Category Archives: Film Festival

Trailer for ‘BLOODFEST’, in Theaters and On Demand August 31st!

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BLOODFESTSynopsis:

Fans flock to a festival celebrating the most iconic horror movies, only to discover that the charismatic showman behind the event has a diabolical agenda. As attendees start dying off, three teenagers with more horror-film wits than real-world knowledge must band together and battle through every madman, monstrosity, and terrifying scenario if they have any hope of surviving.

In Theaters & On Demand on August 31, 2018

 Written and Directed by: Owen Egerton

Starring: Tate Donovan (The Untouchables, The Only Boy Living in New York,”The O.C.”), Robbie Kay (“Once Upon a Time”), Seychelle Gabriel (The Last Airbender, “Falling Skies”, “Sleepy Hollow”), Jacob Batalon (Spider-Man: Homecoming and Avengers: Infinity War, Every Day, and The True Don Quixote), and Barbara Dunkelman (RWBY), Nick Rutherford, Chris Doubek, Rebecca Wagner and Zachary Levi

Executive Producers: Matt Hullum, Burnie Burns, and Ryan P. Hall

Producers: Seth Caplan, Will Hyde, and Ezra Venetos

 

Fantasia International Film Festival review: ‘The Night Eats The World’ breathes new life into the zombie genre.

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The morning after a party, a young man wakes up to find Paris invaded by zombies.

The Night Eats The World is all about isolation. Sam is alone in his ex’s apartment, walls splattered with blood, and the other floors are not much better. Realizing the outside is even less safe, he begins to use his wits by gathering what he can find, little by little, staying organized but perhaps not sane. Actor Anders Danielsen Lie is in every single scene of the film. His performance is so engrossing that I almost missed his complete physical transformation along the way. He must remain as calm as possible, which is pretty difficult considering the circumstances. Director Dominique Rocher has given us quite the gem here. The Night Eats the World easily sets itself apart from the average zombie film. The film delves into the complexity of human intimacy. This is explored through a relationship with an undead individual trapped inside an elevator (played magnificently by Denis Lavant), an encounter with a fellow survivor, and a cat. An added element of interest that propels the plot is the fact that Sam is a musician. This becomes both an advantage and a misstep along the way. We’ve all watched The Walking Dead for years now but off the top of my head, I’m not sure I would be as methodic in my solitary survival as Sam. While we don’t get any information about the outbreak specifically, it never stopped me from enjoying the film, rooting for Sam to stay alive. Sometimes you don’t need it all spelled out for you, sometimes great storytelling is more than enough.

The Night Eats The World made is Canadian Premiere at this year’s Fantasia International Film festival. The 2018 fest came to a close last night, but we’ll keep you updated on the release dates. As for The Night Eats The World, you can catch it in theaters now and on VOD platforms like Amazon, Google Play, and YouTube.

Fantasia International Film Festival review: ‘CAM’ flips subject and voyeur.

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Cam is unique for so many reasons. First, it’s a genre-bending menagerie. You think you know what you’re in for with a sex worker vying to be in the top ten of her live sex show site. But the script is flipped several times and in completely unexpected ways each time. It’s difficult to categorize Cam and I do mean this as a compliment. It seesaws from horror to thriller and swings into surreal territory all while keeping the audience in the dark until the very end. Rarely do we see sex workers treated as human beings, but in Cam, there is a sense of empowerment attached to the storyline. Lead actress, Madeline Brewer, has the massive task of being more than two distinct characters and to explain further would ruin the plot. Brewer knocks it out of the park here. Her talent is undeniable. I will say that the commentary on social media and immediate gratification it can produce is front and center. The final scene renders the plot unapologetic. Cam is an all-around good trip.

Fantasia International Film Fest 2018 ends tonight. But we’ll keep you updated on release dates for all the films that screened this year.

Fantasia International Film Festival review: ‘THE WITCH IN THE WINDOW’ takes its place among the classics.

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The Witch in the Window has a classic ghost story feel. Anchored by a local legend, the film’s uniqueness is amped up by the fact that the locals can also see the ghost in question. With all of the usual tropes in place, The Witch in the Window uses humor to keep the peace in a genuine way between father and son until the subtle scares become huge ones… in broad daylight. That’s the key to this film. Much like Ted Geoghegan‘s We Are Still Here, it’s the daylight scares that make The Witch in the Window so powerful. While Geoghagan’s makeup FX are beyond compare, this film’s in your face close-ups are what grab you. I literally shouted, “OH!” as I was not expecting to be yelled at from the screen. You absolutely feel like you are in that house. Alex Draper and Charlie Tacker are outstanding together onscreen. Their father/son chemistry is extraordinary. Writer/Director/Composer/Editor (and clearly all around badass) Andy Mitton‘s storyline may also be taking a page from David Robert Mitchell’s IT FOLLOWS. To say much more would take away from the viewer’s experience. It is a solid film that should garner its rightful place in ghost story cult catalog. 

Check out the awesome trailer below.

Fantasia International Film Festival closes tonight, but we will keep you updated on all of the release dates for films that screened at the fest!

Divorced dad Simon (Alex Draper) brings his 12-year-old son, Finn (Charlie Tacker) out to Vermont to help him renovate an old house he recently purchased. Used to the speed of New York City, Finn has an impossible time slowing down to a smalltown pace, and he’s disappointed before even getting there. So is Simon (“I guess I was hoping I would catch you on the 12 side of 12, instead of the 13 side of 12”). Afflicted with a rare medical condition in which there’s a literal hole in his heart, Simon, ever resourceful, does what he can to make things good as he and his son attempt to repair what’s broken. Soon, a series of nonsensically terrifying happenings occur, nightmarish and incomprehensible. It becomes clear that they aren’t alone in the house. That there is more work to be done than either could be capable of grasping. That death is a partially living state. And that they are in a very special kind of danger.

