THE HONOR FARM
- USA
- 2017
- 75 mins
- English
On prom night, a group of kids wander deep into the woods and come back changed forever.
I had very high hopes based upon the set up of The Honor Farm. It took the typical 30ish minutes to get to what seemed like the ramping up of a really great plot. Everyone is tripping on shrooms and walks into an abandoned prison farm, super cool, right? Rumor has it, two girls died there! Also intriguing, yes, yes, give me more. It’s dark, spooky, and covered in weird suggestive graffiti, this is looking like a blast. Unfortunately, this was not meant to be. While the shrooms do provide for some magical visual moments, the follow through was a letdown. There were several plotlines writer/director Karen Skloss could have expounded upon; satanic ritual, haunted location, séance, but not one of these was ever fully realized. The cinematography is absolutely beautiful, there’s no arguing that point. Unfortunately, the fear factor left me feeling unsatisfied. Even our leading lady expresses in the film, “I was hoping something real was going to happen to me tonight.” Me too, girlfriend, me too.
We’re wondering what you thought of The Honor Farm at this year’s Fantasia Film Fest! If you caught the film over the weekend or this afternoon, we’d love to hear your thoughts. For those not at the fest, you can start with the trailer and decide for yourselves. Check it out below.
KILLING GROUND marks the debut feature of writer/director Damien Power and stars Australian actors Aaron Pedersen (ABC’s “Jack Irish”), Ian Meadows (Network Ten’s “The Wrong Girl”), Harriet Dyer (Nine Network’s “Love Child”) and Aaron Glenane (Truth).
As a kid, I was an avid camper. After seeing Killing Ground, I may never go again. As a mother, thanks to this film, I’ll never, ever bring my children with me to a remote location where I am more than shouting distance away from lots and lots of other campers… with weapons. Killing Ground is a slow burn of menace that keeps you feeling uneasy and queasy it’s entire 93 min runtime. With a multiple narrative style, you already know something horrible is coming but you’re forced to sit through the time jumps just to get to certain doom. Anything with balls enough to put children in true, murderous harm’s way will get me every time now that I’m a parent. But you don’t have to have kids of your own to be deeply affected by the horrors on screen, you just have to have an ounce more heart than the film’s villains. While last week’s SOLD OUT screening at Fantasia Fest may have left many in the lurch, fear not. Killing Ground actually gets its theatrical and VOD release this week, July 21st. Check out the trailer below.
Footnotes comes at a perfect time in cinema history where the movie musical is once more appreciated and praised. This sweet and relatable story of Julie having to choose between love and loyalty has all the whimsy of a great French musical from the 60’s. From the costumes to the Fosse-esque choreography, Footnotes brings a smile to your face at each turn. It is very reminiscent of The Pajama Game but set this time in a shoe factory. Lead, Pauline Etienne is as charming and awkward as the role of Julie requires. Her airy voice suits the role and is a lovely foil to the gaggle of surprising factory women. With a wonderful, never over the top message of respect in the workplace and equal pay, this gem of a film will have your feet tapping and heart singing, no doubt about it. You can listen to the soundtrack right now on Spotify (link below) but first, check out the trailer. You can catch Footnotes in theaters today!
The film features an all-star ensemble cast including 
Once Upon A Time In Venice is one quirky piece of hilarity. While I was not prepared to see Bruce Willis buck naked on a skateboard, I was not mad about it. The film is a bit all over the place but wildly entertaining. In practically every new scene there is a crazy celebrity cameo, aside from the major ensemble cast to begin with. Willis and Goodman are charming as ever. Momoa is almost unrecognizable and Middleditch is genuinely adorable. Everyone is stellar and the script has some huge laugh out loud moments. 
