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Review & Press Conference: ‘BURNT’ is a tasty dish we’ve had before

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Burnt_Poster2_FINAL2Chef Adam Jones (Bradley Cooper) had it all – and lost it. A two-star Michelin rockstar with the bad habits to match, the former enfant terrible of the Paris restaurant scene did everything different every time out, and only ever cared about the thrill of creating explosions of taste. To land his own kitchen and that third elusive Michelin star though, he’ll need the best of the best on his side, including the beautiful Helene (Sienna Miller). BURNT is a remarkably funny and emotional story about the love of food, and the preparation of recipes as gourmet chocolate cookies which you can even get deliver to your home now a days.

BRADLEY COOPER stars in BURNT.

BRADLEY COOPER stars in BURNT.

Cooper is strong as ever, there is no denying that. Not only do you absolutely buy him as a skilled chef but you also find yourself engrossed in the background story of addiction. Not to mention he gets to show off his impeccable and charming French skills. Miller, once again, gives a solid performance as single mother Helene. Her great balance of strength and vulnerability make her a lovely foil for Cooper. There chemistry seems truly organic. This film is really an ensemble piece. You cannot create an environment such a kitchen without relying heavily on your entire team. Daniel Bruhl reads as one of the most passionate characters in the film, by far. Sam Keeley and Omar Sy, both inject life into this eclectic group of chefs. Other noteworthy performances come from Matthew Rhys and Emma Thompson. The cast was put through kitchen boot camp. they had become chefs on set. That is clear and wonderful to watch.

(L-R) BRADLEY COOPER and SIENNA MILLER star in BURNT.

(L-R) BRADLEY COOPER and SIENNA MILLER star in BURNT.

The film should do well with cooking enthusiasts and foodies alike. While the script is nothing revelatory, it does  give the audience an easy peak into the aftermath of addiction. BURNT is very much a film about second chances and self respect. The cast is strong, the food porn aspect is delightful. The comment on building the perfect meal and building the perfect relationship was certainly not lost on me. Go for Cooper, go for the acting, and definitely go for the food.

Bradley Cooper and Sienna Miller attended the film’s press conference with fellow stars Daniel Bruhl, Uma Thurman, and Sam Keeley. Moderated by the gregarious and world renowned chef Mario Batali, the press conference took place at The London Hotel in New York.

Burnt press conf table

NEW YORK, NY – OCTOBER 20: (L-R) Mario Batali, Daniel Bruhl, Sienna Miller, Bradley Cooper, Uma Thurma and Sam Keeley attend the “BURNT” New York Press Conference at The London Hotel on October 20, 2015 in New York City. (Photo by Andrew Toth/Getty Images for The Weinstein Company)

Burnt photo call

NEW YORK, NY – OCTOBER 20: (L-R) Mario Batali, Daniel Bruhl, Sienna Miller, Sam Keeley, Uma Thurman and Bradley Cooper attend the “BURNT” New York Press Conference at The London Hotel on October 20, 2015 in New York City. (Photo by Andrew Toth/Getty Images for The Weinstein Company)

Check out our audio from the conference. You can hear me make a comment and ask a question around the 22:00 minute mark. And yes, that is Bradley Cooper reacting to my profound statement. As for Mario Batali… I’m going to need him to moderate more often. What a gem.

BURNT is in theaters now!

Review: ‘NASTY BABY’ is a labor of love.

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PRESENTS

NASTY BABY posterAs someone who tried to get pregnant for 8 months, I understand the frustration reading “Not Pregnant” on the test screen each month and the angst that follows. For some women, 8 months is nothing. I understand that, but at 34, time was of the essence. I am lucky enough to have a wonderful and supportive husband, and now at 35, we’re expecting a baby boy in January (or December, the pool is growing). What happens when you’re unattached and reaching an age where it might be now or never? Who do you turn to if you want to build a family? A sperm bank? Or perhaps, you approach someone you love and ask for the ultimate favor. Building a family is not the easiest thing in the world. In NASTY BABY, Kristen Wiig walks through hell and back for the lives of the ones she loves.Nasty Baby 2 Director/screenewriter Sebastián Silva brings this heartfelt and bizarre tale to the screen, also starring as Kristen’s best friend in the film, Freddy. Freddy and Mo are partners. When Freddy’s sperm count comes back low, Polly (Wiig) approaches Mo to step in as potential daddy alternative. The decision is not one anyone takes lightly. Opinions fly at the three friends left and right as the clock winds down the drama heightens. The film is really about a relationship between three people. People who are accessible emotionally and completely terrified to face the realities of their choices. Nasty Baby 1The script takes an unexpected turn near the end, really throwing the viewer for a loop. This didn’t deter me from loving it. In fact, for me, it got me even more involved with these people. I thought, “What would I have done?!” Wiig, once again, bouncing from mainstream comedy to brilliant indie, is flawless. I encourage you to seek out her work in films like The Diary of a Teenage Girl, Welcome To Me, and The Skeleton Twins. Wiig’s range will blow you away. Silva as Freddy and Tunde Adebimpe as Mo might as well be a real couple living in NYC. The performances are entirely organic and totally believable. We know these people. Other notable and important performances come from Reg. E Cathey and Mark Margolis. Nasty Baby tackles issues like mental illness, homophobia, crossing personal boundaries, and what it is that makes a family. With handheld camera work making you feel like a fly on the wall, Nasty Baby is funny, charming, chilling and wonderful. 

NASTY BABY is available on VOD today!! Check it out.
Synopsis:
An award-winning festival favorite by Sebastián Silva (“The Maid”),
NASTY BABY centers on Freddy (Silva), a Brooklyn-based artist who, with his boyfriend, Mo (Tunde Adebimpe), and their best friend, Polly (Kristen Wiig), is trying to have a baby.  As this trio deals with the complications of conception and creating the “new normal” family, their bliss is clouded by a series of confrontations with an annoying neighbor who just might be a madman.

 

Review: ‘I SMILE BACK’ is Sarah Silverman’s game changer.

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Presents
i smile back posterSarah Silverman has been making us laugh for ages now. Her raunchy comedy style is beyond funny. Though, we’ve never seen her in a role like the one she plays in I SMILE BACK. As a mother of two children, insurance salesman husband, massive house in the burbs, Silverman plays a woman on the edge of a cliff. This film is not funny. Sarah Silverman I Smile Back still So many mothers try their damnedest to attain a facade of perfection. Doing it all, every day, can take its toll. Even more so  if underlying issues bubble to the surface and collide head on with mental illness and addiction. Silverman‘s character, Laney, has a routine. Hubby wakes her up as he is heading out the door. She rises, makes her kids their personalized lunches, breakfast, gets them to school… then all hell breaks loose in her world. Faking it through the moments has become the bane of her existence so pills, alcohol and sex become her destructive outlet. When the cracks begin to show and the fun wears off, Laney’s sporadic outbursts among the masses, and worse, the ones she knows intimately are simply the beginning of all the walls imploding around her. The film tackles so many touchy subjects unapologetically. Based on Amy Koppleman‘s novel (which she adapted for the screen along with Paige Dylan) I SMILE BACK pulls no punches in parading Laney’s self destructive behavior for the audience to cringe along with. Whether or not we’ve experienced addiction first hand, we all know someone who has. Depression doesn’t have a magical cure. Bruce, Janey, son, Josh Charles, I smile Back stillSarah Silverman should, hands down, get an award for this performance. Do not for one minute think that was an easy performance to pull off. It is raw, dirty, unglamorous, and very real. If this doesn’t open up an entire new avenue for her career, then shame on Hollywood. Sharp tongued and effortlessly pointed, Silverman owns this film from minute one. Josh Charles as supportive husband Bruce is no throw away character. Endlessly in love with his wife, knowing full well what she is capable, there are moments real truth is revealed. Through brief remarks, side glances,even if he tolerates her behavior, he does not condone it. His portrayal is incredibly realistic in each moment. He never asks too much of her but strives for her happiness even if it means making unpleasant family decisions. It is an unafraid performance. Laney and dad Sarah Silverman still from I smile Back
I Smile Back not only tackles addiction, depression,  mental illness, but breaking the patterns that have been, and are being, passed down generation to generation. The film is brave. The script is bold. It will leave you with a sense of reality some may not be ready to accept. Audiences will be lucky to dive into this film head first. We’re very proud to recommend I SMILE BACK.