Willem Dafoe is Vincent Van Gogh in closing film ‘At Eternity’s Gate’ of the New York Film Festival this October

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Nominated for Best Film at the Venice Film Festival earlier this year, At Eternity’s Gate (named for a painting of Van Gogh) will close the 56th Annual New York Film Festival. Directed by Julian Schnabel (Diving Bell & the Butterlfy), starring Willem Dafoe as Van Gogh with Rupert Friend and Oscar Isaac.

Julian Schnabel’s ravishingly tactile and luminous new film takes a fresh look at the last days of Vincent van Gogh, and in the process revivifies our sense of the artist as a living, feeling human being. Schnabel; his co-writers Jean-Claude Carrière and Louise Kugelberg, also the film’s editor; and cinematographer Benoît Delhomme strip everything down to essentials, fusing the sensual, the emotional, and the spiritual. And the pulsing heart of At Eternity’s Gate is Willem Dafoe’s shattering performance: his Vincent is at once lucid, mad, brilliant, helpless, defeated, and, finally, triumphant. With Oscar Isaac as Gauguin, Rupert Friend as Theo, Mathieu Amalric as Dr. Gachet, Emmanuelle Seigner as Madame Ginoux, and Mads Mikkelsen as The Priest.

New York Film Festival Director and Selection Committee Chair Kent Jones said, “At Eternity’s Gate is such a surprising film, for all kinds of reasons. Julian Schnabel makes use of the most up-to-date information about Vincent van Gogh, altering our accepted ideas of how he lived and died; he grounds the film in the very action of painting, the intense contact between an artist and the world of forms and textures colored by light; and he gives us Willem Dafoe’s performance as Vincent—acting this pure is endlessly surprising.”

“I would like to say thank you to Kent Jones and the NYFF selection committee on behalf of Willem Dafoe, who is Vincent van Gogh in the film, and the cast and crew, who I have been so privileged to work with, for choosing At Eternity’s Gate for Closing Night,” said Schnabel. “It is a profound honor to be included with the other films and to be part of the history of Closing Night films that came before us. Looking forward to sitting in the audience with everybody.”

The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming, and Florence Almozini, FSLC Associate Director of Programming.

Earlier this summer, NYFF announced Yorgos Lanthimos’s The Favourite as Opening Night and Alfonso Cuarón’s ROMA as the Centerpiece selection. This year’s gala screenings, including Closing Night, will be held on Fridays instead of Saturdays.

Tickets for the 56th New York Film Festival will go on sale to the general public on September 9. Festival and VIP passes are on sale now and offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events, including Closing Night.

New York Film Festival to open with 18th Century romp from the director of ‘The Lobster’ – Yorgos Lanthimos

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Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and a mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time-consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.

While I really enjoyed The Lobster, from writer/director Yorgos Lanthimos, I couldn’t connect with the director’s last work, Killing of a Sacred Deer starring Colin Farrell and Nicole Kidman. I’m cautiously optimistic for The Favourite.

If you haven’t seen or heard of The Lobster, you really must at least check out the trailer.

Here’s the trailer for Killing of a Sacred Deer

Fantasia International Film Festival Review: ‘Relaxer’ pulls you in with its beautifully weird premise.

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Y2K is right around the corner, and Cam just gave his younger brother Abbie ( Joshua Burge) the dopest, most ultimate challenge, um, ever: to beat Billy Mitchell’s infamous Pac-Man high score (by going beyond level 256’s glitch, of course) without ever getting off the couch.

Emotionally abused Abbie has accepted this challenge to finally prove a point to his older brother. He is not a quitter. With the very real threat of Y2K looming on the horizon, Abbie is hell-bent on defeating his brother’s perception of him and earning a massive cash prize all at once. But literally not getting up has consequences for our leading man. Eventually, food and drink run out. The lengths to which he will go to survive on this couch are beyond ludicrous, some downright disgusting. But this is about principal dammit. Joshua Burge, once again, proves to be a master at tackling the oddball guy with an ease that is frightening. A longtime collaborator with writer/director/editor Joel Potrykus, the two have brought some of the boldest characters and stories to life over the past 6 years. Buzzard is still one of my top recommended films of all time. Potrykus pulls inspiration from his real-life experiences. Relaxer is set at a very specific moment in time and anyone who is of a certain age will feel bombarded (in a great way) with 90’s nostalgia. Fantasia International Film Festival is the perfect platform for this film to shine. The film has a genius undertone of supernatural and the final sequence is so satisfying, I cheered out loud.

Relaxer Director Joel Potrykus

The Fantasia International Film Festival runs from July 12th- August 2nd. You can find out more about the full lineup and tickets at Fantasia.com 

Fantasia International Film Festival 2018 Review: ‘Mega Time Squad’ is an editor’s masterpiece.

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Think “Multiplicity on crack” (and yes, I am referencing the 1996 Micheal Keaton and Andie MacDowell sci-fi comedy delight… and crack cocaine) and you’ll begin to understand the insanity that is Mega Time Squad. Our main man, Johnny, is a low-level criminal who accidentally discovers he is wearing an ancient bracelet that will bring him back in time. Problem being, each use of said bracelet also produces another version of himself, all while running from the both he stole from and his gang of thugs. This heist movie with an incredible twist is hilarious. Packed with deliciously colorful local slang and plenty of four-letter words for punctuation, Mega Time Squad hits every mark. Anton Tennet, writer/director Tim Van Dammen, and editor Luke Haigh deserve your applause and as many beers as a bartender will allow in one sitting. Tennet, as each version of Johnny, brings a distinct specificity that is wildly impressive. Haigh had one hell of a challenge in editing and holy hell is this a triumph. Van Dammen has gifted the Fantasia 2018 audience with a warped premise begging the question of one’s own morality. You have to really pay attention to keep up with the shenanigans and you will have a blast doing so. If you enjoyed The Hunt for the Wilderpeople, Mega Time Squad is your jam. And speaking of jams, the music is totally sick. Mega Time Squad is a blast from past to present.

The Fantasia International Film Festival runs from July 12th- August 2nd. You can find out more about the full lineup and tickets at Fantasia.com 

Review: ‘SIBERIA’ left us out in the cold.

