Review: ‘The Drag Roast of Heklina’ brings the shade.

Synopsis

Revry presents THE DRAG ROAST OF HEKLINA featuring a talented dais of roasters including noted LGBTQ celebrities, Alaska Thunderfuck, Jackie Beat, Jinkx Monsoon, Bob the Drag Queen, Sister Roma, Julie Brown, and Peaches Christ.  Watch as a panel of iconic drag superstars and comedians grill drag legend Heklina.
These queens bring some serious funny to a legendary roast. With stand out performances from Jinkx Monsoon, weird and wonderful moments from Julie Brown, and the shadiest of ladies, Alaska Thunderfuck, drag legend Heklina gets her ass handed to her. But this show isn’t just beautiful drag queens making fun of each other in the most brutal of ways, it’s also a perfect reminder of how incredible the drag community is. While they do joke, they also care deeply. Drag is a brilliant cultural phenomenon. It allows openminded people to share love, life, fashion, performance and everything in between. Ru Paul’s Drag Race, in particular, has given so many of these ladies the exposure and platform they need to advance their careers and to teach every generation what it means to be sickening. It’s important to honor this art and there’s certainly nothing wrong with laughing along the way. The Roast Of Heklina is now available on Revry.tv .

About Revry

Revry is the first queer global streaming network, available in 35 million homes in over 100 countries, with a uniquely curated selection of LGBTQ+ film, series, and originals along with the world’s largest queer libraries of groundbreaking podcasts, albums and music videos. Revry is available worldwide on seven OTT, mobile, and online platforms, and hosts the exclusive LGBTQ+ channels on Pluto TV and XUMO. Headquartered in Los Angeles, Revry is led by an inclusive team of queer, multi-ethnic and allied partners who bring decades of experience in the fields of tech, digital media, and LGBTQ+ advocacy.  Follow on Facebook, Twitter, and Instagram @REVRYTV. Go Online to: https://revry.tv.

Review: ‘The Man Who Killed Hitler and Then The Bigfoot’

A legendary American war veteran is recruited to hunt a mythical creature.

Sam Elliot is a legend of the silver screen, and at the age of 74 it’s always wonderful seeing him in new films. So it’s no surprise that he shines in The Man Who Killed Hitler and Then The Bigfoot. The story has a tongue-in-cheek fairy tale quality to it. It’s unique and phenomenally engrossing. Elliot’s character, Calvin Barr,  has done more than most men in history, combined. Now he has come to the point in his life where he thinks he’s done all he’d care to. With so much accomplished on paper,  a long lost love is the one thing haunts him most. But the government is not done with him just yet. They have one last mission in mind. He’s essentially the greatest, most badass, action hero you’ve never heard of. His nonchalant nature is the perfect balance to the over the top nature of the storytelling. Elliot is this character, somehow. He embodies a quiet strength even as he hurtles through the bizarre. The parallel between the target and Elliot’s character is almost poetic. This film is weird, wonderful, and pretty unbelievable in every sense of the word. Though I’m positive that is the point entirely.

RLJE Films will release THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT in theaters and on VOD and Digital HD on Feb. 8, 2019.

Written by Robert D. Krzykowski , who is making his directorial debut, the film stars Sam Elliott (A Star is BornThe Hero), Aidan Turner (“Poldark”), Ron Livingston (Office Space, Tully), Caitlin FitzGerald (“Masters of Sex”), Larry Miller (Pretty Woman) and Ellar Coltrane (Boyhood).

Review: ‘The Amityville Murders’ is a haunting take on history.

On the night of November 13, 1974, Ronald DeFeo, Jr. took a high-powered rifle and murdered his entire family as they slept. At his trial, DeFeo claimed that “voices” in the house commanded him to kill. This is their story.

The Amityville Murders offers alternative theories about the infamous killings right off the bat. Whether they a result of parental abuse, drugs, mental illness, or something altogether more sinister actually occurring in the house itself. It also seems to suggest that family and friends were experiencing unexplained phenomenon within the home. There is much controversy surrounding Ronald DeFeo and the deaths of his entire family. The house has been called one of the most haunted in America. Subsequent owners have come and gone throughout the years. DeFeo’s story of what happened that night changed so many times it’s hard to keep track of. We may never know the truth and that what makes this story a great one for film. Writers and directors can take poetic license with all the information that we do have and fill in the blanks. As the film progresses, it unequivocally suggests that the grandparents had something to do with a paranormal aspect. While of the performances in the film are a bit campy, our leading man John Robinson is amazing. He is terrifying all while being vulnerable. He carries this film from start to finish. You are rooting for his sanity and survival. Overall, the film has a classic possession feel to it. The tension is genuine and the scares are visually engrossing. The Amityville Murders is a historical true crime/ paranormal nerd’s fantasy.

THE AMITYVILLE MURDERS releases In Theaters and On Demand / Digital HD Feb. 8th!

Get your tickets early for the FREE Tribeca Drive-In Dinner and a Movie!