I SMILE BACK open tomorrow, October 23rd in NY at the Angelika! Available On Demand November 6th.
Laney is an attractive, intelligent suburban wife and devoted mother of two adorable children. She has the perfect husband who plays basketball with the kids in the driveway, a pristine house, and a shiny SUV for carting the children to their next activity. However, just beneath the façade lie depression and disillusionment that send her careening into a secret world of reckless compulsion. Only very real danger will force her to face the painful root of her destructiveness and its crumbling effect on those she loves.
Starring: Sarah Silverman, Josh Charles, Tom Sadoski and Mia Barron
Directed by: Adam Salky
Written by: Amy Koppelman (based on her novel) and Paige Dylan
Running Time: 85 minutes
Rating: R
#ISmileBack

Review: ‘I Spit On Your Grave 3 Vengeance Is Mine’

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ISOYG posterWhen I was a high school Junior, I sat in a sexual assault seminar. The woman leading the talk asked us to take out a piece of paper, write down our name at the top, and then write down the names of our three closest friends. The she proceeded to say, “Statistics say that three out of the four of you on this list will be sexually assaulted in the four years you are at university.” As terrifying as that sounded, it ended up being true. How is one supposed to act after such horrific things happen to them? Don’t you wish that you could take matters into your own hands? The struggle between power and healing is greater than most can understand. In the newest installment of a franchise I SPIT ON YOUR GRAVE 3 VENGEANCE IS MINE tackles just such subjects in a way that is extreme but not necessarily unwarranted._MG_9874

Jennifer Hills (Sarah Butler) is still tormented by the brutal sexual assault she endured years ago (I SPIT ON YOUR GRAVE 2010). She’s changed identities and cities, reluctantly joining a support group where she begins to piece together a new life. But when her new friend’s murderer goes free and the tales of serial rapists haunt her, Jennifer will hunt down the men responsible and do what the system won’t – make them pay for their crimes in the most horrific ways imaginable. Only this time, no jury may be able to save her. Jennifer Landon (“The Young and the Restless”), Doug McKeon (ON GOLDEN POND) and Gabriel Hogan (“Heartland”) co-star in this unforgiving, unmerciful and uncut new chapter of one of the most notorious franchises in movie history.

Anchor Bay Entertainment released I Spit on Your Grave in 2010 and I Spit On Your Grave 2 in 2013 to critical acclaim.  Based on Meir Zarchi’s 1978 version, the franchise has gained the respect of both mainstream and genre critics. This latest installment is a continuation of the 2010 film’s storyline._MG_7009This particular film is a real departure from the tried and true formula of the first two films. Utilizing flashbacks to connect with the former, ISOYG 3, is intense and twisted in the revenge game. Sarah Butler once again nails this role. She captures the screen, never unassuming, Butler is relatable and engrossing. Sidekick of sorts in the plot is actress Jennifer Landon as Marla (pictured above) as an ass-kicking, no mercy, take back the night kinda chick. She shines just as brightly as Butler. The other performance that absolutely deserves mention is that of Doug McKeon, as distraught father whose daughter was a victim of rape. Throwing caution to the  wind, his performance gets better and better as the film progresses. He gains your sympathy, support, and finally cheers. _MG_7136While the plot is quite the structural departure, it almost works wonders, almost. Strong performances save the plot that seems so far from the first two. It’s an interesting look into the emotional damage of such acts, and don’t be mistaken, it is a victim’s fantasy. I SPIT ON YOUR GRAVE 3 will entertain genre fans with its heightened gore factor and practical effects, no doubt. There is no shortage of cringe worthy moments… massively cringe worthy. The film opens today in LA (October 9) and will be available on DVD, Blu, Ray, VOD October 20. 

 

New York Film Festival Review: ‘STEVE JOBS’ The idol and the narcissist.

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SteveJobs-NYFF53-fullSteve Jobs posterSteve Jobs: Humanity may recognize his face quicker than any religious leader, sports icon, historical figure… even Kardashian. The world knows this man. But, do they really?  Danny Boyle‘s new film, based upon the biography by Walter Isaacson, focuses on three specific moments in the life of Jobs; the launches of the Macintosh, Next, and the iMac. You may think you know the man that inspired the internet in your pocket, but truly you have no idea.stevejobs0004

The unmistakable dialogue from Aaron Sorkin breathes life into this film. Steve Jobs takes off running right out of the gate without a moment’s rest in it’s 122 minute run time. Each of the three sequences appearing in “real time” as they play out on screen. Sorkin admitted in the press conference following the screening that he has a bit of an obsession with time itself. The pacing is unreal. You have no idea how far you are into the movie at any given time as his dialogue is lush but never verbose. The entire cast nails each beat precisely.

steve jobs michael fassbender Lisa Still

If you haven’t read Isaacson’s book, you may not have a clear picture of Jobs. While he was adored by those in the public and those closest to him, the man was no saint. Self obsessed, “my way or the highway attitude” and in total denial, each move in his career was 1000% calculated. Oftentimes, to the detriment of those personal relationships. This is another brilliant aspect that the film brings in its editing. Each of the three launches is inter-cut with a pivotal moment from the past in which a character had a confrontation with Steve. While the adoration remains, let it be known that everyone in his path at some point reached their emotional limit and let him know it. I would be remiss to ignore the look and feel of each era, including wardrobe, music, and sporadic text visuals that serve to quietly highlight it’s excellence. Michael Stuhlbarg, Michael Fassbender, Kate Winslet Steve Jobs

