Have you ever dreamed of punching Karen from Human Resources in her stupid face? Sure you have, who hasn’t?! In a new unapologetically violent and incredibly awesome film, you can live vicariously through others in kicking Karen’s ass.
MAYHEM stars Steven Yeun (“The Walking Dead,” Okja), Samara Weaving (Three Billboards Outside Ebbing, Missouri, Showtime’s “SMILF”), and Steven Brand (“Teen Wolf,” “Secrets and Lies”) is directed by Joe Lynch (Everly, Knights of Badassdom) and marks the feature film debut from writer Matias Caruso.
SYNOPSIS: Derek Cho (Steven Yeun) is having a really bad day. After being unjustly fired from his job, he discovers that the law firm’s building is under quarantine for a mysterious and dangerous virus. Chaos erupts throughout the office as the victims of the disease begin acting out their wildest impulses. Joining forces with a former client (Samara Weaving) who has a grudge of her own, Derek savagely fights tooth and nail to get to the executives on the top floor and settle the score once and for all.
We all know Steven Yeun as our beloved (may he rest in peace) Glen, but in Mayhem, he does such a fantastic job that you completely forget about his Walking Dead persona. Mayhem is literally laugh out loud funny all while having some of the coolest fight choreography and blood gushing effects. Screenwriter Matias Caruso might have hit the jackpot with the plotline because this is the most imaginative way to utilize “The F-word” in a script possible. I would go back and watch to count the number of times it’s used and not a single time is it superfluous, it’s genius. Yeun’s training with zombies made him the perfect pick for this role. He is the embodiment of everyone who has ever felt oppressed by the BS hierarchy of corporate. Samara Weaving gives a borderline Harley Quinn inspired performance as a woman who was wronged by Yeun’s character. Her effortless delivery and comic timing, down to specific idiosyncracies she displays are spot on brilliant. In reality, this is an ensemble piece of pitch-perfect character work. You cannot help but get revved up watching Mayhem. It has to be one of my favorites of 2017. You can catch MAYHEM in theaters and available On Demand / Digital HD November 10, 2017. (PS- that’s today.)
RLJE Films will release the upcoming horror, action film MAYHEM in theaters and available On Demand / Digital HD November 10, 2017.
**World Premiere – SXSW Film Festival 2017**
**International Premiere – Fantasia Film Festival 2017**
**West Coast Premiere – Beyond Fest 2017**
PRESENTS THE ACCLAIMED NEW MASTERPIECE
Synopsis: Nanami is an apathetic, part-time junior high school teacher, whose only solace comes from connecting with others on “Planet”, a new social network service. One day, a young man named Tetsuya messages her and asks to meet in person. The two begin dating and quickly become engaged. When Testuya begs Nanami to increase her guest list for the wedding, Nanami reaches out to online-friend, Amuro, a self-proclaimed jack-of-all-trades, who hires actors to play Nanami’s guests on her big day. A few weeks following the ceremony, Tetsuya’s mother confronts Nanami with allegations of lying and cheating. Heartbroken and despondent, Nanami checks herself into a hotel and manages to get hired there as a maid. One day, Amuro offers Nanami a housekeeping job in an old mansion, whose sole resident’s infectious spirit helps Nanami to open her heart. However, Nanami soon realizes that Amuro, the mansion, and its occupant aren’t what they seem – and even dreams have limits.
There is something otherworldly about Iwai Shunji‘s latest film. While A BrideFor Rip Van Winkle runs just minutes shy of 3 hrs, the story is vastly engrossing. Our beautiful lead actress, Haru Kuroki, gives us an honest and quietly bold performance that allows us to feel each beat in real time with her. We are along for the ride just as much as she is. The classical soundtrack adds an ethereal quality to mysterious turns in the script. To speak too much about the plot would ruin it for the viewer. I can say that it will be unlike anything you’ve seen before. It certainly speaks to the power of social media. It tackles isolationism and the yearning to feel truly connected physically and emotionally. A Bride For Rip Van Winkle will surprise and delight to no end. You can check out the trailer below and catch the film in theaters this Friday.