Free and open to the public, the film screening series will take place between February 21-24 within Lower Manhattan’s magnificent Oculus 

For the third consecutive year, Westfield World Trade Center will roll out the red carpet for the Tribeca Drive-In: Dinner and a Movie film screening series, organized in partnership with the team behind the Tribeca Film Festival, and taking place from Thursday, February 21st to Sunday, February 24th – just in time for this year’s major awards season!

During the four-day series, visitors to Westfield World Trade Center’s magnificent Oculus in Lower Manhattan will be able to enjoy free movie screenings of past Oscar®-nominated and Oscar®-winning fan favorite films.

Come early for live music performances presented by Broadcast Music, Inc. (BMI); relax in custom-designed seating lounges; explore special fashion and accessories vitrines curated by local influencer and personal shopper Samantha Brown;  take advantage of one-of-a-kind, Hollywood-inspired photo ops; and partake of exclusive food and beverage service provided by some of Westfield World Trade Center’s tastiest restaurants and eateries, including: Epicerie Boulud,  Eataly NYC Downtown, Nunu Chocolates, and Sugarfina.

THE LINE UP

Thursday, February 21: As Good as it Gets

Doors open: 5:30pm / Film begins: 7pm

Friday, February 22: Field of Dreams

Doors open: 5:30pm / Film begins: 7pm

Saturday, February 23: Hugo

Doors open: 11am / Film begins 12pm

Saturday, February 23: E.T.

Doors open: 5:30pm / Film begins 7pm

Sunday, February 24: Finding Neverland

Doors open: 11am / Film begins 12pm

Review: Mads Mikkelsen gives warmth to ‘Arctic’

An official selection of the 2018 Cannes Film Festival, Arctic is an agonizing tale, set in the blistering cold, and is beautiful yet terrifying. First time writer and director, Joe Penna, purposely kept dialogue to a minimum to capture his audience and it really works. 

Penna has a popular YouTube Channel, MysteryGuitarMan, where he realized that he could reach a wider audience by focusing on the visuals rather than dialogue. He researched and spoke with practiced Arctic pilots as well as other experts. He co-wrote the script with Ryan Morrison.

Arctic does not give the audience an easy way out, as you really need to pay attention to everything you see on the screen. There is very little context and that makes for an enjoyable viewing experience where you really get into the mind of Overgård (Mads Mikkelsen) who has adapted to his predicament with a resourcefulness that’s quite impressive.

The result is an evenly paced yet riveting drama where the viewer is left with a feeling of hope in humanity.

Check here to see if it’s playing near you: https://bleeckerstreetmedia.com/editorial/arctic-movie-theater-showtimes

Review: ‘Then Came You’ rises above the rom-com tropes.

THEN CAME YOU

In Theaters and On Demand on

February 1, 2019

A hypochondriac working as an airport baggage handler is forced to confront his fears when a British teenager with a terminal illness enlists him to help her carry out her eccentric bucket list.

Then Came You manages to bypass the usual rom-com tropes and fleshes out a story about kids navigating a real emotional journey. Asa Butterfield has a naturally emo kid look about him but has the sincere chops to shine in every role that’s thrown his way. He appears genuinely grounded on screen and that makes him easy to watch. If you’re not crying at the end of this film you may have no soul. There is more than meets the eye Butterfield’s backstory which makes for an honest to goodness tug at the heartstrings in the end. The shining star of the film is undoubtedly Maisie Williams. Her comic timing and natural snark own you from the very first scene. I need her to be cast in all the things from here on out. Our two leads have a wonderful chemistry that builds organically. It reminds me of the dynamic of Anna Chlumsky and Macaulay Culkin in My Girl, which is clearly a compliment. Then Came You is simply a lovely film that can be enjoyed by a wide audience.

Asa Butterfield (The Space Between Us,The House of Tomorrow), Maisie Williams(Game of Thrones), Nina Dobrev (The Vampire Diaries), Tyler Hoechlin (Fifty Shades Freed), David Koechner (The Goldbergs), Peyton List (The Outcasts), Tituss Burgess(Unbreakable Kimmy Schmidt), Sonya Walger (Lost), Margot Bingham (Boardwalk Empire) and Ken Jeong (Crazy Rich Asians)

Directed by: Peter Hutchings (The Outskirts, Rhymes with Banana)

Written by: Fergal Rock (Fairy City)

RT: 96 minutes
Not Rated

Review: ‘PIERCING’ is a kink roller coaster ride.

UNIVERSAL PICTURES CONTENT GROUP

presents

SYNOPSIS:In this twisted love story, a man seeks out an unsuspecting stranger to help him purge the dark torments of his past. His plan goes awry when he encounters a woman with plans of her own. A playful psycho-thriller game of cat-and-mouse based on Ryû Murakami’s novel.

A premeditated murder plays out in an elaborate rehearsal, sound effects and all. A brunette escorts in vegas is the target of a clearly unhinged family man looking to complete his meticulous fantasy of violence. Piercing is a highly stylized and totally insane romp into madness.

