Category Archives: Reviews

Review: ‘The Quarry’, SXSW 2020 selection is available today!

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SYNOPSIS: From the novel by Damon Galgut comes this searing thriller, a tale of sin and redemption set in the wilds of Texas. After murdering a traveling preacher, a fugitive drifter (Shea Whigham, Joker) travels to a small town and poses as the man he killed. Though the congregation loves the drifter’s sermons of forgiveness, the local police chief (Academy Award® nominee Michael Shannon, The Shape of Water) is suspicious of the man. Soon a gruesome discovery at a local quarry forces the killer to fight for his freedom.

 

A fugitive, a local sheriff, and the resident town criminal all cross paths for a simmering thriller based on mistaken identity. You will recognize that the script is based on a novel in its slow-burn feel of storytelling. In reality, you’re getting a lot of information constantly, but the quiet, abandoned, small-town feel immediately affects the tone of the film. I found myself unable to decide who I should be rooting for even though it is morally very clear cut. That is 100 percent due to the nuanced performance from this relatively small cast. While the novel takes place during South African apartheid, the universal theme of racism is very much prevalent in this film. It will launch the plot towards its inevitable tragedy.

We have a mini Boardwalk Empire reunion with Shea Whigham and Michael Shannon. Pitted against one another, their chemistry is magic. You will find yourself pulled into their dynamic. These fully fleshed out and flawed people are a perfect character study, especially with Whigham and Shannon in the roles. Both gentlemen are given the opportunity to play off of Catalina Sandino Moreno. It’s a masterclass in subtly from every angle. This film is about the script and people. The sparsity of sets and costumes adds to your focus. The ending is something you will never see coming. Overall, The Quarry is a solid thriller that brilliantly highlights superior acting and great direction.

Lionsgate and Grindstone, a Lionsgate Company will release the thriller film THE QUARRY on demand on April 17, 2020.

THE QUARRY stars Shea Whigham (Joker, “Boardwalk Empire”), Michael Shannon (The Shape of Water, Nocturnal Animals), Catalina Sandino Moreno (Showtime’s “The Affair,” Maria Full of Grace), Bobby Soto (“Narcos: Mexico,” A Better Life) and Bruno Bichir (Sicario: Day of the Soldado, Che: Part One). The film was directed by Scott Teems (That Evening Sun) who co-wrote the film with Andrew Brotzman (Nor’easter). The film is based on Damon Galgut’s acclaimed novel of the same name.

Review: ‘Butt Boy’, the next midnight cult classic.

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Detective Fox loves work and alcohol. After going to AA, his sponsor, Chip, becomes the main suspect in his investigation of a missing kid. Fox also starts to believe that people are disappearing up Chip’s butt.

8 minutes into Butt Boy and it was successfully one of the weirdest things I’ve ever watched. 5 minutes more and I was completely horrified but couldn’t look away, much like a brutal car accident on the side of the road. This is a compliment. The plot sounds insane; an unsatisfied man starts putting things up his butt to feel again, becomes obsessed with the sensation, leading him down a dark path. Oh, then enter a grief-stricken detective on a mission and you’ve got Butt Boy. I’m tagging it “supervillain origin story meets addiction fable.” I wish I had been in the room for this screenplay’s creation. A version with commentary will be demanded in the future.

Performances are genre perfect. Over-the-top clichés perhaps at quick glance but with genuinely great acting beats throughout. Combine that with a spectacular set on the tail end (no pun intended) and cool sound and color choices, it’s this year’s most unexpected find. Butt Boy is the kind of cult film that you get exposed to either by a genre cinephile or some random dude late one night who says, “Bro! 2020 is/was fucking crazy! But have you seen Butt Boy?!” Then he makes you watch it and you have no idea what you just watched but now you’re that guy who makes other people watch it because why not share the gag-inducing images, WTF storyline, and 100 percent triumphant ending. To be honest, it was the buzz, first, and then the trailer that got me to watch. Now I feel the need to share. You’re welcome, in advance.

You can experience Butt Boy for yourself right now On-Demand. And you know I’ve left you the trailer below as a snack.

BUTT BOY is directed and co-written by Tyler Cornack (who steps outside from behind the camera to star in the flick as well) and produced by Bill Morean and Ryan Koch, who also co-wrote. Together the three founded the popular Tiny Cinema online channel, which Rice collaborates on and where the concept for the absurdist mystery feature was first conceived.

Review: ‘Endings, Beginnings’ is the emotional roller coaster we didn’t know we needed.

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In present-day Los Angeles, Daphne (Woodley), a thirty-something woman, navigates love and heartbreak over the course of one year. Daphne becomes intertwined with friends Jack (Dornan) and Frank (Stan) after meeting them at a party. During that time, she will unlock the secrets to her life in a sudden turn of events and in the most surprising of places. 

There’s something emotionally tangible about the editing and performances in Endings, Beginnings. Woodley is easily the representation of every viewer after an adult relationship comes to an end. There is a grounded, vulnerability that feels familiar. But out of context that could sound boring. What you’re getting with this script’s progression is all the aspects of the human experience; passion, volatility, depression, exhaustion, excitement, lust, self-loathing, hope, and everything in between.

Shailene Woodley has earned this script. It’s an awesome platform for her abilities. The dynamic between Woodley and Dornan vs Woodley and Stan is like night and day. This is a joy to watch because as the plot rolls along you begin to realize this isn’t truly a film about the two relationships. They are the springboard. Sebastian Stan and Jaime Dornan are brilliant, beautiful foils for one another in every single way. Both equal parts passionate and sexy but for very different reasons. While this lets Woodley showcase her ability to play both a light and dark side of her personality, it’s merely the beginning of this story. At the heart of it, the film is about self-actualization. It’s about forgiveness and growth through your mistakes and the mistakes of others. The script is complex and rewarding. I highly recommend Endings, Beginnings for everything that it represents, which is a lot. At the end of the film, you’ll easily take a huge breath in and exhale any expectations you had at the start of the movie. Drake Doremus has given us a perfect watch right now.

Samuel Goldwyn Films will release the romantic drama, ENDINGS, BEGINNINGS in On Digital April 17, and On-Demand May 1, 2020.

ENDINGS, BEGINNINGS is directed by Drake Doremus (Equals, Like Crazy) who co-wrote the script with Jardine Libaire, who makes her feature screenwriting debut.  The film stars Shailene Woodley (The Fault in Our Stars, Divergent franchise), Jamie Dornan (50 Shades franchise, A Private War), Sebastian Stan (Captain America franchise, “Gossip Girl”), Matthew Gray Gubler (500 Days of Summer, “Criminal Minds”), Lindsay Sloane (Bring It On, She’s Out of My League) and Kyra Sedgwick (“The Closer,” Singles). 

