Tribeca Film Festival 2017 review: ‘MANIFESTO’ is life giving art.

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Originally a stage experience in which 13 vignettes play simultaneously, Manifesto the film is another vehicle for Cate Blanchett to be Cate Blanchett being awesome. Performing words from the likes of Karl Marx, Freidrich Engel, and Jim Jarmusch, the film begs the question, ‘What is art?’ from every angle possible. Blanchett is a masterclass, playing each of the 13 characters completely differently and with precision, humor, and honesty worthy of a nomination for each. This film is most definitely not for everyone. It is highly stylistic and gorgeously shot. While it is up to the audience to decide whether there is an actual plot line, it’s more about the interpretation of the words and the specific decisions director Julian Rosefeldt and Blanchett have made as a team. The transitions from “scene” to scene are just as striking as the bold costume and makeup choices. One cannot help but be fully engrossed in every word and chosen movement, by both the camera and our leading lady. Defying gender, class, or form, Manifesto will challenge your mind and capture your imagination.


CAST & CREDITS
  • Director:
    Julian Rosefeldt
  • Screenwriter:
    Julian Rosefeldt
  • Director of Photography:
    Christoph Krauss
  • Makeup:
    Morag Ross
  • Costume Designer:
    Bina Daigeler
  • Editor:
    Bobby Good
  • Sound:
    David Hilgers, Fabian Schmidt, Markus Stemler, Tschangis Chahrokh
  • Production Designer:
    Erwin Prib
  • Executive Producer:
    Wassili Zygouris, Marcos Kantis, Martin Lehwald
  • Producer:
    Julian Rosefeldt
  • Hair Stylist Designer:
    Massimo Gattabrusi
  • Post Production Supervisor:
    Jan Schöningh
  • Cast Member:
    Cate Blanchett

Tribeca Film Festival Review 2017: ‘NOVEMBER’ is a striking folklore fantasy.

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Immerse yourself in 19th century Estonian folklore – feel the mud and cold, the fear and joy of the peasants living side-by-side with cows, werewolves and kratts, the farmers’ helpers, created out of old tools, hay, and animal bones, and brought to life by the devil himself. Director Rainer Sarnet elevates his film above mere period drama, sprinkling the fable of peasant girl Liina’s doomed romance with Hans with generous amounts of humor, and enriching its earthy fairytale milieu with beautiful black and white cinematography. Sarnet’s attention to detail, in particular in capturing the farmers’ dynamic and expressive faces, humanizes and adds a warm depth to the environment as Liina and Hans ponder the great mysteries of life, love, and the existence of the soul, looking for meaning and explanations anywhere they can.

 

November is everything a non-cinephile might think of when it the phrase “foreign film” is haphazardly thrown about. That is exactly what makes this film so intriguing. With its stunning black and white cinematography and its unapologetic folklore elements, the story delves into the question of living a life with or without a soul. The wonderfully weird characters and themes, including death, witchcraft,  and the devil himself, all make November one completely engrossing cinematic experience. Oscilloscope Laboratories acquired North American rights to Sarnet‘s film ahead of its world premiere in the international narrative category. Below you can find the trailer, and while it does not yet contain English subtitles, you quickly grasp the tone of the film. We will, of course, keep you updated on release dates for this unique selection.

FILM INFO
CAST & CREDITS
  • Director:
    Rainer Sarnet
  • Screenwriter:
    Rainer Sarnet
  • Cinematographer:
    Mart Taniel
  • Editor:
    Jaroslaw Kaminski
  • Composer:
    Jacaszek
  • Producer:
    Katrin Kissa
  • Co-Producer:
    Ellen Havenith, Lukasz Dzieciol
  • Cast:
    Rea Lest, Jörgen Liik, Arvo Kukumägi, Katariina Unt, Taavi Eelmaa, Dieter Laser

Review: ‘Tomorrow Ever After’ Has Everlasting Message

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Tomorrow Ever After

Theatrical Release Date: May 5, 2017

Guest review from Reel Reviews Over Brews

Tomorrow Ever After follows a woman, named Shaina (Ela Thier), who claims to have come from the year 2592. Something goes wrong while she is visiting some physicists, who experiment with time travel, and Shaina ends up stranded in 2015. As a historian in her time, she has read about the past, and refers to the time frame she is stranded in as “The Great Despair.” Shaina very quickly comes across a mugger, Milton (Nabil Viñas) and spends the entire movie, with Milton and his friends, searching for someone to help her get back to where she came from. On this journey, Shaina also gets a chance to experience things that she has studied of the past.

Tomorrow Ever After was written, directed, and produced by Ela Thier, who was also the star of the movie. The movie has taken home four awards across three different film festivals. This indie comedy did a great job keeping us interested and laughing at Shaina’s attempt of adjusting to the past’s way of life. Ela Thier did an excellent job of portraying how today’s general public looks at someone in need of help. Whether it is a woman from the future or your next door neighbor, people today don’t always jump at the chance to help a fellow person.

Throughout the movie there are plenty of moments with funny exchanges. We enjoyed watching Shaina trying to adapt and also get confused by the way things are done in “today’s” society. One of the big differences from the future is hugging. Shaina quickly realizes this is not accepted very warmly by strangers in 2015. Our biggest, and really only, complaint with Tomorrow Ever After, is Shaina was such an interesting character that we wish more of her journey was shown. The ending, being one example, leaves us with a few questions that, if answered, would have left us more fulfilled. However, Tomorrow Ever After, is a fantastic movie with an everlasting message and will leave everyone with hope for our future!

Reel ROB Rating: 4 out of 5 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review for them!

Review: ‘Guardians of the Galaxy Vol. 2’ *VERY minor plot details*

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The Guardians are back and in a big way. James Gunn returns to helm the sequel to Marvel’s unlikely smash hit Guardians of the Galaxy looking to capitalize on the franchises soaring popularity injecting more humor, more spectacle and more all outrageous fun this time around. This film is not short on stimulation so marvel in the infinite glory that is Guardians of the Galaxy Vol. 2.

Peter Quill (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (voiced by Bradley Cooper) and Baby Groot (voiced by Vin Diesel) are just a few weeks out from the events of the first film and their out to keep their good name by ridding the galaxy of those who would do it harm. Ayesha (Elizabeth Debicki), leader of the Sovereign race, has hired the Guardians for a mission in exchange for Gamora’s estranged sister Nebula (Karen Gillan), but situations turn sour as the Guardians find themselves on the other side of the fight. Facing certain death, a mystery traveler rescues the team and reveals himself to be Ego (Kurt Russell), Peter Quill’s missing father accompanied by his servant Mantis (Pom Klementieff).

Angry about the escape, Ayesha hires Yondu (Michael Rooker) and his crew to hunt down the Guardians and bring them back to pay for their crimes. The Ravagers head out to find the heroes while Quill comes to grip with his new found father; but could everything be as it appears? Facing a multitude of foes closing in on the team, they must align with some unusual allies to once again protect the galaxy from certain destruction. Can the Guardians remain vigilant in their quest for good to prevail or will outside forces pull the team apart and end their friendship forever?

Marvel continues to find the perfect directors to lead their franchises, bringing out the very best in the source material by allowing these directors to inject their unique style of storytelling. Nowhere is this more prevalent than in the Guardians of the Galaxy films. Director James Gunn‘s radical departure from the core Marvel movies made the first film a surprise hit, but no one will be surprised when Vol. 2 wows audiences this weekend with its rare brand of humor and eye popping visuals. The cast, including Chris Pratt, Zoe Saldana and Dave Bautista, are noticeably more comfortable this time around within their characters and within their collaboration with each other. Kurt Russell is an outstanding edition to this cast and, as the elder statesmen, brings out the very best in Pratt’s Star Lord during their emotional scenes.