Chris Abbott and Mia Wasikowska both play two distinct personalities. To go into any more detail would spoil the battle royale of bizarre that rolls out. Both are brilliant. Piercing is visually jarring and unapologetic in the surprises. Nothing goes right and it gets weirder and weirder by the minute. The tension is pretty palpable between a feeling of dread, “what the hell is happening?”, and routing for a potential villain. As the dominoes fall, and you pick your jaw up off the floor, you’ll laugh at the absurdity but go along for the ride, happily. Piercing possesses a grindhouse vibe from the titles to the music, to the very specific, almost Hitchcock-esque, shots into detailed miniatures. The fact that it’s based on a Ryû Murakami novel makes me want to read it immediately to see if the book is as messed up as the film. Because this version is nothing short of a complete mindfuck.

Universal Pictures Content Group will release the horror-suspense mystery film PIERCING in Theaters, On Demand and Digital HD on February 1, 2019.

Slamdance Film Festival Review: ‘A Great Lamp’ shines bright.

SYNOPSIS

Set in a small riverside town in North Carolina, two sad vandals and an unemployed loner long await for a fabled rocket launch.

A Great Lamp isn’t about what you think it’s about. Although, I’m not sure what I really thought it was about until the final 30 minutes. This film is like no other. Shot in black and white, at intrusive angles, with rudimentary line animation scattered over narratives, it’s whacky and wonderful and slightly reminiscent of MTV’s Liquid Television. Three men, each unique and yet totally suited to be friends await a mysterious rocket launch. But, as I said, that’s not really what the film is about. Underneath the twisty dialogue that may or may not be completely ad-libbed, there is a dark sadness. Each man has lost a parental figure, whether literally or emotionally. Dealing with depression and emptiness among surrounding quirkiness is just another aspect that makes A Great Lamp so intriguing. It is perfect for festival goers and cinephiles alike seeking something off the beaten path.

Showings – select to order tickets:
Fri, Jan 25th, 3:00 PM @ Ballroom
  • Runtime:
    77 minutes
  • Language:
    English
  • Country:
    USA
  • Premiere:
    World Premiere
  • Director:
    Saad Qureshi
  • Screenwriter:
    Saad Qureshi, Donald R. Monroe, Max Wilde, Spencer Bang, Steven Maier
  • Producer:
    Saad Qureshi, Donald R. Monroe, Alison Donohue
  • Cast:
    Max Wilde, Spencer Bang, Steven Maier, Julian Semilian, Laura Ingram Semilian, Netta Green, Connie Stewart, Smokey, Spaz
  • Cinematographer:
    Donald R. Monroe
  • Editor:
    Max Wilde

IMDb launches a Freedive, a FREE ad-supported movie/tv streaming service

There are a lot of different ways to watch movies for free with ads, and IMDb just jumped into the game with Freedive. Looks like it also has an “Originals” section too.

Free with an IMDb or amazon account (it owns IMDB).

Apparently, you can also take advantage of the X-ray option for trivia like in Prime Video. You can also add movies to your watchlist to add later.

It’s currently only available via your browser or through a Fire TV device.

Sample of titles available

h/t Digital Trends

 

Have a library card? You can now stream these Oscar-nominated films exclusively on Kanopy

Kanopy (as well as Hoopla) team up with libraries to offer movies to stream FOR FREE if you have a library card. Pretty cool, right?

Find your library here

Right now, Kanopy is offering 2 exclusively on their platform.

“Of Fathers and Sons” (nominated for Best Documentary Feature) and “Weekends” (nominate for Best Animated Short)

 

Review: ‘EGG’ one of our Top 5 from Tribeca 2018 (hatches) in theaters today.

In provocateur Marianna Palka’s sharp and unflinching satire, two couples and a surrogate lay bare the complications, contradictions, heartbreak, and absurdities implicit in how we think about motherhood.

Mariana Palka’s follow-up to last year’s Bitch, is just as powerful in delving into “the phases of a woman’s life”, to use a phrase directly from EGG. With an incredibly theatrical feel, as if it could play in an Off-Broadway theater with a unit set, EGG confronts art, politics, and the patriarchal structure that surround the idea of having a baby. The entire ensemble cast is phenomenal, each playing their role in a game of vapid versus broken. The writing is good, honest, and brave. There are no filters on these characters making them completely loathsome and fantastic all at once.

Egg
Feature Narrative
Country: USA
Director: Marianna Palka
Writer: Risa Mickenberg
Starring: Gbenga Akinnagbe, David Alan Basche, Alysia Reiner, Anna Camp, Christina Hendricks

Review: ‘OUT On Stage’ is first LGBTQ stand-up comedy series.