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Keanu Reeves

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SIBERIA

When a business deal in Russia goes south, a U.S. diamond merchant (Keanu Reeves) and his lover (Ana Ularu) are caught in a lethal crossfire between the buyer and federal intelligence service.

Sometimes I forget how talented Keanu Reeves truly is. He can take a pretty lifeless role and make it into something we weren’t expecting. That being said, these talents are really wasted in Siberia. It’s a poor man’s John Wick. The pace is often excruciating. When it is on, it’s vastly entertaining. The potential lies within the higher stakes, action-oriented scenes, but since they are few and what feels like far between it’s tough to stay on the train. 50 minutes into the 1:44 minute run it finally feels like,”Ok now we’re getting somewhere!” Alas, it will be 15 more minutes until something relatively interesting occurs. The script really takes it damn time getting to the point.

The performances are strong. Ana Ularu is vastly underutilized opposite Reeves. There is so much going on behind that tough girl veneer, a sadness that you want to fix. She has a brilliant presence but has been diminished to sex doll with a heart of gold. Someone write her a juicy role, please.  Molly Ringwald appears for what is tantamount to a cameo, speaking of underutilized. Her performance in this year’s Tribeca selection,  All These Small Moments is proof we need her back in our lives on a more permanent basis. Reeves, as Lucas Hill, diamond dealer trapped in a lackluster marriage and put in a shady work position, is the only saving grace. The problem being, you can feel the pained longing to kick some real ass. Ultimately, Siberia ends up being a midlife crisis cry for help, more than anything else. It left me cold and a bit empty.

Saban Films will release the romantic crime thriller SIBERIA in theaters and On Demand / Digital HD on July 13, 2018. 

SIBERA stars Keanu Reeves (The Matrix, Speed, Bill & Ted’s Excellent Adventure), Molly Ringwald (“Riverdale,” “The Secret Life of the American Teenager,” Sixteen Candles), and Ana Ularu (Outbound, Inferno). The film is directed by Matthew Ross (Frank & Lola) from a script by Oscar nominated novelist/screenwriter Scott B Smith (The Ruins, A Simple Plan) and producer/screenwriter Stephen Hamel (Passengers, Henry’s Crime).

Fantasia International Film Festival 2018 starts this week! Here are 10 films that are getting us excited.

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The Fantasia International Film Festival officially begins in two days. If you don’t already know about the fest, you are in for a cavalcade of horror, sci-fi, action and the out of this world twisted with the strange and unusual. How’s that for a description? Some of last year’s hits include Lowlife, The Endless, Mohawk, Good Time, Spoor, and Mayhem to name a few. If you haven’t seen any of these yet, do yourself a huge favor and seek them out. 2018’s lineup is no exception with films like Under The Silver Lake from David Robert Mitchell, which takes us into a neo-noir surreal romp and a complete 180 from It Follows. Nicholas Cage stars in Mandy, already being touted as a genre-bending blood fest of epic proportions. Hint, it’s already sold out. Let us not forget the enormously popular Fantasia Shorts Program. One, in particular, that was phenomenal last year was the Born of Woman section. As the title might suggest, these are shorts made exclusively by female filmmakers. They were as disturbing as they were profound and they are not to be missed. Fantasia has something for everyone. Cinephiles easily plan their year around this one festival and we don’t blame them. Here are a few titles we are stoked to check out over the next few weeks.
​​Blue My Mind
Blue. Of the bewildered spirit intermediating between child and sea. Blue is the colour of Mia (Luna Wedler), 15 years old, newly arrived in a town that looks like all the others. Breaking away from the sterile environment provided by her parents, she is drawn to the pack of popular kids, the ones who smoke, shoplift, mess around. Mia has everything, yet she suffocates. Then comes an odd thirst, an irresistible instinct that has her reaching out for air where there is none. In her head are the turbulent sounds of crashing water against the pebble beach. In her tortured flesh, the alienation of nature, the terrifying and unstoppable transformation of her body conflicting with the need for stillness, to press pause on the perfect breath.
Heavy Trip
Life has its downsides in a small, northern Finnish town. The local bros give long-haired, leather-clad Turo a tough time, and his job at the mental hospital is literally shitty. His crush on Miia at the flower shop is thwarted by the tacky lounge singer Jouni, and his band jams in the back of a reindeer slaughterhouse. In the plus column for Turo, well… there’s the band, even if these black-metal true-believers have never gigged in all their 12 years together (Turo’s concealed but crippling stage fright hasn’t helped). A miraculous crack at a major metal festival in Norway jumpstarts the quartet’s dreams, and Impaled Rektum set out on a metallic mission that will make them confront not only doubts, detours and difficulties, but also Vikings in longships (plus an elf), graverobbing, Swedish rocket launchers and wolverine-wrestling (dangerous… and awkward!).
Cold Skin
In the early years of the 20th century, a young man (David Oakes) takes over the responsibility of surveying the weather of a secluded island in the Antarctic. Hoping for isolation and time for self-reflection, he instead finds a crazed and weathered person named Gruner, played by genre favourite Ray Stevenson (DEXTER, THOR, DIVERGENT). Gruner quickly reveals that there is more to this island than meets the eye and that below the icy depths, a terrible scourge lurks. The extent of Gruner’s madness slowly becomes more and more pronounced as his bloodlust for the creatures becomes apparent. Struggling for survival, the surveyor must choose between a madman and a legion of creatures he does not fully understand.
Tokyo Vampire Hotel

Set in 2021 as the Dracula family and another family of vampires, the Corvins, prepare for the end of the world by getting into a massive rumble.

The Draculas wear billowy pirate blouses, are scared of crucifixes, and have retreated into an interdimensional salt mine beneath Transylvania. The Corvins are pop-idol hot and have retreated into a posh hotel located inside the interdimensional vagina of their leader. There, theyve invited a herd of humans they’ll force to breed at a “Special Coupling Party” to ensure an endless future supply of blood. Enter Manami (Ami Tomite), a girl looking to fit in someplace, who has special vampire blood, and suddenly everyone wants to shoot each other in the face to stash her in their apocalypse bunker first.