 

Review: Playing upon the superstitious nature of sailors, ‘SEA FEVER’ pits science against unfounded fear and pride. 

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SYNOPSIS: Siobhán’s a marine biology student who prefers spending her days alone in a lab. She has to endure a week on a ragged fishing trawler, where she’s miserably at odds with the close-knit crew. But out in the deep Atlantic, an unfathomable life form ensnares the boat. When members of the crew succumb to a strange infection, Siobhán must overcome her alienation and anxiety to win the crew’s trust, before everyone is lost.

Fishing line is one of the most important items when fishing. For anglers, having the best quality line undeniably plays a major role in catching a fish. Understanding the different types of fishing line and having the knowledge to use the right lines in the right situation, could significantly improve an anglers’ fishing success. Click here if you want to get more about the walleye fishing line.

Imagine if your line breaks while fishing causing you to lose the fish. Professional anglers who depend on their income from tournaments pay careful attention to their fishing line. Most of them change their lines every day just to make sure they land a fish that could give thousands of dollars at the end of the tournament.

First you need to determine what type of fish you will be trying to catch. It is easier for you to land a fish if you know this beforehand. Catching different types of fish depend on the weight capacity and type of line you will be using. Every time your line is under heavy pressure it usually generates a lot of heat due to friction. Opt for a line that is able to stand extreme heat. Every line product comes with a “max pound test”. It is the weight the line can tolerate before breaking. Therefore, when you do deep water fishing using a 10 lb. line, chances are it will break as most deep water fish are more than 10 pounds. Additionally, the line has to endure the shock factor, which is when the fish makes a solid pull in order to get away.

The open ocean intimidates the hell out of me since my biggest fear is drowning. Am I afraid of walking under ladders and breaking mirrors? Guilty. Have I grown up to believe in fairy tales and old wives’ tales? Absolutely. Does my very own sister work in the maritime industry? You’re catching on here. Sea Fever exists to torment me.

Hermione Corfield plays Siobhán, a Ph.D. student placed on a fishing boat for her studies. What she lacks in interpersonal skills, she makes up for in brains and intuition. Battling the folklore of the sailors on board, she is faced with a creature of unknown origins that has an agenda of its own. The cast has instant chemistry and the setting of a confined and creaking ship makes for a skin-crawling experience on its own. Adding a “sea monster” element and all that comes with it makes for both a tragic and truly terrifying viewing experience. You will live in the claustrophobia of the scenario. The sound editing and cinematography combined with a cast doing complete justice to writer/director Neasa Hardiman‘s script is the perfect storm for scary.

Gunpowder & Sky, via their sci-fi label DUST, will release SEA FEVER  on Digital April 10, 2020. 

SEA FEVER stars Hermione Corfield (Star Wars: The Last Jedi, Mission Impossible: Rogue Nation), Connie Nielsen (Wonder Woman 1984, Gladiator), and Dougray Scott (Batwoman, Mission Impossible 2), and is the feature debut from BAFTA-winning director/writer Neasa Hardiman (Happy Valley, Jessica Jones).

Review: ‘We Summon The Darkness’ makes satanic panic rock.

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On the way to a heavy metal concert, Alexis (Alexandra Daddario) and two girlfriends hear a news report of a local murder believed to be tied to a series of satanic killings. After the show, the girls invite three guys to join them at the estate owned by Alexis’s father, a fire-and-brimstone preacher (Johnny Knoxville). What starts as a party suddenly turns dark and deadly in this devilishly entertaining thriller.

The amazing connection between heavy metal music and satanic worship in the ’80s is exploited to it’s fullest and most awesome extent in We Summon The Darkness. This film flips the script on the typical slasher film. Not only does it challenge religious extremism, but it puts the power in the hands of our three female leads. While we’re used to a final girl, this script does what few did back in the day. Some of my favorite genres films A Girl Walks Home Alone A Night and High Tension, take female characters that would otherwise seem the victim and make them the antagonist. We Summon The Darkness splits the difference.

The chemistry between Alexandra Daddario and Maddie Hasson is off the charts cool. You’ll find yourself rooting for something you never thought you would because it’s entertaining as hell, no pun intended. The kills are fun, which always sounds weird no matter how much horror I consume. We also get everything 80’s you ever wanted, iconic tunes, over-the-top decor, bitchin’ cars, big hair, and cocaine. It’s no surprise that with a team of Marc Meyers and Alan Trezza, We Summon The Darkness has, at the very least, sequel potential.

Saban Films will release the horror/thriller WE SUMMON THE DARKNESS on VOD and Digital HD on April 10, 2020.

WE SUMMON THE DARKNESS stars Alexandra Daddario (Baywatch, San Andreas), Johnny Knoxville (Bad Grandpa, Jackass), Keean Johnson (Midway), Maddie Hasson (“Impulse”), Logan Miller (Scouts Guide to the Zombie Apocalypse), Amy Forsyth (Hell Fest) and Austin Swift (Live by Night).  The film is directed by Marc Meyers (My Friend Dahmer) from a script by Alan Trezza (Burying the Ex).

Review: ‘Close Encounters of the Fifth Kind’

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As UFO’s suddenly grace the covers of the NY Times and Washington Post in the age of “fake news” and #conspiracy memes, how can we make sense of these revelations without losing our grip on reality? “Close Encounters of the Fifth Kind” is a feature documentary presented by Dr. Steven Greer, the global authority on extraterrestrials who created the worldwide disclosure movement and routinely briefs presidents and heads of state on the ET phenomenon.

 

His previous works, Sirius and Unacknowledged, broke crowdfunding records and ignited a grassroots movement. In this film, Dr. Greer presents the most dangerous information that the architects of secrecy don’t want you to know: how forgotten spiritual knowledge holds the key to humans initiating contact with advanced ET civilizations. The film features groundbreaking video and photographic evidence and supporting interviews from prominent figures such as Adam Curry of Princeton’s PEAR Lab; legendary civil rights attorney Daniel Sheehan, and Dr. Russell Targ, who headed the CIA’s top secret remote viewing program. Their message: For thousands of people, contact has begun. This is their story.