Overall, Guardians of the Galaxy Vol. 2 is an absolute joy of a film. From start to finish, the ride is nothing short of exactly what you would expect from a James Gunn Guardians of the Galaxy film. Take the family, take the neighbors, take everyone you know and run to the theater to see this…and do NOT leave your seat throughout the credits…there is 5 extra scenes!

Stars:

4 out of 5

After Credit Scene?

Yes. 5! 4 throughout credits and 1 post credit

Trailer:

Tribeca Film Festival – Lessons from 5 incredibly important documentaries

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While there weren’t any movies that blew me away this year, these are the ones that managed the important task of highlighting a worthy piece of history that calls for the future.

Bombshell: The Hedy Lamarr Story

When I was telling a 20-something about my anticipation of seeing this movie, he gave me a confused look. “I’ve heard that name before. But it was a man.” I knew exactly what he was talking about. “No, that’s Hedly Lamarr from Blazing Saddles.” The ultimate Mel Brooks joke.

Anyway, Hedy Lamarr was an amazing woman who, while at the top of her fame of a Hollywood screen queen, had a hobby in science. As much as I enjoyed the content, I think the movie would have benefited cut out most of the clips from her films.

Lesson: Women are just as nerdy as men and that’s AWESOME.

City of Ghosts

As someone who was admittedly not fully educated on Syria, I found this documentary to be amazingly easy to understand. Told from the perspective of the journalists who are seeking to spread the truth, you’ll be inspired by their humanity.

Lesson: We need the press. We NEED them.

A Gray State

There’s little likelihood that I would ever watch the movie that this movie is partially about, but it sure makes for an interesting subject. The story revolves around a young couple who had sunk every penny and a seemingly endless amount of time into producing a movie about the end of the world. The storytelling is what shines here. I’ve never been so pulled and pushed with emotion knowing the outcome.

Lesson: LISTEN to your family.

Intent to Destroy

Turkey has yet to acknowledge the Armenian Genocide. Why? Because the term “genocide” was coined after the events took place. Does that make sense to you? How about this, no U.S. President has since used that term. Wow.

Told partly on set of The Promise, starring Oscar Isaac and Christian Bale, it’s mind-blowing seeing the interviews with the extras who are Armenian. Joe Berlinger captures fact and fiction side-by-side.

Lesson: Don’t forget. Don’t FORGET.

Frank Serpico

I hate to admit this, but I’ve never seen Serpico. I knew it was an Al Pacino cop movie, but I had no idea of anything else. As in most cases, the truth is much more interesting. While the pace could be picked up a bit, the story is there and you’ll be shocked.

Lesson: Do the right thing.

Netflix News: ‘Marvel’s The Defenders’ trailer released!

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Not Here to Make Friends #Defend

Check out the trailer for the highly anticipated Netflix original series Marvel’s The Defenders by visiting the show’s Facebook  and Twitter pages, or clicking here: https://youtu.be/4h3m7B4v6Zc

Marvel’s The Defenders which premieres globally on Netflix on August 18, 2017 at 12:01am PT follows Matt Murdock/Daredevil (Charlie Cox), Jessica Jones (Krysten Ritter), Luke Cage (Mike Colter) and Danny Rand/Iron Fist (Finn Jones), a quartet of singular heroes with one common goal – to save New York City. This is the story of four solitary figures, burdened with their own personal challenges, who realize they just might be stronger when teamed together.

The series follows the releases of  Marvel’s Daredevil , Marvel’s Jessica Jones, Marvel’s Luke Cage and  Marvel’s Iron Fist.

Marvel’s The Defenders stars Charlie Cox, (Matt Murdock/Daredevil), Krysten Ritter (Jessica Jones), Mike Colter (Luke Cage) and Finn Jones (Danny Rand/Iron Fist).  Additional cast members include Academy-Award nominated actress Sigourney Weaver (Alexandra), Elodie Yung (Elektra), Scott Glenn (Stick), Deborah Ann Woll (Karen Page), Elden Henson (Foggy Nelson), Carrie-Anne Moss (Jeri Hogarth), Rachael Taylor (Trish Walker), Eka Darville (Malcolm Ducasse), Simone Missick (Misty Knight) and Jessica Henwick (Colleen Wing).

Marvel’s The Defenders is executive produced by Marco Ramirez and Doug Petrie along with Marvel TV’s Jeph Loeb. The series is produced by Marvel Television in association with ABC Studios for Netflix.

Step into the world of the Defenders here: http://nybulletin.com/

Marvel’s The Defenders
Twitter: @TheDefenders ( https://twitter.com/TheDefenders)
Facebook: ( https://www.facebook.com/defenders/)

Watch short film ‘Hair’ directed by John Turturro & featuring Bobby Cannavale after premiering at Tribeca Film Festival

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rag & bone is pleased to announce the release of Hair, a ‘rag & bone Films’ production which premiered at the 2017 Tribeca Film Festival®, presented by AT&T.

Delving deeper into the medium of film, the brand introduces a conceptual short feature directed by and starring Golden Globe-nominated actor John Turturro alongside two-time Emmy-winner Bobby Cannavale, marking yet another engaging initiative under the ‘rag & bone Films’ umbrella.

“For us, projects like these are about creating a paradigm shift in the way people view fashion. Film and photography are engrained in our brand DNA and we love exploring both mediums in different ways every season. This project was a joy to be part of and it was a real honor to work with John and Bobby on it.” – Marcus Wainwright, rag & bone CEO, Founder and Creative Director

Shot by Fred Elmes (Blue Velvet, The Night Of, Broken Flowers) in Williamsburg, Brooklyn the film features an improvised conversation about a man’s particularity for his hair.

Truly masters of their craft, Turturro and Cannavale deliver a lightheartedly engrossing and completely unscripted performance while dressed in the rag & bone Spring/Summer 2017 collection. Hair will be available to view on rag-bone.com on Tuesday, May 2nd. Viewers will also be able to shop the clothing worn in the five minute short.

“It was fun to find the right location that would complement the rag & bone clothing. I scouted several places with Fred Elmes and we felt that this specific classic barber shop was the perfect location. Clothes and hair go together; they’re part of your social identity.” – John Turturro

Hair follows on from the 2016 Men’s Project, based on a concept that showcases the actors’ authentic personalities with each outfitted in pieces from the latest collection that are reflective of their own personal taste.

Turturro continues, “Working with rag & bone was very creative and collaborative, with this short, I wanted to convey the spirit of their brand which is fun, lively, and urban with a focus on quality and craftsmanship.”

Hair debuted during the Tribeca Film Festival®, presented by AT&T on April 21st, 2017 in New York City.

Disney·Pixar’s ‘CARS 3’ Road to the Races Rolls into Philadelphia on Friday-Sunday, May 12-14, 2017

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Road to the Races, a nationwide tour inviting fans of #95 to gear up for the upcoming big-screen release of Disney•Pixar’s Cars 3. Fans will take part in a host of activities and get a sneak peek of the movie.

Here’s your chance to get a picture and see life-size, character look-alikes of five-time Piston-Cup champion Lightning McQueen, tech-savvy Cruz Ramirez and the sleek next-gen racer Jackson Storm!

The event will take place at the Cherry Hill Mall at the JCPENNEY parking lot facing Haddonfield Road from 12-5 on Friday, 10-4 on Saturday and 11-4 on Sunday. Queue Poles Singapore – LTC Office Supplies provide the retractable queue stand accessories for parking.

