Review: ‘DAVE MADE A MAZE’ is a wild and wacky journey.

presents

When I was a senior in high school, I took a psych elective. My best friends and I built a life sized maze for our classmates to run through. It was an exact replica of one we had built for mice. While we did not subject the mice to rock music and darkness, we did get a kick out of watching our friends get insanely lost and disoriented while we very scientifically studied and recorded their panic and need to beat their own times a second time through. In films like Labyrinth and The Shining, a maze can be a thing of life and death. In a quirky new film by Bill Watterson, you will find that and much. much more. Welcome to the wonder that is Dave Made A Maze.

DAVE MADE A MAZE tells the story of an unaccomplished and frustrated artist (Thune) who builds a cardboard box fort in his living room and winds up trapped with a gang of oddball explorers in a fantasy world of his own creation, threatened by booby traps and a bloodthirsty Minotaur.

Dave Made A Maze features Nick Thune (Knocked Up), Meera Rohit Kumbhani (“The Mindy Project”), James Urbaniak (“Difficult People”), Stephanie Allynne (Mike and Dave Need Wedding Dates), Kirsten Vangsness (“Criminal Minds”), Scott Krinsky (Jobs), Frank Caeti (Stranger Than Fiction), Timothy Nordwind  (The Amazing Spider-Man 2) and WWE Star John Hennigan; along with Scott Narver (Monday Morning), Rick Overton (Groundhog Day), and Adam Busch (Sugar & Spice).

Steven Sears (Take Back the Couch) co-wrote the film with Bill Watterson (Jersey Boys), who makes his directorial debut.

This film is nothing short of awesome’/hilarious/bizarre/fantastic. I can only imagine that this must have been one of the most fun sets to work on. The hours it must have taken to construct, with each room completely different than the last. With nods to past adventure films around each corner, the tongue in cheek dialogue and perfect suspension of disbelief from the cast is pure genius. Speaking of the cast, you will easily think that this cast regularly hangs out with one another, as their chemistry is so chill and comfortable. The witty banter is endless. Mixing stop-motion animation, puppetry, and on camera optical illusions, you cannot help but enjoy Dave Made A Maze.  You’ll wish there were a replica of the maze (for the most part… no spoilers from this lady) for you to romp around in. Huge props to the artists that made big kid dreams come true. But don’t  just take the film at face value, there is a deeper message underneath all the fun. You can catch the film in theaters and on VOD this Friday! Check out the trailer below for a sneak peek at what waits beyond the “Enter” sign. 

DAVE MADE A MAZE -(8/18) release in theaters and on VOD.

Review: ‘PILGRIMAGE’ takes blind faith on a journey against greed.

presents

PILGRIMAGE features an all star cast of Tom Holland (Spiderman: Homecoming, Captain America: Civil War), Jon Bernthal (Baby Driver, Marvel’s “The Punisher”), Richard Armitage (Capitan America: The First Avenger, The Hobbit) and was directed by Brendan Muldowney (Love Eternal, Savage).

In Ireland, 1209, a small group of monks begin a reluctant pilgrimage across an island torn between centuries of tribal warfare and the growing power of Norman invaders.  As they escort their monastery’s holiest relic to Rome, the true value of the bejeweled relic becomes dangerously apparent and their path becomes increasingly fraught with danger.
Religion, faith, mysticism, belief; all of these things have caused heartbreak, wars, saving grace, and death. In Pilgrimage, Tom Holland plays a young monk who is essentially forced to protect and carry a relic to Rome. Alongside his mysterious protector, played by John Bernthal, he and an eclectic crew of soldiers and men of faith must battle hidden agendas and a higher power to achieve their mission. Perhaps the most stunning aspect of the film, besides the fact that each actor must deliver lines in at least 2 languages, is the fact that Bernthal’s character has zero dialogue. He is able to pull off a fully fleshed out character whose background leads to many questions along the way. The fight sequences are nothing less than brutal, so be prepared. That being said, they are pretty awesome to witness.The chemistry between the cast is palpable. Holland certainly holds his own among some seasoned players. His vulnerability on screen grounds the film. Overall, Pilgrimage has a Lord of the Rings meets Willow kind of vibe with a thought-provoking final scene. You can catch the film in theaters today, as well as on VOD and Digital HD.

TITLE: PILGRIMAGE
IN THEATERS AND AVAILABLE ON VOD AND DIGITAL HD: August 11, 2017
DIRECTOR: Brendan Muldowney
WRITER: Jamie Hannigan
CAST: Tom Holland, Jon Bernthal, Richard Armitage
GENRE: Action
DISTRIBUTOR: RLJ Entertainment

Fantasia International Film Festival 2017 Reviews: ‘Dead Shack’ and ‘Bitch’

DEAD SHACK

While staying at a run-down cabin in the woods during the weekend, three children must save their parents from the neighbor who intends to feed them to her un-dead family.