OUT on Stage: The Series
Hosted by Zach Noe Towers
Premieres – Jan 17, 2018

OUT on Stage: The Series is full of laughs and genuinely funny comics. You will laugh out loud at every episode. The comics are eclectic and wonderful. You’ll recognize a few faces right off the bat. If you are a part of the LGBTQ community or an ally, this is a show for you just as much as this blog post about all pride flags and names. But let’s be real for a second, if you are a prude, hate funny people, or generally have a stick up your butt, well we don’t need your sass or your judgypants. It can be incredibley raunchy and unexpectedly poignant. We need more of this brand of comedy (and storytelling) in the limelight. This should the new norm.  OUT on Stage: The Series is a brilliant show about opportunity and inclusion and we should all be here for that.

HOST: Zach Noe Towers
Zach Noe Towers is an LA-based comedian, actor, and writer who was recently named one of Time Out Magazine’s “2018 Comedians to Watch.” Zach was recently the host of the “The Elite Daily Show” on Verizon’s Go90 network for Seasons 1-4, and will be hosting and starring “Out on Stage”. Zach’s recent short film “Killer Friends” (which he directed, wrote, and starred in) was screened at many film festivals both domestically and internationally, and won the overall audience award at Dances With Films.
FEATURING: Jonathan Rowell, Brendan Scannell, Casey Ley, Julian Michael, Irene Tu, Jared
Goldstein, Raneir Pollard, Kyle Shire, Jordan Pease, Chris Bryant, Eric Hahn, Daniel
Webb, Joe Dosch, Gloria Bigelow, Anthony Desamito, Janine Brito, A.B. Cassidy and
Zach Noe Towers
PRODUCTION COMPANIES: Comedy Dynamics & Dekkoo
EPISODES PER SEASON: 6
TRT: 30 min. (per episode)

ABOUT COMEDY DYNAMICS

Comedy Dynamics, a Nacelle company, is one of the largest independent comedy production and distribution companies, producing Kevin Hart’s Guide to Black History, Animal Planet’s Animal Nation with Anthony Anderson, the new scripted comedy on Hulu, There’s… Johnny!, History’s Join Or Die with Craig Ferguson, MTV2’s Wild ’N On Tour, and Hulu’s Coming To The Stage. In 2018, Comedy Dynamics began releasing original films in theaters starting with the acclaimed documentary, Poop Talk. The company has worked with a wide range of established and emerging comedic talent including Tiffany Haddish, Kevin Hart, Aziz Ansari, Jim Gaffigan, Katt Williams and many more. In total, 12 of Comedy Dynamics’ releases have been Grammy-nominated, with 2 wins

ABOUT DEKKOO

Dekkoo (pronounced “DECK-koo”) is the premiere subscription-based streaming service dedicated to gay men, providing the largest streaming collection of gay-centric entertainment available, boasting a larger selection than Here TV, Netflix or Amazon.  Dekkoo is available internationally via iTunes, Google Play, AppleTV and Roku.  In the U.S. and U.K., Dekkoo is also available via the Amazon Dekkoo Channel.  Dekkoo original series include “Feral,” “Love is Blind” and “I’m Fine.”  www.dekkoo.com

Review: ‘All These Small Moments’ is what life is made of.

SYNOPSIS: A teenage boy’s infatuation with a woman he sees on the bus further complicates his already tumultuous adolescence.

There is something about this film that stuck with me. While it might appear to be about a young man’s infatuation with an older woman he sees on the bus every day, it’s really about everything else going on around him. All These Small Moments is a film about a family breaking down. It’s about first love, and adolescence, and loss, and discovery. There is not one single loose thread in this honestly written script. It’s a true ensemble piece. I didn’t know I was missing Molly Ringwald in my life on a regular basis until I saw her in this role of Carla, a mother at the end of her emotional rope. Harley Quinn Smith does such a perfect job I thought I was watching myself in a flashback of high school… or in college. Somewhere between bold and shy, she takes the reigns of Lindsay and rides this opportunity further than one might expect from her actual time on screen. Brendan Meyer’s Howie is the driving force of this story. Giving a quirkier but completely believable performance rounds out a film that really does take the small moments and show us that each of them adds up to a much larger meaning. There are no massive explosions, no crazy otherworldly occurrences, just regular down-to-earth scenarios that happen as they would in any other family’s life in America, statistically speaking. That’s entirely the point. Although, there is a cool animated opening sequence with some pretty sweet music. You can see All These Small Moments in theaters and On Demand and Digital HD today. 

ALL THESE SMALL MOMENTS features emotionally raw performances by veteran actors Molly Ringwald (“Riverdale,” Sixteen Candles, The Breakfast Club) and Brian d’Arcy James (“13 Reasons Why,” First Man, Spotlight) with breakthrough performances from up-and-comers Brendan Meyer (“The OA,” Fear The Walking Dead: Flight 462, The Guest), Sam McCarthy  (“Condor,” “The Blacklist,” The Jim Gaffigan Show”), Harley Quinn Smith (Once Upon a Time in Hollywood, Yoga Hosers, Holidays) and Jemima Kirke (“Maniac,” “Girls,” The Little Hours). The film is the theatrical film debut for writer and director Melissa B. Miller Costanzo who previously worked in the art department on such films as IF BEALE STREET COULD TALK, THE FIGHTER and PRECIOUS.