Attractions include:

  •   Alamo Rent A CarSM is hosting a street art booth and will bring Cars 3 to life with a giant coloring mural featuring Lightning McQueen and friends, along with a color pencil pack souvenir.  Owned and operated by Enterprise Holdings, Alamo Rent A Car offers low rental rates and a hassle-free customer experience at the most popular travel destinations around the world. The bonus is that all the cars are electric, thus keeping a lot in mind while considering saving fuel and other natural resources.
  • Coppertone® is creating a racer pit crew that encourages visitors to take part in a tire-changing activity and photo-sharing opportunity. A leader in the sun care industry, Coppertone is made by Bayer HealthCare, LLC.
  • Crest® and Oral-B® celebrate the Road to the Races tour, providing fans with an opportunity to create a digital postcard with Lightning McQueen and get “Cars”-themed oral care products. Crest and Oral-B are the first step to enjoying a lifetime of healthy smiles.
  • Dole®, the leader in fresh, quality produce, invites visitors to fuel up and recharge their batteries, sample high-octane fruit and vegetable smoothies, collect “Cars 3”-inspired recipes and discover how Dole and Disney are working together to make healthy living fun and easy for families. To see more of Dole’s exciting promotions around summer family fun, visitwww.dole.com/Cars3.
  • Mattel presents an interactive play area, which sends Lightning McQueen and other racers down the gravity drop and launches them into action in new play sets that feature locations from the movie. Also on display will be a collection of die cast racers from past and present. Mattel is the leading global childhood development and play company.

Fans will be able to catch a sneak peek of the movie in the Cinetransformer Mobile Movie Theater. Visitors will also be able to take photos with the life-size character cars.

In addition, the sports national youth program NASCAR Acceleration Nation will display the science behind NASCAR racing, and elements from the NASCAR Hall of Fame will allow attendees to get up close and personal with the history of NASCAR.

Mack Trucks, Inc. will transport the life-size character cars on the coast-to-coast tour.

The roster of cities includes Miami, Dallas, Chicago, Boston, New York, Philadelphia, Denver and Los Angeles, among others—the full list is available atCARS3tour.com. The “Road to the Races” nationwide tour wraps up in California with a visit to NASCAR at the Sonoma Raceway June 24-25, 2017, and the life-size character cars will also roll onto the red carpet for the Cars 3 world premiere on Saturday, June 10, 2017.

 

Netflix News: Feel the hope from the trailer for ‘Joshua: Teenager vs Superpower’

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A Netflix original documentary directed by Joe Piscatella, Joshua: Teenager vs. Superpower, launches globally on May 26.

About Joshua: Teenager vs. Superpower: 

When the Chinese Communist Party alters its promise of autonomy to Hong Kong – handed back to the Chinese government from British rule in 1997 – teenager Joshua Wong decides to fight for his homeland.  Rallying thousands of kids to skip school and occupy the streets, and without a long-term plan but with passion to spare, Joshua becomes an unlikely leader in Hong Kong. A remarkable portrait of courage, resilience, and the propulsive power of youthful idealism, JOSHUA : TEENAGER VS. SUPERPOWER, the winner of this year’s Audience Award at the Sundance Film Festival, is a chronicle of one young man risking his own future for a greater good.

The film won the Audience Award at the 2017 Sundance Film Festival (World Cinema Documentary Competition).

Netflix News: ‘House of Cards’ Season 5 trailer is more scary than ever

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Together We Are Strong.
Today Netflix released the official trailer for House of Cards which will launch its fifth season globally on Netflix, Tuesday, May 30, 2017.
MORE ABOUT HOUSE OF CARDS:
The fifth season of the critically acclaimed Emmy®­nominated drama  House of Cards  premieres Tuesday, May 30, 2017. The series’s Golden Globe® winning stars Kevin Spacey (as Francis Underwood) and Robin Wright (as Claire Underwood), whose characters have always been each other’s strongest allies, show cracks in their relationship. House of Cards also stars Michael Kelly, Jayne Atkinson, Neve Campbell, Derek Cecil, Paul Sparks and Joel Kinnaman.
 
Melissa James Gibson and Frank Pugliese are showrunners for season five, and they serve as executive producers along with David Fincher, John Mankiewicz, Daniel Minahan, Kevin Spacey, Joshua Donen, Dana Brunetti, Eric Roth, Robin Wright, Michael Dobbs and Andrew Davies. Created for television by Beau Willimon. House of Cards is produced by Donen/Fincher/Roth and Trigger Street Productions, Inc. in association with Media Rights Capital for Netflix. 
 
Instagram: @houseofcards

Review: Even Tom Hanks, Emma Watson & Patton Oswalt couldn’t save ‘The Circle’

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I hadn’t planned on seeing The Circle at the Tribeca Film Festival, but the night before, I saw an interview on Conan with Patton Oswalt talking about Tom Hanks and I changed my plans. I wish I hadn’t.

No doubt the book goes into more detail, but in the movie, The Circle is a google-like company that is testing its aspirations in a world without privacy. Mae (Emma Watson) is new to the company and becomes the new spokesperson for a bodycam that broadcasts her every move (minus 3 minutes for the bathroom). Yeah, yeah, The Truman Show and Ed TV have both tried this before and both have done better.

The main focus and most of the screen time was for Emma Watson. I really was looking forward to seeing a dark side of Tom Hanks, but sadly, I was disappointed. What I saw of Patton Oswalt was good, but there wasn’t enough!

I’m guessing the movie was edited too much. There is so much great material and such a good cast for it to turn out this terrible. Or perhaps they realized at the end that the story hits too close to home and they needed to dial it down in order not to terrify people. Because this “future” is already happening.

Tribeca Film Festival 2017 Awards Announced

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Click for the Tribeca Film Festival page & showtimes

The 16th Tribeca Film Festival announced the winners of its competition categories at the awards ceremony tonight at BMCC Tribeca Performing Arts Center. Top awards went to Keep the Change for Best U.S. Narrative, Son of Sofia for Best International Narrative, and Bobbi Jene for Best Documentary. The Festival, presented by AT&T, runs through April 30, 2017.

Awards were distributed in the following feature film competition categories: U.S. Narrative, International Narrative, Documentary, New Narrative Director, The Albert Maysles New Documentary Director, and the Nora Ephron Prize, honoring a woman writer or director.  Awards were also given in the short film categories: Narrative, Documentary, Student Visionary and Animation.

For the fifth year, Tribeca awarded innovation in storytelling through its Storyscapes Award for immersive storytelling, which went to TREEHUGGER: WAWONA.

“It is more important than ever to celebrate artists both in front of and behind the camera who have the unique ability to share different viewpoints to inspire, challenge and entertain us,” said Jane Rosenthal, Executive Chair and Co-Founder, Tribeca Film Festival. “The winning creators from across the Festival program shared stories that did exactly that, and we are honored to recognize them tonight.  And how wonderful is it that the top awards in all five feature film categories were directed by women.”

This year’s Festival included 97 feature length films, 57 short films, and 30 immersive storytelling projects from 41 countries.

The Festival’s competition categories continue to incorporate storytelling in all its forms with two awards that were given out earlier in the week, the Tribeca X Award, a juried section recognizing the intersection of advertising and entertainment, and the first Tribeca Snapchat Short Award, a new official category.

Screenings of the award–winning films will take place throughout the final day of the Festival: Sunday, April 30, at various venues. Specific times and ticketing information are available at www.tribecafilm.com/festival

The winners of the Audience Awards, powered by AT&T, which are determined by audience votes throughout the Festival via the Festival app, will be announced on April 29.

In addition to cash awards and in-kind services provided by sponsors including AT&T, CHANEL, CNN Films, Netflix, and Nutella, the Festival presented the winners with original pieces of art created by contemporary artists: Urs Fischer, Walton Ford, John Giorno, Ella Kruglyanskaya, Jorge Pardo, R.H. Quaytman, Sterling Ruby, Aurel Schmidt, Ryan Sullivan, as well as longtime supporter Stephen Hannock. 