Dead Shack is a gore filled, one-liner extravaganza. Starting off with a bang and never letting up, this film is an ode to nosey teens everywhere who have had to fend for themselves by growing a pair/ perhaps being a tad too brazen. You’ll laugh, you’ll squirm, you’ll be really impressed by the performances. With some stunningly sweeping cinematography and cool 80’s electronic score, Dead Shack should not be missed. Good thing for the masses, it’s being released later this year! If you’re not at Fantasia 2017 for this afternoon’s screening, for now, you can check out the trailer below.

NORTH AMERICAN PREMIERE

SCREENING TIMES

CREDITS

  • Directed by: Peter Ricq
  • Written by: Philippe Ivanusic, Davila LeBlanc, Peter Ricq
  • Cast: Lizzie Boys, Lauren Holly, Gabriel LaBelle, Matthew Nelson-Mahood, Donavon Stinson
  • Company: Raven Banner Entertainment Inc.

BITCH

The provocative tale of a woman (Marianna Palka) who snaps under crushing life pressures and assumes the psyche of a vicious dog. Her philandering, absentee husband (Jason Ritter) is forced to become reacquainted with his four children and sister-in-law (Jaime King) as they attempt to keep the family together during this bizarre crisis.

Bitch thrusts you into the mind of a stay-at-home Mom’s breaking point. Creative editing and brilliant storytelling allow the audience to enter into Mom’s psyche and understand why the story happens in the first place. Ritter‘s loathsome performance (a complete compliment) is an awesome foil to Palka‘s brave portrayal of the film’s titular role. Virtual high fives to our leading lady for writing and directing this spectacular movie, as well. This film has way more heart than one might think. It speaks to connection and who is truly the alpha in the household. As with Dead Shack, if you missed Bitch‘s screening at the fest, you’re in luck. The film is getting a wide release later this year!

CANADIAN PREMIERE
  • USA
  • 2017
  • 96 mins
  • English

SCREENING TIMES

CREDITS

  • Directed by: Marianna Palka
  • Written by: Marianna Palka
  • Cast: Jason Ritter, Jaime King, Marianna Palka
  • Company: MPI Media

OFFICIAL SELECTION: SUNDANCE 2017, BAMCINEMAFEST 2017, CHICAGO CRITICS FILM FESTIVAL 2017

Fantasia International Film Festival 2017 Review: ‘Le Manior’ (The Mansion) brings a the scares and the one liners.

LE MANOIR(“The Mansion”)When a group of 20 something friends plan a New Year’s Eve getaway at an old mansion, things get heated when accusations fly, drugs and alcohol are plenty, and there is no signal for phones or wifi. Oh, and did I mention they start dying one by one? While this may sound like you’ve already seen this movie a hundred times, don’t be fooled by the build up. Le Manoir is one hell of a unique dark comedy horror. This movie is what the Scary Movie franchise could have looked like if they were actually intending on genuinely scaring you. The dialogue is much less punny but seriously over the top. Think Evil Dead meets Scooby Doo in all the best ways possible (and you can add in Scream just for good measure). The cinematography is great and the impact of the music and sound editing is spot on. Not only that, but the cast is shockingly comprised of YouTube stars… and they’re fantastic! The chemistry is beyond and each holds their own and then some. I legitimately laughed out loud during the entire 96-minute run. I highly recommend you seek this film out at and after this year’s Fantasia Festival. Check out the trailer below.

NORTH AMERICAN PREMIERE
  • France
  • 2017
  • 96 mins
  • French
  • English (subtitles)

SCREENING TIMES

CREDITS

  • Directed by: Tony T. Datis
  • Cast: Marc Jarousseau, Yvick Letexier, Nathalie Odzierejko, Ludovik Day, Jérôme Niel
  • Company: Gaumont

Review: ‘The Gracefield Incident’ has familiar feel but is still cleverly fresh.

SYNOPSIS: Matthew Donovan, a video game editor, embeds an iPhone camera into his prosthetic eye to secretly record and document a weekend with friends in a luxurious mountain top cabin. The weekend takes a terrifying turn when a meteorite crashes the party forcing everyone to face the darkest, screaming nightmare while somehow connecting life, love, and loss in a twist of fear.

The Gracefield Incident takes pages from some of the most iconic sci-fi and horror films of the last 15 years. If you take Paranormal Activity, Signs, and Cloverfield you’ll have the basic outline for major elements in Mathieu Ratthe’s feature film. Yet, the film has its own uniqueness. The adoption of a camera in our main character’s eye is creative, the use of another character’s professional camera, AND security footage at the main location, allows the story to be experienced from multiple angles in a smart way. My only gripe with the plot has to do with balloons. Balloons don’t float with your breath alone, that’s not how that works. Otherwise, the practical effects are pretty impressive and the endgame is worth the wait. The Gracefield Incident is interesting enough on its own when it comes to the heart of the story. You can check out the trailer below.

THE GRACEFIELD INCIDENT IN SELECT THEATERS AND ON DEMAND / DIGITAL HD:  July 21, 2017

DIRECTOR AND WRITER: Mathieu Ratthe
CAST: Mathieu Ratthe, Kimberly Laferriere, Victor Andres Turgeon-Trelles, Juliette Gosselin, Alexandre Nachi, Laurence Dauphinais
GENRE: Horror, Thriller
DISTRIBUTOR: Momentum Pictures

Fantasia International Film Festival 2017 Review: ‘The Honor Farm’ leaves an empty feeling.

