Review: ‘BARNEY THOMSOM’ makes murder relatively complicated.

Posted on March 11, 2016 by Liz Whittemore — Leave a reply

Directed by and starring Robert Carlyle (The Full Monty, Trainspotting, 28 Weeks Later) in his directorial debut the film features Emma Thompson (Sense & Sensibility, Saving Mr. Banks), Ray Winstone (The Departed) and Tom Courtenay (Quartet).

Barney Thomson, awkward, diffident, Glasgow barber, lives a life of desperate mediocrity and his uninteresting life is about to go from 0 to 60 in five seconds, as he enters the grotesque and comically absurd world of the serial killer.

Robert Carlyle is a real winner in his directorial debut. His portrayal of Barney is a wonderful mixture of neurotic, depressed, and pathetic Mama’s boy. A far cry from his Once Upon A Time role as Mr Gold. His skill as a director is plain to see. Barney Thomson has an upbeat and fun vibe. If you combined Baz Lurhmann‘s Strictly Ballroom, Richard Shepard’s Dom Hemingway, with a twist of Tarantino, you’ve got the eclectic style of Barney Thomson. Casting Emma Thompson as his mother, Cemolina, was pure genius. Their chemistry is unmatched. Wait until you see the prosthetics on Emma. The slightly overdone (and orange) nature of the makeup, creates the perfect backdrop for this larger than life character.

The dialogue from Richard Cowan and Colin McLaren is quippy and hilarious. Utilizing the a beautifully absurd storyline combined with rapid fire Scottish rhetoric makes for the perfect combination in style and comedy. The soundtrack is incredible and Fabian Wagner‘s cinematography is stunning. It’s clear that Carlyle knows his stuff and I, for one, look forward to any future endeavors. Barney Thomson is a hit.

BARNEY THOMSON On Demand February 2^nd, 2016 and in theaters March 11^th, 2016.

Directed By: Robert Carlyle (directorial debut)

Written By: Richard Cowan and Colin McLaren based on the novel by Douglas Lindsay

Produced By: John G. Lenic, Kaleena Kiff, Holly Brydson, Brian Coffey, Holly Brydson and Richard Cowan

Starring: Emma Thompson (Sense & Sensibility, Saving Mr. Banks), Robert Carlyle (The Full Monty, Trainspotting, 28 Weeks Later), Ray Winstone (The Departed), Tom Courtenay (Quartet)

Distributed by: Gravitas Ventures

Running Time: 96 Minutes

Rating: NR

Review: Norwegian disaster film, THE WAVE, hits you like a ton of bricks… or a giant ass tsunami.

Posted on March 4, 2016 by Liz Whittemore — Leave a reply

Mother Nature is not one to be trifled with. The Earth is going to do as it sees fit, no matter what our plans may be as humans. THE WAVE is based on a very real “what-if” scenario. Not all too different from the horrors that will most certainly be coming our way in the future, if we don’t get out proverbial shit together. And very much like The Wave, this is not a matter of if, but when.

The Wave is an epic thriller that takes place in the majestic village of Geiranger, one of the most spectacular tourist locations on the planet. There are more than 300 unstable mountainsides in Norway, one of the largest being “Åkerneset.” When – not if – the mountain collapses due to widening cracks, the rock will crash into the fjord below, creating a massive tsunami that will hit the community. All inhabitants will have just 10 minutes to reach higher ground before tragedy strikes.

The film centers around geologist, Kristian and his family. Leaving his current position as safety gatekeeper for the village, Kristian has a tough time letting go on his final day on the job, and for good reason. Testing fate is not something that comes easily when an entire population is at stake. When the alarms sound and the what-if becomes a reality, Kristian will do whatever it takes to save anyone he can from impending doom.

The film has incredible effects. This is Norway’s Deep Impact. If you replaced the cast with big budget Hollywood A-listers, this could have easily been a film made in the US. THE WAVE is Scandinavia’s first-ever disaster movie. It has broken box office records in Norway and was their official entry for the Academy Awards. Hollywood is taking notice of director Roar Uthaug (Cold Prey). He just signed on to direct the upcoming Tomb Raider reboot. The cast is incredibly solid, especially our leading man, Kristoffer Joner (The Revenant). I came to care deeply for each character. The script makes an interesting statement about survival and the human condition. If you had only minutes to escape a fire, flood, or tornado, who/what would you take with you? Do you lend a hand to those outside your intimate circle? I was truly impressed with The Wave. Don’t let the language barrier stop you from checking out this well made film. (There are English subtitles) THE WAVE will bowl you over with action and remind you to respect the hell out of the environment.

THE WAVE comes to theaters and VOD today, March 4th.

Review: EMELIE is a parent’s worst nightmare.

Posted on March 4, 2016 by Liz Whittemore — 1 Comment ↓

presents

EMELIE

Directed by: Michael Thelin

Starring: Sarah Bolger (ABC’s “Once Upon a Time,” AMC’s “Into the Badlands” )

In Theaters and On Demand March 4, 2016

As a parent, all you want is for your family babysitter to care for your kids like you would.. When you do find a reliable sitter, you hold onto then for dear life. But what happens when, once in a while, your beloved child care provider is unavailable? You might panic and start calling other parents for recommendations, but if you’re really lucky, your babysitter has an alternative option already in the pipe line. Evening saved, right? What if the kids don’t like them? They’re probably just overreacting. What if it’s for a good reason? EMELIE is a parent’s worst nightmare.

As their parents head out for a date in the city, the three young Thompson children immediately take to their new babysitter, Anna (Sarah Bolger, Into the Badlands, Once Upon a Time), who seems like a dream come true: she’s sweet, fun, and lets them do things that break all of their parents’ rules. But as Anna’s interactions with them take on a more sinister tone, the kids realize that their caretaker may not be who she claims to be. Soon it’s up to big brother Jacob to protect his siblings from the increasingly nefarious intentions of a very disturbed woman whose weapon is trust, and whose target is innocence.

Featuring tour-de-force performances from Bolger and its three young leads, EMELIE is a multidimensional, nail-biting thriller that asks the question: how can you put an end to horror after you’ve already let it in?

Sarah Bolger stuns as the babysitter from Hell. Soft and cool one minute and downright sociopathic the next. Her backstory makes her motives all the more incredible. Never is there a moment when you don’t feel beyond uncomfortable. You never know what she’ll do with the constant passive aggressive look in her eyes. It is completely terrifying. Scene stealer award goes to Bolger’s foil, Joshua Rush, as Jacob. He is perfect from beat to beat. It’s a complex role for any actor, let alone someone so young. Think a slightly older Jacob Tremblay from ROOM. That’s the quality Rush gives in Emelie. He deserves much more attention and I look forward to SEEING more of him in the future, as the majority of his current body of work has been voice. Director Michael Thelin has created a quite a roller coaster of fear. I was off my game from the first frame to the very last. EMELIE will make any parent think twice about who’s really watching their children.

In Theaters and On Demand March 4, 2016

#EmelieMovie
@DarkSkyFilms

Review: Now available on VOD, film festival favorite ‘ANGEL OF NANJING’ soars.

Posted on February 22, 2016 by Liz Whittemore — Leave a reply

Balance Films and Blue Bus Productions Presents

In the US, depression is a subject we either tackle with prescription drugs or after a suicide. Most of us are so consumed with our own lives, we oftentimes fail to look beyond the emotional scope of our own noses. In a new documentary by Jordan Horowitz and Frank L. Ferendo, ANGEL OF NANJING, one solitary man makes it his mission to save the souls on The Yangtze River Bridge.

SYNOPSIS:

The Yangtze River Bridge in Nanjing is one of the most famous landmarks in China. It is also the most popular place in the world to commit suicide. After hearing reports about this from the news, Chen Si, an average man with no professional training, decided to do something about it. On September 19, 2003, he went to the bridge with a heart-shaped sign that read, “Nothing is impossible. When God closes a door he opens a window.” That morning he saved someone, and has dedicated his life to standing vigil on that bridge ever since. Incredibly, he’s saved over 300 lives since he began.