The winners, awards, and comments from the jury who selected the recipients are as follows:

U.S. NARRATIVE FEATURE COMPETITION CATEGORIES:

The jurors for the 2017 U.S. Narrative Competition were Josh Lucas, Melanie Lynskey, Denis O’Hare, Alex Orlovsky, and Stephanie Zacharek.

  • The Founders Award for Best Narrative Feature – Keep the Change, written and directed by Rachel Israel. Winner receives $20,000, sponsored by AT&T, and the art award “Untitled” by Ella Kruglyanskaya. The award was given by Jane Rosenthal joined by Fiona Carter, AT&T Chief Brand Officer, and Josh Lucas, Denis O’Hare, Alex Orlovsky, and Stephanie Zacharek on behalf of the jury.

Jury Comment: “For her heartwarming, hilarious and consistently surprising reinvention of the New York romantic comedy, which opens a door to a world of vibrant characters not commonly seen on film, the U.S. Narrative Jury gives the Founders Award to Rachel Israel for Keep the Change.”

  • Best Actor in a U.S. Narrative Feature Film – Alessandro Nivola in One Percent More Humid. The award was given by Josh Lucas.

Jury Comment: “For his raw, complex and deeply human portrayal of middle-aged teacher and writer who tries to rekindle his creativity by plunging into an ill-advised affair with a student, the award for Best Actor goes to Alessandro Nivola, in Liz W. Garcia’s One Percent More Humid.”

  • Best Actress in a U.S. Narrative Feature Film – Nadia Alexander in Blame. The award was given by Denis O’Hare.

Jury Comment: “For her powerful, multilayered and risky portrayal of a troubled teenager in Quinn Shepard’s accomplished directorial debut Blame, the award for Best Actress goes to Nadia Alexander.”

  • Best Cinematography in a U.S. Narrative Feature Film – Cinematography by Chris Teague for Love After Love. The award was given by Alex Orlovsky

Jury Comment: “For creating a visual style that beautifully mirrors the fraught and messy landscape of grief, the cinematography award goes to Love After Love, shot by Chris Teague.”

  • Best Screenplay in a U.S. Narrative Feature Film – Abundant Acreage Available written by Angus MacLachlan. Winner receives $2,500. The award was given by Stephanie Zacharek.

Jury Comment: “For its portrayal, both universal and intimate, of two families who meet, clash and ultimately discover what it means to call a place home, the best screenplay award goes to Abundant Acreage, written and directed by Angus MacLachlan.

INTERNATIONAL NARRATIVE FEATURE COMPETITION CATEGORIES:

The jurors for the 2017 International Narrative Competition were Willem Dafoe, Peter Fonda, Tavi Gevinson, Alessandro Nivola, and Ruth Wilson.

  • The Best International Narrative Feature – Son of Sofia (O Gios tis Sofias) written and directed by Elina Psykou (Greece, Bulgaria, France). Winner receives $20,000, sponsored by Netflix, and the art award “Study for La Brea” by Walton Ford. The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury.

Jury Comment: “When we were watching these movies we were looking for something we hadn’t seen before. We unanimously agree that one film challenged us to see in a new way, and we were seduced by the surprising humanity ofits difficult characters. The direction was assured, and its tone unique, and we look forward to seeing Elina Psykou’s next work. The Best International Narrative Feature Award goes to Son of Sofia.”

  • Best Actor in an International Narrative Feature Film – Guillermo Pfening in Nobody’s Watching (Nadie Nos Mira) (Colombia, Argentina, Brazil, USA, Spain). The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury. 

Jury Comment: “For a performance of extraordinary vulnerability and commitment that anchored the film, the Best Actor Award goes to Guillermo Pfening for Nobody’s Watching.”

  • Best Actress in an International Narrative Feature Film – Marie Leuenberger in The Divine Order (Die göttliche Ordnung) (Switzerland). The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury.

Jury Comment: “For a performance that is patient, intelligent and graceful, that captured the liberation of a young woman the Best Actress Award goes to Marie Leuenberger for The Divine Order.”

  • Best Cinematography in an International Narrative Feature Film – Cinematography by Mart Taniel for November (Estonia, Netherlands, Poland). The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury.

Jury Comment: “We were particularly impressed by the high level of the cinematography of the films we’ve just seen which had very different styles and demands. One film was particularly audacious and showed supreme command of its visual language. The Best Cinematography Award goes to Mart Taniel for November.”

  • Best Screenplay in an International Narrative Feature Film – Ice Mother (Bába z ledu) written by Bohdan Sláma (Slovakia, France). Winner receives $2,500. The award was given by Alessandro Nivola and Willem Dafoe, on behalf of the jury.

Jury Comment: “A screenplay can create a world. With warmth and humor, this movie leads us into a specific and eccentric world driven by an unlikely love story. The Best Screenplay Award goes to Bohdan Sláma for Ice Mother.”

DOCUMENTARY COMPETITION CATEGORIES:

The jurors for the 2017 Documentary Competition were R.J. Cutler, Alma Har’el, Barbara Kopple, Anne Thompson, and David Wilson.

  • Best Documentary Feature – Bobbi Jene, directed by Elvira Lind (USA, Denmark, Israel). Winner receives $20,000, sponsored by Netflix, and the art award “THE REAPER” by Sterling Ruby. The award was given by Barbara Kopple.

Jury Comments: “In a diverse field of worthy films, one work captivated our jury with its exquisite blend of emotional depth and rigorous craft. Fulfilling the promise of classic cinema verite, where camera serves as both observer and provocation, this film connected two artists, filmmaker and subject, pushing nonfiction intimacy to bold new places. Our winner documents the deeply personal process of a brilliant woman finding her voice – paired with a director whose own artistic vision dances elegantly with that of her subject. We the jury give the Best Documentary Feature to Elvira Lind’s Bobbi Jene.”

  • Best Documentary Cinematography – Cinematography by Elvira Lind for Bobbi Jene (USA, Denmark, Israel). Winner receives $2,500. The award was given by David Wilson.

Jury Comments: “For the film’s extraordinary relationship to an artist who is willing to go bare not only in performance but in stunningly intimate scenes that are poetic, honest and moving, seemingly without barriers between camera and subject, we give Best Cinematography to Elvira Lind for Bobbi Jene.”

  • Best Documentary Editing – Editing by Adam Nielson for Bobbi Jene (USA, Denmark, Israel). Winner receives $2,500.  The award was given by David Wilson.

Jury Comments: “For a film whose precise economy of construction creates space for the rich sensual palette of a committed artist going through a life change, and whose internal rhythms mirror the art it portrays, we give Best Editing to Adam Nielson for Bobbi Jene.”

o    Special Jury Mention – True Conviction. “For its compelling storytelling and for introducing us to three heroic characters who transform the injustice they suffered into active change, we give a Special Jury Mention for Best Documentary Feature to Jamie Meltzer’s True Conviction.”

BEST NEW NARRATIVE DIRECTOR COMPETITION:

The jurors for the 2017 Best New Narrative Director Competition were Bryan Buckley, Clea Duvall, and Michael Pitt.

  • Best New Narrative Director – Rachel Israel, director of Keep the Change (U.S.). Winner receives $10,000 sponsored by Netflix, and the art award “Veridical” by Jorge Pardo. The award was given by Clea Duvall and Michael Pitt.

Jury Comments: “For this award, we were looking for a filmmaker with a fearless, authentic voice.  Our decision was unanimous.  This filmmaker created a world full of vibrant characters often under-represented in cinema.  It is a unique, yet universal love story told in a way we’ve never seen.  We anxiously await to see what this filmmaker does next.  We are so thrilled to present the award for Best New Narrative Director to Rachel Israel for Keep the Change.”

BEST NEW DOCUMENTARY DIRECTOR COMPETITION:

The jurors for the 2017 Albert Maysles New Documentary Director Award were Amy Berg, Alice Eve, Marilyn Ness, Zachary Quinto, and Shaul Schwarz.