This cast is beyond perfection. Michael Fassbender, who admits he looks nothing like Jobs, did his actor’s due diligence studying YouTube clips of Steve. The rhythm and timbre of his voice and his physicality. Kate Winslet plays Joanna Hoffman, Job’s head of marketing and perhaps closest female friend ever, with a delicious ease. The leftover Polish accent of Hoffman is perfectly captured on Winslet’s lips. Seth Rogen is the ever forgotten genius Steve Wozniak. Rogen’s performance should not be overlooked in this year’s awards nominations. His quiet power does not go unnoticed and the scenes between he and Fassbender are spellbinding. Jeff Daniels, who perhaps has the most experience with Sorkin’s writing with his work on The Newsroom, gives us a knockout performance as Apple CEO John Sculley. Butting heads with Jobs but revealing a while boat load of truth in the process, Daniels also deserves accolades for this role. The cast is rounded out by exceptional portrayals of Crisann Brennan, Jobs’ thrown to the wind ex and mother of his first child, by Katherine Waterston. The emotional torture this woman endured is evident in each scene. Finally, Michael Stuhlbarg is Andy Hertzfeld, Mac software system designer, who often argued with Steve about his closed source software (the reason Mac is incompatible with anything other than Mac, which was probably his most calculated decision ever). Stuhlbarg, like the majority of the cast, spent time with his real life counterpart, getting to know the true ins and outs of who they were to  Steve and who they were as individual innovators. Seth Rogen Steve JobsSTEVE JOBS is both a pretty picture and a not so pretty picture of a man the world still worships. It will take you by surprise in every way possible. A triumph from start to finish, look for, at the very least, massive nominations for all involved come award season. STEVE JOBS comes to theaters in limited release Friday, October 3rd, followed by it’s nationwide release Friday, October 23rd. Stay tuned to Reel News Daily for the latest updates.

  • Directed By Danny Boyle
  • 2015
  • USA
  • DCP

Anyone going to this provocative and wildly entertaining film expecting a straight biopic of Steve Jobs is in for a shock. Working from Walter Isaacson’s biography, writer Aaron Sorkin (The Social Network, Charlie Wilson’s War) and director Danny Boyle (Slumdog Millionaire, 127 Hours) joined forces to create this dynamically character-driven portrait of the brilliant man at the epicenter of the digital revolution, weaving the multiple threads of their protagonist’s life into three daringly extended backstage scenes, as he prepares to launch the first Macintosh, the NeXT work station and the iMac. We get a dazzlingly executed cross-hatched portrait of a complex and contradictory man, set against the changing fortunes and circumstances of the home-computer industry and the ascendancy of branding, of products, and of oneself. The stellar cast includes Michael Fassbender in the title role, Kate Winslet as Joanna Hoffman, Seth Rogen as Steve Wozniak, Jeff Daniels as John Sculley, Katherine Waterston as Chrisann Brennan and Michael Stuhlbarg as Andy Hertzfeld. A Universal Pictures release.

Review: ‘THE CONNECTION’ out on DVD, Blu-Ray, and HD Digital!

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The Connection posterA stylish, ’70’s-period crime thriller inspired by true events, THE CONNECTION tells the story of real-life Marseille magistrate Pierre Michel (Academy Award® Winner Jean Dujardin, The Artist, The Wolf of Wall Street) and his relentless crusade to dismantle the most notorious drug smuggling operation in history: the French Connection. In his crosshairs is charismatic and wealthy kingpin, Gatean, who runs the largest underground heroin trade into the States. Though the fearless and tenacious Michel, aided by a task force of elite cops, will stop at nothing to ensure the crime ring’s demise, Zampa’s “La French” always seems one step ahead. As La French mounts its retaliation, Michel will be forced to make the most difficult decision of his life: to continue waging his war, or ensure his family’s safety, before it’s too late.The connection
This film is massively dynamic. From the crisp and well framed cinematography to the outstanding cast. Dujardin proves he is still a star as Michel. He owns every moment on screen as his presence is captivating. Gilles Lellouche as Gaëtan ‘Tany’ Zampa is just as powerful. In a script where both men are equally determined to protect their legacy, Dujardin and Lellouche are movie magic when they appear on screen together. The film is action packed. Even with a runtime of 135 mins, it never seems like it drags. If you’re a fan of Netflix‘s new series Narcos, The Connection is right up your alley.The connection 2 still
It deserves the multitude of praise and awards is has garnered thus far. Director Cédric Jimenez (also one of the screenwriters) clearly knows his stuff. I’d love to see more from him asap. The overall look is pretty killer from the slick wardrobe to the soundtrack of the era filled club scenes. They nailed it.  While the idea of cops and gangsters is anything new, I still think this film keeps your interest with it’s mixture of action and plan of action. The acting is beyond solid with a vast array of bad guys to run through. DVD extras include a featurette on the making of The Connection as well as some great deleted scenes. We highly recommend you catch this film and thankfully, now you can!
 
Product Information
Language: French                                                     
Subtitles: English
Widescreen: Yes
Length: 135 min.
Year: 2014                                        
Genre: Action/Foreign
Rating: NR
CC: No
DVD
SRP: $24.99                                                  
Blu-Ray
SRP: $29.93
About Drafthouse Films
Drafthouse Films, the film distribution arm of the Alamo Drafthouse Cinema, is a curated brand of provocative, visionary and artfully unusual films new and old from around the world. Following the earnestly simple motto of “sharing the films we love with widest audience possible,” Drafthouse Films debuted in 2010 with the theatrical release of Four Lions, which was named of Time Magazine’s “Top 10 Films Of The Year.” Their diverse and unique slate includes the highly-acclaimed, Oscar® nominated documentary The Act Of Killing produced by Errol Morris and Werner Herzog, 2013 SXSW Midnight Audience Award winner Cheap Thrills starring David Koechner (Anchorman), British auteur Ben Wheatley’s psychedelic trip into magic and madness, A Field In England, Ari Folman’s Cannes Film Festival selected sci-fi epic The Congress starring Robin Wright, Harvey Keith, Jon Hamm and Paul Giamatti, Midnight Movie sensations Miami Connection andThe Visitor and rediscovered classics Wake in Fright and Ms. 45. Recent and upcoming releases include Dutch thriller Borgman, Michel Gondry’s Mood Indigo, Sundance Award-winning documentaries The Overnighters and the recently acquired Look of Silence, Joshua Oppenheimer’s stunning follow up to The Act of Killing. Drafthouse Films distributes films theatrically, through home video, VOD and their direct-to-consumer platforms integrating into the ever-growing Alamo Drafthouse entertainment lifestyle brand, which along with the Alamo Drafthouse Cinemas includes: Mondo, the collectible art boutique; Fantastic Fest, the largest international genre film festival in the US; and the pop culture website Birth.Movies.Death.

 

New York Film Festival 53 Review: ‘MIA MADRE’

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NYFF 53 bannerMIA MADRE_1304Impending death of a loved one is something we’ll all face in our lifetime. Everyone deals with it on their own very personal way. In Nanni Moretti‘s new feature MIA MADRE, Margherita knows her mother is on the verge of death, but is in the kind of denial that turns her world into a tailspin. Trying to separate her professional life and her home life is not working. Relationships with her volatile American actor, her loving brother, young daughter, and her film, are all in jeopardy as she flails through feigning normalcy.MIA MADRE_1252Margherita Buy is beyond brilliant as our lead. Never a false moment or a skipped beat. her presence is perfection and the story is relatable on every level. John Turturro’s outstanding performance as over the top American actor Barry Higgins is equally captivating. His boisterous sense of importance is the perfect foil to Margherita’s slow emotional unraveling. The film’s impact is pretty massive. It will stick with you long after you leave the theater. It’s a true study in human behavior.MIA MADRE_1228jpgIn the press conference immediately following the screening, Nanni Moretti and John Turturro sat down to chat about the experience. Moretti crafted this script when his own mother became ill while he as editing one of his films and later passed away. He explained that Margherita Buy was his first choice to play the leading lady, and that he felt that it would be more interesting to play the story out through a female character. As he was writing and shooting, his catharsis also occurred in his portrayal of the character Giovanni, Margherita’s brother. “Giovanni is the character I wanted to be (in real life), but I’m not.” This quiet, grounded performance speaks volumes and is another gorgeous emotional counterbalance to Margherita.