Despite all the lives he’s saved, Chen’s mission has taken an unexpected toll on him. He feels incredible guilt when he learns someone committed suicide while he wasn’t at the bridge, and even more when he is there and is still unable to save them. He’s become a heavy smoker and drinker, and often finds himself battling with depression. He is also under growing pressure from his family to quit, who cannot understand why he spends so much time and money helping others when he has his own family to worry about.

The film has an incredibly organic feeling from its handheld camera work to the pulled back moments when Chen is speaking to the men and women so seemingly desperate to jump. Once rescued, the audience feels as if they’re part of the healing as they are treated to intimate face to face conflict resolution. It is a perfect snapshot into the Chinese culture. Suicide is considered extraordinarily shameful. Chinese media always refers to a desperate or depressed individual as in a “bad mood” in any aftermath coverage. Once you accept the familial implications of a suicide, you begin to understand Chen’s pragmatic approach. Cultural tactics are perfectly balanced with genuine tenderness resulting in incredibly touching rescues. Chen is a complex man, struggling with the sense of responsibility to those in such despair and his own happiness. Horowitz and Ferendo do absolute justice to Chen and this unique scenario. As an added bonus, the film’s score is both haunting and glorious. It is something I would seek out on its own. As a whole, ANGEL OF NANJING is a beautiful story of hope and humanity.

ANGEL OF NANJING is now available! Check out the trailer below…

Award-winning documentary debuted on VOD (iTunes, Amazon, and Google Play) February 16

Winner – Best Documentary, Phoenix Film Festival
Winner – Best Documentary, Catalina Film Festival
Winner – Best Documentary, SaMo Indie Fest
Winner – Best Documentary, Big Apple Film Festival
Winner – Best Documentary, New Jersey Film Festival

Directed by Jordan Horowitz and Frank Ferendo, ANGEL OF NANJING tells the story of an ordinary man doing something extraordinary, and at great personal sacrifice. It is a personal portrait of a man, who in a country of over one billion people, has chosen to dedicate himself to making a difference, one person at a time.

[FLASHBACK] Tribeca Film Festival review & podcast: TUMBLEDOWN will win hearts and fans. Including the audio from our roundtable interview with Jason Sudeikis, Dianna Agron, Director Sean Mewshaw, and Writer Desiree Van Til.

Posted on February 2, 2016 by Liz Whittemore — Leave a reply

Music is part of our souls. It can heal, it can hurt, it’s like a sense memory. We’ve lost great artists in their prime like, Leonard Cohen, Kurt Cobain, and Elliot Smith. The impact of their death is felt each time we hear one of their songs. Imagine, for a moment, that your very favorite artist suddenly dies. Now imagine you were married to them. This is the very premise of TUMBLEDOWN. Hannah is the widow of indie folk singer Hunter Miles. She is hounded by gossip seekers on a daily basis. When Hofstra professor and true fan Andrew tries to get in touch with her, she brushes him off… and brushes him off again… and again. Only until realizing that her dream of writing Hunter’s story is one she cannot accomplish on her own, does she let her highly guarded heart open just a crack. Andrew and Hannah strike a deal; Andrew writes a biography on her terms for $50k. With the encouragement of his music industry girlfriend Finley, Andrew drives from NYC to Maine and moves into Hannah’s guest bedroom. He is then exposed to a world a true fan can only dream of, with one massive catch. Hannah will not stop mourning her late husband. Can fan and family see eye to eye. Can trust break down the walls of Hannah’s suffering? Will intellect stifle healing. In a film where it’s head vs heart, who wins?

Rebecca Hall is flawless as Hannah. Witty, independent, strong headed, Hall plays a woman unwilling to move on with her life. Jason Sudeikis as Andrew is unstoppable. Smart, and quippy as ever, this role is something new for Sudeikis. I love this side of him and hope that the industry, and more writers, take note of his innate ability to be funny in a non-slapstick kind of way. These two are an absolute powerhouse as they match wits with one another in each scene. Rounding out an incredible cast is Dianna Agron as Finley. Life after GLEE fame should treat her well if she keeps up such a strong, believable presence on the big screen. Blythe Danner and Richard Masur play Hannah’s parents. Deeply supportive and yet totally realistic, these two are the perfect counter balance to Andrew’s inability to let go of presumption. Finally, Griffin Dunne plays Hannah’s editor and owner of the town beloved book shop. He brings warmth and charm only a small town holds.

The film was 8 years in the making. Writer Desi Van Til thoughtfully crafted this story partly as a personal healing piece for a lost friend. She skillfully captures the heart of New England, the desperation of grief, and the hold that music has on everyone’s heart. For Director Sean Mewshaw, his first feature length film is a total success. It’s shot in such a way that truly shows the quaintness of the area. Finding “Hunter Miles” or singer Damien Jurado was one of his triumphs. He perfectly encapsulates the feel of the character that was created by Desi, Rebecca, Jason, and Sean. Coming in after the film was already in the can, with his music and lyrics, he “created” a musician we’re all discovering for the first time, but feel like we’ve now lost as well. It might also help that Sean and Desi are husband and wife! This team is a real tour de force and without any solid knowledge (only mere mentions) I predict many captivating projects coming down the pipeline from these two.

Grief is something so personal. No matter how big the hit we feel, it still leaves a hole in our hearts and souls. Sometimes music helps. Sometimes it’s a trigger. Either way, the songs live on long after we’re gone. So sing, I say. TUMBLEDOWN is easily in my top three narrative selections to come out the this year’s festival. It is a must see and definitely a must hear.

I was fortunate enough to attend a roundtable interview with Dianna Agron, Jason Sudeikis, Desi Van Til and Sean Mewshaw. We talk issues from the film, insight into the project’s journey, as well as Jason and Dianna’s other releases at the fest. Take a listen to the absolute joy around the table: *You can hear me ask a question about journalistic responsibility and one about Dianna’s similarities to the character of Hannah.* Enjoy the voices of TUMBLEDOWN!

Originally posted April 20, 2015

Review/Interview: OITNB star Nick Sandow talks ‘THE WANNABE’

Posted on December 17, 2015 by Liz Whittemore — Leave a reply

Presents

THE WANNABE

Respect isn’t earned. It’s stolen.

Written & Directed & Co-Starring Nick Sandow (Captuto on Orange is the New Black) Executive Produced by Academy Award Winner Martin Scorsese (Goodfellas) & Dean Devlin (Independence Day)

No matter who we are, during our lives we have idolized a person. Perhaps in some cases, to a point that may border on the unhealthy. Orange Is The New Black star, Nick Sandow, has written and directed a new film where that idol is the infamous mobster John Gotti. Meet one man’s story of obsession and desperation to be somebody, in The Wannabe.

The wannabe still Patricia Arquette,Vincent Piazza

Based on true events and Executive Produced by Martin Scorsese and Dean Devlin, comes a story about Thomas ( Vincent Piazza), a man obsessed with Mafia culture during the 1990s in New York City. When Thomas’s failed attempts to fix the trial of infamous mobster John Gotti gets him rejected by the people he idolizes most, he sets off on a drug infused crime spree with his girlfriend and long time mob groupie, Rose (Patricia Arquette), by brazenly robbing the local Mafia hangouts.

The film is perfectly paced by Sandow‘s writing. Coming up with the story after a friend sent him an article about the real life couple, The Wannabe is a “what might have happened” tale. Perfectly cast as Thomas, Vincent Piazza gives a fully fleshed out performance as a man who craves acceptance. When he doesn’t receive it, drugs lead to power hungry and dangerous life choices. Piazza’s time on Boardwalk Empire served him well in outlining his gangster look and the way he carried himself physically. We’re on the emotional roller coaster alongside him throughout. Patricia Arquette as Rose, is nothing less than brilliant. I am convinced that no matter what character you throw at her, she would own it. Her ease and presence on screen is unmatched, ever the scene stealer. Also, a Boardwalk alum, along with Sandow, it is clear that their chemistry as a trio makes the film as successful as it is.