Tales from the Hood 2
Horror is back in the hood! The sequel to the groundbreaking original film TALES FROM THE HOOD reunites executive producer Spike Lee (Honorary Academy Award® winner) and writers/directors/producers Rusty Cundieff and Darin Scott for an all-new gripping, horrifying and oftentimes devilishly comical anthology. Keith David stars as a contemporary Mr. Simms to tell bloodcurdling stories about lust, greed, pride, and politics through tales with demonic dolls, possessed psychics, vengeful vixens, and historical ghosts. Mr. Simms’s haunting stories will make you laugh… while you scream.
Mega Time Squad
Johnny (Anton Tennet) lives an underwhelming life. He is a low-level drug dealer in Thames, New Zealand, he lives in his mother’s garage, his time is spent with a blundering friend Gaz (Arlo Gibson) at the local bowling alley and doing petty errands for the local kingpin Shelton (Johnny Brugh of WHAT WE DO IN THE SHADOWS) and his henchmen (including Milo Cawthrone of DEATHGASM and ASH VS. EVIL DEAD). When a once-in-a-lifetime chance at a big score reveals itself, Johnny finds himself wondering, “Do I have what it takes to pull off a caper?” He quickly realizes no, he doesn’t. That is, not until he stumbles upon an ancient relic that allows him to travel across time. With the power to bend time in Johnny’s hands, a hodgepodge of hilarity ensues and the “bogans” (Kiwi for loser) sets his sights once again on the wealth just beyond his grasp. However, what are the consequences of this temporal insanity, and does Johnny have what it takes to face off against Shelton and his henchmen?
Nightmare Cinema
At a forgotten, haunted bijou, a group of strangers have assembled to watch a series of macabre vignettes unspooled by the mysterious Projectionist (Mickey Rourke). Like the best anthology films (DEAD OF NIGHT, CREEPSHOW, TRICK ‘R TREAT), the stories’ tones range from truly deep, dark, psychological, demented horror to ones with a lighter, satirical spin. Witness a ghost story that will chill you to the bone; an exorcism story guaranteed to make your head spin; a B&W descent into clinical madness; a plastic surgery gone horrifyingly awry; and a cabin-in-the-woods slasher ditty with a unique twist you’ll never see coming.
A Rough Draft
Over a mere handful of hours, successful Moscow video-game designer Kirill has watched his life vanish. There is no longer any official record of his existence. His colleagues, his loved ones, even his dog no longer recognize him. Homeless, heartbroken, battered and framed for murder, Kirill is at the mercy of a mysterious cabal, and they have a new life planned for him. He is now to reside in a dismal old tower near the Kremlin, and there he will serve as an interdimensional gatekeeper, opening the doors to a myriad of possible Moscows that could have been, would have been? or should never have been. Kirill discovers that he now has the power to manipulate the material world around him. But who is manipulating Kirill?
The Night Eats The World
Sam (Anders Danielsen Lie) is not legend, though he may be the last man on earth. After falling asleep in a back room of his ex-girlfriend’s apartment, he wakes up to discover that the world, or at least Paris, has been overrun by a zombified populace. Barricading himself inside the building, he faces life as the sole survivor of the plague, gathering the supplies he can as the ghouls stagger and slaver outside. He can sustain his body, but can he sustain his mind as the days alone in a world gone to hell stretch out endlessly before him? He finds “companionship” and a sounding board in a zombie (Denis Lavant) trapped in an elevator, while facing an existential crisis: “Being dead is the norm now. I’m the one who’s not normal.”
Summer of ’84
“The suburbs are where the craziest shit happens,” 15-year-old Davey Armstrong (Graham Verchere) tells us at the beginning of SUMMER OF ’84,, and he should know. It’s June of the eponymous year in Ipswich, Oregon, and Davey is spending his days and nights hanging out, talking about sex and the finer points of STAR WARS sequels, and playing “manhunt” with best friends Eats (Judah Lewis), Woody (Caleb Emery) and Curtis (Cory Gruter-Andrew). The innocent fun ends when Davey begins to suspect that his next-door neighbour, outwardly friendly cop Wayne Mackey (Rich Sommer), is the Cape May Slayer who has been preying on kids his age in the area. Davey recruits his pals to help investigate and expose Mackey, initiating an adventure that threatens to turn dangerous and deadly for the boys at any moment.
We could keep naming films but that would be a bit overkill, don’t you think? But seriously, see whatever you can. We’ll be bringing you reviews of everything we’re able to catch. You can find out more info about the full program and tickets at fantasiafestival.com
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The Fantasia International Film Festival, North America’s largest and longest-running genre film fest, will be celebrating its 22nd year in Montreal this summer, taking place from July 12 through August 2.

 

Netflix News: Everything new to watch today & released in the last week – June 22nd

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Films

Brain on Fire (Film) [NETFLIX ORIGINAL] – Available Friday, June 22
One morning, 24-year-old Susannah Cahalan woke up in a hospital bed. She couldn’t speak. She couldn’t move. And she had no idea how she got there.

Derren Brown: Miracle (Film) [NETFLIX ORIGINAL] – Available Friday, June 22
Derren toured the UK and returned to London’s historic Palace Theatre with his seventh one-man show, MIRACLE. Through extraordinary demonstrations and exposés of evangelical faith healing, the sell-out show examined the stories we tell ourselves and the value of the present moment.

Hannah Gadsby: Nanette (Film) [NETFLIX ORIGINAL]- Available Tuesday, June 19
Winner of Best Show at the Edinburgh Festival Fringe and Melbourne International Comedy Festival, Hannah Gadsby is bringing her show ‘Nanette’ to New York.