My little brother had that famous X-Files poster on his wall as a kid. The one that Mulder displayed in his office that read ‘I Want To Believe’. I have seen things that I cannot explain, both otherworldly and perhaps alien spacecraft related in my almost 40 years on Earth. All of that being said, Close Encounters Of The Fifth Kind would be better consumed as a series. There is a lot of information thrown at you, especially on the front end. While I was immediately suspect at the use of Fox News clips 4 times in the first 15 minutes, I was genuinely intrigued by information from Dr. Greer, founder of CSETI. As a total nerd myself, I am very familiar with this organization. My issues with the doc come in the very conspiratorial terms that get thrown at the audience. Not only that but also the complete shift in tone when Dr. Greer begins to explain how we are already communicating with beings from space. The videos of sightings and contact incidents are severely undermined by a distracting electronic soundtrack. It feels like an infomercial for one of Dr. Greer’s CE-5 workshops. I should be high on peyote in a yurt in Crestone. While you can see the passion behind what Dr. Greer is trying to communicate, the editing hurts the messaging. It takes what little we are given in way of video evidence and dumbs it down to YouTube-style nuttiness that you might run across on Reddit these days. I do encourage people to make their minds up for themselves as the new information does lead you to question life as we know it.

You can watch Close Encounters Of The Fifth Kind is available to purchase digitally on today, April 7th and available to rent on April 21st. Check out the trailer below.

https://www.youtube.com/watch?v=CRK6IA–Swk

On Digital today April 7th and available to rent on April 21st.

Directed & Written By: Michael Mazzola

Produced by: Phillip James, Jim Martin

Starring: Dr. Steven Greer, Jeremy Piven, Daniel Sheehan, Adam Michael Curry, Joe Martino, Jan Harzan, Dr. Russell Targ

Review: ‘Banana Split’ is the sweet treat we all need right now.

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SYNOPSIS: April (Hannah Marks) has spent the last two years of high school in a relationship with Nick (Dylan Sprouse), from first frantic make-out session to final tear-stained breakup. In the aimless summer between graduation and college, the newly single April mends her heartbreak by striking up an unexpected friendship with an unlikely candidate: Nick’s new girlfriend, Clara (Liana Liberato).

Writers Hannah Marks and Joey Power have treated us to a genuine and hilarious look at female relationships. Minus the obvious current technology, this is a story that easily spans any generational gap. The dialogue is quippy and whip-smart. Somewhere between Dawson’s Creek and any John Hughes film. (Clearly, I’m dating myself here.) It’s laugh out loud funny the entire time. It reminded me of last year’s Booksmart. Same intoxicating energy.

Dylan Sprouse is back, ladies and gentlemen. This role allows him to prove that he (and not just his brother Cole) is the teen heartthrob of the moment. His innate ability to both seduce you and put you at ease with his nonchalance is the stuff of gold. Luke Spencer Roberts as Ben is awesome. You might think he’s going to be the sidekick but he is the sanity seeker with a wicked sense of comic timing. More of him everywhere, please.

Liana Liberato as Clara is every cool, confident girl we wanted to be in high school, but really nice. Her free-spiritedness is an awesome foil for April’s darker, sardonic tendencies. But she is equally as sharp. Hannah Marks, as April, is the quirky, indie girl we also wanted to be or actually were but didn’t know it until now. Bravo for her ability to successfully tackle the trifecta of executive producer, star, and writer. I cannot wait to see what she does next.

The chemistry between Liberato and Marks is magic. It’s that feeling we all have with our best friend; that rapid-fire back and forth that is way funnier when brimming with inside jokes. The most interesting part of this script is watching the pure development of a female relationship that mirrors the ups and downs of a romantic one. The soundtrack is fantastic, mixed with some fun countdown animation, Banana Split is hands down one of the best comedies of 2020.

 

Vertical Entertainment will release the comedy, BANANA SPLIT in Theaters, On Digital and On-Demand on March 27, 2020.

  BANANA SPLIT stars Hannah Marks (After Everything, “Dirk Gently’s Holistic Detective Agency”), Liana Liberato (If I Stay, “Light As A Feather”), Dylan Sprouse (“The Suite Life of Zack & Cody,” Big Daddy) and Addison Riecke (Nickelodeon’s “The Thundermans,” The Beguiled). The film marks the feature directorial debut of indie cinematographer Benjamin Kasulke (Safety Not Guaranteed, Laggies.) Marks co-wrote the film alongside Joey Power (After Everything) who were both executive producers on the film as well.

SXSW 2020 review: ‘I Used To Go Here’ is an emotional second chance.

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I Used To Go Here

Synopsis:

Following the launch of her new novel, 35-year-old writer Kate Conklin (Gillian Jacobs) is invited to speak at her alma mater by her mentor and former professor (Jemaine Clement). After accepting the invitation, Kate finds herself deeply enmeshed in the lives of an eccentric group of college students.

Gillian Jacobs is charming as ever as a woman whose life isn’t quite stacking up with the fiction she has spun. She comes face to face, literally, with everything from her college experience; her house, her coursework, her professor, and fellow students. After a reading from her debut novel, she is confronted by her own shortcomings as she becomes entangled in the drama of current students. The script allows her to let her guard down and accept the dark. Failure allows her to grow.

While certain plot points feel like a cliche rom-com, there is nothing wrong with that. I Used To Go Here is a comfort film for people who feel stalled. Finger wagging Gen Xer’s (like myself) will instantly connect with Jacobs. Ironically longing to be in her shoes for a few days. It will remind us all of the hope and fearlessness of our youth. It’s a motivating, genuinely funny look as adulthood. Besides Jacobs continuing to be a lovely and heartfelt actor, her castmates also offer a plethora of laughs and light. Jemaine Clement is always hilarious and this is no exception. Sometimes, the more sincere he tries to be the funnier I fond him. This is a total compliment. I find him easy to watch and connect with.

Josh Wiggins as Hugo is a breath of fresh air. His nonchalance and enthusiasm are a joy to watch. Hannah Marks is everything we need her to be; ambitious, moody, and ultimately vulnerable. Brandon Daley is one of the most hilarious characters in this film as Tall Brandon. His confidence and comic timing are pure magic. Lastly, Zoe Chao plays Laura, Kate’s best friend that is living vicariously through sporadic phone calls. She is both a voice of reason and a reliable one-liner spouter. I’m going to need way more of her in the future, please and thank you.

While we’re not breaking any ground with I Used To Go Here, I still really loved it. I lived in it. Sometimes you just need a well written, well-acted film that universally gets you. Congratulations to writer/director Kris Rey and cast for leaving us with a feel-good gem.