I was privileged to interview Nick Sandow this week. Take a look at what he had to say about The Wannabe.

Liz: Firstly, Nick, thanks for taking the time to chat with me. The Wannabe is an incredibly successful story of audacious choices and personal delusion. Love the structure and style. So, congratulations on the film!

Where is the line between truth and fiction with Thomas and Rose’s story?

Nick: The line is blurry. There were a handful of facts about a real couple that in the early nineties went around robbing mob social clubs. I was fascinated with how they got from A to Z. I just ran with the story and started to blend in real events that were going on at that time.

Liz: You write and direct this project. What was the biggest challenge in wearing both hats?

Nick: Writing and directing hats go very well together. I’ve directed things that I didn’t write and I have to work very hard to find my way into it. When you write it….. it’s yours…. you are already inside it. It has your DNA all over it so when it comes time to direct it I am attempting to take it further and trying to find another level of understanding with all the tools available.

Liz: Getting the script to Scorsese, wow. What was that moment like when he decided to come on board?

Nick: I couldn’t believe it. I still don’t. It’s hard to fathom. But what a gentle guiding spirit he is.

Liz: When writing, did you already have Vincent and Patricia in mind?

Nick: I didn’t have them in mind at first but when they did come on board they were both very influential contributors to the rewriting process.

Liz: Was mob history an interest of yours prior to discovering this story?

Nick: Mob history wasn’t an interest. I grew up in a very similar neighborhood in the Bronx. So it was less an interest than a way of life.

Liz: How easy/difficult was it to shoot in the city for it being a period piece?

Nick: It was extremely difficult shooting a period piece in NYC on our budget in 20 days. It was all about finding the right locations. We had 35 location in 20 days. We were trying to find the 90s in the city and you really have to hunt for it. It’s there, you just have to get out into the boroughs. We shot in every one of them except Staten Island.

Liz: Have you ever been obsessed, for lack of a better word, with an individual in the way Thomas was?

Nick: I’m not sure I was ever as obsessed as Thomas with one single person but I do very much identify with the desperation of wanting to be someone you are not. I’ve made a living out of doing that as an actor for 25 years. I understand where that obsession comes from… I had an outlet for it with acting.

Liz: You, as an actor, have a knack to for being cast as an authority figure, shall we say? Why do you think that is?

Nick: I’ve never really thought of this before. An authority figure….hmmmm. To be honest the first thing that pops into my head is that as a kid I always felt I needed to know the answers to survive. In many ways that served me and in many ways as a young person I feel it shut me down to learning as much as I could of. Maybe this is why? It’s only a guess. I really don’t know.

Liz: We are definitely excited for more Caputo action in Season 4 this June. We’re really rooting for something good to happen to this character! Outside of OITNB, what’s next for you?

Nick: Yes, there will be more Caputo in Season 4. It’s going to be a great season. I’m also excited about it.

Besides Orange, I am looking to shoot another film this spring. It’s a great script written by Frank Pugliese of House of Cards. It is the weekend in the life of a middle aged retired pro football player coming to grips with having Dimentia. I’m also working on a documentary about Kalief Browder who was wrongfully imprisoned for 3 years on Rikers Island from the age of 16 to 19.

Liz: That all sounds incredibly exciting! Thanks again for your time, Nick. ReelNewsDaily is looking forward to seeing more of you any way we can!

Starring:

Academy Award Winner Patricia Arquette (Boyhood), Vincent Piazza (Boardwalk Empire), Michael Imperioli (The Sopranos),Domenick Lombardozzi (The Wire), David Zayas (Dexter) & Nick Sandow (Orange Is The New Black)

The Wannabe is now playing in select theaters nationwide and is available on all VOD platforms.

Shocking Tribeca doc ‘DREAM/KILLER’ finally gets released in theaters!

Posted on December 4, 2015 by Liz Whittemore — Leave a reply

One of the most acclaimed docs from this year’s Tribeca Film Festival, dream/killer, is being released in NY today and in LA next Friday, Dec 11th. Fans of the podcast Serial and HBO’s The Jinx, this film is right up your alley, I highly recommend you seek it out!

In the fall of 2005, 19-year-old Ryan Ferguson was convicted of murder and sentenced to 40-years in prison based on someone else’s dream. Over the next ten years while Ryan languished in prison, his father Bill engaged in a tireless crusade to find justice. dream/killer tells the story of this extraordinary father’s journey to free his son.

When Columbia Daily Tribune sports editor Kent Heitholt was brutally murdered in the newspaper’s parking lot, the crime went unsolved for two years, leaving the affluent college town desperate to bring home justice. At the time, it was the only unsolved murder in the city. A break in the case lead police to Chuck Erickson, who confessed to the crime, implicated Ferguson as an accomplice and left America with one of the country’s most outrageous miscarriages of justice.

The documentary uses archival footage from when Ryan was first arrested, interviews with him in prison, and court hearings that reveal the strengths and the flaws of the American judicial system. The arguments of the ruthless prosecutor and Ryan’s brilliant defense attorney are also depicted to show how easily the system is influenced. Interspersed with footage from the Ferguson family archive, dream/killer looks at the personal consequences of a wrongful conviction.

dream/killer – OFFICIAL TRAILER (2015) from Bloom Project on Vimeo.

You can check out my original review and listen to my exclusive interview with Ryan and Bill in the link below. This is one extraordinary story and family.

Review/Interview with ‘Dream/Killer’ subject Ryan and Bill Ferguson

Review: ‘THE LADY IN THE VAN’ is Alan Bennett’s mostly true story brought to life by Dame Maggie Smith and Alex Jennings

Posted on December 4, 2015 by Liz Whittemore — Leave a reply

The Lady in the Van, Alan Bennett’s adaptation of his commercial and critical West End hit, based on his own bestselling memoir will open in New York & Los Angeles for a Limited Engagement on December 4, 2015. Dame Maggie Smith reprises one of her most-loved stage roles for the big screen, under the direction of Nicholas Hytner, who also directed the stage version. Damian Jones and Kevin Loader produced, along with Hytner.

The film tells the true story of Alan Bennett’s strained friendship with Miss Mary Shepherd, an eccentric woman of uncertain origins, who “temporarily” parked her broken down van in Bennett’s London driveway… and proceeded to live there for the next fifteen years. Their unique story is funny, poignant and life-affirming.

Miss Smith, who plays the singular Miss Shepherd, is joined by Alex Jennings (The Queen), who plays Bennett. Smith incarnation of Shepard is nothing but her usual brilliance. She is quirky and earnest. We are treated to a true character study in her subtle facial expressions and physicality. Each beat is masterful in comic timing. Jennings, as Bennett, is equally as charming in his quiet insolence. As Miss Shepard’s inevitable enabler, their relationship is actually a foil for Bennett’s real life lack of a relationship with his own mother. Bennett as narrator of his own tale, has the opportunity to play two very distinct sides of his personality. The performance should not go unnoticed come awards season. Others in the cast include Frances de la Tour, Roger Allam, Dominic Cooper, Jim Broadbent & James Corden.The script has a lovely Odd Couple feel to it. Filed with heart, emotional pull, mystery and levity, The Lady in the Van, (however much based on true events) will capture your soul. With a cast such as this, under the delightful direction of Nicholas Hytner, one cannot go wrong.

Sony Pictures Classics Will Release The Lady in the Van In The U.S. on January 15, 2016 Following A Limited Engagement In New York & Los Angeles Starting on December 4, 2015

THE LADY IN THE VAN runs 103 Minutes.

The film is Hytner’s first directorial outing after ending his massively successful decade at the head of the British National Theatre. He and Bennett previously collaborated on The Madness of King George and The History Boys. Damian Jones (The Iron Lady, Belle) and Kevin Loader (Venus, In the Loop) produced, along with Hytner. Hytner is among the preeminent theatrical creators of his generation, having directed such standouts as Miss Saigon, Stuff Happens, and One Man, Two Guvnors. At the National, he commissioned the breakout hits Warhorse, The Curious Case of the Dog in the Night, Jerry Springer, The Opera and Danny Boyle’s Frankenstein. In addition to Madness and History Boys, his filmography also includes Wendy Wasserstein’s The Object of My Affection and Arthur Miller’s The Crucible, starring Daniel Day-Lewis. He has won multiple Olivier and Tony Awards, and a BAFTA.