Maudie is the story of two misunderstood people who yearn for physical and emotional connection. Finding one another at their loneliest, Maud and Everett form a seemingly unlikely bond navigating their way from work relationship to honest intimacy. The script has a quiet beauty, with cinematography that is as vibrant as Maud’s unique artwork. Sally Hawkins‘ performance in the titular role is nothing short of award-worthy. While portraying real life folk artist stricken with severe arthritis, each movement seems both physically pained and balletic all at once. Ethan Hawke steps outside his usual cool guy fare to portray a rather rough around the edges fishermonger. Their chemistry on screen is an absolute joy to watch. Maudie is an unusual love story that will capture your heart and touch your soul.
![SCORE_A_FILM_MUSIC_DOCUMENTARY_Renowned_film_composer_Harry_Gregson_Williams_at_the_piano_Photo_by_Kenny_Holmes[1]](https://i0.wp.com/reelnewsdaily.com/wp-content/uploads/SCORE_A_FILM_MUSIC_DOCUMENTARY_Renowned_film_composer_Harry_Gregson_Williams_at_the_piano_Photo_by_Kenny_Holmes1.jpg?w=335&h=188&ssl=1 "SCORE_A_FILM_MUSIC_DOCUMENTARY_Renowned_film_composer_Harry_Gregson_Williams_at_the_piano_Photo_by_Kenny_Holmes[1]")
Camera Obscura has an engrossing plot. The script has nods to horror classics like Amityville, Final Destination, and every haunted object film out there. Adding in the element of PTSD allows the audience to further question what is real and what is in the mind’s eye. There are some truly vibrant visuals when those lines are blurred. With a fair number of skin-crawling moments thrown in, Camera Obscura does its job at entertaining and keeping you guessing. I certainly did not see the ending coming. I will also give credit to the fact that the pace is already ramped up in full force before we’re even 20 minutes in. The cast is wonderful with particularly outstanding moments coming from Catherine Curtain and (no stranger to the horror genre) Andrew Sensenig. All while utilizing throwback ideas, Camera Obscura stands on its own as something disturbing and unique. You can catch the trailer below.
Directors Joachim Rønning and Espen Sandberg (Kon Tiki) are tasked with taking on the behemoth of a franchise and the two hold their own. The visual spectacle and the amusing action set pieces that have made this franchise so popular are bigger and more elaborate, but it’s the storytelling that has been lacking since the first film. The story for Dead Men Tell No Tales is not overly original, but does offer some complexity to the existing franchise storyline that will amuse fans and pump some much needed new blood into this series. Johnny Depp brings life to Jack Sparrow like no one else could. The character doesn’t evolve, but maybe he doesn’t have to. Watching the character on screen can, at times, feel nostalgic, but it’s still fun to watch him in action. Javier Bardem brings this franchise the best villain it’s had and commands the screen in every scene.
It’s the year 2104, the crew of the colony ship Covenant is bound for a remote planet, Origae-6, with thousands of colonists in stow. All are deep in hypersleep being watched over by Walter (Michael Fassbender), a synthetic charged with piloting the ship during travel. When an unexpected burst hits the ship, the crew are awoken to assess the damage and help reset the ship for the rest of it’s journey. During the repairs, they intercept a human radio transmission from a nearby unknown planet and acting crew chief Christopher Oram (Billy Crudup) makes the call to set a course for the planet. Daniels (Katherine Waterston) exercises her opinion as first mate against the move, electing to continue on to Origae-6, but reluctantly agrees to be part of a landing party to inspect the planet.
Upon landing, the team splits off to explore the new world while the core team searches for the signal to the transmission. Ultimately, they track the signal to a crashed Engineer ship and more questions than answers. Two crew members are mysteriously infected with an alien spore and the team is forced to defend itself against the unknown foe. Unable to contact the Covenant, Daniels and the remaining survivors must rely on the help of a stranger to lead them to safety and help them understand the impending threat. What will be unearthed will be like nothing this crew has ever faced. One thing’s for sure, for Daniels, the protection of the Covenant and its passengers must be protected at all cost.
You must be logged in to post a comment.