  • Albert Maysles New Documentary Director Award – Sarita Khurana and Smriti Mundhra for A Suitable Girl (U.S./India). Winner receives $10,000 sponsored by CNN Films, and the art award “GOD IS MANMADE” by John Giorno. The award was presented by Shaul Schwarz, Amy Berg, and Zachary Quinto on behalf of the jury, along with Alexandra Hannibal from CNN Films.

Jury Comments: “For the top prize we chose a film that helped us to rethink the dynamics of love through a moving portrayal of a cultural tradition.  With incredible access, heartfelt scenes and it’s strong verite style, The Albert Maysles Prize for first documentary feature goes to A Suitable Girl.”

o    Special Jury Mention – Hondros. “In considering a wide range of subjects in our category we were moved by two different kinds of love stories. The film we decided to honor with a special mention delves into the fractured worlds of chaos and violence and the interconnectedness of humanity. A childhood friend carries on his legacy to show the enduring power of love. The special mention goes to Hondros.”

THE NORA EPHRON PRIZE

The 2017 Nora Ephron Prize, presented by CHANEL, jurors were Dianna Agron, Joy Bryant, Diane Lane, Zoe Lister-Jones, and Christina Ricci.  

  • The Nora Ephron Prize: Petra Volpe, writer/director of The Divine Order (Switzerland). Winner receives $25,000, sponsored by CHANEL, and the art award “Fashion Voodoo 3” by Aurel Schmidt. The award was given by Diane Lane on behalf of her jurors Joy Bryant, Dianna Agron, Christina Ricci, Zoe Lister-Jones.

Jury Comments: “For its intrepid and compassionate storytelling, beautiful cinematography (DP-ed by a woman), complex characterization of the female experience, seamless navigation of both drama and comedy, and true embodiment of the personal being political, we award the Nora Ephron Prize to Petra Volpe for her film The Divine Order.” 

  • Special Jury Mention: Keep the Change

SHORT FILM COMPETITION CATEGORIES:

The 2017 Best Narrative Short and Best Animated Short jurors were Udi Aloni, Brennan Brown, Gilbert Gottfried, Amy Heckerling, Sheila Nevins, Mark O’Brien, and Jesse Plemons.

  • Best Narrative Short – Retouch, directed by Kaveh Mazaheri(Iran). Winner receives $5,000 sponsored by Nutella, and the art award: “Study: Flooded Oxbow for Ophelia (MM#3800)” by Stephen Hannock. The award was given by Udi Aloni, Brennan Brown, and Amy Heckerling on behalf of the jury, along with Eric Berger representing Nutella.

Jury Comments: “For its message of choice, liberty, and renewal where the lines of morality and honesty are blurred, leaving the audiences own projection of the events open for discussion and introspection. We appreciated the unification of the aesthetic and the ethical.  The winner of the Best Narrative Short goes to Retouch.”

  • Best Animated Short – Odd is an Egg (Odd er et egg) directed by Kristin Ulseth (Norway). Winner receives $5,000 sponsored by Nutella. The award was given by Udi Aloni, Brennan Brown, and Amy Heckerling on behalf of the jury, along with Eric Berger representing Nutella.

Jury Comments: “We found the story of this animated short sweet and moving. We were also very impressed with beautiful visuals, which were artistic, cool and haunting. The filmmaker shows great promise. Best Animated Short goes to Kristin Ulseth for her film, Odd is an Egg.”

The 2017 Best Documentary Short and Student Visionary Award jurors were Priyanka Chopra, Olivia Thirlby, Ryan Eggold, Brendan Fraser, and Ileen Gallagher.

  • Best Documentary Short – The Good Fight directed by Ben Holman (U.S., UK, Brail). Winner receives $5,000 sponsored by Nutella, and the art award “Untitled” by Ryan Sullivan. The award was given by Ileen Gallagher and Ryan Eggold along with Eric Berger representing Nutella.

Jury Comments: “An unflinching portrait of finding hope in a world of danger; a journey of perseverance in the face of tragedy; an uplifting and visually compelling story of redemption. The winner of the Best Documentary Short is The Good Fight.”

o    Special Jury Mention – Resurface: “Shedding light on the struggle for normalcy, hope, and recovery that US Veterans face every day, this is the story of reviving the human spirit through connecting with something deeply powerful and larger than the self: the Natural World.”

  • Student Visionary Award – Fry Day directed by Laura Moss (U.S.). Winner receives $5,000 sponsored by Nutella. The award was given by the Jury along with Eric Berger representing Nutella.

Jury Comments: “For its success in balancing an immersive coming of age experience with relevant social commentary in a historically specific context; compelling performances and expert filmmaking, the student visionary award goes to Fry Day.”

o    Special Jury Mention – Dive: “Visceral, deeply moving meditative and exquisitely constructed / A nuanced examination of love and moving on after grief. Dive receives a Special Jury Mention.”

STORYSCAPES AWARD

The 2017 Storyscapes Award, presented by AT&T, which recognizes groundbreaking approaches in storytelling and technology, jurors were Lily Baldwin, Charlotte Cook, Julia Kaganskiy, Michael Premo, and Sarah Wolozin.

  • Storyscapes Award: TREEHUGGER: WAWONA created by Barnaby Steel (Co-Founder, Creative Director), Ersin Han Ersin (artist, Creative Director) and Robin McNicholas (Co-founder, Creative Director) of Marshmallow Laser Feast. Winner receives $10,000, presented by AT&T. The award was given by Lily Baldwin, Charlotte Cook, Julia Kaganskiy, Michael Premo, and Sarah Wolozin, along with Ryan Luckey, AVP, Corporate Sponsorships, AT&T.

Jury Comments: “The project we chose exemplifies the highest standards of artistry and inventiveness. It explores the potential for new visual forms and investigates unique modes of storytelling that allow us to tap into aspects the world and our lived experience that are intuitively known but seldom articulated. Through its use of poetic abstraction, embodiment, and the viewer’s own imagination and interpretation, we are able to unlock new ways of understanding and experiencing the world around us. We’ve selected this piece because we hope it will inspire others to start creating in ways that take risks and use the limitations of technology to revamp story and experience. The Storyscapes Award goes to TREEHUGGER: WAWONA.”

The Festival’s competition categories continue to incorporate storytelling in all its forms with two awards that were given out earlier in the week. The Tribeca X Award is a juried section recognizing the intersection of advertising and entertainment and Tribeca also presented the first Tribeca Snapchat Short Award, a new official category.

Review: ‘RUPTURE’ challenges human perception.

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RUPTURE
Fantasia International Film Festival 2016
 Sitges Film Festival 2016
 Bucheon International Fantastic Film Festival (BiFan) 2016

RUPTURE is directed by Steven Shainberg (Secretary, Fur: An Imaginary Portrait of Diane Arbus) from a script co-written by Shainberg and Brian Nelson (Hard Candy, 30 Days of Night). The film stars Noomi Rapace (The Girl with the Dragon Tattoo, Prometheus), Peter Stormare (The Big Lebowski, Fargo), Kerry Bishe (AMC’s “Halt and Catch Fire,” Argo), and Michael Chiklis (FX’s “The Shield,” Fantastic Four).