I USED TO GO HERE— Directed and Written by Kris Rey

SXSW 2020 Official Selection – Narrative Spotlight—World Premiere — Acquisition

Starring Gillian Jacobs, Jemaine Clement, Josh Wiggins, Hannah Marks, Zoe Chao, Jorma Taccone, Forrest Goodluck

Review: Dosed Makes the Case for Psychedelics in Addiction Treatment

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As we have found ourselves in a national crisis over the opioid addiction over the last few years, there have been many exposés on the harrowing journeys people go through as they navigate addiction and try to recover. Obviously, this has been a losing battle for way too many people, especially as the drug landscape changes with substances like fentanyl being more widely introduced. In order to provide a tailor-made approach to addiction treatment, we perform a thorough assessment of each patient upon entering our 30-day Orange County drug rehab center. This is done in order to assess their medical needs, possible co-occurring mental disorders, the severity of their addiction, family dynamics, and other pertinent information that can help our practitioners to personalize treatment to the patient’s needs.  Once the symptoms of withdrawal dissipate and the body returns to normal function, which usually takes around 5 to 7 days, then therapy can begin. The patient will participate in various therapeutic programs such as cognitive-behavioral therapy, motivation enhancement therapy, and holistic treatment methods. These programs take place in either a group or a one-on-one format. The best way to determine what insurance cover for residential rehab you might have, contact your health insurance provider and ask them what your copays and other potential costs are, how they decide what to cover, and the types of rx addiction treatment services your specific plan covers, such as inpatient, outpatient, and detox programs. Alternatively, get Pulse Vascular vascular surgeons in New Jersey, NJ can help you to determine what you are covered for especially when learning about the best-known methods of treating addiction and Vascular pulse, according to the latest research, is through a whole-patient approach to treatment that involves tailor-made treatment plans, behavioral therapy, the use of medication where needed, and strategies to prevent relapse.

Dosed brings us the story of Adrianne (only her first name is revealed), a heroin addict living in Vancouver, Canada. She has been struggling with heroin addiction for a long time – she mentions that she’s been an addict for 20 years, but I’m never really sure about that time frame. She uses daily and calls herself a trashcan addict because she’ll use anything she can get her hands on. Her friend, director Tyler Chandler, walks us through her story using the best cbd to loose all anxiety caused by the withdrawal syndrome.

If you are suffering from anxiety due to this or any other reason, CBD might be the solution for you, read more at Observer.com.

As someone who is at the end of her rope, Adrianne decides to try psilocybin as a way to stave off her opioid cravings and possibly set her on the road to full recovery. Chandler captures her “trip” on film and it looks like it has some promise. The problem is psychedelics, like all medicinal treatments, need to be supervised by a professional. As a prescribed methadone patient in addition to using street drugs, her situation is more dire than most.

This leads them to a team of people using iboga, a hallucinogen that comes from a root of plant that is grown in Gabon, Africa, and has been used in rituals there for hundreds of years. Iboga can be deadly if used improperly and not under proper supervision, so Adrianne has to submit to their rules and practices in order to take that journey.

This film is a really up close and very personal look at addiction. Chandler and Adrianne have known each other for years and you can see that relationship play out throughout the film. This snapshot is clearly not the norm of what an addict goes through to get clean. Adrianne has privilege where most do not – she has two parents who are engaged in helping her get clean, she clearly has the money not only to buy street drugs every day (there is a scene that shows her stash of empty heroin packets that number in the hundreds or even thousands) but also to go to the iboga treatment center for multiple weeks which is quite posh. While we get to see some of the horrors of what an addict goes through to get clean, Chandler shies away from showing the really hard stuff like the withdrawals and the psychological reckoning that comes with understanding why one is an addict. He dances around these, lightly touching on them, but there is no visceral depiction that might land harder. So in this sense, the viewer doesn’t get crucial access to Adrianne‘s story which is needed to fill out the whole picture.

However, the film does present a compelling case for the use of psychedelics in the treatment of addiction. It states that psychedelics are 10 times more effective in weaning people off of opioids than traditional pharmaceutical measures. As the planet struggles to deal with the opioid crisis, all measures should be on the table to combat it. The problem is that most countries across the globe have banned the use of psilocybin and iboga, so the full potential of its healing power has yet to really be explored. It’s something worth considering quite heavily after watching Adrianne‘s quest for sobriety.

This film was supposed to open in theaters today, but due to the coronavirus outbreak and the subsequent shuttering of theaters across the country. However, this film is now available to be viewed online through Vimeo at the following link starting at 7 pm.

In addition, he filmmakers have pledged to give 10% of each purchase, matched by Facebook, for a total of 20% towards coronavirus disaster relief. While this isn’t the easiest film to watch during a time when so many of us are feeling unsure about the global situation right now, it has a message that is worth hearing. As one problem grips the world today, it’s important to not forget that there are other issues that are costing people their lives as well.

Here’s the trailer:

https://www.youtube.com/watch?v=B9-k8OcHNVY

I hope you are all staying safe, being smart about social distancing and being compassionate to your neighbors. Much love to you all from us here at Reel News Daily!

Review: ‘International Falls’ explores the fine line between comedy and tragedy.

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A woman stuck in a small, snowbound border town has dreams of doing comedy when she meets a washed-up, burned-out comedian with dreams of doing anything else.

International Falls is funny from the very first scene. The jokes are witty and rapid-fire. But you can feel a sense of sadness lingering over the comedy. Rachael Harris and Rob Huebel experience feelings of remorse and betrayal, all while making jokes. This script is a nuanced look into depression, ambition, and longing. It’s about choices, both right and wrong. The cool, sometimes awkward, sometimes heartwarming chemistry is awesome to see. I don’t know how much if any, of the dialogue was improvised but Harris and Huebel were perfect casting choices. The location adds to the plot in a massive way. The snow-covered and isolated, smalltown feel, impacts not only the characters and audience. Whether directly or indirectly, the viewer feels as trapped by International Falls as our two leads. There are essentially three main sets, the hotel (predominantly the room), the quaint downtown exteriors, and the stage. The later is intercut throughout the film with Tim’s stand up routines. The combination of Amber McGinnis’ directorial debut and writer Thomas Ward’s screenplay makes for an insightful, laugh-out-loud, dramedy.  There is so much more than meets the eye with this film. Its authenticity will stick with you.

INTERNATIONAL FALLS stars Rachel Harris (Lucifer, Suits), Rob Huebel (Children’s Hospital, Transparent), and Kevin Nealon (Man with a Plan, Weeds)

The film has been an official selection at 22 film festivals across the country and has won multiple awards, including the Grand Jury Prize at 5 different festivals. The film festivals giving the film their highest honor, include the Ashland Independent Film Festival, the Naples International Film Festival, the New York No Limits Film Series, the Seattle International Film Festival, and the Tallgrass International Film Festival in Wichita.