THE HONOR FARM

INTERNATIONAL PREMIERE
  • USA
  • 2017
  • 75 mins
  • English

On prom night, a group of kids wander deep into the woods and come back changed forever.

I had very high hopes based upon the set up of The Honor Farm. It took the typical 30ish minutes to get to what seemed like the ramping up of a really great plot. Everyone is tripping on shrooms and walks into an abandoned prison farm, super cool, right? Rumor has it, two girls died there! Also intriguing, yes, yes, give me more. It’s dark, spooky, and covered in weird suggestive graffiti, this is looking like a blast. Unfortunately, this was not meant to be. While the shrooms do provide for some magical visual moments, the follow through was a letdown. There were several plotlines writer/director Karen Skloss could have expounded upon; satanic ritual, haunted location, séance, but not one of these was ever fully realized. The cinematography is absolutely beautiful, there’s no arguing that point. Unfortunately, the fear factor left me feeling unsatisfied. Even our leading lady expresses in the film, “I was hoping something real was going to happen to me tonight.” Me too, girlfriend, me too.

We’re wondering what you thought of The Honor Farm at this year’s Fantasia Film Fest! If you caught the film over the weekend or this afternoon, we’d love to hear your thoughts. For those not at the fest, you can start with the trailer and decide for yourselves. Check it out below.

CREDITS

  • Directed by: Karen Skloss
  • Written by: Karen Skloss, Jasmine Skloss Harrison, Jay Tonne, Jr.
  • Cast: Olivia Applegate, Katie Folger, Dora Madison, Will Brittain, Louis Hunter, Jonny Mars, Liam Aiken, Mackenzie Astin, Josephine McAdam, Christina Parrish, Michael Eric Reid
  • Company: Gravitas Ventures

Fantasia International Film Festival 2017 Review: ‘Killing Ground’ will swear you off camping for life.

KILLING GROUND

The disturbing horror, thriller follows a couple’s romantic camping trip that becomes a desperate fight for survival in this ultra-raw, unhinged kill ride. In need of a break from the pressures of their life in the city, Sam (Harriet Dyer) and Ian (Ian Meadows) head to a remote beach for a weekend getaway. When they come across an abandoned campsite, with no trace of its occupants, they’re concerned. When they discover a lone, traumatized child nearby, they’re scared. And when they encounter two local weirdos, they’re in for a hell of a bad time. Unfolding in an innovative, time-scrambling structure, Killing Ground delivers both nerve-shredding suspense and gut-punching realism.

KILLING GROUND marks the debut feature of writer/director Damien Power and stars Australian actors Aaron Pedersen (ABC’s “Jack Irish”), Ian Meadows (Network Ten’s “The Wrong Girl”), Harriet Dyer (Nine Network’s “Love Child”) and Aaron Glenane (Truth).

As a kid, I was an avid camper. After seeing Killing Ground, I may never go again. As a mother, thanks to this film, I’ll never, ever bring my children with me to a remote location where I am more than shouting distance away from lots and lots of other campers… with weapons. Killing Ground is a slow burn of menace that keeps you feeling uneasy and queasy it’s entire 93 min runtime. With a multiple narrative style, you already know something horrible is coming but you’re forced to sit through the time jumps just to get to certain doom. Anything with balls enough to put children in true, murderous harm’s way will get me every time now that I’m a parent. But you don’t have to have kids of your own to be deeply affected by the horrors on screen, you just have to have an ounce more heart than the film’s villains. While last week’s SOLD OUT screening at Fantasia Fest may have left many in the lurch, fear not. Killing Ground actually gets its theatrical and VOD release this week, July 21st. Check out the trailer below.

CANADIAN PREMIERE
  • USA
  • 2017
  • 89 mins
  • English

SCREENING TIMES

CREDITS

  • Directed by: Damien Power
  • Written by: Damien Power
  • Cast: Harriet Dyer, Aaron Glenane, Ian Meadows, Aaron Pederson
  • Company: IFC Midnight

Fantasia International Film Festival 2017 Review: ‘SUPER DARK TIMES’ is both a flashback and omen of horror.

SUPER DARK TIMES

Teenagers Zach and Josh have been best friends their whole lives, but when a gruesome accident leads to a cover-up, the secret drives a wedge between them and propels them down a rabbit hole of escalating paranoia and violence.

Set in the early 90’s, before Columbine was an event engrained in history, a child’s innocence was not as easily spoiled as the kids in Super Dark Times. As someone who grew up at the same time as the main characters, I can attest to the typical dangers that surrounded our childhood. We were affected by the national news when a child was kidnapped, but that was about it. On the first evening of this year’s Fantasia Film Festival, audiences will see a film so brilliantly composed from the colors and textures of the costumes and cinematography to the incredibly disturbing storyline from screenwriters Ben Collins, Luke Piotrowski. The power of an act of violence changes a person. Born from that awkward time in our lives comes the idea that fear can control the room, where the older/stronger kids ruled the proverbial schoolyards. Drugs, alcohol, and cigarettes made you popular and badass and oftentimes, intimidating. Super Dark Times taps into those ideals in that very specific time in history, and yet it has a creepy timeless factor once you understand the full plot. With elements of the surreal, you will find yourself asking who is showing us the truth at any given moment. Director Kevin Phillips takes us on a sickening journey, one that’s become all too familiar as the years have rolled by.