Dame Maggie Smith has led a distinguished, varied career on stage, in film and in television over the past six decades. She is a two-time Academy Award® winner (The Prime of Miss Jean Brodie, California Suite) and has been nominated an additional four times. Among many other accolades and honors, she has won multiple BAFTA Awards, Emmy Awards and a Tony. Her achievements range from performing Shakespeare opposite Laurence Olivier, to capturing the attention of a new generation when she played the strict witchcraft teacher Minerva McGonagall in the Harry Potter films, and recently as the Dowager Countess of Grantham, in the acclaimed television drama Downton Abbey.

Alex Jennings is one of the most successful British actors of his generation. He has played Alan Bennett multiple times and is currently shooting the Netflix series “The Crown” where he portrays the Duke of Windsor.

Bennett, a celebrated playwright, screenwriter, actor and author, is considered a national literary treasure in England. Over the course of his more than 50-year career, he has won, or been nominated for, every major writing award that exists in film, television and theatre, including an Academy Award®, multiple BAFTAs, Tonys, and Oliviers.

Review: ‘UNCLE NICK’ is not your typical holiday fare.

Posted on December 3, 2015 by Liz Whittemore — Leave a reply

Presents

Oh, the holidays. A time for an overabundance of food, gifts, parties… and family. Inevitably, someone is going to get a dinner role thrown at them, or maybe that only happens in my family. In the end, love or hate each other, spending time with the people you grew up with will lead to some of the best and worst moments of your life.

That voice you know so well, that massive stature, that snarky wit. All the things that make Brian Posehn the perfect choice to play the title character in Chris Kasick‘s new Christmas family fiasco film, UNCLE NICK. Nick is an alcoholic and depressed individual who is dreading attending Christmas Eve at his younger brother Cody’s new cougar wife’s house. With his brass balled sister, her adorably down-to-earth husband, his tech obsessed nephew, and over-sexed niece, shit is going to get real. Trying desperately to not hold his tongue, Nick runs through all the inappropriate behaviors expected from “that one family member.” But in reality, could he be the only normal one in the bunch? Probably not.

With an outstanding ensemble cast including Paget Brewster, as pristine pharma saleswoman and new sister-in-law, Missi Pyle as Nick’s sister, Michelle, is an awesome reflection of the no-filter nonsense I like to add to my own family dynamic. A little crass and a little class, know your surroundings I always say. Scott Adsit as her husband Kevin is a perfect example of a not uptight, go with the flow, funny guy… with a passion for podcasting, because, why not. Melia Renee as new niece Valerie and grossly the object of Nick’s fantasies, doesn’t make it easy to resist her daddy issues. Jacob Houston and nephew Marcus is the epitome of 16 with his face in his laptop, video game, or phone the entire film plus a dash of volatile sarcasm thrown in for good measure. Beau Ballinger plays Nick’s younger brother Cody, whose former childhood shenanigans cause the animosity that Michelle and Nick still hold, and for the right reasons, trust me. And of course, Brian Posehn, the man himself. I don’t think this man can be unfunny. He captures this role with so much ease, whether you’re laughing at him or with him, rolling your eyes or cringing, his performance is brilliant.

Mike Demski’s script is just cool. Structurally surprising, he gives us a history lesson in Cleveland baseball intertwined with the narrative as a juxtaposition to the plot. I love me some baseball and somehow, I had never heard this story, and boy is it gold. The dialogue is quippy and sardonic, perfect for the holiday script. Uncle Nick works on many levels. It is not what you’re expecting going in and that’s what makes it great. Unapologetically in your face, do not bring kids to this film. In one way or another, you’ll relate to it, for better or worse.

Lewd, drunken Uncle Nick (Brian Posehn, Mr. Show, The Sarah Silverman Program) stumbles his way through his brother’s cookie cutter-family’s annual Christmas gathering in the hopes of scoring with a super-hot party guest. But the arrival of his equally crass sister coupled with Nick’s liquor-fueled faux pas cause family secrets to bubble to the surface that might spell disaster for the whole clan before the night is over. Presented by Errol Morris, UNCLE NICK is a raucously funny comedy of inappropriate behavior, uncomfortably interrupted trysts, and a monumental over serving of ten-cent beers.

In Theaters Nationwide December 4th, 2015

THE ANTI-CHRISTMAS MOVIE OF THE YEAR!

UncleNickMovie

Review: ‘CHRISTMAS, AGAIN’ is a true NYC character study.

Posted on December 1, 2015 by Liz Whittemore — Leave a reply

Presents
CHRISTMAS, AGAIN

Starring Kentucker Audley and Hannah Gross
Written, Produced & Directed by Charles Poekel

The holidays inevitably spark memories of both the good times and the bad. We often think of those we’ve lost, while trying desperately to cling to every last minute of holiday spirit. Some love the season. Some think it the worst time of the year. In Charles Poekel‘s CHRISTMAS, AGAIN, we are treated to both sides of the coin. Synopsis:

For a fifth consecutive December, a heartbroken Noel returns to New York City to work the night shift at a sidewalk Christmas tree lot. Devoid of any holiday spirit, he struggles to stay awake during the long, chilly nights in his trailer, while the daytime traffic keeps him from getting any real rest. As he slowly spirals into despair, he comes to the aid of a mysterious young woman in the park. Her warming presence, matched with some colorful customers, help rescue him from self-destruction.

Kentucker Audley owns every minute of screen time as Noel. This organically written character of Poekel‘s allows Audley to give a down-to-earth performance of a young man we all know to well. Tackling depression, loneliness, longing, and emotional survival, Christmas, Again is a such a success in it’s honest simplicity.There are no fancy car chases or explosions. The story is straight forward and beautifully quiet. Hannah Gross gives a lovely performance as Lydia. A little lost, a little sad, but very much a real person. The chemistry between the two characters is a slow and realistic build, again, thanks to Poekel. He never pushes too hard, there are no gimmicks or exploited moments we’re used to in a typical holiday blockbuster. This indie is fresh and easy. Combined with the calling card cinematography of Sean Price Williams (Listen Up Phillip, Queen of Earth), the film has a gorgeous added intimacy with it’s single handheld camera and use of close ups. All involved should be extremely proud of their work. I applaud the departure in tone and style. While I certainly enjoy a good, old fashion Hollywood role call such as The Coopers, CHRISTMAS, AGAIN is a comforting film that has an incredible amount of heart and relatability.

FACTORY 25 will release CHRISTMAS, AGAIN at the MoMA in New York (and exclusive SVOD on Fandor) on Thursday, December 3rd, and Los Angeles on Friday, December 11th.

‘CAROL’ comes to life on the silver screen today. Here are a few reasons why we think it shouldn’t be missed.

Posted on November 20, 2015 by Liz Whittemore — Leave a reply

As one of the most anticipated films of this year’s New York Film Festival, CAROL most certainly blew everyone’s expectations out of the water. Here are just a few reasons why we adore this elegant film…The Plot:

In an adaptation of Patricia Highsmith’s seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light.

ROONEY MARA and CATE BLANCHETT star in CAROL

The Cinematography:

Edward Lachman is a genius behind the camera. Having worked hand in hand with Director Todd Haynes on Far From Heaven in 2002, his visual landscape for Carol is unmatched. Shot in 16mm, perfectly framed, with delicate but specific shots through windows and the focus on the color of crimson and corals, make this a true feast for the eyes.

You can watch Ed discuss his experience in an interview from NYFF53 here.

