‘CAROL’ comes to life on the silver screen today. Here are a few reasons why we think it shouldn’t be missed.

Carol poster

As one of the most anticipated films of this year’s New York Film Festival, CAROL most certainly blew everyone’s expectations out of the water. Here are just a few reasons why we adore this elegant film…Carol still Cate and RooneyThe Plot:

 In an adaptation of Patricia Highsmith’s seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light.

ROONEY MARA and CATE BLANCHETT star in CAROL

ROONEY MARA and CATE BLANCHETT star in CAROL

The Cinematography:

Edward Lachman is a genius behind the camera. Having worked hand in hand with Director Todd Haynes on Far From Heaven in 2002, his visual landscape for Carol is unmatched. Shot in 16mm, perfectly framed, with delicate but specific shots through windows and the focus on the color of crimson and corals, make this a true feast for the eyes.

You can watch Ed discuss his experience in an interview from NYFF53 here.Carol still Kyle Chandler

The Performances:

We’re not shy about our love for Cate Blanchett, nor is The Academy. In truth, there is not a single loose thread in the casting of this film. In the film’s press conference this week, you could see and hear the passion the entire cast held for the project and the respect they had for Phyllis Nagy‘s immaculate adaptation. This is not a story about a lesbian couple, this is a story of two people falling in love. The effortless nature of Blanchett, Mara, Chandler, Paulson, and Lacy as an ensemble evokes the kind of emotion so rarely experienced in the cinema these days. Both Cate and Rooney landed on my Top Female Performances of NYFF53 list. Lacy’s boyish charm and naivete bound off the screen. Chandler’s masculinity and energy are a powerful match for both the period and Blanchett. And as for Sarah Paulson (my favorite player in American Horror Story, every season), well, I wanted to put her in my pocket and place her in every film from here on out. It’s the kind of presence that should not be overlooked, ever. These actors are extraordinarily great at their jobs. There is no doubt about it, CAROL is a timeless film.

(L-R) KYLE CHANDLER and CATE BLANCHETT star in CAROL

(L-R) KYLE CHANDLER and CATE BLANCHETT star in CAROL

For a mere taste of what you’re in for, here is the trailer:

CAROL– Opening In Limited Theaters November 20, 2015

Rated R | Runtime 118 minutes

Carol still Sarah PaulsonCarol still Rooney

Carol still Todd Haynes and Cate Blachett

 

Review: “10,000 Saints” will rock you gently.

10K Saints poster 10,000 Saints follows three screwed up young people and their equally screwed up parents in the age of CBGB’s, yuppies and the tinderbox of gentrification that exploded into the Tompkins Square Park Riots in New York’s East Village in the 1980s. This film is essentially the story of how small life connections become the ties that bind a group of estranged friends and family. It’s quite extraordinary and a brilliant translation of Eleanor Henderson‘s New York Times best-selling novel. After the loss of his best friend Teddy, Jude is sent to live his absentee father, Les. Reconnecting with Les’ girlfriend’s daughter, Eliza and straight edge punk singer and brother of Teddy, Johnny, the three embark on a path that was thrust upon them. 10K Saints Asa EthanEthan Hawke, who I am convinced is a Timelord at this point, gives a flawless performance. His loose lipped, nonchalance is the perfect foil to quietly angsty and gentle Asa Butterfield as Jude. Les’ storyline of fatherly redemption is pretty poetic. Jude’s search for his soul is much more pensive but just as stunning with Butterfield’s innate ability to live the screenplay’s emotional highs and lows. Hailee Steinfeld‘s natural performance as wild child turned guilt ridden and lost pregnant teen is one that should be noted. Emile Hirsh‘s Johnny is a beautifully zen enigma. With a truly talented cast rounded out by Juilanne Nicholson, Avan Jogia, and Emily Mortimer10,000 Saints is one hell of an ensemble film. 10K Saints Emile HaileeThis coming of age tale is deals with guilt, unrequited love, self realization, parenting and death, all in delicate yet fully  meaningful ways. The music is most defintiely its own character, with a soundtrack featuring The Replacements, The Cure, REM, Social Distortion, The Stone Roses, and Johnny’s band Army of One. Directors Shari Springer Berman and Robert Pulcini are gifted storytellers and you bet I will be going out and grabbing Henderson’s novel soon. 10,000 Saints will not disappoint your eyes, ears or heart. 10,000 Saints comes to theaters, iTunes and other VOD platforms Friday, August 14th

‘The 100 Year Old Man Who Climbed Out The Window and Disappeared’ is finally available in the U.S.!

