*Watch here for FREE* Rose McGowan’s short film ‘Dawn’ – Liz’s Review

From the opening shot of Dawn, you know something is not quite right. In an eerie flash-forward, the scene is set for the directorial debut of Rose McGowan (Jawbreakers, Planet Terror, Charmed). The story focuses on Tara Barr (God Bless America) who plays the title character. She is a shy and quiet teenager in mid last century America, donning saddle shoes and all. Clearly sheltered by strict parents, she is a rule following good girl. One smile to the local boy who works at the fill up station and she is smitten. Her innocence isn’t long lived when she invites the boy and his two friends over to listen to records while mom and dad are out of town. All she wants is some attention but, as everyone knows, peer pressure can be the end of who you truly are.

Watch below!!

This 17 minute short is so incredibly lush in it’s color pallet and the soundtrack truly captures the era. Tara is lovely on screen. Regardless of the year, this character is someone we either knew or were at some point in our adolescence. You see every honest beat in Barr’s eyes. You want everything to turn out alright for her in the end. The film left me literally breathless, heart racing and disturbed. I am so impressed with McGowan’s dark choices. The woman clearly has a strong point of view and I cannot wait to see what’s next.

Directed by: Rose McGowan
Written by: M.A. Fortin, Joshua John Miller
Cast: Tara Barr, Reiley McClendon, Hannah Marks, Michael Moskewicz, Julia Sanford, John Grady
TRT: 17 minutes
Country: USA
Langauge: English
Genre: Thriller

h/t Cinemit 

Melissa’s Review: ‘Infinitely Polar Bear’ is a warm and sweet story of a struggling family

Left to right: Imogene Wolodarsky as Amelia Stuart, Mark Ruffalo as Cam Stuart, Zoe Saldana as Maggie Stuart and Ashley Aufderheide as Faith Stuart Photo by Seacia Pavao, Courtesy of Sony Pictures Classics

Left to right: Imogene Wolodarsky as Amelia Stuart, Mark Ruffalo as Cam Stuart, Zoe Saldana as Maggie Stuart and Ashley Aufderheide as Faith Stuart
Photo by Seacia Pavao, Courtesy of Sony Pictures Classics

Watching Infinitely Polar Bear, I was anxiously waiting for some terrible event to happen that tears the family apart, only to bring them back together again. This is such a standard in movies that it almost ruined this movie. However, if you decide to let go and just watch, it’s a beautiful and heartwarming story of the inevitable ups and downs of parenthood and life.

Left to right: Zoe Saldana as Maggie Stuart and Mark Ruffalo as Cam Stuart Photo by Claire Folger, Courtesy of Sony Pictures Classics

Left to right: Zoe Saldana as Maggie Stuart and Mark Ruffalo as Cam Stuart
Photo by Claire Folger, Courtesy of Sony Pictures Classics

Maggie (Zoe Saldana) and Cam (Mark Ruffalo) have a tumultuous relationship, mostly due to Cam’s mental instability. After an incident, Maggie is left raising their two daughters and searches for a way to support their family. Maggie is accepted into an MBA program and moves to New York so Cam returns home to care for their children while she’s away.

Based on a true story and told in the late 1970s, the dialogue is incredibly intimate and the story goes in unexpected yet inevitable directions. Mark Ruffalo brings a desperation to Cam that is never outshined by his genuine love for his daughters. Zoe Saldana is authoritative yet compassionate as a mom doing anything it takes to give her family a better life.

Left to right: Imogene Wolodarsky as Amelia Stuart and Ashley Aufderheide as Faith Stuart Photo by Seacia Pavao, Courtesy of Sony Pictures Classics

Left to right: Imogene Wolodarsky as Amelia Stuart and Ashley Aufderheide as Faith Stuart
Photo by Seacia Pavao, Courtesy of Sony Pictures Classics

This is the first feature film for both the daughters, Imogene Wolodarsky as Amelia and Ashley Aufderheide as Faith. Their relationship is just as important and they each have their own qualities that complement and play off each other.

I think what I enjoyed the most was the love and dedication of Cam for his family. He was not perfect but he never gave up. I enjoyed watching a movie where it was purely a story of a family and not a contrived, artificial sensationalization.

Find out what movie made Adam Scott want to be an actor & other fun trivia from ‘The Overnight’ sneak preview and Q&A at Lincoln Center

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Film Society moderator, Judith Godrèche, Producer Naomi Scott, Jason Schwartzman, Adam Scott, Writer/Director Patrick Brice

Alex, Emily, and their son, RJ, have recently moved to Los Angeles’ Eastside from Seattle. Feeling lost in a new city, they are desperate to find their first new friends. After a chance meeting with Kurt at the neighborhood park, they gladly agree to join family pizza night at the home. But as it gets later and the kids go to bed, the family “playdate” becomes increasingly more revealing and bizarre as the couples begin to open up.

The Overnight posterThe Overnight was one of the first movies I saw at the Tribeca Film Festival this year and it started off my viewing with a bang. The spirit of an indie and the laughs of a blockbuster, this comedy takes you on an unexpected journey of non-stop hilarity.

I attended the sneak preview of the film with a Q&A that followed with Writer/Director Patrick Brice, Adam Scott, Jason Schwartzman, Producer Naomi Scott and Judith Godrèche. Here are some of the highlights:

  • Judith GodrècheJason Schwartzman hadn’t met prior to the first day on set
  • It was shot mostly at night in 12 days with no rehearsing in basically chronological order
  • Writer/Director Patrick Brice at one point deleted a 70 page draft and had to retype from memory.
  • Production Designer Theresa Guleserian drew all Kurt’s paintings in one day
  • Almost exclusively lit with practical light
  • Movie that made Adam Scott want to be an actor – Raiders of the Lost Ark  “That’s what I want to do.” Later, he makes note that the first audience that made an impression was War Games. “It was so exciting in the theater.”
  • Jason Schwartzman never really thought of himself as an actor because he thought actors were in big movies and were like Arnold Schwarzenegger. He was more into music. “Cable always played the weirdest movies.” Dog Day Afternoon made him want to get into acting.
  • Patrick Brice also has a completely different type of movie, the horror, Creep, coming to VOD June 23rd and to Netflix July 14th.

My impressions of the Q&A:

  • Jason Schwartzman is just as adorable as you would imagine he is.
  • Adam Scott has an amazing voice that carries well and commands attention but is actually very soothing.
  • Judith Godrèche is incredibly sweet and must have been a pleasure to work with.
  • Patrick Brice will give us many more thought-provoking movies in the future.