The Performances:

We’re not shy about our love for Cate Blanchett, nor is The Academy. In truth, there is not a single loose thread in the casting of this film. In the film’s press conference this week, you could see and hear the passion the entire cast held for the project and the respect they had for Phyllis Nagy‘s immaculate adaptation. This is not a story about a lesbian couple, this is a story of two people falling in love. The effortless nature of Blanchett, Mara, Chandler, Paulson, and Lacy as an ensemble evokes the kind of emotion so rarely experienced in the cinema these days. Both Cate and Rooney landed on my Top Female Performances of NYFF53 list. Lacy’s boyish charm and naivete bound off the screen. Chandler’s masculinity and energy are a powerful match for both the period and Blanchett. And as for Sarah Paulson (my favorite player in American Horror Story, every season), well, I wanted to put her in my pocket and place her in every film from here on out. It’s the kind of presence that should not be overlooked, ever. These actors are extraordinarily great at their jobs. There is no doubt about it, CAROL is a timeless film.

(L-R) KYLE CHANDLER and CATE BLANCHETT star in CAROL

For a mere taste of what you’re in for, here is the trailer:

CAROL– Opening In Limited Theaters November 20, 2015

Rated R | Runtime 118 minutes

Review: ‘Shelter’ is Paul Bettany’s personal cry for us to wake up.

Posted on November 13, 2015 by Liz Whittemore — Leave a reply

SHELTER

A film by Paul Bettany

In NYC, the homeless are a huge problem. If we’re being honest, most of us ignore them or wave them off and go about our lives. Paying $5 for a cup of coffee but turning our noses up at giving spare change to a person in need. It’s a cultural problem. It’s an epidemic that we have to face rather than pretend doesn’t exist. In Paul Bettany‘s brilliant directorial debut, SHELTER, we are brought into the lives of two homeless people who could not seem more different on the surface.

Tahir is a Nigerian immigrant making ends meet, whatever that means for a man who lives on the streets, by drumming on buckets in the park. He stumbles upon Hannah, a woman alone, gaunt, drug addicted, desperate to end it all. Tentatively, Hannah allows Tahir to be her protector and partner. The two fight their demons as a pair, struggling to keep their heads above water among the dangers of illness, judgement, the rules of the NYC shelter system, and the night. As the pair become closer, their stories become the anchors that keep them together but could just as easily tear them apart.

Bettany‘s beautiful script comes from real life inspiration. Two homeless individuals, one black man and one white woman, lived outside his apartment in Tribeca. Each morning he would greet them until hurricane Sandy rolled into town. Bettany never saw them again. SHELTER was inspired by his longing to create the story of these two people who had now disappeared completely. Working with the Homelss Coalition NYC, he and Jennifer Connelly, who also happens to be his wife, learned what life is like for the more than 50,000 men, women, and children that slip through the cracks of a very broken system. With the gap between the rich and the poor widening at a pace that’s out of this world, this population is only going to grow exponentially as the months and years roll on. The script is incredibly bold and totally raw. Issues of faith and philosophy, human connection, and anonymity all come into play in a perfect storm of story-telling.

Shelter-4110.NEF

Anthony Mackie brings Tahir to life with a subtle power. He has a confidence and gentleness that is a gorgeous balance to Jennifer Connelly‘s more manic survivalist existence. Her effortless portrayal of Hannah will haunt you. The chemistry between Mackie and Connelly is played at the perfect pace as the story glides along. Both give a physically unafraid and impactful performance. You truly believe the two need one another to survive their own emotionally draining pasts. As one is introduced as caregiver and the other more victim, the film slowly and poetically evolves and the two switch places. Once again, as a directorial debut, this is an immaculate first go and should not go unnoticed. SHELTER will both bring you hope and ravage your heart. With a seductive score, effective script, and outstanding cast, the film will draw you in and perhaps cause you to lift up your head from your phone and pay attention a bit more often.

SHELTER comes to theaters today.

Written and directed by Paul Bettany

Produced by Robert Ogden Barnum, Paul Bettany, Katie Mustard, Daniel Wagner

Starring Jennifer Connelly, Anthony Mackie

RT: 105min

Hannah and Tahir come from two different worlds. But when their lives intersect, they’re at the same place: homeless on the streets of New York. How did they get there? As we learn about their past, we begin to understand that to have a future, they need each other. There are more than 50,000 homeless people living on the streets and in the shelters of New York City. To most of us they are nameless and faceless, and occasionally a nuisance. But every single person has a story. And Hannah and Tahir are no different. And theirs is a story of loss, love, hope and redemption.

Review: ‘JAMES WHITE’ makes escaping reality impossible.

Posted on November 13, 2015 by Liz Whittemore — Leave a reply

Josh Mond’s

JAMES WHITE

Starring Christopher Abbott, Cynthia Nixon, and Scott “Kid Cudi” Mescudi

If you’ve ever watched someone die from cancer… if you’ve ever seen the downward spiral of a loved one… if you’ve ever been lost in a haze a grief and confusion, JAMES WHITE will speak to you. What does a young man, flailing in his own existence, do to cope with the idea that one of these days, his mother will not get better? Is escapism the answer? Josh Mond‘s directorial debut lets us into the skin and brain of one man’s story.

JAMES WHITE- Christopher Abbot & Scott “Kid Cudi” Mescudi

As James’ mother’s health deteriorates, his ne’er do well lifestyle is forced to come to an end, but not before attempting to escape reality after the death of his estranged father. Triggering a getaway trip to Mexico with friends to avoid dealing with life, this drug, alcohol, and sex addled stay comes to an abrupt end when a call from Gail forces him to return to the couch of his childhood NYC home and take care of Mom 24 hrs a day. Struggling to put his bad boy behavior on the back burner, James walks the line between telling the world to fuck off and dropping his very existence to protect the woman he loves most in the world. As the plot progresses, we learn the this is not his first go round with mom’s illness. Do we forgive his behavior because of this? That’s for the individual to decide.

(L-R) CHRISTOPHER ABBOTT and CYNTHIA NIXON star in JAMES WHITE

Mond’s script is partially based on his own experiences with his own mother. It is unapologetic and raw. You cannot take that away from Mond. No arguing that the film is ever dull or full of shit. It goes there fast and hard. Using cinematographer Mátyás Erdély was a genius move. Having recently seen Son of Saul at this year’s NYFF, his literal in your face, ultra close-up style of shooting, gives James White the immersive feeling the script calls for. I cannot imagine the film being in any other style. From the opening sequence, scored to perfection by co-star Scott “Kid Cudi” Mescudi, with it’s organic feel and LOUD introduction, we immediately enter the world of a man who is grasping at straws to figure out who he is and what kind of person he wants/needs to be.

Christopher Abbott gives an purely award-winning performance. His truth is on his sleeve 1000%. Somehow, through all the distasteful behavior he exhibits, you love him. Scott Mescudi is outstanding. As James’ best friend and long time player inside the family, his genuine interactions with Christopher and Cynthia feel so authentic, it’s almost hard to believe that this film isn’t a documentary at moments. Cynthia Nixon‘s portrayal of Gail is epic. With the film’s structure presented from month to month like chapters in a book, we are privy to the physical and mental changes her character endures. No matter the form of media, Nixon creates her own presence and we are lucky enough to witness it. The entire cast deserves all the accolades in the world, as does Mond for delivering a bold story.

JAMES WHITE will capture part of your soul. It allows you to let go and perhaps forgive yourself for past transgressions. Do yourself a favor and see this film.

Nominated for Three IFP Gotham Awards:

Christopher Abbott (Best Actor)

Josh Mond (Bingham Ray Breakthrough Actor Award)

Audience Award

About JAMES WHITE

James White (Christopher Abbott) is a troubled twenty-something trying to stay afloat in a frenzied New York City. He retreats further into a self-destructive, hedonistic lifestyle, but as his mother (Cynthia Nixon) battles a serious illness James is forced to take control of his life. As the pressure on him mounts, James must find new reserves of strength or risk imploding completely. The directorial debut of MARTHA MARCY MAY MARLENE producer Josh Mond, JAMES WHITE, which had its world premiere at Sundance Film Festival 2014 where it was the winner of the “Best of Next” Audience Award, is a confident and closely observed debut that explores loss and the deep relationship between a mother and son. Abbott’s strong central performance is aided by a stellar supporting cast featuring Cynthia Nixon (“Sex and the City”), Scott “Kid Cudi” Mescudi (“Comedy Bang! Bang!”), and Ron Livingston (DRINKING BUDDIES). Shot on location in New York City with an intimate visual style, JAMES WHITE follows its lead into deep, affecting places while still maintaining its fragile humanity.