The award-winning film opens Friday, March 20 in Austin,
Boston, Dallas/Ft. Worth, Denver, Detroit, Houston,
Los Angeles, Minneapolis, Philadelphia, Seattle

 

Review: ‘M.O.M. (Mothers Of Monsters)’ is ominous warning.

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Synopsis:  A distraught mother (Hamilton) suspects her teenage son (Edwards) is plotting a school shooting, but when he slips through the cracks of the system, she is forced to take matters into her own hands. After installing an elaborate spy cameras system in their home, Abbey captures a series of disturbing videos that confirm her worst fears. Torn between a mother’s unconditional love and a mother’s acute intuition, Abbey caters her videos to all the other “mothers of monsters” online. Make you home safe under cctv surveillance. Abbey’s plan backfires when Jacob uses a dark family secret against her, launching both mother and son on a terrifying, and ultimately deadly, game of cat and mouse.

When I was a senior in high school, I watched Columbine unfold live. The next week, I was locked down in s drill in the cafeteria. The trauma of those experiences stays with me to this day. Now that I have children of my own, I have to be informed via email that my 2 and 4-year-olds do active shooter drills in their preschool. M. O. M. (Mothers Of Monsters) is one of the most disturbing films I’ve watched as a parent, this far. 

Melinda Page Hamilton and Bailey Edwards give startling performances. The entire film hinges on their chemistry. This casting is brilliant. M.O.M. solely utilizes the look of web, cell, and security camera angles, making for sharp and intrusive shots that cleverly mirror the storyline. This plot is upsetting but plausible in the rage-filled world our kids live in. You are constantly waiting for the other shoe to drop. The use of a single sound effect creates an off-kilter feeling a viewer can’t quite put their finger on beyond the subject matter. When that is revealed, wow. That moment flips the script and causes a chain reaction that you’ve been dreading. The script, based in large part on the testimonies and journals of real school shooters and their parents, is hard to watch but essential viewing. Parents need to watch this film. Genre fans need to watch this film. I hope people will seek it out after this week’s run in Los Angeles.

 

M.O.M. (Mothers of Monsters) will open in Los Angeles for a weeklong run at the Arena Cinelounge on Friday the 13th of March.

 

Review: ‘Escape From Pretoria’ is a story of courage and engineering at its best.

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Based on the real-life prison break of two political captives, ESCAPE FROM PRETORIA is a race-against-time thriller set in the tumultuous apartheid days of South Africa.

The film is based on Tim Jenkin’s autobiography Inside Out: Escape from Pretoria Prison. With the engineering of escape solutions being created and tested in what feels like real-time, the anticipation pulls you in. Your heart races at the idea of them getting caught. The failures and close calls will leave you just as shattered as our protagonists. This story is absolutely thrilling.

Performances from Daniel Radcliffe, Daniel Webber, and Mark Leonard Winter are riveting. Each a fully fleshed out portrayal of three men who did the impossible. From the accents to the sets, to the period costumes, Escape From Pretoria is triumphant storytelling. This film’s release is aptly timed for those who are part of the resistance and for being on the right side of history.

Momentum Pictures will release the thriller ESCAPE FROM PRETORIA in select Theaters, On Demand and Digital on March 6, 2020.

ESCAPE FROM PRETORIA is directed by Francis Annan (End of a Gun, House of the Rising Sun) from a script by Annan and LH Adams. The film features an all-star cast which includes Daniel Radcliffe (Harry Potter franchise, Swiss Army Man), Daniel Webber (The Dirt, “The Punisher”), Ian Hart (Backbeat, The Last Kingdom), Mark Leonard Winter (The Dressmaker, “Cop Hard”) and Nathan Page (“Miss Fisher’s Murder Mysteries”).  

Review: ‘Transference’ is the beginning of something powerful.

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SYNOPSIS: A twelve-year-old boy, Joshua, is charged with the protection of his twin sister when their father passes, but she possesses a special ability and his greatest challenge will not be keeping her safe but keeping her hidden. Twenty years later, Joshua is struggling to cope with the events of his childhood and the choices he has made since. Out of desperation, he places Emma in a psychiatric compound against her will. Joshua is driven to the world of underground crime to maintain their secret. But he cannot earn enough to hide their past and someone has followed their trail of destruction. When a sinister visitor attempts to remove Emma from his care, Joshua comes to the most important realization he can make for himself, his sister, and the world.

Twins connected by trauma, stalked by evil, forced into hiding to protect themselves and the outside world. Yeah, I’ll bite. Transference has a lot going on in the way of structure. The narration breaks are very effective as they keep you on your toes during the madness. Emma’s “affliction” is fascinating. The idea that it can be weaponized is something looms large. As the plot slowly rolls out, the dread grows. The big reveal is pretty great. While there is something a little off with the film as a whole, it has big potential. Melissa Joy Boerger, AaronTomlin, and Jeremy Ninaber are all very dark and brooding. Tomlin is allowed to show the most range with the material. These three are obviously capable of much more. I would have liked to have seen more adult flashbacks that included Boerger. She was held back by the script.

The editing is the real winner in Transference. It’s skillfully crafted back and forth keeps the storytelling intriguing. Just when you think you’re following the plot, it flips the switch. What is real and what is imagined is up to the audience. Matthew Ninaber has given is an engrossing sci-fi. I would watch this as a series. There is a ton of potential for this world to be expanded. I think it would shine brighter as one, frankly. For now, I’ll take the feature. Fellow genre fans will see what I mean. 

TRANSFERENCE will open in L.A. March 6th

Available on nationwide VOD March 10th & on Blu-Ray March 24th

TRANSFERENCE

Genre: Sci-Fi / Thriller

Country: CANADA

Runtime: 85 min

Language: English

Rating: NA

Review: Karma is a real killer in ‘The Dare’, On-Demand and VOD now.

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Synopsis: When a childhood prank goes wrong, four strangers are forced to relive a cruel game at the hands of a masked psychopath.

Torture porn at it’s finest, The Dare is genuinely gagworthy in its practical FX. Without reading the synopsis, the film’s full plot doesn’t reveal itself until halfway through. This allows you to become invested in the mystery and backstory of how a killer was created. A little bit of the Saw franchise sprinkled in, The Dare is absolutely terrifying.

The Dare has an insanely talented ensemble cast. Starring Bart Edwards (The Witcher), Richard Brake (Rob Zombie’s 31, 3 From Hell), Richard Short (American Horror Story, Arthur & Merlin: Knights of Camelot), Alexandra Evans (London Fields, Redistributors), Robert Maaser (Mission: Impossible – Rogue Nation, 1917), Harry Jarvis (The Knight Before Christmas, Proven Innocent), Devora Wilde (The Tombs, False Witness), and Emily Haigh (Horizon). Performances from each cast member are riveting and fully fleshed out.