OVERNIGHT_Press_2 Tribeca

Liz’s Review: Get raunchy with ‘BALLS OUT’

Balls Out posterYou never know what you’re gonna see at Tribeca Film Festival. One out of left field film from last year was BALLS OUT. Wrong sports metaphor in this case since this particular movie revolves around an intramural college flag football league. Starring a rag tag team of hilarious and talented people like Jake Lacy, Kate McKinnon, Nikki Reed, Beck Bennett, Jay Pharoah and many, many more, Balls Out pulls no punches when it comes to the A-typical sports genre movie. Balls out cast stillCaleb (Jake Lacy) is a fifth year senior with law school on the brain and an overbearing and hilariously high-on-life girlfriend (Kate McKinnon). Suddenly finding himself faced with having his future mapped out for him, he begins to reminisce about his freshman year and his flag football team’s- The Panthers- epic win over a douchebag rival team the Titans. Haunted by the how the first game ended with the paralysis of his best friend, Caleb struggles to commit to what makes him truly happy. Balls Out is an unapologetic underdog story, that’s frankly funny as hell. Every single sports cliche you can think of is admittedly thrown in your face. Training montages, two stoner fans acting as the league’s “official announcers”, hidden personal agendas, each Panther member being just slightly too weird for reality, and a rival captain so damn ridiculous you love to hate him. All this is admitted in the actual dialogue. The film never takes itself seriously at any moment, which is what makes it so great. I was not expecting to like this film at all, and it ended up being my favorite comedy of the fest last year.Kate KcKinnon Balls Out stillSo let’s talk performances in Balls Out. Jake Lacy is, for lack of a better phrase, relatively straight laced, in comparison to the rest of the cast. Nikki Reed does an excellent job playing the girl who comes into Caleb’s life just when he needs it most. This was a nice departure for Reed coming off the Twilight series and a great follow up to her quirky performance in last year’s Murder of a Cat. She is cool and fun. Kate McKinnon steals every scene she is in. Since she joined SNL, I have been touting her as the new Amy Poehler. One wide-eyed look from this gal is comedy gold. Newly minted Panther head coach is played by Nick Kocher. Wher has this kis been all my life? He easily flips from just amusing to sidesplitting comedy with the ease of someone twice his age. How is he not in everything right now? Team him up with Chris Pratt, like yesterday. I want over saturation of Kocher immediately. Jay Pharoah and D.C. Pierson‘s narration as the sideline peanut gallery makes the game sequences what they are. Balls Out Beck StillNow, let’s get real  for a moment. Hands down, once again,the star of this film is Beck Bennett. I have been a fan ever since his national AT&T campaign. Believing he is vastly under utilized on SNL, I have been privileged to see his outstanding movie roles thus far. His last film, Beside Still Waters (a MUST see), was on the opposite end spectrum on his testosterone driven revenge obsession in Balls Out. Like McKinnon, each frame he appears in he completely owns. I don’t know how anyone kept a straight face having to be in a scene with him. It makes me wonder how much of his dialogue is improvised. I would imagine the DVD blooper reel with feature him heavily. Cheers to Beck for bring this film over the goal line.

BALLS OUT arrives theatrically and on VOD June 19th.

Genre: Comedy
TRT: 100 min
Camera: RED Epic
Language: English

Rated: R for crude and sexual material, language and some drug use

SYNOPSIS: With graduation, marriage, and an uncertain future on the horizon, fifth year college senior Caleb Fuller (Jake Lacy) decides to do the one thing he vowed to never do again: get the ol’ flag football team back together. Now with the help of his Panther teammates and unorthodox head coach Grant Rosenfalis (Nick Kocher), Caleb must defy all odds and logic if he ever hopes to achieve the intramural football glory he once had. Set in the highly popular world of college intramural sports, BALLS OUT is the epic sports movie for the guys who don’t deserve one.

Liz’s Review: ‘Gabriel’ haunts us with an undeniable truth

Gabriel_PosterMany of us deal with anxiety on a daily basis. Some of us have sleep disorders. Others battle with being OCD. Mental illness tends to be a taboo subject. It’s something we usually hear about when it comes to the increasing number of mass shootings in this country. Why do we avoid the issue until something goes wrong?Gabriel_DinerIn Lou Howe’s writing and directorial debut, he brings us the story of GABRIEL. Played flawlessly by Rory Culkin, Gabriel is a young man struggling with a form of mental illness. On his way back home from some sort of facility, he stops to check up on an old girlfriend in her dorm room, only to find that she has gone home for the holiday. All this happens while avoiding calls from his worried family members. The rise in his agitation both emotionally and physically is a real punch in the gut for audience members. I think we all had a sigh of relief when she wasn’t available. Finally meeting up with his family, Gabriel is not deterred in his path to find her. He disappears on a bus and makes his way into NYC to track her down. During his journey we are witness to the quiet moments in this young man’s life. These seem to be the most disturbing and painful for both Gabriel and viewer alike.Gabriel_Meredith_SmallHowe has created a fully fleshed family dynamic without spelling out everything in the script. He treats each character with honest care. It is quite an impressive feat for this first time writer/director. There is actually pretty little dialogue, but what there is, is very astute. Rory’s performance is like watching a masterclass in character study. His focus and mannerisms are perfection. Not to mention that in person, his humility gives you pause. He is quiet in person but eloquent and clearly very bright.I was fortunate enough to attend a round table with Writer/Director Lou Howe and Rory. Here are some of their thoughts on the film.

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Lou Howe & Rory Culkin- Tribeca 2014 Roundtables. Photo by Liz Whittemore

Lou Howe & Rory Culkin- Tribeca 2014 Roundtables. Photo by Liz Whittemore

Normally in Hollywood when we deal with mental illness everything turns out alright in the end. For example, Silver Linings Playbook. This is the extreme opposite. So what was your motivation in telling this story?

Lou: I think I just wanted to be as truthful as possible. I likeSilver Linings Playbook. I like positive movies but I don’t find them to be as honest about life as I hope to make my movies. I wanted to stay true to Gabe and his experience and try to make it as authentic as possible.

 And if the character based on anyone specific?

Lou: No, not really. The original idea to create a character came from the experience of seeing a close friend get diagnosed with mental illness. The character is purely fictional.

 Rory, you are constantly on all the time, everything take. Were you and everybody onset thinking, “I just need a break for 5 seconds?”

Lou: I think were so in it we are just running the race, like Rory said, it took a minute after we wrapped to realize how intense the whole process had been. But at least for me, when you’re in it, you try to focus on the next step.

Can I ask about the body language in the film?

Rory: When we went and spoke with people and did those sort of things, there was one young man that really stuck out to me. He said he couldn’t entirely trust his own hands so they always had to stay within his line of sight and so the point of the hands in my face was to make sure they’re behaving.

 Was there any specific research you did maybe speaking to doctors or speaking to patients affected with mental illness?

Lou: My own friend was sort of the start of it. There were two organizations here in New York that were very helpful with research; the Child Mind Institute read early draft of the script and helped me make sure that this felt accurate and true. And another place called fountain house which is a community center for people struggling with mental illness. I visited several times and took Rory there as well just to meet people struggling with mental illness and hear their stories directly.

Rory: For me it was almost entirely hearing about hearing firsthand accounts and their perspective. Learning from the outside, the medical aspects and all that, is great as a foundation, but as soon as we start shooting I just sort of throw that all that all the window because as Gabriel, your diagnosis is bullshit. he doesn’t buy into any of that so I sort of had to not think from the outside.

Lou: I was sort of trying to maintain that, too. Rory would be out there with the rest of the cast thinking about it from their point of view. First person memoirs for Rory or talking to people with illnesses and for the actors playing the family members in the film, having them talk to people in their position.

Rory, was the character hard to shake off at the end of the day?

Rory: Yeah, I thought I left him behind once we got done. But when I got home I was like kind of fragile and really sensitive and I didn’t realize it. But it took a while to shake it off. When I came home, my friends said that my face had aged years. It’s weird, you know, at the screening last night, it brought me right back and I was afraid I was going to, as soon as it ended, get emotional. It’s almost embarrassing, getting emotional watching myself. It’s almost like I’m praising myself but really I’m back there. It’s not easy.

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GABRIEL will leave you thinking about this intense story. You will want to know what happens long after the screen blacks out. It is certainly a wonderful conversation starter, and that one that we need to address more often. Bring family members to see this film. It will give you a safe place to start talking to one another, no matter what ails you, inside or out.

Gabriel is in theaters June 19th.