Daniel Radcliffe is almost unrecognizable as real-life adventurer Yossi Ghinsberg. Greg McLean‘s film, based on Ghinsberg’s harrowing journey (and autobiography) in the Bolivian jungle in 1981 is filled with some of the most gag-inducing moments in a non-horror film we’ve seen since 127hrs. Radcliffe, sporting a heavy accent, transforms onscreen from a fit hiker to gaunt survivor. His emotional and physical rollercoaster ride is quite the experience for the audience, proving once again that Radcliffe’s talent is far beyond his Harry Potter years.
The film is essentially broken into 2 equal parts equally. The first hour is how Yossi and company come to be in the jungle, to begin with. Relationships are challenged, tempers flare, bodies are wearing down. Suddenly, and by a devastating accident, Yossi falls into the raging river, stranding him alone. This second hour has Radcliffe in almost every shot. Blended with colorful flashbacks, seriously intense stunts, and beautiful insight, JUNGLE thrills. The story is beyond incredible, lending you to wonder how and if you could survive. Check out the trailer below!
Sometimes a documentary teaches you more than you ever expected. Sometimes a doc is so relevant to the present it’s shocking. Nancy Burski’s, THE RAPE OF RECY TAYLOR, caught me by surprise from the very beginning. I learned not much has really changed in the past 80 years when it comes to everything I hold dear with respect to racism and sexism.
Sean Baker‘s The Florida Project is easily in my top 5 films at this year’s NYFF. The entire film is so organic with an almost documentary-style feel. The story revolves around an often overlooked segment of the country; one that we tend to dismiss as low-class. The viewing experience is akin to being a fly on the wall during events we cannot unsee. Completely irreverent and oozing with charm, it’s also a film about children but not for children. Lazy summer days and trying to entertain themselves, more alone than in the presence of proper adult supervision, the children explore and wreak havoc on tourists and locals alike. The genuine chemistry between Willem Dafoe and rambunctious newcomer Brooklyn Prince is what makes The Florida Project so perfect. Dafoe becomes a universal father figure and will no doubt remind you what a chameleon he truly is onscreen. Bria Vinaite (Also a complete unknown until now) as Halley is frighteningly all too familiar, and I do mean that as a compliment. Her relationship with Moonee is as awkwardly earnest as it is heartbreaking. Our spitfire, six-year-old Prince steals every scene with her natural curiously and sass. She will not be contained. Sean Baker‘s use of real-life vibrantly colored backdrops screams for attention against the energy pouring from the entire cast of misbehaving children. You will be laughing out loud from the very first scene and find yourself completely engrossed in the lives of these characters. I will be putting forth a mighty effort come awards season on behalf of The Florida Project, as it deserves the widest audience possible.
In a complex and incredibly nuanced new film, sisters must decide if physical and emotional separation is what they need to survive. Indivisible is a story of exploitation and personal desire.
Angela and Marianna Fontana play conjoined twins Dasy and Viola. Sought after for their singing talents and local idolatry, everyone wants a piece of them. Born into a selfish family living off the girls’ fame, they are forced to perform, threatened by guilt and permeating greed. While one sister yearns to be surgically divided, the other feels devastated by the idea. In bold performances from these real-life twins, we are rooting for their ultimate happiness. Despite being attached at the hip, each young woman gives a brilliant performance. Full of dreams and determination, these ladies own the screen is presence and ability. Battling religious fanaticism and the seduction of escapism, our leading ladies ooze with charisma. Indivisible takes a heartfelt and intimate approach to dismiss the sideshow mentality. Every theme in this script is some sort of double entendre. With beautiful cinematography on top of a clever and unexpected script, Indivisible is one of a kind.
Growing up is awkward. No one is ever really prepared to deal with puberty, whether it’s the child or the parent. In Dorie Barton‘s brilliant directorial debut, Girl Flu, one little girl isn’t the only one that comes face to face with what it means to become a woman.