100 Year Old Man_poster

This incredibly funny and endearing film is one of the most upbeat things I’ve seen this year. Long story short, not unlike the title suggests, Allan is turning 100 and is stuck in a nursing home. Reminiscing through pictures and stories from his past, Allan decides to jump out of the window and go on an adventure, anywhere. He ends up with a suitcase full of money belonging to some pretty scary people and on his way to freedom he runs into other wayward souls that get entangled in his absurd journey.

Allan (Robert Gustafsson) and Julius (Iwar Wiklander) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

Allan (Robert Gustafsson) and Julius (Iwar Wiklander) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

Lead actor Robert Gustafsson is an absolute delight. Comic timing and facial expressions of a real genius, he takes this film through time and through encounters with historical figures like Ronald Reagan and Joseph Stalin, just to name a few. With a passion for blowing things up and an innate ability to talk to anyone, Allan becomes a double agent, a soldier, and perhaps the actual creator of the atomic bomb.

THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

The film is a mixture of scenes from Allan’s youth and the shenanigans he’s gotten himself into on his birthday. Adapted beautifully from the novel of the same name by author Jonas Jonasson, with the help of screenwriters Felix Herngren & Hans Ingemansson, it is definitely full of belly laughs and good times. Herndren, also the director, gives us a colorful, lush, and impeccable comedic foreign film, unlike the many melodramatic features we’re used to getting from over seas. The theater I was in was in stitches the entire duration, and when you can get a theater full of critics laughing, well that’s a feat unto itself. I highly recommend you catch this movie. It is available in theaters in on demand!

Allan (Robert Gustafsson) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

Allan (Robert Gustafsson) in THE 100 YEAR OLD MAN. Courtesy of Music Box Films.

Powered by the antics of a mischievous centenarian on the run, comic fable The 100-Year-Old Man Who Climbed out the Window and Disappeared abounds with irreverent charm.  After a long and colorful life working in munitions and getting entangled in the Spanish Civil War, the Manhattan Project, and other definitive events of the 20th century, Allan Karlsson finds himself stuck in a nursing home.  Determined to escape on his 100th birthday, he leaps out of a window and onto the nearest bus, kicking off an unexpected journey involving, among other surprises, a suitcase stuffed with cash, some wicked criminals, and an elephant named Sonya.  Like an unruly Nordic cousin of Forrest Gump, Allan’s youthful escapades and current adventures weave together into an offbeat treat for anyone who’s young at heart.  Starring beloved comedian Robert Gustafsson, this fanciful spin on world history is based on a best-selling novel and also the highest-grossing Swedish film of all time.

Tribeca Film Festival review: Zooey Dechanel & Anton Yelchin roam ‘The Driftless Area’ of confusion & crime

The Driftless Area

To say that The Driftless Area is cryptic is an understatement. I’m still not quite sure what happened, but the characters are so complex and interwoven that even though you’re confused, you can’t wait to see what happens next.

After he returns home after college, Pierre (Anton Yelchin) meets and falls in love with Stella (Zooey Deschanel). He gets mixed up in some trouble with a criminal (John Hawkes) and circumstances unravel.

Along the way, we meet Pierre’s best friend, the always likeable and honest Alia Shawkat, Stella’s protector, Frank Langella, and the ever-entertaining Aubrey Plaza. I would consider this to be an ensemble cast because of how much they stand out, yet never overshadow.

Based on a book of the same name, the author, Tom Drury, also co-wrote the screenplay with director, Zachary Sluser. The beautiful landscapes and minimal score provide a calm ride into the lives of each character. Rather than painting as heroes or villains, all have humor and a grounding in reality that is usually just reserved for comedies.

Anyone interested in the fate versus free-will conversation will love this surreal journey.

One screening left this Saturday!

Tribeca Film Festival interview: ‘THE ADDERALL DIARIES’ director Pamela Romanowsky talks fated moments in making the film.