Writer/Director: Lou Howe Starring: Rory Culkin, David Call, Deirdre O’Connell, Emily Meade, Louisa Krause, Lynn Cohen, Alexia Rasmussen Runtime: 88 min

 

Michael’s Review: ‘Jurassic World’- The Park is Open!

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It’s been 22 years since the events on Isla Nublar. A lots happened since then in the world of cinema, but there is a special place in our hearts for the dinosaurs of Jurassic Park and that is why this weekends opening of the newest installment in the dino franchise, Jurassic World, is so highly anticipated. Can Colin Trevorrow’s vision live up to the hype? Let’s simply forget the events of the dull and forgetful sequels and revel in the fact that the park is open!
Jurassic Park 1

Millions of people flock to this Dino-Disney theme park every year on the island where it all started. The park John Hammond envisioned has to come fruition thanks to Simon Masrani (Irrfan Khan), CEO of the Masrani Corporation and the owner of Jurassic World, who believed in Hammond’s vision enough to make it a reality. Masrani wants a park where the animals are just as happy as those paying admission, Claire Dearing (Bryce Dallas Howard), the park’s operations manager, believes in profits and making bigger and better attractions, which leads to the creation of a new genetically modified dinosaur, the Indominus rexwhich is said to be the biggest attraction the park has ever seen.

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Brothers Zach (Nick Robinson) and Gray Mitchell (Ty Simpkins) have arrived at the park to visit their aunt Claire. Gray, an avid dinosaur enthusiast, is excited to finally see the park, but brother Zach is only along for the ride. The two trek off into the park with Claire’s assistant to explore while Aunt Claire checks on her newest attraction. After some concerns about the newest dinosaurs development, Masrani requests the assistance of Owen Grady (Chris Pratt), a Velociraptor expert and trainer known to have a positive influence over the creatures. Vic Hoskins (Vincent D’Onofrio), the head of InGen security, is on hand to witness Owen’s work and believes this trainiing should be used to turn the Velociraptors into weapons to be sold to the government, an idea Owen strongly opposes.

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A mishap allows the Indominus to escape captivity and sets off a park wide Dino hunt. With Gray and Zach lost in the park, Claire enlists the help of Owen to rescue the boys and take down the Indominus before the park is destroyed and lives are lost. With the help of an unimaginable allies, will Owen reach the boys and stop the blood thirsty killer before it’s too late?

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Director Colin Trevorrow (Safety Not Guaranteed) does a phenomenal job of creating his vision of the park within the framework of the original world created by Steven Spielberg. The film, a direct sequel to the original film, is not only a visually stunning film, but the strong script from Rick Jaffra and Amanda Silver (Dawn of the Planet of the Apes) leaves a lot of the playful elements that worked so well from the original while allowing for the dramatic performances of the actors to work without an overabundance of corny lines and cringe worthy performances. Chris Pratt continues to impress as his career shift to leading man continues. Pratt is becoming more and more comfortable in action roles and his performance in Jurassic World is sometimes a bit stiff but overall quite enjoyable. Bryce Dallas Howard is wonderful. A character which can fall into so many cliche’s, Howard avoids many of them and provides a performance worthy of being included alongside Laura Dern’s Dr. Ellie Sattler from the first film. Neither Ty Simpkins or Nick Robinson were overly impressive, but neither were annoying either which is a plus considering their roles.

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Overall, Jurassic World is one hell of a fun ride. A film that doesn’t quite reach the exceptional level of the first film, but far exceeds the sequels. Bryce Dallas Howard’s Claire states,  “no one’s impressed by a dinosaur anymore”, well, this movie does impress and I can’t wait to head back to the park one more time.

Stars:

3 1/2 out of 5

After Credit Scene?

None

Trailer:

Liz’s Review: ‘SET FIRE TO THE STARS’ ignites the screen

Set Fire To The Stars_Poster

It’s rare these days to see something so clever, elegant, and passionate all at once. SET FIRE TO THE STARS is the story of New York academic John Malcolm Brinnin and famous poet Dylan Thomas’ brief but impactful relationship. Brinnin takes it upon himself to bring Thomas to America for a series of 25 poetry readings across the country. Ignoring the rumors that Dylan is erratic in personality and behavior, Brinnin risks his career to bring his idol to the US. Brinnin makes the fated decision to extract him from the city for a few days in order to detox mind and body, and Thomas brings a whirlwind of spirit, tenacity, and his haunted past right to John’s doorstep.  When idolatry blinds common sense, is disappointment inevitable?

Celyn Jones in SET FIRE TO THE STARS

Celyn Jones in SET FIRE TO THE STARS

Celyn Jones, who co-wrote the screenplay with director Andy Goddard, gives an impeccable performance as Thomas. Never missing a beat, every breath and moment of silence is accounted for with an endless saturation of greatness. Celyn has had a  consistently successful television career over the years and is rumored to have been cast in the upcoming production of Mary Shelley’s Monster alongside our very own Sansa Stark, Sophie Turner. I truly hope this turns out to be true. I want to see so much more  of Celyn on screen, any size will do for my liking. He and Elijah Wood have completely believable chemistry together. Two men from different worlds, who I believe envy one another for very different reasons. Known for his long eclectic career for films like The Lord of the Rings to more recent indie gem Grand Piano, Wood has picked another winning script and delivers. His performance is pensive and thought-provoking.  Brinnin goes through quite the journey during the course of this particular snapshot in time. Set Fire To The Stars is based upon Brinnin’s novel titled Dylan Thomas in America. To be more specific, only 7 pages of  his novel make up the entire basis of the script, and what a glorious 7 pages chosen by Jones and Goddard.

Elijah Wood in SET FIRE TO THE STARS

Elijah Wood in SET FIRE TO THE STARS

The film is shot in black & white giving it a timeless quality. With a luscious beatnik jazz inspired soundtrack, Andy Goddard‘s directorial debut sings off the screen. Glorious lighting and splendid camera work take the slight exhale of a cigarette and create an ethereal piece of art. Long, heavy dialogue takes are beyond engrossing, they are poetry in their own right. Proof that Jones and Goddard teaming up was pure genius. Combined with the deliciously affected speech of the literary elite and era, Jones and Woods give us performances that might otherwise sound droll had it not been for the clear understanding and passion behind the text. This film is like like perfect ice cream sundae, with everything on top. If you are already a poetry fan, well, you might as well consider yourself down for the count. You will absolutely fall for this movie. I, for one, will be adding this to my DVD collection as soon as it becomes available, which thankfully, is very soon.

Elijah Wood in SET FIRE TO THE STARS

Elijah Wood in SET FIRE TO THE STARS

I was lucky enough to be a part of an intimate roundtable interview with Celyn and Elijah just yesterday. How method is Celyn when it comes to role preparation? Will Elijah be starring in a mistaken identity flick with Daniel Radcliffe? Find out all the juicy details in this extraordinarily fun interview in our newest episode of the Girls On Film podcast. Enjoy!

Celyi Jones and Elijah Wood. Roundtable interview for Set Fire  To The Stars. Photo by Liz Whittemore

Celyn Jones and Elijah Wood. Roundtable interview for Set Fire To The Stars. Photo by Liz Whittemore

OPENS FRIDAY, JUNE 12, 2015 in New York at The Village East, with a Los Angeles and major city roll out, June 19th!

SET FIRE TO THE STARS will be released nationwide on July 21 on DVD, VOD, Digital platforms and Itunes.