CANADIAN PREMIERE
  • USA
  • 2017
  • 102 mins
  • English
  • Directed by: Kevin Phillips
  • Written by: Ben Collins, Luke Piotrowski
  • Cast: Sawyer Barth, Owen Campbell, Elizabeth Cappuccino, Amy Hargreaves, Charlie Tahan, Max Talisman
  • Company: The Orchard

Review: ‘Footnotes’ brings the classic 60’s musical into this century.

Inspired by the films of Jacques Demy and Stanley Donen, this musical comedy follows a young woman who must dance between a budding romance, a scheming boss, and co-workers on strike at her new job in a luxury shoe factory.

Footnotes comes at a perfect time in cinema history where the movie musical is once more appreciated and praised. This sweet and relatable story of Julie having to choose between love and loyalty has all the whimsy of a great French musical from the 60’s. From the costumes to the Fosse-esque choreography, Footnotes brings a smile to your face at each turn. It is very reminiscent of The Pajama Game but set this time in a shoe factory. Lead, Pauline Etienne is as charming and awkward as the role of Julie requires. Her airy voice suits the role and is a lovely foil to the gaggle of surprising factory women. With a wonderful, never over the top message of respect in the workplace and equal pay, this gem of a film will have your feet tapping and heart singing, no doubt about it. You can listen to the soundtrack right now on Spotify (link below) but first, check out the trailer. You can catch Footnotes in theaters today!

Have a Spotify Account?

Listen to the official Footnotes soundtrack with original songs written by Olivia Ruiz, Clarika, and many more!

Review: ‘Love At First Child(Ange et Gabrielle) is a charming familial rom com.

Opening on VOD Nationwide on Tuesday, July 11 on all major platforms includingiTunes, Google Play, Amazon, Microsoft, Vudu, Comcast, Charter, Cox, Vimeo, and various other cable operators.

Gabrielle (Isabelle Carré) is a single mother, her 17-year-old daughter Claire is pregnant, however the child’s father Simon has no desire to be involved with his future baby. When Gabrielle takes matters into her own hands and asks Simon’s father Ange (Patrick Bruel) for help, an unexpected relationship begins.

Oozing with charm, Love At First Child is heartwarming and funny. The story of a hypochondriac womanizing architect and a down to earth pharmacist coming together over a grandchild couldn’t be more interesting. It’s a story of familial redemption. it’s another chance at living the life these characters always wanted deep down. Isabelle Carré as Gabrielle is a lovely foil for Patrick Bruel‘s stubborn Ange. Revealing much more about the plot would spoil the film. For me, it harkens back to Three Men and a Baby in the best way possible.This script could easily find itself in a position for an American remake with a similar audience as the upcoming Toni Erdmann. Though, trying to recreate the chemistry for both films again doesn’t seem possible. Delightfully scored and beautifully shot, you simply cannot go wrong with this little gem.

 

91mins / Comedy /France /Color / Distributor: Under The Milky Way

DIRECTED BY: ANNE GIAFFERI

In French with English Subtitles

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ALSO RELEASED BY UNDER THE MILKY WAY ON ALL MAJOR VOD PLATFORMS ON JULY 11 AS A PART OF THIER “COMEDIES À LA CARTE” COLLECTION:

– DYKE HARD (Directed by: Bitte Anderson, Comedy, Sweden, 90 mins)

– NOT MY DAY (Directed by:Peter Thorwarth, Comedy, Germany, 110mins)

– ONE MAN AND HIS COW (Directed by: Mohamed Hamidi, Comedy, France, 91 mins)

– WINWIN (Directed by: Daniel Hoesl, Comedy, Austria, 84 mins)

Review: ‘Once Upon A Time In Venice” is for the dogs… and Bruce Willis fans.

SYNOPSIS:  Bruce Willis (Die Hard) is Venice Beach P.I. Steve Ford: a detective who’s good with the ladies, bad with the punches, and wild about his dog, Buddy. But when his beloved pet is stolen by local thugs, Steve makes a questionable alliance with their devious leader, Spyder (Jason Momoa, “Game of Thrones”). Teaming up with his best friend (John Goodman, The Big Lebowski), Steve pulls out the big guns like those available at allaboutshooting.com, to search a Spyder’s stolen cocaine and cash in order to set things straight and get Buddy back where he belongs. Thomas Middleditch (“Silicon Valley”), Famke Janssen (X-Men), and Kal Penn (Harold & Kumar Go to White Castle) co-star in this bullet-ridden action-comedy that shows just how far one man will go for his dog.
The film features an all-star ensemble cast including Bruce Willis (Die Hard),

John Goodman (The Big Lebowski), Jason Momoa (Aquaman, “Game of Thrones”), Famke Janssen (X-Men), Thomas Middleditch (“Silicon Valley”), Adam Goldberg (Saving Private Ryan), Kal Penn (Harold & Kumar Go to White Castle), and rapper Tyga (Barbershop: The Next Cut).