Review: ‘ADULT LIFE SKILLS’ finds humor in overwhelming darkness.

ADULT LIFE SKILLS 

**Winner of 2016 Tribeca Film Festival’s Nora Ephron Prize**

Anna (Jodie Whittaker) is comfortable living in her mom’s garden shed making funny videos all day, but as she approaches 30, she starts feeling the pressure to move on and “grow up” without compromising her youthful spirit.

There is something whimsical about Adult Life Skills that takes hold of your heart. Jodie Whittaker plays Anna, a woman on the brink of turning thirty living in the backyard shed of her family’s home. Attempting to hold on tight to her childhood, she pushes back on growth as she is still reeling from the death of her twin brother. Reliving her relationship through the wonderfully absurd movies they created together for their website, Anna reluctantly takes a lonely neighbor boy (whose mother is dying of what we presume to be cancer) under her wing. Through his growing attachment, she learns to assess her emotional journey and come to terms with her reality. Whittaker is charming and honest. Each beat has depth and humor under the very real sadness. The surrounding ensemble of female family and friends pushes Adult Life Skills to the next level of indie darling. It’s a creative film version of depression. It delves into the mind of sadness with a visually interesting and fully uniquely fleshed out storyline The soundtrack is catchy and haunting as hell. On the whole, Adult Life Skills is simply lovely.

In Theaters and On Demand January 18, 2019 

Starring: Jodie Whittaker (“Doctor Who”) and Edward Hogg (“Harlots,” “Misfits”)

Written & Directed by: Rachel Tunnard

Review: ‘WHAT IS DEMOCRACY?’ is poignant and timely and terrifying.

WHAT IS DEMOCRACY? could not be coming at a more tumultuous time in history. How did we get here? Director Astra Taylor poses the question to people from every corner of the globe in this poignant documentary. The film explores the past, present, and theorizes what will become of our future if we do not pause to learn from our previous mistakes. The world is in what feels like total upheaval but it is not the first time we as a civilization have been on the precipice of either disaster or triumph. We march, we vote, we are inundated with fake news, and yet the people continue to strive for peace and equality against all odds. But democracy goes both ways. That’s the very essence of the word itself. Can good prevail without its counterpart? What we gather, on the whole, is that the naive promise of democracy is beginning to feel like an unfulfilled promise. That no matter the world’s location, race, socio-economics, and money rule. Let us not become numb to the negative but continue to seek compromise and understanding. Truly, WHAT IS DEMOCRACY? should be required viewing in every high school civics class. Hell, it should be required viewing by every human being.

Acclaimed director Astra Taylor‘s WHAT IS DEMOCRACY? (TIFF 2018) opens Jan. 16, 2019 at IFC Center in New York via Zeitgeist Films in association with Kino Lorber, followed by theatrical engagements nationwide.

Synopsis: Coming at a moment of profound political and social crisis, What Is Democracy? reflects on a word we too often take for granted. Director Astra Taylor’s (Zizek! and Examined Life) idiosyncratic, philosophical journey spans millennia and continents: from ancient Athens’ groundbreaking experiment in self-government to capitalism’s roots in medieval Italy; from modern-day Greece grappling with financial collapse and a mounting refugee crisis to the United States reckoning with its racist past and the growing gap between rich and poor. The film features Cornel West, Angela Davis, theorists, activists, asylum seekers and a diverse cast of people from around the world.

Where to Watch Obama’s 2018 Movie List – Netflix, Hulu, Showtime, EPIX, Rent/Buy

Artist: Joe Burdick

All the movies on Obama’s list are the best of the best. From the Best Foreign Film Entry from South Korea, Burning to the female badasses of Annliation, there’s guaranteed you’ll find one of these movies worth your time. As I looked at Obama’s favorite movies of 2018, I’ve only seen 7, and I wondered where I could see the rest of them. As of this posting, I discovered that 12 of the 15 can be seen online right now! Two of them are on Netflix: Black Panther & Roma (also in select theaters). Minding the Gap can be seen on Hulu, The Death of Stalin on Showtime and The Rider. Three are only available in theaters: Burning, Shoplifters and If Beale Street Could Talk.

Here’s a quick recap of where you can watch each.

  • Annihilation – EPIX, Rent, Buy 4K – SCI-FI  DRAMA
  • Black Panther – Netflix, Rent, Buy 4K ACTION SCI-FI
  • BlacKkKlansman – Buy 4K, Rent 4K DRAMA  ACTION
  • Blindspotting – Select Theaters, Buy 4K, Rent 4K DRAMA  COMEDY
  • Burning – Select Theaters DRAMA
  • The Death of Stalin – Showtime, Rent, Buy COMEDY
  • Eighth Grade – Buy 4K, Rent 4K DRAMA
  • If Beale Street Could Talk – Select Theaters DRAMA
  • Leave No Trace – Rent, Buy DRAMA
  • Minding the Gap – Hulu DOCUMENTARY
  • The Rider – Starz, Rent, Buy DRAMA
  • Roma – Select Theaters, Netflix 4K DRAMA
  • Shoplifters – Select Theaters DRAMA
  • Support the Girls – Rent, Buy COMEDY DRAMA
  • Won’t You Be My Neighbor – Rent, Buy DOCUMENTARY

Four of these movies are on AFI’s Top Ten list of 2018: Black PantherBlacKkKlansmanEighth Grade, If Beale Street Could Talk.