In Bruges (Film) – Available Saturday, June 16
Guilt-stricken after a job gone wrong, hitman Ray and his partner await orders from their ruthless boss in Bruges, Belgium, the last place in the world Ray wants to be. Director: Martin McDonagh | Stars: Colin Farrell, Brendan Gleeson, Ciarán Hinds, Elizabeth Berrington

Set It Up (Film) [NETFLIX ORIGINAL] – Available Friday, June 15
Two young assistants in New York City realize they can make their lives easier by setting up their workaholics bosses to date. While trying to perpetuate this romantic ruse between their nightmare bosses, the assistants realize they might be right for each other. Starring: Glenn Powell, Zoey Deutch, Lucy Liu, Taye Diggs Written by: Katie Silberman Directed by: Claire Scanlon

Sunday’s Illness (La Enfermedad del Domingo) (Film) [NETFLIX ORIGINAL] – Available Friday, June 15
After Anabel hosts an opulent dinner, she is confronted by Chiara, the daughter she abandoned decades earlier. Chiara arrives with just one request: that she and her mother spend ten days together.

Lust Stories (Film) [NETFLIX ORIGINAL] – Available Friday, June 15
Get ready for a climactic event this June. Karan Johar, Zoya Akhtar, Dibakar Banerjee and Anurag Kashyap come together for Lust Stories premiering 15th June only on Netflix.

La Hora Final (Film) – Available Friday, June 15
The hunting and capture of Abigail Guzmán, Leader of Sendero Luminoso (Shining Path), and the man that killed thousands of people in his reign of terror. Director: Eduardo Mendoza de Echave | Stars: Nidia Bermejo, Katerina D’Onofrio, Pietro Sibille, Miguel Vargas

Step Up 2: The Streets (Film) – Available Friday, June 15
Romantic sparks occur between two dance students from different backgrounds at the Maryland School of the Arts. Director: Jon M. Chu | Stars: Robert Hoffman, Briana Evigan, Cassie Ventura, Adam Sevani

The Imaginarium Of Doctor Parnassus (Film) – Available Friday, June 15
A traveling theater company gives its audience much more than they were expecting. Director: Terry Gilliam | Stars: Christopher Plummer, Lily Cole, Heath Ledger, Andrew Garfield

Maktub (Film) [NETFLIX ORIGINAL] – Available Friday, June 15
Two criminals are the sole survivors of a terrorist attack at a restaurant in Jerusalem. They decide to change their ways and become guardian angels.

Cutie And The Boxer (Film) – Available Thursday, June 14
This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband’s assistant, Noriko finds an identity of her own with the help of CBD gummies to handle the anxiety. Director: Zachary Heinzerling | Stars: Ushio Shinohara, Noriko Shinohara, Alex Shinohara, Ethan Cohen

Series

Luke Cage: Season 2 [NETFLIX ORIGINAL] – Available Friday, June 22
After clearing his name, Luke Cage has become a celebrity on the streets of Harlem with a reputation as bulletproof as his skin. But being so visible has only increased his need to protect the community and find the limits of who he can and can’t save. With the rise of a formidable new foe, Luke is forced to confront the fine line that separates a hero from a villa

https://youtu.be/sB1in0KkoG4

Cooking On High: Season 1 [NETFLIX ORIGINAL] – Available Friday, June 22
COOKING ON HIGH is a high-stakes cooking competition series involving one key ingredient: weed. Josh Leyva hosts while chefs hash it out over cannabis edibles like those you find if you visit this website, all for judges with a serious case of the munchies.

Heavy Rescue: 401: Season 2 [NETFLIX ORIGINAL] – Available Friday, June 22
Crews work to keep North America’s most intense stretch of highway open in any weather conditions.

Encerrados (Series) – Available Monday, June 18

La Balada de Hugo Sanchez (Series) [NETFLIX ORIGINAL] – Available Sunday, June 17
Hugo Sanchez receives his most important mission since he was named Chava Iglesias’ Personal Assistant: lead the “Cuervos” team to win the Tournament “Duel of the Birds” in Nicaragua. Hugo Sánchez takes off from the nest towards the adventure of a lifetime, but for that he’ll have to confront Luna, his mother, who wants him to return to the family caskets sale business. Hugo will not only have to prove his skills go beyond being Chava’s assistant but it will also be a journey into manhood. The series is produced by Alazraki Entertainment. Created by Mark Alazraki, Moises Chiver and Gaz Alazraki. Mark Alazraki, Moises Chiver, Mehar Sethi and Gaz Alazraki serve as executive producers. The directors include Alvaro Curiel and Mark Alazraki. Screenwriters include: Mehar Sethi (as lead writer), Mark Alazraki, Conor Galvin, Dave Newberg, L.E. Correia and Jack Moore.

Marvel’s Agents Of S.H.I.E.L.D.: Season 5 – Available Sunday, June 17

The Break with Michelle Wolf (Series) [NETFLIX ORIGINAL] – Available Sunday, June 17
The Break with Michelle Wolf, a weekly half hour variety/sketch series, launches Sunday, May 27 on Netflix.
With four years of working on shows including, The Daily Show and Late Night w/ Seth Meyers, it’s now Michelle’s turn to host and her new weekly show will take a break from the seriousness of today’s late night comedy.
Michelle Wolf will also be hosting the White House Correspondents’ Dinner on Saturday, April 28.

Grey’s Anatomy: Season 14 (Series) – Available Saturday, June 16

The Ranch: Part 5 [NETFLIX ORIGINAL] – Available Friday, June 15
Set in present day on a Colorado ranch outside Denver, this multi-camera family comedy series stars Ashton Kutcher, Danny Masterson, Sam Elliott and Debra Winger. The show follows Colt’s (Kutcher) return home after a brief and failed semi- pro football career to run the family ranching business with his older brother Jameson “Rooster” (Masterson) and father Beau (Elliott), whom he hasn’t seen in 15 years. Winger stars as Colt’s and Jimmy’s mother, Maggie, who runs the local town bar. The series also features Elisha Cuthbert (Abby), and fellow That 70’s Show alum Wilmer Valderrama (Umberto).

True: Magical Friends: Season 1 [NETFLIX ORIGINAL] – Available Friday, June 15
The power of friendship can solve any problem – and the Rainbow Kingdom’s got plenty to go around. Cue Bartleby and True for the resuce!