ONCE UPON A TIME IN VENICE is the directorial debut of Mark Cullen who co-wrote and co-produced the film with his brother Robb Cullen. The Cullen brothers previously collaborated on Cop Out which also stars Bruce Willis.  The film is produced by Nicolas Chartier (The Hurt Locker), Laura Ford (Carolina), Zev Foreman (Dallas Buyers Club) and is executive produced by Jonathan Deckter (Colossal) and Stephen J. Eads (Live Free or Die Hard).
Once Upon A Time In Venice is one quirky piece of hilarity. While I was not prepared to see Bruce Willis buck naked on a skateboard, I was not mad about it. The film is a bit all over the place but wildly entertaining. In practically every new scene there is a crazy celebrity cameo, aside from the major ensemble cast to begin with. Willis and Goodman are charming as ever. Momoa is almost unrecognizable and Middleditch is genuinely adorable. Everyone is stellar and the script has some huge laugh out loud moments. ONCE UPON A TIME IN VENICE is in theaters and on VOD and Digital HD now! Check out the trailer below.

 

TITLE: ONCE UPON A TIME IN VENICE

IN THEATERS AND AVAILABLE ON VOD AND DIGITAL HD: June 16, 2017

DIRECTOR: Mark Cullen

WRITERS: Mark Cullen, Robb Cullen

CAST: Bruce Willis, John Goodman, Jason Momoa, Thomas Middleditch, Famke Janssen, Stephanie Sigman, Adam Goldberg, Kal Penn, Christopher McDonald, Wood Harris

GENRE: Action/Comedy

DISTRIBUTOR: RLJ Entertainment

Review: ‘CAMERA OBSCURA’ is a well developed horror.

Camera Obscura

In theaters today, June 9th and on VOD and Digital HD on Tuesday, June 13th

SYNOPSIS: A veteran war photographer with PTSD sees imminent deaths in his developed photos, questioning his already fragile sanity and putting the lives of those he loves in danger.

Camera Obscura has an engrossing plot. The script has nods to horror classics like Amityville, Final Destination, and every haunted object film out there. Adding in the element of PTSD allows the audience to further question what is real and what is in the mind’s eye. There are some truly vibrant visuals when those lines are blurred. With a fair number of skin-crawling moments thrown in, Camera Obscura does its job at entertaining and keeping you guessing. I certainly did not see the ending coming. I will also give credit to the fact that the pace is already ramped up in full force before we’re even 20 minutes in. The cast is wonderful with particularly outstanding moments coming from Catherine Curtain and (no stranger to the horror genre) Andrew Sensenig. All while utilizing throwback ideas, Camera Obscura stands on its own as something disturbing and unique. You can catch the trailer below.

TITLE: CAMERA OBSCURA
IN THEATERS: June 9, 2017
AVAILABLE ON VOD AND DIGITAL HD: June 13, 2017
DIRECTOR: Aaron B. Koontz
WRITERS: Aaron B. Koontz, Cameron Burns
CAST: Christopher Denham, Nadja Bobyleva, Catherine Curtin, Chase Williamson, Noah Segan
GENRE: Thriller, Horror

Review: ‘Spirit Game: Pride of a Nation’ – Eat, Sleep, LAX, & Repeat

Spirit Game: Pride of a Nation

Theatrical Release Date: May 26, 2017

Available on VOD & iTunes: June 20, 2017

Guest review from Reel Reviews Over Brews

Spirit Game: Pride of a Nation is a documentary that follows The Iroquois Nationals Lacrosse Team on the road as they compete in the 2015 World Indoor Lacrosse Championships. For the first time ever, the World Championship Games were hosted by a native nation in Onondaga, New York, the Capitol of the Iroquois Confederacy. The documentary covered the true meaning of the game from the Iroquois, who originated it and called it their “medicine game.” The documentary also gives a bit of history on what this sovereign nation had to go through, to be recognized by the Federation of International Lacrosse. They experienced years of misfortune but always managed to keep the faith and appreciate the game, which is a testament to the type of people the Iroquois are. So if you want to bet on them, you can take a look at sites such as 먹튀.

We are suckers for documentaries, especially ones about sports. The documentary did a great job showing the Iroquois culture and how important the Iroquois Nationals Team is to them and their history. While countries have national sports for example; the USA has baseball, England has cricket, and Canada has Ice Hockey, the Iroquois have lacrosse. Except, the Iroquois don’t have hundreds of thousands of players to pick from… they have roughly 400 players to create a championship team with. Even at this disadvantage, they were able to compete at such a high level in the 2015 World Indoor Lacrosse Championships. It was truly amazing to watch the Iroquois band together to host the WILC. When they faced Canada in the championship, they didn’t even hold a grudge towards them for “skipping” the passport stamping (the only team at the WILC that did not attend this ceremony), the Iroquois just played the game as they knew… with all of their heart. Throughout the movie, they had us thinking about our own sports memories. Whether it was traveling and playing professional WIFFLE ball with our team, Way Too Beautiful, or having the same mindset as the Iroquois growing up playing baseball and hockey. This movie hit us right in the feels. By the end, not only do we now want to go visit the Iroquois Nation, but we also want to follow them during the next World Championship Games!