There was a whole lot of improv on the set. I asked John if it was complicated to switch between fluent Italian and English in the same monologue stream or if that was precisely how Nanni had written the dialogue. John revealed that Nanni asked him to memorize all the lines in Italian, go back and learn them again in English, then once he had a true sense of who ,Barry Huggins was, he had the freedom to play within the languages. He admitted it was incredibly complicated. Let me assure you, it is deliciously effective.

MIA MADRE is a beautiful film. One that we, at Reel News Daily, highly recommend.

  • Directed By Nanni Moretti
  • 2015
  • Italy/France
  • Italian and English with English subtitles
  • DCP
  • 106 minutes

Margherita (Margherita Buy) is a middle-aged filmmaker who has to contend with an international co-production starring a mercurial American actor (John Turturro) and with the realization that her beloved mother (Giulia Lazzarini) is mortally ill. Underrated as an actor, director Nanni Moretti offers a fascinating portrayal as Margherita’s brother, a quietly abrasive, intelligent man with a wonderfully tamped-down generosity and warmth. The construction of the film is as simple as it is beautiful: the chaos of the movie within the movie merges with the fear of disorder and feelings of pain and loss brought about by impending death. Mia Madre is a sharp and continually surprising work about the fragility of existence that is by turns moving, hilarious, and subtly disquieting. An Alchemy release.

Showtimes

MONDAY, SEPTEMBER 28

9:15 PM

Standby Only

VENUE

Francesca Beale Theater Alice Tully Hall

New York Film Festival 53 Review: ‘Ingrid Bergman- In Her Own Words’

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NYFF 53 bannerIngrid Bergman In Her Own Words-1While Ingrid Bergman is undoubtedly one of the most iconic faces in film history, her personal life may be an enigma to the average movie goer. In the NYFF53 documentary, INGRID BERGMAN IN HER OWN WORDS, filmmaker Stig Björkman brings her world to life with diary entries, intimate sit down interviews with her children, letters to close confidants, and home movies shot by Bergman herself.Ingrid Bergman In Her Own Words-2

Bergman kept a diary starting at a very early age, chronicling her thoughts and dreams. Oftentimes, revealing her innermost fears and personal downfalls, what is perhaps the most surprising is just how beautiful her words are on each page. The way she writes is almost poetic, incredibly articulate and profound. Bergman admits she was no saint when it came to the men in her life but was never ashamed of her love affairs outside of marriages. The love for her children was always evident. Interestingly enough, once her first affair became public knowledge, it was the US that was most personally offended. Early versions of the main stream media we have come to love and hate today, labeled her a woman to be boycotted. This was the catalyst for Bergman’s departure from the US, moving from country to country, transforming in her personal and professional life as the years rolled by. Even in the ever changing landscape, Ingrid’s talent and joy for life never waned.Ingrid Bergman In Her Own Words-5

What I found to be most interesting about this film is just how charming Bergman was. If you take a step back from her actions as a parent and wife, your initial reaction may be to judge her, yet somehow all is forgiven. There is definitely something to be explored in her relationship with both her father and the camera itself. It is the precursor to almost every life choice she made. Stig Björkman does an amazing job stitching together memories and exploring the effect she had on all who came in contact with her. INGRID BERGMAN IN HER OWN WORDS in a must see.

  • Directed By Stig Björkman
  • 2015
  • Sweden
  • Swedish and English with English subtitles
  • DCP
  • 114 minutes

This is a lovingly crafted film about one of the cinema’s most luminous and enchanting presences, composed from her letters and diaries (extracts of which are read by Alicia Vikander), the memories of her children (Pia Lindström and Isabella, Ingrid, and Roberto Rossellini), and a few close friends and colleagues (including Liv Ullmann and Sigourney Weaver), photographs, and moments from thousands of feet of Super-8 and 16mm footage shot by Bergman herself throughout the years. Stig Björkman’s focus is not on Bergman the star but on Bergman the woman and mother: orphaned at 13, drawn to acting on the stage and then on film, sailing for Hollywood at 24 and then leaving it all behind for a new and different life with Roberto Rossellini. Ingrid Bergman in Her Own Words is, finally, a self-portrait of a truly independent woman. A Rialto Pictures release.

Showtimes

MONDAY, OCTOBER 5

6:00 PM

Buy Tickets

TUESDAY, OCTOBER 6

8:30 PM

Standby Only

VENUE

Walter Reade Theater

Review: ‘BECOMING BULLETPROOF’ is a touching and insightful documentary.

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Bulletproof posterI went to camp as a kid. It was pretty typical; arts & crafts, team sports, theater, and camp songs. I also remember being integrated with a few kids who has Down syndrome. As a little kid, this was pretty foreign to me, but as I attended high school, some of these same kids were now in my art classes. My mother’s second major in college, I would come to find out, was special education. As time passed and I worked in more and more private pre-schools, I was directly exposed, now as an educator, to a challenging world I had mostly experienced as an outsider. But… nothing was ever akin to the extraordinary summers that must occur each year at Zeno Mountain Farm.  Read More →

Review: ‘COOTIES’ is infectiously delicious.

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Cooties poster“Circle, Circle, Dot, Dot, Now you have your cootie shot!” Let’s be real. We’ve all had our cootie shot at some point in elementary school. It was necessary  to survive the playground territory wars and/or avoid a horrible disease ridden classmate. Oh wait, that’s not what it was used for back then. The disease ridden classmate part, I mean. That’s the premise of the new horror-comedy COOTIES. Well, sort of.Cooties_image

Quick run down. Kid eats infected chicken nugget and becomes a cannibalistic zombie, infects other children, trapping a band of misfit teachers inside the school. Cooties‘ cast in kind of unreal. Elijah Wood, Rainn Wilson, Alison Pill, Jack McBrayer, Leigh Whannell, Nasim Pedrad, Ian Brennan and Jorgé Garcia. Wood plays Clint, a summer school teacher and aspiring writer of horror (from a fanboy’s influence). Wilson plays testosterone, jockhead gym teacher and I have to say, kinda of a badass. Pill is the ultra upbeat, former classmate of Clint and present 4th grade teacher. Pedrad kills it as the faculty bitch with a cutting sense of humor and lack of filter. Garcia, while we don’t see a whole lot of him, his presence always make me smile. He lights up the screen. McBrayer, plays a “confused” teacher with a gentle heart and a scaredy cat head. Brennan is Vice Principal Simms, a lovable weirdo. Finally, Leigh Whannnell, is what I can only assume is a science teacher, due to his lack of social skills and knowledge of things that you just have to accept as cannon as the plot rolls along. Totally forgiven as it adds to the absurdity of the storyline. Great casting choices… Mayhaps a sequel is in order? Please?Cooties 2nd image