Stephen Elliott (James Franco) and Neil Elliott (Ed Harris)Anna Kooris

Stephen Elliott (James Franco) and Neil Elliott (Ed Harris)Anna Kooris

Director Pamela Romanowsky‘s debut feature is not a meek choice. Tackling the page to screen adaptation of Stephen Elliott‘s memoir THE ADDERALL DIARIES seems like something that was written in the stars. Speaking of stars, the film is lead by an outstanding performance by James Franco as a pill popping, destructive behavior addicted, emotionally ravaged man. Under the guise of writer’s block, Stephen lets himself become distracted by a murder case that seems to resonate with his memories of the past; memories that have made him a famous author so far. When his father’s ghost returns to haunt him, life spirals into an seemingly endless line of poor life choices. One person’s truth may not be what it seems.
On the heels of TRUE STORY, Franco plays Elliott with a ferocity that is totally organic. Hitting highs and lows so sharp, I can safely say I am impressed. Ed Harris portrays his strong willed father. A constant trigger throughout the film, this role was made for Harris, literally. Amber Heard is beautiful and honest as a NYT journalist fighting childhood demons of  her own. Christian Slater is charming as ever and a master of emotional disguise as the subject Stephen longs to understand. Cleverly edited and stunningly shot, THE ADDERALL DIARIES is a sensory and emotional overload of a film. You will find something that connects with you, I guarantee it.

I was fortunate enough to sit down with Pamela Romanowsky and talk about the journey that became this project.

Liz:  Just saw the movie and I really liked it. How did you happen upon Stephen’s novel?

Pamela: Well, there are two parts to this story. I first happened upon it because I live near a really great independent bookstore called “Word” in Greenpoint. I saw it in the window and that is often how I buy books, ” What does Word have?” So I just read it as a casual reader and loved it, thought about it a lot, it really stayed with me. It’s the kind of story that takes a lot of processing. Then separately from that, James Franco and I went to grad school together and are good friends and we hadn’t worked together yet. Then I had the opportunity to make the short with him for The Color of Time. We had a great creative connection and a great time working together. James approached me with The Adderall Diaries. I actually just found out yesterday that it was the first book he optioned.

L: He is such a fan of page to screen, all of which so far have been really successful. It’s such a bold move because it can go so wrong.

P: He picks Difficult books.

L: He really does.

P:  It was a really great moment of synchronicity. He wanted to help me make my first feature and with a book we both loved.

L: I think his performance was one of his best and so clearly has a lot to do with your relationship. You had such a great cast full of talent. Ed Harris, what a juicy role for him. I also really enjoyed the juxtaposition of memories talk to me about the editing choices.

P: I developed the visual style with my DP who was also a collaborator from grad school. I met a lot of my people there. Bruce also shot my piece for The Color of Time so we had already talked about how to approach memories cinematically. We used steady cam alot because it felt organic. This is a character who is always in motion, and practically it allowed us to shoot quickly, to be intuitive, to find shots within the scene as we went. And the use of slow motion… you know memory is such a hard thing to describe to someone else but to me, the things that you tend to recall over and over are these small moments and details so it almost like you’re seeing it in slow motion.

L: it is incredibly effective. It is so aesthetically beautiful.

Did you guys have a lot of rehearsal time? Everything feels really organic. Yet there are some truly physically demand scenes.

P: I think as is often in indie film, but I had the advantage of knowing a lot of these actors and Ed, I met at the Sundance Directors Lab.

L: Had he been cast already or did he just come in and read for you?

P: No, he was my advisor at the lab. Coincidentally he was also the person I wrote this role for! His photo was on my writing board the whole time but I never actually thought I was going to get a chance to meet him. So when we were at Sundance, low and behold Ed Harris walks in and I was like ” Oh my God, Ed Harris is here!” It just happened that he was there, it just happened that he was my advisor, and it just happened to be the week I was shooting my father/son scene. So when he was leaving I had to tell him, “You know, thank you so much for helping me and so I wrote this role for you and I don’t know if you’d ever think about doing it but I am gonna keep asking you forever.”  And truthfully I didn’t have a back-up plan, I didn’t see anyone else playing this role. It took me 9 months to talk him into it. So I had a lot  of time to talk it over with him. It was the same with all the other actors. Rehearsal is really important so right before we would shoot each scene I would kick everyone out and we would run the scene through.