Reel ROB Rating: 4.5 out of 5 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review for them!

TITLE: SPIRIT GAME: PRIDE OF A NATION
IN THEATERS: May 26, 2017
AVAILABLE ON VOD AND iTUNES: June 20, 2017
DIRECTOR: Peter Spirer & Peter Baxter

Tribeca Film Festival 2017 review: ‘Buster’s Mal Heart’ is chilling and downright weird.

An eccentric mountain man is on the run from the authorities, surviving the winter by breaking into empty vacation homes in a remote community. Regularly calling into radio talk shows, where he has acquired the nickname”Buster,” to rant about the impending Inversion at the turn of the millennium, he is haunted by visions of being lost at sea, and memories of his former life as a family man.

Buster’s Mal Heart took everyone by surprise this year. There seemed to be 2 distinct reactions once the credits began to role. 1. That was terrible. 2. That was amazing. I happen to be in the party of the amazing. Rami Malek is the perfect choice for this role. With the incredibly successful run of Mr. Robot, Malek takes on yet another role that is mysterious and mind-bending. Whether you enjoyed the film or not, there was no arguing that it left you wondering what the hell you just watched. The plot is left to the audience’s interpretation at times. There is zero doubt about the talents of Malek in what is a challenging role. Half the film has no dialogue from his character at all. Nuanced and heartbreaking but also filled with innocent humor, you will never be bored and you will be made to think. Buster’s Mal Heart will keep you guessing long after you leave the theater and well, isn’t that what great cinema is all about?
The film is now in theaters and if you’re already a fan of Malek, I highly recommend you catch this film. The 1hr 36min run feels longer but in the best way possible. The film’s themes go full speed ahead, and there is a number of them. From best intentions, living up to other’s expectations, to anarchy and testing one’s own sanity, Buster’s Mal Heart will confuse and provoke you. You’re going to want to watch it over and over. We’d love to hear your thoughts once you’ve seen the film! Check out the madness that is the trailer below.

FILM INFO
CAST & CREDITS
  • Director:
    Sarah Adina Smith
  • Screenwriter:
    Sarah Adina Smith
  • Cinematographer:
    Shaheen Seth
  • Editor:
    Sarah Adina Smith
  • Composer:
    Mister Squinter
  • Executive Producer:
    Mynette Louie, Julie Parker Benello, Dan Cogan, Geralyn Dreyfous, Wendy Ettinger, Samuel T. Bauer
  • Producer:
    Jonako Donley, Travis Stevens
  • Associate Producer:
    William Adashek, Kevin Cannon
  • Co-Producer:
    Erika Kelton, Regina K. Scully, Lesley Ann Skillen
  • Sound Design:
    Paula Fairfield
  • Art Director:
    Tessla Hastings
  • Cast:
    Rami Malek, DJ Qualls, Kate Lyn Sheil, Sukha Belle Potter, Lin Shaye

Review: ‘The Shadow Effect’ begs for more.

Obsessed with gene regeneration, and fascinated by the phenomenon of the waking dream, Dr. Reese (Jonathan Rhys Meyers) explores the psyche of Gabriel Howarth (Cam Gigandet), a young man whose life is turned upside down when his violent dreams begin to blend with reality. When Gabriel’s dreams mirror political assassinations, he must race against the clock to not only save himself and his wife Brinn (Britt Shaw), but stop an experimental government program. With time running out, and Gabriel’s life on the line, only Dr. Reese holds the key to unlocking the truth.

There is a ton of potential in The Shadow Effect. Stars Cam Gigandet and Jonathan Rhys Meyers are both absolutely on point with their performances. They try very hard with the material provided, so it’s not really their fault that the film’s inconsistent moments of great and not so good cannot match up to the caliber of their talents. The editing is the guilty culprit. There are moments in the first half of the film with stellar use of speed dynamics that set up the plot, but the CG is downright awful. Some of the action sequences, including punches, are ill-timed and/or missing the proper sound effect. It’s incredibly distracting. The Shadow Effect might have been better off as a series on SyFy network. The script is intriguing enough to hold your attention, but I yearned for more. There is so much we’re missing or quickly glazed over that I think multiple episodes would have done a better job at delving into the past of all the characters. Trying to shove everything into about a 95-minute run doesn’t do any one plot line the justice it deserves.

You can catch The Shadow Effect ON DEMAND, DIGITAL HD AND DVD right now. Check out the trailer below.

TITLE:  THE SHADOW EFFECT
ON DEMAND, DIGITAL HD AND DVD:  May 2, 2017
DIRECTORS: Obin Olson, Amariah Olson
WRITERS:  Chad Law, Evan Law, Tony Feole
CAST: Cam Gigandet, Jonathan Rhys Meyers, Brit Shaw, and Michael Biehn
GENRE: Action, Thriller
DISTRIBUTOR: Momentum Pictures

Tribeca Film Festival 2017 review: ‘MANIFESTO’ is life giving art.