RUPTURE follows Renee Morgan (Noomi Rapace), a single mom, who is deathly terrified of spiders.  While in route to meet up with a friend, she is violently abducted by a group of strangers.  After enduring intense yet strange questioning and examinations, some about her fear of spiders, Renee soon discovers that she is now the subject of an underground experiment.  Her captors explain to her that she has a genetic abnormality that can potentially allow her to “rupture” and reveals her alien nature.  Renee must find a way to escape before it is too late.
Writer/director Steven Shainberg became an award-winning indie film sensation with 2002’s kink masterpiece Secretary, his second feature following 1998’s powerful Jim Thompson adaptation Hit Me. Four years after, he returned with the poetic and beautiful Fur: An Imaginary Portrait of Diane Arbus.
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Noomi Rapace‘s previous roles in The Girl With The Dragon Tattoo and Prometheus make her the perfect actress to tackle a role that is both physically taxing and unglamorous AND that delves into fear and alien genetics. I cannot imagine anyone else for this very niche role. The rest of the eclectic cast’s performances seem off-putting at first, but makes more sense as the plot rolls along, so don’t let that throw you as you watch. Rapace owns this film from the very first frame she appears in. In less than 13 minutes, we have a fully established mother/son relationship that is so valuable to the script and emotional hold of an audience. The dialogue is ominous and well paced. As the story progresses, the film has a Hostel meets Splice vibe.

Rupture’s sound and music editing add to the impending sense of ‘something ain’t right here”. The oversaturated lighting scheme and set colors achieve a similarly unsettling feel that is perfect for this genre. You can’t escape the immediately engrossing plot. Rupture is a fantastic balance of scary and scientific exploration that makes for one hell of a ride.

AMBI Media Group will release the sci-fi thriller RUPTURE in theaters and On Demand April 28, 2017.  The film is currently available exclusively on DirecTV.

Netflix News: Adam Sandler & Chris Rock will release ‘The Week Of’ in 2018

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Chris Rock

Netflix announced today that comedy icons Adam Sandler and Chris Rock will reunite to star in a new Netflix original film set to begin production in Long Island, New York this summer.  The Week Of will be directed by veteran Saturday Night Live writer and producer Robert Smigel.  The movie covers the week of preparation for a wedding in which Sandler’s daughter is marrying Rock’s son.  Happy Madison Productions’ Adam Sandler and Allen Covert will serve as producers and Barry Bernardi and Tim Herlihy will serve as executive producers.  Sandler and Smigel co-wrote the script.  The film will premiere globally on Netflix in 2018.

“Adam Sandler and Chris Rock are cornerstones of the Netflix comedy family and we are over the moon about these two legends reuniting to give our members worldwide a healthy dose of the hilarity that they have been creating together for years. Similar in the romantic comedy tone of Sandler’s most recent film Sandy Wexler, this film will be the perfect vehicle for Sandler and Rock and their millions of fans around the world,” said Ted Sarandos, Netflix Chief Content Officer.

Sandler, whose films have grossed over $3 billion, dominated box offices around the world with such films as Grown Ups, Billy Madison, Big Daddy and The Waterboy.  In 2014, the multi-hyphenate actor, writer, producer and occasional singer-songwriter set his sights on conquering the streaming world and his films have found enormous success on Netflix.  Sandler’s first three Netflix films, The Ridiculous 6, The Do-Over, and the recently launched Sandy Wexler are three of the biggest film releases ever on Netflix.  This film, which marks the reunion of Rock and Sandler who last starred together in the hit comedies Grown Ups and Grown Ups 2, is the fourth film in Happy Madison Productions’ original deal with Netflix.  Recently, the deal was extended to include four additional feature films.

Sandler began his career as a stand-up comedian and joined Saturday Night Live as a writer and featured player before founding Happy Madison Productions. He went on to star, produce and write numerous films which went on to become box office hits.  Sandler has received critical accolades for his work in Punch-Drunk Love, Reign Over Me, and Funny People. He will soon be seen in Noah Baumbach’s upcoming comedy The Meyerowitz Stories (New and Selected) alongside Dustin Hoffman, Ben Stiller and Emma Thompson.  The film will premiere at the 2017 Cannes Film Festival and will be released by Netflix later this year.

Rock is a four-time Emmy and three-time Grammy award-winning producer, writer, actor, director, best-selling author and comedian.  Rock, who began his career working with Sandler in the 1990’s on Saturday Night Live, has had starring roles in films ranging from Down to Earth, Head of State, 2 Days in New York and Top Five, which he also wrote and directed.  Rock has leant his voice to the hit animated film series Madagascar; produced the hit television series Everybody Hates Chris; and has won awards and acclaim for his hit comedy specials. In addition to Grown Ups, Rock also starred with Sandler in The Longest Yard. Rock and Netflix are also working together on two stand up comedy specials which Rock will star in.  Additionally, Rock appeared in the Netflix’s A Very Murray Christmas special with Bill Murray.  Rock is currently traveling the US on the first leg of his Total Blackout Tour 2017.  This is the acclaimed comedian’s first tour in over 9 years.

Upcoming 2017 Netflix Original film releases include David Michôd’s War Machine starring Brad Pitt, Meg Tilly, Tilda Swinton, Topher Grace, Lakeith Stanfield and Sir Ben Kingsley; Bong Joon-Ho’s Okja starring Tilda Swinton, Jake Gyllenhaal, Paul Dano, Lily Collins, Steven Yeun; Jim Strouse’s The Incredible Jessica James starring Jessica Williams and Chris O’Dowd; Marti Noxon’s To The Bone starring Lily Collins; Adam Wingard’s Death Note starring Nat Wolff, Lakeith Stanfield and Margaret Qualley; Duncan Jones’  Mute starring Alex Skarsgård, Paul Rudd and Justin Theroux; Dee Rees’ Mudbound starring Carey Mulligan, Mary J. Blige, Jason Mitchell, and Garrett Hedlund; Ritesh Batra’s Our Souls At Night starring Robert Redford and Jane Fonda; Angelina Jolie’s First They Killed My Father, based on Cambodian author and activist Loung Ung’s gripping memoir; Noah Baumbach’s The Meyerowitz Stories (New and Selected) starring Ben Stiller, Adam Sandler, Dustin Hoffman and Emma Thompson; and David Ayer’s Bright starring Will Smith, Joel Edgerton, Noomi Rapace, Lucy Fry and Edgar Ramirez.

Interview: Petra Volpe – writer/director of Tribeca Film Festival Selection ‘The Divine Order’ about Swiss women’s right to vote in 1971

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The Divine Order is a Swiss film from writer/director Petra Volpe produced with Reto Schaerli and Lukas Hobi. I got the opportunity to speak with Petra Volpe this week as her film screens at the Tribeca Film Festival.

1971: Nora is a young housewife and mother living with her husband and their two sons in a quaint little village in the Swiss countryside, which is so far untouched by the major social upheavals the movement of 1968 has brought about. Protests for Civil Rights, the Sexual Revolution, and the Youth and Counter Culture Movements are barely on the radar in Nora’s village. Nora’s life has not been affected either; she is a quiet person who is liked by everybody – but everything changes when she starts to publicly fight for Swiss women’s right to vote, which Swiss men are due to vote on in a ballot on February 7, 1971.

How does one go about telling a story so vast as this? Volpe did extensive research for the film, and a crucial place for information was the Gosteli Archive – the archive on the history of women in Switzerland, founded by Marthe Gosteli, who recently passed away in her 100th year.

Speaking with Gosteli, Volpe was inspired but realized that the character in her story must not be an “intellectual” but someone “like my mother. Not an actively political person, but then finds out she’s actually affected by politics.” Volpe describes how there was a lot of propaganda sent out against women’s suffrage. She goes on to say, “I found a note in this archive, that really touched me. It was from a young housewife, a mother.” She had sent back one of the pamphlets and wrote, “how dare you prevent women from voting! I was never a political person but this now makes me want to be a fighter.” How awesome is that? Volpe knew then that the main character shouldn’t be someone that was already involved in the movement.

This was my favorite part of the story. Nora is married, with a child and doesn’t really understand the point of women voting. Then when she wants to do something on her own, she realizes that she cannot do what she wants without the permission of her husband. This ignites a light in her to question why. Questioning drives her to learn more and seek out others.