L:  As soon as I walked out of the theater I said, “I have to buy this book now. I am completely intrigued. I have to read it.” It has so many relevant issues that even if you’ve never experienced them personally, you would gravitate towards this story. We all have our own way to interpret what our memories are. And I think the older you get and the longer you live with your interpretation, that becomes your truth. It was beautiful to see that on screen. Thank you so much for talking with me.

P: Thank You! Enjoy the rest of your fest!

L: You too! I look forward to talking to you for whatever comes next.


THE ADDERALL DIARIES ticket and showtime information can be found here in the Tribeca Film Festival Guide 2015.

TFF 2015 NARRATIVE FEATURE

Release Year: 2015

Runtime: 87 minutes

Directed By: Pamela Romanowsky

Country: USA

Elliott (James Franco), a once-successful novelist inflicted with writer’s block and an Adderall addiction strives to escape his problems by delving into the world of a high-profile murder case. Amber Heard, Ed Harris, and Cynthia Nixon co-star in this adaptation of Elliott’s best-selling memoir. | Read More

6 Films to catch at this year’s New Directors New Films Festival

New Directors New Films logo 2015Last year’s fest was a total success in my opinion. I saw some of my favorite films of the entire year there; Buzzard, The Babadook, Fish and Cat, Dear White People, and the #1 film on my Top 10 for 2014, A Girl Walks Home Alone At Night. This year’s selections were just as eclectic in subject and style. Here is my personal list of things to consider at this year’s New Directors New Film Festival.

THE DIARY OF A TEENAGE GIRLDiary of a Teenage Girl 1 Original

Minnie is a 15 year old with a coked out mom and little self esteem. When she takes her childish fantasies to an adult level by sleeping with her mother’s boyfriend, emotional hell breaks loose in form of a tape recorded diary and sketches turned animated thoughts. This film jumps off the screen with a breakout performance from Bel Powley as Minnie. She is funny, insightful, and an apparent old soul, all while still just a kid trying not to lose her shit. The added element of the animation only adds to the wonder of this film. Kristen Wiig plays Minnie’s absent mother. She is a revelation in this role. You know, those rare cinematic moments when you forget who the actor is because you’re so immersed in the performance, that it’s a winner. Alexander Skarsgård is the creepy object of Minnie’s affection. This is not a coming if age tale for our lead, but truly for the adults in the film. The Diary Of A Teenage Girl will remind you of your own sexual awakening. All the awkwardness, the curiosity, and frankly, the lies you were told by everyone around you. Rediscover your own past. Go ahead.

VIOLETVioletJesse has been through a terrible trauma. He is despondent after the murder of his good friend, just feet from him at a local mall. Violet is a look into the world of survivor’s guilt. The camera work alone should get you through the door. Breathtaking closeups coupled with soft focus and exquisite sound editing creates a barrage of sense memory moments for both for Jesse and the audience alike. The uncomfortable silence (dialogue wise) is the key to this film. At a tight 82 minutes run, Violet is about what’s not being said.

WESTERNwesternWestern is a documentary that takes us into the world of small town politics up against very large drug cartel violence in the two bordering towns of Eagle Pass, Texas and Piedras Negras, Mexico. Mayor Chad Foster puts on a brave face as violence escalates and threatens the harmony he’s worked so hard to procure in Eagle Pass. Mayor Jose Manuel Maldonado, tries his best to ease the minds of local constituents and the mass media alike. Local cattle rancher, Martin Wall’s, smile turns hard in the wake of a temporary USDA ban on livestock trade over the border. Each of these men is doing their darnedest to maintain peace, safety and the livelihoods of so many others. Pulling the curtain back on what feels like scenarios that only happen in the movies, is eye opening. You have to remind yourself that these folks are living, breathing people with families and loved ones. This documentary is unusually educational and will certainly restore your faith in humanity.

