‘The Family Fang’ directed/starring Jason Bateman, Nicole Kidman & Christopher Walken – On DVD & On Demand Now

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STARRING NICOLE KIDMAN, JASON BATEMAN
AND CHRISTOPHER WALKEN

AVAILABLE ON DVD & ON DEMAND NOW

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Nicole Kidman and Jason Bateman are Annie and Baxter Fang, children of celebrated performance artists Caleb and Camille Fang (Christopher Walken, Maryann Plunkett). When the elder Fangs go missing under mysterious circumstances, the siblings are forced to unpack long-dormant and unresolved issues from their unorthodox childhoods as they search for their parents. Caustically funny and deeply felt, Bateman’s critically acclaimed sophomore feature directorial effort is based on Kevin Wilson’s bestselling novel.

Nicole Kidman and Jason Bateman are Annie and Baxter Fang, children of celebrated performance artists Caleb and Camille Fang (Christopher Walken, Maryann Plunkett). When the elder Fangs go missing under mysterious circumstances, the siblings are forced to unpack long-dormant and unresolved issues from their unorthodox childhoods as they search for their parents. Caustically funny and deeply felt, Bateman’s critically acclaimed sophomore feature directorial effort is based on Kevin Wilson's bestselling novel.

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Netflix News: New trailer for ‘Stranger Things’ coming July 15 – Will it be your next binge?

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Stranger Things

Stranger Things

An innocent night playing Dungeons & Dragons takes a tragic turn for a group of friends in Hawkins Indiana when Will Byers disappears…seemingly into thin air. The year is 1983 and this small town is abuzz with conspiracy theories behind the missing boy’s circumstances. As friends, family and local police search for answers behind his disappearance they are drawn into an extraordinary mystery involving top-secret government experiments, terrifying supernatural forces and the discovery of one very strange little girl. Her appearance and powers appear super human and the boys begin to understand that she might have a sinister connection to their missing friend. With the debut of an impressive young breakout cast (Finn Wolfhard, Gaten Mattarazzo, Caleb McLaughlin and Millie Brown as Eleven), Stranger Things is a love letter to the ubiquitous cult classics of the 80’s.
All episodes debut globally on Netflix Friday July 15th.

Stranger Things stars Winona Ryder (Joyce Byers), Matthew Modine (Dr. Brenner), David Harbour (Chief Hopper), Charlie Heaton (Jonathan Byers), Natalia Dyer (Nancy Wheeler), Millie Brown (Eleven), Finn Wolfhard (Mike Wheeler), Caleb McLaughlin (Lucas Sinclair), and Gaten Matarazzo (Dustin Henderson), and Cara Buono (Karen Wheeler).

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Netflix News: 7 Albert Brooks movies streaming tomorrow, including ‘Defending Your Life’

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Netflix, the world’s leading Internet network, announced today that it was making seven films written and directed by comedian Albert Brooks available for streaming for the first time starting tomorrow, Friday, July 1. The films include: Defending Your Life, which marks its 25th anniversary this year; Looking for Comedy in the Muslim World; Lost in America; Modern Romance; Mother; The Muse; and Real Life.

“Albert Brooks and his films have been a huge influence on American comedy,” said Ted Sarandos, Chief Content Officer at Netflix, “His innovative early short films and comedy albums lead to body of film work that thrives in the culture and keeps us laughing today. We are proud to have our U.S. Netflix members revisit these great works and to help introduce Brooks’ comedies to the next generation of fans.”

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Netflix: ‘Bojack Horseman’ returns with Season 3, Friday July 22nd

I’m somewhat smitten with this show. It’s so full of puns that it gets better with every re-watch. I didn’t care for Lisa Kudrow in Season 2; I’m looking forward to more Princess Carolyn and Diane.

BoJack is grappling with his legacy while trudging through an increasingly turbulent Oscar campaign for his star-making turn in the Secretariat biopic. BoJack struggles with how he’ll ultimately be remembered by his fans and what lasting impact he’s made on those closest to him. Also, there are lots of silly puns and talking animal jokes and celebrity cameos and all the other stuff that everybody loves about BoJack Horseman. It’s a very funny and good season of television. Don’t worry.

Review: ‘SEATTLE ROAD’ paves a bumpy path.

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PRESENTS

SEATTLE ROADSeattleRoad PosterSometimes a film divides an audience right down the middle. Something so unique and deep that it either inspires a deluge of praise or a tirade of… well, let’s say “unkind words.” Writer/Producer/Director Ryan David‘s “relationship meets art” love story, Seattle Road has a great tagline:

Seattle Road explores the paradox of a couple’s love and the resentment that forms between two ambitious people.

Now that’s a film I can get behind. It sounds intriguing, with loads of potential. Unfortunately, for me, the tagline was far more clever than the film itself. If you’re going to tout a film with the word paradox, frankly I’m going to expect something wildly fantastic. What I got was some sort of millennial truth-telling, ridiculousness. Seattle Road bears resemblance to a student film with dialogue that is some of the most pretentious and eye roll inducing I’ve heard in a while. The heightened audio smacks just as false, combined with the disjointed time jumps. The film comes off as trying too hard rather than genuine. Julia Voth‘s portrayal of Eve is fickle and unlikable at every angle. I felt not a single ounce of empathy for the fact that her estranged father had passed away, or cared that she was shacking up with a guy she hardly knows in a house that doesn’t actually belong to her, all while crying “woe is me” and bitching about her self-importance. The ending literally caused me to say, “Are you kidding me?” at the screen.seattle-road Julia Voth

The only saving graces for Seattle Road lies in three things: Moments in editing, the music, and our leading man, Maximillian Roeg. Even with the editing being a point a contention for me, there are moments in the film that might as well be mini music videos from the late 80’s to the early 90’s. These are, without a doubt, the most visually interesting, only enhanced by the Music Supervision of Tracy McKnight. Great soundtrack. Finally, our Adam. Roeg is a strong presence in his timidity. As a commune raised artist trying to navigate a seemingly doomed relationship with his own personal demons, he has a quiet strength and I am very much looking forward to seeing him in future projects. If nothing else comes from Seattle Road, please let it be a platform for Maximillian Roeg to shine.

I do appreciate what Seattle Road was trying to do. It’s not a boring film by any means. It went out on a limb and tried something different. For me, the limb was awkward and weak. If you’re intrigued or feel the need to be contrarian, I invite you to watch Seattle Road this week and let me know what you think. For all I know, you may love it.

Available on Demand on all VOD platforms starting – June 24, 2016

Written & Directed by: Ryan David
Produced by: David Zonshine, Cynthia Graner, Ryan David
Cinematography by: Sandra Valde-Hansen
Edited by: Matthew Johnston
Music by:

Cast:

Dhani Harrison and Paul Hicks

Julia Voth (Supernatural, Bitch Slap), Maximillian Roeg (Dream Boy, Maneater), Kelly Lynch (Charlie’s Angels, Road House, Drugstore Cowboy), Daniel Abeles, Alan Nozick

Distributed by: Gravitas Ventures
Release Date: June 24, 2016
Running Time: 82 Minutes / NR