Burning is the Best Foreign Film Entry for South Korea.

Ten of the movies have been nominated for a Film Independent Spirit Award. BlacKkKlansman, Blindspotting, Eighth Grade, Leave No Trace, Minding the Gap, The Rider, Roma, Shoplifters, Support the Girls, Won’t You Be My Neighbor

As for festivals, 11 of the 15 we either in Cannes, Sundance, New York Film Festival or Toronto International Film Festival.

Check out the table below to discover more about Obama’s list of movies.

Review: ‘THE QUAKE’ will rock you to your core.

Skjelvet (2018)With PTSD and survivors guilt, hero Kristian is back in the town of Geiranger (Norway) attempting to come to terms with the disaster that was The Wave. He knows Mother Nature has no plans to be kind and that it is only a matter of time before all hell breaks loose again. The signs are all there, you cannot ignore history or hard data. Now he must do everything in his power to save his family and the people of Oslo from the biggest earthquake in its history.
The Wave had some of the most impressive effects I’ve seen outside of a Hollywood produced blockbuster. Far better than many. The Quake surpasses its predecessor. The slow burn of geology science and an emotional stronghold created for the characters sets up the craziness that will inevitably ensue. The tension of knowing the proverbial shit is going to hit the fan at any moment makes the real-time panic all the more intense. Of course, a character is stuck on the 34th floor of a glass covered hotel. Of course, family members are scattered across Oslo. The sprawling shots, blackouts, silence, alarms that arrive too late, combined with a foreboding score make for one perfectly monstrous natural disaster film. The stunts are incredibly timed and impeccably executed. What makes this film and The Wave so scary is that they are based on facts and completely plausible and unpredictable scenarios. The visuals are disturbing, again, for the reasons previously stated. As we watch the news and the growing frequency or power of storms and fires and quakes, we see the death toll rise and we are mostly helpless. That is our biggest fear. The idea that there is zero we can do about it. The Quake plays upon that reality and gives us one hell of a dress rehearsal.
In Theaters and On Demand on December 14
Directed by John Andres Andersen
Written by John Kåre Raake, Harald Rosenløw-EegStarring:
Kristoffer Joner
Ane Dahl Torp
Jonas Hoff Oftebro
Edith Haagenrud-Sande
Kathrine Thorborg Johansen

In 1904 an earthquake of magnitude 5.4 on the Richter scale shook Oslo. The earthquake had its epicenter in the “Oslo Graben” which runs under the Norwegian capital. There are still smaller earthquakes happening in this area today. Geologists cannot be sure, but there are signs that indicate that we can expect a major future earthquake in Oslo. When it comes – nobody can say with certainty. Maybe in 100 years, maybe in 10 years, maybe tomorrow.

Review: HBO’s documentary ‘BLEED OUT’- The medical blame game might literally kill you.

Medical error is the third leading cause of death in the U.S.

I have an innate fear of the doctors and hospitals. There are valid reasons for that. The first surgery I had to remove my appendix only happened after I refused to leave the emergency room until the doctors found out what was wrong with me. Had I left, my appendix would have burst the next morning. Then, I was able to learn more about the dr roxy reviews and while going to the plastic surgeon for a simple mole removal, the nurse asked me who would be driving me home. When I told her I’d be transporting myself, she told me that I’d be under a massive amount of anesthesia because I was getting a breast augmentation. “Wow! Wrong file!” I screamed. There were only two patients at the clinic that morning. And don’t even get me started on my two C-sections.

Death insurance, or Burial Insurance as it is more commonly known, is a way of making sure that your funeral costs are taken care of before the event comes. It is a way of preparing yourself for the inevitable whilst making sure that loved ones are not left with the responsibility. You will find many options when it comes to insurance relating to life and death and it certainly pays to find out more about them, what do you think about death insurance. Basic death insurance means that you can make sure that at the very least your funeral is all paid for before you leave this earth. A policy known as Pre-Need Insurance is available which is specifically designed for this purpose. They are available through funeral homes and it is these homes that are the beneficiary of the policy. This ensures that the funds are paying the funeral costs and nothing else. Other types of death insurance include the option of getting a lump sum paid to any named beneficiary in the event of your death. The difference between these types of policies and the Pre-Need Insurance is that the funds are not specifically allocated to the costs of a funeral. If you still have money owing to others after you pass on, the funds from these policies can be used to pay these debts off. Items associated with death including medical bills and nursing home fees could be paid off in full. Commonly these policies are called simply Burial Insurance or Final Expense Insurance. The advantage of these types of policies is that you pick the person who receives the death benefit. It could be a spouse, colleague, your children or a friend. It is recommended that after taking out a policy, you discuss with the beneficiary where you would like the funds to be allocated. You may have specific requests about who should be given a payment from the monies received. It is worth noting that the beneficiary will be given the money to use as they see fit unless you do this. Also, any cash that is left over belongs to the named person themselves.