The Film Arcade will release JAMES WHITE on November 13th

Review: ‘THE BOAT BUILDER’ set to open The 30th Ft. Lauderdale International Film Festival

Posted on November 6, 2015 by Liz Whittemore — Leave a reply

WORLD PREMIERE OF “THE BOAT BUILDER” FILM TO OPEN THE 30TH FT. LAUDERDALE INTERNATIONAL FILM FESTIVAL

Christopher Lloyd stars as Abner, an embittered old mariner and widower living a solitary life. Withdrawn from his family and the tight-knit community of his small marine town, he is a grumpy and unsociable man who seems to live in the past – only finding comfort in the countless hours spent building a sailboat in his yard. When neglected young orphan Rick (Tekola Cornetet) wanders onto Abner’s property hiding from local bullies, the two find common ground and form an unlikely bond which changes their lives in unexpected ways.

The Boat Builder marks Arnold Grossman’s directorial debut on a narrative feature. At the age of 80, Grossman embarked on a venture to make “a film about the building of a dream.” Starting his journey as an indie filmmaker later in life “is the culmination of lessons learned from my life experiences and a long career in various creative fields” said Grossman. A sailor since childhood, Grossman scouted several coastal locations before deciding to shoot in the San Francisco Bay Area.Christopher Lloyd is still a legend on screen. He does not disappoint as this curmudgenly fellow who just wants to be left alone. His voice is so amazing, there are moments in the film where you could drift off to dreamland and be so happy. Each moment of him on screen in gold and you simpy cannothelp but fall in love with this character. Newcomer Tekola Cornetet, is truly refreshing in his line delivery. His innocence spills off the screen and there is something so endearing about him. He and Lloyd are like old buddies or relatives that share a bond almost instantly. The chemistry is effortless. These two are most definitely the highlights of the entire movie.That being said, on the whole, the film has a Hallmark channel feel about it. Think “after school special” with messages thrown in about bullying and acceptance. It’s a family film at heart. There is a beautiful fluidity to the writing. The scenery is gorgeous. The music is a lovely addition with it’s light and tempered balance underscoring the dialogue. The Boat Builder lets Christopher Lloyd shine at every turn. It’s a wonderful introduction for Tekola Cornetet. It’s certainly nothing revelatory but The Boat Builder is a nice family friendly film you won’t mind taking the kids to.

Lead Actor Christopher Lloyd to Receive Lifetime Achievement Award as Part of the Festival’s Opening Night Celebrations

Ft. Lauderdale, FL – The Boat Builder will celebrate its World Premiere on Friday, November 6, 8:00pm at Cinema Paradiso-Fort Lauderdale as part of the Opening Night events for the 30th edition of the Fort Lauderdale International Film Festival.

In a ceremony to precede the World Premiere screening, The Boat Builder lead actor Christopher Lloyd (Back to the Future, Who Framed Roger Rabbit, Taxi) will be honored with a Lifetime Achievement Award celebrating his prolific career in film, television, and theater.

Written and directed by Arnold Grossman, a published novelist and nonfiction author, and produced by Richard J. Bosner (Fruitvale Station, The Wannabe), The Boat Builder tells the story of two people at opposite ends of life who find a bond in a shared dream.

Review & Press Conference: ‘BURNT’ is a tasty dish we’ve had before

Posted on November 1, 2015 by Liz Whittemore — 1 Comment ↓

Chef Adam Jones (Bradley Cooper) had it all – and lost it. A two-star Michelin rockstar with the bad habits to match, the former enfant terrible of the Paris restaurant scene did everything different every time out, and only ever cared about the thrill of creating explosions of taste. To land his own kitchen and that third elusive Michelin star though, he’ll need the best of the best on his side, including the beautiful Helene (Sienna Miller). BURNT is a remarkably funny and emotional story about the love of food, and the preparation of recipes as gourmet chocolate cookies which you can even get deliver to your home now a days.

BRADLEY COOPER stars in BURNT.

Cooper is strong as ever, there is no denying that. Not only do you absolutely buy him as a skilled chef but you also find yourself engrossed in the background story of addiction. Not to mention he gets to show off his impeccable and charming French skills. Miller, once again, gives a solid performance as single mother Helene. Her great balance of strength and vulnerability make her a lovely foil for Cooper. There chemistry seems truly organic. This film is really an ensemble piece. You cannot create an environment such a kitchen without relying heavily on your entire team. Daniel Bruhl reads as one of the most passionate characters in the film, by far. Sam Keeley and Omar Sy, both inject life into this eclectic group of chefs. Other noteworthy performances come from Matthew Rhys and Emma Thompson. The cast was put through kitchen boot camp. they had become chefs on set. That is clear and wonderful to watch.

(L-R) BRADLEY COOPER and SIENNA MILLER star in BURNT.

The film should do well with cooking enthusiasts and foodies alike. While the script is nothing revelatory, it does give the audience an easy peak into the aftermath of addiction. BURNT is very much a film about second chances and self respect. The cast is strong, the food porn aspect is delightful. The comment on building the perfect meal and building the perfect relationship was certainly not lost on me. Go for Cooper, go for the acting, and definitely go for the food.

Bradley Cooper and Sienna Miller attended the film’s press conference with fellow stars Daniel Bruhl, Uma Thurman, and Sam Keeley. Moderated by the gregarious and world renowned chef Mario Batali, the press conference took place at The London Hotel in New York.

NEW YORK, NY – OCTOBER 20: (L-R) Mario Batali, Daniel Bruhl, Sienna Miller, Bradley Cooper, Uma Thurma and Sam Keeley attend the “BURNT” New York Press Conference at The London Hotel on October 20, 2015 in New York City. (Photo by Andrew Toth/Getty Images for The Weinstein Company)

NEW YORK, NY – OCTOBER 20: (L-R) Mario Batali, Daniel Bruhl, Sienna Miller, Sam Keeley, Uma Thurman and Bradley Cooper attend the “BURNT” New York Press Conference at The London Hotel on October 20, 2015 in New York City. (Photo by Andrew Toth/Getty Images for The Weinstein Company)

Check out our audio from the conference. You can hear me make a comment and ask a question around the 22:00 minute mark. And yes, that is Bradley Cooper reacting to my profound statement. As for Mario Batali… I’m going to need him to moderate more often. What a gem.

BURNT is in theaters now!

Review: ‘NASTY BABY’ is a labor of love.

Posted on October 30, 2015 by Liz Whittemore — Leave a reply

PRESENTS

As someone who tried to get pregnant for 8 months, I understand the frustration reading “Not Pregnant” on the test screen each month and the angst that follows. For some women, 8 months is nothing. I understand that, but at 34, time was of the essence. I am lucky enough to have a wonderful and supportive husband, and now at 35, we’re expecting a baby boy in January (or December, the pool is growing). What happens when you’re unattached and reaching an age where it might be now or never? Who do you turn to if you want to build a family? A sperm bank? Or perhaps, you approach someone you love and ask for the ultimate favor. Building a family is not the easiest thing in the world. In NASTY BABY, Kristen Wiig walks through hell and back for the lives of the ones she loves. Director/screenewriter Sebastián Silva brings this heartfelt and bizarre tale to the screen, also starring as Kristen’s best friend in the film, Freddy. Freddy and Mo are partners. When Freddy’s sperm count comes back low, Polly (Wiig) approaches Mo to step in as potential daddy alternative. The decision is not one anyone takes lightly. Opinions fly at the three friends left and right as the clock winds down the drama heightens. The film is really about a relationship between three people. People who are accessible emotionally and completely terrified to face the realities of their choices. The script takes an unexpected turn near the end, really throwing the viewer for a loop. This didn’t deter me from loving it. In fact, for me, it got me even more involved with these people. I thought, “What would I have done?!” Wiig, once again, bouncing from mainstream comedy to brilliant indie, is flawless. I encourage you to seek out her work in films like The Diary of a Teenage Girl, Welcome To Me, and The Skeleton Twins. Wiig’s range will blow you away. Silva as Freddy and Tunde Adebimpe as Mo might as well be a real couple living in NYC. The performances are entirely organic and totally believable. We know these people. Other notable and important performances come from Reg. E Cathey and Mark Margolis. Nasty Baby tackles issues like mental illness, homophobia, crossing personal boundaries, and what it is that makes a family. With handheld camera work making you feel like a fly on the wall, Nasty Baby is funny, charming, chilling and wonderful.