Brainwashing, abuse, cruelty, all make The Dare as brutal and compelling as it is. Just when you think you can’t take it anymore, the narrative switches up. As more is revealed your perspective rapidly changes. That’s solid writing. You will need to get to the end and you won’t know who you’re rooting for until the final moments. And if I’m being nit-picky, speaking of the very final moment, it is a bit unbelievable and trope-tastic, but hey, suspension of disbelief. After all the trauma the viewer has been through at that point, let it go. Write/Director Giles Alderson gives genre audiences what they paid for.  The film is genuine heart-pounding, white-knuckled, madness.

 

https://youtu.be/IMm_dKVTegQ

The Horror Collective’s latest release, the award-winning horror film The Dare, has now been released and is available to watch on VOD and digital platforms! The film, which was produced by Millennium Media (Hellboy, Shut In, Rambo Last Blood) and is being distributed by The Horror Collective, will also have a limited, one-night release in theaters on March 6th, 2020.

The Dare had its world premiere at Ft. Lauderdale, FL’s Popcorn Frights Film Festival where it received the Audience Award for Best Feature Film.

Review: ‘Blood On Her Name’- a killer neo-noir brimming with tension.

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SYNOPSIS: The dead body lies at her feet, its blood still draining onto the floor. It was an accident, borne of self-defense, but its discovery could have devastating consequences for local garage owner Leigh Tiller and her son.

Feat. Bethany Anne Lind (REPRISAL, OZARK), Will Patton, (REMEMBER THE TITANS, ARMAGEDDON) and Elizabeth Röhm (AMERICAN HUSTLE, JOY)

There is a heavy and devastating state of dread that occurs as you experience Blood On Her Name. The film occurs in what feels like real-time pacing making the tension truly palpable. As details of a haunting past slowly leak into view, karma’s long-arm feels destined to right the universe. This story is nothing short of tragic. Leigh simply wants to make a better life for her son but circumstances will not release her from childhood trauma and poor current choices. As a mother, I immediately put myself in her shoes. The fear and panic were overwhelming. It was an actual experience sitting through this film.

Bethany Anne Lind is a force to be reckoned with. She has an extraordinary ability to own the screen and pull you along her emotional journey. She is the heart of this film. Frankly, the other members of the cast could have been played by anyone. Don’t get me wrong, the chemistry among everyone else is spot on. What I mean is, Lind is so captivating that it’s her performance alone that remains seared into your psyche. Blood On Her Name is a triumphant feature debut for director Matthew Pope and co-writer and producer Don Thompson. It opens in select cinemas (Today) Feb. 28th and on VOD.

BLOOD ON HER NAME will expand nationwide in the coming weeks.

Review: ‘Olympics Dreams’ Goes for the Gold

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One of my two first sports memories from my childhood was the Miracle on Ice victory of the US Olympic Hockey Team defeating the Russian team in the 1980 Winter Olympics. Ever since, it has been a quadrennial ritual of mine (and now my family’s) to watch with great intensity all of the drama that unfolds as champions from every nation in the world battle it out in their respective sports on the frozen slopes,rinks and tracks.

Olympic Dreams brings us to the world of the Winter Olympics in a way that has never really been seen before. It is the first film to ever be shot in the Olympic Village during an actual Olympics – the 2018 Winter Games in Pyeongchang, South Korea. While this games was not without it’s nail biting moments (reference the shootout gold medal victory of the US Women’s Hockey Team) Olympic Dreams brings a different type of drama, one much more subtle although no less impactful.

Penelope (Alexi Pappas) is a cross country skier at her first Olympics and clearly is out of her element. She is adrift and alone in the Olympic Village, morose at a time when most 22-year olds would be living it up. Even though she is part of one of the largest delegation of athletes at the games, she awkwardly tries to connect to others without much success.

Away from the hustle and bustle that the athletes experience, we find 37-year old Ezra (Nick Kroll), a volunteer walk-in dentist from the US, who is equally adrift. Unsure of where to go and whom to see to get settled, Ezra, too, tries his best to fit in with the rarefied set of folks participating in Pyeongchang. He nervously admits to an athlete he’s giving a check up to that he and his fiancee are on a break as she doesn’t understand his desire to travel and experience new cultures and places. And as would have it in a film, he connects with Penelope while eating in the cafeteria setting up the arc of the rest of the film – two misfits meet…will they get together, or will they fuck it all up?

Penelope is isolated, not just being in South Korea so far from the US, but from her teammates, her coach who isn’t there with her and her family. She receives phone calls from her coach and father, but she is never at ease, emotional and clearly lost. She spent her entire childhood, training endlessly for this one shot missing out on so much to be at the Olympics, but in the end she’s alone. Hell, even her event, the 10km Freestyle, is 25-35 minutes of pure solitary hell. When she finishes, there are no fans, coaches or teammates there to greet like the other skiers with nothing but a personal best to show for it. She never got her Jessie Diggins moment. Was it really worth it? On the flipside, Ezra himself stuck in limbo between continents while his relationship is on hold, flounders in the same way that Penelope does. The budding relationship is akin to that of Bob Harris (Bill Murray) and Charlotte (Scarlett Johansson) in Lost in Translation.

I was surprised by this film and was really taken with Pappas who also co-wrote the film with Kroll and husband/director Jeremy Teicher. Her embodiment of Penelope opened up a narrative of an Olympic athlete that I hadn’t seen nor really considered before. She herself is a former Olympic long distance runner and I have no doubt that’s why her performance felt so authentic and visceral. It’s hard to separate Kroll from his previous bombastic roles in shows like The League and Parks and Recreation so his performance didn’t carry the same weight as Pappas’. They vibed well together in their scenes, but I was left with asking, why him of all people when it is no secret that the Olympic Village is a hot bed of lascivious activity.

All of the behind the scenes shots that Teicher was able to incorporate into the film were also fantastic. The scale of the Olympics is so huge and his direction made them seem so much more accessible through these characters. The inclusion of Olympian skiers Morgan Schild and Gus Kenworthy was also a really nice touch.

This is a film I really enjoyed. It’s a great film for the Valentine’s Day weekend. Would this film win the gold? Maybe, maybe not, but I think it might make the medal stand.

Olympic Dreams opens today in select cities and is also available on demand.

Review: ‘You Go To My Head’ has a long lasting psychological effect on its audience.