The new HBO doc airing tonight, BLEED OUT, hit home and it’s a brutal and frustrating watch. That’s the point. Steve Burrows was a comedy director in L.A. until his mother broke her hip in Wisconsin. She went from free spirit retiree to permanent neurocognitive impairment in a matter of days. Now he’s on a mission to take the hospital, doctors, insurance companies to task in a lawsuit no one wanted to touch. Visit us at https://cliffsideskinandlaser.com/general-dermatology/ for more details regarding to medical dermatology. The entire system is stacked against the people and most of them don’t even know it… Until something happens to them. Politicians love to use healthcare as a talking point but no one can seem to protect the patient, they’re only protecting the business of corporate medicine. You will be pissed off and rightly so. This is a story about one family’s fight but there are literally thousands of stories like this happening daily. Daily. People are drowning in bills they should not have to pay. It’s quite frankly disgusting.But if you have allergy or food intolerance problem then I suggest you to visit this website. Bleed Out is a phenomenal companion to the podcast Dr. Death. This, too, illustrates the lack of care for patients. In Bleed Out, you will watch mistake after mistake, finger pointing, and zero accountability. This single ordeal is one that covers a decade of chaos. Now imagine the cases that go undocumented. Burrows put his heart, soul, and career on the line to fight the proverbial man. He is my hero. This film is one every single American needs to watch, if not for themselves most definitely for their loved ones. For dedicated and passionate about the health of your skin. It’s our commitment to you that has helped us achieve dermatologist rancho santa margarita help us.

After a routine partial hip replacement operation leaves the mother of filmmaker and comedian Steve Burrows in a coma with permanent brain damage, what starts as a personal video diary becomes a citizen’s investigation into the state of American health care. Shot over the course of ten years, using archival footage, vérité scenes and interviews with family members and experts, the thought-provoking documentary BLEED OUT debuts MONDAY, DEC. 17 (8:00–9:30 p.m. ET/PT), exclusively on HBO.

The film will also be available on HBO NOW, HBO GO, HBO On Demand and partners’ streaming platforms.

Review: ‘Astral’ is out of the normal realm.

Coming to terms with the explanation of his mother’s untimely death, Alex turns to spiritual contact after the relationship with his father breaks down. As a student of metaphysics, Alex learns of the “scientific” premise of astral projection—the ability to project your spirit into an unseen spatial dimension. Attempting to astral project, Alex becomes plagued by shadow spirits—malevolent entities vying to enter his body to access our world. Alex soon learns that he is not the only member of his family to have been besieged by such beings, as his mother’s dark past is brought to his attention.

The pace of the film is a mystery. By that I mean, it has the feel of a slow and steady burn but in reality, the time passes really quickly. Which is sort of ironic when you consider the editing of a few scenes. You’ll have to watch to see what I mean by that. I was fully engrossed the entire run. Admittedly, the plot went in an entirely different direction than I was expecting which is always refreshing. At first, I thought it was going to be a typical setup of students and professor engaging in some private and shady experiments outside of the classroom but it has none of that. Then you think, well maybe it will a bit Flatliners inspired. Wrong again. Bravo for not falling into any of those traps. With Astral, there is very specific CG and used rather sparingly throughout the majority of the film. The effectiveness of the CG is impactful and it’s all that’s needed to build up the suspense. The film’s believability rests solely with our leading man, Frank Dillane. He happens to be my favorite actor from Fear The Walking Dead and he does not disappoint here. His natural ability to make you feel comfortable is pretty astounding. You genuinely root for him. Astral does an amazing job at making you feel on edge. The ending is worth the wait and the familiar occult historical references give it nicely grounded feel. Is astral projection the new Ouija board? Maybe.

ASTRAL was co-written by Chris and Michael Mul and is Chris Mul’s directorial debut.  The film has a running time of 83 minutes and will not be rated by the MPAA.

Vertical Entertainment will release ASTRAL in a multi-city theatrical release with markets including LA and NY among others on November 23. The film will also be made available on digital platforms such as iTunes, Amazon, Google Play, Xbox, Fandango Now, Direct TV, Dish Network and through local cable providers

Free Screening of ‘Black Panther’ at Art House Theaters – Live Q&A with Ryan Coogler – Tuesday, November 27th


PRESS RELEASE Black Panther returns to the big screen with free screenings at nonprofit art house theaters nationwide on Tuesday, November 27 at 4:00pm PT/7:00pm ET. Presented by Film Comment, a publication of the Film Society of Lincoln Center, and supported by the Art House Convergence, the event will feature a post-screening Q&A with director Ryan Coogler, taking place at the Christopher B. Smith Rafael Film Center in San Rafael, CA, streamed live to participating theaters. A full list of theaters can be found below. Check local theater listings for more details.
 
