
In Love, Gilda, director Lisa D’Apolito uses rare personal recordings and journal entries to tell Radner’s story in her own words. Along the way, friends and admirers, including Amy Poehler, Cecily Strong, Lorne Michaels, and a host of others, offer their most cherished memories of this brilliant trailblazer.
SCREENING TIMES
| WED | 4/18 | 7:00 PM | Beacon | ADD | BUY NOW |
| THU | 4/19 | 9:30 PM | Regal Cinemas Battery Park 11-5 | ADD | REDEEM |
| TUE | 4/24 | 4:00 PM | Regal Cinemas Battery Park 11-11 | ADD | REDEEM |
| THU | 4/26 | 9:45 PM | Regal Cinemas Battery Park 11-11 | ADD | REDEEM |

Brian De Palma filtered Howard Hawks’s 1932 classic Scarface through The Godfather’s somber consideration for the humanizing motives of corrupt men. It went on to receive three Golden Globe nominations and has become one of the most referenced films in pop culture. Al Pacino delivers his riskiest performance in a career-defining role, garnering a cult following for the film. Revisit the gangland masterpiece thirty-five years later, a rich, harrowing, eminently quotable ride to excess and self-destruction that laid the groundwork for the myriad of anti-hero stories to come.
SCREENING TIMES
| THU | 4/19 | 7:00 PM | Beacon | ADD | BUY NOW |

Steven Spielberg’s 1993 epic masterpiece Schindler’s List remains one of contemporary cinema’s most challenging and sensitive portraits on the human toll of the Holocaust. Anchored by stunning performances from Liam Neeson, Ralph Fiennes, and Ben Kingsley, the film received acclaim and went on to win seven Academy Awards, including Best Picture and Best Director, with an additional five nominations. Twenty-five years later, Schindler’s List continues to be widely considered to be one of the most important films of all time.
SCREENING TIMES
| THU | 4/26 | 6:30 PM | Beacon | ADD | BUY NOW |

Through interviews with Michael Jordan, Spike Lee, and more, this vibrant documentary tells the origin story of the Air Jordan, and the impact it had on sports, hip-hop, and the birth of sneaker culture.
SCREENING TIMES
| FRI | 4/27 | 8:00 PM | Beacon | ADD | BUY NOW |
| SAT | 4/28 | 7:00 PM | Cinépolis Chelsea 9 | ADD | REDEEM |
| SUN | 4/29 | 9:30 PM | Regal Cinemas Battery Park 11-5 | ADD | REDEEM |


This unexpected indie takes your heart by surprise within minutes. It’s part folklore, part road movie, and all charm. When four girls are called together to hear the reading of the will of their former headmistress, sparks fly and memories burn with truth and misunderstanding. I was not expecting this story to turn into a road movie at all, although with a character that is a suitcase with a personality (you’ll just have to watch to understand what I mean) I guess I should have predicted it in hindsight. While a small piece of the plot does revolve around a fiancé, the dialogue definitely passes The Bechdel Test with flying colors. 
This film is a sidesplitting winner. Outside of the documentary genre, we’re not often let into the world of adults on the autism spectrum. Keep The Change follows the beginnings of a relationship between two very different individuals who are ultimately seeking to be accepted and cherished for who they are. The issues of self-love, sexuality, class, are addressed in endearing and tongue-in-cheek ways. Newcomers and leads Brandon Polansky and Samantha Elisofon have an insane chemistry. The two appear to be polar opposites making their banter all the more entertaining. Any time you pit a glum and cynical individual against an outgoing and seemingly innocent one, interesting things are bound to happen. The dialogue is biting, witty, and oftentimes offensive, keeping the viewer on their toes and thoroughly amused. Writer/director Rachel Israel has given us a true gem. This unique romcom will undoubtedly charm the pants off of you and teach you some much-needed tolerance.
Permission is one of the most honest portrayals of how awkward true intimacy is. When you are so comfortable with someone to the point of predictability, does that have the potential to become a death sentence for a relationship? Life’s ‘what ifs” are some of the most tempting ideas a person can entertain. The chemistry between the entire cast is palpable. You will find yourself falling in love with Hall and Stevens and definitely crushing on Arnaud, Gershon, Craig, Spector, and Sudeikis. This true ensemble of actors along with writer/director Brian Crano has given us a gift. What may appear on the surface as small moments in the script are incredibly impactful due to some really brilliant acting and writing. Permission has an authenticity that sneaks up on you. It’s those moments that define the story and make it so relatable. The music is perfectly paired with each scene, almost becoming its own fly on the wall secondary cast member. Overall, the film is a refreshing look at adult relationships and how to find 