Country of Origin: United Kingdom

Format: DCP/2.35/B&W

Sound Format: Dolby Digital

Running Time: 93 minutes

Genre: Drama

Rating: Not Rated

In English

 

Based on true events, Elijah Wood stars as John Malcolm Brinnin, the New York academic who brought Dylan Thomas to America. Actor/co-writer Celyn Jones plays the volatile celebrity poet – tormented by anonymity, alcohol and the abyss – who scandalized the Manhattan literati of the Fifties and challenged Brinnin’s hero worship of his work. In the face of the Welsh poet’s wilder excesses in the Big Apple – angel, beast and madman – John has no choice but to hijack Dylan to a private retreat to get him ready for America. The days and nights that follow will change his life forever. Part literary biopic and – shot in cut-glass black-and-white – part love-letter to the American B-movies of the Forties and Fifties, Andy Goddard’s debut feature is both a character driven chamber piece and a cautionary tale about the flytrap of meeting your heroes.

Liz’s Review: Vengeance and Religion drive the fight in ‘REDEEMER’

Redeemer posterGuilt is a loud devil on your shoulder. The past can drive you mad or drive you to change… sometimes a little bit of both. In Ernesto Diaz Espinoza‘s new film REDEEMER, a man known only by this title is a mysterious figure, righting wrongs among his small Chilean community. Tortured by an unthinkable past that is slowly revealed as the film progresses, The Redeemer must conquer his own ghosts in order to battle the biggest evil he has ever known. Can he protect those left behind? redeemer 2Marko Zaror, martial arts action star extraordinaire, takes on the lead with ease and ownership. Not only is his acting pretty damn stellar, he is also the fight coordinator for the film’s vast array of sequences that are enhanced by key moments of slow motion. These sequences are extremely long and well shot. It was mostly refreshing to see an organic quality about the battles. They are interesting and definitely full of surprises. My favorite aspect would definitely be the use of graphic blood splatter. Reading like a first person shooter game, the blood use is colorful, impactful, and sometimes just over-the-top enough to make you cringe at the perfect moments. redeemer 1The dialogue is creative and comic relief comes in the form of our only English speaking character, drug lord Bradock, Noah Segan, who I recognized from Deadgirl, is so natural in his comedy it should be against the law.  He was actually my favorite part of the film. Segan has 8 projects this year alone, including Tales of Halloween with Lin Shaye (Insidious) and Booboo Stewart (The Twilight Saga), as well as The Mind’s Eye with Larry Fessenden (We Are Still Here). This guy is around for the long hall. Bottom line, if you liked Netflix’s Daredevil season 1, Redeemer will resonate with you. While it could be about 10-15 minutes tighter, due to the extended fight scenes, this film is definitely worth a shot.

Acclaimed Chilean director Ernesto Diaz Espinoza (Mandrill, The ABCs of Death, Kiltro) teams up again with martial arts action star Marko Zaror (Undisputed III, Machete Kills) in the theatrical and VOD release of REDEEMER. The epic action film, which made its debut at the 2014 Fantastic Film Festival, hits theaters and VOD on June 12 from Dark Sky Films.

Melissa’s Review: ‘Love & Mercy’ about The Beach Boys’ Brian Wilson – didn’t live up to my expectations

Love & Mercy-posterIn Love & Mercy, two versions of Brian Wilson (musical leader of The Beach Boys) are depicted through Paul Dano as younger, during the height of their fame and John Cusack as older, during his depression in the 80s. It’s two separate stories, cut together back and forth.

Love & Mercy-00002I really enjoyed the past portion with Paul Dano because he was so great with the emotion and conveying the inspired creativity of Wilson. I had a hard time with John Cusack as Brian Wilson though. I felt no connection with him. I didn’t like how it went back and forth because it took away from the emotion of each section. They were two different films cut together rather than complementing one another. It was also hard to relate to the later portion because it was such a mystery as to how he got himself in the position with Landy.

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Elizabeth Banks seemed lost in her role and honestly, I couldn’t understand why she fell in love with him. Every scene seemed like a huge red flag that should have left her running for the hills. The 80s outfits left a more lasting impression than how their relationship developed.

Only briefly mentioned was how Brian Wilson was inspired by The Beatles’ Rubber Soul. I would have loved to have explored how The Beach Boys and The Beatles were essentially trying to “one-up” each other with their music. However, the focus of the movie is Wilson, so that would have veered too far off course.

Love & Mercy-00006I was really looking forward to this, but it totally fell flat. It’s a shame. It’s worth seeing just for Dano’s performance. However, the best part was reminding me to listen to Pet Sounds over again. Do yourself a favor and buy the album.

Review: A ghost story that won’t let the past die in ‘We Are Still Here’

We Are Still Here posterIn the new haunted house horror We Are Still Here, Anne and Paul Sacchetti move to a small New England town to make a fresh start following the death of son Bobby.  Anne believes that Bobby’s spirit is in the house reassuring her that everything is hunky dory. After she and Paul enlist their new age friends Jacob and May to visit and ease their minds, they realize something much older is lurking and poised to rear it’s ugly head. The past does not want to stay in the past.We Are Still Here house stillRight off the bat, the camera work displays an “I’m not alone” feeling with handheld, over the shoulder and around the corner shots that set the tone for the entirety of the film. Establishing shots of each room and the snow covered acres surrounding the property itself, give you a definitely isolated sense. 10 minutes in, our first real set up moment, an object from the past and a blink-and-you-miss-it jump scare of classic proportion. Not bad, not bad at all. Writer/Director Ted Geoghegan, clearly with a crush on the classics good and bad, knows his stuff. The story moves along at lightening pace, laying out a small town’s history mired with sadness, rumors, and evil. We Are Still Here pays homage to films like Amityville and Poltergeist. Films with an unshakable past that seem to be well known by the locals and end up terrorizing the newbies. The practical effects are gold and vomit inducing for sure, but the use of the seamless CG takes the film to another level. We Are Still Here still Lisa and LarryFlawlessly held together with a stellar cast of genre greats, We Are Still Here is an instant classic. Barbara Crampton‘s Anne is grounded, loving, and searching for comfort. Andrew Sensenig‘s portrayal of Paul is as masculine and protective as you can get, without losing that caring husband edge. Larry Fessenden as Jacob is funny and vivacious. Lisa Marie plays May with an airy realness of someone who is actually a sensitive. The four leads work so well with one another, I cannot imagine a different cast. Fun Fact: Both Barbara and Larry recently appeared in the 2011 horror/thriller You’re Next (Another film I would recommend). The music is quiet and looming like that of a small wind chime, and truly adds the the eerie factor. The color scheme of the surrounding dank New England winter (one I grew up with myself) makes the eventual appearance of bright red blood all the more visually impactful. The set dressing is top notch. The house appears untouched since the film’s set 1979 date. Old houses creek, we all know this to be true, but the timing of the sound editing ramps up the natural inclination that maybe you shouldn’t hang out long in a dusty old basement. We Are Still Here Barbara CramptonA few obvious takeaways from this movie: 1. Don’t trust your creepy neighbors, 2. Shit starts flying off the walls you should just assume the worst, and 3. Don’t ever, ever mess with the dead. There are 1000 more things I could praise about this film, thing is, I really  just want you to go see it for yourselves! We Are Still Here arrives in theaters and on VOD today, June 5th. Go get your spooky on.

Melissa’s Review: ‘Hungry Hearts’ creeps up slowly, grabs you & doesn’t let go

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Written and directed by Saverio Costanzo, Adam Driver and Alba Rohrwacher star as Jude and Mina, in Hungry Hearts, a drama which has the slow-burning stamina of Rosemary’s Baby. A young couple, just starting out, fawn over each other and are blissfully happy. Once a child comes into the picture, the mother slowly changes and the father must determine what’s best for the child.