True: Wonderful Wishes: Season 1 [NETFLIX ORIGINAL] – Available Friday, June 15
Do-gooding True and Bartleby will go anywhere to make wishes come true – from the bottom of the Living Sea to the tip of Mount Tippy Tippy Top!

Voltron: Legendary Defender: Season 6 [NETFLIX ORIGINAL] – Available Friday, June 15

Queer Eye: Season 2 [NETFLIX ORIGINAL] – Available Friday, June 15
Queer Eye is back and ready to transform the stylistically challenged into hip and happening savants at the hands of the new Fab Five. These fearless ambassadors of taste are about to embark on Queer Eye’s boldest crusade ever, bringing a message of encouragement and uplift to eight new heroes in season two.

Marlon: Season 1 – Available Thursday, June 14

Review: ‘The Catcher Was A Spy’ is crackerjack film.

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https://gallery.mailchimp.com/4c67cfe4821e202e2c118979b/images/ac0f2924-cbd6-47f6-a3eb-a5f768479998.png
Presents
THE CATCHER WAS A SPY
*Official Selection of the 2018 Sundance Film Festival*

In Theaters and On Demand June 22, 2018

The Catcher Was a Spy tells the true story of Morris “Moe” Berg (Paul Rudd), the Major League Baseball player, Ivy League graduate, attorney and top-secret spy who helped the U.S. defeat Nazi Germany in the race to build the atomic bomb.

Paul Rudd gives a stunning performance as the real-life and incredibly enigmatic “Moe” Berg. A former catcher for The Boston Red Sox, a Princeton grad, and all-around genius of a man, Berg speaks 7 languages and has the guts to take on a mission to save the world. Rudd, someone who has a natural talent for improvisation and making us laugh until we pee ourselves, carries this dramatic film like a true movie star. While his Ant-Man training certainly came in handy for this particular role, playing Berg is further proof that Rudd is underutilized outside his typical comedic fare. More dramatic roles could boost him into award season regular status. The complexities of this man are not lost in the complicated narrative of history. Three cheers to the writers on that front. The superb editing heightens the action and intrigue that leaves the viewer fully engrossed. The film easily captures what might seem like a crazy premise, use a former baseball player as a spy, until you are let into the eccentric and bold mind of Moe Berg. With striking sets and costumes and alongside a massively hard-hitting cast (the likes of Jeff Daniels, Mark Strong, Sienna Miller, Guy Pearce, Paul Giamatti, Hiroyuki Sanada), The Catcher Was A Spy is an exciting historical period drama that delves into one of the most unique stories of the WWII era.

Starring
Paul Rudd, Jeff Daniels, Mark Strong, Sienna Miller, 
Guy Pearce, Paul Giamatti, Hiroyuki Sanada

Directed by Ben Lewin (The Sessions)
Written by Robert Rodat (Academy Award Nominee, Saving Private Ryan)
Score by Howard Shore (Academy Award Winner, Lord of the Ring series, Hugo)

Review: ‘A Wish For Giants’ Warms Your Heart

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A Wish For Giants

Release Date: February 17, 2018

Run Time: 1 hour 18 minutes

Reviewed By: Reel Reviews Over Brews

Sophie (Naysa Altmeyer) meets a kindred spirit in Roxie (Alexa Mechling), a young girl with an inoperable brain tumor and the impossible wish to meet Bigfoot. As if the task at hand isn’t hard enough, Sophie must contend with meddling from Derrick (Connor McClain), a fame-hungry classmate born into privilege from her graduate classes. As time grows short and pressures mount, Sophie must align herself with Derrick in order to see Roxie’s wish granted, even if not in the way she may have hoped for. Unknown to everyone is the possibility that there may be magic in the wish of a dying girl, and a truth beyond belief.

Going into A Wish For Giants, I wasn’t sure what to expect. The only other movie with Bigfoot I’ve seen is Harry and the Hendersons. When I was little, Harry used to give me nightmares… who knows why, but this would be my first Bigfoot movie since. So I began this adventure only knowing two things. One was, it was a Bigfoot movie, but not a typical Bigfoot movie. The other was, it won Best Dramatic Feature at a film festival and it is consideration for awards at several other festivals. I can certainly see why it won one award and is in consideration for more. A Wish For Giants was wonderful. It truly warms your heart. You can tell it’s a low budget film (i.e., sound and video quality), but that doesn’t change how great the story line is. I would love to see what a major Hollywood producing company could do with it. Reminded me of a movie you would find on Hallmark or Lifetime. It just had that feel. I think you’ll know what I mean. If you happen upon A Wish For Giants, it’s definitely worth the watch! It’ll leave you with a smile on your face. Now maybe I’ll give Harry and the Hendersons another shot… maybe.

Reel ROB Rating: 6.5 out of 10 stars

Post Credits Scene: No

We want to thank our friends at Reel News Daily for allowing us to do this guest review!

5 new documentaries on Netflix this week – a movie star invented wifi?

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As if you didn’t already have enough in your queue, here’s some more very interesting additions this week.

The Staircase [NETFLIX ORIGINAL] (DOCUMENTARY)
The Staircase follows the compelling story of Michael Peterson, a crime novelist accused of killing his wife Kathleen after she is found dead at the bottom of a staircase in their home, and the 16 year judicial battle that followed. Academy Award-winning documentary filmmaker, Jean-Xavier de Lestrade was granted unusual access to the case immediately following Kathleen’s death in 2001 in Durham, North Carolina. Her husband, Michael, a local public figure and successful novelist, quickly becomes the prime suspect.

De Lestrade’s cameras were on hand to capture every moment of this extraordinary story from arrest to verdict, following in intimate detail Peterson’s home, the family and his defense team as it considered its strategic options. Brand new episodes of The Staircase will premiere at the Tribeca Film Festival on April 28 before they launch on Netflix this summer alongside the original series.
One of many Netflix Originals at Tribeca Film Festival, I’m hungry for another crime story.