Those others are the women of the village where she lives. Volpe says that she didn’t base the characters on any one person, but was inspired by the women in the village where they were shooting. “They were very charismatic, powerful women, in these pubs, who everybody trusts, they know every village secret. Everyone came to them with their worries and were the Queens of the village. Usually, they didn’t own their businesses, their husbands owned them, so they were completely dependent, financially on their husbands.”

Absurd as it seems now, not only were women not granted the right to vote until 1971, but women “were not allowed to open a bank account until 1988. They couldn’t sign contracts for an apartment. That’s one of the first things that women took on after the right to vote, they really said, we need to change marital law.”

Volpe is no stranger to women’s issues. “All my films are about women who liberate themselves.” However, the idea came from one of her producers and it upset her that she didn’t think of it. “I was so pissed! Why didn’t I have this idea? It’s so shameful!” We forgive you, Petra.

Since this is based on an actual event, I asked Volpe about her approach to the storytelling and its challenges. “There’s different challenges. One the challenge of tone. Humor is very important. Humor is a very important means to seduce people to look at things that they don’t like to look at.

I think humor is a way of opening up people’s hearts from more painful aspects of stories.”

“It’s so horrible, that you have to laugh. So, for me, it’s very important to have a humorous approach and not to make it too heavy, but to also show the absurdity of it. Humor is an anarchy and coping mechanism. We all know how much we need Saturday Night Live at the moment, for survival. So humor is very important to find a tone for the movie.”

Volpe also had a challenge with depicting the time period without losing the audience’s interest. “When I looked at the archives, people were talking so extremely slowly and they were moving so extremely slowly, the people were much slower. It was so interesting, as they were not so agile and everything was more stiff. I thought it adds a lot to this atmosphere of oppression. And yet, you have to tell a movie that people don’t fall asleep. [LAUGH] That is also a balance to find. How to keep that pace, to recreate this atmosphere like a visceral experience, for people to really feel how these women were in corsets, constrained in this world and to tell a movie that has a pace for a modern audience.”

A bit of propaganda at the time had a poster with “Women in politics is against the divine order.” Volpe felt this was a perfect title for the film. “It’s really crazy when you read these propaganda pamphlets, they really argue that God has created a world of men and women and they have their roles, and if you mess with these roles, it will be apocalypse.” Sound familiar? Scarily, it does.

The look of the movie is also very rich with color. Volpe says she spent a great deal of time getting the colors right before and after filming. She shot digitally and spent two weeks grading the color in post-production.

I also asked Volpe about her experience as a female filmmaker in an industry dominated by men. She talks about how it was hard in the beginning because so often she was told that she should be grateful for her opportunities. She was very grateful, but eventually, she developed the confidence to say, “no, they can be grateful that I work for them.”

“They can be grateful that I come up with stories they can sell and make money.”

“That took a little while for me to realize, that no, it’s me they should be grateful to, and not the other way around.” Bravo!

When asked about the timing of the film, Volpe laments, “good for the film, but unfortunate for society.” I couldn’t agree more.

You still have a chance to get RUSH tickets for 3 more showings – check here.

Tribeca Film Festival – Round 2 ‘The Departure’ ‘AlphaGo’ ‘The Wedding Plan’

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The Departure
Tribeca Film Festival
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The Wedding Plan

These 3 movies are completely different and all give you an insight into another world.

The Departure was especially emotional and filled me with empathy.

Lana Wilson follows up her award-winning documentary After Tiller with this lyrical, intimate character study of the complex figure Ittetsu Nemoto, an aimless and rebellious former punk rocker-turned-Buddhist priest. Most famously, he is renowned in Japan for saving the lives of countless suicidal men and women through his wise and compassionate counsel. But Nemoto is now approaching middle-age with a wife and young boy of his own, when he learns his life is at risk from heart disease, compounded by the heavy emotional workload of supporting those who no longer want to live. When saving others takes such a toll, can he find the resiliency to save himself? The Departure is an intimate portrait of one quietly extraordinary man who has helped so many learn to live, and now must find the strength to learn from his own advice.

—Cara Cusumano

Unlike many other documentaries, there are no talking heads. There are no interviews. This is a fly-on-the-wall account following a man who cares for others who are on the path to “depart,” i.e. take their own life. Giving no context, the viewer watches as a man who helps so many others, is not taking care of himself. It’s a deeply moving and intimate movie.

The ancient Chinese board game Go has long been considered the holy grail for artificial intelligence. Its simple rules but near-infinite number of outcomes make it exponentially more complex than chess. Mastery of the game by computers was considered by expert players and the AI community alike to be out of reach for at least another decade. Yet in 2016, Google’s DeepMind team announced that they would be taking on Lee Sedol: the world’s most elite Go champion. The match was set for a weeklong tournament in Seoul in early 2016, and there was more at stake than the million dollar prize.

Director Greg Kohs’ absorbing documentary chronicles Google’s DeepMind team as it prepares to test the limits of its rapidly-evolving AI technology. The film pits machine against man, and reveals as much about the workings of the human mind as it does the future of AI.

—Ian Hollander

I have heard of the game Go, and even after seeing AlphaGo, I’m still not quite sure how to play. Perhaps that’s the point, as a company, Deep Mind, set out to create an AI that could not only play the game but beat extremely skilled opponents. The most interesting part was the last third where the focus was on the 5 games set against the machine. An interesting view for sure, but it left me wanting to learn more about the origin of the game.

Exhausted by single life at 32, spirited bride-to-be Michal (Noa Koler) is eager for the comfort and companionship of marriage. Then, her fiancé dumps her one month before their wedding. Devastated but undeterred, she decides to keep her wedding date, leaving it to fate to provide a suitable groom.

With invitations sent, the venue booked, the clock counting down to the big day, and pressure from her family mounting, Michal enlists two matchmakers to help her find Mr. Right. After a series of comically mismatched dates — including with a charming but utterly unsuitable pop star — and many soul-bearing conversations with her sisters, Michal finds she has chemistry with someone she never expected.

Trailblazing writer-director Rama Burshtein (“Fill the Void”) returns to the cloistered Orthodox community she knows intimately with this funny and poignant screwball romantic comedy. When it comes to finding love, it’s equal parts luck, determination, and blind faith.

—Shayna Weingast

I was so annoyed by the premise of The Wedding Plan that I just had to see it. This could have been a very empowering movie about one woman’s struggle to define herself without marriage. But no. Instead, it’s a “poor me” story, albeit a funny one, that actually redeemed itself near the end, only to leave me with another last bit of annoyance. Bummer.

Tribeca Film Festival – Round 1 Top Picks – ‘Saturday Church’ ‘Flower’ ‘Super Dark Times’ ‘Take Me’

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Flower
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Tribeca Film Festival
Saturday Church
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I enjoy being surprised when watching a movie and these 4 movies were full of surprises.

Flower grabs you from the first scene and it’s the amazing performance of Zoey Deutch that captivates.

Seventeen-year-old Erica Vandross (Zoey Deutch) isn’t like most teenage girls. When school’s out, for example, she and her two best friends seduce older men in order to extort money from them—you know, typical extracurricular activities. Much of Erica’s rebellious attitude stems from the abandonment of her biological father, who’s in jail and has left her similarly free-spirited mother (Kathryn Hahn) to raise Erica alone. Everything changes, however, when mom invites her new beau (Tim Heidecker) and his overweight and fresh-out-of-rehab son (Joey Morgan) to move in with them, giving Erica an unexpected connection to the “hot older guy” (Adam Scott) she and her friends obsess over at the local bowling alley.

Where Flower goes from there is part of director/co-writer Max Winkler’s film’s unpredictable energy and edgy charm. Executive Produced by Danny McBride, Jody Hill, and David Gordon Green, Flower blossoms from female-driven coming-of-age comedy into bold and uncompromising directions as its unpredictable narrative unfolds. Front and center throughout is an excellent and multidimensional turn from Zoey Deutch, who solidifies her emerging star status with a performance that’s hilarious, raw, brash, and sneakily tender.