The dialogue is hilarious and I am betting that at least 50%  of some of the best lines were improvised. I am really looking forward to a DVD release already, in hopes that there is a huge outtake reel. The practical effects are downright disgusting, even for a horror fan such as myself. Bravo for grossing me out. Even the opening title sequence shows the actual creation of a nugget from chicken to child’s mouth. It’s pretty vomit inducing, so you’re already set up for what is about to play out. The editing, both in picture and in sound are top notch. This film is wrought with catch phrases that I will admittedly be stealing. Besides all of these factors, Cooties makes some great statements about what we’re feeding our kids in school and at home. But even greater is the comment on parenting, or  lack there of. Once again, as a former teacher, kids these days can be real dicks. Sorry, but it’s true. Cooties calls out what’s wrong with our youth and throws it into our faces while being completely gross and damn funny all at once. If you’re already a fan of films like Shaun of the Dead, then you’ll love this flick. Cooties is hands down laugh out loud funny start to finish. Go see this film, but just a little advice, maybe don’t eat right beforehand.

COOTIES will be one of the debut releases of the newly-launched Lionsgate Premiere label, which will release the film on September 18th in select theaters and on demand.

Review: Shedding Light on ‘Chloe and Theo’

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Chloe and Theo posterIt all began with a dream. A dream that the world would receive a fatal kiss from the sun and the ice in the north would retreat. Director and screenwriter, Ezna Sands exhibits the concerns for our environmental well-being in his heartfelt cli-fi (climate change fiction), Chloe and Theo.

Theo (Theo Ikummaq), an Arctic Inuit man, was told about this dream from his elders, and if the “south” did not change their ways, destruction will overcome the earth. He was then sent to New York City to shed light on the world’s end, and he is immediately overwhelmed by the environment. The sun was blocked out by the skyscrapers, people constantly on the move; there was not a single moment of silence. This is where he meets Chloe (Dakota Johnson), a young runaway, and Bruce Lee devotee. “Together they will change the world.”

Dakota Johnson and first time actor Theo Ikummaq did a fantastic job with their roles as Chloe and Theo. The film brings a different side to storytelling, with both characters playing a sort of narrative role. Theo telling the story as it was occurring, and Chloe telling the story as though it already had happened. Mira Sorvino as Monica and Andre De Shields as Mr. Sweet, played crucial characters to Chloe and Theo’s story by showing how hard it is to get something globally recognized. Mr. Sweet, a man who Chloe is close friends with on the streets, opens Chloe and Theo’s eyes to the difficulty of getting people with power to listen. Although the sound mixing could have used more work, the shots and occasional use of animation were beautifully implemented throughout.

Overall, Chloe and Theo is a simple film, with a powerful message. Through a story of unlikely friendships, it brings light to our climate changes and their impact on our world. You can watch Chloe and Theo in select theaters and on VOD September 4th.

3 1/2 out of 5 stars.

Review: ‘THE MEND’ shoves a mirror up to adulthood.

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The Mend posterWhat happens when two self destructing brothers come face to face in a small NYC apartment? Chaos and truth are forced into the light in John Magary‘s first full length feature, THE MEND. Josh Lucas and Stephen Plunkett play mind games with one another and themselves in this existential mid-life crisis. The Mend still Stephen and JoshAlan and girlfriend Farrah are on their way out of town but not before throwing an intimate get together as a send off for their travels. Freeloading brother (and oftentimes asshole of a human) Mat shows up after his girlfriend Andrea kicks him out. The two are clearly estranged for reasons that come to light in subtle and brilliant ways as the story progresses. Alan and Farrah leave the next morning and Mat takes it upon himself to squat in the apartment, eventually inviting Andrea and her son Ronnie to join them. The small space leads to confessions on all parts when Alan returns sans Farrah. Three adults and one child in a one bedroom in the city is a sure fire recipe for some serious self analysis and confrontation. Booze, drugs, rage, pity, blame all come into play as these people face the cynicism of adulthood and circumstance. The Men Josh LucasLucas nails this role. His brash, disgusting habits and frankly haggard outwardly appearance make this role extra juicy. He is both unapologetic and somehow down to earth all at once. Plunkett tries to play cool and steady but he is not so secretly a mess. The blatant similarities between the two brothers becomes a beautiful revelation. Lucy Owen as Andrea is an emotional volcano and I loved everything about her vulnerability. Ronnie is played by the spectacular Cory Nichols. Another refreshing performance following up from Tribeca’s KING JACK. What a natural. Magary‘s script and ability to make the familiar seem new is so intriguing. Small seemingly mundane scenes are anything but. The Mend has this throwback feeling to it. Something about the mix of music and watered down hipster mentality makes it quite the work of art. You can catch The Mend today in NYC and next Friday in L.A., with a national release throughout the fall.

Synopsis:

For anyone who’s ever loathed and loved a sibling in equal measure, The Mend is the wonderfully strange and acidic debut comedy from writer / director John Magary. Shot through with the wicked humor and anarchy of Bruce Robinson’s Withnail & I and Mike Leigh’s Naked , The Mend follows a mismatched yin-yang pair of NYC brothers, loose cannon Mat (Josh Lucas in a career-best performance) and put-upon Alan (Stephen Plunkett) as they stagger dimly towards some understanding of love, women, masculinity and what it truly means to be a brother.

Featuring a gorgeous, minimalist score by Michi Wiancko & Judd Greenstein and beautiful, fluid cinematography by Chris Teague (Obvious Child), the film unfolds as three stylistically distinct but interwoven acts, each with its own mesmerizing rhythm. With superb supporting performances by Mickey Sumner (Frances Ha) and Lucy Owen as the brothers’ sharp-tongued girlfriends.

Review: ‘LEARNING TO DRIVE’ rides right into your heart.

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Learning to Drive-poster2Two very different people cross paths in a cab, changing both their lives forever. This is the basic outline for the charming new film LEARNING TO DRIVE. But, this movie is so much more than basic. Sir Ben Kingsley and Patricia Clarkson come together to explore love and life as they enter new stages and become each other’s teacher.

LTD_09-07-13_139_R_CROP Patricia Clarkson stars as Wendy in Broad Green Pictures upcoming release, LEARNING TO DRIVE. Credit: Linda Kallerus/Broad Green Pictures

Patricia Clarkson stars as Wendy in Broad Green Pictures upcoming release, LEARNING TO DRIVE.
Credit: Linda Kallerus/Broad Green Pictures

Clarkson plays successful writer, Wendy, whose marriage suddenly falls apart. In order to take control of her new found single life, she navigates selling her home, dating, and relinquishing her comfort behind the wheel. Kingsley becomes Wendy’s instructor after witnessing the intimate crumbling of her marriage in the back of his cab. As he returns some forgotten property to her home, the two become pupil and instructor during the day and dear friends as the film progresses. Kingsley’s Darwan battles some personal struggles of his own as a long time single man finally accepting an arranged marriage. He must learn to communicate with his new bride while letting go of control himself.