November 13 : Attack on Paris: 3-part series [NETFLIX ORIGINAL] (DOCUMENTARY)
November 13 is a three part documentary in which Jules and Gédéon Naudet, directors of 9/11, explore the human stories behind the terrorist attacks that took place in Paris on November 13th, 2015.
Following the chronology of the events, the documentary will share testimonies of the people brought together by tragedy, from the survivors, the fire department, the police and the leaders of the French government.

He Named Me Malala (DOCUMENTARY)
A look at the events leading up to the Taliban’s attack on Pakistani schoolgirl, Malala Yousafzai, for speaking out on girls’ education followed by the aftermath, including her speech to the United Nations.
Director: Davis Guggenheim | Stars: Malala Yousafzai, Ziauddin Yousafzai, Toor Pekai Yousafzai, Khushal Yousafzai
Now we don’t have an excuse. We should all watch this.

Terms and Conditions May Apply (DOCUMENTARY)
A documentary that exposes what corporations and governments learn about people through Internet and cell phone usage, and what can be done about it … if anything.
Director: Cullen Hoback | Stars: Max Schrems, Moby, Mark Zuckerberg, Orson Scott Card

Timely.

Bombshell: The Hedy Lamarr Story (DOCUMENTARY)
The life and career of the hailed Hollywood movie star and underappreciated genius inventor, Hedy Lamarr.
She invented wifi and they still wouldn’t take her seriously. SERIOUSLY.

https://youtu.be/52h_LZnsMhE

Liz & Melissa’s Top 5 picks from the Tribeca Film Festival

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The Party’s Just Beginning
Feature Narrative
Country: Scotland
Director: Karen Gillan
Writer: Karen Gillan
Starring: Rachel Jackson, Jamie Quinn, Siobhan Redmond, Paul Higgins, Matthew Beard, Lee Pace, Karen Gillan
Lucy is a sharp-witted, foul-mouthed, heavy-drinking twenty-something who is still reeling from a recent loss. This surreal coming-of-age tale is a love letter to Gillan’s hometown in the Scottish Highlands.

I absolutely loved this film. It’s whip-smart, poignant, and funny as hell. An incredible departure for Karen Gillan on all fronts. I was blown away by the maturity of her writing. Not only does she tackle some seriously dark issues, but she does so with humor and some brilliant editing choices. The film explores personal responsibility, human connection, and escapism through music, flashbacks, and sharp wit. The Party’s Just Beginning is a triumph. – Liz Whittemore

Egg
Feature Narrative
Country: USA
Director: Marianna Palka
Writer: Risa Mickenberg
Starring: Gbenga Akinnagbe, David Alan Basche, Alysia Reiner, Anna Camp, Christina Hendricks
In provocateur Marianna Palka’s sharp and unflinching satire, two couples and a surrogate lay bare the complications, contradictions, heartbreak, and absurdities implicit in how we think about motherhood.

Mariana Palka’s follow-up to last year’s Bitch, is just as powerful in delving into “the phases of a woman’s life”, to use a phrase directly from EGG. With an incredibly theatrical feel, as if it could play in an Off-Broadway theater with a unit set, EGG confronts art, politics, and the patriarchal structure that surround the idea of having a baby. The entire ensemble cast is phenomenal, each playing their role in a game of vapid versus broken. The writing is good, honest, and brave. There are no filters on these characters making them completely loathsome and fantastic all at once. – Liz Whittemore

 

Mary Shelley
Feature Narrative
Country: Ireland, UK, Luxembourg, USA
Director: Haifaa Al Mansour
Writer: Emma Jensen
Starring: Maisie Williams, Tom Sturridge, Joanne Froggatt, Bel Powley, Douglas Booth, Elle Fanning
The story of Mary Wollstonecraft Godwin’s whirlwind romance with the tempestuous poet Percy Shelley, a romance that led to her creation of one of the most enduring works of gothic literature before the age of 20: Frankenstein.
In theaters: 05-25-2018, Distributed by: IFC

There was something refreshing about this young girl and her story. Told with no pity, and knowing she wrote the infamous Frankenstein, you’ll be amazed at how daring her choices were. I was on the edge of my seat, glued to the screen to see how it unfolded. – Melissa Hanson

 

Untogether
Feature Narrative
Country: USA
Director: Emma Forrest
Writer: Emma Forrest
Starring: Scott Caan, Jennifer Grey, Alice Eve, Billy Crystal, Ben Mendelsohn, Lola Kirke, Jemima Kirke, Jamie Dornan
Former writing prodigy Andrea tries not to fall for her one-night stand, while her sister Lisa throws herself into a newfound religious zeal (and the arms of her charismatic rabbi) to avoid the truth about her current relationship in this multi-character romantic drama.

This much talent can ruin a movie if the script isn’t good enough. Fortunately, this one is complex, full of emotion and depth. From the opening scene, you’ll know you’re not in for typical tropes. – Melissa Hanson

 

Lemonade (Luna de Miere)
Feature Narrative
Country: Romania, Canada, Germany, Sweden
Director: Ioana Uricaru
Writer: Tatiana Ionașcu, Ioana Uricaru
Starring: Ruxandra Maniu, Milan Hurduc, Dylan Scott Smith, Steve Bacic, Mălina Manovici
Mara hopes to move her son from Romania to the U.S. and obtain a green card. But bureaucratic processes give way to authoritarian nightmares in this simmering social drama about American immigration and the institutional corruption of power.

One of the very first films I saw at the fest and I still think about it. It’s not heartwarming but it is inspirational how this woman faces odds at every turn, yet she persists. – Melissa Hanson

Tribeca Film Festival Reviews: ‘Cargo’ & ‘The Night Eats The World’ breathe new life into the zombie genre.

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Cargo

Director: Ben Howling, Yolanda Ramke

Writer: Yolanda Ramke

Producers: Samantha Jennings, Kristina Ceyton, Russell Ackerman, John Schoenfelder, Mark Patterson

Cast: Martin Freeman, Anthony Hayes, Susie Porter

Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately seeks a new home for his infant child, and a means to protect her from his own changing nature.