With years of sexual assault/abuse allegations surrounding the current political administration and entertainment industry, let us not forget that this problem is pervasive anywhere and everywhere. The coverups go deep and pride and reputation often cause the guilty to go free. Shame is a killer of dreams and, as we see in What Haunts Us, it is also a killer of people. Unravelling the mystery that surrounds not even a well-kept secret in this particular story will anger and shock you. Along with intimate sit-down interviews with our subjects, both innocent and guilty, memories are illustrated in beautifully vibrant colors. What Haunts Us is a stunning film that will hopefully open eyes to the ongoing abuse so many face on a daily basis. We have to change our rhetoric and realize the consequences of staying silent.
We all know Steven Yeun as our beloved (may he rest in peace) Glen, but in Mayhem, he does such a fantastic job that you completely forget about his Walking Dead persona. Mayhem is literally laugh out loud funny all while having some of the coolest fight choreography and blood gushing effects. Screenwriter Matias Caruso might have hit the jackpot with the plotline because this is the most imaginative way to utilize “The F-word” in a script possible. I would go back and watch to count the number of times it’s used and not a single time is it superfluous, it’s genius. Yeun’s training with zombies made him the perfect pick for this role. He is the embodiment of everyone who has ever felt oppressed by the BS hierarchy of corporate. Samara Weaving gives a borderline Harley Quinn inspired performance as a woman who was wronged by Yeun’s character. Her effortless delivery and comic timing, down to specific idiosyncracies she displays are spot on brilliant. In reality, this is an ensemble piece of pitch-perfect character work. You cannot help but get revved up watching Mayhem. It has to be one of my favorites of 2017. You can catch MAYHEM in theaters and available On Demand / Digital HD 



Sometimes a documentary teaches you more than you ever expected. Sometimes a doc is so relevant to the present it’s shocking. Nancy Burski’s, THE RAPE OF RECY TAYLOR, caught me by surprise from the very beginning. I learned not much has really changed in the past 80 years when it comes to everything I hold dear with respect to racism and sexism.

Jane
Wonderstruck
BPM (Beats Per Minute)
Félicité
The Square
Last Flag Flying
Mudbound
Lady Bird
Thelma
On the Beach at Night Alone
Call Me by Your Name
Wonder Wheel
Lover for a Day


Sean Baker‘s The Florida Project is easily in my top 5 films at this year’s NYFF. The entire film is so organic with an almost documentary-style feel. The story revolves around an often overlooked segment of the country; one that we tend to dismiss as low-class. The viewing experience is akin to being a fly on the wall during events we cannot unsee. Completely irreverent and oozing with charm, it’s also a film about children but not for children. Lazy summer days and trying to entertain themselves, more alone than in the presence of proper adult supervision, the children explore and wreak havoc on tourists and locals alike. The genuine chemistry between Willem Dafoe and rambunctious newcomer Brooklyn Prince is what makes The Florida Project so perfect. Dafoe becomes a universal father figure and will no doubt remind you what a chameleon he truly is onscreen. Bria Vinaite (Also a complete unknown until now) as Halley is frighteningly all too familiar, and I do mean that as a compliment. Her relationship with Moonee is as awkwardly earnest as it is heartbreaking. Our spitfire, six-year-old Prince steals every scene with her natural curiously and sass. She will not be contained. Sean Baker‘s use of real-life vibrantly colored backdrops screams for attention against the energy pouring from the entire cast of misbehaving children. You will be laughing out loud from the very first scene and find yourself completely engrossed in the lives of these characters. I will be putting forth a mighty effort come awards season on behalf of The Florida Project, as it deserves the widest audience possible.
A Skin So Soft
BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat
Caniba
Dragonfly Eyes
Good Luck
Occidental
Sea Sorrow
Spoor
The Day After
Western
Zama
In a complex and incredibly nuanced new film, sisters must decide if physical and emotional separation is what they need to survive. Indivisible is a story of exploitation and personal desire.
Angela and Marianna Fontana play conjoined twins Dasy and Viola. Sought after for their singing talents and local idolatry, everyone wants a piece of them. Born into a selfish family living off the girls’ fame, they are forced to perform, threatened by guilt and permeating greed. While one sister yearns to be surgically divided, the other feels devastated by the idea. In bold performances from these real-life twins, we are rooting for their ultimate happiness. Despite being attached at the hip, each young woman gives a brilliant performance. Full of dreams and determination, these ladies own the screen is presence and ability. Battling religious fanaticism and the seduction of escapism, our leading ladies ooze with charisma. Indivisible takes a heartfelt and intimate approach to dismiss the sideshow mentality. Every theme in this script is some sort of double entendre. With beautiful cinematography on top of a clever and unexpected script, Indivisible is one of a kind.
NYFF55 talks also include On Cinema: Richard Linklater and Directors Dialogues with Lucrecia Martel, Agnès Varda & JR, Hong Sang-soo, and Philippe Garrel
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