LTD_09-05-13_793_R_CROP (l to r) Sarita Choudhury stars as Jasleen and Ben Kingsley as Darwan in Broad Green Pictures upcoming release, LEARNING TO DRIVE. Credit: Linda Kallerus/Broad Green Pictures

(l to r) Sarita Choudhury stars as Jasleen and Ben Kingsley as Darwan in Broad Green Pictures upcoming release, LEARNING TO DRIVE.
Credit: Linda Kallerus/Broad Green Pictures

Ben Kingsley is brilliant as ever. Never missing a beat in a character that is so beautifully genuine. He is a treasure to watch. Patricia Clarkson is engrossing as always.Lovely and vulnerable, her journey through the film is relatable on all levels. Her accessibility as an actress is palpable. With solid performances from Jake Webber as Wendy’s ex and Grace Gummer as their daughter, this changing family dynamic is one we’ve all come across. Much applause to Sarita Choudhury as Darwan’s new wife Jasleen. This reminds me of how I felt when I moved to India in 2008. A little lost, confused, relying heavily on television to entertain me, and afraid to venture too far outside at first. She is a gem n everything she appears in. LEARNING TO DRIVE will certainly have an audience in the over 30 category. Director Isabel Coixet and screenwriter Sarah Kernochan make a truly cohesive team. I hope we see more from them as a pair in the future.

LEARNING TO DRIVE comes to theaters today

http://learningtodrivemovie.com

Running Time: 90 minutes      Rating: R

Review: ‘GUIDANCE’ is an underachiever’s playbook.

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Guidance_posterFormer child star, alcoholic, narcissistic David is in desperate need of a job. Using the internet, his acting skills, and his ability to overachieve only when taking the path f least resistance, he gets hired as a high school counselor. Hilarity ensues in the form of lies, awkward social encounters, and a seemingly misguided sense of self redemption. Guidance_DavidBikingWriter/Director/Star Pat Mills‘ nonchalance and willingness to look like a total whack job makes each scene a joy to watch. He has an Adam Pally quality about his timbre and tone and comic timing, which is a huge compliment. Rule breaking and advice a playboy playmate might give are the driving fores behind the comedy. His connections with the kids are genuine and as a former high school substitute teacher and current actor/writer, this film resonates pretty personally (minus the scamming and alcoholism). Guidance_2Knowing that Mills has another film in the pipeline makes me excited. He clearly understands funny, situational comedy and structure. Sharp wit, keen observational skills, and the brilliant use of self motivational voice overs make Guidance a must see. GUIDANCE opens theatrically in NYC on August 21 (Village East) and LA on August 28 (Sundance Sunset Cinema) with a national release to follow.

Liz’s Review: The big screen breathes new life into musical farce ‘Lucky Stiff’

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Lucky Stiff poster
LUCKY STIFF is a musical comedy with a romantic heart. A young down and out British shoe salesman named Harry Witherspoon (Dominic Marsh) takes his dead American uncle (Don Amendolia) (a murdered casino manager) to Monte Carlo for the best time of his life a week of fun, dancing, making money with the awesome casino games at the ยูฟ่าเบท website gambling and sun. If the young man fulfills his uncle’s request to the letter, he will inherit the $6 million left to him. If he doesn’t, the money will go to the Universal Dog Home of Brooklyn. As Harry races from casino to nightclub to beach to bedroom with his dead uncle, he is chased by a desperate put upon optometrist (Jason Alexander), his controlling, myopic, trigger happy sister (Pamela Shaw), an avaricious French chanteuse (Kate Shindle), a mysterious Italian playboy (Dennis Farina), as well as a young woman from Brooklyn (Nikki M. James) dead set on getting that money for the dogs. Well you can also enjoy many of casino games online at https://clubvip777.com/web/dafabet/. Guns go off, disguises go on, champagne corks pop, nightmares come to life, romance blossoms, dogs bark, and everyone sings! lucky-stiff nikki dom dennis
Dominic Marsh is a genuine star with an innocence you most certainly route for. Tony Award winner, Nikki James‘, wide eyed optimism and pure-hearted determination is a refreshing take on what could be an easily overshadowed character in a film filled to the brim with colorful performances. Jason Alexander is hilarious as always and it was nice to hear his very distinct singing voiced matched with his comic timing. Pamela Shaw‘s Rita is a beautifully cartoon version of a hustler and boy, can she still shake it with the best of them. This film happened also to be Dennis Farina‘s last. His boisterous, man about town is the perfect marriage of quirky and theatrical. This is truly an ode to an ensemble cast done right. No one outshines the next. There is something to be said about using true theatre people. Theatre people experience true camaraderie; they naturally become family to each other, which only lends to an enhanced end result. (But, that may just be the musical theatre nerd in me speaking.) Jason Lucky Stiff still
The sets are great and the costumes, a late 60’s-70’s vibe are fabulous. Lucky Stiff is what you might get if you mashed up A Mad, Mad, Mad, Mad World and Weekend At Bernie’s and set it to a musical score. There a fantastic dream sequence in the film that features some of the lesser utilized yet fully recognizable faces in the film. This particular scene is actually the most theatrical in the entire movie, being set on an actual stage. One of the most darling aspects of Lucky Stiff is the frequent use of short animated clips that move the films pace and highlight some of the musical numbers. It’s a great substitute for a full scale broadway esque number. Lucky Stiff is a fun entry into the musical theatre world via film.

LUCKY STIFF opens in theaters and is available on VOD today, Friday, July 24th.

Tribeca Film Festival review & podcast: TUMBLEDOWN will win hearts and fans. Including the audio from our roundtable interview with Jason Sudeikis, Dianna Agron, Director Sean Mewshaw, and Writer Desiree Van Til.

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Tumbledown_Press_1 Tribeca

Music is part of our souls. It can heal, it can hurt, it’s like a sense memory. We’ve lost great artists in their prime like, Leonard Cohen, Kurt Cobain, and Elliot Smith. The impact of their death is felt each time we hear one of their songs. Imagine, for a moment, that your very favorite artist suddenly dies. Now imagine you were married to them. This is the very premise of TUMBLEDOWN. Hannah is the widow of indie folk singer Hunter Miles. She is hounded by gossip seekers on a daily basis. When Hofstra professor and true fan Andrew tries to get in touch with her, she brushes him off… and brushes him off again… and again. Only until realizing that her dream of writing Hunter’s story is one she cannot accomplish on her own, does she let her highly guarded heart open just a crack. Andrew and Hannah strike a deal; Andrew writes a biography on her terms for $50k. With the encouragement of his music industry girlfriend Finley, Andrew drives from NYC to Maine and moves into Hannah’s guest bedroom. He is then exposed to a world a true fan can only dream of, with one massive catch. Hannah will not stop mourning her late husband. Can fan and family see eye to eye. Can trust break down the walls of Hannah’s suffering? Will intellect stifle healing. In a film where it’s head vs heart, who wins?