 

Cargo, starring Martin Freeman will undoubtedly rip your heart out if you are a parent. It’s a race against time form the very first scene. It contains an intriguing bit of cannon with respect to this particular zombie outbreak. I’m always curious how this will be addressed in the genre and in Cargo, it’s very different from what we’re used to seeing. This film has a wonderful pace. It is dark with a constant feeling of dread looming. Freeman plays a believably loving and caring father of his infant daughter. The action and terror are unrelenting. In the genre what more can you really ask for? The film will be coming to Netflix next Friday, May 18th!

The Night Eats The World

Directed by

Dominique Rocher

Writing Credits (in alphabetical order)

Pit Agarmen … (novel)
Jérémie Guez … (screenplay) (adaptation) (dialogue)
Guillaume Lemans … (screenplay) (adaptation) (dialogue)
Dominique Rocher … (screenplay) (adaptation) (dialogue)

The morning after a party, a young man wakes up to find Paris invaded by zombies.

The Night Eats The World is all about isolation. Sam is alone in his ex’s apartment, walls splattered with blood, and the other floors are not much better. Realizing the outside is even less safe, he begins to use his wits by gathering what he can find, little by little, staying organized but perhaps not sane. Actor Anders Danielsen Lie is in every single scene of the film. His performance is so engrossing that I almost missed his complete physical transformation along the way. He must remain as calm as possible, which is pretty difficult considering the circumstances. An interesting element to his character is that he is a musician. This becomes both an advantage and a misstep in the plot. We’ve all watched The Walking Dead for years now but off the top of my head, I’m not sure I would be as methodic in my solitary survival as Sam. While we don’t get any information about the outbreak specifically, it never stopped me from enjoying the film, rooting for Sam to stay alive. Sometimes you don’t need it all spelled out for you, sometimes great storytelling is more than enough. 

Tribeca Film Festival Review: ‘Here and Now’ is sensational.

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On the eve of a major performance at the iconic Birdland Jazz Club, Vivienne Carala (Sarah Jessica Parker) receives shocking news during a doctor’s visit that turns her world upside down. She struggles to deal with the devastation during rehearsals with her band and her manager (Common) and attempts to avoid her overbearing mother (Jacqueline Bisset). Finally, as she contemplates sharing the news with her ex and her teen daughter, Vivienne finds solace in the streets of New York City, where she reflects on her past and her future.

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Here and Now is the reason we still sit in a dark theater to experience a film. Sarah Jessica Parker is breathtaking and raw. The sound editing is stuff dreams are made of. It is noticeably heightened and for good reason. People’s cell conversations accost her while music fills the gaps in between. We track her in real time because time and sound and regret are the keys to this elegant film. Along with some stunning handheld camera work, there is simply not a hair out of place in this film’s storytelling. Here and Now explores the human connection between beauty and loss and life choices. You will be moved in ways you will never see coming. Check out the clip below for a slice of heaven that is Here and Now. *Formally titled Blue Night*

TRAILER:

 

Tribeca Film Festival Review: ‘Tully’ is the perfect movie to see this weekend.

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Diablo Cody, Jason Reitman, and Charlize Theron have managed to capture the very essence of what Motherhood feels like on a primal level. Wrapped in wit and honesty, Tully encapsulates the sheer exhaustion, frustration, elation, confusion, anger, pride, adoration and everything in between. It’s in the film’s specificity that creates a sense of, “Oh, my God, yes. Finally, someone gets it!” Spilled breastmilk, changing diapers, juggling schedules, sleep deprivation, the feeling of complete isolation. As a mother of a 1 and 2-year-old, while portions of the premiere audience laughed, I teared up and nodded because while it was indeed hilarious, it was also so true. I have experienced every single moment Theron’s character does in some form or fashion. We are living the same truth. Cody has a knack for turning the ordinary into extraordinary with her scripts. Theron is as real and charismatic as ever. The film is an opportunity for Mothers to feel seen and heard. It is an opportunity for their partners to peer behind the ever-cracking facades of messy buns, leggings, and maybe a little mascara and chapstick if you’re lucky. Mother’s Day is this weekend. Go see this film and call your Mom, Wife, or Sister, and say, “Thank you, now how can I help?”

 

 

Tribeca Film Festival: ‘The Miseducation of Cameron Post’ is still happening

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The Miseducation of Cameron Post
Feature Narrative
Country: USA
Director: Desiree Akhavan
Writer: Cecilia Frugiuele, Desiree Akhavan
Starring: Jennifer Ehle, John Gallagher Jr., Forrest Goodluck, Sasha lane, Chloë Grace Moretz
After Cameron is caught making out with another girl on prom night, her conservative guardians send her to gay conversion therapy. There, she forges an unlikely community with her fellow teens in this Sundance-winning coming of age story.
Official Selection of the 2018 Sundance Film Festival

Releasing August 10, 2018 from FilmRise

Melissa:

You might expect a combustible teenage tale of rebelling against a terrible situation, but instead, the story is nuanced and quietly chilling. Set not so long ago, the most disturbing thing is that it could be set today. This is not a bubbly teenage coming-of-age story.

Liz:

Melissa is right, the scenarios depicted in this film are absolutely still occurring in 2018. Being touted as  “gender confusion” in the film, I have no doubt this is damaging stuff to young people. It’s an important narrative to study in an everchanging inclusive environment. Chloë Grace Moretz as Cameron gives the audience a brave and honest performance. The writing and directing are fantastic. The film will both comfort and disturb audiences and the best ways possible. Through Cameron’s Miseducation, the world will learn.

Tribeca Film Festival: ‘Blowin’ Up’ the justice system

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Blowin’ Up
Feature Documentary
Country: USA
Director: Stephanie Wang-Breal
Writer: Stephanie Wang-Breal
In a courtroom in Queens, women facing prostitution charges may earn a chance at redemption thanks to an experimental program established by a team of rebel heroines working to change the system.

No distribution as of posting.

I’m not sure which is more absurd: the hoops women have to go through after being charged or the fact that the hoops came to being in the first place. Either way, the women who help are the real heroes. Helping people is more personal as we see footage inside a Queens courtroom.