The one-night-only event offers audiences an opportunity to experience the acclaimed film on the big screen once again with their local communities. Leading up to and during the Q&A, attendees are invited to submit their questions to Ryan Coogler on Twitter with the hashtag #AskBlackPanther. All attendees will receive a free one-year digital subscription to Film Comment magazine. Coogler, director and co-writer of Black Panther, was featured on the cover of Film Comment‘s March-April 2018 issue with a story by Devika Girish. Nicolas Rapold, the magazine’s editor-in-chief, will moderate the discussion.
 
Black Panther is director Ryan Coogler’s take on a modern African hero and a utopian vision of what an uncolonized Africa might look like. The film explores the conflict between two powerful men, one African and one African-American, who are mirror images of each other, each grappling with his own history, home, and very identity.  When Prince T’Challa (Chadwick Boseman) becomes king of the hidden, technologically advanced kingdom Wakanda, he is forced to defend his throne against rogue mercenary Erik Killmonger (Michael B. Jordan). Wakanda is also alive with strong, intelligent women-from Wakanda’s elite all-female security force, led by Okoye (Danai Gurira), to the international spy Nakia (Lupita Nyong’o), to T’Challa’s tech-savvy sister (Letitia Wright) and mother (Angela Bassett)-who are portrayed as equals to the men they protect and advise. 
 
Film Comment is for everyone, art houses are for everyone, and Black Panther is for everyone.
 
Film Comment presents Black Panther 
with support from the Art House Convergence
Tuesday, November 27
4:00pm PST/7:00pm EST
 
PARTICIPATING THEATERS
 
Austin, TX – AFS Cinema (Austin Film Society)
6259 Middle Fiskville Rd, Austin, TX 78752
 
Boston, MA – Brattle Theatre
40 Brattle St, Cambridge, MA 02138
 
Denver, CO – Sie FilmCenter (Denver Film Society)
2510 East Colfax Ave., Denver, CO 80206
 
Detroit, MI – Michigan Theater
603 E Liberty St. Ann Arbor, MI 48104
 
Los Angeles, CA – DGA Theater
7920 Sunset Boulevard, Los Angeles, CA 90046
 
Miami, FL – O Cinema Wynwood
90 NW 29th St, Miami, FL 33127
 
New York, NY – Film Society of Lincoln Center
144 W. 65th Street, New York, NY 10023
 
Princeton, NJ – Garden Theater in Princeton
7006, 160 Nassau St, Princeton, NJ 08542
 
Philadelphia, PA – Ambler Theater
108 E Butler Ave, Ambler, PA 19002
 
San Diego, CA – Digital Gym Cinema
2921 El Cajon Blvd, San Diego, CA 92104
 
San Francisco, CA – Roxie Theater
3117 16th St, San Francisco, CA 94103
 
San Rafael, CA – Christopher B. Smith Rafael Film Center
1118 4th St, San Rafael, CA 94901
 
Seattle, WA – NorthWest Film Forum
1515 12th Ave, Seattle, WA 98122
 
FILM COMMENT
Published since 1962, Film Comment magazine features in-depth reviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world. Today a bimonthly print magazine and a website, the magazine was founded under the editorship of Gordon Hitchens, who was followed by Richard Corliss, Harlan Jacobson, Richard Jameson, Gavin Smith, and Nicolas Rapold. Past and present contributing critics include Paul Arthur, David Bordwell, Richard Combs, Manohla Dargis, Raymond Durgnat, Roger Ebert, Manny Farber, Howard Hampton, Molly Haskell, J. Hoberman, Richard Jameson, Kent Jones, Dave Kehr, Nathan Lee, Todd McCarthy, Jonathan Rosenbaum, Tony Rayns, Frank Rich, Andrew Sarris, Richard Schickel, Elliott Stein, Amy Taubin, David Thomson, Richard Thompson, Amos Vogel, Robin Wood, and many more.
 
ART HOUSE CONVERGENCE
The idea of the Art House Convergence was born when a group of exhibitors were brought together at the Sundance Film Festival as part of the Sundance Institute’s Art House Project. For two years, this small group of exhibitors met at the Sundance Film Festival to discuss independent film and independent film exhibition. In 2008, the group expanded and hosted the first Art House Convergence conference with 25 attendees. In 2018, over 640 exhibitors, film festivals, and allied organizations joined for a sold-out Annual Conference in Midway, UT.
 
The Art House Convergence, having grown into a year-round organization, relies on several staff members and a passionate group of volunteers to help coordinate all of its events and programs, always striving to reflect its core intention, community-based, mission-driven. The upcoming 2019 Annual Conference will be held January 21-24 in Midway, UT before the start of the Sundance Film Festival.