Rebecca Hall is flawless as Hannah. Witty, independent, strong headed, Hall plays a woman unwilling to move on with her life. Jason Sudeikis as Andrew is unstoppable. Smart, and quippy as ever, this role is something new for Sudeikis. I love this side of him and hope that the industry, and more writers, take note of his innate ability to be funny in a non-slapstick kind of way. These two are an absolute powerhouse as they match wits with one another in each scene. Rounding out an incredible cast is Dianna Agron as Finley. Life after GLEE fame should treat her well if she keeps up such a strong, believable presence on the big screen. Blythe Danner and Richard Masur play Hannah’s parents. Deeply supportive and yet totally realistic, these two are the perfect counter balance to Andrew’s inability to let go of presumption. Finally, Griffin Dunne plays Hannah’s editor and owner of the town beloved book shop. He brings warmth and charm only a small town holds.

The film was 8 years in the making. Writer Desi Van Til thoughtfully crafted this story partly as a personal healing piece for a lost friend. She skillfully captures the heart of New England, the desperation of grief, and the hold that music has on everyone’s heart. For Director Sean Mewshaw, his first feature length film is a total success. It’s shot in such a way that truly shows the quaintness of the area. Finding “Hunter Miles” or singer Damien Jurado was one of his triumphs. He perfectly encapsulates the feel of the character that was created by Desi, Rebecca, Jason, and Sean. Coming in after the film was already in the can, with his music and lyrics, he “created” a musician we’re all discovering for the first time, but feel like we’ve now lost as well. It might also help that Sean and Desi are husband and wife! This team is a real tour de force and without any solid knowledge (only mere mentions) I predict many captivating projects coming down the pipeline from these two.

Grief is something so personal. No matter how big the hit we feel, it still leaves a hole in our hearts and souls. Sometimes music helps. Sometimes it’s a trigger. Either way, the songs live on long after we’re gone. So sing, I say. TUMBLEDOWN is easily in my top three narrative selections to come out the this year’s festival. It is a must see and definitely a must hear.

 

I was fortunate enough to attend a roundtable interview with Dianna Agron, Jason Sudeikis, Desi Van Til and Sean Mewshaw. We talk issues from the film, insight into the project’s journey, as well as Jason and Dianna’s other releases at the fest. Take a listen to the absolute joy around the table: *You can hear me ask a question about journalistic responsibility and one about Dianna’s similarities to the character of Hannah.* Enjoy the voices of TUMBLEDOWN!

You can still catch a screening of TUMBLEDOWN at the fest this Thursday!! I cannot imagine this film not getting distribution. We will most certainly keep you updated here at RND.

3:30 PM – THU 4/23  REGAL CINEMAS BATTERY PARK 11-11Icon-fg-map ADD $13.50
To find out more about TUMBLEDOWN in the Tribeca Film Guide 2015

Tribeca Film Festival interview: ‘THE ADDERALL DIARIES’ director Pamela Romanowsky talks fated moments in making the film.

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Stephen Elliott (James Franco) and Neil Elliott (Ed Harris)Anna Kooris

Stephen Elliott (James Franco) and Neil Elliott (Ed Harris)Anna Kooris

Director Pamela Romanowsky‘s debut feature is not a meek choice. Tackling the page to screen adaptation of Stephen Elliott‘s memoir THE ADDERALL DIARIES seems like something that was written in the stars. Speaking of stars, the film is lead by an outstanding performance by James Franco as a pill popping, destructive behavior addicted, emotionally ravaged man. Under the guise of writer’s block, Stephen lets himself become distracted by a murder case that seems to resonate with his memories of the past; memories that have made him a famous author so far. When his father’s ghost returns to haunt him, life spirals into an seemingly endless line of poor life choices. One person’s truth may not be what it seems.
On the heels of TRUE STORY, Franco plays Elliott with a ferocity that is totally organic. Hitting highs and lows so sharp, I can safely say I am impressed. Ed Harris portrays his strong willed father. A constant trigger throughout the film, this role was made for Harris, literally. Amber Heard is beautiful and honest as a NYT journalist fighting childhood demons of  her own. Christian Slater is charming as ever and a master of emotional disguise as the subject Stephen longs to understand. Cleverly edited and stunningly shot, THE ADDERALL DIARIES is a sensory and emotional overload of a film. You will find something that connects with you, I guarantee it.
I was fortunate enough to sit down with Pamela Romanowsky and talk about the journey that became this project.

Liz:  Just saw the movie and I really liked it. How did you happen upon Stephen’s novel?

Pamela: Well, there are two parts to this story. I first happened upon it because I live near a really great independent bookstore called “Word” in Greenpoint. I saw it in the window and that is often how I buy books, ” What does Word have?” So I just read it as a casual reader and loved it, thought about it a lot, it really stayed with me. It’s the kind of story that takes a lot of processing. Then separately from that, James Franco and I went to grad school together and are good friends and we hadn’t worked together yet. Then I had the opportunity to make the short with him for The Color of Time. We had a great creative connection and a great time working together. James approached me with The Adderall Diaries. I actually just found out yesterday that it was the first book he optioned.

L: He is such a fan of page to screen, all of which so far have been really successful. It’s such a bold move because it can go so wrong.

P: He picks Difficult books.

L: He really does.

P:  It was a really great moment of synchronicity. He wanted to help me make my first feature and with a book we both loved.

L: I think his performance was one of his best and so clearly has a lot to do with your relationship. You had such a great cast full of talent. Ed Harris, what a juicy role for him. I also really enjoyed the juxtaposition of memories talk to me about the editing choices.

P: I developed the visual style with my DP who was also a collaborator from grad school. I met a lot of my people there. Bruce also shot my piece for The Color of Time so we had already talked about how to approach memories cinematically. We used steady cam alot because it felt organic. This is a character who is always in motion, and practically it allowed us to shoot quickly, to be intuitive, to find shots within the scene as we went. And the use of slow motion… you know memory is such a hard thing to describe to someone else but to me, the things that you tend to recall over and over are these small moments and details so it almost like you’re seeing it in slow motion.

L: it is incredibly effective. It is so aesthetically beautiful.

Did you guys have a lot of rehearsal time? Everything feels really organic. Yet there are some truly physically demand scenes.

P: I think as is often in indie film, but I had the advantage of knowing a lot of these actors and Ed, I met at the Sundance Directors Lab.

L: Had he been cast already or did he just come in and read for you?

P: No, he was my advisor at the lab. Coincidentally he was also the person I wrote this role for! His photo was on my writing board the whole time but I never actually thought I was going to get a chance to meet him. So when we were at Sundance, low and behold Ed Harris walks in and I was like ” Oh my God, Ed Harris is here!” It just happened that he was there, it just happened that he was my advisor, and it just happened to be the week I was shooting my father/son scene. So when he was leaving I had to tell him, “You know, thank you so much for helping me and so I wrote this role for you and I don’t know if you’d ever think about doing it but I am gonna keep asking you forever.”  And truthfully I didn’t have a back-up plan, I didn’t see anyone else playing this role. It took me 9 months to talk him into it. So I had a lot  of time to talk it over with him. It was the same with all the other actors. Rehearsal is really important so right before we would shoot each scene I would kick everyone out and we would run the scene through.

L:  As soon as I walked out of the theater I said, “I have to buy this book now. I am completely intrigued. I have to read it.” It has so many relevant issues that even if you’ve never experienced them personally, you would gravitate towards this story. We all have our own way to interpret what our memories are. And I think the older you get and the longer you live with your interpretation, that becomes your truth. It was beautiful to see that on screen. Thank you so much for talking with me.