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In a desolate stretch of the Sahara, a mysterious car accident leaves a young woman lost and alone. Jake, a reclusive architect, finds her unconscious. He drives her to the nearest doctor, to discover that she’s suffering from post-traumatic amnesia. Intoxicated by the woman’s beauty, Jake claims to be her husband. He names her Kitty and takes her to his remote desert home to recuperate. The Angell Law Firm knows personal injury law, which is why our Atlanta car accident attorneys are able to offer the best legal representation in the state. For best legal advice, check out your url. At JLF Firm | Accident Attorneys, we will fight for the rights of all the victims who are injured in accidents or caused by negligence. We are the car accident attorney Riverside residents trust. Your life is valuable and you deserve fair compensation. If you have an accident, then you need to get a Riverside accident attorneys to fight for your rights. When it’s time to find a law firm it’s very often because of a sudden unexpected event. Perhaps an accident or injury that you need to act on right away. Sometimes it’s not unexpected as much as it is just delaying the inevitable. This is often the case where bankruptcy attorneys are involved. Many of their clients spend time looking for simple answers to their debt until they get sued by a creditor and it’s time to find a bankruptcy attorney. So the question is, how do you go about finding an attorney? Seems like a simple enough question on the surface, but when you start to look for a Long Island Personal Injury Attorneys firm, you’ll notice right away that there seems to be an endless number of law firms and how will you manage to find the one that’s right for you. As good as the search engines are, the legal profession is just as good as marketing themselves on the search engines. For this reason, if you type in a particular legal issue, such as bankruptcy or medical malpractice, it’s very likely that you will get results from law firms all over the country. In a medical malpractice personal injury lawsuit, a victim seeks compensation for the injury or injuries he or she has suffered. Compensation can include past and future medical expenses, disability or deformity, loss of income, emotional and mental anguish, loss of a spouse’s comfort and society, past and future pain and suffering, and an amount which would be necessary to make the person whole as respects a permanent personal injury. You can check this news for more detail about the medical malpractice attorney. Those firms that have done such a good job trying to get noticed on search engines will be displayed when you are searching. Exploring a bankruptcy attorney’s website and finding a lot of great information may lead you to believe that this is the attorney you want to retain. It is a bit disappointing to find out that when you click the contact tab, you find out the attorney is in Chicago, and you are in New York. Certainly I am not suggesting that you turn to the Yellow Pages! However, there are sources that still let your fingers do the walking, but this time, on the keyboard. One of the most underused resources on the Internet is the local search directory. The major search engines have long recognized this with sites like Yahoo Local and Google Places, but many people don’t know that they have to access those sites differently. It’s hard to change old habits, and eve the major players aren’t making inroads to the local marketplace as fast as they had hoped. In addition, the thrust of their marketing seems to be directed to retail stores and services.
Vehicle accidents are the most common type of incident which will require you to go seeking the services of Attorneys’ dealing in personal injury cases. Aside from auto accidents, there are other kinds such as motorcycle, truck and boat accidents as well which can be avoided if drivers had a permit like this motorcycle licence. These can result in personal injuries or death at worst. The main reason why there are car accidents is the failure to exercise care while driving. Irresponsible and reckless driving is usually the main reason why car accidents occur. Unfortunately not all countries have laws that can protect people from personal injury. As a driver one should follow the rules, exercise care and adjust to different driving conditions. The failure to do so could result in serious injury and your lifestyle to be compromised. When an auto collides with another, personal injury is very likely to occur and this leads to having to be represented in court by an Attorney for personal injury. Usually the case is taken to court to determine fair and just compensation and this is when you need an experienced Attorney to represent you. You can check this https://www.stephenbabcock.com/ site for more information regading to personal injury and accident attorney.
The party who is proven to be responsible will be ordered to pay for damages, loss of income, medical bills and other related items. If a car is damaged, they have to pay for repair or if a victim is suffering from injuries, the medical bills need to be paid which can amount to a considerable sum of money. The victim may also suffer from mental anguish and trauma as well. This will all be taken into account when the judge makes his decision. As a victim, there are things you need to bare in mind. When the injury is severe, call an ambulance and the police, so that everything is recorded. There are cases when injuries are not visible like fractures or internal injuries so receiving hospital treatment is vital. A good idea is to take a picture of everything like skid marks, location of cars and injuries to the injured. These should be available for immediate release. Photographs are considered to be great evidence. It is also a good idea to collect details from witnesses. The success of a case is often determined by witnesses and an instance of this is when a driver runs a red light. In order to make sure that the maximum payment is received, you need to do some research on Attorneys for personal injury in view of engagement. You need to select a licensed person to ensure that they are legitimate to practice. Perhaps asking friends and family for personal recommendations can help you in your selection process. Being confident that you have the very best personal injury Attorney representing you will lessen the stress involved when dealing with a court case.
There is no need to worry about upfront payments, we can guarantee there will be no charges until we get you your compensation. We can handle any type of situation such as car accidents, truck accidents, motorcycle accidents, dog bites, slips, falls, wrongful death, and any situation which involves negligence. You will not have to worry about anything because your Riverside accident attorney from the JLF Firm| Accident Attorneys will take care of you. You can trust our knowledge and experience in this stressful moment of your life. Contact your Riverside accident attorney today. Jason Stone Injury Lawyers are great firm if you need someone to handle your injury case. Jeff and his associates and legal assistants are very precise in what they do. They are skilled, efficient, professional and compassionate. They did such a great job that I even didn’t have to appear in a court. I could not have had better representation. I would highly recommend him to anyone! Thank you for the amazing job Jeff! The personal injury attorneys at denton & zachary, pllc are committed to helping victims in Little Rock obtain the compensation they deserve for his or her injuries. Our injury lawyers will go above and beyond to carry the at-fault party accountable and make sure you are fully compensated for your medical bills, lost income, and pain and suffering.
As Kitty struggles to come to grips with who she is, Jake invents an elaborate life they can share – the life he has always yearned for. Little by little, Kitty begins to fall in love with him. But when shreds of her past begin to surface, Jake takes steps to ensure he will not lose the love of his life…
As a viewer, you feel just as captive as our leading lady. The constant feeling of dread looms large. The beautiful desert landscape in stark contrast to the modern, predominantly white architecture, allows us to fully immerse ourselves into the relationship between Kitty and Jake. You will feel the isolation and wonder if you have a bit of Stockholm syndrome. Waiting for “the other shoe to drop” is maddening. The score is jarring and incredibly effective. You Go To My Head is a masterfully structured film from every angle. Not to mention it is breathtakingly shot.
Performances by Delfine Bafort and Svetozar Cvetkovic are hypnotizing. They are both charming and flawed, and their chemistry is a perfect balance of wonder and skepticism.  And while the film is almost a full 2 hrs with a slow burn, the anxiety holds you down and forces you to watch. That is a sign of a truly successful film. I cannot stop thinking about this story. It sincerely through me for a loop. You Go To My Head will confound audiences long after the credits roll… and that’s a great thing.
DIMITRI DE CLERCQ’S GRIPPING 
PSYCHOLOGICAL THRILLER 
YOU GO TO MY HEAD
OPENS ON VALENTINE’S DAY (FEBRUARY 14) IN 
NEW YORK CITY & FEBRUARY 21 IN LOS ANGELES

Review: Based on the children’s novel, ‘Waiting For Anya’ comes to theaters tomorrow.