NASTY BABY is available on VOD today!! Check it out.

Synopsis:

An award-winning festival favorite by Sebastián Silva (“The Maid”),

NASTY BABY centers on Freddy (Silva), a Brooklyn-based artist who, with his boyfriend, Mo (Tunde Adebimpe), and their best friend, Polly (Kristen Wiig), is trying to have a baby. As this trio deals with the complications of conception and creating the “new normal” family, their bliss is clouded by a series of confrontations with an annoying neighbor who just might be a madman.

Review: ‘I SMILE BACK’ is Sarah Silverman’s game changer.

Posted on October 22, 2015 by Liz Whittemore — Leave a reply

Presents

Sarah Silverman has been making us laugh for ages now. Her raunchy comedy style is beyond funny. Though, we’ve never seen her in a role like the one she plays in I SMILE BACK. As a mother of two children, insurance salesman husband, massive house in the burbs, Silverman plays a woman on the edge of a cliff. This film is not funny.

So many mothers try their damnedest to attain a facade of perfection. Doing it all, every day, can take its toll. Even more so if underlying issues bubble to the surface and collide head on with mental illness and addiction. Silverman‘s character, Laney, has a routine. Hubby wakes her up as he is heading out the door. She rises, makes her kids their personalized lunches, breakfast, gets them to school… then all hell breaks loose in her world. Faking it through the moments has become the bane of her existence so pills, alcohol and sex become her destructive outlet. When the cracks begin to show and the fun wears off, Laney’s sporadic outbursts among the masses, and worse, the ones she knows intimately are simply the beginning of all the walls imploding around her. The film tackles so many touchy subjects unapologetically. Based on Amy Koppleman‘s novel (which she adapted for the screen along with Paige Dylan) I SMILE BACK pulls no punches in parading Laney’s self destructive behavior for the audience to cringe along with. Whether or not we’ve experienced addiction first hand, we all know someone who has. Depression doesn’t have a magical cure.

Bruce, Janey, son, Josh Charles, I smile Back still

Sarah Silverman should, hands down, get an award for this performance. Do not for one minute think that was an easy performance to pull off. It is raw, dirty, unglamorous, and very real. If this doesn’t open up an entire new avenue for her career, then shame on Hollywood. Sharp tongued and effortlessly pointed, Silverman owns this film from minute one. Josh Charles as supportive husband Bruce is no throw away character. Endlessly in love with his wife, knowing full well what she is capable, there are moments real truth is revealed. Through brief remarks, side glances,even if he tolerates her behavior, he does not condone it. His portrayal is incredibly realistic in each moment. He never asks too much of her but strives for her happiness even if it means making unpleasant family decisions. It is an unafraid performance.

Laney and dad Sarah Silverman still from I smile Back

I Smile Back not only tackles addiction, depression, mental illness, but breaking the patterns that have been, and are being, passed down generation to generation. The film is brave. The script is bold. It will leave you with a sense of reality some may not be ready to accept. Audiences will be lucky to dive into this film head first. We’re very proud to recommend I SMILE BACK.

I SMILE BACK open tomorrow, October 23rd in NY at the Angelika! Available On Demand November 6th.

Laney is an attractive, intelligent suburban wife and devoted mother of two adorable children. She has the perfect husband who plays basketball with the kids in the driveway, a pristine house, and a shiny SUV for carting the children to their next activity. However, just beneath the façade lie depression and disillusionment that send her careening into a secret world of reckless compulsion. Only very real danger will force her to face the painful root of her destructiveness and its crumbling effect on those she loves.

Starring: Sarah Silverman, Josh Charles, Tom Sadoski and Mia Barron

Directed by: Adam Salky

Written by: Amy Koppelman (based on her novel) and Paige Dylan

Running Time: 85 minutes

Rating: R

Official site: http://ismilebackmovie.com

Facebook: https://www.facebook.com/ismilebackmovie

Instagram: https://instagram.com/ismilebackmovie

Twitter: https://twitter.com/ismilebackmovie

#ISmileBack

Review: ‘I Spit On Your Grave 3 Vengeance Is Mine’

Posted on October 9, 2015 by Liz Whittemore — Leave a reply

When I was a high school Junior, I sat in a sexual assault seminar. The woman leading the talk asked us to take out a piece of paper, write down our name at the top, and then write down the names of our three closest friends. The she proceeded to say, “Statistics say that three out of the four of you on this list will be sexually assaulted in the four years you are at university.” As terrifying as that sounded, it ended up being true. How is one supposed to act after such horrific things happen to them? Don’t you wish that you could take matters into your own hands? The struggle between power and healing is greater than most can understand. In the newest installment of a franchise I SPIT ON YOUR GRAVE 3 VENGEANCE IS MINE tackles just such subjects in a way that is extreme but not necessarily unwarranted.

Jennifer Hills (Sarah Butler) is still tormented by the brutal sexual assault she endured years ago (I SPIT ON YOUR GRAVE 2010). She’s changed identities and cities, reluctantly joining a support group where she begins to piece together a new life. But when her new friend’s murderer goes free and the tales of serial rapists haunt her, Jennifer will hunt down the men responsible and do what the system won’t – make them pay for their crimes in the most horrific ways imaginable. Only this time, no jury may be able to save her. Jennifer Landon (“The Young and the Restless”), Doug McKeon (ON GOLDEN POND) and Gabriel Hogan (“Heartland”) co-star in this unforgiving, unmerciful and uncut new chapter of one of the most notorious franchises in movie history.

Anchor Bay Entertainment released I Spit on Your Grave in 2010 and I Spit On Your Grave 2 in 2013 to critical acclaim. Based on Meir Zarchi’s 1978 version, the franchise has gained the respect of both mainstream and genre critics. This latest installment is a continuation of the 2010 film’s storyline.This particular film is a real departure from the tried and true formula of the first two films. Utilizing flashbacks to connect with the former, ISOYG 3, is intense and twisted in the revenge game. Sarah Butler once again nails this role. She captures the screen, never unassuming, Butler is relatable and engrossing. Sidekick of sorts in the plot is actress Jennifer Landon as Marla (pictured above) as an ass-kicking, no mercy, take back the night kinda chick. She shines just as brightly as Butler. The other performance that absolutely deserves mention is that of Doug McKeon, as distraught father whose daughter was a victim of rape. Throwing caution to the wind, his performance gets better and better as the film progresses. He gains your sympathy, support, and finally cheers. While the plot is quite the structural departure, it almost works wonders, almost. Strong performances save the plot that seems so far from the first two. It’s an interesting look into the emotional damage of such acts, and don’t be mistaken, it is a victim’s fantasy. I SPIT ON YOUR GRAVE 3 will entertain genre fans with its heightened gore factor and practical effects, no doubt. There is no shortage of cringe worthy moments… massively cringe worthy. The film opens today in LA (October 9) and will be available on DVD, Blu, Ray, VOD October 20.

New York Film Festival Review: ‘STEVE JOBS’ The idol and the narcissist.

Posted on October 4, 2015 by Liz Whittemore — 2 Comments ↓

Steve Jobs: Humanity may recognize his face quicker than any religious leader, sports icon, historical figure… even Kardashian. The world knows this man. But, do they really? Danny Boyle‘s new film, based upon the biography by Walter Isaacson, focuses on three specific moments in the life of Jobs; the launches of the Macintosh, Next, and the iMac. You may think you know the man that inspired the internet in your pocket, but truly you have no idea.