—Cara Cusumano

The handheld style served the material very well. The story moves in all kinds of directions while staying grounded in reality.

Working single mother Amara leaves her two boys at home with domineering Aunt Rose, and Rose has her eyes on the older son, Ulysses. Stealing nylons, wearing his mother’s shoes: Ulysses is just beginning to explore his identity and sexuality. When Rose demands an end to it, the boy escapes to the Village and discovers both supportive friends and the inspiration to become exactly what he is feeling inside. The problem: Rose is waiting back home. Luka Kain delivers a magnetic performance as Ulysses—who in his best moments hears music all around, and yet faces some of the worst circumstances imaginable—in this drama about finding a literal sanctum, so that you can find yourself. It’s a complicated life Ulysses leads, and Damon Cardasis’s musical coming-of-age story is all the better for tackling multiple sides of the young LGBTQ experience, with compassion and heart combined.

—Cara Cusumano

Saturday Church mixes in musical numbers in a way that I enjoyed. It’s always inspiring to see a story of someone discovering their identity and the people that support them.

Enjoying their normal lives in mid-’90s suburbia, Zach and Josh are best friends with numerous shared interests, chief of which is an attraction to their classmate Allison. One seemingly routine day, along with two other friends, Zach and Josh borrow the latter’s older brother’s prized samurai sword to goof around in the local park. But the afternoon soon spirals out of control. Wracked with guilt, Zach struggles to assimilate back into high school life, even as Allison begins to show a romantic interest in him. The situation gets even more complicated once Zach notices a disturbingly off-balance change in Josh’s behavior.

Blurring genre lines throughout, Super Dark Times marks a confidently audacious and impeccably assembled feature debut for director Kevin Phillips. In its adult depiction of innocence corrupted, Phillips’ midnight-dark film has shades of everything from Stand By Me to Donnie Darko and Stranger Things. Yet Phillips’ masterful command of mood, cinematographer Eli Born’s stunning use of wide-screen photography, a few unsettlingly horror-movie-like dream sequences, and the cast’s excellent performances all combine to elevate Super Dark Times above pastiche and into uncompromisingly bold filmmaking.

—Matt Barone

Super Dark Times seems like it’s for teenagers, but it’s really for those who remember being teenagers. Being a teenager feels like everything is so important. Sometimes it actually is. Such is the case for the boys who get themselves into a terrible situation. We see it coming, but it makes it no less impactful. Really amazing performances by the young cast that we will surely see again.

Ray Moody (Pat Healy) is a fledgling entrepreneur, trying to get his company off the ground in Los Angeles. His business: abduction, or as Ray describes his company, Kidnap Solutions, LLC, providing alternative therapy that his clients use for curative reasons. The market for such a service is unsurprisingly niche, and Ray is in dire straits. So when he receives a mysterious phone call late one night contracting him for a weekend abduction with a handsome payday at the end, Ray jumps at the chance. The only problem? His target, business consultant Anna St. Blair (Orange Is the New Black’s Taylor Schilling) may not be all that she seems. Take Me, Pat Healy’s feature directorial debut, threads the needle between crime thriller and slapstick farce. Working with writer Mike Makowsky and Executive Producers Jay and Mark Duplass, the film is a wonderfully droll, Hitchcockian black comedy with excellent lead performances that is as twisty as it is funny.

—Jason Gutierrez

Again, sometimes you know what’s going to happen, but that doesn’t spoil the journey. In Take Me, Pat Healy and Taylor Schilling are in a mental and physical battle. Its twisted sense of humor reminds me of last year’s Tribeca Orchard release, The Overnight, coincidentally also starring Schilling.

So far, Tribeca has not been disappointing!

RLJ Entertainment has released the new trailer for ‘Pilgrimage’ starring Tom Holland

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RLJ Entertainment has released the new trailer for Pilgrimage starring Tom Holland, Jon Bernthal and Richard Armitage and we have it for you below!

Ireland, 1209. A small group of monks begin a reluctant pilgrimage across an island torn between centuries of tribal warfare and the growing power of Norman invaders.  As they escort their monastery’s holiest relic to Rome, the true value of the bejeweled relic becomes dangerously apparent and their path becomes increasingly fraught with danger.

The film is directed by Brendan Muldowney (Savage, Love Eternal) and written by Jamie Hannigan.

Pilgrimage will have its world premiere at Tribeca Film Festival on April 23, 2017 and will be in theaters and available on VOD and Digital HD August 11, 2017.

Tribeca Film Festival 2017 review: ‘The Divine Order’ is gloriously relevant.

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SYNOPSIS: Switzerland, 1971: Nora is a young housewife and mother who lives with her husband, their two sons and her father-in-law in a little village. Here, in the Swiss countryside, little or nothing is felt of the huge social upheavals that the movement of May 1968 has caused. Nora’s life, too, has been unaffected; she is a retiring, quiet person, well liked by everyone – until she begins to campaign publicly and pugnaciously for women’s right to vote, an issue that will be put before the male voters on February 7th, 1971.

Impeccably acted and stunningly shot, The Divine Order is a film very much relevant in today’s political climate. In the continued fight against the patriarchy, we must first educate ourselves on how far we’ve come. This film demonstrates the power of women as a collective entity fueled by passion in pursuit of equality. With fully fleshed out female characters that are nuanced and honest, writer/director Petra Volpe has given us a true cinematic gift.

Tribeca Film Festival 2017

Won
Audience Award		 Narrative
Petra Biondina Volpe
Won
Jury Award		 Best Actress in an International Narrative Feature
Marie Leuenberger

“For a performance that is patient, intelligent and graceful, that captured the liberation of a … More
Won
Nora Ephron Prize		 Petra Biondina Volpe

“For its intrepid and compassionate storytelling, beautiful cinematography (DP-ed by a woman), … More
Nominated
Jury Award		 Best International Narrative Feature
Petra Biondina Volpe

Official Sites:

Official Site | Zodiac Pictures

Country:

Switzerland

Language:

German | English | Italian | Swiss German

Release Date:

27 October 2017 (USA)

Review: ‘NOLA Circus’… the most average show on Earth

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NOLA Circus

Theatrical release date: April 21, 2017
VOD (Video On Demand) release date: April 25, 2017

Guest review from Reel Reviews Over Brews

NOLA Circus is a comedy, directed by Luc Annest, about two competing barber shops in New Orleans, that are right across the street from one another, and the ridiculous events that take place surrounding the owners and their friends and families.

One of the barber shops is owned by Will (Martin Bradford), a black barber who loves afros and regularly gives speeches on racial issues. Will is having a secret love connection with Nola (Jessica Morali), a white woman dreaming of a career in showbiz. Will’s rival, Marvin (Vas Blackwood), is a sex addict who is having an affair with a local drug dealer, Karen (Kamille McCuin). The drama in everyone’s lives seems to all come together at once, creating a series of crazy events. Whether its Nola’s brother, Denzel (Reginal Varice), beating up pizza delivery guys to “protect” his sister or the KKK going after Will, you just never know what will happen next.

Nola (Jessica Morali) is the focal point in this movie. The “circus act” of events all seem to stem from her life. Without Jessica Morali this movie would have gotten an even lower rating. NOLA Circus is labeled a comedy, but we only found ourselves laughing only a few times and most of those times can be found in the trailer. With the amount of craziness going on in this movie, it’s easy to see why it would get put in the comedy genre… we however, just didn’t find it that amusing. With a similar premise to the Barbershop franchise, we were expecting more out of NOLA Circus. So was this circus, “The greatest show on Earth?” Not by a long shot… average at best.

Reel ROB Rating: 2.5 out of 5 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review for them!