Originally a stage experience in which 13 vignettes play simultaneously, Manifesto the film is another vehicle for Cate Blanchett to be Cate Blanchett being awesome. Performing words from the likes of Karl Marx, Freidrich Engel, and Jim Jarmusch, the film begs the question, ‘What is art?’ from every angle possible. Blanchett is a masterclass, playing each of the 13 characters completely differently and with precision, humor, and honesty worthy of a nomination for each. This film is most definitely not for everyone. It is highly stylistic and gorgeously shot. While it is up to the audience to decide whether there is an actual plot line, it’s more about the interpretation of the words and the specific decisions director Julian Rosefeldt and Blanchett have made as a team. The transitions from “scene” to scene are just as striking as the bold costume and makeup choices. One cannot help but be fully engrossed in every word and chosen movement, by both the camera and our leading lady. Defying gender, class, or form, Manifesto will challenge your mind and capture your imagination.


CAST & CREDITS
  • Director:
    Julian Rosefeldt
  • Screenwriter:
    Julian Rosefeldt
  • Director of Photography:
    Christoph Krauss
  • Makeup:
    Morag Ross
  • Costume Designer:
    Bina Daigeler
  • Editor:
    Bobby Good
  • Sound:
    David Hilgers, Fabian Schmidt, Markus Stemler, Tschangis Chahrokh
  • Production Designer:
    Erwin Prib
  • Executive Producer:
    Wassili Zygouris, Marcos Kantis, Martin Lehwald
  • Producer:
    Julian Rosefeldt
  • Hair Stylist Designer:
    Massimo Gattabrusi
  • Post Production Supervisor:
    Jan Schöningh
  • Cast Member:
    Cate Blanchett

Review: ‘RUPTURE’ challenges human perception.

RUPTURE
Fantasia International Film Festival 2016
 Sitges Film Festival 2016
 Bucheon International Fantastic Film Festival (BiFan) 2016

RUPTURE is directed by Steven Shainberg (Secretary, Fur: An Imaginary Portrait of Diane Arbus) from a script co-written by Shainberg and Brian Nelson (Hard Candy, 30 Days of Night). The film stars Noomi Rapace (The Girl with the Dragon Tattoo, Prometheus), Peter Stormare (The Big Lebowski, Fargo), Kerry Bishe (AMC’s “Halt and Catch Fire,” Argo), and Michael Chiklis (FX’s “The Shield,” Fantastic Four).

RUPTURE follows Renee Morgan (Noomi Rapace), a single mom, who is deathly terrified of spiders.  While in route to meet up with a friend, she is violently abducted by a group of strangers.  After enduring intense yet strange questioning and examinations, some about her fear of spiders, Renee soon discovers that she is now the subject of an underground experiment.  Her captors explain to her that she has a genetic abnormality that can potentially allow her to “rupture” and reveals her alien nature.  Renee must find a way to escape before it is too late.
Writer/director Steven Shainberg became an award-winning indie film sensation with 2002’s kink masterpiece Secretary, his second feature following 1998’s powerful Jim Thompson adaptation Hit Me. Four years after, he returned with the poetic and beautiful Fur: An Imaginary Portrait of Diane Arbus.
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Noomi Rapace‘s previous roles in The Girl With The Dragon Tattoo and Prometheus make her the perfect actress to tackle a role that is both physically taxing and unglamorous AND that delves into fear and alien genetics. I cannot imagine anyone else for this very niche role. The rest of the eclectic cast’s performances seem off-putting at first, but makes more sense as the plot rolls along, so don’t let that throw you as you watch. Rapace owns this film from the very first frame she appears in. In less than 13 minutes, we have a fully established mother/son relationship that is so valuable to the script and emotional hold of an audience. The dialogue is ominous and well paced. As the story progresses, the film has a Hostel meets Splice vibe.

Rupture’s sound and music editing add to the impending sense of ‘something ain’t right here”. The oversaturated lighting scheme and set colors achieve a similarly unsettling feel that is perfect for this genre. You can’t escape the immediately engrossing plot. Rupture is a fantastic balance of scary and scientific exploration that makes for one hell of a ride.

AMBI Media Group will release the sci-fi thriller RUPTURE in theaters and On Demand April 28, 2017.  The film is currently available exclusively on DirecTV.

Tribeca Film Festival 2017 review: ‘The Divine Order’ is gloriously relevant.

SYNOPSIS: Switzerland, 1971: Nora is a young housewife and mother who lives with her husband, their two sons and her father-in-law in a little village. Here, in the Swiss countryside, little or nothing is felt of the huge social upheavals that the movement of May 1968 has caused. Nora’s life, too, has been unaffected; she is a retiring, quiet person, well liked by everyone – until she begins to campaign publicly and pugnaciously for women’s right to vote, an issue that will be put before the male voters on February 7th, 1971.

Impeccably acted and stunningly shot, The Divine Order is a film very much relevant in today’s political climate. In the continued fight against the patriarchy, we must first educate ourselves on how far we’ve come. This film demonstrates the power of women as a collective entity fueled by passion in pursuit of equality. With fully fleshed out female characters that are nuanced and honest, writer/director Petra Volpe has given us a true cinematic gift.