Synopsis:
Girl Flu is truly an endearing film. Funny, relatable, and just enough edge to surpass the afterschool special pigeonhole, it’s a directorial debut that Dorie Barton can be proud of. Whether the reality of the plot is who is really raising whom, we are treated to some incredibly sold performances from the entire cast. Katee Sackhoff (Battlestar Galactica) brings Jenny to life; an ill-equipped, young mother, raising a 12-year-old, who never quite grew up herself. Her crunchy and pot smoking morning rituals annoy the hell out of her daughter and her boyfriend, played by Jeremy Sisto (Waitress). Sackhoff is a beautiful balance of super flighty and genuinely sincere. Sisto, solid as ever, navigates his evolving feelings for mother and daughter alike adding to the heart and humor of a universal milestone. Heather Matarazzo (Welcome to the Dollhouse), as mom Jenny’s best friend, is damn hilarious. Not surprising for Matarazzo, as she lights up the screen in every role she plays. The real breakout star, without a doubt, is our major lead Jade Pettyjohn (School of Rock) as Bird. Humiliated and bullied, surviving on the resiliency she’s been forced to develop, she is whip-smart, vulnerable, and a total pro in this role. Irrational child logic is what makes this script so honestly entertaining. We laugh because we’ve been there. The cool soundtrack is the perfect addition. It’s been a fan favorite at over two dozen film festivals so far and it’s easy to see why. You can catch GIRL FLU on VOD (Amazon, iTunes, Google Play) today, September 29. Check out the trailer below!
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Against the Night has a plot we’ve seen before… until it doesn’t. I have to admit, this film tries really hard to be unique but ultimately ends up being totally convoluted. There are moments in the script that are so far out in left field I literally said, “What?!” out loud as I watched. The practical effects don’t help, and the majority of the acting is pretty blah and even ventures into the downright atrocious. Oftentimes, the cast’s reactions, (mostly the girls) are completely unbelievable and frankly, don’t lend you to care about them. The chemistry is humming along one moment and nonexistent the next. The tropes seem forced and cobbled together without any flow to the story. While I did enjoy the opening setup and the use of multiple camera styles, Against the Night just didn’t work for me as a whole. The one saving grace in this film is actor Josh Cahn. Playing what feels akin to Jaimie Kennedy‘s role in SCREAM, Cahn is funny, likeable, and I wanted more of him on screen. I would watch an entire stand alone film with him as the lead, any day. This kid is a gem. If you do catch the film, he and the appearance of Frank Whaley as Detective Ramsey are worth their short amount of screen time. Check out the trailer below. As always, we want to know what you think, so those of you heading to the theater this weekend, tell us how Against the Night played out for you!
presents
Based on the novel “Dan Leno and the Limehouse Golem” by Peter Ackroyd, the film was written by the acclaimed writer Jane Goldman (Kingsmen, The Woman in Black), directed by Juan Carlos Medina (Painless) and produced by Stephen Woolley (Their Finest, Interview with a Vampire), Joanna Laurie (Hyena) and Elizabeth Karlsen (Carol). The film stars Bill Nighy (Love Actually, Underworld), Olivia Cooke (Me and Earl and the Dying Girl, “Bates Motel”), Douglas Booth (Pride, Prejudice and Zombies, Noah), Daniel Mays (“Line of Duty”) and Eddie Marsan (Sherlock Holmes, “Ray Donovan.”)
The Limehouse Golem is a whirlwind mystery. Jane Goldman has taken Peter Ackroyd‘s novel and brought it to life from page to screen and ultimately stage since much of the story revolves around live performances and theatrical ambition. The costumes and set are gorgeous, striking a perfect visual balance of play costumes and period dress. The dark Limehouse district scenes of macabre and the vibrant, hyper-saturated theater are striking in contrast. The story cannot help but grab you as you try to keep up with the suspects alongside Nighy‘s lead. 
The cast is a true ensemble of talent. Bill Nighy‘s role was originally meant for the late Alan Rickman, but once his health began to decline Nighy stepped into the role. The film is actually dedicated to Rickman’s memory. Nighy is brilliant and powerful as usual in his honest search for the truth. Olivia Cooke, who’s talent is grossly underrated, does a spectacular job as she navigates a complicated woman in Lizzie Cree. I would be remiss if I didn’t give a standing ovation, as it were, to Douglas Booth in his engrossing portrayal of real life actor Dan Leno. Funny, touching, purely entertaining, Booth owns this role. The script will keep you on your toes and with a murder mystery, what more can you ask for?
Bia (Valentina Herszage), Michele (Júlia Roliz), Mariana (Mariana Oliveira) and Renata (Dora Freind) are a clique of affluent high school girls. They waste away their days wandering the fields between the vertigo-inducing high rises in Barra da Tijuca, an affluent new neighborhood in Rio de Janeiro. Both privileged and abandoned by busy parents, the girls spend most of their time together.