Hungry Hearts_4698The opening scene is an adorable meet-cute in the bathroom of a Chinese restaurant, in one long, mesmerizing shot and reflect how the characters are completely in-sync. As the film progresses, different camera lenses underline the distortion in perspective of each of the characters. It’s quite effective and very unnerving.

Hungry Hearts_8190The intentions of a mother are not something that are easily questioned. What makes this story strong is how that bias keeps with you. Just like Jude, I wanted Mina to be misunderstood. I wanted to believe she knew what’s best for her child. But it keep nagging me. I just couldn’t shake the doubt.

Hungry Hearts_7265Adam Driver is amazing and heart-wrenching as the terrified and desperate father. The pain behind his eyes at not only seeing his child suffer, but seeing his wife suffer, was heart-breaking. Alba Rohrwacher is warm, yet cold at the same time. Her body gets progressively thinner and adds another layer to an already troubled mother.

This movie will lose something if you’re not watching it 100% and really follow these characters. Make sure you see it in the theater or with complete attention at home. You’re gonna love it or hate it, there’s not much room in between.

 

 

 

Michael’s Review: ‘Entourage’

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The Entourage boys are back with their first feature film with series creator Doug Ellin serving as director and it’s just what you would expect from the testosterone driven hit HBO show…women, cars, cameos, and Ari Fricking Gold. Eight seasons just weren’t enough to tell the tale of Vinny Chase and his boys as they conquer Hollywood and all the women in Los Angeles.

The film picks up six months after the show ended where we find Johnny “Drama” Chase (Kevin Dillon), Eric “E” Murphy (Kevin Connolly), and “Turtle” (Jerry Ferrara) riding a motorboat to a yacht party where their newly divorced friend, movie star Vincent Chase (Adrian Grenier) is partying it up with the locals in Ibiza. Reunited and it feels so good for this brat pack-esque crew who now look to the next chapter in Vince’s career. Hearing that his former agent, Ari Gold (Jeremy Piven) has returned from retirement and is now a studio exec, Vince reaches out to Ari, who offers Vince a new project, a project that Vince says he will only do if he can direct. And this is where the story begins.

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The project is called Hyde, which is a futuristic take on “Jekyll and Hyde”. Starring and directing in the film, Vince recruits E to be his producer and Drama to be his co-star, but things go south when the blooming budget and rumors of a disastrous rough cut of the film reach Ari, who is desperate for this film to be a success. Vince reaches out to Ari to convince him to fund the project with more money so he can fully complete his vision. Reluctant, Ari reaches out to Larsen McCredle (Billy Bob Thornton), an oil tycoon and studio financier who refuses to give any more money unless his son, Travis (Haley Joel Osment) accompanies Ari back to Hollywood and sees a version off the film. Determined to see this project to completion, Ari and Vince try to convince Travis to fund the extra money, but complication arise when Travis and Vince can’t meet eye to eye on the film. With time running out and a studio hungry for a hit, can Ari, Vince and the boys find their way to the finish line?

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Director Doug Ellin elects for the “if it’s not broke, don’t fix it approach” with his characters and creates a film that feels more like an over bloated, cameo filled episode of the television show. This approach isn’t detrimental to the film’s success, but limits the characters evolution past what we already know of them. As for the actors, they get to slip into a familiar shoe and do exactly what they did for eight years. Adrian Grenier, Kevin Dillon, Jerry Ferrara and Kevin Connolly all provide exactly what the audience wants and they do it fairly well, but there’s an empty feeling seeing these great characters not find anything new to do except drive around and talk about sex. Jeremy Piven is epic as always as the fast talking Ari Gold. Piven steals every scene he’s in and is the real star of this film as he was of the tv show.

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Overall, Entourage is for fans of the show and very few others. It is a fun trip down memory lane for many of us who invested close to a decade in these characters, but in the end, the film did little to expand the characters any further and left me wanting more from the plot.  Is the movie as enjoyable as the show? Sure, but not as creative. Let’s hope if the boys get another go around that they give us a little more substance than this.

Stars:

2 1/2 out of 5

After Credit Scene?

Scene during the credits

Trailer:

Liz’s Review: ‘DOOMSDAYS’ are indeed coming, so you might as well laugh it up until then

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If Wes Anderson made a movie with 1/50th of his usual budget and a cast of indie gems, you’d have the new pre-apocalyptic comedy DOOMSDAYS. Since post-apocalyptic films are all the rage these days, the concept of a precursor is already funny in it’s own right. The story revolves around two eccentric slackers extraordinaire who have a penchant for breaking into vacation homes in the Catskills. Why, you might ask? Well, the world’s need for oil as a natural resource is rapidly running into a bit of a snafu since mother nature is none  too pleased with the choice, besides the fact that when it does eventually and inevitably run out, life as we know it essentially fucked. So, before this becomes a major reality, Dirty Fred and Bruho have decided that the vagabond lifestyle is the bees knees. Using existing resources left behind by these dwellings owners, these two gentleman roam the countryside of upstate New York living a life relatively free of consequences from ‘the man’. Once they run into a teen runaway and wanderlust filled young woman, the small group dynamic shifts dramatically. doomsdays still oneFilled with sharp and witty dialogue that’s just weird enough to be both funny and face-palmy (new word), Doomsdays is like nothing you expect it to be. Scenes filled with nothing become everything. There is no technology in this film. No cell phones, no television, and no working laptops, allow conversation and contemplation to become the main focus of this unusual film. With a strangely adorable slice of buddy comedy mixed in, it’s a film any indie buff would be proud to have in his/her back pocket of greatness. Reyna and Fred Gallery 4KWriter/Director Eddie Mullins clearly knows his shit. Besides the obvious writing talent, his use of a singular stationary camera is a perfect fit for this piece. The structure is laid out in a month long calendar style, which only adds to the great pacing. The original score by Bang And Yell is catchy and really well placed. Justin Rice as Dirty Fred is a pretentious nutter but completely lovable.  Leo Fitzpatrick plays Bruho with a genuine curmudgeonly edge. Brian Charles Johnson, who this theater nerd recognized from Broadway’s Spring Awakening, is young Jaidon. Comic timing of a master and excitable enthusiasm of a star, I loved him. Laura Campbell is Reyna. Not so different from the rest of the crew, this seemingly normal woman is just as damaged and adventurous as the boys. These four have an incredible chemistry which makes me ponder the amount of rehearsal time everyone had together, which is clearly a total compliment.Punching game DoomsdaysDoomsdays is ultimately a story about adjusting to other people’s odd idiosyncrasies. This film nails all the things we wish we could get away with doing and saying. I highly recommend catching this unique indie this weekend. DOOMSDAYS comes to theaters and VOD Fridsay, June 5th.

Jeremy’s Review: Spike Lee’s “Da Sweet Blood of Jesus” a Nod to Indie Roots, But Ultimately Falls Short on Execution

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Spike Lee is a lot like Stanley Kubrick to me in that they are both hit or miss directors that can wow me with one film and completely lose me with another. I can’t think of two directors that can make my opinion of their work swing from liking to disliking as quickly. It’s been since Lee‘s 2002 film 25th Hour that I’ve felt he lived up to what he gave with his masterpiece Do the Right Thing. Since then, it’s been a series of misfires and almost-theres. So, when I had the chance to see Da Sweet Blood of Jesus, his remake of Bill Gunn‘s cult classic Ganja and Hess, I will admit I was curious. I had high hopes that his working independently of a studio would capture some of the lightning that was bottled back in the 90s. Unfortunately, this film fell more in the Oldboy (which was an absolute mess) camp than his He Got Game camp.

