LIFE AFTER

Filmmaker Reid Davenport‘s timely Sundance documentary LIFE AFTER is here to ask the big questions. Much like his film 2022 film, I DIDN’T SEE YOU THERE, Davenport’s personal lens overlaps with his subject as a person with cerebral palsy. Upon discovering an essay about a young woman named Elizabeth Bouvia, Davenport embarks on a journey to find this disability rights pioneer.
Archival footage of Elizabeth through the years is spliced between stories of people with similar feelings and fears, though each story is drastically different. Reid makes it clear at the beginning of the film. These are not black-and-white issues, and his intention is truth and connection. The confrontation of ableism is mind-blowing and vital. Reid Davenport’s charm and raw honesty are captivating, and those who choose to share their stories open our eyes.
Canadian Bill C-7 allowed for the Right To Die. The expansion of MAiD (Medical Assistance in Dying) remains controversial. Davenport offers every angle of the process. This alone is an emotional roller-coaster, from perceived propaganda to Disability Rights Advocates, both for and against the legislation.
Cambridge, Ontario resident Michael Kaliszan was born with CP. After the death of his mother and primary caretaker, his quality of life plummeted as funds dried up and loneliness took hold. His attempts to access MAiD were fruitless. Through his months of trying, Davenport has revisited Michael, and a seed of hope for a sustainable and happy existence might be growing.
Michael Hickson‘s story of his post-coma brain and spinal cord complications comes from his wife, Melissa. Her struggle to attain better care for her husband led to a guardianship battle and, ultimately, his death. Melissa’s secret recordings of doctors back up her claims that staff encouraged Michael’s passing.
Dr. Ramona Coelho speaks about the cost savings of moving forward with the passing of C-7. The film tackles the abuse of the law. Davenport interviews advocates who worry that this could be used as a justification tool to end the lives of disabled people, in other words, eugenics.
Elizabeth’s story is the catalyst for Davenport. It opens the door to so much more. Interviews with her family members and home videos reveal untold stories from her life, and the nuance will leave you breathless. LIFE AFTER skillfully tackles body autonomy, health rights, disability awareness, ableism, and capitalism. It is an incredibly important film and one hell of a conversation starter.
Remaining screenings of LIFE AFTER:
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Jan 30, 12:30 PM MST
Broadway Centre Cinemas – 6
Salt Lake City
open caption -
Jan 31, 6:00 PM MST
Holiday Village Cinemas – 1
Park City
open caption-
Jan 30, 10:00 AM EST –
Feb 3, 1:55 AM ESTOnline Screening
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In 1983, a disabled Californian woman named Elizabeth Bouvia sought the “right to die,” igniting a national debate about autonomy, dignity, and the value of disabled lives. After years of courtroom trials, Bouvia disappeared from public view. Disabled director Reid Davenport narrates this investigation of what happened to Bouvia.
- Year
2025
- Category
Feature
- Country
United States
- Language
English
- Run time
99 min
- Company
Multitude Films
- Website



Having switched from in-person to completely virtual, audiences of Sundance 2022 will have the opportunity to see a plethora of entertainment that will terrify, tantalize, and remind you of why we love storytelling so much. From horror to drama, television series to shorts, documentaries to VR experiences, we’ll be watching as much as our eyes can consume from January 20-30th. Things are finding distribution left and right, with is always great news. That means even if you miss something during the festival, it will most likely be coming to a theater or streaming platform very soon.
Cha Cha Real Smooth / U.S.A. (Director and Screenwriter: Cooper Raiff, Producers: Dakota Johnson, Ro Donnelly, Erik Feig, Jessica Switch, Cooper Raiff) — A directionless college graduate embarks on a relationship with a young mom and her teenage daughter while learning the boundaries of his new bar mitzvah party-starting gig. Cast: Dakota Johnson, Cooper Raiff, Vanessa Burghardt, Evan Assante, Brad Garrett, Leslie Mann. World Premiere.
Dual / U.S.A. (Director and Screenwriter: Riley Stearns, Producers: Nate Bolotin, Aram Tertzakian, Lee Kim, Riley Stearns, Nick Spicer, Maxime Cottray) — After receiving a terminal diagnosis, Sarah commissions a clone of herself to ease the loss for her friends and family. When she makes a miraculous recovery, her attempt to have her clone decommissioned fails, and leads to a court-mandated duel to the death. Cast: Karen Gillan, Aaron Paul, Beulah Koale. World Premiere.