If you were a fan of IT FOLLOWS, then KILL ME PLEASE will strike a chord with you. With oversaturated moments in its cinematography to its perhaps allegorical message of teenage lust, this film is filled to the brim with bizarre but very real moments. Ghost stories are woven into the narrative as warnings or maybe even as excuses for avoiding sexual contact, all while an actual serial killer takes out young girls that bare a striking resemblance to our ingenue. As the viewer goes deeper into the mind of Bia, you begin to realize that this film is all of us growing up. Blissful ignorance, metaphors of self-doubt and self-sabotage bring back too many dark memories. Boasting an eclectic and truly kickass soundtrack, KILL ME PLEASE is a one of kind blend of horror and coming of age film that will throw you for a loop. The cast has a brilliant chemistry and director Anita Rocha da Silveira has quite a masterpiece on her hands. If you’re lucky enough to be in NYC today and LA in October, you can catch the film on the big screen. If not, you’ll have to wait until May to catch it on VOD and DVD. Until then, check out the trailer below, though truth be told, the film is on a whole other level than what you’ll see here.
BUSHWICK is unrelenting from its opening shots until the final frame. The audience experiences the story in real time just as the main characters do. With the use of what feels like a single camera, lengthy POV takes (as if the viewer were the unseen third character), add to the heightened pace and overall menace of the film’s plot. Bushwick pulls no punches with its realism. There are small lulls but you might imagine that to be the case if the scenario presented were actually occurring. Overall, the action is non-stop and scary. Both Snow and Bautista deliver down-to-earth performances and give us two very different backgrounds from which to relate to. There are moments that seem unscripted they are so natural and out of the blue. Without spoiling anything, you’ll have to watch to understand what I mean by that. The timing of the film’s release is eerie considering our present political climate. It’s almost like a creepy omen of things yet to come. Don’t be fooled by the trailer. You are in for a much darker ride than you might expect. You can watch BUSHWICK now in theaters, on VOD and Digital HD.
This film is nothing short of awesome’/hilarious/bizarre/fantastic. I can only imagine that this must have been one of the most fun sets to work on. The hours it must have taken to construct, with each room completely different than the last. With nods to past adventure films around each corner, the tongue in cheek dialogue and perfect suspension of disbelief from the cast is pure genius. Speaking of the cast, you will easily think that this cast regularly hangs out with one another, as their chemistry is so chill and comfortable. The witty banter is endless. Mixing stop-motion animation, puppetry, and on camera optical illusions, you cannot help but enjoy Dave Made A Maze. You’ll wish there were a replica of the maze (for the most part… no spoilers from this lady) for you to romp around in. Huge props to the artists that made big kid dreams come true. But don’t just take the film at face value, there is a deeper message underneath all the fun. You can catch the film in theaters and on VOD this Friday! Check out the trailer below for a sneak peek at what waits beyond the “Enter” sign. 
PILGRIMAGE features an all star cast of Tom Holland (Spiderman: Homecoming, Captain America: Civil War), Jon Bernthal (Baby Driver, Marvel’s “The Punisher”), Richard Armitage (Capitan America: The First Avenger, The Hobbit) and was directed by Brendan Muldowney (Love Eternal, Savage).
Religion, faith, mysticism, belief; all of these things have caused heartbreak, wars, saving grace, and death. In Pilgrimage, Tom Holland plays a young monk who is essentially forced to protect and carry a relic to Rome. Alongside his mysterious protector, played by John Bernthal, he and an eclectic crew of soldiers and men of faith must battle hidden agendas and a higher power to achieve their mission. Perhaps the most stunning aspect of the film, besides the fact that each actor must deliver lines in at least 2 languages, is the fact that Bernthal’s character has zero dialogue. He is able to pull off a fully fleshed out character whose background leads to many questions along the way. The fight sequences are nothing less than brutal, so be prepared. That being said, they are pretty awesome to witness.The chemistry between the cast is palpable. Holland certainly holds his own among some seasoned players. His vulnerability on screen grounds the film. Overall, Pilgrimage has a Lord of the Rings meets Willow kind of vibe with a thought-provoking final scene. You can catch the film in theaters today, as well as on VOD and Digital HD.
Told through interviews and some funny movie clips (I’m talking about you, Clint Eastwood), you’ll be fascinated by the cast of friends that DeJoria as accumulated. From Danny Trejo to Michelle Phillips, there’s no end to the stories they can tell. Immerse yourself in the excitement of live casino games on 
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