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The story is as such: Dr. Hess Greene (Stephen Tyrone Williams), a foremost expert on African cultures, begins a new project with the help of a researcher Lafayette Hightower (Elvis Nolasco). After the two meet and have some in depth conversation at Hess’ beautiful Martha’s Vineyard estatel they adjourn for the evening. When an unidentified sound drags Hess out of his house, he finds Hightower wailing high in a tree with a rope around his neck, about to throw himself from the branch on which he sits and kill himself. He is clearly a troubled man and Hess does everything to convince him to keep from committing suicide and it works…for the time being. Later, after further discussing the events of the evening, Hess is convinced that this is a one time thing and that Hightower will recover. Short lived, Hess wakes up to Hightower trying to strangle him. As the two battle back and forth, Hightower grabs a recently unearthed Ashanti dagger (the Ashanti are the major culture in Ghana) and stabs Hess, killing him. Or so we think. Later, Hess wakes up, still alive and apparently well despite the wound from the dagger. However, he is a changed man with an insatiable lust for blood. When he confronts Hightower after rising from the dead, Hightower shoots himself and we see Hess lapping at the blood left behind, sealing his fate. What plays out after this is Hightower’s wife, Ganja (Zaraah Abrahams), arrives on the island looking for her husband as he owes her money. They are on the outs and she just wants to be rid of him. It’s fairly easy to tell what happens after this…Hess and Ganja fall in love, marry and Hess turns her into a bloodlusting fiend just like him. How does all of that play out…well, for that you will need to see the film.

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Tonally, this film is all over the place. It plays like the original (although I will confess I’ve not seen all of it) but with a higher class level of exploitation. The film’s thematic material also runs the gamut – colonialism, race, class. The way it was filmed reminded me so much of Fassbinder‘s Whity, although there is little other reference to it in Da Sweet Blood of Jesus aside from the racial aspects, which Lee has always had a knack for transcribing to the big screen. This is where Da Sweet Blood of Jesus is most successful, even though Lee isn’t terribly subtle with some of his references (e.g. Hightower trying to hang himself in a big tree). I really enjoyed Williams in the lead role, but the acting aside was spotty at best. I also really appreciated that this film didn’t devolve into some ridiculous vampire film. No one will ever do an understated vampire film better than Jim Jarmusch‘s Only Lovers Left Alive in my opinion so Lee was wise not to tread on that territory. The eroticism that was laced  throughout was well earned and avoided the trappings that befall other bloodsucking films. I love that Lee used Kickstarter to fund this film as no studio in their right minds would have funded it. This definitely allowed Lee the license to add content that would never have been allowed otherwise. I applaud his courage for that.

As a whole, this certainly is an interesting film and I may revisit it again. This film has been very hit or very miss with little wiggle room in between with other critics. I think this film is a near miss, but perhaps my opinion of it will change after finishing Gunn‘s film in its entirety. If you are a Spike Lee fan, this is worth a watch. If you want to see some off the beaten path, then I would suggest it. It may strike your fancy where it didn’t strike mine.

Da Sweet Blood of Jesus was released this week on Blu-Ray and DVD.

Melissa’s Review: ‘I Believe In Unicorns’ beautifully/terrifyingly captures the innocent foolish decisions of a teenage girl’s first love

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Davina (Natalia Dyer) is teetering between childhood and adulthood as she meets and falls in love with an older boy (Peter Vack). The two run away together, but her imaginative and free-spirited nature only goes so far before reality catches up.

I_Believe_in_Unicorns_publicity_still02This incredibly intimate story is writer/director Leah Meyerhoff’s first feature film and revolves around a “fictionalized version of her younger self.” Davina takes care of her mother (the director’s mother, Toni Meyeroff), and is artistic and imaginative. She has a best friend, Cassidy (Julia Garner, from the Tribeca film Grandma), but when she sees Sterling, she’s smitten.

I_Believe_in_Unicorns_publicity_still06As we follow Davina, Meyeroff uses stop motion to animate her lucid dream sequences. These sequences serve as a window into her mind as she can’t quite process what’s happening in real life. The real world backdrop, often without any score, allows you to take in the what’s happening without a filter.

I_Believe_in_Unicorns_publicity_still05Davina tries out Sterling’s world and gets lost. She doesn’t know how she’s supposed to be treated, or to act, and neither does he. The two of them learn as they go, discovering what makes each feel good as well as what really upsets them. Their short romance goes from bliss to utter disaster back to bliss in the blink of an eye. This is what someone means when they describe a relationship as, “we were too young.”

I_Believe_in_Unicorns_publicity_still09Good and bad, every experience shapes us. Davina may have lost her innocence, but she’s gained knowledge that she’ll carry with her forever. I look forward to Meyeroff’s next feature, as she has a very powerful voice.

Starts today at the IFC Center, 323 Sixth Avenue at West 3rd Street, New York, NY. Available on Vimeo June 1st.

This exploration of the emotional, complex landscape of troubled young love centers on Davina, an imaginative, strong-willed teenage girl with a beautifully twisted fantasy life. Having grown up quickly as the sole caretaker of her disabled mother, she looks for escape in a new relationship with an older boy. She’s quickly swept up into a whirlwind of romance and adventure, but Davina’s enchantment is shaken when her boyfriend’s volatile nature emerges. Official selection: SXSW Film Festival

Friday, May 29 at 8:20: The Making of I BELIEVE IN UNICORNS – Leah Meyerhoff (writer/director) and the UNICORNS cast and crew

Saturday, May 30 at 3:10: Editing for Performance – Michael Taylor (editor, UNICORNS), Natalia Dyer (actress, UNICORNS), Peter Vack (actor, UNICORNS)

Saturday, May 30 at 8:20: Coming of Age – Mary Harron (director, American Psycho), Eliza Hittman (director, It Felt Like Love), Caryn Waechter (director,The Sisterhood of Night), Natalia Dyer (actress, UNICORNS)

Sunday, May 31 at 3:10: DIY Techniques – Ryan Koo (founder, No Film School), Aly Migliori (post, UNICORNS), Joe Stillwater (sound, UNICORNS)

Sunday, May 31 at 8:20: Independent Visions – Adam Leon (director, Gimme the Loot), Deborah Kampmeier (director, Hounddog), Laurie Collyer (director,Sherrybaby), Rob Meyer (director, A Birder’s Guide to Everything)

Monday, June 1 at 8:20: Stop Motion Animation – Signe Baumane (director, Rocks in my Pockets), Leah Shore (director, Hallway), David Bell (director, The Sacred Engine)

Tuesday, June 2 at 8:20: Personal Narratives – Jonathan Caouette (director, Tarnation), Reed Morano (director, Meadowland), Ryan Piers Williams (director,X/Y), Kim Levin (director, Runoff), Petra Costa (director, Elena)

Wednesday, June 3 at 8:20: The Casting Process – Nicole Kassell (director, The Woodsman), Laurie Weltz (director, Scout), Sara Colangelo (director, Little Accidents), Anja Marquardt (director, She’s Lost Control)

Thursday, June 4 at 8:20: The Female Gaze – Bette Gordon (director, Variety), Alison Bagnall (director,Funny Bunny), Enid Zentelis (director, Evergreen), Gail Segal (professor, NYU), Terry Lawler (executive, NYWIFT)

I Believe in Unicorns – Trailer from Gravitas Ventures on Vimeo.