I Didn’t See You There / U.S.A. (Director: Reid Davenport, Producer: Keith Wilson) — Spurred by the spectacle of a circus tent that goes up outside his Oakland apartment, a disabled filmmaker launches into an unflinching meditation on freakdom, (in)visibility, and the pursuit of individual agency. World Premiere.
Brian And Charles / U.K. (Director: Jim Archer, Screenwriters: David Earl, Chris Hayward, Producer: Rupert Majendie) — A story of friendship, love, and letting go. And a 7ft tall robot that eats cabbages. A comedy shot in documentary format. Cast: David Earl, Chris Hayward, Louise Brealey, Jamie Michie, Lowri Izzard, Mari Izzard. World Premiere.
Calendar Girls / Sweden (Directors, Screenwriters, and Producers: Maria Loohufvud, Love Martinsen) — A coming-of-golden-age look at Florida’s most dedicated dance team for women over 60, shaking up the outdated image of “the little old lady,” and calling for everyone to dance their hearts out, while they still can. World Premiere.
Something In The Dirt / U.S.A. (Directors: Justin Benson, Aaron Moorhead, Screenwriter: Justin Benson, Producers: David Lawson, Aaron Moorhead, Justin Benson) — When neighbors John and Levi witness supernatural events in their Los Angeles apartment building, they realize documenting the paranormal could inject some fame and fortune into their wasted lives. An ever-deeper, darker rabbit hole, their friendship frays as they uncover the dangers of the phenomena, the city, and each other. Cast: Justin Benson, Aaron Moorhead. World Premiere. Fiction.
Hatching / Finland (Director: Hanna Bergholm, Screenwriter: Ilja Rautsi, Producers: Mika Ritalahti, Nico Ritalahtit) — While desperately trying to please her demanding mother, a young gymnast discovers a strange egg. She tucks it away and keeps it warm, but when it hatches, what emerges shocks everyone. Cast: Jani Volanen, Siiri Solalinna, Sophia Heikkilä, Saija Lentonen, Reino Nordin, Oiva Ollila. World Premiere. Fiction.
Speak No Evil / Denmark (Director and Screenwriter: Christian Tafdrup, Screenwriter: Mads Tafdrup, Producer: Jacob Jarek) — A Danish family visits a Dutch family they met on a holiday. What was supposed to be an idyllic weekend slowly starts unraveling as the Danes try to stay polite in the face of unpleasantness. Cast: Morten Burian, Sidsel Siem Koch, Fedja van Huêt, Karina Smulders, Liva Forsberg, Marius Damslev. World Premiere. Fiction.
Maika / Vietnam (Director and Screenwriter: Ham Tran, Producers: Jenni Trang Le, Duy Ho, Anderson Le, Bao Nguyen) — After a meteor falls to earth, 8-year-old Hung meets an alien girl from the planet Maika, searching for her lost friend. As Hung helps her otherworldly friend search, the alien inadvertently helps Hung make new friends and heal a broken heart. But danger lurks everywhere… Cast: Phu Truong, Diep Anh Tru, Tin Tin, Ngoc Tuong, Kim Nha. World Premiere. Fiction.
The Dark Heart / Sweden (Director: Gustav Möller, Screenwriter: Oskar Söderlund, Producers: Anna Carlsten, Caroline Landerberg) — Sweden: in a mythological landscape, search parties roam through forests of spruce, secret conversations are whispered in open fields, and verbal duels fought on narrow country roads. A story of family feuds, inheritances, and forbidden love. Cast: Aliette Opheim, Clara Christiansson Drake, Gustav Lindh, Peter Andersson. World Premiere. Fiction.
Warsha / France/Lebanon (Director and Screenwriter: Dania Bdeir, Producer: Coralie Dias) — A Syrian migrant working as a crane operator in Beirut volunteers to cover a shift on one of the most dangerous cranes, where he is able to find his freedom. Cast: Khansa. World Premiere.
Huella / U.S.A. (Director and Screenwriter: Gabriela Ortega, Producers: Helena Sardinha, Rafael Thomaseto) — When the death of her grandmother unleashes a generational curse, a disenchanted flamenco dancer resigned to a desk job is forced to experience the five stages of grief through a visit from her female ancestors. Cast: Shakira Barrera, Denise Blasor, Carla Valentine.
Long Line of Ladies / United States (Directors: Rayka Zehtabchi, Shaandiin Tome, Producers: Garrett Schiff, Pimm Tripp-Allen, Rayka Zehtabchi, Sam Davis, Dana Kurth) — A girl and her community prepare for her Ihuk, the once-dormant coming of age ceremony of the Karuk and Yurok tribes of Northern California. World Premiere. DAY ONE
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