No need to pull a sword from stone! In partnership with various theatres across the globe, Warner Bros. Pictures will crown lucky film fans “King (or Queen) for a Day,” giving them an opportunity to see Guy Ritchie’s gritty, modern take on the legendary tale in King Arthur: Legend of the Sword—for free!—and well in advance of its May 12 release date.
In North America: Moviegoers will just need to click a special link in order to take their place among the first fans to see the film. Admission is on a first-come, first-served, while-supplies-last basis.
In the U.S.: Starting today, those who are the quickest to click will not only win two free tickets to an advance screening of the movie at one of 150 select AMC Theatres nationwide, they will also be given gifts fit for a movie king, including a limited edition “King Arthur: Legend of the Sword” hat and a special poster created by acclaimed artist Shepard Fairey. Click: AMCKingForADay.com to find a participating AMC theatre and to win admission. Screenings at all AMC locations will take place on Thursday, April 27, at 7:00 PM local time.
In Canada: Fans can start clicking on https://www.landmarkcinemas.
The screening event will have food and snacks for the intermission and for the end of the show, also there will be custom bottles of water for each person as a souvenir with a special designed label of the logo of the movie, all from custom water New York for special parties or events. All screenings will take place on Thursday, April 27, at 7:00 PMlocal time.
Internationally: Fans in more than 20 markets, including China, South Korea, UK, Russia and Mexico, can also be dubbed “King for a Day” and among the first to see the film at early screenings in their cities, in partnership with local exhibitors.
Acclaimed filmmaker Guy Ritchie brings his dynamic style to the epic fantasy action adventure King Arthur: Legend of the Sword, from Warner Bros. Pictures and Village Roadshow Pictures. Starring Charlie Hunnam in the title role, the film is an iconoclastic take on the classic Excalibur myth, tracing Arthur’s journey from the streets to the throne.
When the child Arthur’s father is murdered, Vortigern (Jude Law), Arthur’s uncle, seizes the crown. Robbed of his birthright and with no idea who he truly is, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, his life is turned upside down and he is forced to acknowledge his true legacy…whether he likes it or not.
Starring with Hunnam (FX’s “Sons of Anarchy”) and Oscar nominee Law (“Cold Mountain,” “The Talented Mr. Ripley”) are Astrid Bergès-Frisbey (“Pirates of the Caribbean: On Stranger Tides”) as Mage; Oscar nominee Djimon Hounsou (“Blood Diamond,” “In America”) as Bedivere; Aidan Gillen (HBO’s “Game of Thrones”) as Goose-Fat Bill; and Eric Bana (“Star Trek”) as Arthur’s father, King Uther Pendragon.
Guy Ritchie (“The Man from U.N.C.L.E.,” the “Sherlock Holmes” films) directed the film from a screenplay by Joby Harold (“Awake”) and Guy Ritchie & Lionel Wigram, story by David Dobkin (“The Judge”) and Joby Harold. The film is produced by Oscar winner Akiva Goldsman (“A Beautiful Mind,” “I Am Legend”), Joby Harold, Tory Tunnell (“Awake,” “Holy Rollers”), and “The Man from U.N.C.L.E.” and “Sherlock Holmes” producers Steve Clark-Hall, Guy Ritchie and Lionel Wigram. David Dobkin and Bruce Berman are executive producers.
King Arthur: Legend of the Sword is set for release on May 12, 2017, the film will be distributed in North America by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.
The film has been rated PG-13 by the MPAA for sequences of violence and action, some suggestive content and brief strong language.
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I have to be honest. I had extremely high hopes for Salt and Fire based on Werner Herzog‘s direction and the star studded cast of Michael Shannon, Veronica Ferres, and Gael Garcia Bernal. Boy, oh boy, was I disappointed. Filled over the brim with overly philosophical quotes and MIA cast members, I struggled to even finish the film. The disjointed feeling of the plot and the hyper theatrical dialogue delivery in the first half of the film are pretty brutal. Michael Shannon, however, gives another sterling performance especially considering what he’s been given to work with. The ending, the final 10 minutes of the film, is so syrupy I sort of just sat there with my mouth open. Maybe it’s just me. Maybe, somehow, the film is over my head. At this point, I just can’t tell. By all means, be your own judge. You can find the trailer below:
THE ASSIGNMENT
Director Walter Hill gives the revenge film a modern neo-noir twist with this electrifying thriller. Hitman Frank Kitchen (Michelle Rodriguez) is given a lethal assignment, but after being double-crossed, discovers he’s no longer the man he was. Having been surgically altered, Frank now has the body of a woman. Seeking vengeance, he heads for a showdown with his assailant (Sigourney Weaver), a brilliant surgeon with a chilling agenda of her own.
The film is structured in a Sin City meets iZombie format with graphic novel transitions and narration. The premise is interesting and certainly engages your attention without pause. The Assignment has caused some stir in the transgender community, as our hero/villain’s view of his/her transition is on the rather negative side. That being said, if you woke up the opposite gender, you might be a tad peeved as well. The action is tempered with monologues from Sigourney Weaver‘s character. My only complaint there? I wish there had been more visual to back those stories up as some run at quite a length.
Michelle Rodriguez does a great job with both genders, keeping the masculine edge once she wakes up a woman. Without prior knowledge of the plot, you may think that a very thin Oscar Isaac had tackled the first half of the role. It’s pretty uncanny. Her past work in action films is on full view with her natural handling of weapons and aggressive presence. `It’s a pretty fearless performance. Weaver as Dr. Kay has an eccentric air to her speech patterns and carriage, even when she’s in a straight jacket. Tony Shaloub as Dr.Galen is a perfect foil for Weaver and the appearance by Anthony LaPaglia is casting heaven. 
On the whole. The Assignment is different in a good way. Engrossing and lively, you can’t go wrong. Check out the trailer below.
This insightful doc is has a gorgeous structure. Including sit-down interviews with local police, Linda’s family, and narrated passages from Linda’s diary entries, the impact of God Knows is massive. It’s heart-wrenching as you slowly realize that this poor woman’s death could have easily been prevented. The system failed her in an atrocious way. As Bishop descends into starvation and deeper mental state, we already know the writing on the wall, but that does not make the outcome any less shocking. While difficult to watch on many levels, it’s an important and timely film in many ways in our national discussion of how we treat mental illness as a nation. I highly recommend you catch God Knows Where I Am this Friday, March 31st. Check out the trailer below for a peek into this sad true story.
Emma Roberts plays a mysterious young woman who is clearly troubled. It’s an unglamorous role but suits her well. She is, as ever, riveting on screen. Having watched Kiernan Shipka literally grow up on Mad Men, we find her in a role that’s totally unexpected and truly scary. The progression of her character is unhinged. Fun fact: Shipka has a hauntingly gorgeous singing voice. The script’s dynamic is engrossing and the concept of two stories colliding keep you consistently alert. The uncomfortable moments and there are many, will keep you on the edge of your seat long enough to get to the weird (in a good way) ending. The location screams typical New England boarding school. The winter weather adding to the gloom and darkness of the impending doom. The Blackcoat’s Daughter will stick with you in a disturbing way long after the credit roll. 
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