Liz’s Review: Start your summer ‘Walking on Sunshine’

walking on sunshineIf you’re looking for a fun-filled, musical way to jumpstart your summer but don’t want to venture out into the heat, then look no further than Walking on Sunshine. This over the top summer holiday themed film is filled to the brim with incredible choreography and some cheeky characters.

Walking on Sunshine 1Do you remember your first holiday romance? Taylor does, the only problem is her sister is now marrying him… Maddie is ecstatic she is finally getting married to her gorgeous fiancé Raf.  Her sister Taylor struggles to hold in her feelings for Raf, who is an ex-holiday flame and the love of her life.  Set on the beautiful coast of Italy, a love triangle between sisters unfolds through the hit songs of the 80’s.

Walking on Sunshine 2The film is fairly being compared to Mamma Mia. Wedding, music, shenanigans and the like. I do think that Walking On Sunshine stands on it’s own in many ways. The choreography for one, is absolutely top notch. As a musical theatre major, I know me some solid choreo, so color me impressed with each number. Turning pop songs into a cohesive story line can also be quite the challenge especially if they are all songs we love and know by heart. The way the lyrics have been utilized into the script is a home run. Where Mama Mia was successful, Walking On Sunshine also prevails.

Walking on Sunshine 3The acting is natural and just carefree enough to suit the musical genre. Leona Lewis‘s voice is certainly the immediate stand out even if her role is on the smaller side. You will definitely find yourself singing along and routing for these characters. Walking On Sunshine is the perfect film to check out on VOD with friends and family. I suggest throwing a party, breaking out the summer fair and renting this film some time soon!

Starring: Grammy Nominee Leona Lewis (“The X Factor”), Annabel Scholey (BBC’s “Being Human), Hannah Arterton (BBC’s “Atlantis”), Katy Brand (Nanny McPhee, Svengali, Good Arrows), Giulio Berruti

Directed by: Max Giwa & Dania Pasquini (Street Dance series)

First Window: May 29th: iTunes, Xbox, GooglePlay, Amazon InstantDirecTV, Comcast, Cox, Dish, Verizon
Second Window: June 30th: All providers listed above plus: Time Warner, Brighthouse, AT&T

Soundtrack Available Now on iTunes!
  1. Holiday
  2. Venus
  3. How Will I Know?
  4. The Power of Love
  5. Don’t You Want Me?
  6. Walking on Sunshine
  7. Eternal Flame
  8. Girls Just Want to Have Fun
  9. Wild Boys
  10. It Must Have Been Love
  11. Faith
  12. White Wedding
  13. If I Could Turn Back Time
  14. Wake Me Up Before You Go-Go

https://youtu.be/u20k-od-z4U

Michael’s Review: ‘San Andreas’

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Actor Dwayne Johnson returns to the big screen with the newest disaster flick San Andreas, a film that will no doubt continue Johnson’s string of high budget, low payoff films that have plagued his career since he broke into Hollywood over a decade ago. Director by Brad Peyton (Journey 2: The Mysterious Islandhelms this “by the book” action fluff film that will wow the visual effects fan out there, but will leave audiences wishing that a natural disaster would wipe this film from existence.

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Ray Gaines (Dwayne Johnson) is a Los Angeles Fire Department rescue-helicopter pilot who is credited with over 600 rescues in his career. Gaines, a family oriented man who recently separated from his wife Emma (Carla Gugino), counts his daughter Blake (Alexandra Daddario) as his biggest accomplishment and will do anything to protect her. Having previously lost their other daughter to a freak accident, Ray and Emma are left to continue separate lives, one that includes Emma’s new boyfriend David (Ioan Gruffudd), a wealthy architect whom Emma and Blake intend to move in with. Ray’s plans for spending a final weekend with Blake before she begins university in the San Francisco area are dashed when a major earthquake hits Nevada and his squad is mobilizes to respond while Daniel offers to fly Blake up north on his private jet.

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Revelations are uncovered that the Nevada quake is only the beginning as Lawrence Hayes (Paul Giamatti), a seismology professor at CalTech, has reason to believe the seismic activity is headed towards California. Before Hayes can get word out to the public, the first of many big tremors hits downtown Los Angeles, where Emma is lunching in a high rise restaurant as the building begins to crumble around her. Ray, sensing danger, swoops in and rescues her from the roof in his chopper. Blake, now caught in the earthquakes path, reaches out to her father for help. Realizing what they must do, Ray and Emma race up the coast to save their only daughter before it’s too late. But their treacherous journey north is only the beginning, and when they think the worst may be over…it’s just getting started.

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Director Brad Peyton, along with cinematographer Steve Yedlin and VFX supervisor Colin Strause, have created a thrilling spectacle with intense visual effects and non stop action that will have audience members holding on to their seat, but the dialogue and execution of the human aspects leave this film lacking the heart it needs to succeed. Dwayne Johnson does a worthy job holding the film together, but the wrestler turned actor is given very few opportunities to show off why he is the most popular action star in Hollywood these days. Alexandra Daddario is a strong presence during her screen time in the film. Her character teeters on the edge of cliche as the damsel in distress, but she does her best to separate herself from the norm and create a character with strong undertones. Veteran actor Paul Giamatti does his best to work with a weak script and even weaker science but ultimately turns in a stale performance with very little substance. Actress Carla Gugino does little to add to the dramatic aspects of the film and turns in a rather forgetful performance.

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Overall, San Andreas is not as bad as recent disaster films such as 2012, but falls victim to too many cliches and weak story telling to be counted as good. Should you see the film? Fans of Dwayne Johnson will be entertained, fans of disaster films and visual effects will be entertained, slightly, but not many others. In a summer filled with hit or miss films, San Andreas is a slight miss.

Stars:

2 1/2 out of 5

After Credit Scene?

No

Trailer:

Michael’s Review: ‘Tomorrowland’

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“Inspiring people makes the world a better place”, a quote from a young Frank Walker in Brad Bird’s Tomorrowland which opens this weekend in theaters. A film that would like to do just that, inspire young people to dream big and achieve greatness to help better our world and save the future, a noble goal and a powerful message for this generation. Inspired by the Disney theme park on the same name, this film sets it’s sights to become the next great Disney family adventure, but can it win over audiences this summer?

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Frank Walker (George Clooney) opens the movie by saying, “The future can be scary” for which optimist and science enthusiast Casey Newton (Britt Robertson) responds, “When I was a kid the future was different.” Two varying perspectives from two very different generations who will need to work together to save the planet. We flashback to 1964, a young Frank Walker (Thomas Robinson) attends the New York World’s Fair where he  meets David Nix (Hugh Laurie), a judge for new innovations in science at the fair who is unimpressed with Walker’s attempt to create a jetpack. A young girl named Athena (Raffey Cassidy). who is attending the fair with Nix, sees something in Walker and gives him a pin which results in Walker being transported into a futuristic cityscape known as Tomorrowland.

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Years in the future we find Casey Newton (Britt Robertson), sneaking into a former NASA launch site in Cape Canaveral to stop the site from being destroyed.  Her father, Eddie (Tim McGraw), is an NASA engineer who was employed at the site so the destruction vastly effects the Newton family.  She returns home where Athena finds the young girl and hides a pin in her helmet for her to find. After being arrested for attempting another sabotage mission on the NASA site, Casey discovers the pin among her personal items. Casey discovers that upon contact, the pin instantly transports her to Tomorrowland. She briefly explores Tomorrowland, before a timer on the pin expires and returns Casey to her world. Desperate to return, Casey begins to search for another way back.