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Adapted from the novel by the author of War Horse, Waiting for Anya follows Jo Lalande (Noah Schnapp), a thirteen-year-old shepherd boy, and reclusive widow Horcada (Anjelica Huston), who come together with their village to help smuggle Jewish children into Spain during the harrows of WWII.

This powerhouse cast gives earnest performances. That being said, some things are amiss with Waiting For Anya. Something about the cinematography combined with this particular score gives the film a made for TV feel about it. It’s all in the details. The costumes, while beautiful, are a bit too clean for the time period and terrain.

The plot does delve into the nuances of humanity. I mean it is about Nazis after all. Noah Schnapp, whose breakout performance in Stranger Things is nothing less than award-worthy, feels off here. Knowing what he is capable of, I have to think this has something to do with direction choices. Same with the iconic Anjelica Huston. It’s as if I were watching a film on UP, where the actors are being told to mug for the camera intentionally. Waiting For Anya‘s running time of 1 hour and 50 minutes also does not help. Understanding that this film is based on a children’s novel of the same name (by Michael Morpurgo) does make the choices feel more appropriate. Although the tragic but completely telegraphed (and seemingly plucked right out of M. Night Shyamalan‘s The Village) death of an ancillary character near the end was incredibly difficult.  In truth, it is straight from the book itself. As a special needs mom, it hit a little too close to home, so take that opinion with a grain of salt.

The trailer looks absolutely gorgeous but the quality in the actual feature is inconsistent. Wide sweeping shots that are simply gorgeous are the undercut with a few poorly placed greenscreen shots. It has all the makings of a sweeping historical drama but lands in a holocaust family drama, if that’s even a thing. After all that nitpicking, I would still recommend this film as a mother. Certainly as a history lesson for my children when they reach middle school age. Until then, I believe I’ll start with the novel.

Vertical Entertainment will release WAITING FOR ANYA in theaters, on demand and digital February 7, 2020.

WAITING FOR ANYA stars Noah Schnapp (“Stranger Things”, The Peanuts Movie), Academy Award winner Anjelica Huston (The Witches, The Addams Family), Jean Reno (Leon: The Professional, The Big Blue). The film was written and directed by Ben Cookson (Almost Married).

Review: ‘Toxic Beauty’ documentary reiterates that beauty is pain… and the industry knows all about it.

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Synopsis: Toxic Beauty reveals the harmful health consequences of chemicals found in everyday cosmetic and beauty products, the huge corporations that knowingly use them and the lack of governmental regulations to protect consumers.

The first thing I did after the credits of Toxic Beauty rolled was rabidly google chemical names of the ingredients on the labels of our products. I filled a garbage can with bottles of all shapes and sizes. What have I been putting into my and my family’s systems?

Johnson & Johnson is one of the largest beauty corporations in the world. The class-action lawsuit against them for not informing the public of the toxic ingredients in their talc has caused an uproar and rightly so. What did they know and when did they know it? The answers will shock you. We meet a group of women, including the whistleblower herself, Deane Berg, who have been diagnosed with cancer because if their use of Johnson & Johnson’s Baby Powder. The most recent class-action lawsuit is one of the largest in history so why in the hell is this product still on the shelves?! The FDA is being bought off to block the truth. Unsurprisingly, there is a plethora of evidence. The film validly ties this to the lies we were told from the tobacco industry. The same chemicals in cigarettes are hiding in lotions, toothpaste, shampoo, makeup, and soap. The list goes on and on.

The film also follows Mymy Nguyen, a young woman who is about to be a med student at Boston University. She decides to be the subject of her own experiment, testing the chemical levels of her daily beauty routine, a detox, and then her use of alternative self-care products. Juxtaposed with scientists that have been tracking this for years, Toxic Beauty is scary and informative.

Toxic Beauty shines a spotlight on the industry, the American government, and our own personal responsibility to do a little research to protect the environment, ourselves, and our children. It challenges the early indoctrination of beauty standards. Write/Director Phyllis Ellis has put together an eye-opening documentary.

TOXIC BEAUTY

Directed by Phyllis Ellis
Out on Digital and On-Demand 1/28
Documentary | 90 Minutes

Panic Fest review: ‘Greenlight’ – Making movies takes a killer instinct.

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A young director is looking for his big break, but when a producer asks him to goes beyond his limits the opportunity could break him. Coming this month to Kansa City, MO’s Panic Fest, Greenlight is an industry thriller you’ll want a ticket to.

Jack’s passion for filmmaking is put to the test when he is hired to direct his first feature: a psychological thriller about a sleep experiment gone awry. But when the producer makes a request from Jack that he knows he cannot fulfill, everyone and everything is at risk. He wants to last kill in the film to be real.

There are some really smart heads up lines in the dialogue. When the production begins, the coloring and shots improve tenfold. The film has a sleek look, especially if you’ve even been on a set. The tension is immediately felt. When the shit hits the fan at about 30 minutes in, you can see where Jack has no choice but to comply. Threats of manufactured blackmail and violence leave him in a panic. The audience is with him on this sick ride. We now own his paranoia.

Chase Williamson as Jack is thrilling to watch. His amped-up slide into desperate madness is palpable. Shane Coffey as Williamson’s best bud and DP is incredibly natural. He very much deserves a mention. Director Graham Denman does a great job with this script from Patrick R Young. The anxiety is brilliantly enhanced by the metaplot and the literal use of the word “Cut!” Greenlight is entertaining as hell and you will need to see how the end plays out for your own sanity’s sake. The film has already garnered Best Feature and Best Male Performance awards at multiple festivals. I am excited to see what Denman brings to the genre world next.

 

https://panicfilmfest.com/greenlight/

GREENLIGHT comes to VOD and digital platforms Feb. 25th, 2020