Tribeca Film Festival 2017

Won
Audience Award
Narrative
Petra Biondina Volpe
Won
Jury Award
Best Actress in an International Narrative Feature
Marie Leuenberger

“For a performance that is patient, intelligent and graceful, that captured the liberation of a … More

Won
Nora Ephron Prize
Petra Biondina Volpe

“For its intrepid and compassionate storytelling, beautiful cinematography (DP-ed by a woman), … More

Nominated
Jury Award
Best International Narrative Feature
Petra Biondina Volpe

Official Sites:

Country:

Switzerland

Language:

German | English | Italian | Swiss German

Release Date:

27 October 2017 (USA)

Review: Werner Herzog’s ‘SALT AND FIRE’ leaves a bitter taste.

SALT AND FIRE

World Premiere – Shanghai Film Festival 2016

North American Premiere – Toronto International Film Festival 2016

Official Competition – Dubai International Film Festival 2016

Official Competition – Glasgow Film Festival 2017

SALT AND FIRE is about a mysterious hostage-taking where the leader of a small scientific delegation is deliberately stranded with two blind boys in an area of gigantic salt flats. Shot in Bolivia, the film stars Michael Shannon, Veronica Ferres, and Gael García Bernal and was written and directed by Werner Herzog.

I have to be honest. I had extremely high hopes for Salt and Fire based on Werner Herzog‘s direction and the star studded cast of Michael Shannon, Veronica Ferres, and Gael Garcia Bernal. Boy, oh boy, was I disappointed. Filled over the brim with overly philosophical quotes and MIA cast members, I struggled to even finish the film.  The disjointed feeling of the plot and the hyper theatrical dialogue delivery in the first half of the film are pretty brutal. Michael Shannon, however, gives another sterling performance especially considering what he’s been given to work with. The ending, the final 10 minutes of the film, is so syrupy I sort of just sat there with my mouth open. Maybe it’s just me. Maybe, somehow, the film is over my head. At this point, I just can’t tell. By all means, be your own judge. You can find the trailer below:

TITLE:  SALT AND FIRE
IN THEATERS: April 7, 2017
AVAILABLE ON VOD AND iTUNES: April 4, 2017
DIRECTOR: Werner Herzog
WRITER: Werner Herzog, based on the story “Aral” by Tom Bissell
CAST: Michael Shannon, Gael García Bernal, and Veronica Ferres
SYNOPSIS: SALT AND FIRE is about a mysterious hostage-taking where the leader of a small scientific delegation is deliberately stranded with two blind boys in an area of gigantic salt flats. Shot in Bolivia, the film stars Michael Shannon, Veronica Ferres, and Gael García Bernal and was written and directed by Werner Herzog.
GENRE: Thriller
DISTRIBUTOR: XLrator Media

Review: ‘The Blackcoat’s Daughter’ is wicked twisted and completely unsettling.

 The Blackcoat’s Daughter

SYNOPSIS

A deeply atmospheric and terrifying new horror film, The Blackcoat’s Daughter centers on Kat (Kiernan Shipka) and Rose (Lucy Boynton), two girls who are left alone at their prep school Bramford over winter break when their parents mysteriously fail to pick them up. While the girls experience increasingly strange and creepy occurrences at the isolated school, we cross cut to another story—that of Joan (Emma Roberts), a troubled young woman on the road, who, for unknown reasons, is determined to get to Bramford as fast as she can. As Joan gets closer to the school, Kat becomes plagued by progressively intense and horrifying visions, with Rose doing her best to help her new friend as she slips further and further into the grasp of an unseen evil force. The movie suspensfully builds to the moment when the two stories will finally intersect, setting the stage for a shocking and unforgettable climax.

Emma Roberts plays a mysterious young woman who is clearly troubled. It’s an unglamorous role but suits her well. She is, as ever, riveting on screen. Having watched Kiernan Shipka literally grow up on Mad Men, we find her in a role that’s totally unexpected and truly scary. The progression of her character is unhinged. Fun fact: Shipka has a hauntingly gorgeous singing voice. The script’s dynamic is engrossing and the concept of two stories colliding keep you consistently alert. The uncomfortable moments and there are many, will keep you on the edge of your seat long enough to get to the weird (in a good way) ending.  The location screams typical New England boarding school. The winter weather adding to the gloom and darkness of the impending doom. The Blackcoat’s Daughter will stick with you in a disturbing way long after the credit roll. In Select Theaters and On Demand March 31st, 2017

Opening in NYC (Village East, Alamo Drafthouse Yonkers), LA (Sunset 5 West Hollywood) and additional cities…

Directed By:                         Osgood Perkins

Written By:                           Osgood Perkins

Produced By:                       Rob Paris, Adrienne Biddle, Bryan Bertino, Robert Menzies, Alphonse Ghossein

Starring:                                Emma Roberts, Kiernan Shipka, Lucy Boynton, Lauren Holly, James Remar

Release Date:                       Exclusively on DirecTV—February 16, 2017 / In Theaters and On Demand—March 31, 2017

Running Time:                     95 minutes

Rating:                                 R for brutal bloody violence and brief strong language