LISTEN TO ME MARLONLISTEN TO ME MARLON (300dpi)This doc opens up in a jarring fashion. Reminiscent of the floating head at Disneyland’s The Haunted Mansion, there we see and hear the disembodied “Head” and voice of Marlon Brando. Director, Stevan Riley has granted the world the access he gained to mountains of audio tapes made by Brando himself. Some are self hypnosis tapes in which he recalls childhood moments once kept very close to his chest. Through archival footage and Brando’s own voice, we delve into the personal life of the reclusive star. These confessional tapes reveal a side of this legend not many people were privy to. Acting was somewhat of a spiritual outlet. His charisma was endless, as was his passion for sex and affection. Receiving little from his alcoholic parents, Brando‘s ego was lifted by his enormous talent, perhaps too far for the likes of some. Although, as you listen to him speak, you gather that he was a rather astute, observant, reflective man who struggled with real abandonment issues that never truly get resolved for him. Tragedy followed him in his personal life and the genius and attention swallowed him hole at times. Listen To Me Marlon is a gorgeous portrait. When you stop taking notes during a film and just listen, as a critic, that is the moment of pure magic.

GOODNIGHT MOMMYGOODNIGHT MOMMY_Still 2Give a kid an inch, so they say, and they’ll take a mile. Twins Lukas and Elias have been awaiting the return of their mother. She has just completed facial reconstructive surgery. Longing for her love and affection, the boys are thrown into detective mode when Mom returns a different person. Face completely bandaged and rage on the surface, she forces the boys to maintain quiet and changes all the rules. Something clearly amiss, Lukas and Elias must find a way to make her admit who she really is, while facing the changes themselves. Much like last year’s The Babadook, psychological torture is in the cards. Can you stomach the tactics used by children when they don’t fully understand the consequences themselves? Goodnight Mommy will scare the hell out of you and make you squirm like never before.

DOG LADYdog ladyFollowing a woman surrounded by a pack of discarded dogs, this film highlights the off-grid lifestyle to the nth degree. The film’s subject, played flawlessly by co-director Verónica Llinás, chooses to live on the outskirts of Buenos Aires in a what begins as a primitive lean-to, and progresses in sound structure along with the movie itself. We follow our lady through four full seasons as she forages for food and supplies. Her ingenuity is astounding, taking what is essentially trash and making a home for herself. She has absolutely zero dialogue. The sparse dialogue that does exist comes from what little human interaction she allows; taunting children, a clinic doctor, and a brief sexual encounter with a rather verbose rancher. This film is highly engrossing, perhaps causing the viewer to reassess the amount of material objects we carelessly cast aside. Her sense of survival and her clear warm spirit guide this film along it’s year long timeline. There is definitely something to be said about the it’s wide final shot. It will force you to  come to terms with your true feelings of our Dog Lady.

You can find out more about these incredible films, and so many more, at NDNF. The Diary of a Teenage Girl opens tonight! Screenings during the fest take place at MoMa and FSLC.

 

Michael’s Review: ‘American Sniper’- Memoirs of An American Hero

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Clint Eastwood has been immersed in a streak of lackluster efforts since 2004’s Oscar winning Million Dollar Baby. The 84 year old actor/director has spent much of the last decade exploring different subject matters including multiple biopics, many of which were valiant efforts, but Eastwood has struck gold with this war drama based on the life of decorated Navy Seal Chris Kyle. Bradley Cooper leads this powerful film which shows the struggles of our soldiers who risk their lives every day on the ground in Iraq, a depiction reminiscent of Kathryn Bigelow’s The Hurt Locker. The most lethal sniper in US history takes center stage as we are taken to the front lines of the Iraqi war. Read More →

Liz’s ‘Life Itself’ Review: Two Thumbs Way Up

Life Itself

As someone who has been on a whirlwind adventure in writing exclusively about film for the past year, it was sincerely my pleasure and honor to see Life Itself this afternoon. Director Steve James brings a touching documentary to the audiences who grew up watching Robert Ebert tell them which movies were worth spending their time and hard earned money on. We are privy to passages directly from Ebert’s memoir of the same name, intimate interviews both on camera and via private emails between Steve and Roger, as well as sit down, one on ones with some of the people closest to this critical giant, including his wife, Chaz, director, Martin Scorsese, and Marlene Iglitzen, wife of his industry other half, Gene Siskel. Read More →