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Casey hits the road to find answers, but soon finds her life threatened by robots sent to protect Tomorrowland from any more visitors. With the help of Athena, Casey finds Frank, who informs her that the world is coming to an end. Understanding that they must stop this from happening, the two begin their journey back to the place that neither can live without. With hope on their side, even the tinniest of actions could change the future.

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Tomorrowland is a movie with an important message about saving the Earth from our mistakes and director Brad Bird’s ambitious film delivers its point with dialogue and visuals pointing to our demise, but will any of its core audience listen? One of Bird’s mistakes in his delivery is the pacing of the film. In areas the pacing works and the film moves well enough, but there are gaps where young audiences could find themselves “zoning” out which, I fear, will cause the overall message of the film to be lost. Actress Britt Robertson is wonderful as the young science enthusiast. Robertson delivers on her desire to make her character unique and does well to stray her character away from cliche’s that plague way to many of these characters. George Clooney and Hugh Laurie are servicable but not overly amazing in this film. Clooney given more to work with with his character than Laurie, who had the makings of a great antagonist, but fizzled on the development. Raffey Cassidy is charming as the young Athena. Cassidy  Her characters interaction with her co-stars is wonderful and the young actress delivers.

Overall, Tomorrowland is an enjoyable film which will hopefully inspire it’s audience to go out and make the world a better place.  As young Walker said, “If I saw people flying with a jetpack over me. I’d believe anything is possible.”

Stars:

3 out of 5

After Credit Scene?

At the very end of the credits there is a Tomorrowland pin that disappears with the “Tomorrowland flash” after a hand grabs it. Aside from this, there is no stinger after the credits

Trailer:

Jeremy’s Review: Marah Strauch’s ‘Sunshine Superman’ Is a Stunning and Defining Portrait of Base-Jumping Pioneer Carl Boenish

Sunshine Superman posterSome people have no fear and that has always amazed me. I guess I’ve been a fairly cautious fellow in my life so it’s easy to be in awe of someone like Carl Boenish, who threw caution literally to the wind for the bulk of his life. Who is Carl Boenish you ask? Well, he is the father of BASE jumping. What is BASE jumping you ask? Well, it is jumping with the aid of a parachute (or more recently a wing suit) from a fixed structure. When Boenish and his merry band of adrenaline junkies devised the term, it meant Buildings, Antenna towers, Spans and Earth – all of the different types of structures or formations from which one could jump.

Sunshine Superman-1Boenish was special person. He brought a certain energy that really permeated whatever group of people he was around. Once an engineer, he bailed on that profession after doing aerial cinematography for the film The Gypsy Moths directed by John Frankenheimer starring Hollywood heavyweights Gene Hackman, Burt Lancaster and Deborah Kerr (all Oscar nominees or winners) and never looked back. Filming his jumps and creating films from them now took all of the focus in his life. However, he wasn’t satisfied with diving out of planes, so he took to diving from whatever tall structures or formations he could find, from El Capitan in Yosemite National Park to unfinished buildings in downtown Los Angeles (still filming them). Of course, his new passion brought with it troubles, especially those of the legal kind. But Boenish and crew always found a way to get their jumps in, even if they had to do them guerrilla style.

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Over the first hour of the film, Strauch tells us these background details, all of which lead up to two of the most important moments in Boenish‘s life – his marriage to fellow BASE jumper Jean Boenish and their quest for immortality with their record setting jump from Trollveggen (Troll Wall) in Norway. He and Jean were like two peas in a pod and the sheer amount of archival footage that Strauch weaves into the film confirms this. She was never hesitant to do the crazy things he wanted to and for that, they were a perfect match. So, as part of That’s Incredible!, a television show hosted by David Frost and a young Kathy Lee Gifford, he and Jean jumped from nearly 6,000 and set the world record.

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But as I said above, Carl was never satisfied and not even 12 hours later, unable to sleep, he took another shot at Trollveggen from a different jump site. Defying the advice that it was too dangerous to jump from, Boenish did it his way and jumped. Unfortunately, he hit the wall during the freefall and didn’t survive and the BASE jumping community lost their leader, and Jean her husband. As stated before, Jean was very much like Carl and only two days after his death, she jumped from the same spot…and survived.

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This is hands down one of the top three documentaries I’ve seen so far this year. Strauch‘s approach handles the Boenish legacy with honesty and the same energy that Carl exhibited when he was alive. Filled with tons of archival footage and testimonies from his family and friends and much of it from Jean, we are really able to get a sense of who Carl was and why he loved doing what he did best. Strauch also takes a page out of Errol Morris‘ book using many re-enactments of scenes adding another layer to the depth of the film to great effect, placing the viewer in the shoes of Boenish himself. Perhaps the film’s greatest strength, however, is that Boenish‘s legacy is treated with such respect. Through all of the interviews with the many people he worked with and jumped alongside, including his wife, no tears were shed at the loss of his life or in their remembrance of Carl and the amazing amount of joy he was able to bring them all. This wasn’t because they haven’t mourned the loss of someone they respected and loved, but because they knew he died doing exactly what he was put on Earth for and who could begrudge him that? Expertly crafted with precision editing and great music to boot, Sunshine Superman really is an enduring portrait of a man most people American don’t know. To answer that, this is one hell of an introduction.

The film is brought to you by the good folks at Magnolia Pictures and it opens today in New York and Los Angeles but will gradually open wider in the coming weeks. Here is a list of venues and dates where it will play.

So if, in the middle of the summer blockbuster season, you find yourself looking for a film that lacks explosions, car chases and superheroes, look no further than this film. It will leave a lasting impression and hopefully inspire people to do what they love, what they feel they were born to do. Sunshine Superman takes on additional significance with the  deaths of Dean Potter and Graham Hunt last week during a wing suit jump in Yosemite.

Get there, people.

Here’s the trailer:

Liz’s Review: ‘FORBIDDEN EMPIRE’ is a fun filled fantasy

ForbiddenEmpire_KeyArtAn 18th century English cartographer, Jonathan Green, sets out on a journey to map the uncharted lands of Transylvania, only to discover the dark secrets and dangerous creatures hidden in a cursed, fantastical Ukrainian forest. Forbidden Empire is pure fantasy and just plain fun. Totally unexpected twists and turns are a welcome thing in the fantasy genre these days. Forbidden Empire-00011Forbidden Empire has the visual beauty of Pan’s Labyrinth and The Brothers Grimm, combined with a humor reminiscent of Willow. The character of Jonathan Green accidentally becomes the hero of a town run by fanatical religion and teaming with superstition. Mixed with witchcraft and folklore, this script is thoroughly entertaining and completely compelling. The story takes upon new life with each character’s rendition of the town’s recent history. Forbidden Empire-00050Some unexpected moments of horror heighten the coolness factor of this film. I can honestly say I had no idea what was coming next. Much love must be given to the costume ans set departments. Not a hair out of place, down to the smallest object on a shelf or in Jonathan Green’s steam-punk inspired carriage. The opening credit are a sight to behold unto themselves, with a CG borderline automaton style to be envied. The makeup effects are astounding. The creative team involved in the making of this movie deserves all the applause. Forbidden Empire is truly unexpected.Forbidden Empire-00039With great acting by the entire ensemble cast and a lively score, Forbidden Empire is a winner. You cannot go wrong with this film. Forbidden Empire will be available on VOD Friday, May 22.

Country: Russia | Ukraine | Czech Republic

Language: Russian | English

Release Date: 22 May 2015 (USA)

Filming Locations: Russia