The unmistakable dialogue from Aaron Sorkin breathes life into this film. Steve Jobs takes off running right out of the gate without a moment’s rest in it’s 122 minute run time. Each of the three sequences appearing in “real time” as they play out on screen. Sorkin admitted in the press conference following the screening that he has a bit of an obsession with time itself. The pacing is unreal. You have no idea how far you are into the movie at any given time as his dialogue is lush but never verbose. The entire cast nails each beat precisely.

If you haven’t read Isaacson’s book, you may not have a clear picture of Jobs. While he was adored by those in the public and those closest to him, the man was no saint. Self obsessed, “my way or the highway attitude” and in total denial, each move in his career was 1000% calculated. Oftentimes, to the detriment of those personal relationships. This is another brilliant aspect that the film brings in its editing. Each of the three launches is inter-cut with a pivotal moment from the past in which a character had a confrontation with Steve. While the adoration remains, let it be known that everyone in his path at some point reached their emotional limit and let him know it. I would be remiss to ignore the look and feel of each era, including wardrobe, music, and sporadic text visuals that serve to quietly highlight it’s excellence.

This cast is beyond perfection. Michael Fassbender, who admits he looks nothing like Jobs, did his actor’s due diligence studying YouTube clips of Steve. The rhythm and timbre of his voice and his physicality. Kate Winslet plays Joanna Hoffman, Job’s head of marketing and perhaps closest female friend ever, with a delicious ease. The leftover Polish accent of Hoffman is perfectly captured on Winslet’s lips. Seth Rogen is the ever forgotten genius Steve Wozniak. Rogen’s performance should not be overlooked in this year’s awards nominations. His quiet power does not go unnoticed and the scenes between he and Fassbender are spellbinding. Jeff Daniels, who perhaps has the most experience with Sorkin’s writing with his work on The Newsroom, gives us a knockout performance as Apple CEO John Sculley. Butting heads with Jobs but revealing a while boat load of truth in the process, Daniels also deserves accolades for this role. The cast is rounded out by exceptional portrayals of Crisann Brennan, Jobs’ thrown to the wind ex and mother of his first child, by Katherine Waterston. The emotional torture this woman endured is evident in each scene. Finally, Michael Stuhlbarg is Andy Hertzfeld, Mac software system designer, who often argued with Steve about his closed source software (the reason Mac is incompatible with anything other than Mac, which was probably his most calculated decision ever). Stuhlbarg, like the majority of the cast, spent time with his real life counterpart, getting to know the true ins and outs of who they were to Steve and who they were as individual innovators. STEVE JOBS is both a pretty picture and a not so pretty picture of a man the world still worships. It will take you by surprise in every way possible. A triumph from start to finish, look for, at the very least, massive nominations for all involved come award season. STEVE JOBS comes to theaters in limited release Friday, October 3rd, followed by it’s nationwide release Friday, October 23rd. Stay tuned to Reel News Daily for the latest updates.

Directed By Danny Boyle
2015
USA
DCP

Anyone going to this provocative and wildly entertaining film expecting a straight biopic of Steve Jobs is in for a shock. Working from Walter Isaacson’s biography, writer Aaron Sorkin (The Social Network, Charlie Wilson’s War) and director Danny Boyle (Slumdog Millionaire, 127 Hours) joined forces to create this dynamically character-driven portrait of the brilliant man at the epicenter of the digital revolution, weaving the multiple threads of their protagonist’s life into three daringly extended backstage scenes, as he prepares to launch the first Macintosh, the NeXT work station and the iMac. We get a dazzlingly executed cross-hatched portrait of a complex and contradictory man, set against the changing fortunes and circumstances of the home-computer industry and the ascendancy of branding, of products, and of oneself. The stellar cast includes Michael Fassbender in the title role, Kate Winslet as Joanna Hoffman, Seth Rogen as Steve Wozniak, Jeff Daniels as John Sculley, Katherine Waterston as Chrisann Brennan and Michael Stuhlbarg as Andy Hertzfeld. A Universal Pictures release.

Review: ‘THE CONNECTION’ out on DVD, Blu-Ray, and HD Digital!

Posted on October 1, 2015 by Liz Whittemore — Leave a reply

A stylish, ’70’s-period crime thriller inspired by true events, THE CONNECTION tells the story of real-life Marseille magistrate Pierre Michel (Academy Award^® Winner Jean Dujardin, The Artist, The Wolf of Wall Street) and his relentless crusade to dismantle the most notorious drug smuggling operation in history: the French Connection. In his crosshairs is charismatic and wealthy kingpin, Gatean, who runs the largest underground heroin trade into the States. Though the fearless and tenacious Michel, aided by a task force of elite cops, will stop at nothing to ensure the crime ring’s demise, Zampa’s “La French” always seems one step ahead. As La French mounts its retaliation, Michel will be forced to make the most difficult decision of his life: to continue waging his war, or ensure his family’s safety, before it’s too late.

This film is massively dynamic. From the crisp and well framed cinematography to the outstanding cast. Dujardin proves he is still a star as Michel. He owns every moment on screen as his presence is captivating. Gilles Lellouche as Gaëtan ‘Tany’ Zampa is just as powerful. In a script where both men are equally determined to protect their legacy, Dujardin and Lellouche are movie magic when they appear on screen together. The film is action packed. Even with a runtime of 135 mins, it never seems like it drags. If you’re a fan of Netflix‘s new series Narcos, The Connection is right up your alley.

It deserves the multitude of praise and awards is has garnered thus far. Director Cédric Jimenez (also one of the screenwriters) clearly knows his stuff. I’d love to see more from him asap. The overall look is pretty killer from the slick wardrobe to the soundtrack of the era filled club scenes. They nailed it. While the idea of cops and gangsters is anything new, I still think this film keeps your interest with it’s mixture of action and plan of action. The acting is beyond solid with a vast array of bad guys to run through. DVD extras include a featurette on the making of The Connection as well as some great deleted scenes. We highly recommend you catch this film and thankfully, now you can!

Product Information

Language: French

Subtitles: English

Widescreen: Yes

Length: 135 min.

Year: 2014

Genre: Action/Foreign

Rating: NR

CC: No

DVD

SRP: $24.99

Blu-Ray

SRP: $29.93

About Drafthouse Films

Drafthouse Films, the film distribution arm of the Alamo Drafthouse Cinema, is a curated brand of provocative, visionary and artfully unusual films new and old from around the world. Following the earnestly simple motto of “sharing the films we love with widest audience possible,” Drafthouse Films debuted in 2010 with the theatrical release of Four Lions, which was named of Time Magazine’s “Top 10 Films Of The Year.” Their diverse and unique slate includes the highly-acclaimed, Oscar® nominated documentary The Act Of Killing produced by Errol Morris and Werner Herzog, 2013 SXSW Midnight Audience Award winner Cheap Thrills starring David Koechner (Anchorman), British auteur Ben Wheatley’s psychedelic trip into magic and madness, A Field In England, Ari Folman’s Cannes Film Festival selected sci-fi epic The Congress starring Robin Wright, Harvey Keith, Jon Hamm and Paul Giamatti, Midnight Movie sensations Miami Connection andThe Visitor and rediscovered classics Wake in Fright and Ms. 45. Recent and upcoming releases include Dutch thriller Borgman, Michel Gondry’s Mood Indigo, Sundance Award-winning documentaries The Overnighters and the recently acquired Look of Silence, Joshua Oppenheimer’s stunning follow up to The Act of Killing. Drafthouse Films distributes films theatrically, through home video, VOD and their direct-to-consumer platforms integrating into the ever-growing Alamo Drafthouse entertainment lifestyle brand, which along with the Alamo Drafthouse Cinemas includes: Mondo, the collectible art boutique; Fantastic Fest, the largest international genre film festival in the US; and the pop culture website Birth.Movies.Death.

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Presents CHRISTMAS, AGAIN

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Share this!

Like this:

Presents
CHRISTMAS, AGAIN