P: Thank You! Enjoy the rest of your fest!

L: You too! I look forward to talking to you for whatever comes next.


THE ADDERALL DIARIES ticket and showtime information can be found here in the Tribeca Film Festival Guide 2015.

TFF 2015 NARRATIVE FEATURE

Release Year: 2015

Runtime: 87 minutes

Directed By: Pamela Romanowsky

Country: USA

Elliott (James Franco), a once-successful novelist inflicted with writer’s block and an Adderall addiction strives to escape his problems by delving into the world of a high-profile murder case. Amber Heard, Ed Harris, and Cynthia Nixon co-star in this adaptation of Elliott’s best-selling memoir. | Read More

‘EX MACHINA’ plays God with our emotions.

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ExMachinaPosterHow far are we from a true functioning, fully self aware A.I.? We’ve all seen the Youtube videos of robots that can walk and “talk” and serve us things. These creations are programmed to respond to our needs, but what happens when we get so good at creating artificial intelligence, the machine doesn’t need us anymore? Writer Alex Garland, who brought us SUNSHINE and 28 DAYS LATER, now strolls us through a world where this very matter is at hand. EX MACHINA is the story of a young and brilliant programmer, Caleb, who wins a contest that allows him to visit the creator of what, in today’s society, would be the equal of Google. Nathan lives on a compound in the middle of nowhere. His home is state of the art in every way possible. But Caleb isn’t  just there to pick the brain of a prodigy, he is there as a pawn in a much bigger game. Nathan has created an A.I. so perfect, that it defies what Caleb imagined to be the realm of possibility. His challenge: test “Ava”. But the real test is something much more sinister. Read More →

‘BROKEN HORSES’ takes your heart strings on an extraordinary ride.

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BrokenHoresesPoster

Your parents teach us right from wrong. What if your parents aren’t around? What if we’re molded from something evil instead? In Vidhu Vinod Chopra‘s new film BROKEN HORSES we meet two very different brothers at a pinnacle time in their life. When a manipulative man strolls into their lives, each brother takes a path of his own. 15 years down the road, simple minded and gentle soul Buddy works and does a little too well for himself, while younger brother Jake, now living in the city, is the successful music prodigy from his youth. Buddy reaches out to the newly engaged Jake to give him his wedding gift. Jake is hesitant to return to his desolate, Mexican border hometown, but understands that the love of his brother wills him to do so. Upon arrival, he learns that Buddy is being used as a deadly pawn in a drug lord’s chess match. Jake has no choice but to dedicate himself to saving his brother. 
BrokenHorsesAntonStillThe script takes some truly unexpected turns. I was constantly on my toes, especially emotionally. This engrossing story is only amplified by the stunning character development by Chopra’s writing and the outstanding and moving performances by Anton Yelchin and Chris Marquette as Jake and Buddy. Yelchin, in yet another film in a long line for 2015, plays a caring and protective role. It’s slightly more challenging than his usual boyish, all American vibe. Vincent D’Onofrio is manic in the role of evil puppeteer, Julius. There is very carefully crafted back story that we only get a glimpse of, and frankly it’s just enough.BroeknHorsesChrisVincentStillThe profoundly magnificent acting award, hands down, goes to Chris Marquette. There is a fine line when portraying a person that is not of average cognitive function . It can so easily read disingenuous and forced. Marquette gives us a performance of a career as Buddy. Every beat is perfection. This is one that must not be overlooked. Even if the film were not as great as is, Marquette blows everything out of the water. BrokenHoresesStillBroken Horses is enchanting and thrilling all in one. A game of sick manipulation is slowly built into a war for the soul. The acting is top notch and the scenery is breathtaking. Heart-pounding and gut-wrenching, Broken Horses is a story of undying love and devotion that will resonate with everyone.

Synopsis: Having left town as a child after the death of his father, young music prodigy, Jacob Heckum (Anton Yelchin), returns to his desolate hometown after years only to discover that Buddy (Chris Marquette), the child-like brother he left behind now works for a drug gang. The gang’s ruthless leader (Vincent  has twisted his simple mind and manipulated him into a killer… a surrogate son who blindly does as he is told. He is unable to convince Buddy to leave his new fraternity. Drowned in guilt for having abandoned him, Jacob quickly realizes the only way to save Buddy is from the inside out.

BROKEN HORSES comes to theaters in limited release Friday, April 10th

Victor Levin’s ‘5 to 7’ brings Parisian romance to New York City.

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5 to 7 poster There is something about the French that evokes whimsy and passion. Paris is touted as the romance capital of the world. The language is oozing with lust and the men and women who reside there, are to be envied and adored. But give me NYC, anyday. There are so many stories just waiting to happen. In 5 to 7, we meet Brian, (ANTON YELCHIN) a 24 year old, down and out writer who won’t quit following his passion. He wallpapers his apartment with rejection letters but never stops creating. One day, by sheer chance or perhaps by fate, he looks across the street to find a stunning, French brunette smoking a cigarette. This moment is the catalyst for the entire story. Arielle (BÉRÉNICE MARLOHE) is a married 33 year old woman with two children and a unique understanding with her husband. The two and affair but with rules in place; only from 5-7pm. Arielle’s husband has a mistress, as well. She is Jane (OLIVIA THIRLBY), a 25 year old editor, who has followed the rules for a year already. Brian is welcomed into the “family” with open arms, everything is out in the open, and as unusual as it seems, somehow it works… for the while at least. At some point, sharing the woman of his dreams is too much for Brian to bare and an ultimatum is presented.5 to 7 AntonBereniceThe angst in this film is palpable. The heaviness of the situation and the excitement is wrought from the very beginning. There is something so wrong with this arrangement and yet you cannot help but root for them, and for everyone. The struggle between happiness and traditional thinking is constantly challenged in the script, crafted carefully by Victor Levin who does double duty as Director. As a New Yorker, this film is also a love story with the City itself. Peering into locations like The Guggenheim, Central Park, The St. Regis, and neighborhoods all over Manhattan is a love affair no city dweller can overlook. We are also treated to diverse cultural experiences between young downtown and sophisticated wealthy uptown. “Beer Vs. Wine”, if you will, but all New York City at heart.5 to 7 GlennFrankYelchin, who is in quite a few feature this year alone, is wonderful, charming and insightful as ever.  Marlohe is enchanting and effortless. Rounding out the amazing cast is Glenn Close and Frank Langella as Brian’s parents, Arlene and Sam Bloom. These two pros come into their scenes as if they were married for 30 years. Funny and honest and keeping us on our toes, they are a delight as a foil to Brian and Arielle. 5 to 7 has a built in audience. This film is for anyone who has ever had stars in their eyes and hope in their hearts. It’s a story of choices and finding out how far you’ll go for your happy ending.Victor Levin 5 to 7

In speaking to Victor Levin this week, I got a whole new insight on his first feature. He was simply a gentleman and a scholar and I thank him for every minute of his time. Take a listen to our chat below.

 

5 to 7 opens in theaters today in NY and LA, with a nationwide release next Friday, April 10th. It is also available now on VOD.